Some old radio stories…Part 1

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Yesterday was National Radio Day. Many of my radio friends shared pictures and stories from their careers throughout the day. Looking back, I really wish I had taken more pictures! I am not sure why I didn’t. I absolutely loved seeing many of the old pictures of old studios and old friends on Facebook! If any of my friends have pictures of studios we worked in, prod rooms, etc…. please let me know, I would LOVE to see them!!!

In my almost 30 year radio career, I have (like all of my radio friends) a gazillion stories. Here are some that I’ll share off the top of my head. I am sure there are plenty more, but for now – enjoy these:

WKSG

My career started here. I was a lowly intern ripping news and sorting it. I then started to intern with Paul Christy, the morning guy. He eventually was responsible for me doing overnights full time.

  • I only used my real name once in my entire career – and almost didn’t. Every hour at the top of the hour we had our Legal ID. There was what we called a “donut” in the middle of the music where the DJ would say what time it was and their name. I’d heard it a hundred times. “It’s 10 O’clock and I’m Jim McKenzie”, “It’s 3 O’clock and I’m John Bailey”, “It’s 7 O’clock and I’m Johnny Molson” – every jock did it. My first night on the air, I hadn’t decided what name I was going to use yet. The ID played and I had no choice – “It’s midnight and I’m … (brain fart – and real name)”. I remember a gal I went to high school with was listening that night because she remembers hearing me use my real name. I used Keith Allen every day after that and have never been anyone else.
  • Speaking of those live ID’s, Johnny Molson was on before me each night. It seemed that he and his crew always were trying to mess with me when the ID played. They’d make weird noises, bang on cart racks, knock over my music stack, and all kinds of other things to try to get me to mess up. Sometimes they’d get me to crack up and sometimes I was able to keep it together. One night, the time was ticking away to the ID and they were all out of the studio. The ID started and I heard the studio door behind me open fast. They had found a huge box and as I started to talk, they threw it over my head. My hands were still by the mixer board so I could see what button I had to push next, so I just continued to talk as the box was over my head. Listeners heard nothing but a muffled voice and the music bed. Johnny was cracking up, he told me, “I can’t believe you just kept going”!
  • At one point during my time at Kiss-FM, I was doing Friday night/Saturday mornings which consisted of me being on air from 12a-6a doing my own show, and then running Paul Christy on tape from 6a-10a. I don’t recall why I hadn’t slept much the day prior, but I was tired. I did my show, and about an hour into Paul’s show, I started a song, put my elbows up on the board, my fists to my cheeks, and nodded off. About 20-25 minutes later, my head fell from my hands and I was startled awake. I had no idea where I was. The phones were all lit up, and nothing was on the air! I grabbed the first cart (what songs were on) in the music stack and jammed it into the machine. Fittingly, the song was “You’ve Got Your Troubles” by the Fortunes. Once the music started, the phones stopped ringing. I, however, knew that Paul was always listening! I dreaded the call that I knew was coming. I was sure to get fired for messing up his show! 10 minutes later the “PC hotline rang”. I answered it and as usual, Paul was chomping on something (he was always eating when he called). “How’s it going?”, he asked. He had to have heard it, I knew he did. Why wasn’t he saying anything? I finally blurted out that I had fallen asleep for a couple minutes and awaited the verbal beating. Nope. Not Paul. He laughed and said, “You Asshole! I remember this one time I fell asleep while I was at Super CFL in Chicago….” and told me the story. That was the kind of guy Paul was … a damn cool dude!
  • One more Paul Story. He drank coffee all through his shift. He liked it black and hot! One time he had Vince get him some coffee. It sat next to him for awhile while he was doing other things. He finally grabbed it and took a sip. He yelled, “What the hell is the matter with you guys?! You call this hot coffee?! I could piss warmer than this!! Get me some fresh stuff and make sure it is hot!” So Vince went to the coffee pot, filled the cup and then put it in the microwave for about 2 or 10 minutes…LOL. I don’t remember, but it was in there for a good while. He took the cup to Paul, who rather than set it down as he normally did, put it to his lips and burned the hell out of his tongue and lips! Paul yelped, “Jesus! What is wrong with you?!” Holding his tongue in pain, he continued, “I use this thing for a living!!” I think every one of us broke a rib laughing so hard.

WMXD

I followed Paul here to do some part time work after being let go from Kiss-FM. The format started as a mix of Urban/R&B music and Pop. Eventually it went all R&B and Urban. It was here that I met The Electrifying Mojo.

  • Mojo was a cool dude. He played most of his stuff off vinyl records. The thing I remember most about Mojo was that the studio was always like a sauna! It was always SO hot when I came in. There were always records all over the studio, so I rarely was able to pull the first hour of music for my show. I have to admit it was so cool to watch him say his closing line every night I worked: “Hold on tight. Don’t let go. Whenever you feel like you are reaching the end of your rope – tie a knot. Don’t slide off. Keep hanging. Keep remembering that there ain’t nobody bad like you.”

WHND

Honey Radio! I grew up listening to this station and I was honored to have the chance to work with radio legends! Richard D, Jon Ray, Boogie Brian, Ron Tavernit, Bill Stewart, Greg Russell, and so many others were such an influence. Honey was on the day I was at the drive in to see Smokey and the Bandit in 1977 – the day Elvis died. Honey was the first oldies station in the country – and I got to be there as they turned out the light…..

  • You can read all about my buddy Rob in a previous blog. I am not sure if I tell this story in that blog or not, so I apologize if I did. It was the last week Honey was on the air – the week of Thanksgiving 1994. Listeners knew that this was Honey’s last week and we had been given free reign to have fun. We had a listener who used to call up and his name was Mitchell. I had gotten to the point where I could do his voice pretty well. I had been doing a character based on the real listener and I called him “Mitch”. True story – Mitch would call and talk to us and really never have anything to say, so I prerecorded calls as Mitch where I just rambled about nothing and then hung up. Afterward, we’d say something like “He’s a nice guy, but ….” kind of a thing. So now it’s the last week we are on the air and it was clear that some people were upset the station was going off the air. So we planned a bit. I was going to do the character live on the air. I was going to come in and say how upset I was the station was going off the air, yell and scream and (using the theater of the mind) pull out a gun and start shooting (keep in mind this was 1994 and public shootings were not as prominent) it. At this point in the bit, our bouncer character (loosely based on Charles Bronson) was going to come in and beat up “Mitch” and throw him out the studio window. In order to accomplish the bit we needed sound effects (to make it sound real on the air). We had 6 cart machines and everything was on its own cart. So in cart player #1 was the song we just played. Cart #2 Door closing sound effect for when Mitch comes in Cart #3 – gunshot sound. Cart #4 – The sound of two guys beating each other up. Cart #5 – The sound of glass breaking (studio window) . Cart #6 – always had the weather music in it. After Mitch was thrown out the window, I would have already put the commercial we were going to go into in Cart player 1 and proceeded with the show. That is NOT how it happened on the air. As soon as I began to do the character live on the air, I saw Rob crack a smile, which made me start to laugh hard. As the Elvis character, Rob tries to save the bit, so I once again try to do the “Mitch” character – which only made me laugh harder. By this point we are both laughing so hard that we have tears in our eyes. Rob, as Elvis, says “That takes care of that bit, man!” and I go to start the commercial – but the commercial never made it to the machine, so the button I pushed was the gunshot sound effect, which only made us laugh harder….you hear us dropping carts and shoving the commercial in the machine and finally we went to commercials. I have often called this the worst 5 minutes of Detroit radio, but to me it is also one of the funniest. Yes, I do have audio, and it still cracks me up.
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  • (This is not the WHND studio, but it will give you a visual for the last story – Cart players are on the left in this picture)
  • Richard D was one of the funniest men I ever worked with. He gave me lots of direction and I have talked about him in previous blogs, as well. I was producing his show the Top 12 at 12, which was an hour of his show which featured the Top 12 songs in Detroit from local charts from different years. It was a fun show to produce. It included new stories, TV and movie clips, old commercials, info about how much things were from that year, etc… Richard had to play the 12 songs and sometimes there was extra time and we’d give him songs that were on the charts form that week to play as “extras” if he needed them. He was doing a countdown from 1966 and I had put a Dean Martin song in there as an extra and he played it. He made some comment about it not being the greatest song or something and moved on. I went into the studio, as I often did, to give him crap. I said something along the lines of “Why are you messing with Italians! Dean was Italian and so I am I! Look here you Old Bastid (a term of endearment), If I were you, I’d watch what you say about Dean Martin … and Frank Sinatra for that matter!” and left the room as he laughed hysterically. After the next song he said on the air, “Ladies and Gentlemen, I must offer an apology. A little while ago I played (whatever the song was) by Dean Martin and made some negative remarks about it. Well immediately after that, Keith Allen came in here with about 12 goons who roughed me up a bit and told me that my comments were distasteful. So I must now publically apologize. I really had no idea that Keith Allen was the President of the Dean Martin Fan Club!” From that day on, I always tried to find a way to sneak a Dean Martin song into my show, so I could say I was President of the Dean Martin Fan Club. When Honey went off the air, I received a package from a listener named Sandy (who I remain friends with to this day), who sent me a membership to the REAL Dean Martin Fan Club with a note that read: “I thought you might actually want to be a member of the Fan Club you claim to be President of….”
  • For years I listened to Boogie Brian rhyme his talks up song intros until he nailed the post (where the vocalist starts to sing) with no effort at all. His energy was constant and the smile in his voice was ever present – until November 25, 1994. That was the day Honey stopped broadcasting locally before eventually signing off. My partner Rob and I were listening to his sign off from the other room. The day had already been full of listeners wishing us well and many tears were shed. The biggest tears came as Boogie signed off that day. A powerful memory that I will never forget.

WWWW

I had just come back from working on the west side of the state, where I did country radio for the first time. It wasn’t long before a new PD, Tim Roberts, would take the chair and offer some advice that I still use today. Every year Tim was responsible for booking acts to the Downtown Hoedown (which at the time took place in Hart Plaza).

  • We worked at the Hoedown in shifts as I recall and mine was over. I was waiting in the blue W4 Country Suburban to go back to the station with Tim Timmerman. The Dixie Chicks were an up and coming act who had a very traditional sound. This was really not like anything on the radio at the time, and while I loved it, I didn’t think it would do as well as it did. Tim looked out the window and said “Dude, it’s the Dixie Chicks! We should go get a picture!” I told him he could because I was tired and “they probably won’t go anywhere”. Boy, was I wrong! There’s an opportunity I missed and regret to this day!

So many stories….so little time….

The more I write, the more stories I recall. Tell you what….More to come in the next blog…..

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