I have been fascinated by the story of Titanic since I was little. I can still remember how amazed I was when the wreckage was discovered.
I would say that 99% of the books and movies are all told from the Titanic’s point of view. I was truly engrossed in this story of what happened on the Carpathia! In the book you get to see another viewpoint of the events. From the moment they get Titanic’s distress signal, the rescue of life boats and passengers, and beyond, this book was fantastic.
The story of heroism and heartache is a must read.
Here is the Goodreads synopsis:
Based on the remarkable true story of the Carpathia—the one ship and her legendary captain who answered the distress call of the sinking Titanic.
Shortly after midnight on April 15, 1912, the captain of the Carpathia, Arthur Rostron, wakes to a distress signal from the Titanic, which has struck an iceberg on its maiden voyage. Though information is scarce, Rostron leaps into action, determined to answer the call for help. But the Carpathia is more than four hours away, and there are more questions than answers: Will his ship hold together if pushed to never-before-tested speeds? What if he also strikes an iceberg? And with the freezing temperatures, will there be any survivors by the time the Carpathia arrives?
Kate Connolly is a third-class passenger on Titanic, and she is among the last to receive instruction and help after it hits an iceberg. Despite the chaos of abandoning ship, Kate is able to board a lifeboat, though after seeing the Titanic sink into the abyss and hearing the cries from hundreds of people still in the water, she wonders if any rescue is even possible.
Told in alternating chapters from both Captain Rostron and Kate Connolly.
I take you back to September of 1999 today. Knowing what I know now, it can be hard to look back at this day. No one ever gets married thinking that it will end in divorce. Believe it or not, the divorce rate in America has been declining since the 1990’s. They used to say that 50% of marriages end in divorce, but it is really less than that. The American Psychological Association (APA) estimates that the probability of a first marriage ending in divorce is 41% in 2024.
As I look back, I know that while my first marriage ended, it led to me having two sons. I also know that if it hadn’t ended, I would not have found the happiness I experience today. I am truly married to my soul mate and she has blessed me with my daughter and my third son. It is true that when something ends, there is always a new beginning that follows.
I ran into a friend the Monday after our reception. I was dropping off the cake plate at a local bakery. He looked at me and said, “Dude! Your reception was like a variety show!” I always thought that was the best compliment.
We had a ton of fun for sure. We did your standard wedding stuff, but as a wedding DJ, I tried to make sure we did things a bit differently. First, I hired the best DJ I have ever seen. Marc and Jim went to school with us and they knew how to work a room. They had everyone dancing all night.
When we did the YMCA, all the groomsmen and I had the hats of the Village People and did the dance up on chairs (something I always did at weddings). My ex did an up-tempo dance with her dad. I danced a tarantella with my Italian grandmother. We did the chicken dance with a rubber chicken. I brought the guys from my bowling team out to the middle of the dance floor and we did a shot to our “team song” (Ring of Fire by Johnny Cash). There was always something going on.
The men who were my groomsmen were the guys who have been friends for life. They are my inner circle. My best friend, Jeff I’ve known since second grade. My pals Steve and Joe were in band together since 7th grade. My other buddy Steve used to DJ with me and we’ve been friends since we got together in alumni band. Then, of course, my brother, who I’ve known all his life.
I wanted to do something silly with just them. Steve and I used to do this Blues Brothers thing to kick off our events and I thought we would do something along those lines. I remembered the scene in the Blues Brothers movie where Ray Charles sings “Shake a Tailfeather.” In it he calls out all kinds of dances and a large group of dancers dance along (doing those dances) outside Ray’s place as they sing.
I got Blues Brothers hats and sunglasses and had a radio buddy put together an intro that was played before we came out to dance. They guy who did it produced this 5 minute long thing that was a bit much. Thankfully, the crowd forgot all about it when we came out and danced.
The guys had no idea how to do the Boogaloo, the Monkey, or the Watusi. I told them we’d make it us as we went along. They all kind of watched me and followed along. On cue, when the lyrics called for us to “bend over” and shake our tailfeathers, we did!
Honestly, we looked like fools, but what a great way to share some fun with the guys who will always mean a lot to me. These guys will forever be my “capos.” It has been too long since we’ve all gotten together. I hope we can rectify that soon.
I got a call last Friday from my friend Margaret. She told me that the county fair was going on up by her and that Saturday was the last day. She asked if maybe we’d like to go. My wife had to work that night, so she was unable to go, but the kids and I drove up to join her. I felt bad that my wife couldn’t be there for their first fair experience, but I made sure to take a lot of pictures to send her.
The kids were so excited to go and Margaret road with me so I knew where I was going. Her husband Walt and his daughter Maddie followed us there. Right from the get go, there were plenty of animals to see. The kids were fascinated by the ducks and chickens. One set of ducks kept quacking at Andrew! They also loved seeing all of the bunnies. There were some big ones!
Inside, there were bigger animals and I loved seeing the excitement on the kids faces. Andrew kept saying hello to them all. “Hello, goat!” “Hello, cow!” “Hello, pig!” Ella was loving it too!
There were some big smiles as we walked through and looked at the animals. Just like the ducks who were quacking, there was one goat who wouldn’t stop talking. They stood by the goat and kept talking back to it. Every time it made a noise, they’d crack up!
At the fair, there were plenty of cows! The smaller ones were just hanging around and people could go up and pet them. Andrew was standing in the hay and said, “Can I take my shoes off, Daddy?” Uh…. no! The cow Ella is with actually started eating her dress and Ella had to play tug of war to get it back!
Naturally, they had to get up on just about every tractor and vehicle that was available to them. There were so many things to do and we hadn’t even gone out on the midway yet!
They saw the carousel from the parking lot when we arrived and that is where they wanted to go first. Aunt Margaret spoiled them by getting them wristbands so they could ride whatever they wanted. I chuckled at this because I do not ride carnival rides. What is funnier is that neither does she! Maddie, however, said she’d ride whatever rides they wanted to.
First stop, and my ONLY ride of the day, was the carousel. I have to be careful, because if I don’t focus, my benign positional vertigo can kick in. LOL.
Andrew wanted to ride on the bench, which surprised me. Maddie joined him. I was so glad to catch this beautiful shot of Ella patiently waiting for the ride to start.
This ride was tame compared to some of the ones they were on. They rode that pirate ship thing that goes back and forth. They did that bear/dragon that you sit in and it spins around and then you can make it spin by turning the wheel inside it. They rode that caterpillar rollercoaster. They also rode on that one that goes up high and low while it spins…. I love how excited Ella looks in this picture.
It was pretty warm that day and it showed. So we made sure to stop and get them something to drink. Andrew is all about pop right now. I figured they’d both get one, but Ella saw someone with a snow cone and she had to try one! She loved it. Eventually, when the flavor was gone, she let Andrew try it!
Shortly after this, we found the bounce house and that was where they spent a good chunk of the day. They kept going in and out and being silly. Andrew was sweating like crazy and came out and asked if we could go home. Both were pretty tuckered out. We missed Uncle Walk going up in that crazy cage thing that goes around and around and people in the cages can make it go upside down and such (no thank you!). I would have loved to watch that!
On the way out that thanked Aunt Margaret and had to get a picture. You can really see how tired they were by this time.
On the way out I promised them one more thing. There were ponies that you could ride as we walked in, so I kept my promise and they each got to do a pony ride. They each got a cowboy hat and wore them home.
It was almost bedtime when we got home, but they had to call and fill mommy in on all the fun they had. I can’t wait until our county fair comes to town next month. I’m sure they will be ready for more rides. I just gotta figure out who is going to ride with them!!
Welcome back to The Music of My Life, where I feature ten songs from each year of my life. In most cases, the ten songs I choose will be ones I like personally (unless I explain otherwise). The songs will be selected from Billboard’s Year-end Hot 100 Chart, Acclaimed Music, and will all be released in the featured year.
In 1981 there were two things that influenced me musically. First of all, I discovered American Top 40 with Casey Kasem. My dad had it the radio on one day while he was washing the cars and doing yard work. It was my first exposure to a countdown show. As a matter of fact, as I looked over the list of possible songs for my list, there were plenty of songs that I remember hearing for the first time on AT40. Some of those that are not on my list are: Start Me Up, Centerfold, Waiting for a Girl Like You, Elvira, Bette Davis Eyes, Hearts, Physical, and so many others!
The second thing that not only influenced me musically, but everyone else in the country, was the birth of MTV in August of 1981. This changed the way people listened to music. Some of those 80’s music videos are forever etched in my mind. I loved the creativity of many of those videos. In many cases, the videos helped with the popularity of songs and how much airplay they got on the radio. Perhaps you’ll remember the videos from some of the songs on my list?
Here we go ….
My dad played guitar in a wedding band for many years. Often, my brother and I would have to go to band practice with him. It was there that I recall being introduced to some of the current songs. One of them was Just The Two of Us by Grover Washington Jr. and Bill Withers. I can remember the distinct mystical sounding keyboard part at the beginning from my dad’s band and being wowed at how it sounded exactly like the record.
Grover Washington, Jr. wrote this with his musical partner Bill Salter before Withers added to the lyrics. It was produced by Ralph MacDonald, a percussionist who played on many of Washington’s tracks. MacDonald was friends with Withers and made the connection. Bill said in an interview with songfacts:
“I’m a little snobbish about words, so they sent me this song and said, ‘We want to do this with Grover, would you consider singing it?’ I said, ‘Yeah, if you’ll let me go in and try to dress these words up a little bit.’ Everybody that knows me is kind of used to me that way. I probably threw in the stuff like the crystal raindrops. The ‘Just The Two Of Us’ thing was already written. It was trying to put a tuxedo on it. I didn’t like what was said leading up to ‘Just The Two Of Us.'”
The song reached number 2 on the charts, but never made it to number 1. It was kept from that spot by Sheena Easton’s Morning Train (9 to 5) and Kim Carnes’ Bette Davis Eyes. The song did win a Grammy award for Best R&B Song. It would be Grover Washington Jr’s only Top 40 hit.
Just The Two of Us
I’ve told this story before, but it is why the next song is here. I remember my dad throwing the 45 of The Breakup Song on the turntable and playing the intro over and over. He’d pick on his guitar and work out that intro over a matter of minutes. Once I heard him play it note for note, I was in awe of him.
The Greg Kihn Band had been around for some time. Their album Rockihnroll was their sixth studio album. It celebrates the quality of breakup songs in rock’s earlier times, as the narrator laments both his recent breakup and the fact that they don’t write good breakup songs anymore. The song is perhaps best known by the hook, “They Don’t Write ‘Em Like That Anymore.”
The Breakup Song
I have always loved the Commodores, with and without Lionel Richie. Lady (You Bring Me Up) was released as the lead single from their album In The Pocket, their last with Lionel Richie in the group. Lionel didn’t write the song, Commodores’ trumpet player William King did. He wrote it with his wife, Shirley, and Harold Hudson, a member of the Commodores’ backing group, The Mean Machine.
In 1981, sexually suggestive songs like “Physical” and “Girls on Film” caused a bit of controversy. Naturally, some disc jockeys poked fun by warning listeners that this was another song with sexually suggestive lyrics: “Lady, you bring me up when I’m down.” In truth, the song is simply a song about a man whose woman gets him through life’s difficult times. It went to #8 on the Hot 100 chart.
Lady
It wasn’t until years later that I found out that Juice Newton wasn’t the first one to sing Queen of Hearts. It was actually written by Hank DeVito of Emmylou Harris’ band and first recorded in 1979 by rocker Dave Edmunds. His version was big in the UK and Ireland, but didn’t go far anywhere else.
Juice Newton had the biggest success with “Queen of Hearts” after it appeared on her 1981 album, Juice. In September 1981, Newton’s version peaked at #2 on the US charts, having shifted over one million copies. It almost didn’t happen, though. Juice remembers, “I did [‘Queen of Hearts’] live for about a year…Then I brought it to [producer] Richard Landis when we started the Juice album. He wasn’t convinced at that point that it was a breakout song but I told him I think this is a real cool song … so we cut it”.
In 1982, the song was nominated for the Grammy Award for Best Female Country Vocal Performance. Dave Edmunds told Creem Newton stole his composition: “She did pinch my arrangement, note for note, but I’m not angry with that.”
Queen of Hearts
Before Foreigner recorded this album 4, two members of the group left, trimming the band from six members to four. This, along with the fact that it was their fourth album, explains the title. My favorite cut on the album has a Motown connection.
Future Mr. Shania Twain, Mutt Lange, produced the album. Lange wanted to hear every music idea guitarist Mick Jones had recorded on tape, no matter how embarrassing. One of these ideas was the opening riff for what would become “Urgent”. “I had the riff starting out,” Jones recalled. “And I said, ‘That’s like an experimental instrumental thing that I’m working on.’ He said, ‘No, it isn’t anymore – let’s take that one, because that’s got a lot of potential.’ There wasn’t even a song with it.”
The group wanted a “Junior Walker-style” sax solo for this record. When they took a break from recording, one of the members read in New York newspaper The Village Voice that Walker was performing that night mere blocks from the recording studio. Walker accepted their offer to play, and the recording of the sax solo was swift and without a hitch.
Urgent
ELO’s TIME is a concept album about a time traveler who visits the year 2095. This song takes place on his return trip in 1981. He is inspired, and now knows that everything he needs he can find back home. “Hold On Tight” was the first single from the album.
By this time, the band was credited as ELO, downplaying the orchestra because they had recently jettisoned their string section. The lead instrument on “Hold On Tight” is piano played by group leader Jeff Lynne, who wrote the song. Billboard called it an “affectionate tip-of-the-hat to ’50s rock ‘n’ roll” that was inspired by the piano playing of Jerry Lee Lewis. That sound is probably why I love this song so much, as well as the uplifting message.
There was an elaborate (for its time) video was made of this song. Wikipedia states that this was the most expensive music video ever made (at the time). Directed by Mike Mansfield, it’s a sendup of sci-fi movie trailers from the 1940, which often blared words on the screen in huge font (AMAZING!, BREATH-TAKING!). Their violinist, Mik Kaminski, had left the group by this time but shows up in the video miming guitar.
The song topped out at number 2 on the Billboard Top Tracks chart.
Hold On Tight
Who can deny a great cover song? Am I right? (I’m talking to you Randy! LOL)
Yep, one of the biggest 80’s hits is actually a cover of a song first recorded in 1964. Ed Cobb of the Four Preps composed the song, and it was first recorded by Gloria Jones. (Fun Fact: Glen Campbell was a studio musician and played guitar on that version!) Her version was actually the B-side of her single, “My Bad Boy’s Comin’ Home.”
In 1973, British club DJ Richard Searling purchased a copy of the almost decade-old single while on a trip to the United States. The track’s Motown-influenced sound (featuring a fast tempo, horns, electric rhythm guitar and female backing vocals) fit in perfectly with the music favored by those involved in the UK’s Northern soul club scene of the early 1970s.
In the book 1000 UK #1 Hits by Jon Kutner and Spencer Leigh, Soft Cell’s Marc Almond called this song “A mixture of cold electronics with an over-passionate, over-exuberant, slightly out of key vocal.” Almond recalls, “Dave (Ball) introduced me to the record and I loved it so much and we wanted an interesting song for a encore number in our show. Dave loved northern soul and it was a novelty to have an electronic synthesizer band doing a soul song. When we signed with our record company, they wanted to record it. They told us to put bass, guitar and drums on it as they said it was too odd. They put it out anyway and the next thing it was gathering radio play and then it was #1. I was fascinated that it was originally by Gloria Jones, the girlfriend of Marc Bolan and I’d always been a T-Rex fan.”
Marc Almond’s vocal is the first take he recorded. That take was actually a run-through so they could tweak the settings, but it had just the right emotion, so that was the one they used. Obviously it was the right take because even Gloria Jones liked it. She said that she considers the Soft Cell version to be the best one. “I loved the emotion in his voice,” she said. “Their version was far better than mine.”
Tainted Love
Here is another song with a Dave Edmunds connection. Tempted was the second single off Squeeze’s East Side Story album. It was written by Chris Difford and Glenn Tilbrook. Chris wrote the lyric while the band was taking a taxi to Heathrow Airport. The descriptions of the city and airport sights are interspersed with the narrator’s ruminations on a relationship that is failing, or has failed, due to his own infidelities. As he recalled,
The original story behind “Tempted” is we’re going on another American tour. I got on a taxi and I started writing down what I saw lyrically. I don’t know the course of time of how long it took, but then I gave Glenn the lyrics and then Glenn put the music to it. It’s an extraordinary song. It’s one of the most played songs that we have in our catalog.
Unlike most other Squeeze songs, which are sung usually by Tilbrook or Difford, the song’s lead vocal is sung by newly recruited keyboardist Paul Carrack. According to Carrack, this was the result of a suggestion by co-producer Elvis Costello:
They’d actually recorded a version of that song before I was on board. Dave Edmunds produced it, and it was completely different. The song was in the can, and we were recording the other songs from East Side Story when we had some downtime and played ‘Tempted’ but in that slow, soulful, Motown groove. Elvis Costello, who was producing, ran in and said, ‘Let’s put this down on tape!’ So, we did, and Elvis said ‘Paul, you should sing it.’
I had never heard the song before, but in 1994, I was driving a lot for my job and this would come on Planet 96.3. I have always loved the opening line of this song, “I bought a toothbrush, some toothpaste, a flannel for my face” I can’t imagine it without the slow bluesy feel.
Tempted
Loverboy’s first single from their Get Lucky album didn’t really burn up the charts, however, years later it would be linked forever to a classic Saturday Night Live sketch.
Working for the Weekend originated when guitarist Paul Dean was out walking one Wednesday afternoon, looking for inspiration in his songwriting. He noticed that much of the area was deserted, as most people were at work. “So I’m out on the beach and wondering, ‘Where is everybody? Well, I guess they’re all waiting for the weekend,'” he later said. Mike Reno, the band’s vocalist, suggested they change the title to “Working for the Weekend”. According to Dean, he first began writing the song in a hotel room following a Montreal concert. At the time, the band were still playing bars to little response from patrons. After completing the song, they used it to open one set, and Dean recalled that “the dance floor was packed”.
The video had a life of it’s own on MTV. Loverboy lead singer Mike Reno tells about the filming of this video: “We would play the song over and over again, and we’d bounce around like we normally did. Here’s what I thought was kind of interesting: The director would say, ‘OK, we’re going to shoot another song, now go get changed.’ ‘What do you mean?’ ‘You have to put on a whole new outfit, and we’re going to change the lighting a bit.’ But it was the same stage! So basically, we just had to get some other clothes, fix your hair, take a break, and then jump back on stage and do the same thing over and over again. I really felt like I was being abused a bit, but that’s the nature of the beast.”
On October 27, 1990, Patrick Swayze hosted Saturday Night Live. It was on that show that the famous Chippendale’s Audition sketch debuted. It featured Chris Farley and Swayze auditioning for the final spot in the Chippendale line up. Their audition was done to this song.
Working for the Weekend
“Shake It Up,” was the title track of The Cars’ fourth album. It is hard not to want to dance when you hear it. Some call it a “tailor-made party song.”
It was written by Cars’ frontman Ric Ocasek. It really is an odd song for Ric in that it’s very straightforward, simply encouraging us all to get on the dance floor and boogie like nobody’s watching. Ocasek’s songs were generally far more enigmatic. Years later, Ocasek dismissed the song’s lyrics, saying, “I’m not proud of the lyrics to ‘Shake It Up.'”
This song has some throwback elements, like the “ooo ooo ooo” backing vocals and references to a “quirky jerk” and “night cats” – lingo that was hep in the ’60s when songs about dancing were in vogue. At the same time, “Shake It Up” as a futuristic sound, with synthesizers and drum machines that were part of the new wave.
It was released as the lead single from the album. “Shake It Up” was a big American hit for The Cars, getting them into the Top 10 for the first time as the song reached #4. The song was such a departure from what fans expected that some accused the band of “selling out.” The band, however, insisted they were simply progressing and growing (one point in their defense: they continued to live in Boston instead of relocating to New York or Los Angeles). The jabs came mostly from the UK, where the band got lots of positive press early on but faced the wrath of a finicky press when they released this song about dancing.
Fun Fact: Guitarist Elliot Easton said he wanted his solo to sound like “two guys trading off”. He first plays a Fender Telecaster, in a style skewing country, then midway through the solo switches to a Gibson guitar for a heavier rock sound.
Shake It Up
Finally, a song that has yet another Michigan connection. When Styx was preparing their tenth album, Paradise Theater, guitarist Tommy Shaw, says he was asked to write one more song for the album, which followed the theme of a concert hall rising to prominence and then crumbling. Shaw liked the concept, but was having trouble writing songs that fit. So he just wrote one that didn’t follow the theme – “Too Much Time On My Hands.”
Shaw had a long drive to and from the recording studio, and on one trip, the bassline popped into his head: “dun-dun dun-dun dun-dun-dun-dun.” When he arrived, he quickly had the band record what was in his head so he wouldn’t lose it. He found himself calling out chord changes as they played, which laid the groundwork for the track.
When it came to the lyrics, he drew inspiration from a real bar in Niles, Michigan, where he was living. “I think officially it was called Mark’s Tavern, but everybody called it Mark’s Bar. It was the local watering hole. The drinks were good, and the drinks were cheap. You could go in there with 20 bucks and be a hero, you know – buying rounds of drinks. And you’d always run into somebody you knew in there. That was the basis of the song.”
The song was released in the spring of 1981 and reached its US chart of #9 in May. In August, MTV went on the air, which gave the song new life, since the video was one of the few the network had available from an American rock band, and they played constantly.
Too Much Time On My Hands
Looking back over the list of songs released in 1981, there are so many worth mentioning. Did I miss one of yours?
As I start looking at each year and jotting songs, I have gone from 2 pages to 3 pages of songs to chose from. These 80’s years are probably going to be the toughest to narrow down for me.
Next week, we’ll jump into 1982 and see what 12 year old Keith was liking ….
Thanks for reading!
(Most info was gathered using sources like Wiki, songfacts.com, and artist websites)
Today is the 161st birthday of Henry Ford. He was the founder of Ford Motor Company who developed the assembly-line process for mass production.
In 1891, he became an engineer at the Edison Illuminating Company of Detroit. He he received a promotion to Chief Engineer in 1893, he had enough time and money to devote attention to his experiments on engines that would run on gasoline. These experiments culminated in 1896 with the completion of a self-propelled vehicle, which he named the Ford Quadricycle. He first test-drove it on June 4. After various test drives, Be began to brainstorm ways to improve the Quadricycle.
Also in 1896, Ford attended a meeting of Edison executives that would change his life and eventually lead to a lifelong friendship. At the meeting he was introduced to Thomas Edison, who approved of Ford’s automobile experimentation. Encouraged by Edison, Ford designed and built a second vehicle, completing it in 1898.
He founded the Detroit Automobile Company in 1899. Sadly, the automobiles produced were of a lower quality and higher price than Ford wanted. Ultimately, the company was not successful and was dissolved in January 1901. He never stopped trying and on June 16, 1903 (thanks to some new investors) The Ford Motor Company was born. The Model T debuted 5 years later in 1908.
So just how does Henry Ford fit into Tune Tuesday? Well, the great Jerry Reed had a number one country hit with his ditty, Lord, Mr. Ford in 1973. The lyrics bemoan the fact that a seemingly simple invention to assist mankind has instead brought nothing but grief, become increasingly more complex and added to the increasing fast-paced demands of society. Can you imagine what could be said about the cars we drive today??
Happy Birthday, Henry Ford!
Lord, Mr. Ford
Well, if you’re one of the millions who own one of them gas-drinking, piston-clinking, air-polluting, smoke-belching, four-wheeled buggies from Detroit City, then pay attention. I’m about to sing your song son.
Well, I’m not a man appointed judge To bear ill-will and hold a grudge But I think it’s time I said me a few choice words All about that demon automobile A metal box with the polyglass wheel The end result to a dream of Henry Ford Well I’ve got a car that’s mine alone That me and the finance company own A ready-made pile of manufactured grief And if I ain’t out of gas in the pouring rain I’m a-changin’ a flat in a hurricane I once spent three days lost on a cloverleaf Well it ain’t just the smoke and the traffic jam That makes me the bitter fool I am But this four-wheel buggy is A-dollaring me to death For gas and oils and fluids and grease And wires and tires and anti freeze And them accessories Well honey, that’s something else Well you can get a stereo tape and a color TV Get a back-seat bar and reclining seats And just pay once a month, like you do your rent Well I figured it up and over a period of time This four thousand dollar car of mine Costs fourteen thousand dollars And ninety-nine cents, well now
Lord Mr. Ford, I just wish that you could see What your simple horseless carriage has become Well it seems your contribution to man To say the least, got a little out of hand Well Lord Mr. Ford what have you done
Now the average American father and mother Own one whole car and half another And I bet that half a car is a Trick to buy, don’t you But the thing that amazes me, I guess Is the way we measure a man’s success By the kind of automobile he can afford to buy Well now, red light, green light, traffic cop Right turn, no turn, must turn, stop Get out the credit card honey, we’re out of gas Well now, all the cars placed end to end Would reach to the moon and back again And there’d probably be some Fool pull out to pass Well now, how I yearn for the good old days Without that carbon monoxide haze A-hanging over the roar of the interstate Well if the Lord that made the moon and stars Would have meant for me and you to have cars He’d have seen that we was all born With a parking space
Lord Mr. Ford, I just wish that you could see What your simple horseless carriage has become Well it seems your contribution to man To say the least, got a little out of hand Well Lord Mr. Ford what have you done
Come away with me Lucille In my smoking, choking automobile
In 1965, The Beatles’ second feature film, Help! premiered at the London Pavilion Theatre in the West End of London. The musical comedy, which followed the success of A Hard Day’s Night, was a much larger production than its predecessor, finding the band and director Richard Lester shooting in a variety of international locations. The film’s soundtrack doubled as The Beatles’ fifth studio album.
Ok, before I go on, I need to clarify the title of this blog. Just what in the world is NUJV? Originally, the album cover showed The Beatles spelling out the word “Help” using the semaphore system of communicating with flags, which was usually used by ships. The photographer, Robert Freeman, didn’t like the pose because it looked unbalanced. Instead, he had them pose in a more “balanced” way – that in semaphore spells the letters NUJV.
Apparently, only those who knew semaphore saw the issue.
This movie played a big part in the way another group portrayed themselves. Help! was used by The Monkees to prepare for their TV series. The Beatles showed off their individual personalities in their movies, which The Monkees made sure to emulate. By not presenting all members of the band as identical, it made the Beatles even more popular, as many of their fans picked a favorite.
There certainly are some great tracks on the album: Ticket to Ride, Yesterday, The Night Before, Act Naturally, Dizzy Miss Lizzie, You’ve Got To Hide Your Love Away, I’ve Just Seen a Face, and the title track – Help! (Which is what I want to feature today.)
According to Lennon’s cousin and boyhood friend Stanley Parkes, “Help!” was written after Lennon “came in from the studio one night. ‘God,’ he said, ‘they’ve changed the title of the film: it’s going to be called ‘Help!’ now. So I’ve had to write a new song with the title called ‘Help!’.”
Fun Fact: The original title to the title song and the movie was “Eight Arms To Hold You,” and the first copies of the single said it was from the movie “Eight Arms to Hold You.”
Originally, John Lennon wanted this to be a much slower song. He was convinced, however, that by speeding it up, it would sound “more commercial” and would naturally sell more albums.
The song itself runs just 2:18, but packs in 267 words! This makes it one of the most lyrically dense hits of the era. It starts and ends on a vocal, and there are two vocal lines running throughout the song, as John Lennon sings lead while George Harrison and Paul McCartney do backgrounds, singing some of the same phrases either before or after Lennon. There are only a few seconds in the song where somebody isn’t singing.
Lennon admitted that the song truly was a “cry for help!” He has described this time of his life as his “fat Elvis period.” In a 1971 interview with Rolling Stone, Lennon said this is one of his favorite Beatles records, because, “I meant it – it’s real.” He added: “The lyric is as good now as it was then. It is no different, and it makes me feel secure to know that I was that aware of myself then. It was just me singing ‘Help’ and I meant it.” Paul McCartney helped Lennon write the song, but did not realize it was actually John calling for help until years later.
Writer Ian MacDonald describes the song as the first crack in the protective shell Lennon had built around his emotions during the Beatles’ rise to fame, and an important milestone in his songwriting style. In January of 1980, John told Playboy magazine, “The whole Beatles thing was just beyond comprehension. I was subconsciously crying out for help”.
Books are a lot like music. “If you like _____, then you might also like _____.” Thanks to some book blogger friends and the Goodreads app, there are always suggestions for books to read. I have read my share of time travel books, and this one was certainly different.
This is the first book I have read by this author. If I am being honest, I almost stopped after the first chapter. I had to remind myself that sometimes the things in that first chapter often are necessary to be the springboard for the rest of the book. That was the case here. It was all a little too – sappy teen love storyish for me. But I pressed on.
Before I explain, here the Goodreads synopsis:
A remarkably inventive novel that explores what it means to live a life fully in the moment, even if those moments are out of order.
It’s New Year’s Eve 1982, and Oona Lockhart has her whole life before her. At the stroke of midnight she will turn nineteen, and the year ahead promises to be one of consequence. Should she go to London to study economics, or remain at home in Brooklyn to pursue her passion for music and be with her boyfriend? As the countdown to the New Year begins, Oona faints and awakens thirty-two years in the future in her fifty-one-year-old body. Greeted by a friendly stranger in a beautiful house she’s told is her own, Oona learns that with each passing year she will leap to another age at random. And so begins Oona Out of Order…
Hopping through decades, pop culture fads, and much-needed stock tips, Oona is still a young woman on the inside but ever changing on the outside. Who will she be next year? Philanthropist? Club Kid? World traveler? Wife to a man she’s never met? Surprising, magical, and heart-wrenching, Margarita Montimore has crafted an unforgettable story about the burdens of time, the endurance of love, and the power of family.
That first chapter sets the stage for everything else that comes at you. From the moment Oona wakes up as a fifty-one year old, the chaos begins. Panic, fear, and the unknown face Oona as she navigates through the year, never really knowing if what she is experiencing is real. But when she leaps again at midnight on New Year’s Eve, she knows it is either real or a really bad nightmare.
What was interesting about this story was thinking about what it would be like if you had to live your life out of order. One year you would know people, while in other years they are strangers. In one year you have one set of friends, while in another a totally different set. In one year, you might witness a tragedy and in another it hasn’t happened yet. What could you do with the knowledge you have (or lack of it) as you lived from day to day knowing that you’d be off to another unknown year next? How would you live your life differently?
In the book, every so often a character will tell Oona, “No Spoilers,” and so I will not offer any here. There are many surprises and times I found myself yelling at the characters! LOL At the same time, I certainly took a few nuggets of wisdom away from this story.
3.5 out of 5 stars (only because I had some lingering questions at the end)
Andrew and I went up to the pet store in town to get some dog food for Daisy this week. There is a set of railroad tracks that run directly behind it. We can often hear the train’s whistle as it goes through town from our house.
When we pulled into the parking lot, Andrew saw these vehicles up and down the tracks. We stood there and watched for a minute before I realized just what they were doing. They had already come through and unspiked some of the rotting or cracked railroad ties and pulled them out from under the rails/track.
Right in front of us was a crane-like vehicle taking new ties and placing them off to the side to replace the ones that they had pulled out. Both of us stared in wonder as this machine did its work.
We walked down the side of the building and along the tracks (on a sidewalk) and came to the next contraption. This thing was behind the crane and was basically making sure that there was a pathway for the new ties to slide under the rails.
A ways down from that thing was a bigger vehicle that slid the new ties into just the right position. It would slide it under the rails and tap it into place.
Behind this vehicle were a group of guys all doing something different. One guy would toss the thick metal plates on top of the new tie and make sure the top of it was free from rocks. Then the guys behind him came up and with their machine put in the new spikes to hold the ties in place.
Andrew was in heaven! He loves watching construction-type stuff. He just couldn’t get enough of what they were doing. He watched in fascination at this whole process. I’m sure if I wasn’t watching the clock (because I had to get home to get ready for work), we could have stayed there all afternoon. I hoped that there might be an old railroad spike laying around for us to grab, but we couldn’t find one and really didn’t want to get too close to the tracks.
I told him that we had to get into the store to get the dog food. He told me to hang on a minute because he wanted to get a picture. I couldn’t resist grabbing my phone and getting my own picture of him snapping a photo of the crane.
It is a total coincidence that he has on a shirt that has bulldozers, excavators, and construction vehicles on it! It only makes this picture more special.
Ok, the last two weeks were flashbacks of a serious nature, so I thought I would find a picture I could pick apart a bit. I know Max over at the PowerPop blog loves these photos.
According to the date stamp, this was developed in 1988 (the year I graduated from high school). That being said, we never seemed to develop film right away, so this could have been taken in 1987. Welcome to a little corner of my brother’s room.
The first thing that hits me are two 70’s/80’s decorative staples – Paneling and wallpaper! I can still remember when my folks hung that astronaut wallpaper. I cannot remember if this was my room first or my brother’s. At some point, maybe before they hung the wallpaper, we switched rooms. Mine had globes and maps on the wall.
While my brother and I are very different, we are also very similar. Case in point: we both had shelves in our rooms for photos and display pieces. My shelves had Three Stooges dolls, a couple autographed pictures, ceramic pieces that my mother had made, and little collectibles. This bookcase/shelving unit was were my brother displayed many of his favorite things and photos.
Before I look at the shelves, I want to point out that in 1987 our band went to Disney in Florida and marched in a parade there. The Goofy hat on the wall was something that I believe both my brother and I had. I have no idea what that red thing is hanging in the upper left of this picture. He may remember.
I have blogged in the past about mom’s ceramics hobby and this photo features some of her work. You can read about that hobby here:
We were obviously into Star Wars back then. Starting at the left on the top shelf is the first Star Wars piece mom made, R2-D2. She may have asked the two of us what pieces we’d like for her to make for us. I seem to remember asking for Chewbacca, who is next on the shelf. The R2-D2 was fairly simple. The detail was good and it had a shine to it. I remember my mom did something different with Chewbacca. For the life of me, I can’t remember what she called it, but it had more of a dirt/flat look to it. You really can’t tell, but in front of Chewbacca is the controls to the Millennium Falcon. I remember thinking how professional the thing looked and thinking, “My mom made this!”
In front of Chewbacca is a small ceramic cat that mom made for my brother. It is much like the little pieces that I mentioned in the blog link above. I have to chuckle at the that coconut next to Chewbacca. We both had one, I think one was just a single person, while it looks like Chris’s may have been two. I think those were banks, but I could be wrong. Did we get those at Disney, too? I think so, but I cannot recall.
Next to that coconut is one of the best pieces my mom ever did – Yoda. This was the final Star Wars piece she worked on and it was fantastic. She was always trying new things and for Yoda’s coat, she used some kind of sandy stucco stuff that really made it look cool. The detail on this piece was just amazing.
Before moving to the last piece on the top shelf, I have to point out that the US and Italian Flags on that shelf were something that we both got while in Epcot, a trip that (for me) was cut short because of an ambulance ride to the hospital (it was nothing).
The last piece on that shelf may be the piece that started it all for my brother’s Wonder Woman collection. He has always loved the show, the comics, and everything about her. At one point he had enough Wonder Woman stuff to fill that entire book case. Today he has a Wonder Woman ROOM!
As you move down a shelf, there are a load of pictures that I know just by looking at them. Even though they are blurry in this photo, I know exactly what they are. The first is a photo of my folks, my brother, and my grandma in Florida. It was one of those “old time” photos. I was off with my friends when they had it taken. Then there are photos of my Aunt Jodi and my grandma. I’m not sure where the cross came from, but it looks like maybe there is a rosary hanging from it. (We were raised Catholic, but no longer practice that). Then there is a photo of my other grandparents, my cheesy senior picture, my brother’s favorite photo of him and my grandpa, a Polaroid of a lot of us on squeezed on the couch with my other grandpa and our dad, and finally another old time photo of Chris and my dad in some Civil War get up.
I have to admit that the dog on the shelf below the photo shelf looked familiar. I kept thinking it was something like Teddy Ruxpin and I wasn’t far off. Long before they produced Webkinz, Ganz made Wrinkles Talking Dogs. When I looked it up, it said it was a puppet.
Each one of those dogs had a tag with a number on it, making each one unique. Ebay had one for sale – for $400!! Yikes.
Back to the photo…I remember Garfield being a big deal around this time. All of the school book sales had Garfield books, the book stores always had a big display of them, and it was always on the front page of the Sunday comics page. Not to mention the TV show and movies… I don’t remember my brother being into Garfield, but there he is with Odie. Another picture of grandma and Jodi in on that shelf, too.
Here’s where it get’s sketchy, but I can make out most of the rest of the photo. Below Garfield are Disney’s Donald Duck, Mickey Mouse, and Goofy (that’s a tiny bit of his hat you can see). My brother has always loved Disney and goes there almost annually. If I had $5 for every Disney Character he has taken a photo with, I could maybe fund a trip to Disney!
Just a couple more observations. Next to the Disney stuffies, you can make out the top of an old time radio. I think, and I may be wrong, my brother and I both had one of these. You could listen to AM/FM radio on it and on the side was a spot you slid a cassette tape in to listen to it. We had MANY old radio shows on cassette and listened to them often.
Finally, in the bottom right corner of the photo is a TV. I laughed out loud when I saw the dials to change the channels on it! My first thought was that the box on top of it was a cable box, but it is too early for that. I’m pretty sure that was my brother’s alarm clock. That TV was the one we played Atari and Nintendo on back in the day. We may even have had a Betamax video player in there. Those were the days!!
I’ll have to find a photo of the shelves in my room to share one day. If I do, I will warn you, my room was always a disaster!
Welcome to my submission for A Sound Day’s monthly feature – Turntable Talk, hosted by Dave Ruch. This is the 28th installment of this feature and I’ve had the pleasure of writing since for it since the beginning. His topics each month are always something that I look forward to writing about.
This month his instructions were to “unfold the Musical Road Map! The idea is to pick a song with a specific location in its title and write about it. Pick a song you like, even if it’s not a place that is high on your list of dream destinations. It could be a city, a country , a state or province, even some magical mystical place living in the imagination.”
As I thought about this topic, plenty of songs entered my head. The challenge I seem to face every month is to try to pick something that one of the other contributors hasn’t already picked. There were many hits that jumped right out at me (Sweet Home Alabama, I Left My Heart in San Francisco, Houston, etc…), so I started thinking about songs that would not be something too popular.
Arrivederci Roma and On An Evening in Roma, both by Dean Martin were the first songs to come to mind. Dean made me think of Frank Sinatra and New York, New York. Frank then got me thinking about Sammy Davis Jr. and I knew that the song I was going to write about would not only be something that the other bloggers wouldn’t pick, but a song that not many people have ever heard before.
Yesterday, the City of Detroit celebrated its 323rd birthday! Back in 1984, Detroit’s Mayor (Coleman Young) reached out to Berry Gordy Jr. of Motown Records to write an anthem for the city. Berry wrote “Hello, Detroit” with Sammy Davis Jr. in mind to record it. When he showed Sammy the song, Gordy says that he “fell in love with it and felt it reflected his feelings on Detroit.”
“Hello, Detroit” is certainly not the best song to come out of Motown, and it wasn’t as big as Frank Sinatra or Tony Bennett’s love letters to their respected cities. However, you cannot help but hear the love for the city as Sammy begins to sing:
You’re a fighter, you’re a lover You’re strong and you recover From whatever gets you down
Those words certain have a lot of truth to them. The city of Detroit has really turned around over the past decade or so. Downtown is thriving. Ford Field (Lions) and Comerica Park (Tigers) are right across the street from each other, and from the street you can see that amazing Detroit skyline.
Comerica Park and Ford Field with The Downtown Detroit Skyline in the Background
There is so much more happening in the growing city, but as with any “dated” song, things change.
Hello Detroit, you’ve won my heart Your renaissance, and waterfronts Give you a flare of your own
The Renaissance Center has been a staple for years, but General Motors will move out next year and, looking to the future, CEO Mary Barra doesn’t rule out the demolition of the building. The company announced the move earlier this year — pulling out of the iconic skyline staple after 28 years in the name of downsizing.
Sammy Davis Jr. said, “My home has always been show business” and Detroit was always hospitable. He said that he had “a big history of connecting things with Detroit,” as he often played the Paradise Theater in Detroit early in his career.
Toward the end of his career, he would take the stage at another theater. Sammy was there for the rebirth of the Fox Theater, along with Frank Sinatra and Liza Minelli.
Their five-night stand, complete with a 30-piece orchestra, kicked off a new era for the Fox Theatre. This kind of brought things full circle for Sammy. The Fox originally opened in 1928, and it was the same year a 3-year-old Sammy Davis Jr. performed for the first time.
Sammy performed “Hello, Detroit” on opening night at the Grand Reopening of the Fox Theater. The concert rebroadcast may have been the most dignified three hours of content to air on Showtime in all of 1989.
I remember the first time I heard “Hello, Detroit.” It gave me chills. I wish that I could perfectly sum up in my own words what the song means to me and the many folks who call Michigan home, but every time I wrote something, I wound up deleting it. Why? Because I found something online that truly expresses it better than I ever could. This is copied from lyricslayers.com:
Sammy Davis Jr.’s song ‘Hello Detroit’ is a heartfelt tribute to the city of Detroit, capturing its spirit, resilience, and unique charm. The lyrics paint a vivid picture of a city that has faced numerous challenges but continues to thrive and inspire. Davis Jr. describes Detroit as a ‘fighter’ and a ‘lover,’ emphasizing its strength and ability to recover from adversity. This portrayal resonates with the city’s history of economic struggles and its ongoing efforts to reinvent itself.
The song highlights various aspects of Detroit that make it special, from its renaissance and waterfronts to iconic locations like Belle Isle Park and Greektown. These references not only celebrate the city’s physical beauty but also its cultural and social vibrancy. The mention of Detroit’s influence on the young, encouraging them to become ‘stars and champions,’ underscores the city’s role in nurturing talent and ambition, particularly in the realms of music and sports.
Davis Jr.’s repeated affirmations of care and prayer for Detroit reflect a deep emotional connection and a sense of loyalty to the city. The song’s affectionate tone and personal touch make it more than just a tribute; it’s a love letter to a place that has profoundly impacted the artist. The references to ‘Big D,’ ‘Motor City,’ and the ‘Motown sound’ further anchor the song in Detroit’s rich musical heritage, celebrating its contributions to the world of music and its enduring legacy.
‘Hello Detroit’ is a celebration of the city’s indomitable spirit, its cultural richness, and its ability to inspire and uplift. Through his soulful performance, Sammy Davis Jr. captures the essence of Detroit, making listeners feel the same admiration and affection he holds for this remarkable city.
That sums up the song perfectly! It was used in countless promotional ads for television and radio for a few years. Some morning radio shows would play it at the beginning of their shifts every day. Sadly, it faded away and doesn’t get much play any more. That is reason enough for me to feature it here on Turntable Talk.
Hello Detroit
You’re a fighter, you’re a lover You’re strong and you recover From whatever gets you down And there’s so many, many reasons Any time, any season Is the right time to be with you
Hello, Detroit! You’ve won my heart Your renaissance and waterfronts Give you a flair of your own
Irresistible you Hug and kissable you You’re alive with so much feeling And I will always be there for you I will say a little prayer for you And I will always care for you Hello
Hello, Detroit! You’ve touched my soul Thanks for the memories I can reach so Winter, spring, summer and fall You’ve got it all Hello, hello, hello!
Hello, Detroit!
I must go through Belle Isle Park Greet town after dark You’re in still in the young of will To become stars and champions
Hello, my friend! How have you been? It’s every air It’s everywhere The magical touch of you
Irresistible you Hug and kissable you You’re alive with so much feeling And I will always be there for you I will say a little prayer for you And I will always care for you
Hello A big deep The motor city And the Motown song that’s got the whole world singing
And I will always be there for you I will always say a little prayer for you (I will say a little prayer for you) And I will always care for you Hello!
(Hello, Detroit!) (Detroit!)
(Irresistible you) (Hug and kissable you) (You’re alive with so much feeling) (And I will always be there for you) (I will say a little prayer for you) (And I will always care for you) (Hello!)
Hello, Detroit!
Thanks to Dave for allowing me to participate once again! I not only look forward to reading the other contributions, but to next month’s topic.
Various Ramblings of a Nostalgic Italian 