The Music of My Life – 1974

Welcome back to The Music of My Life, where I feature ten songs from each year of my life.  In most cases, the ten songs I choose will be ones I like personally (unless I explain otherwise). The songs will be selected from Billboard’s Year-end Hot 100 Chart, Acclaimed Music, and will all be released in the featured year.  I turned four in ’74, so let’s venture back there and give a listen….

Bob Marley wrote I Shot the Sheriff and recorded it in 1973.  Eric Clapton covered in for his 461 Ocean Boulevard album.  Billboard magazine called his version a “catchy goof of a winner.” Clapton softens up the reggae a bit and it went straight to the top spot on the Hot 100 Chart.

I Shot the Sheriff

June of 1974 was a hot month for music releases as the next five songs all hit the radio in that month.  First, we have a soul hit from the Three Degrees – When Will I See You Again.

Before I go on, let me explain why it is on my list.  I was dating my prom date, Karen, and we often spent evenings driving around and listening to the radio.  There was a “love song” show called Pillow Talk that aired at night.  It always seemed to play on that show and throughout the day on the Adult Contemporary stations.

I think we both thought the name of the song was “Precious Moments” for some reason.  All I can recall is that we both laughed at the “Hoo” and “Hah” at the beginning.  I don’t know about her, but every time I hear it, I think of her and us laughing at that song.

The lead singer on the song, Sheila Ferguson, hated it the first time she heard the demo. She said she’d never sing it because she felt it was insulting to be given a song that “took no talent to sing.” Her thoughts obviously changed after the song’s success, and the group had a #2 hit!

When Will I See You Again

Canadian singer Andy Kim hadn’t had a hit record since 1971 and has lost his record deal in 1973.  He never gave up and created his own label (Ice Records) and used his own money to record Rock Me Gently. 

The song was released in June and hit #1 in September of 1974.  The B-side was an instrumental version of the song and some stations played that, too.  Rock Me Gently was the last Top Ten hit for him.

Rock Me Gently

Long before I was a radio DJ, I was introduced to Wolfman Jack by the Guess Who.  The Guess Who’s Burton Cummings explained that the song began as a jam and was originally called “Clap For Napoleon.” As they were appearing on NBC’s Midnight Special a few times in 1973 (they hosted the show in ’74), they changed the lyric as a tribute to the show’s host, the late Wolfman Jack. The Wolfman can be heard throughout the song.

In his autobiography Have Mercy!: Confessions of the Original Rock ‘n Roll Animal, Wolfman Jack singles out Burton Cummings for adding his name to the song and taking him on tour to promote it. According to the Toronto Sun, the Wolfman quit his job at WNBC (where he enjoyed “$350,000 – plus a secretary, a chauffeured limousine, a bodyguard, and a well-ventilated private room at Rockefeller Center for the smoking of dope in”) to go on tour with The Guess Who.

Clap For The Wolfman

You would think that if someone wrote a song called Sweet Home Alabama, they’d be from there, right?  Nope.  None of the writers hailed from that state. Ronnie Van Zant and Gary Rossington were from Florida and Ed King was from California.

Lynyrd Skynyrd enjoyed a top 10 Hit with the song that will forever be recognized by that wonderful guitar intro.  Gary Rossington explained the writing process: “I had this little riff. It’s the little picking part and I kept playing it over and over when we were waiting on everyone to arrive for rehearsal. Ronnie and I were sitting there, and he kept saying, ‘play that again’. Then Ronnie wrote the lyrics and Ed and I wrote the music.”

Sweet Home Alabama

You can blame my mother for the next entry on the list.  She loved listening to “easy listening” stuff and this was one that she always sang along with (when she remembered the words).

Annie’s Song was written by John Denver for his wife, Annie.  She explained, “It was written after John and I had gone through a pretty intense time together and things were pretty good for us. He left to go skiing and he got on the Ajax chair on Aspen mountain and the song just came to him. He skied down and came home and wrote it down… “

The song was on his album Back Home Again and was his second number-one song in the US, occupying that spot for two weeks in July 1974.

Annie’s Song

Everlasting Love was originally a hit in 1967  by Robert Knight and there are plenty of cover versions.  My favorite version has to be by Carl Carlton.

Carl himself chose to record the song as he liked David Ruffin’s version from 1969.  It was originally released as a B-side in 1973, but it was remixed with a disco beat and released as a single in 1974.  It was a disco staple at discotheques all across the country.

Everlasting Love

In 1964, Chuck Berry wrote Promised Land basing it on the melody for Wabash Cannonball.  He wrote the song while he was in prison.  He borrowed an atlas from the prison library and he plotted out all the stops from Norfolk to California.

In 1974, it was Elvis who recorded a version of this great story song that is faster and makes even the hardships experienced by the “poor boy” sound fun. It became the title track for Elvis’ 1975 album.

Promised Land

I certainly cannot imagine the next song as a country song, but believe it or not, that was the intention.  In 1953 Peter Radcliffe wrote You’re the First, My Last, My In-Between but it was never recorded. That is until Barry White rewrote the lyrics in 1974 and recorded it with a disco beat as You’re the First, My Last, My Everything.

Most of the lyrical changes came to Barry during a rough recording session when it didn’t seem like the song was going to pan out. “I went into the studio and made up my own melody all the way through. Half of the words in it I changed right in front of the microphone.” When Peter Radcliffe heard the final result, he cried.  The song went to #2 on the charts.

I always loved how Barry always seemed to have some sort of seductive talk before he sang.  One morning we discussed this on our radio show.  My partner dismissed it by saying, “Hey, there ain’t nothing better than two minutes and forty two seconds of Barry White saying cool things!”

You’re the First, My Last, My Everything

My final song from 1974 comes from  Michigan’s own Grand Funk Railroad.  This would be a bigger hit in 1975 because it wasn’t released until December of 1974. It actually went on to become the sixth biggest hit of 1975.

Some Kind of Wonderful was originally recorded by the Soul Brother Six in 1967, but it barely cracked the Top 100, only reaching 91.  Grand Funk recorded it for their album All the Girls in the World, Beware!  It would reach #3 on the charts.

Grand Funk drummer Don Brewer explained, “We used to listen to a station called WAMM, which was a black station in Flint (Michigan). We all grew up on R&B, gospel and soul music, and they used to play the Soul Brothers Six version of that song all the time on WAMM radio in the ’60s. When we were traveling around the country, I used to start singing that song in the back of the car a cappella, and everybody would just kind of jump in and sing along with me – ‘I don’t need a whole lots of money, I don’t need a big fine car.’ We’d kind of shear off on the choruses and stuff, and our manager said, ‘That’s a great song, why don’t you record it,’ so we recorded the song and it became a huge hit.”

I love stories like that!

Some Kind of Wonderful

That wraps it up for 1974.  Did I miss one of your favorites?  Tell me about it in the comments.

See you next week in 1975.

Tune Tuesday – Baby, I Love You

This song is one of many that takes me back to the first home I lived in. I remember my dad’s stereo system and the rack of vinyl albums he had on it. My dad and mom often played records on weekends as the cleaned the house. I wish I could remember the album that this one was on, but I can’t. It was obviously some sort of “Pop Hits” collection because I remember Steam’s Na Na Hey Hey Kiss Him Goodbye being on it, too.

“Baby, I Love You” was already a hit. In 1964, the Ronettes took it to number 24 on the charts. Andy Kim, however, had the bigger hit with the song (taking it to #9 in the US and #1 in Canada). I have always liked Andy’s version better. 

According to songfacts.com: The song was written by Jeff Barry, Ellie Greenwich and Phil Spector. Barry and Kim often worked together, and one day Kim was in Barry’s office, where he discovered the sheet music. The song wasn’t big in Canada, so Kim had never heard it before. He started playing it on his guitar, and when Barry heard him, they decided to record it with Barry producing. It was used as the lead single and title track to Kim’s 1969 album.

The thing I love about his version is the sound of it. That entire intro was something that immediately struck a chord with me. It has such a unique sound. Songfacts.com explains just how that “sound” was accomplished: 

Kim was ready to quit the music industry when he recorded “Baby, I Love You.” He hadn’t experienced any chart success since “How’d We Ever Get This Way,” which was on his debut album (also titled How’d We Ever Get This Way), released in 1968. Then, while recording “Baby, I Love You,” producer Jeff Barry (who cowrote The Archies’ #1 “Sugar Sugar” with Kim) got so frustrated that he shut the session down and let the band go. He instructed Kim to go to the “big room” of A&R Recording studios and to rent five guitars. Kim sat on a stool in the center of the enormous room and focused on playing guitar while Barry clapped the tempo in the studio. After Kim laid down recordings on the five guitars, and Barry patched those together for the sound we hear in the final recording.

Kim released “Baby, I Love You” on May 24, 1969 – the same day The Archies’ “Sugar, Sugar” went live. The songs were both milestones in Kim’s career. In 1974, he released his biggest hit, “Rock Me Gently.”

When I hear this one, I am taken back to when I am 5 or 6 years old. 

Baby, I Love You

Have I ever told you
How good it feels to hold you
It isn’t easy to explain

And though I’m merely trying
I think I may start crying
My heart can’t wait another day
When you touch me I just got to say

Baby I love you
Baby I love you
Baby I love you
Come on baby na na na na na
Come on baby na na na na na

I can’t live without you
I love everything about you
I can’t help it if I feel this way

And I’m so glad I found you
I want my arms around you
I want to hear you call my name
Tell me baby that you feel the same.

Baby I love you
Baby I love you
Baby I love you
Come on baby na na na na na
Come on baby na na na na na

My heart can’t wait another day
When you touch me I just got to say

Baby I love you
Baby I love you
Baby I love you
Come on baby na na na na na
Come on baby na na na na na

Baby I love you
Baby I love you
Baby I love you
Come on baby na na na na na
Come on baby na na na na na

Turntable Talk – Cover Me

This blog is part of the next installment of Dave from A Sound Day’s Turntable Talk. This time around, the subject is “cover songs.” Per our instructions:

This time around, wanting to get your thoughts on Cover Songs…what makes a really good one, maybe what your favorite bold one is. Do you like ones really faithful to the original, or ones that spin it in an altogether direction? Or conversely, what one is atrocious to you & why.

By ‘bold’ I mean covers of songs that were already known, and hits. I won’t set any minimum guidelines but as examples, most people never heard The Arrows version of ‘I Love Rock n Roll’ or The Clique’s ‘Superman’ so it was easy for Joan Jett & REM respectively make them their own.  But to do a Beatles song, like Joe Cocker did only a couple of years after the original was released… that took …something. 

So what cover songs work great for you?

Cover Songs

If you do a Google search on “cover songs,” there are plenty of links to articles containing lists of “the best” ones. There are also links to video’s that feature countdowns and lists of “best and worst” cover songs. Those lists, no doubt, will include: Twist and Shout by the Beatles, Proud Mary by Ike and Tina Turner, Hurt by Johnny Cash, Last Kiss by Pearl Jam, Mony Mony by Billy Idol, All Along the Watchtower by Jimi Hendrix, and many many more!

Many people are unaware that some of their favorite songs are actually cover songs. A lot of the early Rolling Stones and Beatles songs were actually covers of songs they loved by other artists. In a way, a cover song is the ultimate “hat tip” to a band’s early influence.

Personally, I tend to love cover songs. If you were to grab my iPod, that becomes very clear! I recall a time when I was married to my ex-wife and her iPod was dead. She wanted to go walk and asked if she could take mine instead. Upon returning home, she said to me, “How many different versions of a song do you need?!”

Cover Song Example

Dave asked “what makes a good” cover song? He also asked, “Do you like ones really faithful to the original, or ones that spin it in an altogether direction?

It is difficult for me to say what exactly makes a good cover song because I think it can be one that is faithful to the original, spun in a different direction, or a mixture of both of those elements. Take for example, the Rodgers and Hart song – Blue Moon.

The song was written in 1934. There were recordings made as early as 1935. One of the best known versions is the Doo Wop hit from 1961 by the Marcels. Dean Martin did a stripped down version with piano and drums that was performed as a slow ballad. Frank Sinatra’s version was more “swingy”. Sam Cooke’s “bounced” and in 1997 a swing band called the Jive Aces covered it as a bouncy boogie woogie sounding cover. Every single version I mentioned, I like for different reasons.

Some of My Favorite Covers

If I were to make a list of all the cover songs I have on my iPod and feature one a day on my blog, I would have enough songs to write about for about 6 months! Instead, I grabbed a piece of paper and off the top of my head started jotting down the cover songs that came to mind. I gave myself 5 minutes to do this and came up with about 18 songs. The reality is that I know that I will complete this blog and after it posts say, “Oh, man! I forgot (insert cover song here)!” That’s ok.

While it may be hard for me to tell you exactly what I love about cover songs, maybe by giving some examples of some of my favorites, the music will answer the question for both of us.

The first three I came up with are all from movie soundtracks. There is no shortage of cover songs in the movies. These covers will often give new life to old songs – examples include Sweet Child of Mine by Sheryl Crow from Big Daddy, Hallelujah by Rufus Wainwright from Shrek, Hazy Shade of Winter by the Bangels from Less Than Zero, Girl You’ll Be a Woman Soon by Urge Overkill in Pulp Fiction, and, of course, I Will Always Love You by Whitney Houston in The Bodygaurd.

Johnny B. Goode – Marty McFly and the Starlighters

From Back to the Future, this is the song Marty McFly plays at the Enchantment Under the Sea Dance. In the movie, He goes off on a Eddie Van Halen type solo and the entire crowd looks at him stunned. On the soundtrack, however, there is a full version with an additional verse not in the movie. What I love about this version is the stripped down instrumentation, the saxophone and piano, and the whole feel of it. It really sounds like an “early” version of the song. It’s actually quite good.

https://youtu.be/RelL4BS2lEQ

All Shook Up – Billy Joel

From the soundtrack of Honeymoon in Vegas, which contains some very good Elvis covers. This one is my favorite. It has the feel of the Elvis version, with a little “boogie woogie” piano feel to it. Simple background vocals enhance the Billy Joel version. One addition I love is the bass drum hit after he sings, “I’m in love ….”

https://youtu.be/IsktHpH5QGk

I’m Ready – Taj Mahal

I stumbled on this by accident. This cut was used in the movie Little Big League. I’ve always been a fan of Fats Domino, but this version is just so much better. It has “meat” to it. The driving bass line keeps it moving, the piano is still there, and those saxes in the background – LOVE them. Add the electric guitar and Taj Mahal’s vocal to the mix and it is just perfect! This is one that I find myself listening to at work when I need a “pick up”

https://youtu.be/KZkRSP2oe8c

Sea of Love – The Honey Drippers

Phil Phillips did the original of this, but how can you NOT love this version?! First and foremost, you have Led Zeppelin’s Robert Plant and Jimmy Page as well as Jeff Beck in the group! Add a beautiful string arrangement and background singers to compliment them and you have a top 5 record!

https://youtu.be/2BoUzzFXuVU

Tainted Love – Soft Cell

Not many people are aware that this is actually a cover song. It was originally done in 1964 by Gloria Jones. The song was written by Ed Cobb, who was in the Four Preps, and was actually the B-side of a song called My Bad Boy’s Comin’ Home. The original had a “Motown” feel to it, while Soft Cell certainly has more of an 80’s feel to it.

Here is Soft Cell: https://youtu.be/22mYcScS_88

Here is the original: https://youtu.be/NSehtaY6k1U

Hard to Handle – Black Crowes

This one was written and recorded by the legendary Otis Redding. Otis’ version is already great, but I love this one equally. It certainly has a great feel to it. It doesn’t sound dated at all. It’s funky and a great jam!

https://youtu.be/BRcs_OzQb14

You’re Sixteen – Ringo Starr

The original was done by Johnny Burnette, who was known for rockabilly, in 1960. It’s not that I dislike the original, I just think Ringo’s version is … more fun. For years I thought Paul McCartney was playing Kazoo in this, however, one article says, “Michael Verity has quoted the song’s producer Richard Perry as revealing that it wasn’t actually a kazoo: “In fact, the solo on ‘You’re Sixteen,’ which sounds like a kazoo or something, was Paul singing very spontaneously as we played that track back, so he’s singing the solo on that.” Ringo’s version remains one of the few No. 1 singles to feature a ‘kazoo-sound’ solo. (It sure sounds like a kazoo to me!) I also love the driving piano bassline in his version.

https://youtu.be/vkR7u_sOtHI

I’m Down – Aerosmith

Originally done by the Beatles, this is almost a carbon copy of the Beatles version. I like it because I think Steven Tyler’s vocal perfectly fits the song.

https://youtu.be/oYGmtGnhdks

Look at Little Sister – Stevie Ray Vaughn

I picked this song in the recent song draft and you can read about it here:

https://nostalgicitalian.com/2021/08/10/song-draft-2021-round-3-look-at-little-sister-hank-ballard-stevie-ray-vaughn/

Steamroller Blues – Elvis

Elvis did his share of covers, and this is one that comes from his Aloha From Hawaii concert special. I have always preferred this version to the James Taylor version. To me, it is more “bluesy.” I love everything about this cut!!

https://youtu.be/4vAuXP4hIoo

Baby, I Love You – Andy Kim

This one was originally done by the Ronettes in 1963 and featured Phil Spector’s “wall of sound.” Andy Kim recorded his version in 1969 and had a top 10 hit with it. It mimics the “wall of sound” but if you listen in headphones, there is a lot of little stuff going on in the background – jingle bells, glockenspiel, castanets, and more. I remember hearing it a lot as a kid.

https://youtu.be/kdrpRKiVwi8

Since I Met You Baby – Dean Martin

This remake I stumbled on by watching MTV!! The original was done by Ivory Joe Hunter in 1956. I remember seeing the Title and Artist show up on the bottom left side of the screen when the video started and couldn’t believe that Dean Martin was on MTV. He recorded it for his The Nashville Sessions Album and I love that it stays true to the original, yet is purely Dean.

https://youtu.be/9Ls6X0-rgd4

Think – Joan Osborne

It better be good if you are covering the Queen of Soul, Aretha Franklin, and this one is! Aretha did the original in 1968 and then covered herself for a version in the Blues Brothers. I don’t remember how I stumbled on Joan Osborne’s version, but it is different enough that I love it. It has such a cocky attitude to it. Dig it –

https://youtu.be/RNskLOOwvvI

Mustang Sally – Buddy Guy

Originally done by Wilson Pickett, this is one of greatest soul songs of all time! I heard this on the Blues channel on Sirius XM and fell in love with it. I’ve always dug Buddy Guy and while this stays pretty true to the original, it has a sound of its own!

https://youtu.be/eAyFynJXe4g

Blue Suede Shoes – Elvis

Carl Perkins seemed to have all of his songs covered and many times, his songs became associated with the other artist rather than him. That’s the case with Blue Suede Shoes – it is Elvis. Elvis’ version is so much better than Carl’s in my opinion.

https://youtu.be/HeXnFx7aPOE

Your Cheating Heart – Crystal Shawanda

Originally done in 1952 by the late Hank Williams Sr. this takes a whiney and twangy song and cranks it up about 10 notches. We had Crystal in for a show when I worked at the country station and she was fantastic. This was on her debut album. I’m not sure she isn’t a huge star. Her voice is amazing and she is very talented.

https://youtu.be/GLVYxAKT12g

Dirty Laundry – Lisa Marie Presley

Written by and a hit for Don Henley, I have always loved this song. The content of the song is about mass media and how they exploit just about everything. Henley had a top 5 hit with it. I didn’t even know that Lisa Marie Presley had done this song until I heard it on some Pandora playlist. Her vocal is sultry and sells the content lyrically. A great cut!

https://youtu.be/u9_Bf1pVWOk

As a bonus – here is a live and unplugged version:

https://youtu.be/8jUBEj_8x5s

Please, Please, Please – Delbert McClinton

A cover of James Brown’s classic! James has a hit with this in 1956 and it went top 10 on the R&B charts. I think Delbert McClinton is someone who just doesn’t get enough praise for all he does. He’s a singer songwriter who can play many instruments and has released many albums. This version comes from his Honky Tonk and Blues album, which is a personal favorite.

https://youtu.be/HCs8m27CiCM

Call Me Irresponsible – Michael Buble’

Jimmy Van Heusen composed this song in 1962 with lyrics by Sammy Cahn. According to Mel Torme’, the song was written for Judy Garland to sing on her TV show. It was written as a parody to her well-known problems. Many people have done versions on the song – Frank Sinatra, Bobby Darin, Eddie Fisher, Julie London, and more. Michael Buble’ used this as the title track for his 2007 album. It get’s me right from the opening “walking” bass lick. Buble’ has made a career out of covering so many songs from the Great American Songbook, as well as many originals. He has a great band backing him and he sings this effortlessly.

https://youtu.be/oj_eUUaWBu0

Ok – Just One That I HATE

Lean on Me – Club Nouveau

I love Bill Withers. he wrote and recorded this for his 1972 Still Bill album. It was a smash and was a number 1 song. I never cared for the cover version. Yes, it stayed very close to the original, but I just never cared for the arrangement at all. It’s almost annoying to me. It is actually playing in my headphones as I am typing this. To me, the whole 80’s synth sounds just sound out of place. Not to mention the whole “We be jammin” part – URGH!! One good thing about this was that it won a Grammy for Bill Withers as the writer for Best R&B song.

I reluctantly post the link to the video here ….

https://youtu.be/kbyjaUJWWmk

Final Thoughts

So what can we say about cover songs? Are they done as a tribute to the original artist? Are they done because it’s a favorite to perform? Are they done to “improve” on the original? Are they done because an artist feels it should be presented in a different way? Who knows, really!? One could easily ask the same questions about all the crappy movie remakes that have come about.

Some of my favorite concert memories are hearing the singer do a song that is totally unexpected. My favorite memory of the Billy Joel concert I attended wasn’t Piano Man. It was when he talked about loving the Motor City and breaking into his own version of I Heard it Through The Grapevine! Magical!! Aaron Tippin played a county fair for us and one point he threw on a fedora and sang Fly Me To the Moon, which blew my mind! Very cool songs – never released – but covers, nonetheless.

In the end, a good song is a good song. I love listening to a great song done by many other singers. It says something about the song melodically and lyrically. I don’t always love the cover, but that’s ok. It’s fun to hear the artist’s take on it.

I want to thank Dave for allowing me to ramble on and on about this month’s topic. I’ve wanted to feature cover songs on my site, but just couldn’t figure out how to present it. I guess I better stop typing because the more I think about it … the more songs are coming to my head!

Thanks for reading!