Share Your Nostalgia – Round 3

A while back, I asked some blogger friends if they’d want to write a piece for my Share Your Nostalgia feature. In the past we have looked at Favorite Childhood Toy and Favorite Childhood Book. Today, we go back to Saturday mornings. This was when we sat in front of the TV with our favorite cereal and watched hours of cartoons. So I asked my guests to write about their favorite cartoon or cartoon character growing up.

Today’s guest blogger is Paul, who along with Colin, run the Once Upon A Time in the 70’s Blog. It features music from the 70’s, 70’s Pop Culture, Movies and TV from the 70’s, and Life in the 70’s in general. If you’re looking for a trip back to the groovy years of disco, this is the site for you.

Will Paul be featuring a cartoon or cartoon character from that decade? Let’s find out together. Take it away, buddy….

Sharing your nostalgia is a great way to dive deep into thoughts and memories you haven’t considered for some time, so I was delighted when Keith reached out to ask us to write about our favourite animated characters.  

Animation has come a long way since I first started watching cartoons and although I’m a big fan of modern shows like Family Guy there’s something about old-school cartoons that take me back to a happy place, so for this task I was compelled to reconnect with my 10-year-old self.

As a child of the 60’s, cartoons were undoubtedly the highest form of entertainment available to our generation, consider also that there were only two television channels available for the first six years of my life in the UK and I was 24 and married by the time we reached four channels.

Growing up in Scotland I don’t remember many British cartoons of note although there was a popular series of science fiction based supermarionation shows created by Gerry & Sylvia Anderson – Fireball XL5, Stingray, Captain Scarlett and Joe 90, being the stand outs.

As a kid I was aware of the Disney universe of course but the most watched, most loved cartoons in our stratosphere were Looney Tunes and Hanna Barbera productions. Bugs Bunny, Daffy Duck, Foghorn Leghorn, Tom & Jerry, Yogi Bear and The Flintstones were all favourites but if I had to pick one cartoon that always grabbed my attention it would be Top Cat.

It’s worth noting that in the UK, the show was called Boss Cat as there was a well-established brand of cat food already utilising the Top Cat name in the 60s, however, despite the name change, the original “Top Cat” theme was still used, which confused the hell out of us.

Okay so why Top Cat, I hear you ask?  

Well, the best cartoon characters for me have always been multi-dimensional, for instance, when you watch the Road Runner, you know before the start of each episode that Wile E Coyote is never going to catch him. Similarly, Tom is never going to get the better of Jerry, whilst Sylvester has as much chance of lunching on Tweety Pie as Dick Dastardly and Muttley have of ever winning a round of Wacky Races.

As entertaining as these cartoons are, you know exactly how each episode is going to play out, there’s zero jeopardy.

That’s why I always preferred characters like Bugs Bunny, Daffy Duck or Foghorn Leghorn, all of whom may come out on top more often than not, but who were often victims of their own hubris and were never quite as smart as they thought they were.

Top Cat (close friends get to call him T.C.), fell into this bracket, he always assumed he was the smartest cat in the room (or alleyway), but his stunts often missed the mark. This of course can be traced back to the cartoon’s origins and the fact that T.C. was based on Phil Silver’s ‘Sergeant Bilko’, a fast-talking hustler who’s get-rich-quick schemes rarely paid off.

Every cartoon requires an antagonist and Officer Dibble was the hapless policemen tasked with keeping T.C. and his crew in check, however, he was no stereotypical bad-cop, Dibble was a friendly enemy and the audiences’ sympathies often lay with him.  

Whilst TC and Dibble are the protagonist’s, part of Top Cats appeal was its ensemble cast featuring T.C.’s crew who all had their own personalities and foibles….

Benny the Ball, is TC’s loyal, naïve and diminutive best friend.

Fancy-Fancy, is the Cary Grant talking womanizer of the bunch.

Choo-Choo, is the shy, sensitive one.  

Brain, is the ditzy, slow-witted one.    

Spook, is the cool-cat, the Miles Davis of the bunch.

I read somewhere that the Dead-End Kids, a tough street gang who appeared in early Jimmy Cagney movies were an inspiration for the writers, which makes sense as T.C. and his gang lived on the streets of New York, railed against authority and used their wits to get by, just like the Dead-End Kids.


I was staggered to learn that Top Cat was cancelled after only 30 episodes in 1962, I could have sworn that I had consumed hundreds of episodes as a kid and perhaps this scarcity of supply is another reason why I appreciate the series so much.


It’s also weird to think that I watched all these iconic cartoons in black and white until 1970 but I can only remember them in colour.  

Animation has obviously moved on so much but as a kid you didn’t worry about things like production values and with one television per household, I was just delighted to get any screen time, particularly whenever Top Cat appeared on our screen.

For the Record: Famous Monsters Speak

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Happy Halloween!!

While I don’t always plan ahead what I am going to blog about until a day or so before, today’s Halloween Blog was something I planned on writing about a few months ago.  I was reminded of the topic after listening to one of the shows I did with my partner, Rob, on Honey Radio.

Somewhere down the line, I plan on writing an entire blog about “drops”.  In the radio biz, a “drop” is a snippet from a movie, a TV show, or some other form of audio that is used in pieces of production, or on it’s own.  So how do you use a “drop”? Above, you see a picture of The Three Stooges.  In their short “Micro-Phonies”, the boys end up in a recording studio.  Moe stands at the microphone while Larry and Curly make noise.  Moe yells, “Quiet, numbskulls! I’m broadcasting!”  I used this drop all the time.  I would use it with stuff our voice guy sent us.  The piece would be produced and it would play between songs.  The entire piece would start with some sound effect, then the voice guy saying “You’re listening to Keith Allen! (Insert drop – “Quiet, numbskulls!  I’m broadcasting”!) Then the voice guy would tag it by saying the station – “on Flint’s Classic Rock Authority – 103.9 The Fox!” (or whatever station I was at).

My buddy Johnny Molson, who I worked with at my first radio job had a bunch of funny drops.  Some were from movies, while others were from listener phone calls.  He had one he’d play that always made me laugh (some guy yelling “Listen kid, why don’t you just beat it!”)

Rob and I spent hours watching TV and movies looking for little lines that could be taken out of context to play on the show.  He had plenty of drops from the Steve Reeves Hercules movies, Star Trek the original series, Spencer for Hire, Batman, Dragnet, and so many more!  When we were live on the air, I used to purposely throw drops in when Rob was talking as one of the characters just to make him laugh.  He was so good, he rarely did.  As a matter of fact, he would often just react to the drop.    There were, however, a few drops that would crack him (and me) up.  They came from a record album that he had growing up.  Which, incidentally, is the topic of this blog.

Famous Monsters Speak

When I think about monsters, I think of the Universal Studio Monster movies from the 30’s!  Bela Lugosi will always be Dracula to me!

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…and in 1931, Boris Karloff was the Frankenstein monster!

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In 1963, screenwriter Cherney Berg (who is the son of actress, screenwriter, and producer Gertrude Berg), wrote the script for the album Famous Monsters Speak.  Side 1 focused on a story that featured the voice of the Frankenstein monster.  The story is set at some scientist convention and they are playing the tapes of the Frankenstein monster.  Side 2 focuses on a story of Dracula, when someone stumbles on his crypt.  The voice work for the entire album is done by Gabriel Dell.

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Gabriel Dell (on the right in the photo above) was an actor who starred in movies with the Dead End Kids, the East Side Kids, and the Bowery Boys.  I have often said that a good actor is one who can act by just using their voice (which is why I really love listening to old radio shows).  The entire album is voiced by Dell.  As the Frankenstein monster he is terrifying, while as Dracula he is equally creepy!  Keep in mind this was an album that would be found in the children’s section of the record store!  Rob told me his dad had bought it for him as a gift for a birthday or Christmas or something!

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When Rob and I worked together, he had a few drops from this album.  As a morning show, we often looked for drops that talked about waking up, drinking coffee, etc…  On this album, Dracula simply said, “I command you – Awaken!”  We often used that.  He also says, “Stupidity has always been my best protection”, which we used when saying that one of the characters on the show was stupid.  Then there was this clip of Dracula gaining the trust of an unsuspecting victim by asking for directions.  In context, it is not funny, but out of context … (In a Transylvanian accent) “I beg your pardon, but I am a stranger to your city and have lost my way.  Can you tell me pleas – the bus to Kensington Gardens?” (This was one that I would throw in on occasion and would make him laugh – just because it was so bizarre).  On the Frankenstein side of the record, there is a 4 or 5 second clip of the monster making a growling/howling/yelling noise.  We used to promote that Richard D. was coming in after us, and we’d say the sound was Richard “warming up in the next studio”.

Those short clips/drops were all I knew of this album, until long after we were off the air.  I knew where they came from.  I had just those audio clips and would laugh when I heard them.  Then one day I was out at some used record store.  I found the album!  I called Rob and told him that I had found it and was going to listen to it.  He laughed like hell.  “I can’t believe you are so excited to find that damn record!  I guess that’s why I love you, kid!”  I can still hear him saying that to me.

When I listened to the album, instead of laughing (ok, I did when the monster made the “Richard D” noise), I was genuinely freaked out.  I couldn’t believe that this was a kids record!  It was done in the same vein as so many of those “Headless Horseman” and “Superman” records that had stories and a book.  There was no book with this album, and really, you didn’t need one!  Dell’s performance on the album is brilliant.  A guy named Hal Johnson is listed as the sound effects man and those effects are awesome!  The album is just as good as an old episode of Suspense, The Mysterious Traveler, Lights Out, or The Whistler.  Gabriel Dell’s performance makes me tired just listening to it – he really get’s into it!

So, here for your Halloween listening enjoyment – turn down the lights – and listen to Famous Monsters Speak.

Side 1 – The Voice of the Monster

(The Richard D “warming up” sound can be heard at 4:50-4:54 of this clip)

Side 2 – Dracula Returns

(Kensington Gardens line begins at 10:44 – they way he says “Kensington Gardens” always made Rob and I laugh)

 

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You can read a bit more about this album here:

Cherney Berg “Famous Monsters Speak”

 

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