The Music of My Life – 1991

Welcome back to The Music of My Life, where I feature ten songs from each year of my life.  In most cases, the ten songs I choose will be ones I like personally (unless I explain otherwise). The songs will be selected from Billboard’s Year-end Hot 100 Chart, Acclaimed Music, and will all be released in the featured year.

1991 saw big changes for me.  In April, a former coworker called to ask if I wanted a full time radio job at his station.  It was a small market on the west side of the state (In Ludington). My girlfriend at the time and I had just had a big argument and I figured “Why not?!”

I was all by myself, in a place where I really only knew one person, at a job that decided to pay less than what I was told when I moved.  It was lonely and I struggled a lot.  The day I turned 21, I went to the store to buy beer and they never even carded me!

That summer would be one of my favorite summers.  Michigan’s West side is just beautiful.  I had never seen sunsets like those before!  They were breathtaking. 

Musically, there were some powerful tunes released in 1991.  Some of them wouldn’t play into the events of my life for a few years, but when they did …

The first pick from ’91 is a song that I have found people either love or hate.  I’m not sure why. Personally, I love the guitar sound and the harmonies in it, and I love the lyrics.

More Than Words is a song that was written by Gary Cherone and Nuno Bettencourt of Extreme.  Nuno says, “The word ‘love’ itself gets really diluted, so we just wanted to say, ‘It’s not really about saying it,’ because everybody gets really worked up when somebody says that to each other. They say, ‘I love you,’ and everybody goes, ‘Oh my God! It must be serious. It must be heavy.’ It’s like, ‘Eh… it’s easy to say that.’ It’s really about showing it constantly and continuously in a relationship. We knew that was the message.”

The song was a huge hit for them.  People who rushed out to buy their albums were quite surprised when they heard that the band primarily played Rock music.  The band has called the song “both a blessing and a curse.”

More Than Words

R.E.M. had released the very thought provoking Losing My Religion from their Out of Time album as their first single.  Their follow up was a song that could not be more different! That song was Shiny Happy People.

Michael Stipe calls this “A really fruity, kind of bubblegum song.” In an interview with The Quietus, he said that he was a bit embarrassed when it became a big hit, but it’s an important song because it shows a different side of him. Said Stipe:

Many people’s idea of R.E.M, and me in particular, is very serious, with me being a very serious kind of poet. But I’m also actually quite funny – hey, my bandmates think so, my family thinks so, my boyfriend thinks so, so I must be – but that doesn’t always come through in the music! People have this idea of who I am probably because when I talk on camera, I’m working so hard to articulate my thoughts that I come across as very intense.”

Kate Pierson from the B-52s sang backup. She was in demand for her distinctive vocals after the B-52s achieved mainstream success with Love Shack.

In 1999, R.E.M. performed this on Sesame Street as “Furry Happy Monsters.” Kate Pierson’s part was performed by a Muppet that looked like her, voiced by Stephanie D’Abruzzo, a Muppeteer who was also a huge fan of the band.

Guitarist Peter Buck has two daughters who were big fans of the show. “You just looked around,” he recalled to Mojo in 2016, “going, Man this is a weird way to make a living.”

I had heard the song on the radio but it wasn’t until I was sitting at home watching Sesame Street with my oldest that I gained an appreciation for it. 

Shiny Happy People

My next one had been on my iPod for years before the lyrics really hit me.  My ex and I were at a point where all we did was argue.  It was a very unhappy situation. 

It was after an argument that I was in the car and heard Mariah Carey’s “I Don’t Wanna Cry.” Those lyrics were something I could have wrote;

Once again we sit in silence
After all is said and done
Only emptiness inside us
Baby look what we’ve become
We can make a million promises
But we still won’t change
It isn’t right to stay together
When we only bring each other pain

It stung, but it was true.  The end was upon us.

This was Mariah’s fourth consecutive #1 hit on the Hot 100, making her the first solo artist and female artist in Billboard history to have their first four singles top the chart.

I love her vocal and the guitar work in this one

I Don’t Want to Cry

Long before I stood next to a very drunk Hank Williams Jr at a urinal in Nashville, he had put out an album in ’91 entitled Pure Hank.

One of the singles that was released was If It Will It Will.  It’s very easy for us to get caught up in worry, but worry isn’t good for us.  Hank’s simple advice is something we should all remember,

“If it will, it will.  If it won’t, it won’t.”

The weirdest thing about this song is the video.  Right at the beginning, Little Richard shows up.  To me, he’s out of place and isn’t utilized very well. Even when he does sing along, you can barely hear him. The song, however, is a favorite.  It starts off with a  bluesy vocal/introduction and then kicks.

If It Will, It Will

As I compile these lists for each year, I always seem to stumble on one that could be used for another feature. The next song would certainly work for my Movie Music Monday feature. It was a big hit from the Robin Hood: Prince of Thieves soundtrack.

(Everything I Do) I Do It For You was written to order for the movie. It was initially written by American film composer Michael Kamen. The middle eight, break, outro and arrangement added by Bryan Adams and producer Mutt Lange. Adams used a line in the movie, “I do it for you…” as the basis for the song, and they had it written in about an hour.

The song didn’t meet with Hollywood approval. The film company wanted the song to have an instrumentation that was in line with the film’s era. Can you imagine the song featuring lutes, mandolins, and the like? The film company eventually relented, but still buried the song midway through the credits. They were obviously unaware of the huge hit they had on their hands.

The reason it made my list is because of an ex-girlfriend. It is not because it was “our song” or anything like that. She asked me if I knew the song. Naturally, I did. It was a big bridal dance song. She told me to listen to it again, but to listen to it as if God was speaking the words (making changes to tense and such).

You can’t tell me it’s (your) not worth dying for
You know it’s true
Everything I do (did)
I do (did) it for you

I had never thought of it that way before. I always remember that conversation when I hear the song.

(Everything I Do) I Do It For You

I love Bonnie Raitt. I love listening to her sing and watching her play. She is blues. She is country. She is pop. She is folk. She is something!

She was no stranger to the music scene. Her first album came out in 1971! She also did some session work. She’s collaborated with artists like John Prine, Jackson Brown, The Pointer Sisters, Warren Zevon and Leon Russell. She finally had some success in 1989 with her award winning album Nick of Time.

The first time I heard Something To Talk About on the radio, it stuck out to me. It was so different. As a blues fan, I could hear that blues influence and I feel in love with the song. The song would go on to be her biggest chart hit in the United States, rising to #5.

She was never a singles act, but after her four Grammy wins for the album Nick Of Time, her songs started getting radio play. With radio play, they began showing up on the chart. “Something to Talk About” was the lead single to her next album, Luck of the Draw. Because of her prior success, the song was highly anticipated and radio jumped on it. The song won a Grammy Award for Best Female Pop Vocal Performance. Bonnie beat out Oleta Adams, Mariah Carey, Amy Grant and Whitney Houston.

Sadly, it is also a karaoke favorite that is destroyed by many a “wanna be” singer in pubs everywhere! I’ll take the original, thank you.

Something To Talk About

The next song is on the list not because of the content, but the title. “Things That Make You Go Hmmm” became a sort of catch phrase. Arsenio Hall used it on his show all the time. I still hear people using it today!

C+C Music Factory was a dance floor staple when I was DJing. “Gonna Make You Sweat” is still one that I hear when I go to weddings. “Things That Make You Go Hmmm” was a huge dance song when it came out. It had a cool dance beat and some catchy lyrics.

Songfacts says this:

In the early ’90s, before gangsta rap took hold, rap songs were often lighthearted and clever, telling self-deprecating stories over dance grooves. Examples of this would be “Bust a Move” and “Funky Cold Medina.”

I think that is why that early 90s rap is still popular today. They really were very clever. They were also light on profanity. It isn’t odd to see “MF” and other profane words right in the titles as time goes on. That always made me laugh because how can anyone like a song where 75% of the lyrics are bleeped out? I guess that’s one of those … Things That Make You Go Hmmm….

Things That Make You Go Hmmm

The next song was one that was never released as a single. I became familiar with it after my grandfather passed away in 1994. I was extremely close to my grandpa and was heart broken when he passed. I received Reba McEntire’s For My Broken Heart album from my dear friend Allyson.

We both have birthdays in May and when life wasn’t so complicated, we’d meet for coffee or lunch to celebrate. She gave me this CD as a gift. She mentioned that she knew I was still grieving the death of my grandpa. She told me she thought of me when she heard the song, If I Had Only Known.

Quick background on the album. Reba recorded this album after losing many members of her touring band in an airplane crash. In her liner notes she says the album is “a form of healing for all our broken hearts.”

When I listened to this song for the first time, I thought about my grandpa (as Allyson had suggested). It moved me to tears. A decade later, I would hear it and think of my mom, too.

The lesson of the song? If we were aware that we were experiencing the “last” of something, we’d live life a bit differently.

If I Had Only Known

I always love to hear stories about how a song almost didn’t happen. That was the case for I Can’t Dance by Genesis. It came from a mix of a Jam session and writing session.

The lyrics are made up of bits that Phil Collins improvised in the studio. When they started working on it, they decided to just write spontaneously to keep from over-thinking it. Mike Rutherford first created the main riff of the song he called “Heavy A Flat.” Which led Phil to suddenly improvise the basic concept for “I Can’t Dance”. The riff was actually inspired by a Levi Strauss & Co. television commercial.

Originally, the band did not think of it as anything more than a joke recording that would be discarded quickly. They felt this way because the song was too simple, too bluesy, and unlike Genesis’ style. Tony Banks said, “It was one of those bits you thought was going to go nowhere. It sounded fun but wasn’t really special.”

When Banks decided to add keyboard sound effects to complement Rutherford’s playing, “I Can’t Dance” took on an entirely different feeling. The band came to appreciate the sly humor inherent in the song and chose to not only record it properly, but to put it on the album as a single.

The video created a lasting image thanks to the “silly walk” the three band members did. This walk was something Phil Collins did from time to time. He got the idea for it when he attended drama school and noticed that the worst dancers would always lead with the hand and foot on the same side. The dance has become sort of iconic.

I think that I relate to this song in that I can’t really dance. I sway when slow dancing. Fast dancing? HA! Forget it. I can’t. When I try, I look like Elaine from Seinfeld.

I Can’t Dance

When I was DJing at the local VFW, line dancing was a pretty big thing. There were all kinds of country line dances. At one point I had to make a list so I knew what dances people were doing to certain songs.

“Can you play Moo Moo Land?”

That was what someone came up and asked me one day. Moo Moo Land? What in the world was that!? Naturally, my dad knew it because there was a dance they did to it. It was called “Justified and Ancient” by the KLF and featured Tammy Wynette! What a weird pairing!

But it gets weirder! According to Songfacts:

The title “Justified & Ancient” refers to the KLF’s pseudonym and earlier incarnation, “The Justified Ancients of Mu Mu” (The JAMs). The JAMs took their name from Robert Shea and Robert Anton Wilson’s sci-fi tinged, conspiracy theory-laden Illuminatus! Book series in which The Justified Ancients Of Mu Mu are a fictional subversive cult who have been around since pre-history. The song lyrics describe the Justified Ancients making their way to Mu Mu Land in an ice cream van.

Huh?!

Even Tammy was unsure about it. She originally thought the song was called “Justified and ANXIOUS.” She said, “As it was, I didn’t understand what some of the words meant. I know about ice cream vans, but I’d never heard of a 99 before,” she added. “Bill explained it to me and now it makes perfectly good sense. I’m still not sure about Justified and Ancient though.” (A 99 is an ice cream with a flake in it).

Really, it is a great dance record. It’s neat to hear Tammy Wynette on it and it really revitalized her career.

Justified and Ancient

Last week I threw in that crazy Bingo Boys song at the end of my list. This week, I have to throw in another totally ridiculous song at you. Again, it is one that my best friend Jeff and I laughed about – a lot.

The group 2nu (pronounced “two – new”) was a pop group out of Seattle, Washington. When they first hit the scene, they has yet to come up with a name. A radio DJ said that the band was still too new to have a name, and they decided that worked. They have only released three albums, the first in 1991. What makes them unique (if that is the right word) is that their songs consist of sound effects, rhythmic beats, and a spoken word lyric. Their first single was “This is Ponderous.”

The song is more bizarre than ponderous. My buddy and I used to laugh at the “language the narrator doesn’t understand.”

Feel free to file this in the “What the heck was that?” folder…

This Is Ponderous

And with that silliness, we wrap up 1991. I mentioned that I can’t dance this week. Next week, as we dive into 1992, it contains the only fast song that I will dance to. It is an interesting list. It includes three cover songs, one parody song, three movie songs, a song about a royal feud, a song for the hard workers, and a song for the poor. I think you’ll enjoy it.

Did I forget one one your favorites from 1991? Drop it in the comments. I’d love to see if it was one that was on my radar.

I truly hope you are enjoying this series. Thanks for reading!

The Music of My Life – 1989

Welcome back to The Music of My Life, where I feature ten songs from each year of my life.  In most cases, the ten songs I choose will be ones I like personally (unless I explain otherwise). The songs will be selected from Billboard’s Year-end Hot 100 Chart, Acclaimed Music, and will all be released in the featured year.

Before we get into the music, I have to take a moment to mark a blogging milestone. This blog will be the 1400th blog I have written since the Nostalgic Italian site went live.

1400 posts and here you are still reading. For that, I thank you from the bottom of my heart. I am glad that you are here. Now, let’s celebrate by going back to 1989…. when I turned 19.

As I sorted through the singles from 1989, I noticed that there were a lot of duets recorded that year. After All from Peter Cetera and Cher, Don’t Know Much and All My Life from Linda Ronstadt and Aaron Neville, were just a few of them. No duets made my list, however, as I just didn’t feel any of them connected with me enough to bump the ten songs I picked.

I grew up listening to Roy Orbison. He was a favorite for a long time. I used to ask my dad to play his songs on the stereo all the time as a kid. In 1988, Roy saw his career take on new life. He recorded with George Harrison, Jeff Lynne, Tom Petty and Bob Dylan as part of the group The Traveling Wilburys (More on them in a moment) and had recorded a brand new album (Mystery Girl) in November of 1988.

On December 6, 1988, I was at the radio station when an “Urgent” Bulletin came across the AP Newswire stating that Roy had died after having a heart attack. I had never met Roy, but his music was such a big part of my life that seeing the story upset me quite a bit.

You Got It was the first single released from the Mystery Girl album in January of 1989. Orbison wrote the song with his Wilbury friends, Jeff Lynne and Tom Petty. Lynne produced the track and also played guitar, keyboards and bass; Petty played acoustic guitar and sang backup. It would reach #1 on the Adult Contemporary chart and #9 on the Top 40 chart.

Orbison performed this song just once: at the Diamond Awards Festival in Antwerp, Belgium on November 19, 1988. This performance was used as the song’s music video.

You Got It

Every interview I have seen with the guys from the Traveling Wilburys always has them saying how wowed they were by having Roy in their group. When Jeff Lynne was asked about the recording sessions, he said, “Everybody just sat there going, ‘Wow, it’s Roy Orbison!’ … Even though he’s become your pal and you’re hanging out and having a laugh and going to dinner, as soon as he gets behind that [microphone] and he’s doing his business, suddenly it’s shudder time.”

Roy was in the group’s first video (for Handle With Care), and was set to travel to London a couple days after he passed away. One of those videos was for The End of the Line. One of the reasons that I love this video is that the group gives a heartfelt tribute to their friend. When Roy’s vocal happens, we see Roy’s guitar in a rocking chair next to a framed photo of Roy.

The End of the Line

I have never seen the movie Road House. My mom liked it a lot, because she liked Patrick Swayze. Jeff Healey and his band were shooting scenes for the movie (and Jeff had many scenes with Swayze) and recording his See The Light album simultaneously. One of the cuts from this album was Angel Eyes.

I had never heard of Healey before this song. I had no idea that he was blind and marveled at the way he played his guitar (on his lap, like a piano). I was really blown away by his vocals and his guitar playing. He was discovered by two blues legends – Stevie Ray Vaughn and Albert Collins.

He toured and sat in with some fantastic people over the years including Buddy Guy, BB King, Eric Clapton, ZZ Top, The Allman Brothers and Bonnie Raitt (just to mention a few.) While he is mainly known for his bluesy style, by the year 2000 he actually was releasing many jazz albums.

He loved music and he was an avid record collector. He amassed a collection of well over 30,000 old 78 rpm records. Starting in 1990 he hosted a radio program of very early jazz on CIUT at the University of Toronto with Colin Bray. Later he went national on CBC Radio’s program entitled My Kind of Jazz, in which he played records from his vast vintage jazz collection.

Too many people write him off as a “One hit wonder” act. His music is fantastic and this song is so soulful … he was a talent taken too soon.

Angel Eyes

“Hey, man! Have you heard that new song by Marvin Young?” I can’t even imagine what type of music someone called Marvin Young would be singing! However, Young MC just screams rap music, right?! I’ve never been a big rap fan, but there was just something about the baseline and the catchy lyrics that made this a favorite for me.

Bust a Move was a song that whenever I played it, the crowd always new the words and sang along. The verse that every one knows is “Your best friend, Harry, has a brother Larry, in five days from now he’s gonna marry…” The whole rhythm of that verse and the baseline fit so well together. I also like the fact that while there is some sexual innuendo, there is no profanity in the song.

Interesting story from songfacts.com: Flea from The Red hot Chili Peppers played bass on this song and appears in the video, but he didn’t reap the rewards. He explained to Bass Player magazine: “I have a bitter taste in my mouth about that, because I feel as though I got ripped off. The bass line I wrote ended up being a major melody of the tune, and I felt I deserved songwriting credit and money because it was a #1 hit. They sold millions of records, and I got $200! Afterwards, my lawyer told them, ‘You should throw down Flea some cash,’ but the record company said, ‘We told him exactly what to play.’ No one was even in the room at the time but me and the engineer! It was ridiculous, but I learned from it.”

It was one of the first rap records to cross over to the mainstream charts. It went to #7! Young MC recalled to Rolling Stone: “People looked at rap and hard rock as the type of music that you slam your door after you argue with your parents, and bang your head in defiance. My record wasn’t necessarily rebellious, but it was clever enough to grab in a decent segment of people that didn’t listen to rap music.”

Bust a Move

The next song is one that I used to play for my prom date, Karen, after we started dating. This and Just You and I from Eddie Rabbit and Crystal Gayle were “our songs.” I remember the first time I heard Luther Vandross sing Here and Now. I remember how powerful the lyric was and just how perfect his voice was for the song.

Karen and I dated for a bit and broke up around 1990, only to get back together a year or so later before breaking up after another year or so. Somewhere during that time I had made her a mix tape of love songs. This was just one of many that made it to that tape.

It was hard for me after we broke up because I was DJing a lot of weddings and this was a very popular Bride and Groom song. I almost always had to put headphones on and listen to something else while it played. Today, I can listen to it and it doesn’t bother me, but at the time, it brought about a lot of pain.

Here and Now

My next tune is one that I have featured before and I wrote about how it was helpful to me post-divorce. You can read about it here:

I’m On My Way

I have said many times that Willie Nelson always seemed to have one song on each album that I connected with personally. Many times it was more than that. In 1989, he released a fantastic album entitled “A Horse Called Music.” On the album is a cut that was co-written by Mike Reid (who played five seasons with the Cincinnati Bengals and had a brief country singing career) called There You Are.

I had heard the song many times when listening to the album, but it wasn’t until after the final break up with Karen (see above) that the song really hit me hard. At the time, I was still wrapped up in feelings and hated that we were not together. I found myself thinking about her more than I should have been, especially since she had moved on with her life. Then I heard this song…

I could have written this song! It literally was exactly what was happening to me. For no reason, she’d pop into my head. It was never bad things, it was always some good memory of when we were together. The string arrangement and Willie’s vocal convey those feelings in such a magnificent way. It is beautifully sad …

I had never seen the video for this song until I searched for it today. Willie cleans up pretty good…

There You Are

When you make a list of great songwriters – Leiber and Stoller always are on that list. The next song was written by Oliver Leiber, the son of Jerry Leiber of that aforementioned team. Oliver had already written a couple songs for Paula Abdul (Forever Your Girl and The Way That You Love Me) when he got a call saying that the label needed one more song for her album. That song would be Opposite Attract.

From songfacts: This song evolved into a duet with a cartoon cat named MC Skat Kat, who was actually the duo The Wild Pair. Oliver Leiber explains: “I wrote it all from the perspective of one person singing it. It wasn’t initially a duet. It was saying, ‘I like this and you like that.’ It was basically: I like potatoes, and you like po-tah-toes, all from one singer’s perspective. But I had these two singers I had been working with – Marvin Gunn and Tony Christian. They’re the guys that sang on Prince’s “Kiss” and they were incredibly soulful funky singers that I had been using as part of my sound on the first two tracks I did with Paula, helping to preserve the Minneapolis sound, because they sounded very Prince-y and it really added something to Paula’s vocals.

Basically, he had the Wild Pair sing the entire song and then got Paula to cut her lines later. He wasn’t happy with the original mix, which is why the album and the single versions sound so different.

In the video, the real Paula interacted with the animated MC Skat Kat. The concept of Paula dueting with a cat came from Anchors Aweigh, a movie where Gene Kelly dances with the mouse from Tom & Jerry. The video was directed by Michael Patterson and his wife Candace Reckinger, who also created the MC Skat Kat character and animation. Patterson said: “Gene Kelly loved it; he was a friend of Paula’s. Gene was also an inspiration to Candace and I.”

Fun Fact: Patterson and Reckinger got their start in music videos when they created the iconic clip for a-ha’s Take On Me

I loved the Gene Kelly and Jerry Mouse dance, so naturally, I loved this video (and Paula) too!

Opposites Attract

Before I knew the song was about Elvis, I really loved the sound of Black Velvet by Alannah Miles. It was considered a power ballad, but to me it sounded more like a good blues song. Miles’ voice had that bluesy and sultry voice that fit with the groove of the song perfectly.

The story of how the song came to be is a good one. Co-writer Christopher Ward, who was Myles’ then-boyfriend, was inspired on a bus full of Elvis fans riding to Memphis attending the 10th Anniversary Vigil at Graceland, in 1987. Upon his return to Canada, he brought his idea to Myles and producer David Tyson, who wrote the chords for the bridge. The song was one of three in a demo Myles presented to Atlantic Records, which eventually got her signed to the label.

Songfacts provides a bit of lyric analysis:

“Black velvet and that little boy’s smile” – You can buy a black velvet Elvis painting at any respectable yard sale. Early female fans were drawn to his “Little boy smile.”

“Black velvet with that slow southern style” – Elvis delivered some of his songs with slow, undulating hips. Check out “Steamroller Blues” live.

“Up in Memphis the music’s like a heatwave” – Sun Studios. The epicenter of early rock music and where Elvis recorded.

“Love Me Tender leaves ’em cryin’ in the aisle” – Love Me Tender was a huge hit for Elvis in 1956.

The way he moved, it was a sin, so sweet and true” – Elvis’ legendary hips swivel, the Pelvis.

“Every word of every song that he sang was for you. In a flash he was gone, it happened so soon, what could you do?” – Elvis died suddenly in 1977.

Black Velvet

For me, the last song for this week is something that I continue to work on in my personal life. In my first marriage and throughout that period of my life, I just found it easier to back down and make everyone happy. I did this even if it made me unhappy. It is challenging to stand your ground and not back down from what you believe in or what you feel is right.

Tom Petty’s song was helpful to him as well. Before recording his Full Moon Fever album, an arsonist burned down his house while he was in it with his family and their housekeeper. They escaped, but Petty was badly shaken and spent much of the next few months driving between hotel rooms and a rented house.

Songfacts says that: It was on these drives that he came up with many of the songs for the album; the fire was a huge influence, especially on this song. Petty felt grateful to be alive, but also traumatized – understandable considering someone had tried to kill him. “I Won’t Back Down” was his way of reclaiming his life and getting past the torment – he said that writing and recording the song had a calming effect on him.

The song was used as a patriotic anthem after the September 11th terrorist attacks. Regarding that, Tom said: “The song has also been adopted by nice people for good things, too. I just write them, I can’t control where it ends up.”

The song has a Wilburys connection.  The video features Ringo Starr on drums, with Wilburys’ George Harrison and Jeff Lynne on guitar. Harrison did play on the track and contributed backing vocals, but Ringo had nothing to do with the song itself.

I Won’t Back Down

That’s it for the 1980’s! We’ll dive into a brand new decade next week. 1990 was a good year for music. Starting in the 1990’s my music choices tended to lean a bit more country as far as new stuff. In 1990 alone, I could have picked 10 country songs for the list. I didn’t, but I could have.

Next week’s list will feature and interesting mix of music, largely due to the radio station where I was working at the time … some classic rock, some soulful songs, and big pants ….

Did I miss a favorite of yours from 1989? Tell me all about it in the comments. See you next week.