This feature gets a little “culture” today as I feature a selection from one of the greats. Wolfgang Amadeus Mozart was born on this day in 1756.
Mozart was one of the most influential, popular and prolific composers of the classical period. He composed over 600 works, including some of the most famous and loved pieces of symphonic, chamber, operatic, and choral music.
Mozart was born in Salzburg to a musical family. From an early age, the young Mozart showed all the signs of a prodigious musical talent.
By the age of 5 he could read and write music, and he would entertain people with his talents on the keyboard. By the age of 6 he was writing his first compositions. Mozart was generally considered to be a rare musical genius, though Mozart said that he was diligent in studying other great composers such as Haydn and Bach.
In 1984, Peter Shaffer adapted his 1979 play, Amadeus, for the film of the same name. The film and play were based on an 1830 play by Alexander Pushkin entitled “Mozart and Salieri.” The plays and film focus on the rivalry between the two composers.
The film stars F. Murray Abraham and Tom Hulce as Salieri and Mozart. When the film came out, I remember thinking, “The guy from Animal House is playing Mozart?!?”
Honestly, Hulce is amazing! I had no idea he could act like that! He is a joy to watch as he captures Mozart’s quirkiness.
There are so many great pieces from Mozart that I could have chosen, but I limited myself to the movie’s soundtrack.
My choice is one that is almost instantly recognizable by its nine opening notes – Eine kleine Nachtmusik. It is also called Serenade No. 13 for strings in G Major. The German title means “a little night music”. It is one of his most famous works.
Welcome to the first Turntable Talk of 2025, hosted by Dave of A Sound Day. This is the 34th round, if you are keeping track. If you are a new follower, let me fill you in on how it works. Dave Ruch offers up a musical topic to a group of us music fans each month. Each of the writers come up with a response to the topic and Dave runs each piece on his website.
We have had some fun and interesting topics, and this one is no exception. This time around, Dave asks, “What’s my scene?” Our instructions: Pick a sort of music “Scene” that either you would have liked to have been a part of or one that you think really created a lot of the music you love. Pick a general place and time and have fun….
My fellow music bloggers know my musical tastes pretty well by now. So, let’s see a show of hands – How many thought I’d pick The Rat Pack in Vegas? I almost did, but I know I have written on a live Rat Pack show in the past. Honestly, as awesome as that would be, the more I thought about it the more I leaned another way.
My scene certainly influenced the Rat Pack. Dean Martin cut an album called Swingin’ Down Yonder. Frank Sinatra recorded albums titled: Sinatra Swings, Songs for Swingin’ Lovers, Swing Easy, Sinatra’s Swingin’ Session, Sinatra and Swingin’ Brass, and A Swingin’ Affair! You know what the song says, “It don’t mean a thing, if it ain’t got that swing!”
As a mediocre trumpet player, I have always loved Big Band/Swing music. Most folks would consider the Swing Era to be from the early 1930’s to around the mid 1940’s. Even though swing music was prominent in the early 1930’s, it was often ridiculed for its style and feel. Some went as far as to call it a menace (much like Rock and Roll when it gained popularity). After 1935, big bands rose to prominence playing swing music. They held a major role in defining swing as a distinctive style.
There were many big bands on the scene at this time. Each had a very distinct sound and feel to it. For example, Glenn Miller’s orchestra often used a clarinet lead. Count Basie’s sound has a relaxed feel to it. Benny Goodman used a driving and hard swing sound. Duke Ellington’s songs has a sophisticated sound to them.
The band leaders often took the spotlight. They were amazing instrumentalists. Harry James and his trumpet, Benny Goodman and Artie Shaw on their clarinets, Gene Krupa on his drums, the trombones of Tommy Dorsey and Glenn Miller, and Lionel Hampton’s vibes. Along with those great leaders, there were plenty of talented musicians within those bands who went on to make a name for themselves.
Perhaps Sinatra recorded his many swing songs because he rose to fame alongside Tommy Dorsey. He was one of many singers who sang with those big bands. Others included the voices of Ella Fitzgerald, Billie Holiday, Kay Starr, Peggy Lee, Doris Day, Kitty Kallen, and Dick Haymes. While they all started with the big swing bands, they also went on to have prolific careers.
During the swing era, the big bands would often play at dance halls across the country. They appeared on the radio playing dance music. Some appeared in movies, and all of them made records. Their music had teenagers and young adults dancing until their feet hurt.
As years went on, the taste of music listeners changed. Swing began to fade away to make way for music that was less “danceable” like bebop. Many of the swing bands broke up, while other continued without their original leaders. The Glenn Miller Orchestra still tours today, for example.
When I put on headphones and listen to old big band recordings, I picture myself there listening. I picture myself in one of those great 1930’s suits with a stylish fedora.
Maybe it is in a dance hall or at a live concert. Maybe I am in the audience of a radio program where the band is playing. Wherever the music is being played, I am zoned in on it. I am listening to the drum beat of Sing, Sing, Sing and Benny Goodman. I can hear the vibrato of Tommy Dorsey’s trombone solo on I’m Getting Sentimental Over You. I marvel as I watch and listen to Harry James play his theme song, Ciribiribin.
Throughout the evening, I will study those great instrumentalists who improvise solos off the top of their head. Looking at nothing but chords and making up their own melodies. This is something I wish I could do as a trumpet player.
In all honesty, in my “scene,” I would be happy as a clam to just be in the audience. It would be the bees knees just watching those guys swing! Yeah, I can totally see myself swinging, singing, and dancing to the sounds of swing.
Thanks again, Dave for inviting me to take part in this feature. It is always fun to contribute and to read the other submissions. I’m already looking forward to next month’s topic!
My phone dinged one night at about 1:30am. Usually I put it on silent, but that night I hadn’t. I picked up my phone and read the text from my wife.
“OMG! You have GOT to read this one!” It came with a screen shot of the cover. That is what led to my reading this book. She was right! It was SO good!
This is the first book I have read by Katherine Greene. Turns out that Katherine Greene is just the pen name of bestselling authors A. Meredith Walters and Claire C. Riley. I am unfamiliar with them, but I will explore their work a bit more both separately and collectively (as Greene) thanks to this book.
Before I get into my thoughts, let me give you the Goodreads synopsis:
Told in alternating timelines, The Lake of Lost Girls is a haunting novel that will thrill fans of All Good People Here and We Are All the Same in the Dark.
Using suspenseful podcast clips to weave a twisty tale of a missing student and her sister who is desperate for answers, The Lake of Lost Girls is perfect for fans of I Have Some Questions for You.
It’s 1998, and female students are going missing at Southern State University in North Carolina. But freshman Jessica Fadley, once a bright and responsible student, is going through her own struggles. Just as her life seems to be careening dangerously out of control, she suddenly disappears.
Twenty-four years later, Jessica’s sister Lindsey is desperately searching for answers and uses the momentum of a new chart-topping true crime podcast, Ten Seconds to Vanish, that focuses on the cold cases, to guide her own investigation. Soon, interest reaches fever pitch when the bodies of the long-missing women begin turning up at a local lake, which leads Lindsey down a disturbing road of discovery.
In the present, one sister seeks to untangle a complicated web of lies. In the past, the other descends ever deeper into a darkness that will lead to her ultimate fate.
This propulsive and chilling suspense is a sharp examination of sisterhood and the culture of true crime.
My wife’s challenge to me was that I wouldn’t be able to figure it out. For the most part, she was right. The ending was quite the surprise. I wasn’t too far off on who I thought was responsible, but the way it all came together – I never saw it coming.
I have come to really enjoy books that have the alternating time lines. I enjoy how they shed light on each other and eventually all come together.
Like any other mystery, there was a red herring or two to throw you off the trail. The one was kind of obvious, but that only made me read more carefully. It didn’t matter, though, as the story was so good that the obvious clues weren’t so obvious.
I gave this book 4 stars, but for one reason only. I have read other books with a “podcast” element to it. Those did it really well. The podcast in this book could have been eliminated and worked. The hosts of the podcast were just annoying. It was almost like listening to two junior high girls talking.
Do the podcast segments offer things to move the plot? I suppose, but it could have been done much better in my opinion. To me, it could have been done by having the main character give a recap of what she heard on the podcast without ever having to have the hosts show up. Thankfully, the podcast portions of the book are usually short.
I really enjoyed this book. If you figure out the ending, I’d love to hear what led you to the answer. It’s easy to look back afterward and say, “Oh. That’s why (Insert clue I missed here)!” Give it a shot and let me know what you think.
It seems like it’s been a while since I posted a non-music/personal blog. Believe me, it is not because of a lack of things going on! It seems like my wife and I have been on the go constantly with the craziness of every day life. So here is a brief update:
Happy Anniversary!
It certainly does not feel like it has been seven years, but who am I to question WordPress? Today marks 7 years of blogging on this platform for me.
This blog has been such an important part of my life the last 7 years. Those who have been with me from the beginning know that it started as my place to vent. Then I began sharing memories that I wanted to document before I couldn’t remember them anymore. Then I began to sprinkle in music, movies and entertainment themed pieces. Over time, I added features and that sort of brings us to where this blog is today.
This blog began shortly before I got remarried. The story of our courtship, proposal and wedding are chronicled here. The roads that led to the excitement and wonder of the birth of our two children are also well documented. Highlights from the last 7 years are here for future reference. The blogs here hold answers to questions my kids might have. These are for the future, just in case I am not around to share them.
I am so grateful to have this place in the Blog-o-verse/Blog-o-sphere to share things. I am happy to have connected with wonderful people – LIKE YOU – who interact with me, share your stories and offer encouragement. Thank you!
Kid Stuff
The entire country is experiencing the cold weather and many places are seeing snow for the first time in ages. I was surprised to see the snow on Pensacola Beach! There were plenty of snowy photos from my friends in the southern states on Facebook.
The cold temperatures canceled the entire week of school for my daughter. She loves school, so she was sad to miss. However, it did allow her and my son to join my wife and her mom at the local Children’s Museum. They had a blast spending the day there. She told me all about it when I got home.
They had a dress up area and a “carriage” that she got to ride in. All princesses need a carriage, right?
We have been waiting to get my son in for his CPAP sleep study. Our lab has been so busy that their first available appointment was in February. The problem is, we wanted it done before his appointment with the sleep neurologist next week. Thankfully, I heard that we had a couple cancellations this week. I called my wife and asked if she could come in that night with him. She was at Dance rehearsal with my daughter. So we made some arrangements and were able to get him in.
He wore CPAP for a short while when he was about 2 years old. He has since had adenoids removed and tonsils shaved. There is still apnea, so we thought it best to try the PAP route again.
Side Note: As a sleep technologist, I can tell you that there are plenty of adults who have trouble with CPAP. When people hear that my son (or any child) is on CPAP, they wonder how they do it! I think my son is a bit more prepared as I wear CPAP and my mask every night. He thinks he’s gonna be cool like dad with his mask.
This time around it was a bit more difficult for him. He was waking up WAY more than he did before. It was strange, because he has done it before. This time, however, he comes in with a diagnosis of Restless Leg Syndrome/Periodic Limb Movement Disorder. His arms and legs seem to move constantly!
Midway through the study, the tech asked my wife if this was what he did at home. In conversation, she happened to mention that his breathing looked shallow and wanted to know about any respiratory weakness. My wife said that he was working on core muscles in physical therapy. That was all the tech needed to know.
She returned to the tech room and adjusted the settings to ones we use for people with neuromuscular weakness. With a couple tweaks of the setting, my son settled and slept! Now all we have to do is wait for the doc to finalize the results. When finished, they will send over the script for the new machine. With that, my wife and I may actually sleep at night!
He was SO tired here!
Numb
You may recall that I have been suffering with numbness in my hands since the weekend after Christmas. At one point there was swelling, too. After a visit to my PCP, I was given a referral to another doctor in hopes of getting answers. This might include getting an EMG done.
I scheduled that appointment and it is finally happening next week. The problem I am having is that the numbness in my right hand is almost gone. Now there is just pain in the finger tips. My left had still has numbness mainly in the fingers. The pain and numbness is worse when I get up for the day. As much as I wish it would go away completely, I hope it is still there when I visit the doctor.
Favorite Childhood Book
I will begin posting the contributions from other bloggers for Share Your Nostalgia Part 2 the first week of February. It isn’t too late if you want to take part. The topic is to write about your favorite book from your childhood. It could be one your parents read you or the first book you checked out of the library. It could be one that you read to your children as they grew up. If interested, drop me a note at: nostalgicitalian@yahoo.com
Time Off – But Not For Fun
I am hoping to work ahead on the blog. At the end of February and early March I am taking time off work. My wife is having some surgery and I will need to be home with her. She’s not going to be able to do much, and I will have to play referee to the kids. She’ll be in a lot of pain, and so I need to be there with her. I’d appreciate if you would keep her in your thoughts.
I will try to post updates as I am able during that time.
According to the date stamp on today’s picture, it is from the summer of 1981. We spent many summers going up north to Caseville. They were usually weekend trips. Off the top of my head, I can only recall two family vacations. One of them was to King’s Island and Sea World (probably when I was in kindergarten or first grade). The other was to Mackinac Island.
As I recall, we had a hotel in Mackinaw City. It is located at the tip of Michigan’s Lower Peninsula. I’m sure there were places that we visited there, but I don’t remember much of that. I do remember the day we went to Mackinac Island. As you can see, you had to take a boat over to the Island from the city.
There are no cars allowed on the island. There are plenty of horse drawn carriages and bicycles. There are also plenty of shops where you can find the famous Mackinac Fudge.
The highlight of this trip was actually visiting Fort Mackinac. This fort is located on the island. Fort Michilimackinac is actually in Mackinaw City.
Fort Michilimackinac in Mackinaw City is seen from a guard tower on Friday, Sept. 25, 2015. The fort was built by French soldiers in 1715 and was taken over by the British 1761 after the French and Indian War.
My dad took a lot of pictures from our trip, but some of them are lost. I remember he took this really awesome shot of a cannon being shot. You could see the flame coming out of the wick area and the muzzle in front. It was such a cool picture. I wish I still had it.
One of my favorite photos of my mom, my brother and me was taken at one of the forts.
With all of the trouble that my brother and I cause for my parents, my mom had to pose for the above photo! I remember her saying, “I gotta get me a set of these for at home!”
There were quite a bit of things around the fort where prisoners were held. The above photo is us in the foot stocks. There is another picture somewhere of my brother and I with our heads and hands in the stocks. This was so cool to see.
The look on my mom’s face is priceless. She is all smiles! I imagine if she did have these at home, she’d be smiling bigger! I think it is hilarious to see the two personalities of my brother and me. My brother not only has his feet in the stocks, he had his hands in there, too. No fight, he just submits to the punishment. I, on the other hand, and pulling at my feet in hopes of breaking out and getting free!
I love that the sign says that the stocks were for “petty offenses!” I am just guessing that the “offenses” my brother and I caused were more along the lines of misdemeanors or felonies! LOL
It is photos like this that make me miss my mom more than usual. I know if she was still around she’d be taking her grandkids on trips like this.
It was 39 years ago today that the Rock and Roll Hall of Fame inducted its inaugural class. When you look at the 10 inductees, you cannot help but be impressed. These artists are legends who were a part of the birth of Rock and Roll. The performers category is meant for recording artists and bands that have “influence and significance to the development and perpetuation of rock and roll.” Each of them did just that!
To honor this class of Rock and Roll pioneers, I thought I would feature a favorite song from each of them. Feel free to add your favorites in the comments.
Chuck Berry– No Particular Place To Go
The “Granddaddy of Rock and Roll”
James Brown – Please, Please, Please
“The Godfather of Soul”
Ray Charles – Hallelujah, I Love Her So
“The Genius”
Sam Cooke – Twisting The Night Away
“The King of Soul”
Fats Domino – I’m Walkin’
“The Father of Rock and Roll”
The Everly Brothers – Bye Bye Love
Buddy Holly – Rave On
Jerry Lee Lewis – Whole Lotta Shakin’ Goin’ On
“The Killer”
Little Richard – Rip It Up
“The Architect of Rock and Roll” (Also “The Bronze Liberace”)
Elvis Presley – Blue Suede Shoes
“The King of Rock and Roll”
I wish I could find out who the artist is on this amazing caricature! I love this and would love to get a print of it.
The amount of music that these ten performers put out in their lifetime is overwhelming! It is fitting that they make up the first class of Rock and Roll Hall of Fame inductees.
My wife and I took a trip to Cleveland for our anniversary one year. We visited the Hall of Fame and I was in awe walking amongst the pieces of history. If you have never been there, I highly recommend a visit!
Welcome back to The Music of My Life, where I feature ten songs from each year of my life. In most cases, the ten songs I choose will be ones I like personally (unless I explain otherwise). The songs will be selected from Billboard’s Year-end Hot 100 Chart, Acclaimed Music, and will all be released in the featured year.
I started this feature with 1970 and we have come to 2006. As each year progresses, it has been interesting. I have noticed that some years it is difficult to get 10 songs, while other years I have trouble narrowing my picks to 10. I have a feeling that as I get closer to the end, there may be the need to pick less than 10. We’ll see.
2006 was a year of ups and downs. It became clear that my mom’s cancer battle may be drawing to an end. There was quite a change in her. After ten years of fighting, she was tired. She passed in October.
In October, just 11 days before my mom passed, the Detroit Tigers went to the World Series for the first time since 1984. My dad and I were so excited. Of course, the high was brought low when they lost it in 5 games.
Musically, 2006 wasn’t a bad year. My list has a variety of genres and a few songs that mean more now than they did in 2006. So let’s turn on the radio …
I love the sound of a good acoustic guitar and a simple vocal. If you look back over the years I’ve covered, there are quite a few songs like that. In 2006, Hey There Delilah jumped out of the radio for me. I loved the sound.
Delilah is a real person. Her name is Delilah DiCrescenzo. She is a steeplechase runner Plain White T’s lead singer Tom Higgenson met through a friend. He thought she was the most beautiful girl he’d ever seen.
He told Songfacts:
“I was like, ‘Well, all right, I’ve got to write a song for this girl.’ I literally started playing it. The first verse just poured out exactly as it is, all the way through to the chorus. I didn’t really know the girl, you know? So, it was like, ‘What’s it like in New York City? Tonight, you look so pretty'”
He told Clickmusic that he felt this was possibly the most well-crafted song on the album:
“I think I definitely spent the most time on the lyrics with that song. It’s a lyric-driven song, so every line was important. It’s very exposed and vulnerable, but it’s very simple.”
Tom didn’t get the girl – Delilah was dating somebody and wasn’t interested – but he did get a number one song out of the encounter.
Hey There Delilah
The next song was one that I played when working in country radio. It was one of those songs that surprised me and became a country hit. I don’t know that country music would have ever been associated with Bon Jovi!
Jon Bon Jovi and Richie Sambora wrote two versions of Who Says You Can’t Go Home. Both are on their Have a Nice Day album. One version is just the band and was a hit on the Adult Contemporary charts. The other is a country version featuring Jennifer Nettles of the band Sugarland.
At first, Jon Bon Jovi wanted Keith Urban to sing with him on the country version and play the banjo. It didn’t work out since their voices were so similar and the banjo didn’t sound right, so they used Nettles. The song went to #1 on the Country charts, the first time a rock band has done that.
Jennifer was a bit anxious about singing with Bon Jovi. In an interview she said, “I had his New Jersey posters on my door when I was in the seventh or eighth grade. It made me nervous because the last thing I would want is to ruin a Bon Jovi song.” I think it is safe to say that she didn’t.
Who Says You Can’t Go Home
The next song is just one that struck a chord lyrically. When I heard the story behind the song, it took on a deeper meaning. Isaac Slade of The Frey explained to Songfacts how he came up with How To Save A Life. He explained that he wrote this song about an experience he had working at a camp for troubled youths:
“One of the kids I was paired up with was a musician. Here I was, a protected suburbanite, and he was just 17 and had all these problems. And no one could write a manual on how to save him. I got a lot of email about it. One kid died in a car accident, and I guess it had been the last song he downloaded from his computer. They played it at his funeral, and some of his friends got ‘Save A Life’ tattooed on their arms. The response has been overwhelming.”
Lead guitarist David Welsh told I Like Music the story of this song:
“The song came about very organically. Isaac had this idea on the piano of this kind of lullaby. Then he concocted this repetitious drum beat that moved the lullaby along with Ben. The lyrics came from an experience Isaac had with a teenager he was mentoring who was struggling with drugs and addiction. It was just a very natural process, the song developed and the lyrics fitted very well.”
The Fray is comprised of devout Christians, and this song certainly has some religious subtext, with specific references to God:
And I pray to God he hears you
The Christian music community embraced the song, sending it to #4 on the Christian Songs chart, but it wasn’t marketed as a religious song and was also a hit in the secular community – it made #3 on the Hot 100 and was also a #1 Adult Contemporary hit.
How To Save A Life
The first and only cover song on my 2006 list is a classic. In 1960, The Drifters recorded Save The Last Dance For Me. It was originally a B-side. The legendary Dick Clark thought Save the Last Dance For Me was the better of the two songs and started playing it on the radio. Bingo – it became a number one song.
It is a song that has been covered by many artists including Buck Owens, Dolly Parton and John Davidson! In 2006, Michael Buble’ released it as the third single from his It’s Time album. There were many remixes of the song before the single was released. After Bublé performed the album version of the song during the closing credits of the film “The Wedding Date,” that version was released to radio, peaking at No. 5 on the Billboard Adult Contemporary chart.
I love his version! I love entire feel of it. It is so different from the original and the instrumentation is SO good. Every time I hear that horn line, it gives me chills. I like that it gives a little nod to the original by going from the strong brass sound to the lone guitar with the opening vocal.
Save The Last Dance For Me
If I mention the song Chasing Cars by Snow Patrol to my wife, she will immediately remind me that it was used in an episode of Grey’s Anatomy. A friend of mine will remind me that it was used in an episode of One Tree Hill. I have seen neither one of these shows – by choice.
It was a song I heard on the radio and I remember thinking was a great love song it was. It’s a great song about just getting through day by day with just you and your significant other. Lead singer Gary Lightbody, who called it “the most pure and open love song I’ve ever written.”
It’s such an amazing song, and Lightbody was even impressed with it. He wrote it under unique circumstances. He says he wrote it in the garden of producer Garret “Jacknive” Lee’s cottage one night while in “a blur of red wine and Percocet.” He says he wrote about 10 songs that night, and when he looked at them the next day nine of them were terrible, but “Chasing Cars” stood out like “a diamond in the s–t.”
It took 35 weeks to get there, but the song did reach #1 on the Top 40 charts. It was the only Top 40 hit foe the band in the US.
Chasing Cars
Country music listeners can get offended easily. In my years working in the format I can recall the division that songs like Goodbye Earl and Honky Tonk Badonkadonk stirred up. You had people who loved them or people who were offended by them. So when Love You by Jack Ingram hit my desk, I wasn’t sure about adding it.
You ask, “Why? Why would a song called ‘Love You’ be one you didn’t want to add?” Well, the “love” in the song means anything but “love.” Wikipedia says that this is a “kiss off” song. “Its lyrics feature several phrases where the F word is replaced with the word “love.”
It’s the ultimate “radio edit!” Here is part of the chorus –
“Love you, love this town / Love this mother-lovin’ truck that keeps breakin’ lovin’ down”.
There are also more traditional replacements in the song, with “dang” (“damn”), “heck” (“hell”), and “shoot” (“sh*t”) appearing several times in the first verse.
The song took on a whole new meaning for me when I was going through my divorce. It was a song that I would often listen to after a heated interaction with my ex.
My next song is here because I have a distinct memory of my oldest song when he was about 5 singing it in the back seat. I remember thinking, “Where did he hear that?!” Nothing like hearing your 5 year old singing, “You got soul, you got class. You got style, you’re badass!” Thanks a lot, Christina Aguilera!
It had been 4 years since Aguilera had released an album. Ain’t No Other Man was the first single from her Back To Basics album. The song samples a 1968 Latin soul tune called “Hippy Skippy Moon Strut” (aka “I’ll Be a Lucky Man”) by Dave Cortez and the Moon People, and “The Cissy’s Thang” by Soul Seven.
She said of the song, “I wanted to make it light and easy for people to dance to and sing along to, so the whole song is based on feel-good elements of soul and blues and jazz. Lyrically, I just got married, so it’s about someone in particular, but it’s all about feeling good and not taking anything too seriously.”
It’s definitely a catchy tune and people still like to dance to it. I dig the horns.
Ain’t No Other Man
The next song on my list is one that many can relate to. At any workplace, you are going to have people who will stand around and tell you what would make life better or what the government needs to do. They are right there with “solutions” to the world’s problems, but all they do is talk. They are not doing anything to make a change in things, instead, they wait on the world to change.
When you hear the lyrics of Waiting on the World to Change, you can see just how deep John Mayer is. You’d think it was written by someone in their 40’s, but he was only 28 when he wrote it.
Songfacts says that this song is how most people deal with problems in the world. When Mayer sings, “Me and all my friends, we are all misunderstood, say we stand for nothing but there’s no way we ever could,” he’s talking about his generation and their lack of faith in the government – all we can do is wait, and it seems like everyone is waiting for the world to become a better place. We sit on our hands and watch as the government takes control.
In an interview with the Daily Mail December 21, 2007 Mayer explained why he wrote this song that makes a point without laboring matters: “I wanted to start a debate. Most of us are happy to wait for things to change.”
Waiting on the World to Change
The next song is another example of a song that didn’t mean much to me in 2006, but means more to me now. In 2006, I had only my one son. My second son arrived in 2007. Until 2020, I was a “boy dad.” In 2020, my daughter was born. All of a sudden, all of those Daddy/Daughter songs started to hit hard.
Working in country radio, there is no shortage of songs about kids, songs about family and songs about daughters. If I had a dollar for every time I played My Little Girl by Tim McGraw as a Bride/Bride’s father song …. I could go on a long trip!
It was featured in the film Flicka. It is one of many that I want to dance with my daughter to.
My Little Girl
My final song for this week is one that I heard while visiting a church. Many of the modern churches will sing contemporary Christian songs instead of traditional hymns. I love those hymns, I won’t lie. I get chills singing many of them.
My brother-in-law at the time invited us to their church. It was odd for me, as I felt like I was watching a play or production instead of being in church. To me, it should be about the message and not so much the “tug at your heartstrings to make you cry” production. Anyway, I heard this song there and I did like it.
Chris Tomlin has had many Christian hits. Songfacts interviewed him about the song:
Tomlin said, “I wrote that song when I was living in Austin, Texas. I remember sitting on my sofa in my little apartment. And Psalm 104 was the psalm I was looking at. It said, ‘You our lord are very great. You’re clothed with splendor and majesty, wrap yourself with light as with a garment’ – through those opening verses and just describing a little bit of God, the glory of majesty, that little chorus came out. I started singing the chorus and, man, I had no idea, I thought the chorus was just a little simple thing and it was. And I had no idea it would become such a song in the church, and a song that finds its way in so many different cultures, different languages. It’s so transferrable, so accessible. I had no idea that it would ever become that.
I remember I had the song, I thought it was finished. I didn’t have a bridge to the song, and I met Ed Cash who produced that record it was on. First time meeting him and talking to him about maybe producing my new record. And I remember he picks his guitar up and says, ‘This ‘How Great is Our God’ song, I think it’s pretty good, but it’s not finished.’ And I’m like, ‘What are you talking about? Who do you think you are?’ And I remember him grabbing his guitar. I believe it was something about, ‘What if you do something like this?’ And I remember he just started singing, ‘You’re the name above all names, you are worthy of our praise.’ And it’s really good, but when you open up and let somebody else sneak in, it just makes it better. So that’s when we knew it was taking it to another level.”
How Great Is Our God
With all I have been through, I know my faith got me through. They say that it is often played with the hymn, How Great Thou Art. I can totally see the two songs complimenting each other.
So what song from 2006 did I miss that was your favorite? Tell me in the comments.
Next week it is 2007. My list includes one of the biggest dance crazes of the 2000’s, a song about murder, a song about time flying, and a fantastic song by a classic group from the 70’s and 80’s. Join me next week …
Charles Edwin Hatcher was born on this day in 1942. You and I know him better as Edwin Starr. He was born in Nashville, moved to Cleveland and eventually to Detroit.
In 1957, he formed the Doo Woo group, the Future Tones. Soon after, he was called to serve in the US Army. He spent most of his time in Europe. When he was discharged, he decided that he wanted his career to be in music.
He joined up with Bill Doggett’s group. Bill was known for his hit Honky Tonk Part 2. Starr’s stage name was suggested to him by Doggett’s manager, as he didn’t think Charles Hatcher would catch on.
In 1965, Edwin made his solo debut with his first single for Ric-Tic Records. The James Bond series was quite popular at the time. Starr’s first single was a play on that entitled Agent Double-O-Soul.
Songfacts says that instead of being a spy, Edwin is “a sophisticated cat that brings soul music to the masses. He doesn’t have to go undercover!” I think that is a perfect description!
When I first started in radio back in 1988, it was at an oldies station. My dad gave me a list of songs that he asked me to look for. Most of them were songs he grew up loving. Many were also big hits by local artists in Detroit. Agent Double-O-Soul was on that list.
Thanks to that list, I was introduced to songs that I was unfamiliar with. Those songs have since become some of my favorites.
When Ric-Tic Records went out of business, they sold Starr’s contract to their much larger rival, Motown. His first few singles there flopped. But in 1969 he scored with “Twenty-Five Miles” and in 1970 he had a #1 hit with”War.” He ended up leaving Motown in the mid-’70s. In 1983 he moved to the UK, where he performed until 2003, when he died of a heart attack at 61.
Today is a day to celebrate the Disc Jockey. I was lucky enough to be both a radio DJ and a Mobile DJ. I have mobile DJ stories, but they aren’t as interesting as my radio DJ stories. This is an adaption of an earlier blog. If you are a newer follower, these will be new to you. If you’ve been around since the inception of this blog, enjoy these again.
In my over 30 year radio career, I have (like all of my radio friends) a gazillion stories. There are some that I just can’t share here. But, here are some that I’ll share off the top of my head. I am sure there are plenty more, but for now – enjoy these:
WKSG –
My career started here. I was a lowly intern ripping news and sorting it. I then started to intern with Paul Christy, the morning guy. He eventually was responsible for me doing overnights full time.
Keith Who?
I only used my real name once in my entire career – and almost didn’t. Every hour at the top of the hour we had to play our Legal ID. The FCC requires the station to identify itself and where the signal originates from. Our Legal ID had was what we called a “donut” in the middle of it. The voice guy gave the station slogan, followed by the Station ID. After that there was a 2-3 music bed where the DJ would say what time it was and their name. I’d heard it a hundred times. “It’s 10 O’clock and I’m Jim McKenzie”, “It’s 3 O’clock and I’m John Bailey”, “It’s 7 O’clock and I’m Johnny Molson” – every jock did it. My first night ever on the air, I hadn’t decided what name I was going to use yet. The ID played and I had no choice – “It’s midnight and I’m … (brain fart – and real name)”. I really had no intentions of using my real name, I just hadn’t decided on my on air name yet. A gal I went to high school with was listening that night. I remember her calling and asking if I was Keith (real name). It freaked me out. She told me that she heard my that first night and thought that I had said my real name. I used Keith Allen every day after that and have never been anyone else.
Thinking Inside the Box
Speaking of those live ID’s, Johnny Molson was on before me each night. It seemed that he and his crew always were trying to mess with me when the ID played. They would make weird noises, bang on cart racks, or knock over my music stack. They would do all kinds of things to try to get me to mess up when I turned on the microphone. . Sometimes they’d get me to crack up and sometimes I was able to keep it together.
One night, the time was ticking away to the ID and they were all out of the studio. The ID started and I heard the studio door behind me open fast. They had found a huge box and as I started to talk, they threw it over my head. My hands, thankfully, were still by the mixer board so I could see what button I had to push next. I didn’t know what to do, so I just continued to talk with the box was over my head. Listeners heard nothing but a muffled voice and the music bed. Johnny was cracking up the whole time. He told me, “I can’t believe you just kept going”!
Saturday Snooze
At one point during my time at Kiss-FM, I was doing Friday night and Saturday mornings. This consisted of me being on air from 12a-6a doing my own show. Then running Paul Christy’s show on tape from 6a-10a.
I don’t recall why I hadn’t slept much the day prior, but I was tired. I finished my show at 6. I got about an hour into Paul’s show, and I was feeling exhausted. I had started a song, put my elbows up on the board, my fists to my cheeks, and nodded off. About 20-25 minutes later, my head fell from my hands and I was startled awake. I had no idea where I was. The phones were all lit up, and nothing was on the air!
In a panic, I grabbed the first song on the music stack and jammed it into the machine. Fittingly, the song was “You’ve Got Your Troubles” by the Fortunes. Once the music started, the phones stopped ringing. I, however, knew that Paul was always listening! I dreaded the call that I knew was coming. I was sure to get fired for messing up his show! 10 minutes later the “PC hotline rang”.
I answered it and as usual, Paul was chomping on something (he was always eating when he called). “How’s it going?”, he asked. There was no way he didn’t hear the silence! He had to have heard it, I knew he did. Why wasn’t he saying anything? I finally blurted out that I had fallen asleep for a couple minutes and awaited the verbal beating. Nope. Not Paul. He laughed and said, “You Asshole! I remember this one time I fell asleep while I was at Super CFL in Chicago….” and told me his sleepy story. That was the kind of guy Paul was … a damn cool dude!
Hot Java
One more Paul story for you. He drank coffee all throughout his shift. He liked it black and hot! One time he had Vince, a morning show member, get him some coffee. It sat next to him for awhile while he was doing other things. He finally grabbed it and took a sip. He was disgusted.
He yelled, “What the hell is the matter with you guys?! You call this hot coffee?! I could piss warmer than this!! Get me some fresh stuff and make sure it is hot!” So Vince went to the coffee pot, filled the cup and then put it in the microwave for about 2 …or 10 minutes. I don’t remember, but it was in there for a good while. He took the steaming cup to Paul. Well, rather than setting it down as he normally did, put it to his lips and took a sip. Needless to say, it burned the hell out of his tongue and lips! Paul yelped, “Jesus! What is wrong with you?!” Holding his tongue in pain, he continued, “I use this thing for a living!!” I think every one of us broke a rib laughing so hard. I can still see him holding his tongue with one hand and fanning it with the other!
WMXD
I followed Paul here to do some part time work after being let go from Kiss-FM. The format started as a mix of Urban/R&B music and Pop. Eventually it went all R&B and Urban. It was here that I met The Electrifying Mojo.
Keef
I had known of Mojo for years. He was a Detroit legend. He had this mysterious persona on t he air. I don’t know that there were any photos of him anywhere. So when I saw him for the first time, I was taken aback. He was much shorter than I had imagined.
I have to say, Mojo was one cool dude. He played most of his stuff off vinyl records. The thing I remember most about Mojo was that the studio was always like a sauna! It was always SO hot when I came in. I don’t know how he was able to work with it that hot.
The studio was always a mess, too! Not garbage messy, but music messy. There were always vinyl records all over the studio. He’d have them stacked on the reel to reel tape machine or on the counter tops. Sometimes, there were stacks of them on the floor of the studio. With the records everywhere, it was hard for me to get in and gather the first hour of music for my show. You could barely move in the studio.
He always called me “Keef” or “Baby Keef” when he got ready to wrap up his show. He had a signature line that he always said at the end of his show:
“Hold on tight. Don’t let go. Whenever you feel like you are reaching the end of your rope – tie a knot. Don’t slide off. Keep hanging. Keep remembering that there ain’t nobody bad like you.”
I had heard him say this on the radio many times, but to watch him say it live in the studio … I was in awe.
WHND
Honey Radio! I grew up listening to this station and I was honored to have the chance to work with radio legends! Richard D, Jon Ray, Boogie Brian, Ron Tavernit, Bill Stewart, Greg Russell, and so many others were such an influence. Honey was the first oldies station in the country – and I got to be there as they turned out the light…..
Worst Five Minutes of Detroit Radio – EVER
You can read all about my buddy Rob in a previous blog. I am not sure if I tell this story in that blog or not, so I apologize if I did. It was the last week Honey was on the air – the week of Thanksgiving 1994. Our listeners knew that this was Honey’s last week and we had been given free reign to have fun.
We had a listener who used to call up and his name was Mitchell. I had gotten to the point where I could do his voice pretty well. I had been doing a character based on the real listener and I called him “Mitch”. True story – Mitch would call and talk to us and really never have anything to say. He’s jump from topic to topic. If you let him, he’d never stop talking. So I decided to prerecord some calls as Mitch where I just rambled about nothing and then hung up. Afterward, we’d say something like “He’s a nice guy, but ….” kind of a thing. It was ridiculous.
So now it’s the last week we are on the air. It had become clear that some people were upset the station was going off the air. They were calling us in the studio and calling the managers to voice their anger. I said to Rob, “I bet Mitchell is really angry about the station.” He said, “They better lock the doors, man. That guy is likely to come in here with a gun or something. That was the idea. So we planned a bit.
I was going to do the character live on the air. I was going to come in and say how upset I was the station was going off the air. I would yell and scream and (using the theater of the mind) pull out a gun and start shooting it (keep in mind this was 1994 and public shootings were not as prominent). At this point in the bit, our bouncer character (loosely based on Charles Bronson) was going to come in and grab the gun. He would then beat up “Mitch” and throw him out the studio window. To accomplish the bit we needed sound effects (to make it sound real on the air).
To help you understand what happens next, here is a picture of a studio. It is not the WHND studio, but the Cart machines in the picture are like the ones there.
If you look at the left side of the picture, you will see the machines above the headphones. There are three machines on the left, a stack of carts in the middle and three machines on the right. At Honey, the machines went like this:
1 4
2 5
3 6
Ok, now to the mess.
We had these 6 cart machines and every song, commercial, or sound effect was on its own cart. So in cart player #1 was the song we just played. Cart #2 had the door closing sound effect for when Mitch comes in. Cart #3 holds the gunshot sound. Cart #4 is the “fight scene” – the sound of two guys beating each other up. Cart #5 is where the sound of glass breaking (the studio window) for when Mitch gets tossed out . Finally, Cart #6 had our first commercial.
The plan was that after Mitch was thrown out the window, we would go to a commercial break. I would have already put the commercial we were going to play first in Cart player 1. Once the glass breaks and we wrap up the bit, go to commercial and proceeded with the show. That however, is NOT how it happened on the air.
As soon as I began to do the character live on the air, I saw Rob crack a smile. That is all it took. Seeing him smile made me start to laugh hard. As his Elvis character, Rob tries to save the bit. So I once again try to do the “Mitch” character – which only made me laugh harder. By this point we are both laughing so hard that we have tears in our eyes. Rob, as Elvis, says “That takes care of that bit, man!”
Because we are totally losing it on the air, my first thought is PLAY THE COMMERCIAL! I go to start the commercial, but the commercial never made it to the machine! So the button I pushed was the gunshot sound effect, which only made us laugh harder….you hear us dropping carts and shoving the commercial in the machine and finally we went to commercials. I have often called this the worst 5 minutes of Detroit radio. To me it is also the funniest 5 minutes of our show.
Update: I found the Audio and made a YouTube Video:
My apologies ahead of time …
Becoming The President
The late Richard D was one of the funniest men I ever worked with. He gave me lots of direction and I have talked about him in previous blogs, as well. I was producing his show the Top 12 at 12. This was an hour of his show which featured the Top 12 songs in Detroit on that day. They found those 12 songs from local charts from radio stations and newspapers. Each day featured a different year.
It was a fun show to produce. It included new stories, TV and movie clips, old commercials, info about how much things were from that year, etc… Richard had to play that day’s 12 songs from the chart. Every now and then there was extra time because of short songs. We would then give him songs that were on the charts from that week to play as “extras.” Usually it was a song that was just being released or had been a hit earlier in that year.
On one show, the countdown was from 1966. I had put a Dean Martin song in there as an extra and he played it. After the song, he made some comment about it not being the greatest song or something and moved on. So I went into the studio, as I often did, to give him crap. I said something along the lines of “Why are you messing with Italians! Dean was Italian and so I am I! Look here you “old bastid (a term of endearment), If I were you, I’d watch what you say about Dean Martin … and Frank Sinatra for that matter!” The whole time he laughed. I left the room as he continued to laugh hysterically.
I thought that would be the end of it, but Richard loved an opportunity to make me the butt of a joke. After the next song he said on the air, “Ladies and Gentlemen, I must offer an apology. A little while ago I played (whatever the song was) by Dean Martin and made some negative remarks about it. Immediately after that, Keith Allen came in here with about 12 goons who roughed me up a bit and told me that my comments were distasteful. So I must now publicly apologize. I really had no idea that Keith Allen was the President of the Dean Martin Fan Club!”
From that day on, I always tried to find a way to sneak a Dean Martin song into my show. After each of those songs I would say I was President of the Dean Martin Fan Club.
Related side story
When Honey went off the air, I received a package from a listener named Sandy. She and I remain friends with to this day. The package was a complete surprise and it was awesome. Sandy had sent me a membership to the REAL Dean Martin Fan Club! To make things even better, there was a note in the package. It read: “I thought you might actually want to be a member of the Fan Club you claim to be President of….”
The Sign Off
For years I listened to Boogie Brian rhyme as he talked up song intros until he nailed the post (where the vocalist starts to sing). He would do this with no effort at all. His energy was constant and the smile in his voice was ever present – until November 25, 1994. That was the day Honey stopped broadcasting locally before eventually signing off. My partner Rob and I were listening to his sign off from the other room. The day had already been full of listeners wishing us well and many tears were shed. The biggest tears came as Boogie signed off that day. A powerful memory that I will never forget.
WWWW
My Worst Prediction
In 1994, I had just come back from working on the west side of the state. It was there that I did country radio for the first time. After I was hired at W4 Country, there was a change in management. The new PD, Tim Roberts, would take the chair and offer some advice that I still use today. Every year, Tim was responsible for booking acts to the Downtown Hoedown. It was a huge three day festival with many stages and many acts. At the time took place in Hart Plaza in Detroit.
We worked at the Hoedown in shifts as I recall and mine was over. I was waiting in the blue W4 Country Suburban to go back to the station with Tim Timmerman. The Dixie Chicks were an up and coming act who had a very traditional sound. Their music was really not like anything on the radio at the time. While I loved it, I didn’t think it would do as well as it did. Tim looked out the window of the Suburban and said “Dude, it’s the Dixie Chicks! We should go get a picture!” I was exhausted and I told him that he could go if he wanted to. I then said something about them being way too traditional and that “they probably won’t go anywhere”. Boy, was I wrong! There’s an opportunity I missed and regret to this day!
Thanks for reading, it’s always fun to share radio stories. There are plenty of my DJ Heroes mentioned above, too. That’s fitting for National DJ Day!
I always check out “This Day in Entertainment History” when preparing for Movie Music Mondays. I’ve had a song I’ve wanted to feature on here for some time. At first glance, I thought I had the perfect day to tie it in yesterday. One site read, “48 Hours released on this day in 1988.” My first thought was, “Eddie Murphy and Nick Nolte!”
Now, count my mistakes with me. Then, (1) I realized that I was looking at the 19th of January and not the 20th. This made me sad because the song I wanted to feature is from this movie. But 1988? Something wasn’t right with the date. I thought on it more 1988 seemed “late.” (2) When I checked the facts, sure enough, the movie was actually released in 1982. This made more sense. So I went back to the original website and realized that I missed something else. (3) It was CBS TV’s “48 Hours” that was released on January 19th.
I chock it up to my lack of sleep and everything else going on. Whoops!
So here we are. I have absolutely no reason to feature this movie today or the song I want to play. But, I’m going to do it anyway and I hope that’s ok.
The standout song from the 48 Hours soundtrack for me was The BusBoys “The Boys Are Back In Town.” Not to long ago, I posted the ten songs that were scientifically proven to make you happy. This song is one of my “happy songs!” If I had to describe it, I’d say it is a little jump blues, a little rock and roll, and a little shuffle/boogie.
The BusBoys keyboard player Brian O’Neal wrote this song and he shared the story of it with songfacts.com:
“The BusBoys were signed to Arista Records. Our manager at the time was Michael Klenfner, who was best friends with John Belushi and well connected with our agency ICM.
One of the songs on {our sophomore album} was called ‘New Shoes.’ It was a unique blend of rock and soul, with a cool shuffle back beat. Well, there was this movie being made called 48 HRS. at Paramount Studios. The film was originally slated to star Richard Pryor, but the newest, hottest young comedian of Saturday Night Live fame ended up in the role. The director was Walter Hill, the producers Lawrence Gordon and Joel Silver. Both Walter and Eddie Murphy were represented by my aforementioned agency, ICM.
I get a call from my agent, asks if I wanted to be in this movie. I said I was interested and he set up a meeting with Joel Silver. Joel explained the film had a bar scene that Eddie was supposed to go into and there was going to be a band playing. Joel and Walter wanted a Black band that had a rock and roll edge. We were and still are one of the primary roots, rock and soul bands that fit the bill.
They had already heard ‘New Shoes’ and wanted four more songs. My brother, Kevin O’Neal and I wrote some songs over the next couple of weeks. At the recording session for the demos to present to Joel we had finished three songs: ’48 Hours,’ ‘Love Songs Are For Crazies’ and ‘Monkey Mash.’ It was 2:00 AM and the band was tired and ready to go home when I say ‘Guys, I’ve got one more song.’ Groans. ‘It’s going to be an easy, blues type shuffle with a little gospel opening piano lick – and it’s going to be called – ‘ (me looking around) ‘- – The Boys Are Back – – In Town.’
We laid the track and I finished the lyrics and the vocal a few days later. When the tracks were all completed I thought we had three real songs and one ‘filler.’ As it turns out, ‘The Boys Are Back In Town’ became our signature tune and was featured in the movie. It doesn’t have any connection with the Thin Lizzy song other than the title. I always liked their track, but wasn’t thinking anything about it when I composed ours. I’ve since come to think of theirs as an English approach and ours an expression of American rock, roll and soul. The movie and the song became wildly popular. For reasons only conspiracy theorists can explain, the song wasn’t released when the movie first came out. For almost twenty years it was probably the most famous song in the history of America that had never been officially released. We finally made the song available to the public on our CD by the same name in 2000.“
So if you woke up today with the “Monday blahs,” I hope this one puts you in a great mood!
Various Ramblings of a Nostalgic Italian 