Dressing Up

You may remember a week or so ago that my wife bought a bunch of costumes for the kids to dress up in. Can I tell you that this has been so much fun for them, especially on rainy days.

A few more costumes have been added since the original post, but what I love is that they have found ways to mix and match as they play. The results have been …. humerous.

Edna from the Incredibles was quick to say, “No Capes!” However, the kids seem to be using them as accessories to various costumes. The hospital exam glove on Andrew’s hand is there for no reason in particular. Believe it or not the yellow had Ella is wear is a cowboy hat. How it got mangled into that shape is beyond me. Daisy had a hat on, but it fell as I snapped this photo.

My favorite outfit of the week is the ensemble that Andrew put together to go “scooter riding.”

First, Ninja Turtle pajamas. Next, we have Ella’s T-ball cleat on one hand and his baseball glove on the other. Top top it all off, he has a regular baseball cap on his head and on top of that, the hat from the Paw Patrol Chase costume. I do not have to wonder why people driving down our street slow and stare at him as he happily rides his scooter up and down the driveway.

Bitsy

The thing about our new kitty is that she is so tiny. She hides everywhere. She snuck out when the kids had the side door open this week and didn’t go far. As a matter of fact, she sat in front of the door meowing.

She can get into tight spaces and since she got out once, when we can’t find her, I freak a bit. I could not find her the other day and thought, “Ok, maybe she is sleeping under a chair or in the basement.” So I sat down with a cup of coffee and out of the corner of my eye, I looked at the shoe rack. Sure enough …..

She’s a sneaky one.

“The smallest feline is a masterpiece.” – Leonardo da Vinci.

The Music of My Life – 1984

Welcome back to The Music of My Life, where I feature ten songs from each year of my life.  In most cases, the ten songs I choose will be ones I like personally (unless I explain otherwise). The songs will be selected from Billboard’s Year-end Hot 100 Chart, Acclaimed Music, and will all be released in the featured year.

1984 was a big year for me. It was a year of change as I started high school that year. It was also the year that the Detroit Tigers won the World Series! What an amazing year!

Musically, it was the year of Michael Jackson’s Thriller, Weird Al’s Eat It, and Prince had a few hits, too. As I looked over the list from ’84, there are a lot of “staple” 80’s hits from this year. Alas, not too many of those made my list. I apologize to fans of A-ha.

My first pick is one of a few songs that I could feature on my Music Movie Monday feature because it comes from a great soundtrack. Beverly Hills Cop was huge here in Michigan because Eddie Murphy plays a Detroit cop. But there is another Detroit connection as well…

According to songfacts.com: “The Heat Is On” was written for the film by Harold Faltermeyer (who also wrote Axel F for the film) and Keith Forsey, and they needed a popular artist to sing it. The Beverly Hills Cop soundtrack album was on MCA Records, which Glenn Frey recently signed with. MCA asked several of their male rock singers to audition for the lead vocal for the song. At first Frey thought this wasn’t something “rock stars” did, but he decided to go along, just for fun, never thinking they’d pick him. Harold Faltermeyer was impressed by Frey’s vocal (the instrumental tracks were already recorded) and shocked Frey by using his version. It was Frey’s biggest solo hit, reaching #2 in the US.

The other Detroit connection? Glenn Frey was born and raised in Detroit where he played in bands with names like The Mushrooms and Subterraneans before heading to Los Angeles and joining the Eagles.

The Heat Is On

I have already mentioned Thriller by Michael Jackson. Spoiler Alert: It isn’t on my list. However, you gotta admit that the video was pretty darn good, right? I mean it was all over MTV and people still copy the dance for it at weddings and such. But would you believe that it did NOT win the first-ever Video of the Year award at MTV’s Video Music Awards? So what video did?

That honor went to You Might Think by The Cars! Today a video like this would be pretty easy to make, however, the video was very advanced for the time and was one of the first to use computerized effects. Singer/guitarist Ric Ocasek’s image appeared in various animated scenes – he would show up as a fly, climbing the Empire State Building, just about anywhere to get the attention of the girl. (The object of his affection was played by model Susan Gallagher.) When the video was first aired, it was done so without the fly – because technically, the video’s effects were not done.

The song was released in February 1984, as the first single from their Heartbeat City album. “You Might Think” peaked at number seven in the United States. This is one of those videos that I always got a laugh out of. It seemed so silly to me. It was directed by Jeff Stein (who was famous for other videos). He thought The Cars were a boring live band so he used digital trickery to get around that. I think it worked.

You Might Think

The next song is the “love theme” from the movie Footloose. You may remember in one of my past posts about Footloose that Dean Pitchford not only wrote the screenplay for the movie, but he wrote all the lyrics to all the songs (some with co-writers). He wrote Almost Paradise with Eric Carmen.

The Footloose producers wanted it to be a duet. They knew that they wanted Heart’s Ann Wilson for their female voice. They contacted Wilson, and asked her for a list of preferred duet partners. Her list included Paul Rodgers and Lou Gramm, but it was Mike Reno (the lead singer for Loverboy) – not on the list – who was chosen.

They recorded the song together at a session in Chicago with Keith Olsen, who had worked on Heart’s Passionworks album and also the 1975 Fleetwood Mac album, producing. At the time, Ann was nursing a broken wrist, but stayed off her painkillers so she wouldn’t be compromised during the session. They put their vocals down over the track that had already been recorded, then went their separate ways. She thought it was a great song, but was still surprised it was released as a single. She was even more surprised when it became a staple of proms and weddings.

That is the reason the song is on my list. I was a junior in high school and was dating a senior. She asked me to go to her prom, which was titled “Almost Paradise.” I think it was their class song, I don’t know for sure. I remember this would have been in 1987, so the song was a few years old by then. With every ticket, the student received a wine glass with the Almost Paradise logo on it. LOL – it didn’t take long for the school to stop giving away wine glasses!

Almost Paradise

Huey Lewis was a big part of my high school days! My buddy Steve and I loved cruising around and listening to Huey’s albums. This was one I loved the minute I heard it. As a lover of oldies and the Rock and Roll greats, I heard it as a “hat tip” to them and their influence on music.

In a 2013 Billboard interview, Huey said they song found its roots in Cleveland. “‘The Heart of Rock & Roll’ was written driving out of Cleveland. We’d heard that Cleveland was this great rock and roll town, and we’re from San Francisco – how can Cleveland be anything? We went to play the Agora Ballroom and had this amazing gig. On the bus out of town I was looking at the skyline of Cleveland and I said, ‘You know what boys? The heart of rock and roll really is in Cleveland. Hey, that’s a pretty good song title. Later I thought it through and went, ‘The heart of rock and roll is still beating’. The idea is that, although the music business is in New York and LA, good rock and roll is where you find it.”

Sports was one of my favorite albums back then. I had it on vinyl to play at home and on cassette to play in the car. The Heart of Rock and Roll the third of five singles from Sports, the third Huey Lewis & the News album. All of the singles were hits, and the album went on to sell over 7 million copies in America, putting the band of firm financial footing for the first time, which was very important to them – these guys were all in their 30s and had been working in music since the early ’70s.

The Heart of Rock and Roll

My dad was really involved in the local Vietnam Veteran’s chapter when I was in high school. As we got older, me and some of the guys would go up to their events. They often had cook outs, holiday dances, and fund raisers. I met so many great people at these events and came to love hanging out with them. My dad would spin records for the group.

Along with many oldies he would play songs like “Some Gave All,” “Goodnight, Saigon,” and “The Ballad of the Green Berets.” But it was always at the end of the night that my dad would play God Bless the USA. The first time I witnessed this, I choked up. Everyone in the building gathered on the dance floor and held hands. They would sing this song at the top of their lungs and raise their hands in the air. It was truly moving.

This song holds a special place in my heart for those friends.

God Bless The U.S.A.

The videos of many songs will forever be what I think of when I hear them. We’re Not Gonna Take It is a great example. I remember thinking it was cool that “the guy who played Niedermeyer in Animal House” was the dad in this video!

According to Dee Snider, he started writing this song in 1980, two years before Twisted Sister released their first album, Under the Blade. He had the hook, but couldn’t come up with a verse melody. After Def Leppard released their Pyromania album in 1983, Snider came up with a plan. “In studying some of Mutt Lange’s work with Def Leppard, I saw that a number of their songs were using variations on the chorus as a verse. That gave me the information I needed to come up with the rest of ‘We’re Not Gonna Take It.'”

Songfacts.com perfectly describes the song this way: “This is the mighty anthem for anyone lashing out at an authority figure and ready to put up a fight. The song is short on specifics, so it can apply to just about any situation where “we” are battling “the powers that be.” This all-purpose approach was intentional and gave the song a timeless quality.

We’re Not Gonna Take It

When I first moved to Mid-Michigan, I discovered that there was a local hockey team. The Flint Generals played in a sports arena that held like 3000 people. There wasn’t a bad seat in the place. I loved being able to see these guys slam up against the glass. It was great!!

When the Generals disbanded, the public hoped for hockey to continue. They would up bringing in a hockey team that was made up of college aged kids and the team was called The Michigan Warriors.

The hockey was a bit less violent, but it was still hockey. I always loved a night out at the games. When they would introduce the members of the team (and at the end of each game) they always played Scandal’s The Warrior.

The Warrior

The next song is one that I always liked because the hook is catchy and it had a cool sax part. Sadly, it is also the subject of one of the biggest flubs I ever did on the air.

Released in August of 1984, “Smooth Operator” was the breakout hit in America for Sade, who were based in England. Their debut album, Diamond Life, was first issued in 1984 in the UK, where “Smooth Operator” was the third charting single. In the US, the album was released in 1985, with “Hang On To Your Love” as the first single. It went nowhere, but the next single, “Smooth Operator,” rose to #5 and earned the group a reputation as an exotic soulful act with a captivating frontwoman.

One night I was working at WMXD and I came out of the song and realized that I had never known who sang it. I looked at the music log and read, “Sade.” So that’s what I called her – “Sade” (Say-d). The phones lit up and people were either making fun of me or asking why I was playing songs when I couldn’t even pronounce the name of the artist! I was embarrassed. I had no idea until I pulled the CD out of the player and saw the writing ….

What a dope!!

Smooth Operator

Sea of Love was a song that I heard often on the oldies station. Phil Phillips had recorded it in 1959 and it was a top 5 hit. The song was covered by Robert Plant’s Honeydrippers in 1984. They truly were a rock and roll supergroup – Robert Plant, Jeff Beck, Jimmy Page, Paul Schaffer, Nile Rogers and other greats appeared in the group.

They only released one EP, The Honeydrippers: Volume One. Sea of Love took their remake all the way up to number 3 on the Billboard Hot 100 Chart. I love the orchestration of this version so much. The EP is worth a listen – Rockin’ At Midnight would go to #25. The success of the songs led Plant to say that a full album would be released, but it never came to be.

Sea of Love

My final pick is one that is really embarrassing. So why is it here? Because the minute I saw it as a released single, the chorus became an ear worm and stuck in my head. If I have to walk around singing it over and over, you may as well, too!

My 14 year old self loved novelty records. I had Spike Jones, Weird Al, and many more in my collection. When I first heard this “rap” song, I laughed like hell. When I ran to the store to get the single, I remember thinking how cool it was that I got the 12 inch vinyl record. It had the single, an extended mix, and on the B-side an instrumental.

As I listened to this before adding it officially to my list, I thought, “What in the world did I like about this song?! It really is kinda dumb.” At the same time, all these years later, there are still people I know who will break into a chorus of “Duh Ha, Duh Ha! Duh Ha Ha Ha Ha Ha..”

Yep, that gives it away. I was a fan of the Rappin’ Duke by Shawn Brown. Do I really need to go into any history on this one? Probably not. Forgive me for the earworm….

Rappin’ Duke

Next week I’ll take a look at 1985 and how some of those songs connect to my life. Movie music will be in there for sure, a tribute to some legends, the first slow song I remember dancing to, and maybe a song I have featured once before on this blog. See you next week!

Tune Tuesday – Please Read The Letter

Today is the 76th birthday of a legend who quit his training as a chartered accountant immerse himself in the England Midlands blues scene. One can only imagine the classics we would have missed out on had the great Robert Plant continued to work with numbers!

Plant, of course, rose to fame as the vocalist and songwriter of the classic rock band Led Zeppelin. I had my share of Zeppelin songs I could have posted today. The Immigrant Song, Whole Lotta Love, Black Dog, Kashmir, When the Levee Breaks, All My Love, Good Times Bad Times, Rock and Roll, and Stairway to Heaven – just to name a few! However, I decided to go with a song that may be totally unknown to many readers.

After Zeppelin broke up, Plant recorded as mainly as a solo artist. In 2007, he teamed up with one of the greatest voices in country music, Alison Krauss, to record a critically acclaimed album entitled Raising Sand. The album itself stands out as an exceptional work of art. It would go on to win Album of the Year in 2008 at the Americana Music and Honors Awards and at the Grammy Awards.

Allmusic called it “one of the most effortless-sounding pairings in modern popular music,” JamBase called it “subtle, focused and full of life,” and the Village Voice in New York called it “powerfully evocative” and “utterly foreign, oddly familiar, and deeply gratifying.” Critics praised Krauss and Plant’s vocals; one critic saying that the “key to the magic is the delicious harmony vocals of the unlikely duo.”

One of my favorite cuts is Please Read The Letter. Fans of Robert Plant may know this song because it was written by Plant and Jimmy Page and recorded back in 1998 for their Walking Into Clarksdale album (They recorded it as Page and Plant). Plant said of the song in an interview that it is a song about yearning for someone, adding that the lyrics are about “unfinished business.”

I read where one critic said that the Plant/Krauss version was a HUGE step up from the original. I truly agree. There is something about the way their voices blend together on this song and on the album that is worth checking out. Give it a listen and tell me what you think…

Please Read The Letter

Caught out running with just a little too much to hide
Maybe baby, everything’s gonna turn out fine
Please read the letter, I nailed it to your door
It’s crazy how it all turned out we needed so much more

Too late, too late a fool could read the signs
Maybe baby, you’d better check between the lines
Please read the letter, I wrote it in my sleep
With help and consultation from the angels of the deep

Please read the letter that I wrote
Please read the letter that I wrote

Once I took beside a well of many words
My house is full of rings, and charms, and pretty birds
Please understand me, my walls came falling down
There’s nothing here that’s left for you
But check with lost and found

Please read the letter that I wrote
Please read the letter that I wrote
Please read the letter that I wrote, oh

One more song just before we go
Remember baby, you gotta reap just what you sow
Please read my letter and promise me you’ll keep
The secrets and the memories we cherish in the deep
Please read the letter, I nailed it to your door
It’s crazy how it all turned out we needed so much more

Please read the letter that I wrote
Please read the letter that I wrote
Please read the letter that I wrote
Please read the letter that I wrote

Oh no, oh, oh no

Please read the letter
Please read the letter
Please read the letter

Oh, yeah, oh, oh, oh
Oh, oh, oh, oh
Oh, yeah, oh, oh, oh
Oh, oh, oh, oh
Oh, oh, oh, oh, oh, oh

Happy Birthday, Robert Plant!

Movie Music Monday – Easy Money

Last week the Music of My Life post focused on 1983, and coincidentally today’s Movie Music comes from a 1983 comedy.  Easy Money was released on this day back in ’83 and has one of the funniest last lines I’ve ever heard!

The film stars Rodney Dangerfield, Joe Pesci, and Jennifer Jason Leigh. Rodney plays Monty Capuletti who loves to drink, smoke and gamble.  When his rich mother-in-law dies his family is told that they will inherit $10 million.  There is one  condition – Monty has to give up drinking, smoking, gambling and live a healthy life for 365 days. 

The movie earned $5,844,974 in its opening weekend, ranking number one at the domestic box office, toppling the prior three-week #1 run of National Lampoon’s Vacation.

Gene Siskel wrote that “the big discovery in the comedy ‘Easy Money’ is that Rodney Dangerfield, unlike most stand-up comics, does not need dialogue to be funny. He is funny just standing still—or his version of standing still, which includes nervous twitching, profuse sweating, pained expressions and rolling of the eyes.” Rodney is indeed funny in this movie, but Pesci’s performance is just as funny! 

Billy Joel was asked to write a song for a new Rodney Dangerfield movie, also titled Easy Money, and he came up with “Easy Money.”  This triggered the retro approach to the rest of the songs his An Innocent Man album.  (Rodney later appeared in the music video for “Tell Her About It’.)

Easy Money is what one author called “a get-up-and-dance, snap-your-fingers, clap-your-hands song complete with a beefy horn section and Billy channeling the vocals of the king of soul, James Brown, or Wilson Pickett.” The lyrics are just as catchy as Billy keeps delivering clever metaphors (“I got a hot slot machine of a system ready to go”) only this time the song’s theme is looking for easy money, rather than trying to get a girl.  Billy was clearly having a good time as he is singing.

I always loved this one, sadly, it was never released as a single.  I really think this one could have been a huge hit.  It’s just too fun!

Rerun, Rewatch, Repeat, Rejuvinate!

Based on something I stumbled on recently, my mental health should be in tip top shape! Yours may be, to, especially if you love to binge watch your favorite TV shows over and over again. There are some people who just don’t get why someone would want to watch something (whether it be a TV show or a movie) repeatedly. However, it turns out that rewatching TV shows can actually be good for your mental health.

There have been numerous studies that have explored the psychological impact of a person’s favorites on television. One example is a series of four studies that were published in The Journal of Experimental Social Psychology back in 2009. The study found links to an increased sense of belonging and decreased feelings of rejection and loneliness when the study participants thought about their familiar TV favorites. If you are like me, you can’t help but wonder why this is the case.

It is thought that rewatching favorite shows can be helpful to us when we may be feeling down and disconnected from others because of the familiarity that our favorite shows provide. Shira Gabriel, PhD, one of the study’s co-authors said in an interview with Everyday Health, “Rewatching shows allows us to dive into a social world that we already know and already feel connected to. It is a fast way to feel connected, much like talking to an old friend makes one feel connected more quickly than a new person.”

This makes complete sense to me. We find a connection to these characters that we watch every week. You can probably think of a moment right now where the death of a TV character moved you to tears. At the same time, we get emotional when we watch a series finale and we actually have to say goodbye to these characters that have become such a part of our lives.

At the same time, this also might explain why we sometimes try to say what characters on these TV shows remind us of our friends and ourselves. For example, when talking about Sex And The City, people will say they’re the Carrie in their group while their bestie is Samantha and their other pal is definitely Miranda. If you are familiar with Sanford and Son, I will tell you that I call my dad “Pop” and he calls me Lamont.

These recent studies show that rewatching our favorite TV shows can also be incredibly comforting and provide a safe space to regulate our emotions and decompress. These shows can give us a sense of safety, especially when we may be stressed out from work, struggling in our relationships, or anxious in general. We are comfortable in the familiarity of the show itself.

While the studies focused primarily on rewatching TV shows, I would think that the same type of data would come from rewatching movies, too. I have my favorites that I go to when I need to laugh, as I am sure you do. It is not odd for me to interject movie quotes in my daily conversations with people. It’s like a second language to my friends and me.

It makes me wonder how this sort of thing would apply to people who read a book more than once or listen to the same music over and over. There would have to be some sort of connection, wouldn’t you think?

Well, if you got anything out of this blog, you received validation and permission to watch your favorite TV show and enjoy it over and over and over again. Feel free to talk about your “go to” rerun in the comments …. If you will excuse me, I can hear the theme song …..

Book Recommendation: The Secret Book of Flora Lea

Every once in a while a book on my “to read” list will sit on there a bit. Usually this is because I’ve read a negative review on Goodreads or maybe someone on one of the book related Facebook groups I belong to said they couldn’t finish it. I need to keep in mind that all book reviews (like music and humor) are subjective and that what I like, others may not and vice versa. That being said, I finally sat with The Secret Book of Flora Lea.

The thing that kept bringing me back to wanting to read it was the description listed on Goodreads and Amazon. There was something about the premise, the questions surrounding the mystery involved, and my curiosity about how it would end that kept peaking my interest.

Here is that Goodreads synopsis:

When a woman discovers a rare book that has connections to her past, long-held secrets about her missing sister and their childhood spent in the English countryside during World War II are revealed.

In the war-torn London of 1939, fourteen-year-old Hazel and five-year-old Flora are evacuated to a rural village to escape the horrors of the Second World War. Living with the kind Bridie Aberdeen and her teenage son, Harry, in a charming stone cottage along the River Thames, Hazel fills their days with walks and games to distract her young sister, including one that she creates for her sister and her sister alone—a fairy tale about a magical land, a secret place they can escape to that is all their own.

But the unthinkable happens when young Flora suddenly vanishes while playing near the banks of the river. Shattered, Hazel blames herself for her sister’s disappearance, and she carries that guilt into adulthood as a private burden she feels she deserves.

Twenty years later, Hazel is in London, ready to move on from her job at a cozy rare bookstore to a career at Sotheby’s. With a charming boyfriend and her elegantly timeworn Bloomsbury flat, Hazel’s future seems determined. But her tidy life is turned upside down when she unwraps a package containing an illustrated book called Whisperwood and the River of Stars . Hazel never told a soul about the imaginary world she created just for Flora. Could this book hold the secrets to Flora’s disappearance? Could it be a sign that her beloved sister is still alive after all these years?

As Hazel embarks on a feverish quest, revisiting long-dormant relationships and bravely opening wounds from her past, her career and future hang in the balance. An astonishing twist ultimately reveals the truth in this transporting and refreshingly original novel about the bond between sisters, the complications of conflicted love, and the enduring magic of storytelling.

A tagline for the book reads, “A world war and a fairy tail collide…” and in a way, they do. However, the war is merely the setting and the catalyst that sets the story in motion.

I found that I enjoyed this book more than I anticipated I would. I really connected with the characters and found myself feeling for them. Without giving you spoilers, let me give an example. I could not imagine living in a place that was being threatened by enemy attack and having the government telling me that I needed to send my children away to stay with some other family until it was safe. That tore me up!

As the story progresses you pick up pieces along the way from the past and present to help solve the mystery. The make believe land of Whisperwood was a story that was only shared between the two sisters, so you cannot help but wonder how another author wrote about it in great detail. You wonder if the author is really the sister. You wonder if the sister told the author the story. Maybe the sister told somebody who told somebody else, etc… I wanted to know!

Not so much a spoiler here, but I will tell you that one of the things I loved about this book was that shortly before the book is over, the mystery is solved only to bring about a second mystery which brings you to the conclusion of the book.

I really enjoyed this book. I went back and read some of the negative reviews again and I laughed. I had finished the book and these reviews were saying what they didn’t like about the book and I thought, “that couldn’t be farther from the truth” and “that’s being so nitpicky.” Lesson learned – let others opinions stand alone and don’t let them influence you.

Am I saying that you will love the book? I don’t know. All I can tell you is that I liked it and I feel that others, including you, might like it as well.

Friday Photo Flashback

On August 16, 1977, 47 years ago today, Elvis Presley died in Memphis, Tennessee. I was just 7 years old when he passed away, but I can recall how his passing hit my father and many others who grew up with his music and his legacy. As a kid, I knew Hound Dog, Teddy Bear, All Shook Up, and Don’t Be Cruel. It wasn’t until after he passed and as I began to dive deeper into his music that I came to appreciate his talent and why he was adored by his fans.

The first radio station I worked at (WKSG-FM, 102.7 Kiss-FM) was an oldies station, so I played my share of Elvis songs there. I played even more when I moved over to Honey Radio (WHND AM560) as they focused on early rock and roll. Discovering “new” Elvis music by playing unfamiliar (to me) songs on the radio only made me a bigger fan.

It was in the early 2000’s that I had the chance to go to Memphis on a radio trip. After we had finished our business at St. Jude Children’s Research Hospital in preparation for our radiothon, I had the opportunity to go to Graceland – Elvis’s home.

We had to wear these Walkman like headphones and carry a small device attached to them that allowed us to hear narration of the rooms and such on the tour. When we pulled up in front of the house I was surprised. It really doesn’t look as big as it does in the pictures.

Naturally, I had brought a camera, but the lighting within the house wasn’t that great for picture taking and there was a “No Flash Photography” rule on the tour. This was before we all carried around cameras on our phones. I had a camera with actual film in it that had to be developed. My photos came out dark or blurry. I was really upset by this.

The tour itself was really amazing. The various colors of the rooms, the 1977 appliances, the Jungle Room, the piano where Elvis played on the night he passed away, and the memorabilia had my brain overloading. One wall had gold records, awards, album covers and more line from floor to ceiling! Throughout the place were outfits from his movies and movie posters and various other things encased in glass. I was loving every second of my visit, snapping as many pictures as I could take and getting excited to show them to my dad when I developed them. And then, in an instant, I was silenced.

Full disclosure: the above photo is not mine. Mine came out blurry.

As you walk outside, you are almost at once in front of Elvis’ grave. The emotions that hit me were completely unexpected. I was overwhelmed to the point where I was almost in tears. I remember thinking, “Why am I almost crying? I never met Elvis before, yet I am overcome with feelings of sadness, wonder, and awe.” It was a humbling experience.

I had seen photos of the grave before, but now I was literally standing in front of it. There were flowers everywhere. It was beautiful. I stood there for quite a long time just lost in my thoughts and the moment. I had even forgot to press the button on the little audio thingy to hear this part of the tour.

As I think back to that moment, I really can’t explain what I was feeling or experiencing. It was surreal. It was like feeling a bunch of emotions all at once. There was respect and admiration as well as reverence and grief. Those few minutes at Graceland are certainly in my Top 5 “Most Complex” moments of my life.

There have since been some additions to the Graceland Graveyard since my visit. I wonder if it would hit me the same way if I were to go back.

A Purr-plexing Cat-astrophe?

So a co-worker came in last week and sat down next to me. “Keith, do you want another kitty?” Without any hesitation whatsoever I gave her a firm, “No!” She showed me a picture of four kittens who had been abandoned at a relative’s house and said they were trying to find them homes. I said that was sad, but I couldn’t do another cat.

She posted the photo on Facebook asking for folks who wanted to give these kitties a new home. Within five minutes, I received a video call from my wife and kids. When I answer the phone, Andrew says, “Daddy. Can we please get the tan kitty?”

I forgot that my wife is friends with my coworker on Facebook. I turned and gave her a dirty look. She started laughing and told my wife that she had already asked me. I told her that I had politely declined, but that was not ending the conversation.

When Andrew goes into a meltdown or starts crying, we can usually get him out of it by suggesting he find our cat Maizey. He will find her and hug on her and all is better. So the argument was that the new kitten could be a therapy cat for Andrew. (THERAPY CAT?!?) Then my daughter came on the phone and said she wanted a kitty, too. I told them I would think about it.

My coworker called the lady who was taking care of the kittens to let her know I would be by the next day to pick up this kitten! I didn’t stand a chance …

So we piled into the car on the day before International Cat Day and drove the short distance to pick up the new kitten. Andrew was ecstatic! He went into the house with me and couldn’t wait to hold the kitty. We put her in the cat carrier and he wanted to carry it out to the car. I had to take it from him though, he was so excited he was shaking that poor kitty up on the way to the car!

There were many names tossed around and she was almost named Pickle! Then the kids remembered this cartoon show called Super Kitties that the watch on Disney. There is a cat on there that they like, so they named ours after it – here’s Bitsy.

As much as I was against getting a new kitten, to see the kids loving her makes it worth it.

Maizey isn’t quite sure how to take the kitty yet, but they seem to get a long. Daisy won’t leave the kitten alone! She’s always right by her.

The kitten is becoming a bit more playful and she’s already started swatting at Daisy’s nose. When those claws start to get bigger, the dog is in for a big (and painful) surprise!

Bitsy is already using a litter box and having no trouble making herself at home.

Last night she clawed her way up the blanket on my bed and began attacking my hand. She is obviously going to be very playful.

Of course, after running and playing, eating, and running away from the kids and the dog, she needs to find a place to sleep. Honestly, I’d prefer she lay on a blanket or something, but I suppose this is ok … for now….

Welcome home, Bitsy!

The Music of My Life – 1983

Welcome back to The Music of My Life, where I feature ten songs from each year of my life.  In most cases, the ten songs I choose will be ones I like personally (unless I explain otherwise). The songs will be selected from Billboard’s Year-end Hot 100 Chart, Acclaimed Music, and will all be released in the featured year.

I turned 13 in 1983. I had a paper route and a weekly income because of it. I spent my money on toys, books and music. I loved going into Harmony House and buying 45’s or albums. As I get deeper into the 80’s, I’m seeing more and more songs that I “had” to have.

I am noticing something about a lot of the songs on my lists. There have been some that have not necessarily been meaningful to me the year they were released, but wound up being important later on in my life. That is the case of a few of them from this year. That being said, let’s check out my list….

When Lionel Richie left the Commodores, he had a number one song with “Truly.” The follow up song has always been one of my favorites. I can still see and hear my mother singing along the the chorus of “You Are.”

What I love about this is the fact that while it is a love song, it has some tempo to it. It also has a horn section. Future hit maker Richard Marx sang backup on this track. His first job in music was singing on the Lionel Richie album, and he proved himself on this track, which required some deft background vocals. Richard told songfacts.com: “Every session I ever did with Lionel, or for him, was a very fun atmosphere. I’ve been on so many sessions where it’s a downer, and you just try to get through it and nobody is having fun. Lionel is always having fun – no matter what.”

You Are

When I worked in country radio, I used to go to the Country Radio Seminar. It was a place where you got to hear various panels discussing programming, promotions and more. There were plenty of artists there (both old and new) to entertain. We’d often bring stuff for artists to sign so we could auction them off for St. Jude.

Every night there was always a show somewhere. Everyone had always talked about “the boat.” One record label would bring folks about the General Jackson Showboat and provide dinner and drinks. While us radio people would sit and eat, they would bring artists out on the stage to play for us. Many times it was familiar artists featuring their new songs or new artists that the label wanted to showcase.

One of the things about the boat was that there were always one or two surprise guests. You never knew who might show up. The year before my first boat ride, Huey Lewis had mad an appearance. The first time I was on the boat, they wheeled out this piano on the stage. Next, they brought out Ronnie Milsap and I was thrilled. I had always loved his music and he did not disappoint.

He came out laughing and joking and cranked out a few songs, including Stranger In My House. It was written by Mike Reid, who was a defensive tackle for the Cincinnati Bengals for five seasons and had a couple country hits of his own. The song was a country hit and also crossed over to the AC and Hot 100 charts.

The song is done in a minor key and from the opening chords, I was hooked.

Stranger In My House

Anyone who goes through a divorce or a break up knows that what follows can be a rough road. The next song is an example of a song that meant nothing to me at the time, but years later it did.

The fighting, the bickering, the pettiness, the blame, the suffering, the accusations and all the things that comes with a divorce is difficult enough. Once they hand you the final decree, it is important to start anew. I had a wonderful support system in place for me and as time passed, I looked back to see that I was making it. I had been through the war and I had made it to the victory.

Elton John’s I’m Still Standing was used in an animated movie called “Sing.” It was while watching that with the kids that I really heard and felt the lyrics. I can look in the mirror and know that I’m Still Standing and life is GOOD!

I’m Still Standing

Remember ELO’s song “Motor Factory?” Of course, you don’t. That’s because as the group was recording the song, it went through a bunch of changes. They lyrics were completely changed and it became Rock and Roll Is King. The song was released as a single from their Secret Messages album.

ELO’s Dave Morgan said in an interview, “I sang on quite a few tracks, I sang on ‘Rock ‘N’ Roll Is King’. I played on that one, but it wasn’t called that, it was something about something about working at Austin Longbridge! It was full of car plant sounds, you could hear it going clank, clank, clank, like somebody hitting a lathe with a hammer, and Jeff went away and made it into ‘Rock ‘n’ Roll Is King’, wiped off everything we’d done, no, there was still some backing left in there, It was much better how he finished it off than it was before.”

I remember recording this off the radio as a kid. I didn’t realize that there was (what we radio guys call) a “fake cold” ending. That’s where the song stops, you think it’s over, and they come back and sing again. The first time I recorded it off the radio I hit pause on the fake cold, only for ELO to start singing again. Urgh! I got smart after that and went and bought the single.

Rock and Roll Is King

Fleetwood Mac’s Lindsey Buckingham released a few solo albums in the 80’s. Despite some songs that were Top 40 hits, not many folks can recall them. There is, however, one song that folks know thanks to the misadventures of a family named Griswold.

Thanks to National Lampoon’s Vacation, Buckingham’s song Holiday Road had become his best known song. That’s really saying something for a song that never cracked the Top 40 and peaked at #82 when it was released. The song almost didn’t happen.

Actor/director Harold Ramis asked Buckingham to create two songs for his film National Lampoon’s Vacation. He was initially reluctant, believing that soundtrack work “wasn’t part of his discipline.” Thankfully, he decided to grant Ramis’s request, and wrote. Buckingham recorded “Holiday Road” without seeing the entire film. He figured that the movie “had to be somewhat uplifting and a little bit funny”. To keep in line with that, he added dog barks near the end of the song, unaware that the movie featured a scene where a dog is accidentally dragged to death from the bumper of a car.

It is one of those songs that makes you unconsciously press down a bit too much on the gas pedal if your driving while it is playing. I’m not sure I ever “got” the video for the song, though.

Holiday Road

ZZ Top’s Eliminator album was one of few albums that have sold over 10 million copies in America, earning Diamond certification. I helped it get there! This was an album that I remember buying and dropping the needle on for the first time. It had such a neat sound.

Billy Gibbons says that he got the idea for Sharp Dressed man when he saw a movie and a character was listed in the credits as “Sharp-Eyed Man.” According to songfacts.com, the song attracted a slew of new fans to ZZ Top when the video ran constantly on MTV. Their long beards made them instantly recognizable and the babes certainly helped, but the car was the real star.

Prior ZZ Top albums had a Tex-Mex vibe, but when it came time to sort out visuals for the album, the hot rod was finally ready – Gibbons had been working on it for years. It was good timing, giving them an MTV-friendly focal point just when they needed it. They had never made videos before and had no acting experience, but their videos provided everything MTV’s target audience craved: girls, rock and roll, and a really sweet ride.

The music video was the first that was a sequel. It picked up the story from the “Gimme All Your Loving” video of the down-on-his-luck gas station worker who is swept away by three beautiful women. In “Sharp Dressed Man,” he’s a valet, and he encounters the same three girls and is once again given the keys to the Eliminator, Billy Gibbons’ 1933 Ford Hot Rod.

Sharp Dressed Man

I had no idea in 1983 that I would be working as a sleep technologist. The next song is one that is based on a real sleep disorder – somniloquy (Sleep talking). “Talking In Your Sleep” is the biggest hit of The Romantics’ career. In fact, it’s their only Top 10 hit, and only one other song by them (“One in a Million”) even made it to the Top 40. Contrast that with the number of times you’ve heard their song, “What I Like About You,” which only made it to #49.

I love this story about the song: As usual, MTV helped boost The Romantics’ success right around this time with videos of their songs. In Greg Prato’s book MTV Ruled the World, Romantics’ lead singer Jimmy Marinos talks about this song: “That was the last song recorded for the album In Heat. All we had was a backtrack, the instrumental part of the song. And we realized it was too good a track to leave unfinished. So everybody put their heads together, and in a couple of days, we finished up the song melodically and lyrically.” Ha also mentions that the video was filmed at 8:00 in the morning in Detroit, surrounded by girls in their jammies, at what was deemed “not really rock ‘n’ roll hours.” So if they look like they just woke up, that’s because they did – and it works great!

Check out their hair in this video!!

Talking In Your Sleep

Two years ago, Dave Ruch invited a bunch of us to write a column for his Turntable Talk feature. The first topic was about why the Beatles are still relevant, the next song is an example of their influence.

When Genesis began to write That’s All, it was intended as an attempt to write a simple pop song with a melody in the style of The Beatles. Phil Collins even acknowledged in a subsequent interview that the song also features one of his attempts at a “Ringo Starr drum part.”

Genesis keyboard player Tony Banks was one of the first to use an Emulator, which was one of the first digital samplers (it was introduced in 1981). Banks would record his bandmate Mike Rutherford as he noodled around on his instruments, then play around with those samples to craft a track, which is how this song developed.

That’s All was the band’s first Top 10 hit in the US, setting the stage for their tremendous success the rest of the decade as they adapted their sound from progressive rock to tighter pop songs. The video certainly played a part in the success of the song, too. It depicts the band as homeless men taking shelter outside a disused factory. They perform the song, eat soup, play cards, and keep warm around an open fire. It was the first time Genesis used director Jim Yukich, who would direct the majority of their next videos as well as many of Collins’s solo videos.

That’s All

Remember the group Blue Angel? Me either. It was the group that Cyndi Lauper was in in 1981. It was her solo career and her first single, however, that made her famous. It is interesting to note that Girls Just Wanna Have Fun didn’t start out as the female anthem that Cyndi made it.

A Philadelphia singer/songwriter named Robert Hazard, who had a band called Robert Hazard and the Heroes, wrote it. He recorded a demo of it in 1979. Speaking with Rolling Stone, Lauper said that she had to alter the lyrics from Hazard’s original. “It was originally about how fortunate he was ’cause he was a guy around these girls that wanted to have ‘fun’ – with him”

Believe it or not, Cyndi didn’t want to record this song, but her producer, Rick Chertoff, was convinced it could become her anthem. The challenge for her was figuring out how to sing it. She ended up doing her vocal in the style of the ’50s hit “Let the Good Times Roll” by Shirley & Lee, which Shirley Goodman sings in a high-pitched voice. It obviously worked as the song went to number 2 on the Billboard Hot 100 chart.

MTV again played into the success of the song, as this was a very fun video to watch. The video, which ran constantly on MTV, features the wrestler Captain Lou Albano as Lauper’s father, and also Lauper’s real-life mother, who had no acting experience but did just fine. It won the first ever award for Best Female Video at the 1984 MTV Video Music Awards.

The song had a huge influence on how girls dressed in the 80’s. When I think of it, I can picture so many of my gal friends who dressed like Cyndi.

Girl’s Just Want To Have Fun

Everyone I grew up with had the 1984 album from Van Halen. The song actually was a bigger hit in 84, but it is on this list because it was released in December of 1983. Jump is just one of many songs that used synthesizers in the 80’s. The synthesizer intro for Van Halen’s Jump is iconic, but not everyone in the band wanted to use it.

The synthesizer was a point of contention in the band. Eddie wanted to use it, but lead singer David Lee Roth thought it would look like they were selling out to get more radio play. Eddie was classically trained on piano growing up – he didn’t start playing guitar until he was a teenager – so it wasn’t that far a stretch for him. Had the band brought in an outside keyboard player they probably would have gotten a lot of flak, but Eddie was held in such high esteem that fans were happy to hear him on another instrument.

Songfacts.com says: 1984 was David Lee Roth’s last album with Van Halen before he left the band in 1985; the video for “Jump” inflamed the tensions that led to his departure. The video was produced by Robert Lombard, who wanted to show the personal side of the band on stage. Roth, however, wanted the performance intercut with footage of him doing other things, so they shot him doing things like riding a motorcycle and getting arrested while wearing nothing but a towel. Lombard edited the video and used none of the extra Roth footage, taking it to Eddie and Alex for approval. Two days later, the band’s manager fired him for bypassing Roth. Lombard says he never received the award the video won from MTV.

Jump

Next week, we’ll look at songs from 1984. 1984 was a big year for me in a lot of ways. Musically, it was a big year for ballads. With a mix of country, R&B, and a song that led to me embarrassing myself on the air years later, it will be an interesting list!

Tell me about your favorite from 1983 that I may have missed in the comments and I will see you next week.

Tune Tuesday – Yakety Yak

The song for today is a familiar one, despite its age. The reason I pick this one is to remember one of the greats who passed away on this day in 1971. Perhaps you don’t know him by his real name, Curtis Montgomery, or his adopted name Curtis Ousley. If you are a music lover, I would hope that you are familiar with his stage name – King Curtis. He was one of the all time great saxophonists and had quite a career.

Curtis began playing saxophone at age twelve and liked a variety of music. He turned down college scholarships to join up with the legendary Lionel Hampton band where he wrote and arranged music. In the early 1950’s he left the band to go to New York. He became an on call session musician for labels like Atco, Prestige, and Capitol Records. He recorded with Clyde McPhatter, Bobby Darin, Buddy Holly, Jimi Hendrix, Andy Williams and was on Waylon Jennings first record. He also made his own records like “Soul Twist” (with his Noble Knights) in 1962.

In 1967, Aretha Franklin covered Otis Redding’s Respect by flipping the gender and presenting it from the female point of view. The song featured Aretha’s sisters, Erma and Carolyn on the repeated “sock it to me” line and King Curtis on the saxophone solo.

In February of 1971, John Lennon started recording tracks for his Imagine album. When Lennon, Yoko Ono and Phil Specter were mixing and finishing the album, John must have felt that he needed something more on a couple tracks. Apple’s Allen Steckler said, “John knew he wanted a sax player and it was his idea to use King Curtis. He asked me to get him. I found his agent and booked him. John played him the tracks and told him the kind of feel he wanted. He went into the studio and played his ass off. John loved it, as did Phil Spector and all of us.

Curtis recorded his parts for the album in July of 1971. He can be heard on Lennon’s “I Don’t Want to Be a Soldier Mama” and “It’s So Hard.”

Long before all of that, Curtis decided to move towards playing rhythm and blues in part because it was a more lucrative career choice, but he also loved the music. It was in 1958 that he became widely known for his unique saxophone work when he played on The Coasters hit “Yakety Yak.” The sound that Curtis unleashed earned him some fame and influenced the sound of R&B the saxophone. He developed a strong relationship with The Coasters, becoming their go to sax man and contributing to arrangements as well on a string of hits that included “Charlie Brown,” “Along Came Jones,” “Shoppin’ For Clothes,” and more.

Saxophonist Boots Randolph was so influenced by the “Yakety Yak” solo that he altered the melody a bit and made it his own song called “Yakety Sax” (which played prominently on the Benny Hill Show). That song only further exposed the King Curtis sound.

On the night of August 12, 1971, Curtis was attempting to access the fuse box to his house (his central air conditioning system was tripping the breaker) when he confronted Juan Montanez, who was loitering on Curtis’s front steps with an unidentified female. A fight ensued and Montanez stabbed him. Curtis was found on the steps outside his apartment and was taken to New York’s Roosevelt Hospital where he died early on the morning of August 13, 1971. He was 37 years old.

So today, on the 53rd anniversary of his passing, check out the great King Curtis with the Coasters on the classic, “Yakety Yak.”