The Starr of The Beatles

I was approached by my blogger buddy, Max, from the PowerPop Blog recently and asked to contribute something for his “Beatles Week” feature. In truth, it will probably go longer than a week as there are many talented writers participating with me. I think his original thought was to have each of us write about a favorite Beatles song, but then he allowed us to pursue something “Beatle themed.”

I think I have mentioned in the past that it would be extremely difficult for me to pick one favorite Beatles song. There are just too many great ones to choose from. I could spend hours talking about the fantastic harmonies of the group or the amazing songwriting contributions of Lennon and McCartney. I could also examine the way George Harrison’s guitar playing matured as the group got older. Instead, I chose to focus on the Beatle that I connected with as a young fan discovering the band – Ringo Starr.

As a kid, I discovered the Beatles through their cartoon series (as well as albums that my dad had). While the boys didn’t voice the characters themselves, it featured many of their songs and put them in silly situations. Ringo always seemed to be the goofball and I guess I found him to be the funniest.

As I began to buy Beatles albums on my own, I often found that the “Ringo” cut of each album tended to really stand out as a favorite. Let me be clear, it is not that I disliked the other guys, the opposite was true. I loved them! However, the “Ringo” cut just really had a different sound to it.

As many know, Ringo was not the original drummer for the band. Pete Best was the guy. The rumors were that he was pretty good looking and a fan favorite, so they got rid of him. How true that is, I don’t know. The boys recruited Ringo from another band (Rory Storm and the Hurricanes). Once the group got their recording contract and started sessions with George Martin, Ringo was dissed a bit. Martin felt that he was not a good enough drummer to do studio work. Eventually, Martin came around and not only was he in the recording sessions, he occasionally got to sing on a song or two.

In total, Ringo Starr sang lead vocals on 11 Beatles songs. The first was “Boys,” which was a cover of a Shirelles song. The song was one that the Beatles had been playing in their live shows for some time. Pete Best used to sing it in shows. Ringo knew the song and had performed it many times with his previous group. When the band was in the studio cutting the 1963 album “Please Please Me” he sang it in one take.

The group had been playing “Boys” for years before it was ever recorded. It was the only song that Ringo sang lead on and his loyal fans wanted to hear more. John, Paul, and George were getting tired of the song and when it was time to record their second album, Lennon and McCartney worked together to write a song for Ringo that would replace “Boys.” The song would be “I Wanna Be Your Man.”

Before they went into the studio, another British group approached Lennon and McCartney and asked if they had a song that they might record. They decided to give them “I Wanna Be Your Man.” That song became the first “hit” for Mick Jagger and The Rolling Stones!

Carl Perkins was responsible for Ringo’s next two vocal songs. First, was “Matchbox” which Perkins had a hit with in 1957. This song (and his next vocal) was responsible for the association of Ringo with rockabilly/country music. Word is that Perkins was in the studio while the Beatles recorded his songs.

For the 1964 album “Beatles For Sale,” Ringo contributed the lead vocal to Perkins’ “Honey Don’t.” Carl Perkins influenced a lot of Liverpool bands and Ringo was playing this one in his prior group before joining the Beatles. It was another song that Pete Best sang lead on in early live performances. John Lennon began singing it after Best left, but the band agreed that it was a perfect Ringo song for the album.

Ringo had decided that he wanted to have a bit more input in the songs that he was to sing. During the recording sessions for “Help” in 1965, he came upon the Buck Owens song “Act Naturally.” He brought it to the band and said he felt it would be a great song for him. They all agreed and cut it. This would mark the first Beatles cover song that they had not already been playing at live shows.

Ringo, while not best known for his song writing, did write a few for the band. By this time, John, Paul and George were all churning out songs. The three seemed to be doing everything and Ringo felt like he was being left out and maybe even someone who could easily be replaced. He went to the group and voiced his concerns. This led to his first song writing credit on a Beatles song. The song was What Goes On. The song was not all Ringo, as it was actually a song that John had originally written and Ringo tweaked and contributed to.

Yellow Submarine appeared on the 1966 Revolver album. It was a big song for Ringo as it went to #1 in the UK and #2 in the US. In Alan Clayson’s book, “Ringo Starr: Straight Man or Joker,” he says that the song was “conceived as a song that would appeal primarily to children, while recalling the band’s roots in Liverpool.” The song was written mostly by Paul McCartney and it is said that Donovan also helped (while being uncredited).

If you had to pick a “signature” song for Ringo, it would be “With a Little Help from My Friends.” The song is the second track on the Sgt. Pepper Album. The album itself was sort of a concept album where the band is playing … well, another band. In the album’s opening track, the character of Billy Shears is introduced. Even Ringo has stated that for the cut he is “taking on” the character of Shears to sing the song. The song was one that was written specifically for Ringo by John and Paul.

Ringo’s next vocal feature was one that he wrote. “Don’t Pass Me By” was one that came to him while sitting at the piano. He claims to only know a few chords on the piano and guitar. He says that while he plays around, if a melody comes to him or some words, he just keeps playing around. This is supposedly how “Don’t Pass Me By” came to be. There is some confusion as to when exactly the song was written, and while it may have been written as early as 1964, it was never recorded and released until 1968 on the White Album.

Alan Clayson says in his book that Ringo had unknowingly plagiarized music from a Jerry Lee Lewis song. It was only when George Martin was experimenting with different effects and orchestration that the song was able to be released (now sounding very musically different from it’s original version).

The song “Good Night” from the White Album was written by John Lennon. He wrote it for his five year old son, Julian. Lennon was very insistent that the song be sung by Ringo. What is interesting is that Ringo is the only Beatle who performs on the song. The music is provided by classical session musicians under the direction of producer George Martin.

Ringo’s last songwriting credit for the band appears on the 1969 album, Abbey Road. Many compare “Octopus’s Garden” to “Yellow Submarine.” Other’s compare it to an amazing and peaceful under-the sea world. This song, however, was written by Ringo at a time when things were less than peaceful with the group.

The story goes that Ringo was so angry that he walked out of a recording session because he was angry at Paul McCartney. Paul had reportedly been making comments about Ringo’s drumming, and so he left. He spent time relaxing on the Italian island of Sardinia. While there, he became fascinated by the ocean and sea life. This led to him writing the song.

When Ringo returned to the Abbey Road studios, he found that the rest of the band had decorated his drum set with flowers and found a gift from John, Paul and George as an apology. He showed the song to them and George Harrison worked with him to get the song ready to record.

After the Beatles broke up, each went on to have solo hits. Ringo enjoyed success with “Back off Boogaloo,” “Photograph,” “You’re Sixteen,” “The No No Song,” and “It Don’t Come Easy.” He continues to tour with his All-Starr Band and sells out venues.

“Peace and Love” – Ringo Starr

Perhaps if world leaders, politicians, and people in general listened to Ringo, the world would be a better place.

Turntable Talk – Cover Me

This blog is part of the next installment of Dave from A Sound Day’s Turntable Talk. This time around, the subject is “cover songs.” Per our instructions:

This time around, wanting to get your thoughts on Cover Songs…what makes a really good one, maybe what your favorite bold one is. Do you like ones really faithful to the original, or ones that spin it in an altogether direction? Or conversely, what one is atrocious to you & why.

By ‘bold’ I mean covers of songs that were already known, and hits. I won’t set any minimum guidelines but as examples, most people never heard The Arrows version of ‘I Love Rock n Roll’ or The Clique’s ‘Superman’ so it was easy for Joan Jett & REM respectively make them their own.  But to do a Beatles song, like Joe Cocker did only a couple of years after the original was released… that took …something. 

So what cover songs work great for you?

Cover Songs

If you do a Google search on “cover songs,” there are plenty of links to articles containing lists of “the best” ones. There are also links to video’s that feature countdowns and lists of “best and worst” cover songs. Those lists, no doubt, will include: Twist and Shout by the Beatles, Proud Mary by Ike and Tina Turner, Hurt by Johnny Cash, Last Kiss by Pearl Jam, Mony Mony by Billy Idol, All Along the Watchtower by Jimi Hendrix, and many many more!

Many people are unaware that some of their favorite songs are actually cover songs. A lot of the early Rolling Stones and Beatles songs were actually covers of songs they loved by other artists. In a way, a cover song is the ultimate “hat tip” to a band’s early influence.

Personally, I tend to love cover songs. If you were to grab my iPod, that becomes very clear! I recall a time when I was married to my ex-wife and her iPod was dead. She wanted to go walk and asked if she could take mine instead. Upon returning home, she said to me, “How many different versions of a song do you need?!”

Cover Song Example

Dave asked “what makes a good” cover song? He also asked, “Do you like ones really faithful to the original, or ones that spin it in an altogether direction?

It is difficult for me to say what exactly makes a good cover song because I think it can be one that is faithful to the original, spun in a different direction, or a mixture of both of those elements. Take for example, the Rodgers and Hart song – Blue Moon.

The song was written in 1934. There were recordings made as early as 1935. One of the best known versions is the Doo Wop hit from 1961 by the Marcels. Dean Martin did a stripped down version with piano and drums that was performed as a slow ballad. Frank Sinatra’s version was more “swingy”. Sam Cooke’s “bounced” and in 1997 a swing band called the Jive Aces covered it as a bouncy boogie woogie sounding cover. Every single version I mentioned, I like for different reasons.

Some of My Favorite Covers

If I were to make a list of all the cover songs I have on my iPod and feature one a day on my blog, I would have enough songs to write about for about 6 months! Instead, I grabbed a piece of paper and off the top of my head started jotting down the cover songs that came to mind. I gave myself 5 minutes to do this and came up with about 18 songs. The reality is that I know that I will complete this blog and after it posts say, “Oh, man! I forgot (insert cover song here)!” That’s ok.

While it may be hard for me to tell you exactly what I love about cover songs, maybe by giving some examples of some of my favorites, the music will answer the question for both of us.

The first three I came up with are all from movie soundtracks. There is no shortage of cover songs in the movies. These covers will often give new life to old songs – examples include Sweet Child of Mine by Sheryl Crow from Big Daddy, Hallelujah by Rufus Wainwright from Shrek, Hazy Shade of Winter by the Bangels from Less Than Zero, Girl You’ll Be a Woman Soon by Urge Overkill in Pulp Fiction, and, of course, I Will Always Love You by Whitney Houston in The Bodygaurd.

Johnny B. Goode – Marty McFly and the Starlighters

From Back to the Future, this is the song Marty McFly plays at the Enchantment Under the Sea Dance. In the movie, He goes off on a Eddie Van Halen type solo and the entire crowd looks at him stunned. On the soundtrack, however, there is a full version with an additional verse not in the movie. What I love about this version is the stripped down instrumentation, the saxophone and piano, and the whole feel of it. It really sounds like an “early” version of the song. It’s actually quite good.

https://youtu.be/RelL4BS2lEQ

All Shook Up – Billy Joel

From the soundtrack of Honeymoon in Vegas, which contains some very good Elvis covers. This one is my favorite. It has the feel of the Elvis version, with a little “boogie woogie” piano feel to it. Simple background vocals enhance the Billy Joel version. One addition I love is the bass drum hit after he sings, “I’m in love ….”

https://youtu.be/IsktHpH5QGk

I’m Ready – Taj Mahal

I stumbled on this by accident. This cut was used in the movie Little Big League. I’ve always been a fan of Fats Domino, but this version is just so much better. It has “meat” to it. The driving bass line keeps it moving, the piano is still there, and those saxes in the background – LOVE them. Add the electric guitar and Taj Mahal’s vocal to the mix and it is just perfect! This is one that I find myself listening to at work when I need a “pick up”

https://youtu.be/KZkRSP2oe8c

Sea of Love – The Honey Drippers

Phil Phillips did the original of this, but how can you NOT love this version?! First and foremost, you have Led Zeppelin’s Robert Plant and Jimmy Page as well as Jeff Beck in the group! Add a beautiful string arrangement and background singers to compliment them and you have a top 5 record!

https://youtu.be/2BoUzzFXuVU

Tainted Love – Soft Cell

Not many people are aware that this is actually a cover song. It was originally done in 1964 by Gloria Jones. The song was written by Ed Cobb, who was in the Four Preps, and was actually the B-side of a song called My Bad Boy’s Comin’ Home. The original had a “Motown” feel to it, while Soft Cell certainly has more of an 80’s feel to it.

Here is Soft Cell: https://youtu.be/22mYcScS_88

Here is the original: https://youtu.be/NSehtaY6k1U

Hard to Handle – Black Crowes

This one was written and recorded by the legendary Otis Redding. Otis’ version is already great, but I love this one equally. It certainly has a great feel to it. It doesn’t sound dated at all. It’s funky and a great jam!

https://youtu.be/BRcs_OzQb14

You’re Sixteen – Ringo Starr

The original was done by Johnny Burnette, who was known for rockabilly, in 1960. It’s not that I dislike the original, I just think Ringo’s version is … more fun. For years I thought Paul McCartney was playing Kazoo in this, however, one article says, “Michael Verity has quoted the song’s producer Richard Perry as revealing that it wasn’t actually a kazoo: “In fact, the solo on ‘You’re Sixteen,’ which sounds like a kazoo or something, was Paul singing very spontaneously as we played that track back, so he’s singing the solo on that.” Ringo’s version remains one of the few No. 1 singles to feature a ‘kazoo-sound’ solo. (It sure sounds like a kazoo to me!) I also love the driving piano bassline in his version.

https://youtu.be/vkR7u_sOtHI

I’m Down – Aerosmith

Originally done by the Beatles, this is almost a carbon copy of the Beatles version. I like it because I think Steven Tyler’s vocal perfectly fits the song.

https://youtu.be/oYGmtGnhdks

Look at Little Sister – Stevie Ray Vaughn

I picked this song in the recent song draft and you can read about it here:

https://nostalgicitalian.com/2021/08/10/song-draft-2021-round-3-look-at-little-sister-hank-ballard-stevie-ray-vaughn/

Steamroller Blues – Elvis

Elvis did his share of covers, and this is one that comes from his Aloha From Hawaii concert special. I have always preferred this version to the James Taylor version. To me, it is more “bluesy.” I love everything about this cut!!

https://youtu.be/4vAuXP4hIoo

Baby, I Love You – Andy Kim

This one was originally done by the Ronettes in 1963 and featured Phil Spector’s “wall of sound.” Andy Kim recorded his version in 1969 and had a top 10 hit with it. It mimics the “wall of sound” but if you listen in headphones, there is a lot of little stuff going on in the background – jingle bells, glockenspiel, castanets, and more. I remember hearing it a lot as a kid.

https://youtu.be/kdrpRKiVwi8

Since I Met You Baby – Dean Martin

This remake I stumbled on by watching MTV!! The original was done by Ivory Joe Hunter in 1956. I remember seeing the Title and Artist show up on the bottom left side of the screen when the video started and couldn’t believe that Dean Martin was on MTV. He recorded it for his The Nashville Sessions Album and I love that it stays true to the original, yet is purely Dean.

https://youtu.be/9Ls6X0-rgd4

Think – Joan Osborne

It better be good if you are covering the Queen of Soul, Aretha Franklin, and this one is! Aretha did the original in 1968 and then covered herself for a version in the Blues Brothers. I don’t remember how I stumbled on Joan Osborne’s version, but it is different enough that I love it. It has such a cocky attitude to it. Dig it –

https://youtu.be/RNskLOOwvvI

Mustang Sally – Buddy Guy

Originally done by Wilson Pickett, this is one of greatest soul songs of all time! I heard this on the Blues channel on Sirius XM and fell in love with it. I’ve always dug Buddy Guy and while this stays pretty true to the original, it has a sound of its own!

https://youtu.be/eAyFynJXe4g

Blue Suede Shoes – Elvis

Carl Perkins seemed to have all of his songs covered and many times, his songs became associated with the other artist rather than him. That’s the case with Blue Suede Shoes – it is Elvis. Elvis’ version is so much better than Carl’s in my opinion.

https://youtu.be/HeXnFx7aPOE

Your Cheating Heart – Crystal Shawanda

Originally done in 1952 by the late Hank Williams Sr. this takes a whiney and twangy song and cranks it up about 10 notches. We had Crystal in for a show when I worked at the country station and she was fantastic. This was on her debut album. I’m not sure she isn’t a huge star. Her voice is amazing and she is very talented.

https://youtu.be/GLVYxAKT12g

Dirty Laundry – Lisa Marie Presley

Written by and a hit for Don Henley, I have always loved this song. The content of the song is about mass media and how they exploit just about everything. Henley had a top 5 hit with it. I didn’t even know that Lisa Marie Presley had done this song until I heard it on some Pandora playlist. Her vocal is sultry and sells the content lyrically. A great cut!

https://youtu.be/u9_Bf1pVWOk

As a bonus – here is a live and unplugged version:

https://youtu.be/8jUBEj_8x5s

Please, Please, Please – Delbert McClinton

A cover of James Brown’s classic! James has a hit with this in 1956 and it went top 10 on the R&B charts. I think Delbert McClinton is someone who just doesn’t get enough praise for all he does. He’s a singer songwriter who can play many instruments and has released many albums. This version comes from his Honky Tonk and Blues album, which is a personal favorite.

https://youtu.be/HCs8m27CiCM

Call Me Irresponsible – Michael Buble’

Jimmy Van Heusen composed this song in 1962 with lyrics by Sammy Cahn. According to Mel Torme’, the song was written for Judy Garland to sing on her TV show. It was written as a parody to her well-known problems. Many people have done versions on the song – Frank Sinatra, Bobby Darin, Eddie Fisher, Julie London, and more. Michael Buble’ used this as the title track for his 2007 album. It get’s me right from the opening “walking” bass lick. Buble’ has made a career out of covering so many songs from the Great American Songbook, as well as many originals. He has a great band backing him and he sings this effortlessly.

https://youtu.be/oj_eUUaWBu0

Ok – Just One That I HATE

Lean on Me – Club Nouveau

I love Bill Withers. he wrote and recorded this for his 1972 Still Bill album. It was a smash and was a number 1 song. I never cared for the cover version. Yes, it stayed very close to the original, but I just never cared for the arrangement at all. It’s almost annoying to me. It is actually playing in my headphones as I am typing this. To me, the whole 80’s synth sounds just sound out of place. Not to mention the whole “We be jammin” part – URGH!! One good thing about this was that it won a Grammy for Bill Withers as the writer for Best R&B song.

I reluctantly post the link to the video here ….

https://youtu.be/kbyjaUJWWmk

Final Thoughts

So what can we say about cover songs? Are they done as a tribute to the original artist? Are they done because it’s a favorite to perform? Are they done to “improve” on the original? Are they done because an artist feels it should be presented in a different way? Who knows, really!? One could easily ask the same questions about all the crappy movie remakes that have come about.

Some of my favorite concert memories are hearing the singer do a song that is totally unexpected. My favorite memory of the Billy Joel concert I attended wasn’t Piano Man. It was when he talked about loving the Motor City and breaking into his own version of I Heard it Through The Grapevine! Magical!! Aaron Tippin played a county fair for us and one point he threw on a fedora and sang Fly Me To the Moon, which blew my mind! Very cool songs – never released – but covers, nonetheless.

In the end, a good song is a good song. I love listening to a great song done by many other singers. It says something about the song melodically and lyrically. I don’t always love the cover, but that’s ok. It’s fun to hear the artist’s take on it.

I want to thank Dave for allowing me to ramble on and on about this month’s topic. I’ve wanted to feature cover songs on my site, but just couldn’t figure out how to present it. I guess I better stop typing because the more I think about it … the more songs are coming to my head!

Thanks for reading!

“Cleveland Rocks!”

For our anniversary, my wife and I wanted to plan a little getaway to celebrate.  Neither one of us had too much PTO in our “banks” at work, so we decided on a weekend trip.  During the planning the destinations changed frequently.  Originally, we had hoped to head back for another trip to Florida, but due to the lack of time available, we decided on something a bit closer to home.

There was talk of going to Nashville and maybe catching a show at the Grand Ole Opry.  Then there was talk of Gatlinburg, where my mom so often talked about.  I think we even chatted about Pennsylvania, too.  Eventually, we decided that Chicago was where we wanted to go, but then realized that it was St. Patrick’s Day weekend, and we figured it might be just a tad crazy (although seeing the river turned green would have been cool.

Cleveland??

To be honest, I am not even sure how we decided on Cleveland, Ohio.  I had mentioned that my dad had gone to the Rock and Roll Hall of Fame and said it was cool.  I started to look at things in Cincinnati.  There was a lot to do there, but why wasn’t the Hall of Fame coming up in any of my searches?  I knew that Cincy was close to Louisville, KY and thought that we could maybe do something there, too.  I had gone as far as to drop a radio buddy a note to say we were gonna be down there and asked for good restaurants to eat at … only to then realize the Hall of Fame was in Cleveland!

Now that we had cleared that up, we were set for Cleveland.  Now, I will be the first to admit “Cleveland,Ohio” as the answer to “Where did you and your wife spend your first wedding anniversary?” is not at all romantic.  Many people laughed when I told them.  Here is the thing about my wife and I, the destination really didn’t matter – it was simply the fact that we were going to be together.  To me, this is just one of the reasons I love her.  We can be content with just having time with each other, no matter where we are, or what we are doing.

We have made it a tradition to go to restaurants that local wherever we go.  If we can go there at home, we’ll go there at home!  By doing this, we have really been treated to some amazing food.  We always try to find a good steak house or something very unique to the city we are in and we have yet to be disappointed.

The Hall of Fame

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Personally, I think Sam loves watching me get excited about stuff like this.  We both love museums, but I must have been like a little kid on his birthday during this trip!  I had, of course, seen pictures of the Hall of Fame, but it was something else to be standing in front of it.  The big red block letters that sit upon the sidewalk read “LONG LIVE ROCK”.  As I walked up the steps, there are phoney concert speakers erected by the hand rails. The excitement builds as you walk in.

As you enter, you walk into a huge foyer/lobby.  The gift shop is to your right, to the left a cafe/coffee shop, and in front of you there is an escalator to take you down to purchase tickets.  After buying our tickets, you get ready to enter and above the doors the perfect AC/DC quote to welcome you: “For those about to rock …”

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Walking into the main exhibition hall, the first thing I noticed were pictures of John Lennon and Ray Charles on the wall.  The first thing I am drawn to is a glass case containing Bill Haley’s guitar.  Bill is often credited as being the singer of the first “rock and roll” song – Rock Around the Clock.  There is a picture of him playing it in the case as well.  I am not sure why I was so taken in by it, but I was.

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The next thing we saw was a line of bass guitars that belong to Geddy Lee of Rush.  I didn’t count , but there had to be like a dozen of them.  The information said that this was only part of his massive collection.

The Roots

One thing I was thrilled to see here was the fact that the “roots” of Rock and Roll were well represented.  Rock really evolved from a combination of Gospel, R&B, Bluegrass, Country, Folk, and Blues music. Each of those genres was represented here.  Among my favorite things I saw:  a suite belonging to Hank Williams Sr.; Louis Jordan’s music folder with his music and cue sheets; stuff from Muddy Waters, BB King, and Mahalia Jackson; Ray Charles sunglasses; Carl Perkins Guitar; salutes to Johnny Otis, Big Joe Turner, and Sam Cooke and so much more.   The roots of rock were so well represented.  Without these people and the genres of music, there would be no rock and roll.

Elvis

There is a pretty cool section devoted to Elvis, who was one of the first 10 artists inducted into the Hall of Fame.  The Hall has a standing agreement with Graceland in Memphis (which is a museum in itself) and they send memorabilia to them often, so the exhibit changes often.  There was a very cool motorcycle that was custom-built for Elvis.  His gold sequins suit is there, and a jukebox which was given to him as a gift from RCA Records – it contains only Elvis records.  Also on display was a double Gibson guitar which he played in his film Spinout.

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The Summer of Love

With the 50th anniversary of the “Summer of Love”, there were some very cool things here.  I saw groovy outfits from the Mama’s and the Papa’s, clothing from Jimi Hendrix, and the HUGE mixing board that was used to record some of Jimi’s music.

On thing I really liked to see was the various things that song lyrics were written on.  There were quite a few original pieces of paper where the beginnings of songs were scribbled.  There were also plenty of hotel pads of paper with lyrics on them.  Loved seeing where changes were made to lyrics.

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Cities and Sounds

I loved that there was a section of the hall that saluted cities and sounds.  There was a section devoted to Memphis, Los Angeles, San Francisco, London and Liverpool, Seattle, and of course, Detroit.

In the Memphis section, there were plenty of neat things from Sun Records.  Johnny Cash, Elvis, Jerry Lee Lewis, Carl Perkins and Roy Orbison all recorded there.  To stand in front of Roy Orbison’s glasses and guitar was pretty awesome.  My earliest musical memories are of my dad playing Roy’s music for me.

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A nice tribute to Motown is here with stuff from Barry Gordy, The Supremes (you can see some of their dresses), Smokey Robinson, and the Temptations are all here.  They were playing the episode of To Tell The Truth with Barry Gordy as we walked through this section.

The Beatles and the Rolling Stones each have a nice section at the Hall.  I thought Mick Jagger of the Stones was taller, but standing by some of his outfits, he’s shorter than I thought.  There is the Asher family piano that Paul McCartney donated, some of John Lennon’s outfits, and the handwritten lyrics to “In My Life”.  A very cool documentary was playing in their section as well.

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I jumped ahead a bit because the next section was London and Liverpool.  There were some very neat things from the Yardbirds, Peter and Gordon, Herman’s Hermits and the Zombies too.  All in all a nice salute to the British Invasion.

San Fran featured stuff from The Grateful Dead and Janis Joplin, while LA featured stuff from The Eagles, Jackson Brown, Joni Mitchell and Neil Young.  One cool thing here was a duffle bag full of hotel keys.  I don’t recall, but I think it said it belonged to one of the Eagles.  They basically kept the hotel key (and keychain) from every place they stayed while on tour.  The bag was stuffed full of some very cool looking keychains!

This section also had tributes to grunge music, punk music and a section called “Rave On” which focused on the “pioneers” of rock.  Those pioneers included Fats Domino, Chuck Berry, Little Richard, The Everly Brothers and Buddy Holly.  Soul Music was also spotlighted here with some awesome suits from James Brown, stuff from Aretha Franklin, pieces of the wreckage from Otis Redding’s plane crash, and Sam and Dave.  Featured in the soul section were two amazing things – guitars from Donald “Duck” Dunn and Steve “The Colonel” Cropper.  They played on almost every Atlantic and Stax record.  They were members of Booker T and the MG’s, and also played with the Blues Brothers.  Very cool to see!!!

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Don’t worry metal heads, there was a section for Heavy Metal too. Oh, and a section for Rap, as well.

Protests

When Rock and Roll started to make waves, it wasn’t too popular with folks.  We tend to forget the hatred toward the genre, but they had plenty of newscasts about burning records, and protests that happened.  It was weird to watch the hatred toward the Beatles and read hate mail to the Rolling Stones.  Other artists that were discussed in this section were Frank Zappa and ELO.

On the Radio

As a radio guy, it was cool to be able to walk up to an interactive touch screen and select a region of the US and then listen to old airchecks of DJ’s from different eras.  Naturally, I had to listen to some of the Detroit personalities:  Dick Purtain, Robin Seymour, and The Electrifying Mojo!  There were plenty of familiar names from all over the states and it was nice to get to listen to their stuff too.

The Power of Rock

On the third level, there was a wall with each “class” inducted into the Hall of Fame by year.  You could also go to a touch screen and search by class, by year, or by artist, and listen to their music.  SO many great songs!!!

The Power of Rock is a short film by Jonathan Demme which features many performances from past Hall of Fame inductions.  So many stars and so many great songs were in this film.  The theater had a light show and great sound for the film and it was almost like you were watching a concert live.  The film ends with Prince’s guitar solo on While My Guitar Gently Weeps – WOW!  Forgot how amazing that was!  They also had some of the great quotes on the walls of the hallway that you left the theater by.  Prince’s outfit from that show and other outfits were there as well.

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Rock on TV

It was also very cool to see some of the TV show memorabilia on this level.  You could go and record something about your favorite singer or album in special booths.  It was pretty cool to stand in front of Dick Clark’s American Bandstand podium!  His microphone was in a glass case with other things like the set design for the Beatles appearance on Ed Sullivan.  They had TV cameras there, Don Cornelius’ suit from Soul Train, outfits from the Jackson Five and Sonny & Cher and the coat worn by Davy Jones of the Monkees that he wore on The Brady Bunch.  There was also some cool musically related stuff from Saturday Night Live, and from various music videos we all watched on MTV.  It was neat to see Paul Shaffer’s keyboard that he played for so many years on the Late Show with David Letterman.

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On the Radio – LIVE

One thing I didn’t realize was that Sirius XM broadcasts their “Classic Vinyl” station out of the Hall of Fame.  Rachel Steele was on air when we went through.  There is a glass window that allows you to look into the studio and watch them broadcast.  I actually felt bad for her.  One thing radio people like is the fact that they can go in to work without really worrying about what to wear, because….who is going to see you!?  Whoever is on the air here, really has to “doll up” every day.

Over all, I loved every second of my visit here!  Any music lover would enjoy themselves!!  If you have never been …. you have to!

Christmas in March

The final stop on the trip was The Christmas Story House.  It is the house featured in the holiday classic.  They renamed the street “Cleveland Street” in honor of the movie.  The Leg Lamp proudly sits in the front window and the Bumpass House is next door.

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This is such an inexpensive treat!  The house looks a little different on the inside, but they have restored much of it to be exactly like it looks in the film, which took a bit because there were a few owners since the movie.

We were allowed to take as many pictures as we liked.  There was a guide who took us through the house and told some stories.  You can see the bathroom where Ralphie solves Little Orphan Annie’s secret message, you can see the many plugs the tree was plugged into, pick up the phone that Mrs. Parker calls Flick’s mom on, see the boy’s room, and see the damper in the kitchen that billows black smoke because of the “clinker” furnace.

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From the backyard you can see the steel mill (still in operation), which helped Jean Sheppard (the author) pick that particular house for the film.  Across the street is a museum with the actual Red Rider BB gun used in the film, outfits from the cast, Darren McGavin’s plaster life mask (used for make up and such), plenty of behind the scenes pictures, and the Old Man’s car.  The gift shop is full of great items and yes, you can purchase a pink bunny suit or a leg lamp (in various sizes).

Sam told me she’d buy me a bunny suit, but only if I wore it every Christmas!  Incidentally, if you have the $$, you can spend the night in the house or next door at the Bumpass house.

The trip was short, but full of good memories.  I love that we were able to do it and I love that we got to spend time with each other. It was the perfect anniversary trip.

Cleveland, does indeed, ROCK!