The Music of My Life – Decade Extra – The 2000’s

This is sort of a continuation of the Music of My Life feature. It focused on music from 1970-2025. It featured tunes that have special meaning to me, brought back a certain memory or a tune that I just really like. I found that with the first three decades, there were songs that I didn’t feature. So I sat down with my original lists and selected some songs that “bubbled under,” so to speak.

I figured a good way to present them was to focus on a decade. 10 years = 1 song per year = 10 songs. Two weeks ago we finished looking at the 90’s. This we we’ll move to the 2000’s. So, let’s check out a few “Decade Extras.”

2000

I’m not sure why, but the more I listened to Barenaked Ladies The more I liked their stuff. It always seemed like they were having a good time and always like to have some tongue in cheek kind of lyrics. Pinch Me is no exception.

According to Songfacts, this song is one of the many that the band often change the lyrics to during live performances for comedic effect. Lyrics that are often changed include “And run through with my gym short on” replaced with “no clothing on,” “And change in to drier clothes” to “changing to my sister’s clothes.” When they were on tour with Alanis Morissette, the line was often changed to “change into Alanis’ clothes.”

In the third verse there is a classic schoolyard joke: “I could hide out under there – I just made you say underwear.” This caused a fan trend of throwing underwear on stage during live performances. When this happens, Robertson changes the line to “I just made you throw underwear.”

Bandmember Ed Robertson came up with the concept for the Philip Harder-directed music video, where he plays a fast food worker who daydreams an exciting life with restaurant patrons dancing all around him. One customer is played by Will & Grace actor Eric McCormack, a friend of the band who did the cameo free of charge. The story hit close to home for Robertson, who really did work at a Wendy’s back in the ’80s.

Pinch Me

2001

I suppose this is another one of those great Friday at 5 songs. I don’t know that I ever used it as one on my radio show, but it certainly could work. The song was previously recorded by The Ranch, a short-lived Country trio founded by Keith Urban. It was the Dixie Chicks, however, who would have a hit with Some Days You Gotta Dance.

Urban played guitar on their rendition, but according to Songfacts he kept the female trio waiting. The Australian country star recalled to Rolling Stone: “I got on a bit of a three-day bender and couldn’t come to the session and had to call them and tell them I’m going to be a bit late. Then I would call them and say I’m going to be a bit later. And then I would call them and be a bit later. And I completely missed the session. I lived like a street away. It was ridiculous. I could have walked there with my guitar in hand and I couldn’t make it. I remember just feeling so ashamed and disgusted at myself. I finally [showed up] the next day.”

“I think they brought in another guitarist that ghosted my playing, so I think there are two players on there,” Urban added. “I’m not sure how much of mine actually ended up on there.”

What amazes me about this song is that it was the eighth and final single from their Fly album! That is truly unheard of. At most, usually there are only four singles released from an album. I don’t deny that the album itself was one of the best released that year, but eight singles?!

The song peaked at #7 on the Country chart and #55 on the Hot 100. Is hard not to want to dance to this one.

Some Days You Gotta Dance

2002

As a radio DJ, you get a lot of requests. A lot of times it’s because someone loves a song, sometimes they want to dedicate a song, and sometimes they want to play it in remembrance of someone. It’s hard to believe today, but at one time the DJ was a friend who made their listener feel good with the songs that they played.

That is kind of the sentiment of Van Morrison in a song that not many people know. ‘Hey, Mr. DJ” is a song written by Van Morrison and recorded on his 2002 album, Down The Road. In the song, he pleads with the DJ to play a song that will “Make everything all right.” It was released as a single in the United Kingdom and charted at number fifty-eight.

The Rolling Stone reviewer, David Fricke said, “‘Hey Mr. DJ’ is a requiem for the one-on-one electricity of pre-Clear Channel radio, swinging with sweet brass and the iconic echo of Sam Cooke’s ‘Havin’ A Party.’

The song was originally recorded in 2000 with Linda Gail Lewis, intended for an album entitled Choppin’ Wood. Before the release of the album, Lewis’ contributions to the song were removed and string and vocal overdubs were added.

Hey Mr. DJ

2003

I remember the first time I played Clocks by Coldplay on the adult contemporary station I worked at. I was really hooked from that opening piano and even long after my shift I can remember that piano playing in my head as sort of an earworm.

According to Songfacts, lead singer Chris Martin wrote the lyrics and the piano riff for “Clocks” in 15 minutes in a studio in Liverpool, shortly before Coldplay released the album. Since they didn’t have much time, they put it aside and planned to work on it for their next album. When the band’s manager, Phil Harvey, heard the demo, he convinced them to do whatever was necessary to record it for A Rush Of Blood To The Head, especially since the song deals with the importance of time. Consequently, Coldplay delayed the release of the album by two months to finish “Clocks.”

The song was a favorite of many other musicians. U2’s Bono included “Clocks” on his “60 Songs That Saved My Life” list, compiled to coincide with him turning 60. “I chose ‘Clocks’ because I can hold onto it tighter than time,” he wrote in a “fan letter” to Coldplay. “‘Clocks’ arrived in the nick of time with its Phillip Glass-type arpeggiation and ecstatic exhortation… I just punched the air in a manly, but not aggressive way. ‘They are not a rock band,’ I thought out loud to myself, ‘there is something much more interesting going on… they’re like The Isley Brothers or something.'”

“Clocks” won the Grammy for 2003 Record Of The Year.

Clocks

2004

One of the hardest things about scheduling music on a country station is creating a balance of up-tempo to mid-tempo songs in comparison with slow ballads. Country music certainly has a lot of ballads and a lot of times those ballads are hits at the same time which makes it very difficult to schedule the music so there’s not too many slow songs in a row. I remember that being the problem when Brad Paisley released Whiskey Lullaby.

The subject matter of the song itself is not very happy. As a matter of fact it is a very sad song about a man who gets his heart broken so bad, he drinks himself to death. His ex blames herself for his death and also starts drinking, eventually killing herself with the whiskey as well.

I still remember the line of the song that made me want to add it to our playlist. Songfacts even mentions it: The key line in the song is “He put that bottle to his head and pulled the trigger,” a striking metaphor for what happens when drinking away one’s sorrows will no longer work, and it becomes a method of suicide.

The song is a duet with Alison Krauss, who sings the second verse in the role of the woman and also plays viola on the track.

Despite earning the 2005 CMA for Song Of The Year and also taking Video Of The Year at both the CMAs and ACMs. It was not a #1 Country hit. The way that a song becomes number one is by the amount of plays it gets on the radio. Because of the songs sad and depressing nature, it just didn’t get played as much. What’s interesting is it was never expected to be a single.

The Dixie Chicks were the first act to put the song on hold, but they didn’t record it. Then Brad Paisley heard the tune and spotted its potential as a duet. Country legend Bill Anderson co-wrote the song and recalled:

“Brad called me one day on the phone, and said, ‘I’ve been listening to this ‘Whiskey Lullaby,’ what would you think if I brought a girl to sing on that second verse?’ And I said, ‘I’ve never thought of that. Who do you have in mind?’ And he said, ‘Well, I think there’s only two people who could do it, and I would like to have one of those: Alison Krauss or Dolly Parton.’ And I told him, ‘Well, you don’t have to ask my permission to do that, because I love them both!’ So next thing I knew, they worked out all the contract stuff with Alison and everything fell into place.”

The song is extremely sad, but hauntingly beautiful at the same time.

Whiskey Lullaby

2005

I suppose I don’t remember too much about this year’s particular season of American Idol. But I must have watched it on and off occasionally because I remember when Katherine McPhee sang it. I was really impressed with not only her singing but I kind of like the song too. I’m talking about KT Tunstall’s Black Horse and the Cherry Tree.

From Songfacts:

In The Guardian newspaper of February 24, 2006, Tunstall explained: “One summer, I was traveling in Greece on a little moped and this massive black horse had broken free in an olive grove and was going nuts. It looked apocalyptic: a seed was sown. I wrote the song years later in a tiny studio in Shepherd’s Bush. I was about to tour Scottish coffee shops and was worried about coming across like Phoebe from Friends. At the same time I saw a brilliant guy called Son of Dave who looked like a ginger nylon 1980s’ Elvis: really raw blues with just voice and effects. I got a pedal and one of my techie friends helped me put myself and my guitar through it. It’s probably the most scientific I’ve been, but the song was written in a 10-minute burst. The lyrics where my ‘Heart stops dead’ refer to a heart murmur I had as a baby. I got into this fantasy that my heart felt betrayed and had decided to stop working. The song is about having to dig incredibly deep to find out who you wanna be.”

KT Tunstall says in You magazine November 4, 2007 about granting Katharine McPhee permission to cover her song on American Idol:

“It was a bit of a quandary for me, because I don’t like reality pop shows at all. They’re great TV, but they’re not good for music. When Katharine chose ‘Black Horse,’ she demonstrated a bit of personality in what’s otherwise a puppet show, and that appearance did me a lot of favors.”

Black Horse and The Cherry Tree

2006

I do realize that this is the second song from Brad Paisley on this list. He impressed me from the first time I saw him playing a little local club at a show we hosted.

He is an absolutely amazing guitar player. I was really impressed with the fact that he played every guitar on this particular song. Brad is also one of those tongue-in-cheek kind of artists, and this song is a good example. The World.

It was released on March 13, 2006, as the third single from Paisley’s 2005 album Time Well Wasted. It reached the top of the Billboard Hot Country Singles chart and also peaked at number 45 on the U.S. Billboard Hot 100.

The music video was directed by Scott Scovill. It features a little girl whose older sister finds one of her CDs in the former’s room and yells at her for it. The little girl then opens a little chest that reveals a Brad Paisley concert. She magically appears at the concert, and Brad Paisley gives her his hat. Then when the little girl is in her room again, her older sister comes in to apologize for being mean and permit her to listen to her CDs anytime. The little girl then shows her older sister what’s in the magic chest. The concert shows earth balls rolling around on top of the audience, which has been done at some of Brad Paisley’s concerts. The video peaked at #1 on CMT’s Top 20 Countdown in 2006.

The World

2007

Every once in a while, I will come across a song that I like, just because of the sound of it. That’s why James Blunt’s 1973 wasn’t on my original 2007 list, but is here.

I Like Music asked James Blunt what 1973 meant to him personally. He replied:

“Well I was born in 1978. So I wrote it about a girl called Simona in a song about a nostalgic moment – it’s a celebration of something we did last year in Ibiza. And Pacha originally opened in 1973, but 1973 was also a great year for music, so many fantastic albums came out at that time.”

According to Blunt, the girl “Simona” mentioned several times in the lyrics was based on a real woman whom he met at a club.

I’m not sure why, but I like the sound of this one.

1973

2008

The Fray always seemed to have a song that hit me with deep lyrics. I felt that way with You Found Me.

The starting point for this song was back in 2006 when frontman Isaac Slade found himself pondering why bad things happen to good people after witnessing various crises among people close to the singer. The lyrics for this tune came from these deliberations. Slade said on The Fray’s website that this was a tough song for him to write. He explained:

“Its about the disappointment, the heart ache, the let down that comes with life. Sometimes you’re let down, sometimes you’re the one who lets someone else down. It gets hard to know who you can trust, who you can count on. This song came out of a tough time, and I’m still right in the thick of it. There’s some difficult circumstances my family and friends have been going through over the past year or so and can be overwhelming. It wears on me. It demands so much of my faith to keep believing, keep hoping in the unseen. Sometimes the tunnel has a light at the end, but usually they just look black as night. This song is about that feeling, and the hope that I still have, buried deep in my chest.”

This song was inspired by a dream. Isaac Slade told The Sun February 6, 2009:

“I dreamt I ran into God on a street corner. He looked like Bruce Springsteen and he was smoking a cigarette. I had it out with him and asked ‘Where were you when all this bad stuff was happening to these very undeserving, good people?'” Slade, whose Christian faith is important to him added: “There were tough times. I was questioning my faith, angry at things that had happened in my life and the lives of my friends. A friend had suffered a miscarriage, I had lost my grandfather. I was angry and the song felt angry and hopeless too. I imagined what I’d say to God, in the face of all the crap my friends have gone through in the last couple of years.”

His description reminds me of the country song A Few Questions by Clay Walker. In that song, he questions God about a lot going on the in the world.

You Found Me

2009

I have said in the past that when Lady Antebellum (now Lady A) first came by the studio, I knew they would be a success. They have proved that in many ways. It took them three songs to get their first chart topper and it took them quite a while to get there.

I Run To You was the first #1 on the Hot Country Songs Chart for the group. The track took 26 weeks to climb to the top.

Co-Producer Paul Worley said on the album’s liner notes: “The song is an expression against hate, prejudice, negativity, running the rat race, but ultimately the redemption of love! And it has an irresistible melody and a head-bobbing groove. What could be better?”

While the trio had had two previous hits they really connected with their audience with this song. “Our fans grasped who we were with ‘I Run to You,’ “Hillary Scott told Billboard magazine. “The message and that song is so much about what we’re about. It was like two puzzle pieces fitting together. Now you know us and we know you.”

This won the 2009 CMA Single of the Year Award. Lady Antebellum also snagged the Vocal Group of the Year award at the same ceremony, ending a six-year run by Rascal Flatts in that race.

I Run To You

That wraps up this week. We’ll go one more week in the early 2000’s before moving to the 2010’s and then putting a bow on this feature for good. I hope you enjoyed it.

Thanks for reading and thanks for listening – see you next week.

The Music of My Life – 2008

Welcome back to The Music of My Life, where I feature ten songs from each year of my life. In most cases, the ten songs I choose will be ones I like personally (unless I explain otherwise). The songs will be selected from Billboard’s Year-end Hot 100 Chart, Acclaimed Music, and will all be released in the featured year

In 2008, I turned 38. I was now a father of two boys, one with special needs. I was working in country radio at the time. Still grieving my mom’s passing, my emotions were heightened. Happiness was extra happy, sadness was extra sad, if that makes sense. So let’s get into 2008 and feel all the emotions…..

The first tune was released in January of 2008 and it struck me like a brick to the head. It was a song that really made me stop to realize how I had to take in all the little moments that were going on with my boys, even when I was too upset to do so.

I’ve written about this song before on here. It meant a lot then, and even more now. You’re Gonna Miss This by Trace Adkins blew me away the first time I heard it. It is all about how the things that aggravate you now, are the same things that you will miss in the years to come.

The song written by Ashley Gorley and Lee Thomas Miller. When they first worked on the song, they were so busy writing it and getting it recorded that they didn’t get into the emotion of it. It was only when Adkins recorded it that the duo realized its depth. If you have children, young or old, it hits home.

You’re Gonna Miss This

Natasha Bedingfield’s Pocketful of Sunshine is a song that kind of jumped out of the radio at me. It was one of seven songs that were recorded for her Unwritten album that were included to be “radio friendly” to American audiences. It was a good choice, as it was a Top 5 record for her.

Outside of the rhythm of the song, and the cadence of the vocal, the only other reason I can think of for liking the song is the chorus. The idea of having a bit of sunshine in your pocket, that struck me. On crappy days, you always carry sunshine with you to help you get through. I guess I needed to think about life that way. I had a lot of good going on in my life, and I needed to start focusing on that.

Pocketful of Sunshine

Brad Paisley is not only a fantastic guitar player, he is an amazing songwriter! He can write some of the most beautiful love songs and at the same time a “raise your beer at the bar and get drunk” song. The ones I really like are those where he finds those male vs female angles. That’s the next song, I’m Still A Guy.

The lyrics of this one are just great. Male perspective vs female perspective come verse after verse. “When you see a deer, you see Bambi, and I see antlers up on the wall” is just one example of the fantastic writing of Paisley.

From songfacts.com:

Brad Paisley explained to Great American Country: “I just wanted to capture this struggle a little bit between men and women in a playful way, which is ‘Why don’t you get a little cosmopolitan here and feminize up for me just a bit?’ [laughs] We’re fighting that every step of the way, some of us guys, and ironically in talking to the radio guys, they say the majority of the calls for it come from women, and I think the same thing happened with ‘I’m Gonna Miss Her.’ These women want their men to hear it, and by golly, that is the best way to get a man to hear something is to play it for their significant other. They’re gonna be forced to listen to it. It’s got that nudge-your-partner-with-your-elbow factor to it.”

I’m Still a Guy

“Kid Rock on a country station?!”

Those were the words of more than one country program director when All Summer Long came out. It was one of those songs that hit the Top 40 Chart for both Modern Rock and Country! Because Kid is from Michigan, it made sense for us to play it, but the rest of the country?

Kid Rock explained to MTV News why the song was so big:

“I knew the track was solid – it’s got two of the best songs of all time mashed up together [‘Sweet Home Alabama’ and ‘Werewolves of London’], it’s got great melodies, so really, my work was done. I knew people would hear it and know I wrote it. They’d know it was real, and there’d be that connection. And that’s what’s missing in music today. I think people don’t believe half the s–t they hear some rapper or some pop girl singing about… but with me, they do. And that’s why people have reacted the way they have to the song.”

All Summer Long

The next song is on my list for a weird reason. I can nail the drum line!

Pink told the story of this song: “‘So What’ was a joke. I heard this beat from Max Martin. It’s such a fun beat, so fun. And I was actually kidding when I said, ‘I guess I just lost my husband, I don’t know where he went.’ Ha ha, that’s really funny. Let’s keep it and it just kind of went from there. And it just got more and more wrong. The more lines we wrote, the wronger it was. And we kept it because I don’t really care. I don’t think about the consequences when I write songs and now I am regretting every second of it. No, I’m not.”

At one of our family Christmas parties, one of the brothers-in-law had brought over their Playstation or X-Box with Rock Band on it. He had the guitars, the drum kit and whatever else they needed for the game. So What was a cut on there. I had never even heard the song at the time. I couldn’t do squat on those guitars, but the drums … we’ll I did ok!

Whenever I hear the song, I always remember jamming on the drums to it.

So What

I remember thinking, “Now that’s a great band name!” when I hear of the All-American Rejects. Gives You Hell didn’t mean much to me back in 2008, however, during my divorce it applied to a lot of people.

The group’s front man, Tyson Ritter, told MTV News:

“It’s kind of this tongue-in-cheek way of looking at someone you hate, whether it’s your mom, for some reason, or it’s your teacher at school, or it’s your boss at work. It’s just someone who makes you struggle, and it’s giving them the finger.”

Now, “hate” is a strong word. I certainly don’t hate some of the folks I think of when I hear this song, but I certainly would give them the finger….

Gives You Hell

“Oh, great, Keith has another Nickelback song on his list!”

I have always tried to live by the mantra, “Live every day as if it were your last, someday, you’ll be right.” That’s what this next song kind of meant to me. If Today Was Your Last Day, what would you do with it? It is a song that makes me wonder every time I hear it.

According to songfacts, the song had been around for awhile without ever being completed. Bass guitarist Mike Kroeger noted on the record label’s website, “Chad (Kroeger) brought it out of the vault and the creative juices started to flow.”

If Today Was Your Last Day

Not Meant to Be by Theory of a Deadman was another song that meant little or nothing to me when it was released. But when I was in therapy prior to my divorce, it started to hit me. Let’s face it, not all relationships are meant to be.

The group’s Tyler Connolly wrote the song with Kara DioGuardi at the American Idol judge’s house. He commented in a press release: “Amazing. I went over to her place, drank some wine and we wrote ‘Not Meant To Be’ in 5 minutes. Our writing styles fit together so perfectly it was almost like it was ‘meant to be.'”

“I remember giving Kara the song title and she said, ‘I like that! I don’t I’ve heard of a song with that title.’ So then I just wrote the chords right there on the spot. From there, she started humming the vocal melody and wrote the lyrics off of that. I took it home and finished the rest. The next day I show up with the finished song and she says, ‘That’s a hit.’ Once I sent Roadrunner Records the demo, they loved it.”

It only went to #55 on the charts, so I’m not sure I’d call it a “hit,” but I liked it.

Not Meant To Be

I believe when I blogged about the Trace Adkins song above, I also included this next one from Darius Rucker. Basically, it is the same song, or at least the same theme.

When Darius put out his Learn to Live album, a lot of folks (myself included) wondered how “Hootie” was going to make it singing country. Well, he showed us! He fit the format like a glove! His country stuff was better than some of the established artists at the time (in my opinion). He took It Won’t Be Like This For Long all the way to #1.

He said, “This is about my two daughters. I’ve got a 13 year old and 7 year old. I wrote it with Ashley Gorley and Chris DuBois, who also have daughters. This song may be my favorite song on the record. I love playing it acoustically. We play it when we visit radio stations, and there wasn’t a day where at least two people didn’t cry. We’d just look and count. It’s absolutely bittersweet. When we were writing it, we were talking about how fast our families were growing up. That first week after the baby is born is awful: you’re up all the time. Then when it’s not like that, you miss those times.”

Last night, my daughter asked me to tuck her in. She asked me to sing our song to her, which I haven’t done in a while. It had me almost in tears. The time goes so fast….

It Won’t Be Like This For Long

After Hey There Delilah, I made sure to listen to more of these Plain White T’s fellas. They packed my interest with their sound. 1,2,3,4 is one of my favorites from the decade.

Plain White T’s Lead singer Tom Higgenson wrote it for his girlfriend at the time, Angie Chavez. In the song, he tells her over and over that he loves her, which she makes as easy as counting. This is something I could easily sing to my wife.

The video is well done, too. It shows Higgenson busking in Chicago on a December day in 2008. As he plays, crowds gather and some people recognize him – nobody in the clip is an actor. Throughout the video, we see couples and groups of families and friends with graphics explaining who they are and how they got together. In the end, Higgenson meets up with Angie, and we learn that they met in Chicago.

What a wonderful little love song!

1, 2, 3, 4

Wow, that’s ten songs already. Ok, which hit from 2008 did I miss that is on your list? Tell me in the comments.

Next week, we move into 2009. My list includes a former sister-in-law’s wedding song, a surprisingly powerful song from a Disney kid, a song that tells how every expecting parent feels, a song from a group I knew would be a success the first time I heard them, and one that just makes you feel good and want to dance.

Thanks for listening and reading. See you next week.

The Music of My Life – 2005

I turned 35 in 2005. There was plenty going on in my personal life at this time. We were doing various therapies for my son, who had been diagnosed as being on the Autism spectrum. I had settled into my position at 94-5 The Moose in Saginaw as their afternoon guy and music director. I was certainly loving that. And at some point during the year, my mother’s cancer returned.

At the time, My Space was pretty popular. I was blogging a lot on there. Somewhere, I have a Word document with every one of those blogs. I had to contact them to get them. I had stopped posting there after joining Facebook, and at some point they moved content. I was thankful to get those blogs as they covered the time leading up to my wedding, the birth of my sons and the death of my mom.

I posted a lot about new songs we were playing on the radio, too. A few of them make this list. Let’s head into 2005:

The legendary Ray Charles passed away in 2004, but before he did, he recorded an amazing duets album. Genius Loves Company was the best selling recording of Charles’ more than 50-year career. It was a collection of duets with Norah Jones, Natalie Cole, Elton John, B.B. King, Gladys Knight, Diana Krall, Michael McDonald, Johnny Mathis, Van Morrison, Willie Nelson, Bonnie Raitt and James Taylor.

The album entered the Top 10 on the US album chart more than 40 years after Charles’ previous appearance on that same chart. This broke the record held by another act who also made his comeback with a duets album. In 1993 Frank Sinatra’s Duets reached the Top Ten 25 years after his previous Top 10 album.

Here We Go Again was a song that Ray had recorded in 1967. Then in 2004 he re-recorded this as a duet with Norah Jones for Genius Loves Company. She recalled collaborating with Charles on this song in a 2010 interview with Billboard magazine:

“I got a call from Ray asking if I’d be interested in singing on this duets record. I got on the next plane and I brought my mom. We went to his studio and did it live with the band. I sang it right next to Ray, watching his mouth for the phrasing. He was very sweet and put me at ease, which was great because I was petrified walking in there.”

This song won Grammy Award for Record of the Year and Best Pop Collaboration in 2005 eight months after Charles passed away. In addition Genius Loves Company was awarded Album of the Year among six other awards, as the American music industry paid lavish tribute to him.

Unlike Frank Sinatra and Willie Nelson, Ray Charles’ voice is as strong as ever on this recording. I felt Sinatra’s voice was weak on his duets albums. Willie is still putting out albums and at times he sounds like he’s just speaking the lyrics. Ray, however, sounds fantastic. I love the blending of these two voices.

Here We Go Again

The next song is an example of a song that I first heard in a polka. You read that right – a polka. Weird Al Yankovic has done quite a few polka medleys on his albums. The medley usually contains a verse or chorus from a pop song done as a polka. When I first heard Beverly Hills by Weezer on the radio, I found I liked it.

Weezer lead singer (Rivers Cuomo) explained in an interview with Rolling Stone magazine that this song is about how he could live in Beverly Hills, but he wouldn’t fit in. “I could live in Beverly Hills, sure,” he says, meaning he could afford it easily. “But I couldn’t belong there.'”

Songfacts explains:

The song comes off as satire, but that wasn’t what Rivers Cuomo had in mind when he wrote it. “I was at the opening of the new Hollywood Bowl and I flipped through the program and I saw a picture of Wilson Phillips,” he said. “And for some reason I just thought how nice it would be to marry, like, an ‘established’ celebrity and live in Beverly Hills and be part of that world. And it was a totally sincere desire. And then I wrote that song, ‘Beverly Hills.’ For some reason, by the time it came out and the video came out, it got twisted around into something that seemed sarcastic. But originally it wasn’t meant to be sarcastic at all.”

The music video was shot at the Playboy mansion. It included appearances by Playboy founder Hugh Hefner and some of the Playboy bunnies. Two of those bunnies were Holly Madison and Bridget Marquardt.

Beverly Hills

When I was music director at the Moose, I spoke with a lot of record people. One of the industry folks knew I loved music from the Rat Pack. She asked me if I had heard of Michael Buble’. I hadn’t. She sent me some MP3’s of his music and I was hooked.

The song could have been sung by just about any artist who tours. The lyrics sound as if they could be autobiographical. It is sung by someone who spends a lot of time on the road with great success. With that success, there is sacrifice. He is missing his home, particularly the woman he loves.

Despite the fact that Home only reached #72 on the Hot 100 chart, it was a breakthrough song for him. The song hit #1 on the Adult Contemporary survey in July 2005. Three years later Blake Shelton reached #1 on the Country chart with his cover of Bublé’s hit.

Bublé and Blake Shelton teamed up in 2012 to record a holiday version of this song for Shelton’s, Cheers, It’s Christmas album. The collaboration happened after Shelton sent Bublé an email saying he hoped to record a yuletide-themed rendering of the tune. “I had the idea of doing a Christmas version of ‘Home,'” he said.

This was the song that proved to folks that Michael was more than a cover artist. His original songs are just as good as the standards he records. He is also more than just a Christmas artist. It bugs me that people pigeon hole him and label him like that. He’s one of my favorites.

Home

My on air name was “Keith Allen.” As a music director, I got to hear all the new music before it went on the air. I popped Play Something Country by Brooks and Dunn in the CD player and loved it. On my first listen, I thought they said my name – Keith Allen. I suppose, in a way, they did. But the lyrics refer to Toby Keith and Alan Jackson:

Said, I’m a whiskey drinking, cowboy chasing, hell of a time
I like Kenny, Keith, Alan and Patsy Cline.

I have to tell you my favorite story about this song. When my program director and I first heard this, we said, “That’s a number one song!” We told our consultant that we wanted to add it. He said he didn’t feel like it was a hit. We were both shocked. We both told him that we felt it would be number one. He fought us.

He fought us for a few weeks on this one. He finally said that if we really felt it was a hit, we should add it. We wound up making a wager. I told him that if it didn’t go to number one, we’d buy him dinner. He said if it did hit number one, he would buy US dinner. The week it hit number one, he called us for our weekly music call. When we answered we started giving him restaurants we could go to!

His issue with the song? The “wolf-like” howl of the chorus.

Play Something Country

The next song is one that everyone jokes about on October 1st every year. “Someone needs to go wake up the guy from Green Day!”

This song reminds me of Fastball’s The Way. I say that because it starts with a simple acoustic guitar behind lead singer Billie Joe Armstrong. Then the song kicks in with drums and the rest of the instrumentation. I love the sound of that.

Green Day’s Billie Joe Armstrong wrote this song about his father, who died of cancer on September 1, 1982. At his father’s funeral, Billie cried, ran home and locked himself in his room. When his mother got home she knocked on the door to Billie’s room. Billie simply said, “Wake me up when September ends,” hence the title.

“My father died in September of ’82, and I purposely, up until that point, never went there,” Armstrong said in an interview. “I think really what I was doing was processing that loss that I had with this person that I never really knew. So I wrote that song for my father and about that loss and how 20 years had passed. I remember right after I wrote it, I felt this huge weight off my shoulders.”

Wake Me Up When September Ends

Another country newcomer makes my list this week. I have actually written about him, and the song. Here is that blog:

Tune Tuesday – Must Be Doin’ Something Right

Must Be Doing Something Right

The next song is one of the slowest chart climbers in history. It was on the American Hot 100 chart for 23 weeks before it entered the Top 40. KT Tunstall’s “Suddenly I See” was inspired by another artist, Patti Smith. Tunstall said, “The inspiration for the song was Robert Mapplethorpe’s photograph of Patti Smith on the cover of her album Horses. I was staring at it one day thinking it was incredible. It’s everything I love about music – mysterious, inviting, frightening.”

Suddenly I see
This is what I wanna be
Suddenly I see
Why the hell it means so much to me

“The chorus was me thinking, ‘that’s what I want to be,'” Tunstall told The Guardian. “Not a famous pop star with lots of money, but like this woman who’s living her life as an artist. I’d been trying for more than 10 years to be a professional musician. I was just exhausted from trying to persuade other people I was good enough.”

I remember hearing this song shortly after realizing that my first marriage was over. After all I learned and discovered through therapy, the title spoke to me. Suddenly, I saw just what was going on and I realized that I couldn’t do it anymore.

Suddenly I See

There were some really good country songs around this time. There were many new artists and some really distinct sounds that were on the radio. I was impressed with Josh Turner from the first time I heard him. I couldn’t believe the tone of his low voice.

Your Man is a song that I wish I could have written. Here is a guy who has been thinking about his woman all day long. He tells her to lock the door, turn the lights down low, and play some music.

I’ve been thinking about this all day long
Never felt a feeling quite this strong
I can’t believe how much it turns me on
Just to be your man

That’s LOVE right there!!

I love the entire feel of this song. It’s the perfect song to “sway” to.

Your Man

As the “Nostalgic Italian,” I think it is safe to say that I believe in the power of a photograph. The memories that can come from looking at an old picture just amazes me. My Friday Photo Flashback is always fun to do. I think that is because of the stuff that comes to mind with those old pictures.

I know there are plenty of people who hate Nickelback. However, Photograph is a song that I can relate to in so many ways. (From songfacts): This song is about reviewing the memories (missed and forgotten) from the band’s childhood in Hanna, Alberta. The lyrics are a chronicle of real events and personal landmarks lead singer Chad Kroeger recalled as he wrote it.

“It’s just nostalgia, growing up in a small town, and you can’t go back to your childhood. Saying goodbye to friends that you’ve drifted away from, where you grew up, where you went to school, who you hung out with and the dumb stuff you used to do as a kid, the first love – all of those things. Everyone has one or two of those memories that they are fond of, so this song is really just the bridge for all that.”

Someone once said, “If you don’t think photos are important, wait until they are all you have left.” I couldn’t agree more.

The photograph Kroeger is holding in the video is the one that inspired the song: It’s a shot of him and their producer, Joey Moi, at a New Year’s Eve party.

Photograph

We wrap up 2005 with a One Hit Wonder. Defining a “one hit wonder” isn’t really easy. Most feel it is when the artist fails to have their follow up released crack the Top 25. There are certainly many songs that fit into that category.

Daniel Powter’s album was released in America in 2006. Bad Day was released in the UK in 2005. In the fifth season of Americal Idol, the song was played over a video montage of the contestant that was being sent home that week. This helped the song gain popularity.

Powter is from British Columbia who later moved to Los Angeles. “Bad Day” was his first single released on a major label (Warner Bros.), and his only hit. He later described it as “a blessing and a curse.” Powter said:

“I was touring the world and performing for thousands of people, but I felt like the song was starting to define me. I actually found myself getting almost angry about it.”

This was the top-selling digital download of 2006. This was the star of people prefer downloading songs to buying CDs. It was part of a shift toward digital distribution of individual songs. In America, the album sold 500,000, but the single was digitally downloaded over 3 million times!

My mom was doing chemotherapy and radiation for her breast cancer at this time. She found the song to be inspiring. It basically says that even if you have a bad day once in a while, things will get better. My mom always tried to have a positive outlook. She battled cancer for 10 years and by this point she was tired.

My mom had the gift of gab. She was always on the phone. She assigned Bad Day to be the ringtone for her cell phone. I believe it was on there until she passed away. When I hear this song, I am taken back to those final weeks of her life.

Bad Day

What song from 2005 did I miss that was your favorite? Drop it in the comments.

Next week, we’ll focus on 2006. On my list is a song about a steeplechase runner, a song that became a hit because of Grey’s Anatomy, and a song that was a hit on the Adult Contemporary Chart and the Country charts. It also has a great Drifter’s cover song, one that took on a whole new meaning for me when my daughter was born, and a creative way to insinuate profanity without actually using it.

Thanks for reading and for listening! See you next week.

The Music of My Life – 1999

In 1999, I turned 29 years old. In September of that year, I would venture into a marriage that would fail years later. Two great sons came out of it though, and that was a great thing.

1999 was also the year that I began receiving monthly CDs with new music on them. It was a great was to always be sure to have clean edits of songs and be current. I received my first CD in May of that year and thankfully so!

I had been hired to DJ a prom. It was the first one I had ever done. I had been able to scrounge up some of the “newer” songs thanks to friends. However, a lot of the brand new stuff not in stores yet. (This is probably before I got my iPod and iTunes). Two days before the prom, that CD had the hottest song on the radio at the time. The song was Ricky Martin’s Livin’ La Vida Loca.

That night, I had requests for it and was surprised (and thankful) it was on the CD! I played it at least three times that night and knew my investment was a good one. Those CDs saved me plenty of times.

Frank Sinatra died on May 14, 1998, which was around the time this song was conceived. Co-writer Desmond Child told Songfacts that Sinatra’s music was a strong influence on this song. He said, “Frank Sinatra’s music was coming out of the airwaves, and we were all of a sudden into this Rat Pack idea, and also the Latin Elvis concept that we had for him. So we put that into the songs, as well – there was a swing aspect to it. So the verses were more like that, and then the choruses were all out rock anthems, with horns. Because horns had fallen out of favor, we brought horns back.”

Paul McCartney’s guitarist, Rusty Anderson, played on the song. Co-writer Robi Rosa asked him to put some guitar on some sections that were blank slates. He remembers: “I was thinking more of a James Bond vibe actually. But I kinda liked the way it counter-balanced the song.”

Anderson recorded his guitar work at his studio intending it to just be a demo. “I didn’t have a reverb to print that I was happy with so I figured the mixer would have the perfect reverb in mixdown,” he explained. “That recording turned into the single. When I heard it on the radio, I was shocked that they left it dry!”

Many years later, the song re-entered my life when I took my son to the movies. In Shrek 2, Puss in Boots (Antonio Banderas) and Donkey (Eddie Murphy) sing it as the credits roll.

Livin’ La Vida Loca

Next is a song that I always felt should have been a bigger hit. I Know How The River Feels was a song that was recorded first by country singer Ty Herndon in 1996. His version was never released. Diamond Rio recorded it for their Unbelievable album and it was their third single from it.

I liked it because it gave Diamond Rio a different sound. This was the first song of theirs to feature outside instruments as they added a string section to the arrangement. The song, however, was met with some negative reviews from critics. It only went to #33 on the Country charts.

I love the way the song uses a river with its twists and turns to describe the search for love. Finally, when it reaches the sea – the search, the twists, and the turns – you reach the final destination.

Now I know how the river feels
When it reaches the sea
And finally finds the place
It was always meant to be
Holding fast, home at last
Knowing the journey’s through
Lying here with you
I know how the river feels

I Know How The River Feels

Hey Leonardo by Blessid Union of Souls is a song that I liked for a few reasons. First, the parenthetical title is “She likes me for me.” Isn’t that what love is about? It’s not about the physical things, the status and such. It is about loving a person because they are that person. Next, I like when a song tosses in some pop culture references.

Songfacts says: This song is written in the form of a letter to someone named Leonardo – a reference to actor Leonardo DiCaprio. In the song, the singer lists many celebrities and the qualities they possess making them attractive to women. He emphasizes that while he does not have the same qualities, his girlfriend loves him just the way he is.

The celebrities that are referenced include: Tyson Beckford, Robert Redford, Steve Buscemi and the movie Fargo. It also references opera singer Pavarotti, model Cindy Crawford, Clint Eastwood’s characterization of Dirty Harry, and Jim Carrey in the movie The Cable Guy.

Hey Leonardo

For the longest time I had only ever heard the clean edit of the next song. When I downloaded “Why Don’t You Get a Job” by the Offspring, it was the album version. It certainly was not edited. As I think of the words that are edited from it, I chuckle. They seem tame compared to what words are allowed on the radio today.

Offspring’s Americana album was a concept album. It examined the unpleasant side of life in America. Songfacts says, The song fits the concept by examining how so many people get by in the country without being productive and contributing to society.

If you listen closely, the melody might sound familiar. That is because it is based on The Beatles song “Ob-La-Di, Ob-La-Da,” with some elements of Simon & Garfunkel’s “Cecilia.”

Why Don’t You Get A Job

I’ve told this story before. When the Dixie Chicks first hit the radio, I did not think they would last. I felt that they had too much of a traditional sound and that listeners would not like it. I was wrong and I am glad that they went on to have radio success.

Their album Wide Open Spaces was full of hits. I came to really love the harmonies of the Dixie Chicks, especially on the last single from the album.

The Chicks’ version of “Tonight the Heartache’s on Me” was released in April of 1999. It had been recorded in 1994 by singer/songwriter Joy Lynn White, whose version was much slower. The Chicks version has a tempo and attitude that conveys all the feelings of the lyrics.

I love the play on words in the title. “The next round’s on me” is something you might hear in bars all over the country. The story of the song takes place in a bar. A gal sees her ex walk in with another woman and “Boom” – the hurt is there. “Bartender, pour the wine, ’cause the hurtin’s all mine. Tonight, the heartache’s on me!”

The song is a guilty pleasure, I suppose.

Tonight The Heartache’s On Me

I hate to say that Sheryl Crow is a cover artist, because she is not. However, her cover songs are really good! Take for example, her cover of 1987’s Sweet Child ‘O Mine.

It was originally done, of course, by Guns N’ Roses. The lyrics came from a poem Axl Rose was working on. Songfacts says that “he wrote the song about his girlfriend, Erin Everly, the daughter of Don Everly of the Everly Brothers. After dating for four years, they got married at a quickie wedding in Las Vegas on April 28, 1990, but just nine months later, the marriage was annulled, with Everly claiming abuse.“

The Sheryl Crow version appeared in the Adam Sandler movie Big Daddy. It earned her the Grammy Award for Best Female Rock Vocal Performance in 2000. Her version appears near the middle of the movie right after they take the kid away. The Guns N’ Roses original is also played in the movie (at the end with the credits.)

I think her voice compliments this song very well. Her voice is much better than some of the folks who attempted to sing this when I hosted karaoke!

Sweet Child O’ Mine

The aforementioned green ogre, Shrek, ties in with my next song. I think this is the one that most people associate with the Shrek films. I’m talking, of course, about All Star by Smash Mouth.

Like most Smash Mouth originals, it was written by their guitarist, Greg Camp. He said in a Songfacts interview:

“When we were on tour for the first record, it’s still when people were writing fan mail, like, in the form of paper and pencils and typewriters and stuff,” said Camp. “We would get these big bags of fan mail and we would take them to the Laundromat and do our laundry and read all this mail while we were sitting around waiting for our clothes to get dry. And about 85-90 percent of the mail was from these kids who were being bullied or their brothers or older siblings were giving them s–t for liking Smash Mouth or liking whatever they’re doing or the way they dressed and stuff. So we were, like, ‘We should write a song for fans.’

Before I stopped DJing a couple years ago, this song was still being requested at high school dances.

All Star

It is always great to see an artist from the past make a come back. 1999 was a great year for Carlos Santana!

Most music people are aware of Clive Davis. He is a legendary record executive who has worked with many artists and even appeared on American Idol. He was the mastermind behind Santana’s Supernatural album.

Santana hadn’t had a hit since “Hold On” in 1982, so Davis teamed him with contemporary musicians like Wyclef Jean, Everlast and Lauryn Hill to make sure the younger generation took notice. The result was a wildly successful album that went over well with Santana’s old fans and created a legion of new ones. “Smooth” was the first single; it spent 12 weeks at #1 in the US.

Rob Thomas sang lead on “Smooth,” but that wasn’t the plan. He had never written a song for someone else before, so he jumped at the chance to write a song for Santana. When he finished it, Thomas suggested George Michael, one of his musical heroes, as the vocalist. Arista Records ended up asking Thomas to do the vocals, and when he did, it was in Michael’s style. “If you listen to the melody and the cadence, it’s an attempt to emulate his style in so many ways,” Rob said.

Smooth” won Song Of The Year and Record Of The Year at the 2000 Grammy Awards. Supernatural also won for Best Rock Album and Album Of The Year. Santana picked up a total of eight awards that night.

Fun fact: Santana has the distinction of waiting the longest between his first charting single and first #1 hit. In 1969, “Tango” hit #56 in the US, and 30 years later, “Smooth” was #1.

Smooth

The next song was probably THE ear worm of 1999. It was certainly one of those songs that got into your head. Believe it or not, Lou Bega’s “Mambo No 5” was a cover song! The song was originally done in 1952 by the Cuban-Mexican bandleader Perez Prado. Known as the “King of the Mambo,” Prado recorded numerous mambos. When he ran out of inspiration, he would simply number them. “Mambo No 5” was one of a series of eight.

The difference between the two versions? Perez Prado’s version was instrumental. In 1999, Lou Bega added lyrics to it. By doing so, he transformed it into a love song for several women. Those women: Angela, Pamela, Sandra, Rita, Monica, Erica, Tina, Mary and Jessica. It was reported that the girls he mentioned were all Lou’s former girlfriends. It is probably beyond coincidence that eight of the girls in the song have names that end in “A,” making them quite singable.

Why is it on my list? Because I will forever link it to Barbara Eden. Let me explain. My buddy Steve said to me one day, “Hey. Did you know that you can sing the I Dream of Jeannie Theme song to Mambo No 5 and it fits perfectly?” I looked at him like he was nuts…until I heard it.

So, when you give it a listen, when Lou says, “A little bit of (Girl’s name)…” when he says the girls name, start singing the theme song and watch how it fits. It’s uncanny and it is ridiculous! Now, every time I hear it, that is ALL I hear!

If you’d like me to punch my friend for you, I will.

Mambo #5

Finally, this week a song that I literally just mentioned because of a birth anniversary. Last Tuesday, I featured this for Tune Tuesday and Robert Goulet’s birthday. I didn’t realize that it would coincide with this week’s list. You can read about that here:

Tune Tuesday – A Pixar Classic

…or you can just listen to it here.

You’ve Got A Friend In Me

Alright, which one of your favorites did I miss from 1999? Tell me about it in the comments.

Next week, we enter a new decade with the year 2000. It was a year that seemed SO far away for many of us. We all breathed a sigh of relief when the world didn’t shut down at midnight on January 1st (the Y2K fiasco!). Remember that?

My list next week is straight forward, and has no cover songs on it (I may have to double check to be sure). There are a few songs that strike a chord with me, especially as I celebrated birthday #30. Another good mix comes your way in 7 days.

Thanks for reading.

Urgh! I Knew It Would Be Him!

It seems like we just heard the news that Pat Sajak was stepping down as host of Wheel of Fortune. He’s been at the helm for 40+ years, so the news of his retirement shouldn’t have come as a shock to fans.

It’s been a great run for him, and when the announcement came, the speculation of his replacement was instantaneous. While there were many names that were being tossed around, one name kept coming up as the “obvious” choice – Ryan Seacrest.

I won’t sugar coat this – I hoped that Seacrest would NOT be the new host. As you know, he has been officially named as Sajak’s replacement. This is a disappointment to me. It is bad enough to see him once a week on TV, now that phoney smile will grace televisions 5 nights a week!

I’m sure that he’s a nice guy, and I know he’s a fellow radio guy, but really, there wasn’t ANYONE else they could have picked? Give someone else a chance, dude! Doesn’t he do enough already? Isn’t he making enough money? I may be in the minority here, but I don’t see the appeal. I don’t get why he is so popular.

The only radio I’ve heard him do is the American Top 40, which Casey Kasem used to host. He does ok, but he’s just reading a script that is already prepared for him. It’s not that hard. Casey did the same thing, however, it sounded more genuine.

He’s hosted American Idol for over 20 years (a show that should have been done 15 years ago). I suppose his recorded bits sound good, but he always seems to be more of an annoyance the rest of the time he is on screen.

When he co-hosted that show with Kelly Ripa, I wondered if we’d finally get to see some real interview skills. I never felt that he had what guys like Carson, Letterman, or even Regis Philbin had. I felt like Kelly was carrying the show.

Don’t even get me started on New Year’s Rockin’ Eve! Dick Clark was a master and he obviously saw something in Seacrest. Without Clark, the show hasn’t been the same and I can’t even watch it. It actually bothers me that they still include his name in the title, because it never quite lives up the quality it had when Clark was host.

All that being said, now he will be taking over a game show classic. I fear that it will lose something when he becomes host (much like Family Feud got raunchier when Steve Harvey took over). I am probably dead wrong, because it seems like he can do no wrong, but I feel that this is the beginning of the end for Wheel of Fortune.

I haven’t heard whether Vanna White will leave the show at the end of production this season, but maybe she should consider getting out while she can.