For the Record: Famous Monsters Speak

0f8639daac8f58da45cd59c14be77753

Happy Halloween!!

While I don’t always plan ahead what I am going to blog about until a day or so before, today’s Halloween Blog was something I planned on writing about a few months ago.  I was reminded of the topic after listening to one of the shows I did with my partner, Rob, on Honey Radio.

Somewhere down the line, I plan on writing an entire blog about “drops”.  In the radio biz, a “drop” is a snippet from a movie, a TV show, or some other form of audio that is used in pieces of production, or on it’s own.  So how do you use a “drop”? Above, you see a picture of The Three Stooges.  In their short “Micro-Phonies”, the boys end up in a recording studio.  Moe stands at the microphone while Larry and Curly make noise.  Moe yells, “Quiet, numbskulls! I’m broadcasting!”  I used this drop all the time.  I would use it with stuff our voice guy sent us.  The piece would be produced and it would play between songs.  The entire piece would start with some sound effect, then the voice guy saying “You’re listening to Keith Allen! (Insert drop – “Quiet, numbskulls!  I’m broadcasting”!) Then the voice guy would tag it by saying the station – “on Flint’s Classic Rock Authority – 103.9 The Fox!” (or whatever station I was at).

My buddy Johnny Molson, who I worked with at my first radio job had a bunch of funny drops.  Some were from movies, while others were from listener phone calls.  He had one he’d play that always made me laugh (some guy yelling “Listen kid, why don’t you just beat it!”)

Rob and I spent hours watching TV and movies looking for little lines that could be taken out of context to play on the show.  He had plenty of drops from the Steve Reeves Hercules movies, Star Trek the original series, Spencer for Hire, Batman, Dragnet, and so many more!  When we were live on the air, I used to purposely throw drops in when Rob was talking as one of the characters just to make him laugh.  He was so good, he rarely did.  As a matter of fact, he would often just react to the drop.    There were, however, a few drops that would crack him (and me) up.  They came from a record album that he had growing up.  Which, incidentally, is the topic of this blog.

Famous Monsters Speak

When I think about monsters, I think of the Universal Studio Monster movies from the 30’s!  Bela Lugosi will always be Dracula to me!

dracula

…and in 1931, Boris Karloff was the Frankenstein monster!

21b054dc65f524d5a42f7636b3111823

In 1963, screenwriter Cherney Berg (who is the son of actress, screenwriter, and producer Gertrude Berg), wrote the script for the album Famous Monsters Speak.  Side 1 focused on a story that featured the voice of the Frankenstein monster.  The story is set at some scientist convention and they are playing the tapes of the Frankenstein monster.  Side 2 focuses on a story of Dracula, when someone stumbles on his crypt.  The voice work for the entire album is done by Gabriel Dell.

GABE

Gabriel Dell (on the right in the photo above) was an actor who starred in movies with the Dead End Kids, the East Side Kids, and the Bowery Boys.  I have often said that a good actor is one who can act by just using their voice (which is why I really love listening to old radio shows).  The entire album is voiced by Dell.  As the Frankenstein monster he is terrifying, while as Dracula he is equally creepy!  Keep in mind this was an album that would be found in the children’s section of the record store!  Rob told me his dad had bought it for him as a gift for a birthday or Christmas or something!

Famous-Monsters-Speak-1963

When Rob and I worked together, he had a few drops from this album.  As a morning show, we often looked for drops that talked about waking up, drinking coffee, etc…  On this album, Dracula simply said, “I command you – Awaken!”  We often used that.  He also says, “Stupidity has always been my best protection”, which we used when saying that one of the characters on the show was stupid.  Then there was this clip of Dracula gaining the trust of an unsuspecting victim by asking for directions.  In context, it is not funny, but out of context … (In a Transylvanian accent) “I beg your pardon, but I am a stranger to your city and have lost my way.  Can you tell me pleas – the bus to Kensington Gardens?” (This was one that I would throw in on occasion and would make him laugh – just because it was so bizarre).  On the Frankenstein side of the record, there is a 4 or 5 second clip of the monster making a growling/howling/yelling noise.  We used to promote that Richard D. was coming in after us, and we’d say the sound was Richard “warming up in the next studio”.

Those short clips/drops were all I knew of this album, until long after we were off the air.  I knew where they came from.  I had just those audio clips and would laugh when I heard them.  Then one day I was out at some used record store.  I found the album!  I called Rob and told him that I had found it and was going to listen to it.  He laughed like hell.  “I can’t believe you are so excited to find that damn record!  I guess that’s why I love you, kid!”  I can still hear him saying that to me.

When I listened to the album, instead of laughing (ok, I did when the monster made the “Richard D” noise), I was genuinely freaked out.  I couldn’t believe that this was a kids record!  It was done in the same vein as so many of those “Headless Horseman” and “Superman” records that had stories and a book.  There was no book with this album, and really, you didn’t need one!  Dell’s performance on the album is brilliant.  A guy named Hal Johnson is listed as the sound effects man and those effects are awesome!  The album is just as good as an old episode of Suspense, The Mysterious Traveler, Lights Out, or The Whistler.  Gabriel Dell’s performance makes me tired just listening to it – he really get’s into it!

So, here for your Halloween listening enjoyment – turn down the lights – and listen to Famous Monsters Speak.

Side 1 – The Voice of the Monster

(The Richard D “warming up” sound can be heard at 4:50-4:54 of this clip)

Side 2 – Dracula Returns

(Kensington Gardens line begins at 10:44 – they way he says “Kensington Gardens” always made Rob and I laugh)

 

Famous-Monsters-Speak-back

You can read a bit more about this album here:

Cherney Berg “Famous Monsters Speak”

 

Oct-Halloween-500x333

Voices of the Past

This weekend, I DJ’d homecoming dance.  For high schools, all my new music is on a hard drive and I play it from the computer.  When I do weddings or parties, I still bring some CDs.  Recently, I have been going through boxes of CDs in hopes of putting what I don’t have on my hard drive, on the drive.

While most of my CDs are professional ones containing albums and music, I have some homemade CDs of things that I have burned to CD from various places I have worked.  I found 2 CDs marked “B95 Stuff” and “More B95 Stuff” in a box and took them with me to listen to in the car.  I was unsure if these CDs were data or audio CDs.  When I popped them in the CD player, I was happy to find they contained audio clips.

wfbe

Most of the audio was phone calls from listeners.  I used to do an “impossible question” every day for prizes and there were many phoners of listeners guessing the answer.  One of my favorite calls was on the first disc.  A woman caller simply asked, “Yes, is the answer poop?  Going poop!?”  Like the word poop wasn’t enough … she had to explain “going poop”!  There were also many requests, as I did a request lunch show.

I also found some interviews with Mary Chapin Carpenter, Tim Rushlow from Little Texas, and Terri Clark.  Some of the phoners were just silly things, I used to have listeners say things like “Keith Allen?  They let him out on parole?” or “I love every thing about this station, but Keith Allen!” or “Keith Allen?  Turn that radio off!”  There were a couple calls that took me by surprise.

Call #1

The first one was hearing a call with my friend, Marie.  If you read my previous blog, Marie was my friend who just passed away last week.

That blog is here: https://nostalgicitalian.com/2019/09/21/time-life-death-ripples/

There were actually 2 calls from her on that disc.  One of them she wins a contest I was doing, and another she called to talk about watching Trace Adkins rear end when he was in concert.  (There were other females who called to talk about his butt, as well.)

She was one of those friends who would do anything for you.  When my oldest son was born, she had this beautiful blanket made with his name on it and also had a small photo album made with an engraved nameplate.  When my youngest was born, she bought him one of my favorite outfits.  I spoke with her just a few days before she passed and she was asking what we needed for the baby.  She was always doing things for her friends.  While it was nice to hear us joking around about Trace’s butt on the CD, it was sad to remember that she has just passed away.  Her funeral is Wednesday.

Call #2

The second call was one from my friend Pat.  I always called her Pat, but I think most people called her Trish.  I also met Pat while at B95.  She was forever trying to win prizes.  She always came up to our remote broadcasts and talked with us.  She was a HUGE fan of the band Alabama.  She used to call up and say that she was lead singer, Randy Owen’s wife.  I used to kid her and ask is his wife knew about that!  She and I had a lot in common, and became good friends.  She was a huge Elvis fan and we often talked about him and his music.  I remember how excited she was when she told me she was going to Graceland.  I had been there while in Memphis for a St. Jude visit, and I told her how much she was going to love it.

The first time Pat won a prize from me she was SO excited.  “I won?!  OH MY GOD!!  WE DID IT!  WE WON!!!  THIS IS AMAZING!!!  (Laughter) I CAN’T BELIEVE IT!!”  It was such a great response that I used to use that call as my “stunt winner”.  If we ever had someone win a prize who was not excited about it, I’d say “Bring in the stunt winner” and play Pat’s call!  The call on the CD was when she won some hockey tickets and she kept saying how much her boys were going to love it.  She passed away suddenly in 2014, leaving behind her four boys and a granddaughter who she spoke of so often.    She was such a wonderful person and we shared many laughs together.

Call #3

The third call that got me was a call I made to my grandma.  Phone calls from my grandma were a staple on the show.  I used to call her every Christmas Eve (if I worked on the holiday) or the day before.  Christmas Eve was ALWAYS at her house – I wrote a blog about it here:

https://nostalgicitalian.com/2018/12/24/the-ghost-of-christmas-eve-past-and-yet-to-come/

The phone call would consist of me asking grandma what was for dinner.  She would go on to talk about homemade ravioli, breaded steak and ammoglio (pronounced moy-gyoo) sauce, the many varieties of cookies, cakes, and cannoli, and the other items featured in the Christmas Eve Feast.  This call, however, was NOT about Christmas Eve, which is what made it even more special.

This call actually helps me date the CDs.  This call was made July 24, 2001.  How do I know this?  I was calling grandma to wish her Happy Birthday.  During the call she offers up without hesitation that she is 77.  She goes on to talk about how my dad was razzing her about something and then asks when I am coming over.  She then went on to tell me how I needed to come see her “while my eyes are still open” because “I’m not going to be around much longer” as she often said.

It was emotional to hear her voice.  She was sharp as a tack for so long.  She was your stereotypical strong willed Italian woman.  Knowing that shortly after that call, she would develop dementia was sad.  She passed away in 2007, at age 83.  Hearing her say “I love you” one more time on the phone – was priceless.

j4

A Recovered Memory

I must have been doing a phone topic about teddy bears.  There was probably a story about people sleeping with Teddy Bears or something, which led me to ask “Who still sleeps with a Teddy Bear?” or “Who still has their Teddy Bear from their childhood?”.  The calls were about bears and toys that they had growing up.  I don’t remember what the caller is talking about, but I respond about something I had growing up that I had totally forgotten about.  This has a tie-in to my grandma, who I just mentioned.

It is funny how you can forget about things.  I will forever remember a Teddy Bear that I had when I was little.  I had it with me in the hospital when I had my tonsils out at 3 years old.  The thing I had forgotten about is something I probably had around 5-7 years old.  It was a hand puppet of Ernie from Sesame Street.  Today, PBS has tons of kid shows.  As I remember, Sesame Street, The Electric Company and Mr. Roger’s Neighborhood were pretty much it on PBS.  On CBC there was Mr. Dress-up and The Friendly Giant, but that was it. Sesame Street was my “go to” show.  I think somewhere there is a picture of me with Ernie and Bert slippers!

What do I remember most about this Ernie puppet?  First, the head was not felt like the real Muppet.  It was a hard rubber/plastic.  This helped when you went to make him talk.  I guess I took him everywhere.  I remember I’d bring him over to my grandma’s house and she would tease me.  She’d put a lit cigarette in Ernie’s mouth and make him smoke.  I hated that!  “Ernie doesn’t smoke, grandma!  That’s bad for you!”  Grandma never said his name right.  She always called him “Arnie”.  I remember her telling me when I was older that when my brother and I stayed overnight there I used to make her kiss Ernie goodnight!  “I had to kiss that dirty old Arnie!”  I literally just chuckled out loud as I wrote that because I can hear her saying it!

c02e5001a9c2e791f86fdb12cce9be0e

In Conclusion

I have CDs of my Honey Radio shows with my partner, Rob (https://nostalgicitalian.com/2018/04/26/get-a-load-of-this-guy/), which I listen to often.  I still laugh along with them.  He always made me laugh.  While I am sad that he has passed away, I think he’d be happy to know that I still listen to those shows and they are still funny 25 years later!

I’m glad that I decided to pop those CDs in and give them a listen.  Much like the CDs of Rob and me, these also made me chuckle, but also made me sad.  At the same time, they are a reminder of good friends and family, who continue to make ripples (see previous blog) long after they have gone.

 

 

 

Time. Life. Death. Ripples.

ccf258c663c06ef7921f28df717da99c492b72cev2_hq

The longest song I ever played on the air was Alice’s Restaurant by Arlo Guthrie which is just over 18 minutes long.  We played this on the classic rock station (and sometimes on the oldies station) every Thanksgiving.  To those who love the song, it was the perfect length.  To those who hated the song, it went on too long.  Their feelings about the song depended on their perception of time.  (Incidentally, the shortest song I ever played on the radio was Her Majesty by the Beatles.  I think it clocks in at just over 20 seconds long.)

Time. I have found myself thinking a lot about time over the past month or so. I have had the word “time” written on my list of blog topics for a while, but have never felt that I am ready to blog about it.  In all honesty, I am still not ready, but I had to write something to clear my head.

There is no shortage of great quotes about time:

“Time is what we want most, but what we use worst” – William Penn

“Time isn’t the main thing.  It’s the only thing” – Miles Davis

“Time you enjoy wasting, was not wasted” – John Lennon

“Lost time is never found again” – Benjamin Franklin

Time is one of those things that is constantly moving.  It moves second by second.  Hour by hour.  Day by day.  Year by year. The truth of the matter is that time is constant.  3 minutes is 3 minutes.  How one perceives that 3 minutes depends on the situation.  In some cases, 3 minutes can feel like 10 minutes. In others it can feel like just 1 minute.  Think of an 8 hour work day and compare it to 8 hours on vacation.  Vacation time is flying by while the clock at work moves slowly.

Earlier this month, Facebook was flooded with “First Day of School” pictures.  My friends posted pictures with captions that read: “Where did the time go?”, “Wasn’t she just in kindergarten?”, “How did he grow up so fast?”, and “Last First Day of School”.  I can relate to that last one as my oldest son started his Senior year this year.  My Facebook “Memories” feed has been full of my own kid’s “first day of school” pictures, and I, too, have wondered those same questions.

So why am I rambling about time??

97370400dce09769f5a88422453107ea

In my 49 years on this planet, I have lost many people close to me, many at a young age.  Some of them, I have blogged about: my mom (who was only 58),  my grandpa (mom’s dad, also 58), my radio buddy, Rob (only 56), and my Uncle Tom (just 68).  This week, I found out a good friend passed away unexpectedly at only 47 and another friend was basically told her days are numbered – she is 48.  I can’t imagine how time will proceed for her.

I understand that death is a part of life.  I am reminded of a quote from my psychology class that said, “The hardest part of losing someone isn’t having to say goodbye, but rather learning to live without them – always having to fill the void, the emptiness that’s left inside your heart when they go.”  This is so true.  Leo Buscaglia said, “Death is a challenge.  It tells us not to waste time.”  Also true.  Bruce Lee, who died at the young age of 32, said, “If you love life, don’t waste time, for time is what life is made up of.” 

I sit here staring at this computer screen and my thoughts are all over the place.  Is this blog about Time or Death?  I don’t know.  I guess they both tie together somehow in my mind.  I guess Life also ties in with them.  “Live every day as if it were your last. Someday, you’ll be right.” That quote, which I read on the band room announcement grease board 31 years ago, will always remain with me.

The more I think about it, the more I realize that those three things (life, death, and time) do all go together.  Looking back at the people I have quoted, they have all passed away, yet their words are still here making an impact.  I guess this proves the quote of another person who is no longer here.  The late author Terry Pratchett says this: “No one is actually dead until the ripples they cause in the world die away.”  

I still talk about my mom – ripples.

I still tell stories about my Uncle Tom – ripples.

I still laugh along with Rob when I listen to our old shows – ripples.

Thinking of my buddy Rob, I remember ad-libbing a poem on the air about an upcoming station event.  He looked at me and his Elvis character voice he said to me, “Man! You’re a real Carl Sandburg today.”  It’s probably a coincidence that I have a Carl Sandburg quote about time to share:

“Time is the coin of your life.  It’s the only coin you have, and only you can determine how it will be spent. Be careful lest you let other people spend it for you.” – Carl Sandburg

____

As I re-read this blog, I realize that it is a jumbled mess of thoughts.  For that I apologize to anyone who has ever read my blog and said “You’re a good writer.”  Usually my blogs have a point to them, I am not sure this one does.  Hell, I don’t even have a title yet!  I really wish I had planned this out a little better.  Tell you what, for now, let’s say this blog is a “tease” to the “real” blog about “time” to come at a future date.  And as far as the point, or moral, or lesson?  Uh….how bout this….

Make good use of your time and live your life so that you will be forever causing ripples.

3-water-ripples-pasieka

 

 

 

 

 

 

Some old radio stories…Part 1

8093252_800

Yesterday was National Radio Day. Many of my radio friends shared pictures and stories from their careers throughout the day. Looking back, I really wish I had taken more pictures! I am not sure why I didn’t. I absolutely loved seeing many of the old pictures of old studios and old friends on Facebook! If any of my friends have pictures of studios we worked in, prod rooms, etc…. please let me know, I would LOVE to see them!!!

In my almost 30 year radio career, I have (like all of my radio friends) a gazillion stories. Here are some that I’ll share off the top of my head. I am sure there are plenty more, but for now – enjoy these:

WKSG

My career started here. I was a lowly intern ripping news and sorting it. I then started to intern with Paul Christy, the morning guy. He eventually was responsible for me doing overnights full time.

  • I only used my real name once in my entire career – and almost didn’t. Every hour at the top of the hour we had our Legal ID. There was what we called a “donut” in the middle of the music where the DJ would say what time it was and their name. I’d heard it a hundred times. “It’s 10 O’clock and I’m Jim McKenzie”, “It’s 3 O’clock and I’m John Bailey”, “It’s 7 O’clock and I’m Johnny Molson” – every jock did it. My first night on the air, I hadn’t decided what name I was going to use yet. The ID played and I had no choice – “It’s midnight and I’m … (brain fart – and real name)”. I remember a gal I went to high school with was listening that night because she remembers hearing me use my real name. I used Keith Allen every day after that and have never been anyone else.
  • Speaking of those live ID’s, Johnny Molson was on before me each night. It seemed that he and his crew always were trying to mess with me when the ID played. They’d make weird noises, bang on cart racks, knock over my music stack, and all kinds of other things to try to get me to mess up. Sometimes they’d get me to crack up and sometimes I was able to keep it together. One night, the time was ticking away to the ID and they were all out of the studio. The ID started and I heard the studio door behind me open fast. They had found a huge box and as I started to talk, they threw it over my head. My hands were still by the mixer board so I could see what button I had to push next, so I just continued to talk as the box was over my head. Listeners heard nothing but a muffled voice and the music bed. Johnny was cracking up, he told me, “I can’t believe you just kept going”!
  • At one point during my time at Kiss-FM, I was doing Friday night/Saturday mornings which consisted of me being on air from 12a-6a doing my own show, and then running Paul Christy on tape from 6a-10a. I don’t recall why I hadn’t slept much the day prior, but I was tired. I did my show, and about an hour into Paul’s show, I started a song, put my elbows up on the board, my fists to my cheeks, and nodded off. About 20-25 minutes later, my head fell from my hands and I was startled awake. I had no idea where I was. The phones were all lit up, and nothing was on the air! I grabbed the first cart (what songs were on) in the music stack and jammed it into the machine. Fittingly, the song was “You’ve Got Your Troubles” by the Fortunes. Once the music started, the phones stopped ringing. I, however, knew that Paul was always listening! I dreaded the call that I knew was coming. I was sure to get fired for messing up his show! 10 minutes later the “PC hotline rang”. I answered it and as usual, Paul was chomping on something (he was always eating when he called). “How’s it going?”, he asked. He had to have heard it, I knew he did. Why wasn’t he saying anything? I finally blurted out that I had fallen asleep for a couple minutes and awaited the verbal beating. Nope. Not Paul. He laughed and said, “You Asshole! I remember this one time I fell asleep while I was at Super CFL in Chicago….” and told me the story. That was the kind of guy Paul was … a damn cool dude!
  • One more Paul Story. He drank coffee all through his shift. He liked it black and hot! One time he had Vince get him some coffee. It sat next to him for awhile while he was doing other things. He finally grabbed it and took a sip. He yelled, “What the hell is the matter with you guys?! You call this hot coffee?! I could piss warmer than this!! Get me some fresh stuff and make sure it is hot!” So Vince went to the coffee pot, filled the cup and then put it in the microwave for about 2 or 10 minutes…LOL. I don’t remember, but it was in there for a good while. He took the cup to Paul, who rather than set it down as he normally did, put it to his lips and burned the hell out of his tongue and lips! Paul yelped, “Jesus! What is wrong with you?!” Holding his tongue in pain, he continued, “I use this thing for a living!!” I think every one of us broke a rib laughing so hard.

WMXD

I followed Paul here to do some part time work after being let go from Kiss-FM. The format started as a mix of Urban/R&B music and Pop. Eventually it went all R&B and Urban. It was here that I met The Electrifying Mojo.

  • Mojo was a cool dude. He played most of his stuff off vinyl records. The thing I remember most about Mojo was that the studio was always like a sauna! It was always SO hot when I came in. There were always records all over the studio, so I rarely was able to pull the first hour of music for my show. I have to admit it was so cool to watch him say his closing line every night I worked: “Hold on tight. Don’t let go. Whenever you feel like you are reaching the end of your rope – tie a knot. Don’t slide off. Keep hanging. Keep remembering that there ain’t nobody bad like you.”

WHND

Honey Radio! I grew up listening to this station and I was honored to have the chance to work with radio legends! Richard D, Jon Ray, Boogie Brian, Ron Tavernit, Bill Stewart, Greg Russell, and so many others were such an influence. Honey was on the day I was at the drive in to see Smokey and the Bandit in 1977 – the day Elvis died. Honey was the first oldies station in the country – and I got to be there as they turned out the light…..

  • You can read all about my buddy Rob in a previous blog. I am not sure if I tell this story in that blog or not, so I apologize if I did. It was the last week Honey was on the air – the week of Thanksgiving 1994. Listeners knew that this was Honey’s last week and we had been given free reign to have fun. We had a listener who used to call up and his name was Mitchell. I had gotten to the point where I could do his voice pretty well. I had been doing a character based on the real listener and I called him “Mitch”. True story – Mitch would call and talk to us and really never have anything to say, so I prerecorded calls as Mitch where I just rambled about nothing and then hung up. Afterward, we’d say something like “He’s a nice guy, but ….” kind of a thing. So now it’s the last week we are on the air and it was clear that some people were upset the station was going off the air. So we planned a bit. I was going to do the character live on the air. I was going to come in and say how upset I was the station was going off the air, yell and scream and (using the theater of the mind) pull out a gun and start shooting (keep in mind this was 1994 and public shootings were not as prominent) it. At this point in the bit, our bouncer character (loosely based on Charles Bronson) was going to come in and beat up “Mitch” and throw him out the studio window. In order to accomplish the bit we needed sound effects (to make it sound real on the air). We had 6 cart machines and everything was on its own cart. So in cart player #1 was the song we just played. Cart #2 Door closing sound effect for when Mitch comes in Cart #3 – gunshot sound. Cart #4 – The sound of two guys beating each other up. Cart #5 – The sound of glass breaking (studio window) . Cart #6 – always had the weather music in it. After Mitch was thrown out the window, I would have already put the commercial we were going to go into in Cart player 1 and proceeded with the show. That is NOT how it happened on the air. As soon as I began to do the character live on the air, I saw Rob crack a smile, which made me start to laugh hard. As the Elvis character, Rob tries to save the bit, so I once again try to do the “Mitch” character – which only made me laugh harder. By this point we are both laughing so hard that we have tears in our eyes. Rob, as Elvis, says “That takes care of that bit, man!” and I go to start the commercial – but the commercial never made it to the machine, so the button I pushed was the gunshot sound effect, which only made us laugh harder….you hear us dropping carts and shoving the commercial in the machine and finally we went to commercials. I have often called this the worst 5 minutes of Detroit radio, but to me it is also one of the funniest. Yes, I do have audio, and it still cracks me up.
  • DSC00352.JPG
  • (This is not the WHND studio, but it will give you a visual for the last story – Cart players are on the left in this picture)
  • Richard D was one of the funniest men I ever worked with. He gave me lots of direction and I have talked about him in previous blogs, as well. I was producing his show the Top 12 at 12, which was an hour of his show which featured the Top 12 songs in Detroit from local charts from different years. It was a fun show to produce. It included new stories, TV and movie clips, old commercials, info about how much things were from that year, etc… Richard had to play the 12 songs and sometimes there was extra time and we’d give him songs that were on the charts form that week to play as “extras” if he needed them. He was doing a countdown from 1966 and I had put a Dean Martin song in there as an extra and he played it. He made some comment about it not being the greatest song or something and moved on. I went into the studio, as I often did, to give him crap. I said something along the lines of “Why are you messing with Italians! Dean was Italian and so I am I! Look here you Old Bastid (a term of endearment), If I were you, I’d watch what you say about Dean Martin … and Frank Sinatra for that matter!” and left the room as he laughed hysterically. After the next song he said on the air, “Ladies and Gentlemen, I must offer an apology. A little while ago I played (whatever the song was) by Dean Martin and made some negative remarks about it. Well immediately after that, Keith Allen came in here with about 12 goons who roughed me up a bit and told me that my comments were distasteful. So I must now publically apologize. I really had no idea that Keith Allen was the President of the Dean Martin Fan Club!” From that day on, I always tried to find a way to sneak a Dean Martin song into my show, so I could say I was President of the Dean Martin Fan Club. When Honey went off the air, I received a package from a listener named Sandy (who I remain friends with to this day), who sent me a membership to the REAL Dean Martin Fan Club with a note that read: “I thought you might actually want to be a member of the Fan Club you claim to be President of….”
  • For years I listened to Boogie Brian rhyme his talks up song intros until he nailed the post (where the vocalist starts to sing) with no effort at all. His energy was constant and the smile in his voice was ever present – until November 25, 1994. That was the day Honey stopped broadcasting locally before eventually signing off. My partner Rob and I were listening to his sign off from the other room. The day had already been full of listeners wishing us well and many tears were shed. The biggest tears came as Boogie signed off that day. A powerful memory that I will never forget.

WWWW

I had just come back from working on the west side of the state, where I did country radio for the first time. It wasn’t long before a new PD, Tim Roberts, would take the chair and offer some advice that I still use today. Every year Tim was responsible for booking acts to the Downtown Hoedown (which at the time took place in Hart Plaza).

  • We worked at the Hoedown in shifts as I recall and mine was over. I was waiting in the blue W4 Country Suburban to go back to the station with Tim Timmerman. The Dixie Chicks were an up and coming act who had a very traditional sound. This was really not like anything on the radio at the time, and while I loved it, I didn’t think it would do as well as it did. Tim looked out the window and said “Dude, it’s the Dixie Chicks! We should go get a picture!” I told him he could because I was tired and “they probably won’t go anywhere”. Boy, was I wrong! There’s an opportunity I missed and regret to this day!

So many stories….so little time….

The more I write, the more stories I recall. Tell you what….More to come in the next blog…..

“World Radio Day” Thank You

.facebook_1518503022031

I guess it never ceases to amaze me that there is pretty much a day for everything.  While everyone knows that it is “Fat Tuesday” (the day to eat those huge overstuffed donuts), I was reminded that today is World Radio Day.  I was thinking about one of my deceased radio colleagues last night as I watched a movie and was going to blog about him today.  In thinking a bit more on this, I figured “Why not give props to those who played a significant role in my former full time career?”

WKSG

Jim McKenzie: I guess I start with Jimmy – after all, he is the reason I decided to get into radio in the first place.  I spent many hours working in a boat marina as a 17 year old kid.  Music on the radio, the contesting on the radio, and the radio personalities are what helped me pass the time on both busy and slow days.

Jim did the midday show and he always sounded like he was talking to you as a friend.  He was loaded with music facts and stories.  I never felt like I had his talent, but I certainly felt with the proper direction, I could do what he did.

Paul Christy:  He was the program director and morning show host.  He is the man responsible for giving me a chance – and ultimately my big break.  I started off interning (yes, working for nothing) while I was in high school.  I worked in the news room and then eventually helped out with the morning show.  Eventually, Paul had me run his Saturday morning show – a show which was recorded on reel to reel on Fridays (kinda like today’s voice tracking).  I would interject the live weather report, sports information, and lottery numbers.

Paul was in a pinch one night and asked me to do the overnight show.  I was scared to death.  I told him I hadn’t done a whole who before and asked for direction.  Bluntly, Paul said, “Don’t worry about it.  Answer the phones.  Play the songs.  Be yourself and have fun!”  That was it.  I must have done ok, because they ended up letting the overnight guy go and I was asked to fill in “until further notice”, which ended up being a good year or two before big changes came to the station.

Johnny Molson: John did the evening shift when I got to Kiss-FM.  He was funny.  He could ad-lib.  He was one of the most creative writers I have ever known.  He knew how to use radio to create the “Theater of the mind”.  He was instrumental in my learning to think out of the box, engaging the listener with words and sounds, and how to use a good “drop” (more on this later).

In the 30’s and 40’s, The Golden Age of Radio was full of shows that allowed listeners to use their imaginations.  They pictured what Amos and Andy, The Lone Ranger, and Superman looked like.  Each person imagine what Jack Benny’s old Maxwell car looked like and what fell out of Fibber McGee’s closet because of the use of “sound effects”.  John knew how to incorporate things like this into his show.  One example I will never forget is when he would “hit” one of our staff members on the head with something.  Chaz was often the target.  John would simply throw something at a cookie sheet hung on the wall, which made it sound like he was being hit.

Today, John remains a good friend who is working in the creative services department of his current station.  He produces some of the most creative and powerful commercials and gets results for the sponsors.  Our friendship is one that has lasted nearly 30 years.

WHND – Honey Radio

Before I say any more, let me say that working at WHND was not work at all.  It was like play.  We had so much fun.  Anyone who tuned in and listened to this station could tell that the DJ’s were having as much fun as the listeners.  Honey was the first “Oldies” station in America.  I was honored to work here and honored to work with everyone here.

Richard D. Haase: Richard D. remains to this day one of the guys who offered me some of the most amazing advice.  I was probably a big pain in his ass.  I was always asking him something.  I had this want and need to be better.  I wanted to be the best.  I was forever asking him to listen to my show tapes and offer criticism and advice, which he did always.

One of the things I learned from him, was the importance of talking to one person.  To create the illusion that it is just me and you listening to our favorite songs and hanging out together.  I understood what he meant, and began to drop phrases like “everyone”, “all of you”, and “out there”.  He also connected me with a mentor who would take that premise and continue to grow into a better personality, the late Jay Trachman.

Richard’s show was full of “benchmarks”.  Poor Richard D’s Almanac (This Day In History), The Off The Wall Record (a rare song that he played each day), and “The Top 12 at 12” (His countdown of the top 12 local songs from a specific year).  He also featured many characters on the show that were sometimes referred to and never heard (another gimmick of old time radio).

His show was also filled with insanely bad jokes.  I often kidded him that even Milton Berle (who was known for stealing others jokes) wouldn’t touch his stuff.    He often poked fun of the other DJ’s on the station, which I found to be a unique way of cross promotion.

There were many days that we’d sit in his office and talk about radio, computers, and life in general and we’d laugh until tears rolled down our faces and our sides hurt.  Richard was a legend who had been on the air for many years, a far cry from being young!  Yet, when we worked together, we were like a bunch of elementary kids laughing and hooping it up.

Rob Main: This is the guy who I mentioned as the beginning of this blog.  Rob was a guy who used to work with Bill Stewart, Ron Tavernit, and Jon Ray doing the morning show.  He was a master of voices.  He did, in my honest opinion, the best Elvis “speaking” voice of anyone I have every heard.  He also did a spot on Charles Bronson and Mohammad Ali.  What was great about him was that he also did other original voices, which became characters on the show as well.

Shortly before Honey Radio left the airwaves, Richard gave us the opportunity to work together on the air so that we could create a good demo tape for a morning show.  Those final weeks were some of the best memories I have in the business.  While there was always a “roadmap” of what we wanted to do….he would often break in as a character and I would just follow along for the ride.  It was some of the most insane moments of radio ever.

He was SO good, that he would often talk to himself as two or three different characters!  I was often the referee who had to come in and break up the squabble that the characters were having!  We were two guys in the studio – but if you listened, you’d swear that there were 10-15 guys!  It was amazing.

Rob was the one who took “drops” one step further.  No show had a shortage of them.  A drop is a clip from a movie or TV show that is played mid-conversation, in a sweeper, or as a way of trying to crack up the other person.  He had stacks of drops.  Many from popular movies like Shane, Robin Hood, The Wild One and others.  Some of the drops were from other sources.   Today, I can watch a serious movie and if a “drop” line comes up, I will start laughing because of an instance when it was used on the show.

Health issues led to an early death for my friend and I miss him a lot.  I can hear him laughing with me though, whenever I hear a “drop” from Van Helfin, Alan Ladd, or Jeff Chandler.

WWWW (W4 Country)

Tim Roberts: There is a reason that Tim is one of the most respected men in Country Radio – because he is one of the best programmers in the country and he knows his stuff!  Tim helped me to understand the importance of preparation.  I can still recall the “Bit Prep Sheet” that he gave me.  I remember him stressing to always have a “Feel Good” or a “heart” story to talk about.  His direction expanded on the things I had learned about editing and creating a bit.

I was only a part time air personality for Tim.  Yet, he coached me as if I were a full time talent.  He respected my thoughts, and often asked me to think a bit more broadly.  Create.  Edit.  Make it better.  He got me to think about things that I could bring to the show that I may not ever have thought about.  He helped me hone my delivery.

There is a reason Tim, and so many of the talented people who work under him have won awards – THEY DESERVE IT!

WFBE (B95)

Brian Cleary:  I’ll never forget my first coaching session with Brian.  We submitted a show to him a week before.  He wrote a critique and suggestions that were discussed at the actual session.  I remember her handed me a piece of paper that had one of my bits typed out word for word.  It was long.  He even typed out the “uhs” and “ums”.  He then asked if I had planned the break ahead of time.  I said I had.  He asked if I wrote it out, I said no – I had an outline.  He then handed me a piece of paper with that same bit written out with red lines through various sentences, “uhs” and “ums” crossed out, etc.  It was like getting a rough draft of a paper back from your English Teacher.

I remember thinking “Dude, you have way too much time on your hands”.  However, the more I thought about this, the more I realized that it was a lesson in time.  “Don’t waste your listener’s time” was what he told me.  “Know what you are going to say”, “Know how the bit will end”, “Edit.  Edit. Edit.”  He was building on things that I really already knew, BUT he took it to a whole new level.

I remember after the first day we did our radiothon for St. Jude, he pulled me aside and told me “I’m so used to hearing the jokey Keith on the air, I wasn’t sure what to expect today.  However, you did an amazing job and you really know how to get the importance of what we are doing to the listener”.  I’ll never forget that.

WCEN (The Moose)

Joby Phillips: Whenever a new program director comes into the building, everyone freaks out.  You never know what the plans are.  It is not uncommon for the PD to come in and fire everyone and bring in their own people.  Joby came in and taught me a lesson that I took with me as I went into management.  “You are all here to do a job.  I trust that you can do it.  If I think we need to correct something or address something, I will.  Do what you do best”.

In today’s society, we see micromanaging in almost every occupation.  I truly admired Joby for this attitude.  When I programmed my station, I had good DJ’s who knew what they were doing.  I let them do their job.  If there was an issue – it was addressed.  Other wise, I left them alone.

In critiquing, both Joby and Brian always started out by pointing out your strengths or something good about the show they were going over with you.  Then you went on to work on the thing that needed improvement.  Positive reinforcement.  Discipline when you have to and praise often.

A few others

Jay Trachman: What an amazing guy.  He was the authority on One to One communication.  His weekly tips were always something I took to heart and brought into the studio.  He helped many personalities and sadly passed away before I could get him to do a critique session with me.

Jaye Albright: One of the reasons I loved working with Jaye, is that she believed much of what Jay Trachman believed.  Her coaching sessions when I first began at WFBE were loaded with information.

Joel Raab: Joel is right up their with Tim Roberts.  He knows country music.  He knows the audience.  He is respected in the business and is a class act.  As a Music Director, I often found our weekly music calls frustrating.  Music can be a passion.  When you hear something that you think is amazing, its important to remember that not everyone feels the same way.  Joel always was on the side of caution.  He looked a music a bit different and it helped me to really think about songs more objectively.

Brian Wright: Brian was the last real consultant/coach I was able to work with before going in to the management end of the business.  Brian’s laid back demeanor and wise observations and suggestions were of great help to me as I began to critique my own staff.

….in closing:

I have met some of the most amazing people throughout my radio career.  I have had the chance to work with some of the best.  Maybe we worked together, but didn’t mention you in this blog.  Please do not be offended.  I consider myself extremely lucky to have worked so many talented people.  Maybe you worked in Sales, maybe you worked in Production, or maybe you were a member of the on air staff with me. Maybe you are someone who started as a listener, and are now a friend.  If radio was the connection that brought us together – I am truly thankful for it…and you.

I miss doing radio full time, but I still enjoy the time I get to do it once a week.

Happy World Radio Day!