Looking back 25 years – WHND

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Monday, November 21, 1994.  6:00 AM.

My partner Rob Main and I walked into the studio of WHND to begin what would be the last week of live broadcasts from Honey Radio.  We had heard the news weeks prior to this that the radio station was going off the air in favor of Spanish programming.  When the station was not broadcasting from our studios, we were airing satellite programming from the Cool Gold Network, which was no longer going to providing services. Honey was no longer financially viable.

At the time, Honey Radio was the oldest Oldies station in the country.  While there were stations that played oldies in the Detroit market, none were focusing exclusively on the “first decade of rock and roll”.  We primarily focused on the songs that were hits from 1955-1965, while occasionally playing some of those earlier songs from the 1950’s, too.  I think that was one of the reasons I loved working at this station so much.  When you think of the music from that decade it included rockabilly, doo wop, surf music, Motown, British Invasion music, songs from the “Brill Building”, and early soul and R&B.

We not only played the hits from this decade, but we also played songs that were local hits from local artists that were not being played anywhere else! We played music from Nolan Strong, The Dynamics, Gino Washington, Jack Scott, and so many other local acts. We did a daily show (The Top 12 at 12), which focused on a different year of the decade and counted down the Top 12 songs in Detroit from that particular day.  We always used a local chart to count down the hits.  Those charts could be from The Detroit News, WJBK, WKNR, WXYZ, or other charts.  It was unique to our station!

Today’s radio is what many refer to as “liner card radio”.  The DJ’s on the air rarely have any content and read things from cards in the studio (usually promoting station events, station appearances, or sponsor information).  The most entertaining DJ’s are usually the morning show hosts, but even they are overloaded with sponsor reads and liners.  One of my radio mentors, Jay Trachman, used to say “People say that DJ’s talk too much.  This isn’t true.  The truth is that DJ’s tend to waste their listener’s time by not having anything to say. They don’t have any REAL content to share.” This is where Honey was different.

Honey Radio DJs were “personalities” – each unique.  Boogie Brian was the “Bard of Lincoln Park” and often spoke in Rhyme.  Richard D. was the “Silly DJ from Savage Minnesota” who now lived on Lack Of Drive in Warren with his wife Oldielocks and kids Doo Wop and Bee Bop.  Other personalities included Bill Stewart, Ron T., Greg Russell, Dr. Bob, “Young” Jon Ray, Scottie OJay, Rob (and every one of his characters), and me. Each of us had our “features”.  Scottie hosted the “Soul Patrol” show, Richard had the “Off the Wall Record” and “Poor Richard D’s Almanac”, Boogie had “Cruise Casts” and Boogie’s Forgotten Favorites”, and  the list goes on and on.  There was always something fun and unique happening on Honey.

Another thing I loved about Honey was the jingles.  Our jingles were PAMS jingles.  They were many of the same tracks/jingles that were used by local radio stations all across the country during the 60’s.  They were just re-sung with our call letters.  These jingles were just awesome!  Today, you can hear many of these same jingles on Sirius XM’s 50’s on 5 and 60’s on 6. I am lucky to have many of these jingles that were taken from the master tapes on CD in my collection.

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With Honey going off the air, many of us would be out of a job.  Rob and I had been working together off and on whenever I was on air for a while.  After Honey went off the air, we hoped to find a job doing mornings somewhere.  In order to do this, we needed some more “tape” of us together.  Richard D gave us permission to go on the air instead of the satellite show in the morning that final week.  We had free reign to “play around” and have fun on the air.  At the same time, we’d be getting hours of material that we could potentially use to try to get a show somewhere.

25 years ago today, Rob and I hit the studio with a few ideas, many voices, many characters, some great music, and had the best week of our career!  It was Thanksgiving week.  Music was scheduled for Monday-Wednesday and Friday.  Thursday we were supposed to air satellite programming.  Instead, we were on for 6 hours that Thanksgiving and played songs with a different theme each hour (Number songs, Songs with girls names or guys names, Instrumentals, Songs with body parts in the title, etc…)  Originally, those shows were recorded to cassette tapes.  Those tapes were called “Skimmers”.  The tape recorded only when the microphone was turned on.  Some time ago, I took those tapes and recorded them digitally and transferred them to CD.  I still pop them into my car and listen to that final week whenever I need a laugh.  I am guessing, I will need to pull them out to honor the 25th anniversary of Honey’s end.

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The only CD I have a difficult time listening to is the last show, from November 25, 1994.  It was the last day of live broadcasting.  We had friends visit us in the studio (South Bronx Johnny, Helen & Beverly, my dad, and others).  The calls we got from listeners that day were very emotional.  They made us feel so loved.  The last break of our show, Boogie’s wife had recorded a message for him that we played right before he went on the air.  He did the final four hours of live programming.  He had prerecorded a sign off that lasted about 15 minutes with his personal reflections on the station, the staff, the listeners, and the end.  I remember Rob, his girlfriend Mary, and I all listening to this and just sobbing. Boogie expressed what everyone was feeling and it was the perfect ending to an amazing station.

It is hard to believe that it has been 25 years since that last broadcast.  When I look back, I can’t believe I was lucky enough to work with those legends!  I can’t believe I was lucky enough to be a part of such an amazing station.  I had only been in radio about 6 years when I started at Honey, and I learned SO much from watching and talking to Boogie and Richard!  What an honor to have had them as coaches, mentors, and friends.

The one thing that I will always remember about working at Honey – is the laughter.  There was always laughter whether you were in or out of the studio.  There was laughter whether you were on air or off air.  I always seemed to leave the building with my cheeks hurting from smiling and my sides hurting from laughter.  Today, I can pop those shows in (or some of the Richard D shows I have on tape), and still laugh!

25 years later, Honey is no more.  That makes me sad, because the world could sure use some laughter!

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Tune Tuesday – Pilot of the Airwaves

In honor of today being National Radio Day, and as a former full time radio DJ, today’s tune was VERY easy to pick.

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Charlie Dore is a singer songwriter from England, who reached the Top 20 with this song in 1979.  I was about a decade away from my start in radio when this song came out.  When I started working at WKSG, Kiss-FM in Detroit, we were “all request.”  I did the overnight show and many people called to hear their favorite songs.  I remember one listener in particular (her name was Heather) who used to request this one all the time.

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What I love about this song is that it shows what all DJ’s hope to accomplish – bonding with our listeners!  We hope that when you listen, you feel like you are hanging out with a friend.  That’s what made me want to get into radio, really.  I listened to Jim McKenzie all the time when I was working in the Parts Department at Suburban Marine.  Jim always seemed like a friend.  He had a friendly voice, told stories, was nice to his listeners, and funny.  While I worked, I was hanging out with my friend.

This was a common theme with my favorite DJ’s.  They were story tellers.  They were friends.  They included me in the stuff they were talking about.  I laughed with them.  They did radio, as my mentor Jay Trachman would say, “one to one.”  So many great DJ’s:  Paul Christy, Jim McKenzie, John Bailey, Gail McKnight, Johnny Molson, Richard D., Boogie Brian, Ted “the Bear” Richards, Ron T., Jon Ray, Kris King, Tim Roberts, Brian Cleary, Dan Richards, Jim Biggins, and SO many more!  The list of people who I worked with and admire is a long one!  They were all “Pilots” of the airwaves!!

Happy National Radio Day to all my radio friends!!

Pilot of the Airwaves

[Chorus:]
Pilot of the airwaves
Here is my request
You don’t have to play it
But I hope you’ll do your best
I’ve been listening to your show
On the radio
And you seem like a friend to me

Or a record of your choice
I don’t mind, I’d be happy just to hear your voice
Saying this is for the girl
Who didn’t sign her name
Yes, she needs a dedication just the same

[Bridge:]
Late at night I’m still listening
Don’t waste my time chasing sleep
People say I look weary
But that’s just the company I keep
Ooooh, you make the nighttime race
Ooooh, I don’t need to see your face
You’re sounding good (Sounding good)
Sounding good to me

[Chorus]

[Bridge]

You’re sounding so good to me

[Chorus]

Oh, I’ve been listening to your show on the radio
And you seem like a friend to me

[Chorus]

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Remembering my friend, Jay

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In 1994, I was working at Honey Radio.  Richard D. had a box full of jokes and show prep that he had collected over some time.  He recycled many lines and adapted them to make them current.  One day, while prepping his Top 12 at 12, I noticed a brown “newsletter looking” booklet.  The title of it was “One to One”.  I glanced at it and there was an article, some “this day in history” stuff, artist notes, and many one liners.  That was the first time I saw it.  It was 4 years later that I came to know more about the author of that publication, began to learn from him, and gained a wonderful mentor and friend.

WFBE – 1998

B-95 hadn’t been on the air too long when I joined the on air staff in 1998.  I was brought aboard to do mid-days.  Art Opperman was the Program Director.  During one of our aircheck meetings (when you sit down with a tape of your show and the boss offers suggestions and such), he heard a break that I had done and he liked it.  He told me it would have been better if I had edited it.  “Time matters” he said.  With that, he reached into his briefcase and handed me a few photocopied articles by Jay Trachman.  They were “Talent Tips” articles from “One to One” that he had been given by one of his Program Directors.

I remember he said to me, “This guy is good.  He knows his stuff.”  I did some research and found Jay’s number.  I explained who I was and asked about this publication.  We chatted about radio a bit and shared a few stories.  I immediately signed up for “One to One” and began applying the things in it to my show.  Art was right – Jay was good!  Each week a new tip, a new suggestion, and, of course, funny lines for the show.  I really felt that I was becoming a better on air personality because of the principles and ideas from Jay’s publication.

A year or two into my stint at WFBE, Jaye Albright was brought in as a consultant.  I remember telling Jay about this and he praised her for her work.  They had been friends a long time and she was on board with the same thinking as Jay.  Jaye was a joy to work with and we spoke often of our mutual friend Jay and the stuff from One to One.  Most DJ’s get a bit nervous at the thought of sitting down with the PD and consultant, but this was not the case for me.  I always found our chats very positive and beneficial.

In one of his weekly publications, Jay stated that there was a “rare opening for a rater”.  A rater was sent all of the comedy lines that Jay had written for that week.  The rater went through it all and rated each line – the best rated lines made it into the publication.  I jumped at the chance.  This meant that each week, after sending the rated material back to him (via fax!!!), we would then go over what he called “maverick items”, which were lines that were topical and wouldn’t keep another week.

I grew to look forward to those weekly chats with Jay.  It wasn’t like work at all.  It was a weekly chat with a good friend.  He often offered advice about a bit I wanted to do, helped me craft a promotional idea.  The more we worked together, the more we spoke to each other about our families.  I came to know his family, even though we’d never met, because of our chats.  He was a good friend.

Some of the most basic radio principles he taught me, I shared with my staff when I was a program director:  Talk to one person; Time Matters; Edit – Brevity is essential; Don’t lie to your listener; People bond with people; Be Yourself; and Entertain.  I will forever remember his definition of that -“If you make your listener feel something – whether you make them smile, make them cry, make them angry, make them think – then you have “entertained” them.”  THAT was one of the most powerful things I ever learned from him.

There came a point where Jay decided that he would stop publishing One to One.  His “family” of readers were sad about this and much of the final year’s publications had letters to “the editor” praising him and thanking him for all his hard work and advice.  It was a very emotional year.

I don’t recall if it was before he decided to stop publishing or shortly after, but I remember he told me that he had been diagnosed with lung cancer.  It must have been before he stopped publishing, as I remember a few phone calls where he told me how tired he was from the treatments.

We spoke often even after One on One ceased publication, whether it was by phone or e-mail.  I am glad that I still can access the last year of One to One, as they remain in my inbox.  I also have a few of his final e-mails to me.  He still spoke of Will, Joy, his granddaughter Sophie and the rest of his family.  He always asked about my son, Dante’.  He loved hearing stories about him and shared Sophie stories with me.

Every January, I still get an e-mail reminder saying “Jay Trachman will be celebrating his birthday – send him a birthday greeting”.  I also get the Facebook reminder on his birthday on January 15.  I realized that Jay would have been 80 this year.  He passed away in November of 2009 at age 70.  What amazes me is that as I read some of these articles from 15 years ago, they still hold true.  Yes, the landscape of radio has changed a lot, but the “tips” are still good ones.  The comedy lines, however, are a bit dated.

There have been times over the course of the past 10 years that I have wanted to reach out to him.  I miss being able to bounce an idea off him.  I miss being able to ask him about the business.  I miss his guidance and his friendship.  As I think back over the many conversations I shared with him … I am thankful to have had such a wonderful mentor and friend.

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Some old radio stories…Part 1

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Yesterday was National Radio Day. Many of my radio friends shared pictures and stories from their careers throughout the day. Looking back, I really wish I had taken more pictures! I am not sure why I didn’t. I absolutely loved seeing many of the old pictures of old studios and old friends on Facebook! If any of my friends have pictures of studios we worked in, prod rooms, etc…. please let me know, I would LOVE to see them!!!

In my almost 30 year radio career, I have (like all of my radio friends) a gazillion stories. Here are some that I’ll share off the top of my head. I am sure there are plenty more, but for now – enjoy these:

WKSG

My career started here. I was a lowly intern ripping news and sorting it. I then started to intern with Paul Christy, the morning guy. He eventually was responsible for me doing overnights full time.

  • I only used my real name once in my entire career – and almost didn’t. Every hour at the top of the hour we had our Legal ID. There was what we called a “donut” in the middle of the music where the DJ would say what time it was and their name. I’d heard it a hundred times. “It’s 10 O’clock and I’m Jim McKenzie”, “It’s 3 O’clock and I’m John Bailey”, “It’s 7 O’clock and I’m Johnny Molson” – every jock did it. My first night on the air, I hadn’t decided what name I was going to use yet. The ID played and I had no choice – “It’s midnight and I’m … (brain fart – and real name)”. I remember a gal I went to high school with was listening that night because she remembers hearing me use my real name. I used Keith Allen every day after that and have never been anyone else.
  • Speaking of those live ID’s, Johnny Molson was on before me each night. It seemed that he and his crew always were trying to mess with me when the ID played. They’d make weird noises, bang on cart racks, knock over my music stack, and all kinds of other things to try to get me to mess up. Sometimes they’d get me to crack up and sometimes I was able to keep it together. One night, the time was ticking away to the ID and they were all out of the studio. The ID started and I heard the studio door behind me open fast. They had found a huge box and as I started to talk, they threw it over my head. My hands were still by the mixer board so I could see what button I had to push next, so I just continued to talk as the box was over my head. Listeners heard nothing but a muffled voice and the music bed. Johnny was cracking up, he told me, “I can’t believe you just kept going”!
  • At one point during my time at Kiss-FM, I was doing Friday night/Saturday mornings which consisted of me being on air from 12a-6a doing my own show, and then running Paul Christy on tape from 6a-10a. I don’t recall why I hadn’t slept much the day prior, but I was tired. I did my show, and about an hour into Paul’s show, I started a song, put my elbows up on the board, my fists to my cheeks, and nodded off. About 20-25 minutes later, my head fell from my hands and I was startled awake. I had no idea where I was. The phones were all lit up, and nothing was on the air! I grabbed the first cart (what songs were on) in the music stack and jammed it into the machine. Fittingly, the song was “You’ve Got Your Troubles” by the Fortunes. Once the music started, the phones stopped ringing. I, however, knew that Paul was always listening! I dreaded the call that I knew was coming. I was sure to get fired for messing up his show! 10 minutes later the “PC hotline rang”. I answered it and as usual, Paul was chomping on something (he was always eating when he called). “How’s it going?”, he asked. He had to have heard it, I knew he did. Why wasn’t he saying anything? I finally blurted out that I had fallen asleep for a couple minutes and awaited the verbal beating. Nope. Not Paul. He laughed and said, “You Asshole! I remember this one time I fell asleep while I was at Super CFL in Chicago….” and told me the story. That was the kind of guy Paul was … a damn cool dude!
  • One more Paul Story. He drank coffee all through his shift. He liked it black and hot! One time he had Vince get him some coffee. It sat next to him for awhile while he was doing other things. He finally grabbed it and took a sip. He yelled, “What the hell is the matter with you guys?! You call this hot coffee?! I could piss warmer than this!! Get me some fresh stuff and make sure it is hot!” So Vince went to the coffee pot, filled the cup and then put it in the microwave for about 2 or 10 minutes…LOL. I don’t remember, but it was in there for a good while. He took the cup to Paul, who rather than set it down as he normally did, put it to his lips and burned the hell out of his tongue and lips! Paul yelped, “Jesus! What is wrong with you?!” Holding his tongue in pain, he continued, “I use this thing for a living!!” I think every one of us broke a rib laughing so hard.

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I followed Paul here to do some part time work after being let go from Kiss-FM. The format started as a mix of Urban/R&B music and Pop. Eventually it went all R&B and Urban. It was here that I met The Electrifying Mojo.

  • Mojo was a cool dude. He played most of his stuff off vinyl records. The thing I remember most about Mojo was that the studio was always like a sauna! It was always SO hot when I came in. There were always records all over the studio, so I rarely was able to pull the first hour of music for my show. I have to admit it was so cool to watch him say his closing line every night I worked: “Hold on tight. Don’t let go. Whenever you feel like you are reaching the end of your rope – tie a knot. Don’t slide off. Keep hanging. Keep remembering that there ain’t nobody bad like you.”

WHND

Honey Radio! I grew up listening to this station and I was honored to have the chance to work with radio legends! Richard D, Jon Ray, Boogie Brian, Ron Tavernit, Bill Stewart, Greg Russell, and so many others were such an influence. Honey was on the day I was at the drive in to see Smokey and the Bandit in 1977 – the day Elvis died. Honey was the first oldies station in the country – and I got to be there as they turned out the light…..

  • You can read all about my buddy Rob in a previous blog. I am not sure if I tell this story in that blog or not, so I apologize if I did. It was the last week Honey was on the air – the week of Thanksgiving 1994. Listeners knew that this was Honey’s last week and we had been given free reign to have fun. We had a listener who used to call up and his name was Mitchell. I had gotten to the point where I could do his voice pretty well. I had been doing a character based on the real listener and I called him “Mitch”. True story – Mitch would call and talk to us and really never have anything to say, so I prerecorded calls as Mitch where I just rambled about nothing and then hung up. Afterward, we’d say something like “He’s a nice guy, but ….” kind of a thing. So now it’s the last week we are on the air and it was clear that some people were upset the station was going off the air. So we planned a bit. I was going to do the character live on the air. I was going to come in and say how upset I was the station was going off the air, yell and scream and (using the theater of the mind) pull out a gun and start shooting (keep in mind this was 1994 and public shootings were not as prominent) it. At this point in the bit, our bouncer character (loosely based on Charles Bronson) was going to come in and beat up “Mitch” and throw him out the studio window. In order to accomplish the bit we needed sound effects (to make it sound real on the air). We had 6 cart machines and everything was on its own cart. So in cart player #1 was the song we just played. Cart #2 Door closing sound effect for when Mitch comes in Cart #3 – gunshot sound. Cart #4 – The sound of two guys beating each other up. Cart #5 – The sound of glass breaking (studio window) . Cart #6 – always had the weather music in it. After Mitch was thrown out the window, I would have already put the commercial we were going to go into in Cart player 1 and proceeded with the show. That is NOT how it happened on the air. As soon as I began to do the character live on the air, I saw Rob crack a smile, which made me start to laugh hard. As the Elvis character, Rob tries to save the bit, so I once again try to do the “Mitch” character – which only made me laugh harder. By this point we are both laughing so hard that we have tears in our eyes. Rob, as Elvis, says “That takes care of that bit, man!” and I go to start the commercial – but the commercial never made it to the machine, so the button I pushed was the gunshot sound effect, which only made us laugh harder….you hear us dropping carts and shoving the commercial in the machine and finally we went to commercials. I have often called this the worst 5 minutes of Detroit radio, but to me it is also one of the funniest. Yes, I do have audio, and it still cracks me up.
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  • (This is not the WHND studio, but it will give you a visual for the last story – Cart players are on the left in this picture)
  • Richard D was one of the funniest men I ever worked with. He gave me lots of direction and I have talked about him in previous blogs, as well. I was producing his show the Top 12 at 12, which was an hour of his show which featured the Top 12 songs in Detroit from local charts from different years. It was a fun show to produce. It included new stories, TV and movie clips, old commercials, info about how much things were from that year, etc… Richard had to play the 12 songs and sometimes there was extra time and we’d give him songs that were on the charts form that week to play as “extras” if he needed them. He was doing a countdown from 1966 and I had put a Dean Martin song in there as an extra and he played it. He made some comment about it not being the greatest song or something and moved on. I went into the studio, as I often did, to give him crap. I said something along the lines of “Why are you messing with Italians! Dean was Italian and so I am I! Look here you Old Bastid (a term of endearment), If I were you, I’d watch what you say about Dean Martin … and Frank Sinatra for that matter!” and left the room as he laughed hysterically. After the next song he said on the air, “Ladies and Gentlemen, I must offer an apology. A little while ago I played (whatever the song was) by Dean Martin and made some negative remarks about it. Well immediately after that, Keith Allen came in here with about 12 goons who roughed me up a bit and told me that my comments were distasteful. So I must now publically apologize. I really had no idea that Keith Allen was the President of the Dean Martin Fan Club!” From that day on, I always tried to find a way to sneak a Dean Martin song into my show, so I could say I was President of the Dean Martin Fan Club. When Honey went off the air, I received a package from a listener named Sandy (who I remain friends with to this day), who sent me a membership to the REAL Dean Martin Fan Club with a note that read: “I thought you might actually want to be a member of the Fan Club you claim to be President of….”
  • For years I listened to Boogie Brian rhyme his talks up song intros until he nailed the post (where the vocalist starts to sing) with no effort at all. His energy was constant and the smile in his voice was ever present – until November 25, 1994. That was the day Honey stopped broadcasting locally before eventually signing off. My partner Rob and I were listening to his sign off from the other room. The day had already been full of listeners wishing us well and many tears were shed. The biggest tears came as Boogie signed off that day. A powerful memory that I will never forget.

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I had just come back from working on the west side of the state, where I did country radio for the first time. It wasn’t long before a new PD, Tim Roberts, would take the chair and offer some advice that I still use today. Every year Tim was responsible for booking acts to the Downtown Hoedown (which at the time took place in Hart Plaza).

  • We worked at the Hoedown in shifts as I recall and mine was over. I was waiting in the blue W4 Country Suburban to go back to the station with Tim Timmerman. The Dixie Chicks were an up and coming act who had a very traditional sound. This was really not like anything on the radio at the time, and while I loved it, I didn’t think it would do as well as it did. Tim looked out the window and said “Dude, it’s the Dixie Chicks! We should go get a picture!” I told him he could because I was tired and “they probably won’t go anywhere”. Boy, was I wrong! There’s an opportunity I missed and regret to this day!

So many stories….so little time….

The more I write, the more stories I recall. Tell you what….More to come in the next blog…..

“World Radio Day” Thank You

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I guess it never ceases to amaze me that there is pretty much a day for everything.  While everyone knows that it is “Fat Tuesday” (the day to eat those huge overstuffed donuts), I was reminded that today is World Radio Day.  I was thinking about one of my deceased radio colleagues last night as I watched a movie and was going to blog about him today.  In thinking a bit more on this, I figured “Why not give props to those who played a significant role in my former full time career?”

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Jim McKenzie: I guess I start with Jimmy – after all, he is the reason I decided to get into radio in the first place.  I spent many hours working in a boat marina as a 17 year old kid.  Music on the radio, the contesting on the radio, and the radio personalities are what helped me pass the time on both busy and slow days.

Jim did the midday show and he always sounded like he was talking to you as a friend.  He was loaded with music facts and stories.  I never felt like I had his talent, but I certainly felt with the proper direction, I could do what he did.

Paul Christy:  He was the program director and morning show host.  He is the man responsible for giving me a chance – and ultimately my big break.  I started off interning (yes, working for nothing) while I was in high school.  I worked in the news room and then eventually helped out with the morning show.  Eventually, Paul had me run his Saturday morning show – a show which was recorded on reel to reel on Fridays (kinda like today’s voice tracking).  I would interject the live weather report, sports information, and lottery numbers.

Paul was in a pinch one night and asked me to do the overnight show.  I was scared to death.  I told him I hadn’t done a whole who before and asked for direction.  Bluntly, Paul said, “Don’t worry about it.  Answer the phones.  Play the songs.  Be yourself and have fun!”  That was it.  I must have done ok, because they ended up letting the overnight guy go and I was asked to fill in “until further notice”, which ended up being a good year or two before big changes came to the station.

Johnny Molson: John did the evening shift when I got to Kiss-FM.  He was funny.  He could ad-lib.  He was one of the most creative writers I have ever known.  He knew how to use radio to create the “Theater of the mind”.  He was instrumental in my learning to think out of the box, engaging the listener with words and sounds, and how to use a good “drop” (more on this later).

In the 30’s and 40’s, The Golden Age of Radio was full of shows that allowed listeners to use their imaginations.  They pictured what Amos and Andy, The Lone Ranger, and Superman looked like.  Each person imagine what Jack Benny’s old Maxwell car looked like and what fell out of Fibber McGee’s closet because of the use of “sound effects”.  John knew how to incorporate things like this into his show.  One example I will never forget is when he would “hit” one of our staff members on the head with something.  Chaz was often the target.  John would simply throw something at a cookie sheet hung on the wall, which made it sound like he was being hit.

Today, John remains a good friend who is working in the creative services department of his current station.  He produces some of the most creative and powerful commercials and gets results for the sponsors.  Our friendship is one that has lasted nearly 30 years.

WHND – Honey Radio

Before I say any more, let me say that working at WHND was not work at all.  It was like play.  We had so much fun.  Anyone who tuned in and listened to this station could tell that the DJ’s were having as much fun as the listeners.  Honey was the first “Oldies” station in America.  I was honored to work here and honored to work with everyone here.

Richard D. Haase: Richard D. remains to this day one of the guys who offered me some of the most amazing advice.  I was probably a big pain in his ass.  I was always asking him something.  I had this want and need to be better.  I wanted to be the best.  I was forever asking him to listen to my show tapes and offer criticism and advice, which he did always.

One of the things I learned from him, was the importance of talking to one person.  To create the illusion that it is just me and you listening to our favorite songs and hanging out together.  I understood what he meant, and began to drop phrases like “everyone”, “all of you”, and “out there”.  He also connected me with a mentor who would take that premise and continue to grow into a better personality, the late Jay Trachman.

Richard’s show was full of “benchmarks”.  Poor Richard D’s Almanac (This Day In History), The Off The Wall Record (a rare song that he played each day), and “The Top 12 at 12” (His countdown of the top 12 local songs from a specific year).  He also featured many characters on the show that were sometimes referred to and never heard (another gimmick of old time radio).

His show was also filled with insanely bad jokes.  I often kidded him that even Milton Berle (who was known for stealing others jokes) wouldn’t touch his stuff.    He often poked fun of the other DJ’s on the station, which I found to be a unique way of cross promotion.

There were many days that we’d sit in his office and talk about radio, computers, and life in general and we’d laugh until tears rolled down our faces and our sides hurt.  Richard was a legend who had been on the air for many years, a far cry from being young!  Yet, when we worked together, we were like a bunch of elementary kids laughing and hooping it up.

Rob Main: This is the guy who I mentioned as the beginning of this blog.  Rob was a guy who used to work with Bill Stewart, Ron Tavernit, and Jon Ray doing the morning show.  He was a master of voices.  He did, in my honest opinion, the best Elvis “speaking” voice of anyone I have every heard.  He also did a spot on Charles Bronson and Mohammad Ali.  What was great about him was that he also did other original voices, which became characters on the show as well.

Shortly before Honey Radio left the airwaves, Richard gave us the opportunity to work together on the air so that we could create a good demo tape for a morning show.  Those final weeks were some of the best memories I have in the business.  While there was always a “roadmap” of what we wanted to do….he would often break in as a character and I would just follow along for the ride.  It was some of the most insane moments of radio ever.

He was SO good, that he would often talk to himself as two or three different characters!  I was often the referee who had to come in and break up the squabble that the characters were having!  We were two guys in the studio – but if you listened, you’d swear that there were 10-15 guys!  It was amazing.

Rob was the one who took “drops” one step further.  No show had a shortage of them.  A drop is a clip from a movie or TV show that is played mid-conversation, in a sweeper, or as a way of trying to crack up the other person.  He had stacks of drops.  Many from popular movies like Shane, Robin Hood, The Wild One and others.  Some of the drops were from other sources.   Today, I can watch a serious movie and if a “drop” line comes up, I will start laughing because of an instance when it was used on the show.

Health issues led to an early death for my friend and I miss him a lot.  I can hear him laughing with me though, whenever I hear a “drop” from Van Helfin, Alan Ladd, or Jeff Chandler.

WWWW (W4 Country)

Tim Roberts: There is a reason that Tim is one of the most respected men in Country Radio – because he is one of the best programmers in the country and he knows his stuff!  Tim helped me to understand the importance of preparation.  I can still recall the “Bit Prep Sheet” that he gave me.  I remember him stressing to always have a “Feel Good” or a “heart” story to talk about.  His direction expanded on the things I had learned about editing and creating a bit.

I was only a part time air personality for Tim.  Yet, he coached me as if I were a full time talent.  He respected my thoughts, and often asked me to think a bit more broadly.  Create.  Edit.  Make it better.  He got me to think about things that I could bring to the show that I may not ever have thought about.  He helped me hone my delivery.

There is a reason Tim, and so many of the talented people who work under him have won awards – THEY DESERVE IT!

WFBE (B95)

Brian Cleary:  I’ll never forget my first coaching session with Brian.  We submitted a show to him a week before.  He wrote a critique and suggestions that were discussed at the actual session.  I remember her handed me a piece of paper that had one of my bits typed out word for word.  It was long.  He even typed out the “uhs” and “ums”.  He then asked if I had planned the break ahead of time.  I said I had.  He asked if I wrote it out, I said no – I had an outline.  He then handed me a piece of paper with that same bit written out with red lines through various sentences, “uhs” and “ums” crossed out, etc.  It was like getting a rough draft of a paper back from your English Teacher.

I remember thinking “Dude, you have way too much time on your hands”.  However, the more I thought about this, the more I realized that it was a lesson in time.  “Don’t waste your listener’s time” was what he told me.  “Know what you are going to say”, “Know how the bit will end”, “Edit.  Edit. Edit.”  He was building on things that I really already knew, BUT he took it to a whole new level.

I remember after the first day we did our radiothon for St. Jude, he pulled me aside and told me “I’m so used to hearing the jokey Keith on the air, I wasn’t sure what to expect today.  However, you did an amazing job and you really know how to get the importance of what we are doing to the listener”.  I’ll never forget that.

WCEN (The Moose)

Joby Phillips: Whenever a new program director comes into the building, everyone freaks out.  You never know what the plans are.  It is not uncommon for the PD to come in and fire everyone and bring in their own people.  Joby came in and taught me a lesson that I took with me as I went into management.  “You are all here to do a job.  I trust that you can do it.  If I think we need to correct something or address something, I will.  Do what you do best”.

In today’s society, we see micromanaging in almost every occupation.  I truly admired Joby for this attitude.  When I programmed my station, I had good DJ’s who knew what they were doing.  I let them do their job.  If there was an issue – it was addressed.  Other wise, I left them alone.

In critiquing, both Joby and Brian always started out by pointing out your strengths or something good about the show they were going over with you.  Then you went on to work on the thing that needed improvement.  Positive reinforcement.  Discipline when you have to and praise often.

A few others

Jay Trachman: What an amazing guy.  He was the authority on One to One communication.  His weekly tips were always something I took to heart and brought into the studio.  He helped many personalities and sadly passed away before I could get him to do a critique session with me.

Jaye Albright: One of the reasons I loved working with Jaye, is that she believed much of what Jay Trachman believed.  Her coaching sessions when I first began at WFBE were loaded with information.

Joel Raab: Joel is right up their with Tim Roberts.  He knows country music.  He knows the audience.  He is respected in the business and is a class act.  As a Music Director, I often found our weekly music calls frustrating.  Music can be a passion.  When you hear something that you think is amazing, its important to remember that not everyone feels the same way.  Joel always was on the side of caution.  He looked a music a bit different and it helped me to really think about songs more objectively.

Brian Wright: Brian was the last real consultant/coach I was able to work with before going in to the management end of the business.  Brian’s laid back demeanor and wise observations and suggestions were of great help to me as I began to critique my own staff.

….in closing:

I have met some of the most amazing people throughout my radio career.  I have had the chance to work with some of the best.  Maybe we worked together, but didn’t mention you in this blog.  Please do not be offended.  I consider myself extremely lucky to have worked so many talented people.  Maybe you worked in Sales, maybe you worked in Production, or maybe you were a member of the on air staff with me. Maybe you are someone who started as a listener, and are now a friend.  If radio was the connection that brought us together – I am truly thankful for it…and you.

I miss doing radio full time, but I still enjoy the time I get to do it once a week.

Happy World Radio Day!