National DJ Day

Today is a day to celebrate the Disc Jockey. I was lucky enough to be both a radio DJ and a Mobile DJ. I have mobile DJ stories, but they aren’t as interesting as my radio DJ stories. This is an adaption of an earlier blog. If you are a newer follower, these will be new to you. If you’ve been around since the inception of this blog, enjoy these again.

In my over 30 year radio career, I have (like all of my radio friends) a gazillion stories. There are some that I just can’t share here. But, here are some that I’ll share off the top of my head. I am sure there are plenty more, but for now – enjoy these:

WKSG –

My career started here. I was a lowly intern ripping news and sorting it. I then started to intern with Paul Christy, the morning guy. He eventually was responsible for me doing overnights full time.

Keith Who?

I only used my real name once in my entire career – and almost didn’t. Every hour at the top of the hour we had to play our Legal ID. The FCC requires the station to identify itself and where the signal originates from. Our Legal ID had was what we called a “donut” in the middle of it. The voice guy gave the station slogan, followed by the Station ID. After that there was a 2-3 music bed where the DJ would say what time it was and their name. I’d heard it a hundred times. “It’s 10 O’clock and I’m Jim McKenzie”, “It’s 3 O’clock and I’m John Bailey”, “It’s 7 O’clock and I’m Johnny Molson” – every jock did it. My first night ever on the air, I hadn’t decided what name I was going to use yet. The ID played and I had no choice – “It’s midnight and I’m … (brain fart – and real name)”. I really had no intentions of using my real name, I just hadn’t decided on my on air name yet. A gal I went to high school with was listening that night. I remember her calling and asking if I was Keith (real name). It freaked me out. She told me that she heard my that first night and thought that I had said my real name. I used Keith Allen every day after that and have never been anyone else.

Thinking Inside the Box

Speaking of those live ID’s, Johnny Molson was on before me each night. It seemed that he and his crew always were trying to mess with me when the ID played. They would make weird noises, bang on cart racks, or knock over my music stack. They would do all kinds of things to try to get me to mess up when I turned on the microphone. . Sometimes they’d get me to crack up and sometimes I was able to keep it together.

One night, the time was ticking away to the ID and they were all out of the studio. The ID started and I heard the studio door behind me open fast. They had found a huge box and as I started to talk, they threw it over my head. My hands, thankfully, were still by the mixer board so I could see what button I had to push next. I didn’t know what to do, so I just continued to talk with the box was over my head. Listeners heard nothing but a muffled voice and the music bed. Johnny was cracking up the whole time. He told me, “I can’t believe you just kept going”!

Saturday Snooze

At one point during my time at Kiss-FM, I was doing Friday night and Saturday mornings. This consisted of me being on air from 12a-6a doing my own show. Then running Paul Christy’s show on tape from 6a-10a.

I don’t recall why I hadn’t slept much the day prior, but I was tired. I finished my show at 6. I got about an hour into Paul’s show, and I was feeling exhausted. I had started a song, put my elbows up on the board, my fists to my cheeks, and nodded off. About 20-25 minutes later, my head fell from my hands and I was startled awake. I had no idea where I was. The phones were all lit up, and nothing was on the air!

In a panic, I grabbed the first song on the music stack and jammed it into the machine. Fittingly, the song was “You’ve Got Your Troubles” by the Fortunes. Once the music started, the phones stopped ringing. I, however, knew that Paul was always listening! I dreaded the call that I knew was coming. I was sure to get fired for messing up his show! 10 minutes later the “PC hotline rang”.

I answered it and as usual, Paul was chomping on something (he was always eating when he called). “How’s it going?”, he asked. There was no way he didn’t hear the silence! He had to have heard it, I knew he did. Why wasn’t he saying anything? I finally blurted out that I had fallen asleep for a couple minutes and awaited the verbal beating. Nope. Not Paul. He laughed and said, “You Asshole! I remember this one time I fell asleep while I was at Super CFL in Chicago….” and told me his sleepy story. That was the kind of guy Paul was … a damn cool dude!

Hot Java

One more Paul story for you. He drank coffee all throughout his shift. He liked it black and hot! One time he had Vince, a morning show member, get him some coffee. It sat next to him for awhile while he was doing other things. He finally grabbed it and took a sip. He was disgusted.

He yelled, “What the hell is the matter with you guys?! You call this hot coffee?! I could piss warmer than this!! Get me some fresh stuff and make sure it is hot!” So Vince went to the coffee pot, filled the cup and then put it in the microwave for about 2 …or 10 minutes. I don’t remember, but it was in there for a good while. He took the steaming cup to Paul. Well, rather than setting it down as he normally did, put it to his lips and took a sip. Needless to say, it burned the hell out of his tongue and lips! Paul yelped, “Jesus! What is wrong with you?!” Holding his tongue in pain, he continued, “I use this thing for a living!!” I think every one of us broke a rib laughing so hard. I can still see him holding his tongue with one hand and fanning it with the other!

WMXD

I followed Paul here to do some part time work after being let go from Kiss-FM. The format started as a mix of Urban/R&B music and Pop. Eventually it went all R&B and Urban. It was here that I met The Electrifying Mojo.

Keef

I had known of Mojo for years. He was a Detroit legend. He had this mysterious persona on t he air. I don’t know that there were any photos of him anywhere. So when I saw him for the first time, I was taken aback. He was much shorter than I had imagined.

I have to say, Mojo was one cool dude. He played most of his stuff off vinyl records. The thing I remember most about Mojo was that the studio was always like a sauna! It was always SO hot when I came in. I don’t know how he was able to work with it that hot.

The studio was always a mess, too! Not garbage messy, but music messy. There were always vinyl records all over the studio. He’d have them stacked on the reel to reel tape machine or on the counter tops. Sometimes, there were stacks of them on the floor of the studio. With the records everywhere, it was hard for me to get in and gather the first hour of music for my show. You could barely move in the studio.

He always called me “Keef” or “Baby Keef” when he got ready to wrap up his show. He had a signature line that he always said at the end of his show:

“Hold on tight. Don’t let go. Whenever you feel like you are reaching the end of your rope – tie a knot. Don’t slide off. Keep hanging. Keep remembering that there ain’t nobody bad like you.”

I had heard him say this on the radio many times, but to watch him say it live in the studio … I was in awe.

WHND

Honey Radio! I grew up listening to this station and I was honored to have the chance to work with radio legends! Richard D, Jon Ray, Boogie Brian, Ron Tavernit, Bill Stewart, Greg Russell, and so many others were such an influence. Honey was the first oldies station in the country – and I got to be there as they turned out the light…..

Worst Five Minutes of Detroit Radio – EVER

You can read all about my buddy Rob in a previous blog. I am not sure if I tell this story in that blog or not, so I apologize if I did. It was the last week Honey was on the air – the week of Thanksgiving 1994. Our listeners knew that this was Honey’s last week and we had been given free reign to have fun.

We had a listener who used to call up and his name was Mitchell. I had gotten to the point where I could do his voice pretty well. I had been doing a character based on the real listener and I called him “Mitch”. True story – Mitch would call and talk to us and really never have anything to say. He’s jump from topic to topic. If you let him, he’d never stop talking. So I decided to prerecord some calls as Mitch where I just rambled about nothing and then hung up. Afterward, we’d say something like “He’s a nice guy, but ….” kind of a thing. It was ridiculous.

So now it’s the last week we are on the air. It had become clear that some people were upset the station was going off the air. They were calling us in the studio and calling the managers to voice their anger. I said to Rob, “I bet Mitchell is really angry about the station.” He said, “They better lock the doors, man. That guy is likely to come in here with a gun or something. That was the idea. So we planned a bit.

I was going to do the character live on the air. I was going to come in and say how upset I was the station was going off the air. I would yell and scream and (using the theater of the mind) pull out a gun and start shooting it (keep in mind this was 1994 and public shootings were not as prominent). At this point in the bit, our bouncer character (loosely based on Charles Bronson) was going to come in and grab the gun. He would then beat up “Mitch” and throw him out the studio window. To accomplish the bit we needed sound effects (to make it sound real on the air).

To help you understand what happens next, here is a picture of a studio. It is not the WHND studio, but the Cart machines in the picture are like the ones there.

  • DSC00352.JPG

If you look at the left side of the picture, you will see the machines above the headphones. There are three machines on the left, a stack of carts in the middle and three machines on the right. At Honey, the machines went like this:

1 4

2 5

3 6

Ok, now to the mess.

We had these 6 cart machines and every song, commercial, or sound effect was on its own cart. So in cart player #1 was the song we just played. Cart #2 had the door closing sound effect for when Mitch comes in. Cart #3 holds the gunshot sound. Cart #4 is the “fight scene” – the sound of two guys beating each other up. Cart #5 is where the sound of glass breaking (the studio window) for when Mitch gets tossed out . Finally, Cart #6 had our first commercial.

The plan was that after Mitch was thrown out the window, we would go to a commercial break. I would have already put the commercial we were going to play first in Cart player 1. Once the glass breaks and we wrap up the bit, go to commercial and proceeded with the show. That however, is NOT how it happened on the air.

As soon as I began to do the character live on the air, I saw Rob crack a smile. That is all it took. Seeing him smile made me start to laugh hard. As his Elvis character, Rob tries to save the bit. So I once again try to do the “Mitch” character – which only made me laugh harder. By this point we are both laughing so hard that we have tears in our eyes. Rob, as Elvis, says “That takes care of that bit, man!”

Because we are totally losing it on the air, my first thought is PLAY THE COMMERCIAL! I go to start the commercial, but the commercial never made it to the machine! So the button I pushed was the gunshot sound effect, which only made us laugh harder….you hear us dropping carts and shoving the commercial in the machine and finally we went to commercials. I have often called this the worst 5 minutes of Detroit radio. To me it is also the funniest 5 minutes of our show.

Update: I found the Audio and made a YouTube Video:

My apologies ahead of time …

Becoming The President

The late Richard D was one of the funniest men I ever worked with. He gave me lots of direction and I have talked about him in previous blogs, as well. I was producing his show the Top 12 at 12. This was an hour of his show which featured the Top 12 songs in Detroit on that day. They found those 12 songs from local charts from radio stations and newspapers. Each day featured a different year.

It was a fun show to produce. It included new stories, TV and movie clips, old commercials, info about how much things were from that year, etc… Richard had to play that day’s 12 songs from the chart. Every now and then there was extra time because of short songs. We would then give him songs that were on the charts from that week to play as “extras.” Usually it was a song that was just being released or had been a hit earlier in that year.

On one show, the countdown was from 1966. I had put a Dean Martin song in there as an extra and he played it. After the song, he made some comment about it not being the greatest song or something and moved on. So I went into the studio, as I often did, to give him crap. I said something along the lines of “Why are you messing with Italians! Dean was Italian and so I am I! Look here you “old bastid (a term of endearment), If I were you, I’d watch what you say about Dean Martin … and Frank Sinatra for that matter!” The whole time he laughed. I left the room as he continued to laugh hysterically.

I thought that would be the end of it, but Richard loved an opportunity to make me the butt of a joke. After the next song he said on the air, “Ladies and Gentlemen, I must offer an apology. A little while ago I played (whatever the song was) by Dean Martin and made some negative remarks about it. Immediately after that, Keith Allen came in here with about 12 goons who roughed me up a bit and told me that my comments were distasteful. So I must now publicly apologize. I really had no idea that Keith Allen was the President of the Dean Martin Fan Club!”

From that day on, I always tried to find a way to sneak a Dean Martin song into my show. After each of those songs I would say I was President of the Dean Martin Fan Club.

Related side story

When Honey went off the air, I received a package from a listener named Sandy. She and I remain friends with to this day. The package was a complete surprise and it was awesome. Sandy had sent me a membership to the REAL Dean Martin Fan Club! To make things even better, there was a note in the package. It read: “I thought you might actually want to be a member of the Fan Club you claim to be President of….”

The Sign Off

For years I listened to Boogie Brian rhyme as he talked up song intros until he nailed the post (where the vocalist starts to sing). He would do this with no effort at all. His energy was constant and the smile in his voice was ever present – until November 25, 1994. That was the day Honey stopped broadcasting locally before eventually signing off. My partner Rob and I were listening to his sign off from the other room. The day had already been full of listeners wishing us well and many tears were shed. The biggest tears came as Boogie signed off that day. A powerful memory that I will never forget.

WWWW

My Worst Prediction

In 1994, I had just come back from working on the west side of the state. It was there that I did country radio for the first time. After I was hired at W4 Country, there was a change in management. The new PD, Tim Roberts, would take the chair and offer some advice that I still use today. Every year, Tim was responsible for booking acts to the Downtown Hoedown. It was a huge three day festival with many stages and many acts. At the time took place in Hart Plaza in Detroit.

We worked at the Hoedown in shifts as I recall and mine was over. I was waiting in the blue W4 Country Suburban to go back to the station with Tim Timmerman. The Dixie Chicks were an up and coming act who had a very traditional sound. Their music was really not like anything on the radio at the time. While I loved it, I didn’t think it would do as well as it did. Tim looked out the window of the Suburban and said “Dude, it’s the Dixie Chicks! We should go get a picture!” I was exhausted and I told him that he could go if he wanted to. I then said something about them being way too traditional and that “they probably won’t go anywhere”. Boy, was I wrong! There’s an opportunity I missed and regret to this day!

Thanks for reading, it’s always fun to share radio stories. There are plenty of my DJ Heroes mentioned above, too. That’s fitting for National DJ Day!

Movie Music Monday – 48 Hours

I always check out “This Day in Entertainment History” when preparing for Movie Music Mondays. I’ve had a song I’ve wanted to feature on here for some time. At first glance, I thought I had the perfect day to tie it in yesterday. One site read, “48 Hours released on this day in 1988.” My first thought was, “Eddie Murphy and Nick Nolte!”

Now, count my mistakes with me. Then, (1) I realized that I was looking at the 19th of January and not the 20th. This made me sad because the song I wanted to feature is from this movie. But 1988? Something wasn’t right with the date. I thought on it more 1988 seemed “late.” (2) When I checked the facts, sure enough, the movie was actually released in 1982. This made more sense. So I went back to the original website and realized that I missed something else. (3) It was CBS TV’s “48 Hours” that was released on January 19th.

I chock it up to my lack of sleep and everything else going on. Whoops!

So here we are. I have absolutely no reason to feature this movie today or the song I want to play. But, I’m going to do it anyway and I hope that’s ok.

The standout song from the 48 Hours soundtrack for me was The BusBoys “The Boys Are Back In Town.” Not to long ago, I posted the ten songs that were scientifically proven to make you happy. This song is one of my “happy songs!” If I had to describe it, I’d say it is a little jump blues, a little rock and roll, and a little shuffle/boogie.

The BusBoys keyboard player Brian O’Neal wrote this song and he shared the story of it with songfacts.com:

“The BusBoys were signed to Arista Records. Our manager at the time was Michael Klenfner, who was best friends with John Belushi and well connected with our agency ICM.

One of the songs on {our sophomore album} was called ‘New Shoes.’ It was a unique blend of rock and soul, with a cool shuffle back beat. Well, there was this movie being made called 48 HRS. at Paramount Studios. The film was originally slated to star Richard Pryor, but the newest, hottest young comedian of Saturday Night Live fame ended up in the role. The director was Walter Hill, the producers Lawrence Gordon and Joel Silver. Both Walter and Eddie Murphy were represented by my aforementioned agency, ICM.

I get a call from my agent, asks if I wanted to be in this movie. I said I was interested and he set up a meeting with Joel Silver. Joel explained the film had a bar scene that Eddie was supposed to go into and there was going to be a band playing. Joel and Walter wanted a Black band that had a rock and roll edge. We were and still are one of the primary roots, rock and soul bands that fit the bill.

They had already heard ‘New Shoes’ and wanted four more songs. My brother, Kevin O’Neal and I wrote some songs over the next couple of weeks. At the recording session for the demos to present to Joel we had finished three songs: ’48 Hours,’ ‘Love Songs Are For Crazies’ and ‘Monkey Mash.’ It was 2:00 AM and the band was tired and ready to go home when I say ‘Guys, I’ve got one more song.’ Groans. ‘It’s going to be an easy, blues type shuffle with a little gospel opening piano lick – and it’s going to be called – ‘ (me looking around) ‘- – The Boys Are Back – – In Town.’

We laid the track and I finished the lyrics and the vocal a few days later. When the tracks were all completed I thought we had three real songs and one ‘filler.’ As it turns out, ‘The Boys Are Back In Town’ became our signature tune and was featured in the movie. It doesn’t have any connection with the Thin Lizzy song other than the title. I always liked their track, but wasn’t thinking anything about it when I composed ours. I’ve since come to think of theirs as an English approach and ours an expression of American rock, roll and soul. The movie and the song became wildly popular. For reasons only conspiracy theorists can explain, the song wasn’t released when the movie first came out. For almost twenty years it was probably the most famous song in the history of America that had never been officially released. We finally made the song available to the public on our CD by the same name in 2000.“

So if you woke up today with the “Monday blahs,” I hope this one puts you in a great mood!

Heartbroken

Call it superstitious, but I feared this would happen. 

The minute that people started saying that the Lions were picked to win the Superbowl, I cringed.  Is that what I hoped for?  Absolutely, but when you start hearing stuff like that it makes you a bit scared.

Before the game yesterday, there was something that said 95 percent of (whatever the NFL group was) picked the Lions to Dominate the Commanders.  Again, I cringed.

And here we are.

I couldn’t be more proud of my team.  They gave us the best season we’ve ever witnessed in our lifetime! 

Thank you, Dan Campbell.  Thank you Jared Goff.  Thank you to the entire team for a truly amazing year.

Book Recommendation – Miss Benson’s Beetle

There are currently 275 books on my “Want to read” list on Goodreads. Because I do most of my “reading” in the car, I look for audio books. Not all of them are available in that format. There are quite a few that I may just have to go to the library and get the physical copy.

As I get close to finishing a book, I begin to scroll my list and look for the next read. As I do this, I try to remember my friends who have read it and rated it. I also try to remember if a book was highly praised in a Facebook reading group.

Miss Benson’s Beetle really is something that I don’t think I would have picked up for myself. However, I kept hearing what a great story it was. The reviews I read were mostly good and so I gave it a shot. Even though the book take place after World War II, it came on a lot of Historical Fiction lists.

Before I offer my thoughts, let’s look at the Goodreads Synopsis:

It is 1950. London is still reeling from World War II. Margery Benson, a schoolteacher and spinster, is trying to get through life, surviving on scraps. One day, she reaches her breaking point. She decides to abandon her job and small existence to set out on an expedition. The expedition is to the other side of the world in search of her childhood obsession. That obsession is an insect that may or may not exist–the golden beetle of New Caledonia.

When she advertises for an assistant to accompany her. The woman she ends up with is the last person she had in mind. Fun-loving Enid Pretty in her tight-fitting pink suit and pom-pom sandals seems to attract trouble wherever she goes. Together, however, these two British women find themselves drawn into a cross-ocean adventure that exceeds all expectations. It also delivers something neither of them expected to find: the transformative power of friendship.

All in all, I truly enjoyed the book. The adventure is full of surprises, shady characters and secrets. There are moments of suspense and moments that make your eyes well up. It was better than I had expected. I mean, it’s a woman looking for a beetle. I didn’t expect much.

My only issue with the book was that I hoped for more at the end. Without giving away anything, I will just say that I wanted to know a bit more of what happened after their trip. It wasn’t a bad ending, I just felt there may have been a loose end or two to tie up. Do they find what they are looking for? Do they find the elusive beetle? You’ll have to read it to find out.

Friday Photo Flashback

For today’s photo, we go back about 27 years.

I can still remember feeling humbled and honored when she asked me.  My friend Margaret was expecting her first child.  She asked me if I would be the baby’s Godfather. 

This would have been right around the time I was dating my ex, not yet married.  I had no idea what a wedge my ex would put between Margaret and me. I also had no idea how my ex would keep me away from my Goddaughter, too.

Marissa was a beautiful baby.  As crazy as it sounds, there was a lot of pressure on us Godparents the day of her baptism.  I was well versed in America’s Funniest Home Videos where the baby slips out of a Godparent’s arm into the baptismal or the Godparent gets peed on. 

Thankfully, it all went off without a hitch.  This photo is of Margaret, her ex-husband, me and Marissa outside the church.  I don’t know that I have a photo of me holding her on that day, which is sad.

I lost many years with Margaret and Marissa because of my ex.  It was obvious that she did not care for Margaret.  So because of that, she made it impossible for us to ever get together. 

After my divorce and remarriage, I was so glad that Margaret and I picked right up where we left off.  This also led to a reconnection with my Goddaughter.

I love this photo, but it reminds me that there should have been years worth of pictures of the two of us …

Hat’s an Incredible Story!

Technically, I could have posted this yesterday as it was National Hat Day. Instead, I am posting today because of the anniversary you will read about in the upcoming paragraphs….

High society owes “a hat tip” (pun intended) to haberdasher John Hetherington. Are you familiar with him? He is responsible for an item that became a formal necessity for men. From weddings to proms to presidential inaugurations, the top hat was a must have! Believe it or not, the hat got Mr. Hetherington in a spot of trouble!

It was on this day in 1797 that Mr. Hetherington appeared in court. After he had stepped out onto the streets of London wearing the distinctive headgear, it caused quite a stir.

When he appeared in public wearing the hat, people noticed. So much so that a crowd formed. Hetherington was eventually arrested and given a summons for disturbing the public peace! In court, he was found guilty of wearing a hat “calculated to frighten timid people.” He was bound over to keep the peace in consideration of a sum of 50 pounds.

The arresting officer told the court that nobody had seen anything like it before. He said,

“He had such a tall and shiny construction on his head that it must have terrified nervous people. The sight of this construction was so overstated that various women fainted, children began to cry and dogs started to bark. One child broke his arm among all the jostling.”

Mr. Hetherington had someone on his side. The next day, The Times newspaper reported: “Hetherington’s hat points to a significant advance in the transformation of dress. Sooner or later, everyone will accept this headwear. We believe that both the court and the police made a mistake here.”

The newspaper was right. The top hat, which went by several names including Toppers, Chimney Pots, and Stove Pipes, grew in popularity. It finally achieved the ultimate stamp of respectability in 1850 when Prince Albert, began to wear one. Thus giving the headgear the royal seal of approval. There was no going back after that . . .

For my Senior Prom, a top hat was a MUST HAVE. I wish more people would wear them more often.

The Music of My Life – 2005

Welcome back to The Music of My Life, where I feature ten songs from each year of my life.  In most cases, the ten songs I choose will be ones I like personally (unless I explain otherwise). The songs will be selected from Billboard’s Year-end Hot 100 Chart, Acclaimed Music, and will all be released in the featured year.

I turned 35 in 2005. There was plenty going on in my personal life at this time. We were doing various therapies for my son, who had been diagnosed as being on the Autism spectrum. I had settled into my position at 94-5 The Moose in Saginaw as their afternoon guy and music director. I was certainly loving that. And at some point during the year, my mother’s cancer returned.

At the time, My Space was pretty popular. I was blogging a lot on there. Somewhere, I have a Word document with every one of those blogs. I had to contact them to get them. I had stopped posting there after joining Facebook, and at some point they moved content. I was thankful to get those blogs as they covered the time leading up to my wedding, the birth of my sons and the death of my mom.

I posted a lot about new songs we were playing on the radio, too. A few of them make this list. Let’s head into 2005:

The legendary Ray Charles passed away in 2004, but before he did, he recorded an amazing duets album. Genius Loves Company was the best selling recording of Charles’ more than 50-year career. It was a collection of duets with Norah Jones, Natalie Cole, Elton John, B.B. King, Gladys Knight, Diana Krall, Michael McDonald, Johnny Mathis, Van Morrison, Willie Nelson, Bonnie Raitt and James Taylor.

The album entered the Top 10 on the US album chart more than 40 years after Charles’ previous appearance on that same chart. This broke the record held by another act who also made his comeback with a duets album. In 1993 Frank Sinatra’s Duets reached the Top Ten 25 years after his previous Top 10 album.

Here We Go Again was a song that Ray had recorded in 1967. Then in 2004 he re-recorded this as a duet with Norah Jones for Genius Loves Company. She recalled collaborating with Charles on this song in a 2010 interview with Billboard magazine:

“I got a call from Ray asking if I’d be interested in singing on this duets record. I got on the next plane and I brought my mom. We went to his studio and did it live with the band. I sang it right next to Ray, watching his mouth for the phrasing. He was very sweet and put me at ease, which was great because I was petrified walking in there.”

This song won Grammy Award for Record of the Year and Best Pop Collaboration in 2005 eight months after Charles passed away. In addition Genius Loves Company was awarded Album of the Year among six other awards, as the American music industry paid lavish tribute to him.

Unlike Frank Sinatra and Willie Nelson, Ray Charles’ voice is as strong as ever on this recording. I felt Sinatra’s voice was weak on his duets albums. Willie is still putting out albums and at times he sounds like he’s just speaking the lyrics. Ray, however, sounds fantastic. I love the blending of these two voices.

Here We Go Again

The next song is an example of a song that I first heard in a polka. You read that right – a polka. Weird Al Yankovic has done quite a few polka medleys on his albums. The medley usually contains a verse or chorus from a pop song done as a polka. When I first heard Beverly Hills by Weezer on the radio, I found I liked it.

Weezer lead singer (Rivers Cuomo) explained in an interview with Rolling Stone magazine that this song is about how he could live in Beverly Hills, but he wouldn’t fit in. “I could live in Beverly Hills, sure,” he says, meaning he could afford it easily. “But I couldn’t belong there.'”

Songfacts explains:

The song comes off as satire, but that wasn’t what Rivers Cuomo had in mind when he wrote it. “I was at the opening of the new Hollywood Bowl and I flipped through the program and I saw a picture of Wilson Phillips,” he said. “And for some reason I just thought how nice it would be to marry, like, an ‘established’ celebrity and live in Beverly Hills and be part of that world. And it was a totally sincere desire. And then I wrote that song, ‘Beverly Hills.’ For some reason, by the time it came out and the video came out, it got twisted around into something that seemed sarcastic. But originally it wasn’t meant to be sarcastic at all.”

The music video was shot at the Playboy mansion. It included appearances by Playboy founder Hugh Hefner and some of the Playboy bunnies. Two of those bunnies were Holly Madison and Bridget Marquardt.

Beverly Hills

When I was music director at the Moose, I spoke with a lot of record people. One of the industry folks knew I loved music from the Rat Pack. She asked me if I had heard of Michael Buble’. I hadn’t. She sent me some MP3’s of his music and I was hooked.

The song could have been sung by just about any artist who tours. The lyrics sound as if they could be autobiographical. It is sung by someone who spends a lot of time on the road with great success. With that success, there is sacrifice. He is missing his home, particularly the woman he loves.

Despite the fact that Home only reached #72 on the Hot 100 chart, it was a breakthrough song for him. The song hit #1 on the Adult Contemporary survey in July 2005. Three years later Blake Shelton reached #1 on the Country chart with his cover of Bublé’s hit.

Bublé and Blake Shelton teamed up in 2012 to record a holiday version of this song for Shelton’s, Cheers, It’s Christmas album. The collaboration happened after Shelton sent Bublé an email saying he hoped to record a yuletide-themed rendering of the tune. “I had the idea of doing a Christmas version of ‘Home,'” he said.

This was the song that proved to folks that Michael was more than a cover artist. His original songs are just as good as the standards he records. He is also more than just a Christmas artist. It bugs me that people pigeon hole him and label him like that. He’s one of my favorites.

Home

My on air name was “Keith Allen.” As a music director, I got to hear all the new music before it went on the air. I popped Play Something Country by Brooks and Dunn in the CD player and loved it. On my first listen, I thought they said my name – Keith Allen. I suppose, in a way, they did. But the lyrics refer to Toby Keith and Alan Jackson:

Said, I’m a whiskey drinking, cowboy chasing, hell of a time
I like Kenny, Keith, Alan and Patsy Cline.

I have to tell you my favorite story about this song. When my program director and I first heard this, we said, “That’s a number one song!” We told our consultant that we wanted to add it. He said he didn’t feel like it was a hit. We were both shocked. We both told him that we felt it would be number one. He fought us.

He fought us for a few weeks on this one. He finally said that if we really felt it was a hit, we should add it. We wound up making a wager. I told him that if it didn’t go to number one, we’d buy him dinner. He said if it did hit number one, he would buy US dinner. The week it hit number one, he called us for our weekly music call. When we answered we started giving him restaurants we could go to!

His issue with the song? The “wolf-like” howl of the chorus.

Play Something Country

The next song is one that everyone jokes about on October 1st every year. “Someone needs to go wake up the guy from Green Day!”

This song reminds me of Fastball’s The Way. I say that because it starts with a simple acoustic guitar behind lead singer Billie Joe Armstrong. Then the song kicks in with drums and the rest of the instrumentation. I love the sound of that.

Green Day’s Billie Joe Armstrong wrote this song about his father, who died of cancer on September 1, 1982. At his father’s funeral, Billie cried, ran home and locked himself in his room. When his mother got home she knocked on the door to Billie’s room. Billie simply said, “Wake me up when September ends,” hence the title.

“My father died in September of ’82, and I purposely, up until that point, never went there,” Armstrong said in an interview. “I think really what I was doing was processing that loss that I had with this person that I never really knew. So I wrote that song for my father and about that loss and how 20 years had passed. I remember right after I wrote it, I felt this huge weight off my shoulders.”

Wake Me Up When September Ends

Another country newcomer makes my list this week. I have actually written about him, and the song. Here is that blog:

Tune Tuesday – Must Be Doin’ Something Right

Must Be Doing Something Right

The next song is  one of the slowest chart climbers in history. It was on the American Hot 100 chart for 23 weeks before it entered the Top 40. KT Tunstall’s “Suddenly I See” was inspired by another artist, Patti Smith. Tunstall said, “The inspiration for the song was Robert Mapplethorpe’s photograph of Patti Smith on the cover of her album Horses. I was staring at it one day thinking it was incredible. It’s everything I love about music – mysterious, inviting, frightening.”

Suddenly I see
This is what I wanna be
Suddenly I see
Why the hell it means so much to me

“The chorus was me thinking, ‘that’s what I want to be,'” Tunstall told The Guardian. “Not a famous pop star with lots of money, but like this woman who’s living her life as an artist. I’d been trying for more than 10 years to be a professional musician. I was just exhausted from trying to persuade other people I was good enough.”

I remember hearing this song shortly after realizing that my first marriage was over. After all I learned and discovered through therapy, the title spoke to me. Suddenly, I saw just what was going on and I realized that I couldn’t do it anymore.

Suddenly I See

There were some really good country songs around this time. There were many new artists and some really distinct sounds that were on the radio. I was impressed with Josh Turner from the first time I heard him. I couldn’t believe the tone of his low voice.

Your Man is a song that I wish I could have written. Here is a guy who has been thinking about his woman all day long. He tells her to lock the door, turn the lights down low, and play some music.

I’ve been thinking about this all day long
Never felt a feeling quite this strong
I can’t believe how much it turns me on
Just to be your man

That’s LOVE right there!!

I love the entire feel of this song. It’s the perfect song to “sway” to.

Your Man

As the “Nostalgic Italian,” I think it is safe to say that I believe in the power of a photograph. The memories that can come from looking at an old picture just amazes me. My Friday Photo Flashback is always fun to do. I think that is because of the stuff that comes to mind with those old pictures.

I know there are plenty of people who hate Nickelback. However, Photograph is a song that I can relate to in so many ways. (From songfacts): This song is about reviewing the memories (missed and forgotten) from the band’s childhood in Hanna, Alberta. The lyrics are a chronicle of real events and personal landmarks lead singer Chad Kroeger recalled as he wrote it.

“It’s just nostalgia, growing up in a small town, and you can’t go back to your childhood. Saying goodbye to friends that you’ve drifted away from, where you grew up, where you went to school, who you hung out with and the dumb stuff you used to do as a kid, the first love – all of those things. Everyone has one or two of those memories that they are fond of, so this song is really just the bridge for all that.”

Someone once said, “If you don’t think photos are important, wait until they are all you have left.” I couldn’t agree more.

The photograph Kroeger is holding in the video is the one that inspired the song: It’s a shot of him and their producer, Joey Moi, at a New Year’s Eve party.

Photograph

We wrap up 2005 with a One Hit Wonder. Defining a “one hit wonder” isn’t really easy. Most feel it is when the artist fails to have their follow up released crack the Top 25. There are certainly many songs that fit into that category.

Daniel Powter’s album was released in America in 2006. Bad Day was released in the UK in 2005. In the fifth season of Americal Idol, the song was played over a video montage of the contestant that was being sent home that week. This helped the song gain popularity.

Powter is from British Columbia who later moved to Los Angeles. “Bad Day” was his first single released on a major label (Warner Bros.), and his only hit. He later described it as “a blessing and a curse.” Powter said:

“I was touring the world and performing for thousands of people, but I felt like the song was starting to define me. I actually found myself getting almost angry about it.”

This was the top-selling digital download of 2006. This was the star of people prefer downloading songs to buying CDs. It was part of a shift toward digital distribution of individual songs. In America, the album sold 500,000, but the single was digitally downloaded over 3 million times!

My mom was doing chemotherapy and radiation for her breast cancer at this time. She found the song to be inspiring. It basically says that even if you have a bad day once in a while, things will get better. My mom always tried to have a positive outlook. She battled cancer for 10 years and by this point she was tired.

My mom had the gift of gab. She was always on the phone. She assigned Bad Day to be the ringtone for her cell phone. I believe it was on there until she passed away. When I hear this song, I am taken back to those final weeks of her life.

Bad Day

What song from 2005 did I miss that was your favorite? Drop it in the comments.

Next week, we’ll focus on 2006. On my list is a song about a steeplechase runner, a song that became a hit because of Grey’s Anatomy, and a song that was a hit on the Adult Contemporary Chart and the Country charts. It also has a great Drifter’s cover song, one that took on a whole new meaning for me when my daughter was born, and a creative way to insinuate profanity without actually using it.

Thanks for reading and for listening! See you next week.

Tune Tuesday

The clarinet celebrates birthday 335 today, and in honor of that, it is Clarinet Day!

January 14th is the day the clarinet was invented in Nuremberg, Germany in 1690. The instrument was created by German instrument maker Johann Christoph Denner, or possibly his son Jacob.

It had developed from much earlier reed instruments, going right back to Ancient Greece and Egypt. The chalumeau was a Baroque single reed woodwind instrument originating in France where its use spread to Germany.

Denner developed the instrument. He equipped a chalumeau in the alto register with two keys, one of which enabled access to a higher register. This second register did not begin an octave above the first, as with other woodwind instruments. Instead, it started an octave and a perfect fifth higher than the first. A second key, at the top, extended the range of the first register to A4 and, together with the register key, to B♭4. Later, Denner lengthened the bell and provided it with a third key to extend the pitch range down to E3.

In the days of the Big Bands, there were plenty of well known clarinetists. Benny Goodman, Artie Shaw, and Woody Herman all played clarinet and had their own big bands. They also had hits that featured clarinet solos (Let’s Dance, Begin the Beguine, Woodchopper’s Ball).

As far as pop hits, there are a couple that spring to mind that feature the clarinet. The first was from Mr. Acker Bilk.

Bilk wrote Stranger on the Shore for his young daughter and originally named the song “Jenny” after her. The tune was written on a single scrap of paper by Bilk and handed over to arranger Leon Young. Young crafted the string arrangement, including the characteristic harmonic shifts at the very end.

The song was a number one in the UK and the biggest selling English single of 1962. In May of 1962 it became the first British recording to reach number one on the U.S Billboard Hot 100 Chart.

The other pop clarinet hit comes from the Fab Four. Paul McCartney wrote the melody for When I’m 64 when he was just 14 years old. It was one of the first songs he ever wrote.

The song features a clarinet trio – 2 B flat clarinets and a bass clarinet. The song was scored by George Martin, who said the clarinets were added at McCartney’s request. The reason for this was to “get around the lurking schmaltz factor” by using the clarinets “in a classical way.”

Paul McCartney suggested speeding up the track to raise the key by what musicians call a semitone. A semitone is about a half step. So speeding up the track took it from C major to D flat major. George Martin remembers that McCartney suggested this change to make his voice sound younger.

Musicologist Michael Hannon had this to say about the completed track:

“The rich timbres of the clarinets give the mix a fuller, fatter sound than many of the other tracks on the album.”

Happy 335th Birthday to the clarinet!

Movie Music Monday – Adventures in Babysitting

Actress Penelope Ann Miller turns 61 today. She has been in so many great movies. She was in Kindergarten Cop, Carlito’s Way, Other People’s Money, The Shadow, Along Came a Spider, and so many more. I will always remember her as Brenda in Adventures in Babysitting.

Penelope plays Brenda, who runs away to a bus station. Elisabeth Shue’s character decides to go get her, and is talked into taking the kids she is babysitting. Thus begins the adventure…

The movie is set in Illinois – in Oak Park and Chicago. Chicago is known for some fantastic blues music, and some great songs appear on the soundtrack. One of my favorite cuts is from the legendary Muddy Waters.

In 1977, Muddy Waters released his Hard Again album. It was produced by Johnny Winter. The album was Waters’ first after leaving the famous Chess label. There were a couple re-recordings on the album, but new stuff, too. A great cut from that album appeared in Adventures in Babysitting. Give a listen to The Blues Had a Baby and They Named it Rock and Roll!

Muddy Waters – The Blues Had a Baby and They Named it Rock and Roll

So today you get a bonus cut. One of the greatest scenes in the movie is when Shue and her tag along kids enter a blues bar. The great Albert Collins is on stage. When the kids try to leave, Collins tells them that “nobody leaves” the bar “without singing the blues.” This leads to Shue’s character telling (“singing”) their story as a blues song. To me, it’s one of the best scenes in the movie.

Albert Collins and Elizabeth Shue – Babysitting Blues

Here is the actually scene:

Happy Birthday to Penelope Ann Miller!