Thoughts on The Godfather (1972)

It has been some time since I have been able to participate in a Blogathon, but when I saw that The Ultimate Decades Blogathon was being hosted by my friends over at Tranquil Dreams and Drew’s Movie Reviews, I had to take part in it. The basic theme is to blog about a movie that was released in a year ending in “2.” While scanning the releases from 1972 – it became very obvious which movie I would be writing about – The Godfather. (This blog may contain spoilers.)

This year marks the 50th anniversary of the film. This puts me at a disadvantage. Why? Because, let’s face it, there will be plenty of articles, books, internet articles, magazine special editions and more about this movie. You will not have to go far to find material on this masterpiece. As a matter of fact, I am currently reading one of the books that was released just a few months ago about the film.

I had actually hoped to finish the book prior to having to write this blog. I am just over halfway finished and it is fantastic!

This week, I watched the film in its entirety in preparation for this blogathon. With every viewing, I come to appreciate it more and more. It remains a film that I never tire of watching. It never gets old. It still holds up 50 years later. The Mark Seal book I am reading has certainly made me more aware of the difficulties that surrounded the making of The Godfather. At times, you wonder how it ever was finished!

At any rate, what could a lowly blogger like me possibly present to you about the Best Picture Winner of 1972? My thoughts, my observations, and my reasons for loving it. Now that I think about it, I guess I chose this film for selfish reasons. I have quoted it and referred to it in passing in past blogs, but I have never actually devoted an entire blog to it.

Unlike some blogs, mine is a personal blog that features stories from my past, posts about my family, posts about my struggles, posts about my passions, likes, and dislikes. It is a picture of “me.” No picture of me would be complete without The Godfather. So, here goes….

The First Viewing

I was two years old when The Godfather came out. I don’t recall exactly how old I was when I first saw it. What I do remember is that it was not a complete viewing.

As a teen, I remember my dad would always be laying on the floor watching TV. I had come into the room and dad was watching the movie which was playing on one of the local networks. I remember being instantly being caught up in it. As my memory serves me, the scene I was watching was where Michael goes to the hospital and no one is watching his father. I remember him begging the nurse to help move him because people were coming “to kill him.”

Once the Don (Marlon Brando) is moved to another room, Enzo the baker is shown walking up the stairs and down the hall. The entire scene where Michael and Enzo are out in front of the hospital as the car carrying the murderers pulls up (and drives away) had me at the edge of my seat! I watched the rest of the movie with my dad and remember asking him a gazillion questions.

Eventually, my dad purchased the movies (Part 1 & 2) on VHS. I remember watching part one from beginning to end and being blown away. I was never really aware of the film’s length because it held my attention all the way through. Admittedly, it took more than a couple viewings to finally get all the names of the various characters right.

For the next couple years, it seemed like HBO or The Movie Channel played the Godfather films in a hot rotation right around Christmastime. I remember going over to my girlfriend’s house and her dad was watching it. I sat down on the couch and we bonded immediately over the film. I’m not sure she was too happy that our time together was sitting on the couch watching a “mob movie.”

The movie is one of the few films that I have to sit down and watch if it is on TV. If I am scanning channels and it is on, I stop and watch. I can’t help it. I get caught up into it immediately.

The Big Screen

In 2002, select theaters were showing the film for its 30th anniversary. This was an opportunity that I had to take advantage of. My wife at the time had never seen the movie and I asked if she would like to see it. She said yes and we bought tickets.

I wish I could convey to you the amount of excitement that I felt as I sat in the seats of the Royal Oak Main theater (in Michigan) as the lights dimmed and the movie started. This was my first time watching this masterpiece on the big screen. The camera fired up and there was the solo trumpet playing the opening 7 notes of The Godfather Theme. I had chills!

“I believe in America….” The words of Amerigo Bonasera came through the sound system. The camera fades in on his face as he tells the story of his daughter and the boys who beat her. The camera pulls further and further away from him and eventually we see the back of Don Corleone. We hear the dialogue between them and it isn’t until we see Bonasera whispering in the Don’s ear that we finally see the man – Don Corleone.

The opening scene of the film remains one of my favorites of all time. It is just brilliant. It is perfect. Watching it on the big screen for the first time remains one of the coolest moments!

Mario Puzo’s novel does not open with this scene. Director Francis Ford Coppola stated that he knew this was the scene that should open the film. I can’t imagine it opening any other way. So much is conveyed it this scene – respect, disrespect, power, and family. It is the perfect springboard for the remainder of the film.

Mario Puzo, author of the Godfather


It is probably easy for me to say that the cast of the Godfather is perfect, especially since it is 50 years old. Believe it or not, Paramount was against Marlon Brando as Vito Corleone. They also were not keen on Al Pacino as Michael. Can you imagine James Caan as Michael (and NOT Sonny)? How about Martin Sheen instead of Robert Duvall as Tom Hagen? There was quite a lot of fighting over who should play who in the movie. In the end, Coppola wound up with the cast that he wanted, and when you see the finished product, you see that he had it right all along.

The Corleone Boys – Michael, Vito, Sonny and Fredo

Fun Fact: Mario Puzo actually wrote a letter to Marlon Brando telling him that he thought Brando would be perfect for the role of Don Vito Corleone in the film. He stated in his letter that Brando was the “only actor who can play the Godfather.”

Fun Fact: Throughout the entire film, the word “mafia” is never uttered.

Not Just Another “Mobster Flick”

People who have never seen the Godfather assume that it is just another mobster film. I would tend to disagree. To me, it is more about family, greed, power, and loyalty. Coppola stated somewhere that he wanted to show that the Corleone family were real people, with jobs (illegal or not), children, a home life, etc…

One of the first things we see in the film is a huge family wedding. There is laughter, dancing, music, food, and plenty of friends and family. We also see the mixture of business and family, as the Don is “working” in his den as the wedding is going on. We see him as a husband and father, dancing with his wife and his daughter at the wedding festivities. The importance of family is present as the family poses for a photo, but the Don states that it cannot be taken until Michael arrives.

The “Family” Business

The phrase “family business” is used a few times in the film. To me, the term illustrates that the two are separate, yet connected. It becomes very clear that when it comes to business, the Don, his consigliere (Tom Hagen) and his two older sons (Sonny and Fredo) are involved. The youngest son, Michael, is not a part of the family business. Sonny says that he didn’t want to “get mixed up in” it. Michael is also referred to as a “civilian” by family members. Yet his entering the business is one of the most intriguing things to me about the movie.

When Michael makes his entrance into the film he is walking hand in hand with his girlfriend Kay (Diane Keaton) in his military uniform. We see him walking from behind almost swaying, without seeing his face, we know that he is happy and in love. He is a far cry from the man he will transform into. He is soft spoken, even when he explains to Kay some of the terrible things his family is responsible for. He also makes it a point to explain, “That’s my family, Kay. NOT ME.”

In an interesting turn of events, not very far into the movie the “star” is shot and absent for much of the middle of the film. I am talking about The Godfather himself, Vito Corleone (Brando). This event leads to the beginning of the transformation of Michael. The soft spoken son, who had had his jaw broken by a corrupt cop, is now telling his brothers that he will step in and knock off the man responsible for shooting his father (which brings about a lot of laughter at first, but ultimately is what the family decides to do).

It’s not personal, Sonny. It’s just business.

In this scene, Coppola again works magic with the camera. As Michael describes what he wants to do, the camera slowly moves closer and closer to him. As the camera stops he states firmly, “I’ll kill them both.” The transformation has begun.

It continues quickly. During the scene where Michael does it, you can see him lost in thought as Virgil Solozzo (who sets up the hit on the Don) and the police captain are sitting next to him at the table. I love that as the camera sits on his face, the sounds of the trains get louder and louder until he finally stands and shoots his victims.

By the end of the film, Michael has become Don. His dark eyes tell a story of tragedy and anger. He is cold and heartless. He has “settled” all family business.

To me, this is one of the most amazing character transformations in all of film. He has gone from likeable to someone you cringe at when you look at him. He makes your stomach turn.

Final Thoughts

I feel as though I have not even begun to scratch the surface of just what a powerful movie this is. When someone thinks about the Godfather, they think of:

  • The horse’s head
  • Leave the gun. Take the cannoli
  • Sonny getting shot at the toll booth
  • Luca Brasi
  • The meeting of the Five Families
  • The interplay between the “settling of family business” and the baptism

There are so many wonderful scenes throughout this picture. I could write a blog about each of those scenes just as easily as I could write a blog about each character. The things presented here, are the things that stood out for me right from the get go when I wondered what to present.

For anyone who has never seen the movie, it is a must watch. You also need to watch it more than once. As I stated, it gets better every time. I also recommend reading the book, whether you do it before or after watching the movie, it really doesn’t matter. In some cases, reading it before will give you a better chance at remembering who is who. For me, it gave me a lot more insight as to what characters were thinking during key scenes.

(Note: Pick up Francis Ford Coppola’s Godfather Notebook. It has pages from the novel and his notes. It is fun to see how he thinks about what to keep and what to leave out. It is also cool to see what he thought was important and just how to convey things on film.)

There is plenty of imagery throughout the film. One of my favorite examples of this involves the scenes where someone kisses the Godfather’s ring. Like a pair of book ends – we see two Dons (Vito from the beginning of the film and Michael from the end of the film) in an almost identical scene. The family’s power has been transferred from one to another.

Coppola is a master at tying things together and the pictures above illustrate that.

I, on the other hand, tend to ramble (hence the title of my Blog Page). I hope that you have found my thoughts on the film enjoyable. I hope that they move you to watch the film again or for the first time.

In closing, I want to thank my friends at Tranquil Dreams and Drew’s Movie Reviews for allowing me to take part in this blogathon. I highly recommend that you follow them for some pretty amazing content. Check them out here:

Cue the Godfather theme …..

11 thoughts on “Thoughts on The Godfather (1972)

  1. I like how you interpret your views on this masterpiece through the eyes of your age and the questions you had when you first watched it. I, too, never thought it was too long because of how well Coppola pieces together his narrative and knows exactly when the next rising action sequence should begin. After seeing this several times on the double VHS cassettes as a kid, I was surprised to see Al Pacino’s cheek marked with the scar during the Sicily scenes on the big screen. This was a detail I couldn’t see in the grainy VHS version. The scare was obviously from Mark McCluskey’s police captain’s punch, and it was carried with Michael and his continuous development into the Don. It made him a tough guy across the ocean. Along with the added Dolby sound to make Nino Rota’s score soar even more, the cleaned up visuals made the experience dreamy and wonderful. At the same time, I cherish my memories of the VCR and my dad and that tiny tv screen 🙂

    Liked by 1 person

    1. It’s funny you mention the scar – that stood out to me on the big screen, too!

      I’m sure my first full viewing was on VHS, too. My dad told me of a cut they played on TV in chronological order, I’ve never seen it that way, but it starts in Sicily with Vito as a boy from Part 2, works it’s way to Part 1, then back to Part 2. I’m not sure I’d like to see it that way .

      Liked by 1 person

      1. Whoa! I’ve never heard of that sequence before! I’m not sure if I’d want it that straightforward chronological. However, it would be interesting to see Vito’s time in Sicily back-to-back with Michael’s stint in hiding. You wonder what hills, villages, and communities they both enjoyed in the place of their roots…

        Liked by 1 person

      2. The chronological version aired as “The Godfather Epic”. It was out in a VHS collection and is probably available on eBay or something. It’s an interesting watch. Some of the deleted scenes (Michael killing Fabrizio for blowing up Apollonia, etc…) were added to the Epic. I want to say that one of the DVD versions will allow you to see it in chronological order. I could be wrong.

        I know there were people who disliked that Part 2 bounced back and forth between young Vito and Michael, but I think that’s what makes the movie so good. It only makes the parallels between the two characters better. That’s my opinion, of course.

        Mario Puzo’s estate gave permission to an author or two to expand on the Godfather story. Some of those stories may or may not have come from Puzo’s notes. I don’t recall. Been a long time since I read them, but almost all of the story fills in the times the movies skipped. How does Luca become involved with Vito? How is Tessio killed? What do Sonny’s kids grow up to be? Those things are answered in these. I blogged about them somewhere. I remember the titles and will tell you them. They should still be available on Amazon or the internet: The Godfather Returns, The Godfather’s Revenge, and The Family Corleone.

        Glad we connected, Bernie. Love talking the Godfather!!

        Liked by 1 person

      3. What a wonderful new world this Godfather revisit has opened! Thank you for the context and titles to dig deeper into the Corleone family history. I’ve got that “…Take the Cannoli” book on its way too! I might also be a part of the minority, but I liked Part III. Maybe Sofia Coppola’s acting was wretched, but the story’s connection to the Catholic empire and the focus on dark shame was important for the filmmakers to explore. I’ll check out those titles on Amazon too! Thanks again! Yes, this little hobby of mine has connected me to remarkable, nostalgic people like you. I’m born and raised Denver, Colorado and still happily live here. How about you?


      4. I was thinking the same thing! It is truly awesome to connect with others who share the same interests. It has been some time since I read the books, but feel the need to revisit them now! Part III isn’t bad, I think the worst part is Sofia Coppola! When you read Seal’s book, you’ll find that the story line for Part III came from a real conversation! I was born and raised near Detroit Michigan. I live north of there now, but still in Michigan. Started this blog to document some childhood memories, express my love for music, movies, and entertainment, and just document things about life.


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