The final weeks of 2024 are upon us. On this Thanksgiving day, I find myself thinking of the things I am thankful for. I know that many readers will think, “Oh boy. Here we go again. Another list from Keith.” Let me ask you – How do you feel? I have found by reflecting on the things I am thankful for, I gain a new sense of happiness. You can too! Try it, and see.
I am thankful for:
My wife. Her love, patience and understanding mean so much to me. She is the glue that holds our family together. I fall in love with her over and over again.
My children. I have been blessed with 4 of the most amazing children. Each of them is so different from the other. Each of them a distinct personality. Each of them smart, beautiful, handsome, and funny! Thoughts of them fill my heart daily.
My Faith. I am thankful for the Bible and the knowledge I gain from reading it.
My Savior Jesus Christ. The never ending and unconditional love that He showed for me at Calvary’s Cross, well, there is no way to express how thankful I am for that.
My father. I am so grateful to still have him around. His guidance, his advice, his influence, and his laughter are things I truly appreciate.
My brother. For two kids who beat the snot out of each other growing up, we are very close. Closer than ever, actually. His support and love for my family overflows. I treasure the little texts or pictures we send to each other, many that need no explanation.
My friends. There are many people that fall into this category. From my best friends of over 50 years to radio friends, college friends, church friends, and more. Friendship is something I do not take for granted. Thank you for being my friend.
Memories. Again, there is so much to place into this category. The memories of loved ones who have passed away. The memories of the bad times, which makes the good times even more special. The memories of special events. The memories of joy and the memories of sadness. The memories that come with a book, movie, TV show or a song. The memories that an old photo bring to mind.
My job. I am grateful to have found a line of work that allows me to provide for my family. I am also thankful that I get to help people while doing it.
Our home. We are blessed to have a warm bed to sleep in. A couch to snuggle on. A kitchen to cook in. A roof under which happy memories are made.
Modern technology. While not all of it is good, I do like being able to spellcheck my work. It is also nice being able to search just about anything on Google.
You. I am thankful that you are reading this. I am thankful that you read and react to my blogs. I am thankful for you willingly choosing to follow this page.
The above list is small portion of my list of things to be thankful for. In I Thessalonians 5:18, the Bible says simply, “In everything, give thanks!” Doing that will change your heart. It causes you to look at things differently. You find it easier to cope with things. I aids in your understanding. It is also one of the hardest things to do. But I trust that it is what we all need to do. Give thanks in everything today and always.
May you and yours have a very happy and blessed Thanksgiving.
Welcome back to The Music of My Life, where I feature ten songs from each year of my life. In most cases, the ten songs I choose will be ones I like personally (unless I explain otherwise). The songs will be selected from Billboard’s Year-end Hot 100 Chart, Acclaimed Music, and will all be released in the featured year.
In 1998, I turned 28. I was still working in the mail room at EDS and spent a lot of time driving and making deliveries. Most of my radio listening was to the morning show on the alternative station or the rock station. The gal I was dating at the time would go on to become my first wife. She also listened to the same stations and we’d talk about stuff we heard on the shows. I will have to talk about her in more detail in a few. But only because it ties in with a song, that I suppose had to be on this list.
Let’s dive into the music.
If you are a regular reader to this blog, you are familiar with the Turntable Talk feature. Dave, from the A Sound Day blog hosts it and gives us a monthly topic. This month is was to write about a song that was based on a real event or a real person. My first song was almost my pick, but I knew this week it was on my list. Surprisingly, not one of the other bloggers chose it.
Here is the story from Songfacts:
The Way, by Fastball, is based on the true story of Lela and Raymond Howard. They were an elderly couple from Salado, Texas who drove to the annual Pioneer Day festival 10 miles away in Temple and didn’t return. She had Alzheimer’s disease and he was recovering from brain surgery.
When they disappeared, a reporter from the Austin American-Statesman wrote a series of articles about the missing couple. Fastball bassist Tony Scalzo came up with the idea for the song after reading the articles (the band is from Austin). “It’s a romanticized take on what happened,” he said. Scalzo pictured them “taking off to have fun, like they did when they first met.”
Thirteen days after the Howards went missing, they were found in Hot Springs, Arkansas, about 400 miles from their destination. They were still in the vehicle (an Oldsmobile Delta 88), which had veered off the side of the road and was hidden in brush. Scalzo had finished writing the song when he learned that the couple had died.
The song itself has a sort of retro feel to it. It also incorporates a lot of little sound effects into the mix. “There was this brief moment in time when people were having hits with really weird stuff,” Fastball’s Miles Zuniga said. “We got lucky that we came around at that time. Even two years later was too late.”
I think that is what I loved about the song. It starts off someone tuning a radio dial. It has a hollow sound to it. All of a sudden, you are hearing a full produced cut. That change in sound really grabbed me.
Songfacts puts it this way, The song opens with the sounds of an analog radio going up and down the dial, briefly tuning in stations amongst the static. When “The Way” starts, it’s as if the listener has found a song he likes and is going to give it a listen. For the first 40 seconds, the dynamics are restricted to simulate the limited frequency of a radio signal. At the line, “they drank up the wine,” the full range comes in.
Despite the sad story of the song, it is one of my favorite 90’s songs.
Listen carefully: The guitar solo was inspired by the song Secret Agent Man. Guitarist Mike Zuniga was a big fan of 50’s and 60’s songs.
The Way
Before you hear the next song. Here is a vocabulary lesson for you.
Jiggy. (adj.) (1) To be cool and trendy. (2) Often associated with a style of dress. (3) Dancing effectively. (4) Making a name for yourself. (noun) (1) sex.
Will Smith’s Gettin’ Jiggy Wit It was a monster hit. It was a song that packed the dance floor when it came out and for years afterward. It was often the song I played as the first fast dance when I was DJing weddings.
This song has so many different things piled into it. For example, This samples the beat from “He’s the Greatest Dancer” from Sister Sledge. Now add the “na-na-na-na-na-na-na-na” hook, which is from a song called “Sang and Dance” by the Bar-Kays. Finally it also incorporates some lyrical elements from the 1980 song “Love Rap” by Spoonie Gee and The Treacherous Three. (Who?!) Because of all of that, 12 different writers are credited as composers on the song!
I’m not really into rap music. While many consider this song rap, I think of it as more a pop/rock/dance/rap song. My favorite lines in the song, which make me laugh every time:
Women used to tease me Give it to me now, nice and easy Since I moved up like George and Weezie
Gettin’ Jiggy Wit It
Prior to 1998, I was spending a lot of time at the karaoke bar. It was a regular thing to close the bar for me. This song became the “Bar Closing Anthem” in 1998 and beyond. Many DJ’s used it at the end of the night, too.
Closing Time was Semisonic’s only American hit. Dan Wilson told The Hollywood Reporter how he wrote this song in 20 minutes:
“My bandmates were tired of ending our sets with the same song, so there was kind of an uprising where they demanded something different to end our nights with. So I thought, ‘OK, I’ll write a song to close out the set,’ and then boom, I wrote ‘Closing Time’ really fast.
There was one little adjustment later, which I credit to our A&R guy, Hans Haedelt. He said, ‘It’s too simple. You need to break up the rhythm of the verses.’ So that line, ‘Gather up your jackets, move it to the exits, I hope you have found a friend’ is the first time it deviates from the rhythmic pattern. He was right – it’s a great moment in the song.”
I used this for a while as my last song of the night, but it never felt right to me to end a DJ gig with a semi-upbeat song.
Closing Time
The next song is one that could be featured on my Movie Music Monday feature. The song appeared on the Can’t Hardly Wait soundtrack.
Can’t Get Enough of You Baby is a song that was written back in 1966! Denny Randell and Sandy Linzer wrote the song for the Toys. It was also recorded by The Four Seasons and Michigan’s ? and the Mysterians. ?’s version of the song was the more Rocking/Swinging version. When Smash Mouth recorded it, they copied that sound. Smash Mouth became the first group to bring it into the Top 40. They released it as the lead single from their Astro Lounge album.
This is one of those songs that immediately makes you feel good. Well, it does for me anyway. I mean, it’s a love song, but it rocks!
Fun Fact: Running just 2:29, this was the shortest Top 40 hit of 1998.
Can’t Get Enough of You Baby
Speaking of love songs, Diane Warren sure knows how to write them! I could write an entire blog about all of the hits that she has written! Maybe one day I will.
This is another song that could be a Movie Music Monday song. It appeared in the film, Armageddon, which starred Liv Tyler, the daughter of Steven Tyler of Aerosmith.
Originally, U2 was asked to perform I Don’t Want to Miss a Thing. The idea for Aerosmith performing it only came after Liv was cast in the film. The song was “A grand production featuring a 52-piece orchestra. This was by far Aerosmith’s biggest hit on the US Hot 100, and their only chart-topper. It was #1 US for four weeks in September 1998, becoming one of the most popular songs of the year.” – songfacts.com
Diane Warren found inspiration for this song after hearing about an interview with James Brolin. He said that when his wife Barbra Streisand was away, he missed her even when he was sleeping. When she set out to write a song for Armageddon, she thought this was a good sentiment to express, since the film deals with the impending destruction of all on Earth.
This was another one of those “pack the dance floor” songs. Most of the time, it was used as the bridal dance. When it wasn’t I often played it in my first slow song set. As the DJ, it was always heart warming to see couples dancing to a song like this. Staring into each others eyes, or singing the lyrics to each other. I played this one a lot!
I Don’t Want To Miss A Thing
My introduction to Barenaked Ladies was If I Had $1,000,000. The more I heard from them, the more impressed I became. I remember the first time I heard One Week on the radio. It really was something to hear them rattling off the lyrics.
Songfacts says: The band has said that this song is about a big fight in a relationship. The lyrics are essentially meaningless, but wildly entertaining. It showed off their clever wordplay in a rapid-fire interplay between their lead singers, Ed Robertson and Steven Page. Robertson wrote the song.
Robertson said, “I wrote the chorus structure of the song, but I couldn’t figure out the verses at all. I got together with Steve a bunch of times and said, ‘I have this idea for a song, and I couldn’t figure out where to go with it.’ And finally Steve said to me at some point, ‘Just freestyle it! Just do what you do onstage every night. It’s gonna be great.'”
The song One Week was a number one hit for the band – for one week.
One Week
Trivia Question: What was the most-played radio song in 1999 in 11 different countries, including Canada, UK, Australia, Japan and Israel? Answer: Kiss Me from Sixpence None The Richer.
Here in the US, the song got a lot of help and exposure from the media. Songfacts explains: It was used on the second season of the WB TV show Dawson’s Creek, first on November 11, 1998 and then on another episode that aired April 28, 1999. In between, it was used in the movie She’s All That, which premiered January 29, 1999. With just about every teenage girl in America hearing the song on the TV show, the movie, or the many radio stations that put the song in rotation, it cracked the Top-40 on February 27, 1999 and made it all the way to #2.
TV soundtracks helped a lot of songs in the 1990’s. Shows like Ally McBeal, Friends, Mad About You, and Party of Five were just a few that released soundtracks.
To me, I love the sound of the song. The guitar and the vocal of Leigh Nash blend so well together. It’s no wonder that Taylor Swift says it was the first song she learned how to play on the guitar.
Kiss Me
Last week, I mentioned the Swing Revival that was taking place and mentioned Zoot Suit Riot. The Cherry Poppin’ Daddies and Big Bad Voodoo Daddy were a part of that, but I believe that it was Brian Setzer who took it to a whole new level.
Brian Setzer had success with the Stray Cats in the 80’s. When he formed the Brian Setzer Orchestra and started covering jazz and swing songs, we saw a resurgence in his career.
The first album came out in 1994 and featured covers of Route 66 and Lady Luck. It also featured originals like the beautiful September Skies. The second album came out in 1996 and featured covers of Stevie Ray Vaughn, Roy Montrell, and Gene Pitney. In 1998, The BSO released the Dirty Boogie and the lead single was a Louis Prima classic.
Jump, Jive, an’ Wail originally appeared on a Louis Prima album called The Wildest. It was recorded live in Las Vegas in 1956. Setzer’s version went to #23 on the Hot 100 chart, but I always felt it was more popular than that. We used to get requests for it when we DJ’s so that people could swing dance to it.
I absolutely love this version. To me, Prima’s version sounds like the Demo and Setzer’s is the finished product! The song won Setzer a Grammy in 1999 for Best Pop Performance by a Duo or Group with Vocals.
Jump, Jive an’ Wail
The next song is hard to include on this list. I almost skipped it, but in a feature that is called The Music of My Life, how could I not list it? Let me explain.
When my ex and I decided to get married, we didn’t have a wedding song. I had some suggestions that were pretty much shot down immediately. Looking back at this now, I understand why. I was never really going to have a say in the song. I had a list of great songs. I was a wedding DJ for crying out loud, I had all kinds that we could make work.
For weeks, I attempted to suggest song after song. For each song I would be told why it was a bad choice. I finally accepted that anything I offered up was going to be turned down for some reason. So when she came to me with Edwin McCain’s I’ll Be, I listened to it and told her okay.
That being said, I have to admit that I never really felt like this was a wedding song. Not surprising that Edwin didn’t feel it was either! In a songfacts interview he said the track was not intended as a love song at all: “It was kind of a Hail Mary prayer for me, personally. And it’s been obviously linked as a romantic song. It’s one of those things that I hesitate to say too much, because sometimes songs become what they were supposed to be, and it’s not really up to the songwriter to determine what that is.”
He went on to say that a break-up prompted him to pen this song: “It was the end of a relationship for me, and it was also an admission of my inability to function in a relationship, hence the love suicide line. And it was the hope that I would be better, grow and be better as a person. I was struggling with some personal problems at the time, as well, so it was all of those things. It was this admission of failure and this prayer that I could be a better person, wrapped up as sort of the end of a relationship kind of thought. And it was something that I said to a girl that I’d been going out with. I knew that she was waiting, and I always said to her, ‘Don’t ever look back on this in any other way than I’ll be your biggest fan.’ You know, ‘I’ll always be a fan.'”
So my first wedding song was about a break up. Maybe it was prohetic?
I’ll Be
The final song brings us back to Barenaked Ladies. It wasn’t until I researched this for this feature that I realized it wasn’t really a hit. It only got up to #44 on the charts, which is surprising to me. I almost like this more than One Week. For what it is worth, it did go to #1 in Canada.
As you watch the video, keep in mind that the band was not happy with it. They had a concept of what they wanted. It was to be seen from the point of view of various household pets. (A cat, a dog, a goldfish, and a bird). The band was disappointed with the filming of the video while it was being shot, as they did not feel it was fitting their concept.
Many times, a video helped a band with their song. This was not one of those times, obviously. I have to wonder how the release date played into the song’s poor performance. It was released in late December. The charts are pretty much done at that time, and you’ve got two weeks where nothing really changes. The song could have been dead in the water the week it was released. Sorry, that’s my radio mind spewing out thoughts.
It’s All Been Done
Did I miss one of your favorites from 1998? Let me know in the comments.
Next week, we’ll party like it’s 1999! On my list is a song that was so popular I played it 4 times at a prom. The list also features one of the songs that was shot down by my ex, movie music from two big animated films, an artist who waited 30 years for his first #1, a song that makes me think of Barbara Eden, and one of my favorite cover songs.
Robert Goulet was born on this day in 1933. He was one of those entertainers who seemed to do everything. He was cast as Sir Lancelot in the 1960 production of Camelot, which costarred Richard Burton and Julie Andrews. It was in that role that he sang If Ever I Would Leave You, which became his signature song. (In 1993, he would star in the revival of Camelot as King Arthur.)
In 1962, he began a recording career on Columbia Records. In his lifetime, he would record over 60 best selling albums!
Not everyone was a fan of Goulet. In 1974, he appeared on the Mike Douglas Show. Elvis Presley was watching that show from his suite at the Las Vegas International Hotel. He was so annoyed and irritated by Goulet’s performance that he shot the television set!!
He had his share of television roles, too. In 1966, he starred in Blue Light, as a journalist. He also starred in the Emmy winning show, Brigadoon. He has memorable guest starring roles on The Lucy Show, Alice, Mission: Impossible, Love Boat and Fantasy Island.
His movie roles include 1980’s Atlantic City, Beetlejuice, Scrooged, and the first sequel in the Naked Gun series. Goulet played a fantastic villain in Naked Gun 2 1/2: The Smell of Fear named Quentin Hapsburg.
Because it is Robert Goulet, I have to share how he “ends up” in that movie. It is one of my favorite scenes…
I cannot tell you how many times I have seen the Toy Story movies. My kids loved them. In Toy Story 2, Robert Goulet did not have a character with speaking lines in the film. However, he did provide the singing voice for Wheezy, the Penguin.
You’ve Got a Friend In Me will forever be connected with the Toy Story films. Personally, the Randy Newman version is just “ok.” The version that I absolutely love is the “Wheezy Version” that plays at the finale of Toy Story 2! Goulet’s swingin’ take on the song is just plain fun! The swinging arrangement is something that could have easily been a Sinatra chart!
Happy 53rd Birthday to the beautiful Christina Applegate. She is best remembered for her role as Kelly Bundy on TV’s Married With Children. She also starred in the title role on the TV series, Jesse. She went on to other TV roles in Samantha Who, Dead To Me, and Up All Night. She won a Primetime Emmy Award for her guest appearance on TV’s Friends.
She’s appeared on Broadway and has been in many hit films. She appeared in 1991’s Don’t Tell Mom the Babysitter is Dead, 1996’s Mars Attacks, 1998’s Mafia, and 2015’s Vacation sequel. She is no stranger to comedy, and was the brilliant antagonist (Veronica Corningstone) to Will Ferrell’s Ron Burgandy in Anchorman.
Anchorman is set in 1974, so the soundtrack is full of some fantastic songs by Kansas, Jonathan Edwards, Neil Diamond, Bill Withers and Tom Jones. The one song that always sticks out to me is an Isley Brother’s classic. When Applegate’s character is brought into a conference room full of men, Who’s That Lady is playing as she walks in.
When Who’s That Lady was released, it became the Isley Brother’s first Top Ten song since It’s Your Thing in 1969. The song spent three weeks at No.6 on the pop chart and reaching No.2 on the R&B charts.
Last month, you may remember, I hosted a week of guests blogging about their favorite childhood toy. I felt that it went really well and have had many positive comments about it.
Recently, I was asked by readers and a few of the contributors if I planned on doing another round. I have decided that I will, but it will post after the holidays.
Perhaps you would like to take part in the next round? I would love to have you take part. If you are interested, feel free to drop me an email: nostalgicitalian@yahoo.com.
I was thinking we could talk about childhood reading. Maybe you could talk about a favorite book you read as a child or one that was read to you? Perhaps you have a book from your past that you shared with your children? It might even be a book you love reading every year.
Think about it and if you’re interested in participating, let me know. I was thinking of running it the second week of January.
Since reading The Midnight Library by Matt Haig, I’ve come to enjoy his stories. I had been on a wait list to read his latest book, The Life Impossible for a while. I was happy when it was finally my turn to get it
I won’t lie, this was a bit different than his others. It was a bit more … Sci-fi/Magical/Fantasy. I hadn’t expected that.
I almost had to think of this as a movie, if that makes sense. When I came at it from that angle, I enjoyed it a lot more.
Before I go on, here is the Goodreads synopsis:
The remarkable next novel from Matt Haig, the author of #1 New York Times bestseller The Midnight Library, with more than nine million copies sold worldwide
“What looks like magic is simply a part of life we don’t understand yet…”
When retired math teacher Grace Winters is left a run-down house on a Mediterranean island by a long-lost friend, curiosity gets the better of her. She arrives in Ibiza with a one-way ticket, no guidebook and no plan.
Among the rugged hills and golden beaches of the island, Grace searches for answers about her friend’s life, and how it ended. What she uncovers is stranger than she could have dreamed. But to dive into this impossible truth, Grace must first come to terms with her past.
Filled with wonder and wild adventure, this is a story of hope and the life-changing power of a new beginning.
Grace, the Math teacher, tends to talk math a bit much as she thinks. It’s kind of a coping mechanism for her. Some people eat when they cope, she does math problems. Ok.
I felt the characters were “real” enough and I connected with them. The story is one that kept my interest. There were times that I felt the story could have been a Twilight Zone or Star Trek episode, which isn’t a bad thing.
I can’t say that everyone will enjoy the book, I’m sure some of my readers will enjoy it. Tell me what you think of it…
Today’s Friday Photo Flashback takes us all the way back to……. yesterday!
Ok, maybe the photo doesn’t really qualify as Flashback, but the story is too funny not to share.
I’ve said this on numerous occasions – my brother Christopher and I could not be more different. However, there are some things where we share a common bond. One of those things we share in common is our love of Christmas and Classic Christmas Specials. The Year Without A Santa Claus is probably our favorite.
Recently, he sent me a picture of a set of dish towels that feature the Heat Miser and Snow Miser that they bought for their house. They are pretty cool. Yesterday I got a hold of this year’s Hallmark Ornament featuring the Miser Brothers and Mrs. Claus. I sent him a picture of me with it and before the night was over he sent me a photo in return.
Yeah, we couldn’t be more different, and we couldn’t be more the same!
While surfing Facebook today, someone posted that it was Lorna Luft’s Birthday. Why did that strike a chord with me? As soon as I read it, I could hear my old morning show partner saying her name in his Elvis voice. We were talking about her birthday on the air and it jogged the memory. 30 years ago today – it was the beginning of the end.
What follows is an update of the blog I wrote five years ago:
Monday, November 21, 1994. 6:00 AM.
My partner Rob Main and I walked into the studio of WHND to begin what would be the last week of live broadcasts from Honey Radio. We had heard the news weeks prior to this that the radio station was going off the air in favor of Spanish programming. When the station was not broadcasting from our studios, we were airing satellite programming from the Cool Gold Network, which was no longer going to providing services. Honey was no longer financially viable.
At the time, Honey Radio was the oldest Oldies station in the country. While there were stations that played oldies in the Detroit market, none were focusing exclusively on the “first decade of rock and roll”. We primarily focused on the songs that were hits from 1955-1965, while occasionally playing some of those earlier songs from the 1950’s, too. I think that was one of the reasons I loved working at this station so much. When you think of the music from that decade it included rockabilly, doo wop, surf music, Motown, British Invasion music, songs from the “Brill Building”, and early soul and R&B.
We not only played the hits from this decade, but we also played songs that were local hits from local artists that were not being played anywhere else! We played music from Nolan Strong, The Dynamics, Gino Washington, Jack Scott, and so many other local acts. We did a daily show (The Top 12 at 12), which focused on a different year of the decade and counted down the Top 12 songs in Detroit from that particular day. We always used a local chart to count down the hits. Those charts could be from The Detroit News, WJBK, WKNR, WXYZ, or other charts. It was unique to our station!
Today’s radio is what many refer to as “liner card radio”. (Update: In the last five years, radio has now lowered itself to using AI DJ’s with generic content. Can it get any more boring?) The DJ’s on the air rarely have any content and read things from cards in the studio (usually promoting station events, station appearances, or sponsor information). The most entertaining DJ’s are usually the morning show hosts, but even they are overloaded with sponsor reads and liners. One of my radio mentors, Jay Trachman, used to say “People say that DJ’s talk too much. This isn’t true. The truth is that DJ’s tend to waste their listener’s time by not having anything to say. They don’t have any REAL content to share.” This is where Honey was different.
Honey Radio DJs were “personalities” – each unique. Boogie Brian was the “Bard of Lincoln Park” and often spoke in Rhyme. Richard D. was the “Silly DJ from Savage Minnesota” who now lived on Lack Of Drive in Warren with his wife Oldielocks and kids Doo Wop and Bee Bop. Other personalities included Bill Stewart, Ron T., Greg Russell, Dr. Bob, “Young” Jon Ray, Scottie OJay, Rob (and every one of his characters), and me. Each of us had our “features”. Scottie hosted the “Soul Patrol” show, Richard had the “Off the Wall Record” and “Poor Richard D’s Almanac”, Boogie had “Cruise Casts” and “Boogie’s Forgotten Favorites”, and the list goes on and on. There was always something fun and unique happening on Honey.
Another thing I loved about Honey was the jingles. Our jingles were PAMS jingles. They were many of the same tracks/jingles that were used by local radio stations all across the country during the 60’s. They were just re-sung with our call letters. These jingles were just awesome! Today, you can hear many of these same jingles on Sirius XM’s 50’s on 5 and 60’s on 6. I am lucky to have many of these jingles that were taken from the master tapes on CD in my collection.
With Honey going off the air, many of us would be out of a job. Rob and I had been working together off and on whenever I was on air for a while. After Honey went off the air, we hoped to find a job doing mornings somewhere. In order to do this, we needed some more “tape” of us together. Richard D gave us permission to go on the air instead of the satellite show in the morning that final week. We had free reign to “play around” and have fun on the air. At the same time, we’d be getting hours of material that we could potentially use to try to get a show somewhere.
(Updated) 30 years ago today, Rob and I hit the studio with a few ideas, many voices, many characters, some great music, and had the best week of our career! It was Thanksgiving week. Music was scheduled for Monday-Wednesday and Friday. Thursday we were supposed to air satellite programming. Instead, we were on for 6 hours that Thanksgiving and played songs with a different theme each hour (Number songs, Songs with girls names or guys names, Instrumentals, Songs with body parts in the title, etc…) Originally, those shows were recorded to cassette tapes. Those tapes were called “Skimmers”. The tape recorded only when the microphone was turned on. Some time ago, I took those tapes and recorded them digitally and transferred them to CD. I still pop them into my car and listen to that final week whenever I need a laugh. I am guessing, I will need to pull them out to honor the 30th anniversary of Honey’s end.
The only CD I have a difficult time listening to is the last show, from November 25, 1994. It was the last day of live broadcasting. We had friends visit us in the studio (South Bronx Johnny, Helen & Beverly, my dad, and others). The calls we got from listeners that day were very emotional. They made us feel so loved. The last break of our show, Boogie’s wife had recorded a message for him that we played right before he went on the air. He did the final four hours of live programming. He had prerecorded a sign off that lasted about 15 minutes with his personal reflections on the station, the staff, the listeners, and the end. I remember Rob, his girlfriend Mary, and I all listening to this and just sobbing. Boogie expressed what everyone was feeling and it was the perfect ending to an amazing station.
It is hard to believe that it has been 30 years since that last broadcast. When I look back, I can’t believe I was lucky enough to work with those legends! I can’t believe I was lucky enough to be a part of such an amazing station. I had only been in radio about 6 years when I started at Honey, and I learned SO much from watching and talking to Boogie and Richard! What an honor to have had them as coaches, mentors, and friends.
(2024 Update) I believe my buddy Rob had already passed away when I wrote that blog. South Bronx Johnny passed away shortly after that. In 2022, Richard D passed away. I am so glad to have those tapes to hear them all again.
The Late, Great Richard D!
The one thing that I will always remember about working at Honey – is the laughter. There was always laughter whether you were in or out of the studio. There was laughter whether you were on air or off air. I always seemed to leave the building with my cheeks hurting from smiling and my sides hurting from laughter. Today, I can pop those shows in (or some of the Richard D shows I have on tape), and still laugh!
(Update) 30 years later, Honey is no more. That makes me sad, because the world could sure use some laughter!
It was an exciting thing this week to see how well Ella is doing in school. She brought home a “book” that they were working on with her. It is short words with the short “a” sound. She read the entire thing to us! “Max The Cat” was the book and she did such a great job. I couldn’t be more proud of her. I wish I could figure out how to post the video.
I Was Being Honest
It looks like Sam’s side of the family is doing Thanksgiving on the Friday after the holiday. I was at work one night this week and she texted me about it. That was followed by, “So what do you want to do on Thanksgiving?”
Me, being me, I replied with two photos:
and ….
I think she is gonna be just fine with that!
Speaking of the Lions…
I don’t want to get TOO excited about this and I certainly don’t want to jinx anything, but ….
That brought a tear to my eye. I truly hope that they continue to play well and win games. It has been an amazing year of firsts for my team and I am very happy for them, our state, and my fellow fans.
I have always watched them. Even the year they went 0-16! It hasn’t been pretty, but I have always been a fan. I found a T-Shirt that I need to get myself.
A photo for no reason at all…
One week from today is Thanksgiving. So I asked AI to make me in a turkey hat.
Welcome back to The Music of My Life, where I feature ten songs from each year of my life. In most cases, the ten songs I choose will be ones I like personally (unless I explain otherwise). The songs will be selected from Billboard’s Year-end Hot 100 Chart, Acclaimed Music, and will all be released in the featured year.
I have found it interesting to do this feature every week. First, I am reminded about the things that were going on in my life at the time. Second, I find it funny how an old song can apply to my future life events. This feature has been like therapy for me. I don’t always write down everything that these songs bring to mind, but I am made aware of them. I appreciate you letting me indulge myself by sharing these songs.
I would turn 27 in 1997. I had gone through a break up that hurt me bad. I was spending a lot of time at the karaoke bars and drinking much more than I should. I felt lost and alone. Alcohol numbed a lot of the pain. It was a very dark time.
When I wasn’t singing karaoke, I was hosting it or DJing a wedding or party. I enjoyed doing that because it was almost like being in radio again. There was interaction with people and that was something that I desperately needed.
1997 was a decent year for music. Many of the songs on my list were first heard while I was driving for EDS. I would play many of these songs while DJing. Some of them bring back memories of bad times, but most of them have a good memory attached to them.
I will stop rambling now and jump right into 1997 –
I like the next song because it was so different from what people were used to hearing from them. Green Day was known for some pretty heavy sounding songs that were “in your face.” So an acoustic song from them comes from out of left field. Believe it or not, the song could have been on their first album, but wasn’t.
Songfacts.com explains: “Billie Joe Armstrong wrote this song in 1993 and submitted it for the band’s first major-label album, Dookie, which was released in 1994. Both the band and their label felt it was a great song but didn’t fit on the album, which was loaded with punk blasters. The song was held back and didn’t make their next album, Insomniac (1995) either. It was finally included on the Nimrod album in 1997.
In 2010, Armstrong told Spin Magazine, “That was really the first time we attempted a ballad. The first time we ever played that song was during an encore in New Jersey – I had to pound a beer backstage to get up the courage. I knew we were gonna take a tomato to the face.” A very poignant song, this is quite popular at graduations and weddings despite the kiss-off title “Good Riddance.” Billie Joe Armstrong wrote it about a very specific event in his life, but he’s thrilled when others relate it to their own experience.
This song was played over a montage of clips in a “look back” Seinfeld special. The special aired before the finale of the show. I would have never expected that this song would work for something like that. But it certainly did.
This song is very poignant and gives me chills when I hear it. The blending of the guitar, the strings, and his voice is just beautiful to me.
Good Riddance
In Good Riddance, Green Day sings about the “photographs and still frames in your mind.” Believe it or not, that kind of fits how the next song was described by one of the members.
You either like or dislike Hanson. That like or dislike probably comes from the song MMMbop. Why? It is one of those songs that sticks in your head forever after you hear it. It is very catchy and the lyrics make you think. But just what in the world is this song all about?
Drummer Zac Hanson says, “What that song talks about is, you’ve got to hold on to the things that really matter. MMMBop represents a frame of time or the futility of life. Things are going to be gone, whether it’s your age and your youth, or maybe the money you have, and all that’s going to be left are the people you’ve nurtured and have really built to be your backbone and your support system.”
Zac tells the story of how the song happened, “That song started out as the background part for another song,” he said. “We were making our first independent album and we were trying to come up with a background part. We started singing a slightly different incarnation of what is now the chorus of ‘MMMBop.’ That sort of stuck in our heads but never really worked as a background part. Over a couple of years, we really crafted the rest of the song – the verses and bridge and so on. It was something we almost stumbled upon.”
Zac made me laugh when I read that because the song even got stuck in THEIR heads!
What is truly amazing to me is that the song was released as their first single in 1997. At the time, Isaac Hanson was 16 years old, Taylor was 13, and Zac was 11. The song quickly became a huge worldwide hit. It was getting constant airplay on radio stations and MTV, and going to #1 in 27 countries.
It is on my list because I was DJing a high school dance once and a student asked for it. He was very shy and didn’t dance much. He may have had autism, I am not sure. When I played it, this boy came out of his shell and danced like crazy! The students formed a circle around him as he danced. It was one of those things I will always remember.
Mmmbop
Before you listen to the next song, I need you to hear this. I had no idea that this song was sampled for the 1997 hit.
I had never heard of the Andrew Oldham Orchestra. I had no idea that there was an instrumental album of Rolling Stones songs. The Verve did, however, and sampled it for the song Bittersweet Symphony.
The Verve took the sample and added vocals, strings, guitar and percussion. This led to trouble. After a lawsuit by the Rolling Stones’ former manager, Allen Klein, the Verve had to relinquish all royalties from the song. Rolling Stones members Mick Jagger and Keith Richards were added to the songwriting credits. Things worked out in 2019. After Klein died, Jagger, Richards, and Klein’s son ceded the rights to the Verve songwriter, Richard Ashcroft.
If I had to put why I like this song into words, I would find it hard to do. There is something about it. It is mesmerizing to me. MTV’s Gil Kaufman wrote “Bitter Sweet Symphony” was “built on a slow-rolling fat beat, a pomp and circumstance violin loop. And (was like an) … elliptical, snake-swallowing-its-tail lyrics” Rolling Stone magazine wrote that it “intertwines baroque strings worthy of Pachelbel with sedated vocals and shimmering guitar lines”.
The song is built around one simple chord.
Bittersweet Symphony
Much like Bittersweet Symphony, I was hooked on the next song as soon as I heard the intro. Again, the intro was “borrowed” from another song. This time it was from Perrey and Kingley. They were considered pioneers of electronic music. They were together from 1965-1967. Smash Mouth interpolates the keyboard line from their 1966 single, Swan’s Splashdown. You don’t need to listen to but 15 seconds of the song to know the Smash Mouth song …
Smash Mouth’s guitar player Greg Camp wrote Walkin’ on the Sun. He said, “The song was basically a social and racial battle cry. It was a sort of ‘Can’t we all get along?’ song for the time when I wrote it. It was just about all the things that were going on around me as a young person. And I’m, like, God, what is going on? I don’t understand why this is happening. It’s like we might as well be walking around a planet on fire.”
The songs has a 1960’s sound to it, which made the song stick out on the radio. It was their first hit song. The song itself was never sold in stores as a single, so it never made the Hot 100 chart. However, it went to #1 on the Modern Rock chart and #2 on the Airplay chart. Because it was not released as a single, the album Fush Yu Mang sold over 2 million copies. The album was the only way to get it.
I was one of those 2 million people who bought the album.
Walking On the Sun
Kevin Sharp’s story is a moving one. He was born in 1970, the same year as me. In school, her performed in musicals and was an active musician. When he was 19, he started to feel tired and dizzy. This led to a diagnosis of a rare form of bone cancer. His chance of recovering was not good.
Through the Make-A-Wish Foundation, which grants wishes to children with life-threatening illnesses, Kevin met the record producer David Foster. They became friends fast. He went through two years of chemo and radiation therapy, which caused him to lose his hair permanently.
While in remission, he recorded a demo that wound up in the hands of his friend David Foster. Thanks to him, Kevin was signed to a record deal in 1996. His first album was Measure of a Man. The first single was a cover of Tony Rich’s Nobody Knows, which went to #1 on the Country Charts. His next two singles were both top ten hits for him.
He would go on to became a motivational speaker and spokesperson for the Make-A-Wish Foundation. He was awarded the foundation’s Wish Granter of the Year award, in 1997. Sharp wrote a book, Tragedy’s Gift, and published it in 2004. Despite releasing two more albums, he never ever matched the success of his first album. He died at age 43 of complications from stomach surgeries and digestive issues in 2014.
If You Love Somebody is one of his three top 10 songs. Deborah Evans Price, of Billboard magazine reviewed the song favorably. She said that the record grabs the listener immediately and doesn’t let go thanks to the “energetic percussion that opens this track and gives way to a spree of sassy fiddle lines.” She goes on to say that the song is a fine example of the “vibrancy and passion he can bring to a great uptempo cut.”
The song is a fun love song that speaks of all the things you would do because you love someone.
If You Love Somebody
In 1997, there were still music videos being made – and played on MTV. While I love the next song, it is the video that really stands out. More on that in a second.
The Backstreet Boys were very big in Europe. When they returned to the US, no one really knew them. In 1997, they released their first album in the states. Everybody (Backstreet’s Back) was the band’s choice for a single. However, because they had been in Europe, the record label felt that the song wouldn’t make sense to audiences and it wasn’t even on the US release.
The song was the first single from the international release. It started gaining steam on Canadian and nearby US stations. The label finally added the song to the US album after a million units had already been produced. It was released as the fourth single.
Joseph Kahn was approached to do the music video for the song. When he met with BSB and saw their smooth dance moves, he thought they were more like “little Michael Jacksons.” This led to him thinking about the Thriller video which had the singer leading a choreographed dance with zombies. Kahn developed a similar concept for the Backstreet Boys.
In the video, the boy band’s tour bus breaks down near a spooky mansion. It is where they’re forced to spend a harrowing night. The haunted manor has a transformative effect on the boys, and each one changes. (Brian Littrell changes into a werewolf; AJ McLean into Erik, The Phantom Of The Opera recluse; Kevin Richardson into the two-faced Dr. Jekyll & Hyde; Howie D into Dracula; and Nick Carter into a mummy.) They converge in the ballroom and bust out “Thriller”-esque moves with a group of dancers. At the end, they’re relieved to discover the whole experience was just a nightmare – that is until their driver turns out to be a monster. The driver? Antonio Fargas, who was known for his role as Huggy Bear on the ’70s cop show Starsky & Hutch.
Everybody (Backstreet’s Back)
Up next, a group who got its name from a story created by one of the members. In the story, the men were Chumbas and the women were Wambas. Tubthumping was the first single from Chumbawamba’s eighth album – Tubthumper.
I suppose it is important to point out a few “vocabulary” words here. In England, a tubthumper is a politician. Here in the US, tubthumping is like “campaigning.” “Pissing” has a very different meaning in the UK. “Pissing the night away” would translate to “Drinking alcoholic beverages all night.” To be pissed in England is to be drunk, while in the US it is to be angry.
Whenever we played this song DJing, we’d go out on the floor and do a dance that we made up. It was basically an easy thing that matched the lyrics. “I get knocked down (crouch down), but I get up again (jump up) you’re never gonna keep me down (stand shaking our heads and wagging our finger side to side). Easy and no instruction needed because of the lyrics.
We had empty booze bottles that we’d pretend to swig when the band said, “He takes a whiskey drink, he takes a vodka drink”. It was silly and stupid, but it always got a laugh from the crowd.
At 54, I doubt that I could crouch down and jump up again like I did when I was 27!
Tubthumping
The next song was the debut single for the group Everclear. Everything to Everyone is true of many of us. I remember when I was with my ex, that I would do things that I didn’t necessarily want to do because I wanted to please her. I spent a lot of time in my life trying to please people and never really standing up for myself. It’s like the Sheryl Crow song – “If it makes you happy….”
In an interview with Songfacts, lead singer Art Alexakis says:
“It’s kind of an angry song. That person is within everybody, I think everybody has this ability to try and be everything to everyone, to try to please. I think there are 2 aspects of it – there’s the pleaser, who doesn’t always show his true self, always plays nice and as time goes on shows more and more of himself, but there’s also the people who are everything to everyone who are manipulators and users.”
When asked if the song had “anything to do with the record business”, Alexakis replied, “Oh yeah. Anything in the entertainment business you’ll find people who are slimy.”
I believe that you will not only find them in the entertainment business, but in much more than that!
Everything to Everyone
You cannot say that country music doesn’t have some great song titles! Take the next song on my list. Did I Shave My Legs For This?
Deana Carter’s father was a songwriter. The legendary Dean Martin recorded one of his songs, and perhaps as a thank you, named her Deana. Another legend, Willie Nelson, heard one of her demo tapes and invited her to play Farm Aid in 1994. That same tape, led to her being signed to Capitol Records.
Did I Shave My Legs For This is also the title track of the album. The album gave Deana three #1 songs (Strawberry Wine, We Danced Anyway and How Do I Get There?). The title track was the fourth single released from the album. It didn’t fair as well as the previous songs as it only went to #25 on the Country Charts.
I have learned from DJing and hosting karaoke that just because a song wasn’t a hit, doesn’t mean it isn’t liked. I always got requests for this song and people were always singing it. At weddings or parties, groups of women would sing along at the top of their lungs to it. It reminded me of what people did when Friends in Low Places would play.
Back in the day, we used to play Karaoke Roulette. This was where a friend would pick a song for you to sing. You wouldn’t know what song until you got to the microphone. My friends always made me sing songs like “I Am Woman,” “I Touch Myself,” and such. This was one they gave me one night and I nailed it! I knew the song and hammed it up all the way through it.
Did I Shave My Legs For This?
My final song is one that brought back a genre of music that overtook the nation in the 1930’s and 1940’s. I grew up listening to Benny Goodman, Harry James, and other swing bands. It was almost mind blowing to hear swing music on the radio in 1997.
The 1996 movie Swingers and t he Cherry Poppin’ Daddies are credited with the “Swing Revival.” Other groups like Big Bad Voodoo Daddy and The Brian Setzer Orchestra had success in the genre, too. The BSO’s version of Jump, Jive and Wail turned the revival into what songfacts called “a full-fledged craze!”
Zoot Suit Riot was a song that was inspired by real events. Songfacts explains:
The Zoot Suit Riots began in Los Angeles in 1943, triggered by conflict between the American servicemen stationed in Southern California and the Los Angeles Mexican-American community. Tensions had been building since the 1942 murder of a Latino man named Jose Diaz, a case referred to as the Sleepy Lagoon murder case.
The riots took place when swing music was the hot sound and everyone was doing the jitterbug. Lead singer Steve Perry says, “I wrote it inspired by the Zoot Suit Riots. I guess it seemed like a Pachuco rallying cry that could double as a dance anthem for those of us interested in swing music and culture at a time when nobody else was. It was an expression of a proud marginalism. That’s not that deep, but there you go.”
It wasn’t odd around this time to have a bride and groom request a swing song as their first dance. Most had taken a dance class and had a routine for that dance. It was always cool to watch that.
One day, I hope to get around to seeing Setzer, Big Bad Voodoo Daddy, or any swing band live. I love the energy that they put out as they play.
Zoot Suit Riot
That’s it for 1997. There were many songs that didn’t make my cut, maybe your favorite is one of them? Let me know what your picks are in the comments.
1998 is on the horizon and we’ll check out my tunes from that year next week. They include a song that I almost picked for this month’s Turntable Talk Topic (songs based on historical events or people), a song that is often played as the last song of the night at DJ gigs, a song I mentioned in this week’s post, and a great song I can barely listen to anymore. Find out why next week
Various Ramblings of a Nostalgic Italian 