The Nostalgic Italian would feel terrible if he did not honor the birthday of another Italian. So today, we wish Jasper Cini a Happy Heavenly Birthday. We know him as Al Martino. Al was born on this day in 1927.
Long before his days as a popular singer, he served in the U.S. Navy during World War II. He was wounded when he took part in the Iwo Jima invasion. In 1949, he won Arthur Godfrey’s Talent Scouts singing a Perry Como song. This is how he got his first recording contract.
Mario Lanza was a family friend of Al’s. Mario was having great success as a singer and Al took notice. Mario, who changed his name from Alfredo Cocozza, encouraged “Jasper” to change his name too. So Jasper became Al Martino.
In 1965 he recorded one of his biggest hits – Spanish Eyes. The song was originally called “Moon Over Naples” which was a song composed by Bert Kaempfert. The song was first recorded by Sergio Franchi and was a Neapolitan song and contained the original lyrics. However, a second set of lyrics were written
Martino said Kaempfert was interested in him recording the song, and sent him a copy of the instrumental version of “Moon Over Naples”, which Martino thought had the potential to be a hit. However, Martino did not like the lyrics of a vocal version he later heard, and told Kaempfert’s publisher so.
Charles Singleton and Eddie Snyder, the original lyricists, were employed to rewrite the lyrics. Martino, satisfied with the new lyrics, contacted Bert to request that he come and help with the recording in New York because he liked the sound of Kaempfert’s recording. Martino recorded the song as “Spanish Eyes”, with Bert also playing on the record.
“Spanish Eyes” was released in the late 1965 in the United States, and it reached number 15 on the Billboard Hot 100 Chart. It also spent four straight weeks at number 1 on the Billboard Easy Listening Chart.
Vocalist Jasper Cini was born on this day in 1927. Of course, the world knew him as the great Al Martino. He had his greatest success as a singer between the early 1950s and mid-1970s, being described as “one of the great Italian American pop crooners.”
In World War II, Al served in the US Navy. He took part in the invasion of Iwo Jima, where he was wounded. He took an interest in singing after the war and got some sage advice from a family friend. That friend was Alfredo Cocozza, who was better known as Mario Lanza. It was Mario who suggested that Jasper use the name “Al Martino.”
Al would land a deal at Capitol Records, where he would have hits with “Take My Heart,” “Rachel,” “When You Were Mine,” “I Love You Because,” “Daddy’s Little Girl,” and “Spanish Eyes.” His run of chart success began to fade after the mid-1960s, despite that many of his records continued to reach the U.S. Hot 100. So, he turned to acting.
In 1972, he would play Johnny Fontane in The Godfather.
Al had been told about the character by a friend who had read Mario Puzo’s novel and felt Martino represented the character of Johnny Fontane. Martino contacted producer Albert Ruddy who initially gave him the part. When Francis Ford Coppola came on board to direct, the part was taken from him and given to Vic Damone.
Al went to Russell Bufalino, his godfather and a crime boss, who then orchestrated the publication of various news articles that claimed Coppola had been unaware of Ruddy having given Martino the part. Damone eventually dropped the role because he did not want to provoke the Bufalino family.
“The Godfather”
Al Martino, Marlon Brando
1972
** I.V.C.
In the novel, Johnny Fontane plays a much bigger part than he does in the movie. It was one story line that was stripped and edited down for the film. Al didn’t seem to mind, as he would continue to play the role of Johnny Fontane in the Godfather sequels.
The movie opens with the wedding of Don Corleone’s daughter, Connie. When Johnny shows up at the wedding, he is begged to sing. The song that he sings is the beautiful, “I Have But One Heart.” Coincidentally, the song was the first song ever released by … Vic Damone.
Once again, Dave from A Sound Day has asked some of us music lovers to participate in another round of Turntable Talk. This time around was a bit of a challenge for me. Dave’s e-mail stated:
“Put your thinking caps on and go through your stacks of records (or scroll thru that I-pod) and … come up with what you think the best year for music was. A tough call of course, thankfully there have been more than a few good ones! I’m interested in what you pick and don’t worry if yours duplicates someone else’s , you still have your reasons which might be different.” He goes on to say, “I think I have a guess on a couple of years that might come up more than once, but we’ll wait and see.”
This particular blog will be one of the last ones to be featured and I do not know if my year will be or has been featured. I plan on writing this KNOWING that the year I have chosen very well may be one that comes up in another post. Before I tell you the year I picked, let me tell you that I had a very difficult time narrowing it down.
My first thought was to go with 1956/1957 because those years were always so unique. You had the birth of rock and roll mixing with pop standards. When I worked at Honey Radio, I loved doing the Top 12 at 12 show when those years popped up because there was such a big variety in what was played. You could go from Elvis or Jerry Lee Lewis to Pat Boone or Nelson Riddle. When I looked at the list of songs, however, were they really the BEST? No.
The same thing can be said for some of the years in the 70’s decades. I looked through many lists and while there were many great songs, there were also a lot of really crappy songs! I just couldn’t really come up with the conviction to pick a year in that decade as the BEST.
One year kept coming up every time I started thinking about it – 1964.
I want you to know before I continue that I was dead set AGAINST 1964 when I read Dave’s e-mail. Why? Well, I felt that it would just be too Beatle heavy and loaded with British Invasion stuff. And it is. On the Top 100 Chart, The Fab Four nabbed 9 spots. 18 spots were held by other British Invasion acts. In total 27% of the Top 100 were British acts. When I really looked at the chart, the more and more I felt like this WAS the year.
1964 really was the year of the Beatles, so let’s discuss them first. They were present almost right from the start as their “Introducing The Beatles” album was released in America on January 10th of that year.
This album preceded Capitol Records “Meet the Beatles” by 10 days and there was a lawsuit surrounding that whole issue. Capitol Records won an injunction and Vee-jay Records was not allowed to put out any more Beatles recordings.
In February of 1964, the Beatles arrived in the US and appeared on Ed Sullivan’s show three times (2/9, 2/16, and 2/23). In March of 64, Billboard magazine stated that the Beatles were responsible for 60% of all single record sales! In a feat that has yet to be matched, on April 4, 1964, the Beatles held the Top 5 spots on the Billboard chart!
A week later, the boys held 14 spots on the Hot 100 Chart! That broke the previous record of 9 spots held by Elvis Presley in 1956.
In May, The Beatles Second Album was released and in July, they would release A Hard Day’s Night in theaters. “I Want to Hold Your Hand” wound up being the #1 song for the whole year of 64 (“She Loves You” was #2) To say that they played a small part in the music of 1964 would be a huge understatement.
Among the other artists that came over from “across the pond” in 64 were Manfred Mann (Do Wah Diddy Diddy), Billy J. Kramer and the Dakotas (Little Children and Bad to Me), The Dave Clark Five (Glad All Over, Because, Do You Love Me), Peter and Gordon (A World Without Love), The Animals (House of the Rising Son), The Honeycombs (Have I The Right), Dusty Springfield (Wishin’ and Hopin’), Gerry & The Pacemakers (Don’t Let the Sun Catch You Crying and How Do You Do It), Chad and Jeremy (A Summer Song), The Kinks (You Really Got Me), and the Searchers (Don’t Throw Your Love Away and Needles and Pins). It is interesting to note that the Rolling Stones debut album was released this year, but no songs appear in the Top 100 for the year.
Once you move away from the British artists, the chart has a nice variety of pop, rock, folk, country, soul, and even a few novelty songs. I think that is what made me ultimately choose this particular year.
It was nice to look over the Top 100 and see Motown represented with some classics. The Supremes hold two of the six Motown songs (Where Did Our Love Go and Baby Love), Motown was female heavy as Mary Wells (My Guy) and Martha and the Vandellas (Dancin’ In The Street) grabbed the next two spots, and the male gender was represented by The Four Tops (Baby I Need Your Loving) and The Temptations (The Way You Do The Things You Do).
While they were not “oldies” at the time, there were some classic songs that are still in hot rotation today on the oldies stations across the country. Roy Orbison had a smash with Pretty Woman in 64, and also had a hit with It’s Over. Frankie Valli and the Four Seasons grabbed three of the Top 100 with Rag Doll, Dawn and Ronnie. The Beach Boys only entry in the Top 100 was I Get Around.
1964 brought us classics like The Drifters Under The Boardwalk, Chapel of Love by the Dixie Cups, Suspicion by Terry Stafford, It Hurts to Be In Love from gene Pitney and Come A Little Bit Closer by Jay and the Americans. Johnny Rivers had a hit with Chuck Berry’s Memphis, Bobby Freeman invited us to C’mon and Swim, Detroit’s Reflections offered up Just Like Romeo and Juliet and the Shangri-Las told us the story of the Leader of the Pack.
Car songs were well represented in 64! Ronny and the Daytonas had GTO, while the Rip Chords sang Hey Little Cobra, and the Hondells had Little Honda. Jan and Dean told us the stories of The Little Old Lady from Pasadena and Dead Man’s Curve, while J. Frank Wilson and the Cavaliers told us the tragic story of a Last Kiss.
Soul music is represented by The Impressions (I’m So Proud and Keep on Pushing), Joe Hinton (Funny How Time Slips Away), The Tams (What Kind of Fool Do You Think I Am), Jimmy Hughes (Steal Away) and Nancy Wilson (How Glad Am I). If you throw Blues into the “Soul” mix, the great Tommy Tucker song “Hi Heel Sneakers” was out in 1964.
Instrumentally, Al Hirt had a monster hit with Java, The Ventures had Walk Don’t Run 1964, The Marketts had The Outer Limits, and Robert Maxwell had the incredibly cheesy lounge version of Shangri-la. While novelty songs included Jumpin’ Gene Simmons (Haunted House), The Trashmen (Surfin’ Bird) and Roger Miller (Chug-a-Lug).
While Rock was dominant in 1964, there were still some pop (and even folk) songs that made the Top 100 – one of them, doing the “impossible.” Two of the biggest pop hits of the year couldn’t be more different from each other. The third biggest hit of the year belonged to Louis “Satchmo” Armstrong and his Dixieland hit “Hello, Dolly!” Barbra Streisand (who won Album of the year at the 1964 Grammy Awards) had the 11th biggest hit of the year with “People.”
Pop/Folk was also represented by Gale Garnett (We’ll Sing in the Sunshine), The Ray Charles Singers (Love Me With All Your Heart), Dionne Warwick (Walk On By), Al Martino (I Love You More and More Every Day), and Andy Williams (A Fool Never Learns). But the biggest surprise came from an artist who hadn’t had a top 40 record since 1958!
Dean Martin didn’t care for Rock and Roll. With the British Invasion in full swing, there was very little chance of him ever having another hit. His kids loved the new artists. His son, Dean Paul, loved the Beatles. Dean told his boy, “I’m gonna knock your pallies off the charts!” On August 15, 1964 – he did just that with a song that became his NEW theme song, “Everybody Loves Somebody.” (It replaced That’s Amore as his theme song)
The song knocked the beloved Beatles A Hard Day’s Night out of the number 1 spot! It went on to stay at #1 on the Pop Standards Singles Chart for 8 weeks. It also became the theme to his weekly television show in 1965.
I picked 1964 for a few reasons. Despite my initial worry about it being British act heavy, it was the year that introduced us to the Beatles (who changed the music scene forever!). It is also the year that one act held the top 5 spots on the charts (a record that remains in place). It is also the year that my favorite singer of all time bumped the biggest group in music out of the top spot.
It is also a year that encompasses such a vast variety of music. While there may be better songs that appeared before and after 1964, it truly represents a unique time in history. America was still recovering from the loss of a beloved president, there were still Civil Rights issues, and a war in Vietnam. The music of 1964 was a welcome escape from so many things.
Was it all good? No, and that is true of every year. However, as I look at the 100 biggest songs of the year, there are a lot of great songs that have gone on to become classics. There are so many songs that are still looked at as pivotal in the music scene. The fact that many of these songs are still getting airplay today is a statement to just how good they are.
Thanks again to Dave at a Sound Day for allowing me to be a part of this feature. I can only hope that my contribution is worthy of an invite to participate in the next round.
On this day in 1942, Johnny Mercer and Glenn Wallichs launched Capitol Records in the United States. Wallichs was the man who invented the art of record promotion by sending copies of new releases to disc jockeys. It wasn’t until 13 years later, in 1955, that the now famous Capitol Records building was built.
The first artist to record at Capitol was Martha Tilton in April of 1942. She recorded the song “Moon Dreams”
Capitol Records was home to some of the biggest musical artists in history! Here are just a few:
Nat King Cole –
(Mona Lisa, A Blossom Fell, Answer Me My Love, Unforgettable)
Louis Prima and Keely Smith –
(Just a Gigolo, Old Black Magic, Jump Jive & Wail, What is This Thing Called Love)
Peggy Lee –
(‘Deed I Do, Fever, Big Spender)
Dean Martin –
(That’s Amore, Return To Me, On An Evening in Roma)
Frank Sinatra –
(One For My Baby, I Get a Kick Out of You, Love & Marriage, All The Way, Young At Heart)
The Beach Boys –
(Help Me Rhonda, Fun Fun Fun, Surfin’ USA)
The Beatles, John Lennon, Paul McCartney –
(TOO many to list!)
Stan Freberg –
St. George and the Dragonet, Yellow Rose of Texas, Heartbreak Hotel, The Great Pretender)
The Bee Gees, Garth Brooks, The Letterman, Jerry Lewis, Heart, Al Martino, Johnny Mercer, The Steve Miller Band, Katy Perry, Sammy Davis Jr., Tennessee Ernie Ford, Gene Vincent, Bob Seger …. The list goes on and on!
So many amazing singers and talents sang in the Capitol Records studios. Happy Birthday!!
I mentioned to my friend Max that I had hoped to post a Christmas song every day from December 1st through Christmas Day. When it comes to holiday tunes, I could probably post a favorite Christmas song for every day of the year …
At any rate, rather than spend the time to do that, I was asked by a friend to pick my Top 10 favorite Christmas Albums. How can I do that? I have so many! I could easily pick my Top 10 Christmas albums for each genre – pop, country, classical, jazz, etc… So here is what I decided to do. I took a piece of paper and jotted down the 10 albums I felt were “must have” albums for me every year. I couldn’t narrow it down to just 10, so I made it 12.
In no particular order, here is the Holiday Dozen I came up with:
Ok, you gotta have Bing! He was often referred to as “The Voice of Christmas,” and for good reason! It was an album that often accompanied us while we opened gifts.
A great album of great songs – Brenda Lee, Bobby Helms, Stevie Wonder, Roy Orbison, The Drifters, James Brown, and Aretha Franklin are all represented in this amazing collection!
When Charles Schulz was asked to write a Christmas Special, he said he would on one condition – it had to include the story of Christ’s birth. When he chose the soundtrack for the special, he wanted something that he felt could relate to everyone – so he picked Jazz. Vince Guaraldi’s songs are synonymous with Christmas for me.
Growing up, I always disliked The Christmas Song. I guess I couldn’t relate to it as a kid. As I grew up, it became more and more meaningful to me. This album is full of many other fantastic cuts that never get played on the radio.
This one represents the “novelty” side of Christmas! Yes, it includes the Chipmunks, but it also includes some classic novelty songs from Allan Sherman, Bob & Doug McKenzie, Cheech & Chong, and Weird Al Yankovic. It is also one of the few places you can find Stan Freberg’s Christmas Dragnet. Oh, yeah, and that dumb Hippopotamus song is on here, too (but I skip that one).
This is one that a friend told me about. The story goes that a couple of members of the Glenn Miller Orchestra were sitting around talking one day. They asked each other what they thought Glenn would be doing if he were still around. One of them said “Probably working on a Christmas album.” The idea was born. They contacted former members of the Glenn Miller Orchestra and they recorded this one. It is truly a great album and tribute to Miller.
Bing Crosby may have been called the “Voice of Christmas,” but Frank Sinatra was THE VOICE. This collection includes one of my favorites: Whatever Happened to Christmas. You also get his amazing version of Have Yourself a Marry Little Christmas and other classics.
Some great songs from Al Martino, Jo Stafford, Doris Day, Rosemary Clooney, and other pop singers of the 40’s and 50’s.
I have talked about this one before. It is just an amazing album with something for everyone. I love listening to Doc and the Tonight Show Band jamming on songs like Winter Wonderland, Let It Snow, and my favorite version of Jingle Bells! You’ll also love the Children’s Choir and Bell Choir on other numbers.
Mel, of course, wrote The Christmas Song, and I just love to hear his version of it. Nat King Cole’s version doesn’t include Mel’s extra lyric: “Love and joy come to you, and a Merry Christmas, too. And God bless you and send you a Happy New Year.” Known as “The Velvet Fog,” Mel’s voice is perfect on Christmas Time Is Here, The Christmas Medley, Sleigh Ride, and a Christmas version of The Glow Worm.
I have so many favorite Elvis Christmas songs that aren’t on this album, but I love how they have added the orchestra to his classics on this album. Santa Claus is Back in Town sounds so much fuller with them. I only wish that they had done If Every Day Was Like Christmas for this album.
Before both of his Christmas albums were made available, they took tracks from both his “Winter Romance” album and “The Dean Martin Christmas Album” and combined them for this collection. I have both of those albums now, but for one collection – I pick this one. Marshmallow World is one of my favorite cuts!
Various Ramblings of a Nostalgic Italian 