The fantastic actor Robert Mitchum was born today in 1917. Mitchum appeared in over 110 movie and television roles over the course of his career. The American Film Institute places him at #23 on their list of 50 Greatest American Screen Legends of All Time. He was in so many great films like the noir classic Out of the Past (1947), the noir thriller Night of the Hunter (1955), the psychological thriller Cape Fear (1962), the western 5 Card Stud (1968), the World War II film Midway (1976), and the holiday favorite Scrooged (1988) just to name a few.
So why am I writing about Robert Mitchum in a blog about music? One of the lesser-known aspects of Mitchum’s career was his foray into music as a singer. Critic Greg Adams writes, “Unlike most celebrity vocalists, Robert Mitchum actually had musical talent.” Even Frank Sinatra had nice things to say about him. Frank said, “For anyone who’s not a professional musician, he knows more about music, from Bach to Brubeck, than any man I’ve ever known.”
Many films will overdub an actor with a professional singer’s voice when the character has to sing. Mitchum’s voice was often used instead of that of a professional singer when his character sang in his films. He can be heard singing in Night of the Hunter, One Minute to Zero, The Sundowners, and he sang the theme to the film Young Billy Young.
Robert Mitchum recorded two albums. The first was recorded after he heard some calypso music while filming in the Caribbean. In 1957, he released “Calypso – Is Like So,” on which he emulated the calypso sound and style, even adopting the style’s unique pronunciations and slang. Personally, I didn’t care for this album. He has such a cool voice and by singing this way, it just sounded like a joke to me.
In 1958, he starred in the movie Thunder Road and sang the title song, “The Ballad of Thunder Road.” It was included on the rerelease of Calypso – Is Like So as a bonus song. The song never cracked the Top 40, but it did get to #62 on the charts. Although Mitchum continued to use his singing voice in his film work, he waited until 1967 to record his follow-up record, That Man, Robert Mitchum, Sings.
The album featured songs that had a country feel to them. His first single from the album, “Little Ole Wine Drinker Me” (which has a minor hit for Dean Martin) was a top-10 hit on country radio, reaching number 9 there, and crossed over into mainstream radio, where it peaked at number 96.
When I worked at Honey Radio in Detroit, my partner Rob would bring in songs sung by various celebrities. He’d play a clip of a song sung by William Shatner, Sebastian Cabot, Telly Savalas, and folks like that and have listeners call and guess who it was. One day he brought in Robert Mitchum’s version of My Honey’s Lovin’ Arms. At the time, I had no idea that he’d ever cut an album! Once I listened to it, I loved it. I couldn’t believe it was him!
The song was first recorded by a group called the Virginians in 1922. There have been many cover versions of the song since then. Bing Crosby, Barbara Streisand, Cab Calloway, Benny Goodman, Guy Lombardo, Kay Starr and (I think) Jeff Healy have all recorded the song. It is interesting to hear the various takes on the song to be sure.
As far as Mitchum’s version, it’s just …fun. It’s got simple instrumentation and some harmonious background singers and when it all comes together with Bob’s voice it just makes me smile. I remember the first time I heard the background singers sing “Doodly-op” before Mitchum comes in with his vocal. I lost it. I thought it was kinda corny, but as the song went on, I liked it more and more.
I would certainly not classify Mr. Mitchum as a great singer, but he does alright on this one. Happy Birthday, Robert!!
My Honey’s Lovin’ Arms
I love your lovin’ arms, They hold a world of charms, A place to nestle when I am lonely. A cozy Morris chair, Oh, what a happy pair! One caress, Happiness Seems to bless my little honey.
I love you more each day, When years have passed away, You’ll find my love belongs to you only, ‘Cause when the world seems wrong, Then I know that I belong Right in my honey’s lovin’ arms.
I love your lovin’ arms, They seem to hold a world of charms, A place to nestle when I am lonely. A cozy Morris chair, Oh, what a happy pair! One caress, Happiness Seems to bless my little honey.
I love you more each day, When years have passed away, You’ll find my love belongs to you only, ‘Cause when the world seems wrong, Then I know that I belong Right in my honey’s lovin’ arms.
Oh, when the world seems wrong, Then I know that I belong Right in my honey’s lovin’ arms.
It was on this day in 1983 that Risky Business was released in theaters. It featured Tom Cruise is what many consider his “break out role.” It also starred Rebecca DeMornay, Curtis Anderson, Bronson Pinchot, and Megan Mullally. Cruise was picked for the role over some other famous actors who auditioned for it including, Tom Hanks, Kevin Bacon, Sean Penn, and John Cusack. Michelle Pfeiffer was actually offered the female lead role, but turned it down.
Roger Ebert enjoyed the film. He said that the film featured “New faces and inspired insights and genuine laughs… one of the smartest, funniest, most perceptive satires in a long time… not only invites comparison with The Graduate, it earns it.“
The soundtrack of the film was done by Tangerine Dream. Their music makes up half of the movie’s soundtrack. Mixed in with their music are songs from Muddy Waters, Prince, Phil Collins, Journey, Jeff Beck, and the song I’m featuring in this blog. I’m sure I don’t even have to tell you what it is, because it is THE song that is forever connected with one of the films greatest scenes.
Old Time Rock and Roll by Bob Seger was released in 1979 and had all but gone away before it was featured in Risky Business. Thanks to the film and the iconic scene featuring Cruise’s character sliding across the floor, dancing in just his pink shirt, socks, and white briefs while lip synching to the song, it enjoyed renewed popularity.
As far as the influence on pop culture… the scene has been recreated in episodes of many television series, as well as in films, parodies, and advertisements.
So today, find a nice smooth wood floor, throw on a pink shirt, white socks and your tightie whiteys and sing along …
Old Time Rock and Roll
Just take those old records off the shelf I’ll sit and listen to ’em by myself Today’s music ain’t got the same soul I like that old time rock ‘n’ roll Don’t try to take me to a disco You’ll never even get me out on the floor In ten minutes I’ll be late for the door I like that old time rock ‘n’ roll
Still like that old time rock ‘n’ roll That kind of music just soothes the soul I reminisce about the days of old With that old time rock ‘n’ roll (oh)
Won’t go to hear ’em play a tango I’d rather hear some blues or funky old soul There’s only one sure way to get me to go Start playing old time rock ‘n’ roll Call me a relic, call me what you will Say I’m old-fashioned, say I’m over the hill Today’s music ain’t got the same soul I like that old time rock ‘n’ roll
Still like that old time rock ‘n’ roll That kind of music just soothes the soul I reminisce about the days of old With that old time rock ‘n’ roll (oh)
Still like that old time rock ‘n’ roll That kind of music just soothes the soul I reminisce about the days of old With that old time rock ‘n’ roll
Still like that old time rock ‘n’ roll That kind of music just soothes the soul I reminisce about the days of old With that old time rock ‘n’ roll (hey)
Still like that old time rock ‘n’ roll That kind of music just soothes the soul I reminisce about the days of old With that old time rock ‘n’ roll
On the first Sunday in August, we celebrate National Friendship Day to encourage people across the world to connect with friends. It is a day to expand your view of the world by making a new friend or reconnecting with an old friend on National Friendship Day.
I have over 1400 friends on Facebook. I’m not bragging about this. I have met a lot of people as I have traveled through life and many of them, I chose to stay connected to.
On Friday’s post, part of my core group of friends was mentioned. The guys who stood up in my first wedding. Lifelong friends – Jeff, Joe, Steve, and Steve. I would put Margaret, Chris, Stacey, Stephanie, Allyson, and Warren in that group, too. Almost everyone of them will fit into another category – school friends.
My school friends consist of classmates from elementary school, junior high and high school. There are just too many of them to list here. This category of friends can be expanded, though. I have many friends from school who were teachers, bus drivers, cooks, custodians, and staff members. All great people.
My sleep friends are also plenty. The classmates I had in college, coworkers and those who hold the same RPSGT credential are all connected to me. There are plenty of college friends who were made that had other majors, but we shared prerequisite classes together.
During my radio career, I accumulated many additions to my friend list. First, there are former coworkers that go all the way back to 1988 and my first radio job. Then, there are the many listeners who became life long friends.
Also from my radio career, I met many wonderful people from the community. I met business owners, politicians, members of law enforcement, local TV personalities, and celebrities. I can’t mention radio friends without mentioning the record label friends. There are plenty of them, too.
Celebrity friends like singers (James Otto, Craig Morgan, Emily West), other DJs (Dr. Dementia, Joe Piscopo), comedians (Don Reese, Dobie Maxwell), famous relatives (Dean Martin’s daughter Deana, Curly Howard’s grandson Bradley, Lou Costello’s daughter Chirs), actors (Eddie Deezen, Clint Howard), cartoonists (Kevin Fagan, Drew Friedman), and authors (Brad Meltzer, Geoff Dale, Bill Cassara, Burt Kearns) are all folks I am glad to have interacted with. Some of them I know better than others, and I have regular interactions with them.
Along those lines are the friends I have through shared interests. My Dean Martin friends and Three Stooges knuckleheads are plenty. Not to mention those friends I made through bowling and golf.
I also am blessed to have many neighbor friends. They come from the various neighborhoods I have lived in throughout my life. Many go all the way back to 1977!
Friends who are true blessings are my church/faith friends. Pastors and teachers from across the country are so helpful when I run across something I don’t grasp. The brothers and sisters from my local church assembly are truly loved. Of course, there are those friends that I have made at Bible conferences, and as students of Grace School of the Bible.
Last, but certainly not least, there is you. My blogger friend. Maybe we share a love of music, books, writing, poetry, movies or nostalgia. This WordPress community has been just wonderful. I have met some amazing friends here.
Today, I thank you for your friendship. Make sure to reach out to a friend today!
I have been fascinated by the story of Titanic since I was little. I can still remember how amazed I was when the wreckage was discovered.
I would say that 99% of the books and movies are all told from the Titanic’s point of view. I was truly engrossed in this story of what happened on the Carpathia! In the book you get to see another viewpoint of the events. From the moment they get Titanic’s distress signal, the rescue of life boats and passengers, and beyond, this book was fantastic.
The story of heroism and heartache is a must read.
Here is the Goodreads synopsis:
Based on the remarkable true story of the Carpathia—the one ship and her legendary captain who answered the distress call of the sinking Titanic.
Shortly after midnight on April 15, 1912, the captain of the Carpathia, Arthur Rostron, wakes to a distress signal from the Titanic, which has struck an iceberg on its maiden voyage. Though information is scarce, Rostron leaps into action, determined to answer the call for help. But the Carpathia is more than four hours away, and there are more questions than answers: Will his ship hold together if pushed to never-before-tested speeds? What if he also strikes an iceberg? And with the freezing temperatures, will there be any survivors by the time the Carpathia arrives?
Kate Connolly is a third-class passenger on Titanic, and she is among the last to receive instruction and help after it hits an iceberg. Despite the chaos of abandoning ship, Kate is able to board a lifeboat, though after seeing the Titanic sink into the abyss and hearing the cries from hundreds of people still in the water, she wonders if any rescue is even possible.
Told in alternating chapters from both Captain Rostron and Kate Connolly.
I take you back to September of 1999 today. Knowing what I know now, it can be hard to look back at this day. No one ever gets married thinking that it will end in divorce. Believe it or not, the divorce rate in America has been declining since the 1990’s. They used to say that 50% of marriages end in divorce, but it is really less than that. The American Psychological Association (APA) estimates that the probability of a first marriage ending in divorce is 41% in 2024.
As I look back, I know that while my first marriage ended, it led to me having two sons. I also know that if it hadn’t ended, I would not have found the happiness I experience today. I am truly married to my soul mate and she has blessed me with my daughter and my third son. It is true that when something ends, there is always a new beginning that follows.
I ran into a friend the Monday after our reception. I was dropping off the cake plate at a local bakery. He looked at me and said, “Dude! Your reception was like a variety show!” I always thought that was the best compliment.
We had a ton of fun for sure. We did your standard wedding stuff, but as a wedding DJ, I tried to make sure we did things a bit differently. First, I hired the best DJ I have ever seen. Marc and Jim went to school with us and they knew how to work a room. They had everyone dancing all night.
When we did the YMCA, all the groomsmen and I had the hats of the Village People and did the dance up on chairs (something I always did at weddings). My ex did an up-tempo dance with her dad. I danced a tarantella with my Italian grandmother. We did the chicken dance with a rubber chicken. I brought the guys from my bowling team out to the middle of the dance floor and we did a shot to our “team song” (Ring of Fire by Johnny Cash). There was always something going on.
The men who were my groomsmen were the guys who have been friends for life. They are my inner circle. My best friend, Jeff I’ve known since second grade. My pals Steve and Joe were in band together since 7th grade. My other buddy Steve used to DJ with me and we’ve been friends since we got together in alumni band. Then, of course, my brother, who I’ve known all his life.
I wanted to do something silly with just them. Steve and I used to do this Blues Brothers thing to kick off our events and I thought we would do something along those lines. I remembered the scene in the Blues Brothers movie where Ray Charles sings “Shake a Tailfeather.” In it he calls out all kinds of dances and a large group of dancers dance along (doing those dances) outside Ray’s place as they sing.
I got Blues Brothers hats and sunglasses and had a radio buddy put together an intro that was played before we came out to dance. They guy who did it produced this 5 minute long thing that was a bit much. Thankfully, the crowd forgot all about it when we came out and danced.
The guys had no idea how to do the Boogaloo, the Monkey, or the Watusi. I told them we’d make it us as we went along. They all kind of watched me and followed along. On cue, when the lyrics called for us to “bend over” and shake our tailfeathers, we did!
Honestly, we looked like fools, but what a great way to share some fun with the guys who will always mean a lot to me. These guys will forever be my “capos.” It has been too long since we’ve all gotten together. I hope we can rectify that soon.
I got a call last Friday from my friend Margaret. She told me that the county fair was going on up by her and that Saturday was the last day. She asked if maybe we’d like to go. My wife had to work that night, so she was unable to go, but the kids and I drove up to join her. I felt bad that my wife couldn’t be there for their first fair experience, but I made sure to take a lot of pictures to send her.
The kids were so excited to go and Margaret road with me so I knew where I was going. Her husband Walt and his daughter Maddie followed us there. Right from the get go, there were plenty of animals to see. The kids were fascinated by the ducks and chickens. One set of ducks kept quacking at Andrew! They also loved seeing all of the bunnies. There were some big ones!
Inside, there were bigger animals and I loved seeing the excitement on the kids faces. Andrew kept saying hello to them all. “Hello, goat!” “Hello, cow!” “Hello, pig!” Ella was loving it too!
There were some big smiles as we walked through and looked at the animals. Just like the ducks who were quacking, there was one goat who wouldn’t stop talking. They stood by the goat and kept talking back to it. Every time it made a noise, they’d crack up!
At the fair, there were plenty of cows! The smaller ones were just hanging around and people could go up and pet them. Andrew was standing in the hay and said, “Can I take my shoes off, Daddy?” Uh…. no! The cow Ella is with actually started eating her dress and Ella had to play tug of war to get it back!
Naturally, they had to get up on just about every tractor and vehicle that was available to them. There were so many things to do and we hadn’t even gone out on the midway yet!
They saw the carousel from the parking lot when we arrived and that is where they wanted to go first. Aunt Margaret spoiled them by getting them wristbands so they could ride whatever they wanted. I chuckled at this because I do not ride carnival rides. What is funnier is that neither does she! Maddie, however, said she’d ride whatever rides they wanted to.
First stop, and my ONLY ride of the day, was the carousel. I have to be careful, because if I don’t focus, my benign positional vertigo can kick in. LOL.
Andrew wanted to ride on the bench, which surprised me. Maddie joined him. I was so glad to catch this beautiful shot of Ella patiently waiting for the ride to start.
This ride was tame compared to some of the ones they were on. They rode that pirate ship thing that goes back and forth. They did that bear/dragon that you sit in and it spins around and then you can make it spin by turning the wheel inside it. They rode that caterpillar rollercoaster. They also rode on that one that goes up high and low while it spins…. I love how excited Ella looks in this picture.
It was pretty warm that day and it showed. So we made sure to stop and get them something to drink. Andrew is all about pop right now. I figured they’d both get one, but Ella saw someone with a snow cone and she had to try one! She loved it. Eventually, when the flavor was gone, she let Andrew try it!
Shortly after this, we found the bounce house and that was where they spent a good chunk of the day. They kept going in and out and being silly. Andrew was sweating like crazy and came out and asked if we could go home. Both were pretty tuckered out. We missed Uncle Walk going up in that crazy cage thing that goes around and around and people in the cages can make it go upside down and such (no thank you!). I would have loved to watch that!
On the way out that thanked Aunt Margaret and had to get a picture. You can really see how tired they were by this time.
On the way out I promised them one more thing. There were ponies that you could ride as we walked in, so I kept my promise and they each got to do a pony ride. They each got a cowboy hat and wore them home.
It was almost bedtime when we got home, but they had to call and fill mommy in on all the fun they had. I can’t wait until our county fair comes to town next month. I’m sure they will be ready for more rides. I just gotta figure out who is going to ride with them!!
Welcome back to The Music of My Life, where I feature ten songs from each year of my life. In most cases, the ten songs I choose will be ones I like personally (unless I explain otherwise). The songs will be selected from Billboard’s Year-end Hot 100 Chart, Acclaimed Music, and will all be released in the featured year.
In 1981 there were two things that influenced me musically. First of all, I discovered American Top 40 with Casey Kasem. My dad had it the radio on one day while he was washing the cars and doing yard work. It was my first exposure to a countdown show. As a matter of fact, as I looked over the list of possible songs for my list, there were plenty of songs that I remember hearing for the first time on AT40. Some of those that are not on my list are: Start Me Up, Centerfold, Waiting for a Girl Like You, Elvira, Bette Davis Eyes, Hearts, Physical, and so many others!
The second thing that not only influenced me musically, but everyone else in the country, was the birth of MTV in August of 1981. This changed the way people listened to music. Some of those 80’s music videos are forever etched in my mind. I loved the creativity of many of those videos. In many cases, the videos helped with the popularity of songs and how much airplay they got on the radio. Perhaps you’ll remember the videos from some of the songs on my list?
Here we go ….
My dad played guitar in a wedding band for many years. Often, my brother and I would have to go to band practice with him. It was there that I recall being introduced to some of the current songs. One of them was Just The Two of Us by Grover Washington Jr. and Bill Withers. I can remember the distinct mystical sounding keyboard part at the beginning from my dad’s band and being wowed at how it sounded exactly like the record.
Grover Washington, Jr. wrote this with his musical partner Bill Salter before Withers added to the lyrics. It was produced by Ralph MacDonald, a percussionist who played on many of Washington’s tracks. MacDonald was friends with Withers and made the connection. Bill said in an interview with songfacts:
“I’m a little snobbish about words, so they sent me this song and said, ‘We want to do this with Grover, would you consider singing it?’ I said, ‘Yeah, if you’ll let me go in and try to dress these words up a little bit.’ Everybody that knows me is kind of used to me that way. I probably threw in the stuff like the crystal raindrops. The ‘Just The Two Of Us’ thing was already written. It was trying to put a tuxedo on it. I didn’t like what was said leading up to ‘Just The Two Of Us.'”
The song reached number 2 on the charts, but never made it to number 1. It was kept from that spot by Sheena Easton’s Morning Train (9 to 5) and Kim Carnes’ Bette Davis Eyes. The song did win a Grammy award for Best R&B Song. It would be Grover Washington Jr’s only Top 40 hit.
Just The Two of Us
I’ve told this story before, but it is why the next song is here. I remember my dad throwing the 45 of The Breakup Song on the turntable and playing the intro over and over. He’d pick on his guitar and work out that intro over a matter of minutes. Once I heard him play it note for note, I was in awe of him.
The Greg Kihn Band had been around for some time. Their album Rockihnroll was their sixth studio album. It celebrates the quality of breakup songs in rock’s earlier times, as the narrator laments both his recent breakup and the fact that they don’t write good breakup songs anymore. The song is perhaps best known by the hook, “They Don’t Write ‘Em Like That Anymore.”
The Breakup Song
I have always loved the Commodores, with and without Lionel Richie. Lady (You Bring Me Up) was released as the lead single from their album In The Pocket, their last with Lionel Richie in the group. Lionel didn’t write the song, Commodores’ trumpet player William King did. He wrote it with his wife, Shirley, and Harold Hudson, a member of the Commodores’ backing group, The Mean Machine.
In 1981, sexually suggestive songs like “Physical” and “Girls on Film” caused a bit of controversy. Naturally, some disc jockeys poked fun by warning listeners that this was another song with sexually suggestive lyrics: “Lady, you bring me up when I’m down.” In truth, the song is simply a song about a man whose woman gets him through life’s difficult times. It went to #8 on the Hot 100 chart.
Lady
It wasn’t until years later that I found out that Juice Newton wasn’t the first one to sing Queen of Hearts. It was actually written by Hank DeVito of Emmylou Harris’ band and first recorded in 1979 by rocker Dave Edmunds. His version was big in the UK and Ireland, but didn’t go far anywhere else.
Juice Newton had the biggest success with “Queen of Hearts” after it appeared on her 1981 album, Juice. In September 1981, Newton’s version peaked at #2 on the US charts, having shifted over one million copies. It almost didn’t happen, though. Juice remembers, “I did [‘Queen of Hearts’] live for about a year…Then I brought it to [producer] Richard Landis when we started the Juice album. He wasn’t convinced at that point that it was a breakout song but I told him I think this is a real cool song … so we cut it”.
In 1982, the song was nominated for the Grammy Award for Best Female Country Vocal Performance. Dave Edmunds told Creem Newton stole his composition: “She did pinch my arrangement, note for note, but I’m not angry with that.”
Queen of Hearts
Before Foreigner recorded this album 4, two members of the group left, trimming the band from six members to four. This, along with the fact that it was their fourth album, explains the title. My favorite cut on the album has a Motown connection.
Future Mr. Shania Twain, Mutt Lange, produced the album. Lange wanted to hear every music idea guitarist Mick Jones had recorded on tape, no matter how embarrassing. One of these ideas was the opening riff for what would become “Urgent”. “I had the riff starting out,” Jones recalled. “And I said, ‘That’s like an experimental instrumental thing that I’m working on.’ He said, ‘No, it isn’t anymore – let’s take that one, because that’s got a lot of potential.’ There wasn’t even a song with it.”
The group wanted a “Junior Walker-style” sax solo for this record. When they took a break from recording, one of the members read in New York newspaper The Village Voice that Walker was performing that night mere blocks from the recording studio. Walker accepted their offer to play, and the recording of the sax solo was swift and without a hitch.
Urgent
ELO’s TIME is a concept album about a time traveler who visits the year 2095. This song takes place on his return trip in 1981. He is inspired, and now knows that everything he needs he can find back home. “Hold On Tight” was the first single from the album.
By this time, the band was credited as ELO, downplaying the orchestra because they had recently jettisoned their string section. The lead instrument on “Hold On Tight” is piano played by group leader Jeff Lynne, who wrote the song. Billboard called it an “affectionate tip-of-the-hat to ’50s rock ‘n’ roll” that was inspired by the piano playing of Jerry Lee Lewis. That sound is probably why I love this song so much, as well as the uplifting message.
There was an elaborate (for its time) video was made of this song. Wikipedia states that this was the most expensive music video ever made (at the time). Directed by Mike Mansfield, it’s a sendup of sci-fi movie trailers from the 1940, which often blared words on the screen in huge font (AMAZING!, BREATH-TAKING!). Their violinist, Mik Kaminski, had left the group by this time but shows up in the video miming guitar.
The song topped out at number 2 on the Billboard Top Tracks chart.
Hold On Tight
Who can deny a great cover song? Am I right? (I’m talking to you Randy! LOL)
Yep, one of the biggest 80’s hits is actually a cover of a song first recorded in 1964. Ed Cobb of the Four Preps composed the song, and it was first recorded by Gloria Jones. (Fun Fact: Glen Campbell was a studio musician and played guitar on that version!) Her version was actually the B-side of her single, “My Bad Boy’s Comin’ Home.”
In 1973, British club DJ Richard Searling purchased a copy of the almost decade-old single while on a trip to the United States. The track’s Motown-influenced sound (featuring a fast tempo, horns, electric rhythm guitar and female backing vocals) fit in perfectly with the music favored by those involved in the UK’s Northern soul club scene of the early 1970s.
In the book 1000 UK #1 Hits by Jon Kutner and Spencer Leigh, Soft Cell’s Marc Almond called this song “A mixture of cold electronics with an over-passionate, over-exuberant, slightly out of key vocal.” Almond recalls, “Dave (Ball) introduced me to the record and I loved it so much and we wanted an interesting song for a encore number in our show. Dave loved northern soul and it was a novelty to have an electronic synthesizer band doing a soul song. When we signed with our record company, they wanted to record it. They told us to put bass, guitar and drums on it as they said it was too odd. They put it out anyway and the next thing it was gathering radio play and then it was #1. I was fascinated that it was originally by Gloria Jones, the girlfriend of Marc Bolan and I’d always been a T-Rex fan.”
Marc Almond’s vocal is the first take he recorded. That take was actually a run-through so they could tweak the settings, but it had just the right emotion, so that was the one they used. Obviously it was the right take because even Gloria Jones liked it. She said that she considers the Soft Cell version to be the best one. “I loved the emotion in his voice,” she said. “Their version was far better than mine.”
Tainted Love
Here is another song with a Dave Edmunds connection. Tempted was the second single off Squeeze’s East Side Story album. It was written by Chris Difford and Glenn Tilbrook. Chris wrote the lyric while the band was taking a taxi to Heathrow Airport. The descriptions of the city and airport sights are interspersed with the narrator’s ruminations on a relationship that is failing, or has failed, due to his own infidelities. As he recalled,
The original story behind “Tempted” is we’re going on another American tour. I got on a taxi and I started writing down what I saw lyrically. I don’t know the course of time of how long it took, but then I gave Glenn the lyrics and then Glenn put the music to it. It’s an extraordinary song. It’s one of the most played songs that we have in our catalog.
Unlike most other Squeeze songs, which are sung usually by Tilbrook or Difford, the song’s lead vocal is sung by newly recruited keyboardist Paul Carrack. According to Carrack, this was the result of a suggestion by co-producer Elvis Costello:
They’d actually recorded a version of that song before I was on board. Dave Edmunds produced it, and it was completely different. The song was in the can, and we were recording the other songs from East Side Story when we had some downtime and played ‘Tempted’ but in that slow, soulful, Motown groove. Elvis Costello, who was producing, ran in and said, ‘Let’s put this down on tape!’ So, we did, and Elvis said ‘Paul, you should sing it.’
I had never heard the song before, but in 1994, I was driving a lot for my job and this would come on Planet 96.3. I have always loved the opening line of this song, “I bought a toothbrush, some toothpaste, a flannel for my face” I can’t imagine it without the slow bluesy feel.
Tempted
Loverboy’s first single from their Get Lucky album didn’t really burn up the charts, however, years later it would be linked forever to a classic Saturday Night Live sketch.
Working for the Weekend originated when guitarist Paul Dean was out walking one Wednesday afternoon, looking for inspiration in his songwriting. He noticed that much of the area was deserted, as most people were at work. “So I’m out on the beach and wondering, ‘Where is everybody? Well, I guess they’re all waiting for the weekend,'” he later said. Mike Reno, the band’s vocalist, suggested they change the title to “Working for the Weekend”. According to Dean, he first began writing the song in a hotel room following a Montreal concert. At the time, the band were still playing bars to little response from patrons. After completing the song, they used it to open one set, and Dean recalled that “the dance floor was packed”.
The video had a life of it’s own on MTV. Loverboy lead singer Mike Reno tells about the filming of this video: “We would play the song over and over again, and we’d bounce around like we normally did. Here’s what I thought was kind of interesting: The director would say, ‘OK, we’re going to shoot another song, now go get changed.’ ‘What do you mean?’ ‘You have to put on a whole new outfit, and we’re going to change the lighting a bit.’ But it was the same stage! So basically, we just had to get some other clothes, fix your hair, take a break, and then jump back on stage and do the same thing over and over again. I really felt like I was being abused a bit, but that’s the nature of the beast.”
On October 27, 1990, Patrick Swayze hosted Saturday Night Live. It was on that show that the famous Chippendale’s Audition sketch debuted. It featured Chris Farley and Swayze auditioning for the final spot in the Chippendale line up. Their audition was done to this song.
Working for the Weekend
“Shake It Up,” was the title track of The Cars’ fourth album. It is hard not to want to dance when you hear it. Some call it a “tailor-made party song.”
It was written by Cars’ frontman Ric Ocasek. It really is an odd song for Ric in that it’s very straightforward, simply encouraging us all to get on the dance floor and boogie like nobody’s watching. Ocasek’s songs were generally far more enigmatic. Years later, Ocasek dismissed the song’s lyrics, saying, “I’m not proud of the lyrics to ‘Shake It Up.'”
This song has some throwback elements, like the “ooo ooo ooo” backing vocals and references to a “quirky jerk” and “night cats” – lingo that was hep in the ’60s when songs about dancing were in vogue. At the same time, “Shake It Up” as a futuristic sound, with synthesizers and drum machines that were part of the new wave.
It was released as the lead single from the album. “Shake It Up” was a big American hit for The Cars, getting them into the Top 10 for the first time as the song reached #4. The song was such a departure from what fans expected that some accused the band of “selling out.” The band, however, insisted they were simply progressing and growing (one point in their defense: they continued to live in Boston instead of relocating to New York or Los Angeles). The jabs came mostly from the UK, where the band got lots of positive press early on but faced the wrath of a finicky press when they released this song about dancing.
Fun Fact: Guitarist Elliot Easton said he wanted his solo to sound like “two guys trading off”. He first plays a Fender Telecaster, in a style skewing country, then midway through the solo switches to a Gibson guitar for a heavier rock sound.
Shake It Up
Finally, a song that has yet another Michigan connection. When Styx was preparing their tenth album, Paradise Theater, guitarist Tommy Shaw, says he was asked to write one more song for the album, which followed the theme of a concert hall rising to prominence and then crumbling. Shaw liked the concept, but was having trouble writing songs that fit. So he just wrote one that didn’t follow the theme – “Too Much Time On My Hands.”
Shaw had a long drive to and from the recording studio, and on one trip, the bassline popped into his head: “dun-dun dun-dun dun-dun-dun-dun.” When he arrived, he quickly had the band record what was in his head so he wouldn’t lose it. He found himself calling out chord changes as they played, which laid the groundwork for the track.
When it came to the lyrics, he drew inspiration from a real bar in Niles, Michigan, where he was living. “I think officially it was called Mark’s Tavern, but everybody called it Mark’s Bar. It was the local watering hole. The drinks were good, and the drinks were cheap. You could go in there with 20 bucks and be a hero, you know – buying rounds of drinks. And you’d always run into somebody you knew in there. That was the basis of the song.”
The song was released in the spring of 1981 and reached its US chart of #9 in May. In August, MTV went on the air, which gave the song new life, since the video was one of the few the network had available from an American rock band, and they played constantly.
Too Much Time On My Hands
Looking back over the list of songs released in 1981, there are so many worth mentioning. Did I miss one of yours?
As I start looking at each year and jotting songs, I have gone from 2 pages to 3 pages of songs to chose from. These 80’s years are probably going to be the toughest to narrow down for me.
Next week, we’ll jump into 1982 and see what 12 year old Keith was liking ….
Thanks for reading!
(Most info was gathered using sources like Wiki, songfacts.com, and artist websites)
Today is the 161st birthday of Henry Ford. He was the founder of Ford Motor Company who developed the assembly-line process for mass production.
In 1891, he became an engineer at the Edison Illuminating Company of Detroit. He he received a promotion to Chief Engineer in 1893, he had enough time and money to devote attention to his experiments on engines that would run on gasoline. These experiments culminated in 1896 with the completion of a self-propelled vehicle, which he named the Ford Quadricycle. He first test-drove it on June 4. After various test drives, Be began to brainstorm ways to improve the Quadricycle.
Also in 1896, Ford attended a meeting of Edison executives that would change his life and eventually lead to a lifelong friendship. At the meeting he was introduced to Thomas Edison, who approved of Ford’s automobile experimentation. Encouraged by Edison, Ford designed and built a second vehicle, completing it in 1898.
He founded the Detroit Automobile Company in 1899. Sadly, the automobiles produced were of a lower quality and higher price than Ford wanted. Ultimately, the company was not successful and was dissolved in January 1901. He never stopped trying and on June 16, 1903 (thanks to some new investors) The Ford Motor Company was born. The Model T debuted 5 years later in 1908.
So just how does Henry Ford fit into Tune Tuesday? Well, the great Jerry Reed had a number one country hit with his ditty, Lord, Mr. Ford in 1973. The lyrics bemoan the fact that a seemingly simple invention to assist mankind has instead brought nothing but grief, become increasingly more complex and added to the increasing fast-paced demands of society. Can you imagine what could be said about the cars we drive today??
Happy Birthday, Henry Ford!
Lord, Mr. Ford
Well, if you’re one of the millions who own one of them gas-drinking, piston-clinking, air-polluting, smoke-belching, four-wheeled buggies from Detroit City, then pay attention. I’m about to sing your song son.
Well, I’m not a man appointed judge To bear ill-will and hold a grudge But I think it’s time I said me a few choice words All about that demon automobile A metal box with the polyglass wheel The end result to a dream of Henry Ford Well I’ve got a car that’s mine alone That me and the finance company own A ready-made pile of manufactured grief And if I ain’t out of gas in the pouring rain I’m a-changin’ a flat in a hurricane I once spent three days lost on a cloverleaf Well it ain’t just the smoke and the traffic jam That makes me the bitter fool I am But this four-wheel buggy is A-dollaring me to death For gas and oils and fluids and grease And wires and tires and anti freeze And them accessories Well honey, that’s something else Well you can get a stereo tape and a color TV Get a back-seat bar and reclining seats And just pay once a month, like you do your rent Well I figured it up and over a period of time This four thousand dollar car of mine Costs fourteen thousand dollars And ninety-nine cents, well now
Lord Mr. Ford, I just wish that you could see What your simple horseless carriage has become Well it seems your contribution to man To say the least, got a little out of hand Well Lord Mr. Ford what have you done
Now the average American father and mother Own one whole car and half another And I bet that half a car is a Trick to buy, don’t you But the thing that amazes me, I guess Is the way we measure a man’s success By the kind of automobile he can afford to buy Well now, red light, green light, traffic cop Right turn, no turn, must turn, stop Get out the credit card honey, we’re out of gas Well now, all the cars placed end to end Would reach to the moon and back again And there’d probably be some Fool pull out to pass Well now, how I yearn for the good old days Without that carbon monoxide haze A-hanging over the roar of the interstate Well if the Lord that made the moon and stars Would have meant for me and you to have cars He’d have seen that we was all born With a parking space
Lord Mr. Ford, I just wish that you could see What your simple horseless carriage has become Well it seems your contribution to man To say the least, got a little out of hand Well Lord Mr. Ford what have you done
Come away with me Lucille In my smoking, choking automobile
In 1965, The Beatles’ second feature film, Help! premiered at the London Pavilion Theatre in the West End of London. The musical comedy, which followed the success of A Hard Day’s Night, was a much larger production than its predecessor, finding the band and director Richard Lester shooting in a variety of international locations. The film’s soundtrack doubled as The Beatles’ fifth studio album.
Ok, before I go on, I need to clarify the title of this blog. Just what in the world is NUJV? Originally, the album cover showed The Beatles spelling out the word “Help” using the semaphore system of communicating with flags, which was usually used by ships. The photographer, Robert Freeman, didn’t like the pose because it looked unbalanced. Instead, he had them pose in a more “balanced” way – that in semaphore spells the letters NUJV.
Apparently, only those who knew semaphore saw the issue.
This movie played a big part in the way another group portrayed themselves. Help! was used by The Monkees to prepare for their TV series. The Beatles showed off their individual personalities in their movies, which The Monkees made sure to emulate. By not presenting all members of the band as identical, it made the Beatles even more popular, as many of their fans picked a favorite.
There certainly are some great tracks on the album: Ticket to Ride, Yesterday, The Night Before, Act Naturally, Dizzy Miss Lizzie, You’ve Got To Hide Your Love Away, I’ve Just Seen a Face, and the title track – Help! (Which is what I want to feature today.)
According to Lennon’s cousin and boyhood friend Stanley Parkes, “Help!” was written after Lennon “came in from the studio one night. ‘God,’ he said, ‘they’ve changed the title of the film: it’s going to be called ‘Help!’ now. So I’ve had to write a new song with the title called ‘Help!’.”
Fun Fact: The original title to the title song and the movie was “Eight Arms To Hold You,” and the first copies of the single said it was from the movie “Eight Arms to Hold You.”
Originally, John Lennon wanted this to be a much slower song. He was convinced, however, that by speeding it up, it would sound “more commercial” and would naturally sell more albums.
The song itself runs just 2:18, but packs in 267 words! This makes it one of the most lyrically dense hits of the era. It starts and ends on a vocal, and there are two vocal lines running throughout the song, as John Lennon sings lead while George Harrison and Paul McCartney do backgrounds, singing some of the same phrases either before or after Lennon. There are only a few seconds in the song where somebody isn’t singing.
Lennon admitted that the song truly was a “cry for help!” He has described this time of his life as his “fat Elvis period.” In a 1971 interview with Rolling Stone, Lennon said this is one of his favorite Beatles records, because, “I meant it – it’s real.” He added: “The lyric is as good now as it was then. It is no different, and it makes me feel secure to know that I was that aware of myself then. It was just me singing ‘Help’ and I meant it.” Paul McCartney helped Lennon write the song, but did not realize it was actually John calling for help until years later.
Writer Ian MacDonald describes the song as the first crack in the protective shell Lennon had built around his emotions during the Beatles’ rise to fame, and an important milestone in his songwriting style. In January of 1980, John told Playboy magazine, “The whole Beatles thing was just beyond comprehension. I was subconsciously crying out for help”.
Books are a lot like music. “If you like _____, then you might also like _____.” Thanks to some book blogger friends and the Goodreads app, there are always suggestions for books to read. I have read my share of time travel books, and this one was certainly different.
This is the first book I have read by this author. If I am being honest, I almost stopped after the first chapter. I had to remind myself that sometimes the things in that first chapter often are necessary to be the springboard for the rest of the book. That was the case here. It was all a little too – sappy teen love storyish for me. But I pressed on.
Before I explain, here the Goodreads synopsis:
A remarkably inventive novel that explores what it means to live a life fully in the moment, even if those moments are out of order.
It’s New Year’s Eve 1982, and Oona Lockhart has her whole life before her. At the stroke of midnight she will turn nineteen, and the year ahead promises to be one of consequence. Should she go to London to study economics, or remain at home in Brooklyn to pursue her passion for music and be with her boyfriend? As the countdown to the New Year begins, Oona faints and awakens thirty-two years in the future in her fifty-one-year-old body. Greeted by a friendly stranger in a beautiful house she’s told is her own, Oona learns that with each passing year she will leap to another age at random. And so begins Oona Out of Order…
Hopping through decades, pop culture fads, and much-needed stock tips, Oona is still a young woman on the inside but ever changing on the outside. Who will she be next year? Philanthropist? Club Kid? World traveler? Wife to a man she’s never met? Surprising, magical, and heart-wrenching, Margarita Montimore has crafted an unforgettable story about the burdens of time, the endurance of love, and the power of family.
That first chapter sets the stage for everything else that comes at you. From the moment Oona wakes up as a fifty-one year old, the chaos begins. Panic, fear, and the unknown face Oona as she navigates through the year, never really knowing if what she is experiencing is real. But when she leaps again at midnight on New Year’s Eve, she knows it is either real or a really bad nightmare.
What was interesting about this story was thinking about what it would be like if you had to live your life out of order. One year you would know people, while in other years they are strangers. In one year you have one set of friends, while in another a totally different set. In one year, you might witness a tragedy and in another it hasn’t happened yet. What could you do with the knowledge you have (or lack of it) as you lived from day to day knowing that you’d be off to another unknown year next? How would you live your life differently?
In the book, every so often a character will tell Oona, “No Spoilers,” and so I will not offer any here. There are many surprises and times I found myself yelling at the characters! LOL At the same time, I certainly took a few nuggets of wisdom away from this story.
3.5 out of 5 stars (only because I had some lingering questions at the end)