The Music of My Life – 2005

Welcome back to The Music of My Life, where I feature ten songs from each year of my life.  In most cases, the ten songs I choose will be ones I like personally (unless I explain otherwise). The songs will be selected from Billboard’s Year-end Hot 100 Chart, Acclaimed Music, and will all be released in the featured year.

I turned 35 in 2005. There was plenty going on in my personal life at this time. We were doing various therapies for my son, who had been diagnosed as being on the Autism spectrum. I had settled into my position at 94-5 The Moose in Saginaw as their afternoon guy and music director. I was certainly loving that. And at some point during the year, my mother’s cancer returned.

At the time, My Space was pretty popular. I was blogging a lot on there. Somewhere, I have a Word document with every one of those blogs. I had to contact them to get them. I had stopped posting there after joining Facebook, and at some point they moved content. I was thankful to get those blogs as they covered the time leading up to my wedding, the birth of my sons and the death of my mom.

I posted a lot about new songs we were playing on the radio, too. A few of them make this list. Let’s head into 2005:

The legendary Ray Charles passed away in 2004, but before he did, he recorded an amazing duets album. Genius Loves Company was the best selling recording of Charles’ more than 50-year career. It was a collection of duets with Norah Jones, Natalie Cole, Elton John, B.B. King, Gladys Knight, Diana Krall, Michael McDonald, Johnny Mathis, Van Morrison, Willie Nelson, Bonnie Raitt and James Taylor.

The album entered the Top 10 on the US album chart more than 40 years after Charles’ previous appearance on that same chart. This broke the record held by another act who also made his comeback with a duets album. In 1993 Frank Sinatra’s Duets reached the Top Ten 25 years after his previous Top 10 album.

Here We Go Again was a song that Ray had recorded in 1967. Then in 2004 he re-recorded this as a duet with Norah Jones for Genius Loves Company. She recalled collaborating with Charles on this song in a 2010 interview with Billboard magazine:

“I got a call from Ray asking if I’d be interested in singing on this duets record. I got on the next plane and I brought my mom. We went to his studio and did it live with the band. I sang it right next to Ray, watching his mouth for the phrasing. He was very sweet and put me at ease, which was great because I was petrified walking in there.”

This song won Grammy Award for Record of the Year and Best Pop Collaboration in 2005 eight months after Charles passed away. In addition Genius Loves Company was awarded Album of the Year among six other awards, as the American music industry paid lavish tribute to him.

Unlike Frank Sinatra and Willie Nelson, Ray Charles’ voice is as strong as ever on this recording. I felt Sinatra’s voice was weak on his duets albums. Willie is still putting out albums and at times he sounds like he’s just speaking the lyrics. Ray, however, sounds fantastic. I love the blending of these two voices.

Here We Go Again

The next song is an example of a song that I first heard in a polka. You read that right – a polka. Weird Al Yankovic has done quite a few polka medleys on his albums. The medley usually contains a verse or chorus from a pop song done as a polka. When I first heard Beverly Hills by Weezer on the radio, I found I liked it.

Weezer lead singer (Rivers Cuomo) explained in an interview with Rolling Stone magazine that this song is about how he could live in Beverly Hills, but he wouldn’t fit in. “I could live in Beverly Hills, sure,” he says, meaning he could afford it easily. “But I couldn’t belong there.'”

Songfacts explains:

The song comes off as satire, but that wasn’t what Rivers Cuomo had in mind when he wrote it. “I was at the opening of the new Hollywood Bowl and I flipped through the program and I saw a picture of Wilson Phillips,” he said. “And for some reason I just thought how nice it would be to marry, like, an ‘established’ celebrity and live in Beverly Hills and be part of that world. And it was a totally sincere desire. And then I wrote that song, ‘Beverly Hills.’ For some reason, by the time it came out and the video came out, it got twisted around into something that seemed sarcastic. But originally it wasn’t meant to be sarcastic at all.”

The music video was shot at the Playboy mansion. It included appearances by Playboy founder Hugh Hefner and some of the Playboy bunnies. Two of those bunnies were Holly Madison and Bridget Marquardt.

Beverly Hills

When I was music director at the Moose, I spoke with a lot of record people. One of the industry folks knew I loved music from the Rat Pack. She asked me if I had heard of Michael Buble’. I hadn’t. She sent me some MP3’s of his music and I was hooked.

The song could have been sung by just about any artist who tours. The lyrics sound as if they could be autobiographical. It is sung by someone who spends a lot of time on the road with great success. With that success, there is sacrifice. He is missing his home, particularly the woman he loves.

Despite the fact that Home only reached #72 on the Hot 100 chart, it was a breakthrough song for him. The song hit #1 on the Adult Contemporary survey in July 2005. Three years later Blake Shelton reached #1 on the Country chart with his cover of Bublé’s hit.

Bublé and Blake Shelton teamed up in 2012 to record a holiday version of this song for Shelton’s, Cheers, It’s Christmas album. The collaboration happened after Shelton sent Bublé an email saying he hoped to record a yuletide-themed rendering of the tune. “I had the idea of doing a Christmas version of ‘Home,'” he said.

This was the song that proved to folks that Michael was more than a cover artist. His original songs are just as good as the standards he records. He is also more than just a Christmas artist. It bugs me that people pigeon hole him and label him like that. He’s one of my favorites.

Home

My on air name was “Keith Allen.” As a music director, I got to hear all the new music before it went on the air. I popped Play Something Country by Brooks and Dunn in the CD player and loved it. On my first listen, I thought they said my name – Keith Allen. I suppose, in a way, they did. But the lyrics refer to Toby Keith and Alan Jackson:

Said, I’m a whiskey drinking, cowboy chasing, hell of a time
I like Kenny, Keith, Alan and Patsy Cline.

I have to tell you my favorite story about this song. When my program director and I first heard this, we said, “That’s a number one song!” We told our consultant that we wanted to add it. He said he didn’t feel like it was a hit. We were both shocked. We both told him that we felt it would be number one. He fought us.

He fought us for a few weeks on this one. He finally said that if we really felt it was a hit, we should add it. We wound up making a wager. I told him that if it didn’t go to number one, we’d buy him dinner. He said if it did hit number one, he would buy US dinner. The week it hit number one, he called us for our weekly music call. When we answered we started giving him restaurants we could go to!

His issue with the song? The “wolf-like” howl of the chorus.

Play Something Country

The next song is one that everyone jokes about on October 1st every year. “Someone needs to go wake up the guy from Green Day!”

This song reminds me of Fastball’s The Way. I say that because it starts with a simple acoustic guitar behind lead singer Billie Joe Armstrong. Then the song kicks in with drums and the rest of the instrumentation. I love the sound of that.

Green Day’s Billie Joe Armstrong wrote this song about his father, who died of cancer on September 1, 1982. At his father’s funeral, Billie cried, ran home and locked himself in his room. When his mother got home she knocked on the door to Billie’s room. Billie simply said, “Wake me up when September ends,” hence the title.

“My father died in September of ’82, and I purposely, up until that point, never went there,” Armstrong said in an interview. “I think really what I was doing was processing that loss that I had with this person that I never really knew. So I wrote that song for my father and about that loss and how 20 years had passed. I remember right after I wrote it, I felt this huge weight off my shoulders.”

Wake Me Up When September Ends

Another country newcomer makes my list this week. I have actually written about him, and the song. Here is that blog:

Must Be Doing Something Right

The next song is  one of the slowest chart climbers in history. It was on the American Hot 100 chart for 23 weeks before it entered the Top 40. KT Tunstall’s “Suddenly I See” was inspired by another artist, Patti Smith. Tunstall said, “The inspiration for the song was Robert Mapplethorpe’s photograph of Patti Smith on the cover of her album Horses. I was staring at it one day thinking it was incredible. It’s everything I love about music – mysterious, inviting, frightening.”

Suddenly I see
This is what I wanna be
Suddenly I see
Why the hell it means so much to me

“The chorus was me thinking, ‘that’s what I want to be,'” Tunstall told The Guardian. “Not a famous pop star with lots of money, but like this woman who’s living her life as an artist. I’d been trying for more than 10 years to be a professional musician. I was just exhausted from trying to persuade other people I was good enough.”

I remember hearing this song shortly after realizing that my first marriage was over. After all I learned and discovered through therapy, the title spoke to me. Suddenly, I saw just what was going on and I realized that I couldn’t do it anymore.

Suddenly I See

There were some really good country songs around this time. There were many new artists and some really distinct sounds that were on the radio. I was impressed with Josh Turner from the first time I heard him. I couldn’t believe the tone of his low voice.

Your Man is a song that I wish I could have written. Here is a guy who has been thinking about his woman all day long. He tells her to lock the door, turn the lights down low, and play some music.

I’ve been thinking about this all day long
Never felt a feeling quite this strong
I can’t believe how much it turns me on
Just to be your man

That’s LOVE right there!!

I love the entire feel of this song. It’s the perfect song to “sway” to.

Your Man

As the “Nostalgic Italian,” I think it is safe to say that I believe in the power of a photograph. The memories that can come from looking at an old picture just amazes me. My Friday Photo Flashback is always fun to do. I think that is because of the stuff that comes to mind with those old pictures.

I know there are plenty of people who hate Nickelback. However, Photograph is a song that I can relate to in so many ways. (From songfacts): This song is about reviewing the memories (missed and forgotten) from the band’s childhood in Hanna, Alberta. The lyrics are a chronicle of real events and personal landmarks lead singer Chad Kroeger recalled as he wrote it.

“It’s just nostalgia, growing up in a small town, and you can’t go back to your childhood. Saying goodbye to friends that you’ve drifted away from, where you grew up, where you went to school, who you hung out with and the dumb stuff you used to do as a kid, the first love – all of those things. Everyone has one or two of those memories that they are fond of, so this song is really just the bridge for all that.”

Someone once said, “If you don’t think photos are important, wait until they are all you have left.” I couldn’t agree more.

The photograph Kroeger is holding in the video is the one that inspired the song: It’s a shot of him and their producer, Joey Moi, at a New Year’s Eve party.

Photograph

We wrap up 2005 with a One Hit Wonder. Defining a “one hit wonder” isn’t really easy. Most feel it is when the artist fails to have their follow up released crack the Top 25. There are certainly many songs that fit into that category.

Daniel Powter’s album was released in America in 2006. Bad Day was released in the UK in 2005. In the fifth season of Americal Idol, the song was played over a video montage of the contestant that was being sent home that week. This helped the song gain popularity.

Powter is from British Columbia who later moved to Los Angeles. “Bad Day” was his first single released on a major label (Warner Bros.), and his only hit. He later described it as “a blessing and a curse.” Powter said:

“I was touring the world and performing for thousands of people, but I felt like the song was starting to define me. I actually found myself getting almost angry about it.”

This was the top-selling digital download of 2006. This was the star of people prefer downloading songs to buying CDs. It was part of a shift toward digital distribution of individual songs. In America, the album sold 500,000, but the single was digitally downloaded over 3 million times!

My mom was doing chemotherapy and radiation for her breast cancer at this time. She found the song to be inspiring. It basically says that even if you have a bad day once in a while, things will get better. My mom always tried to have a positive outlook. She battled cancer for 10 years and by this point she was tired.

My mom had the gift of gab. She was always on the phone. She assigned Bad Day to be the ringtone for her cell phone. I believe it was on there until she passed away. When I hear this song, I am taken back to those final weeks of her life.

Bad Day

What song from 2005 did I miss that was your favorite? Drop it in the comments.

Next week, we’ll focus on 2006. On my list is a song about a steeplechase runner, a song that became a hit because of Grey’s Anatomy, and a song that was a hit on the Adult Contemporary Chart and the Country charts. It also has a great Drifter’s cover song, one that took on a whole new meaning for me when my daughter was born, and a creative way to insinuate profanity without actually using it.

Thanks for reading and for listening! See you next week.

Movie Music Monday – A Charlie Brown Christmas

Okay, I admit that I am stretching it a bit.  Technically, a Charlie Brown Christmas is not a movie.  It is a holiday special, but if you do a Google search for Christmas Movies, you will be surprised at how many lists that it appears on.  So roll with me on this one…

A Charlie Brown Christmas debuted 59 years ago today on CBS. It is the first animated special based on Charles Schulz’s Peanuts comic strip. Honestly, the special is pretty deep.  It deals with Charlie Brown’s depression, the commercialization of the Christmas holiday, and the story of Jesus’ birth.

A Charlie Brown Christmas won an Emmy Award, a Peabody Award, and aired continuously on television for 56 years. The special’s soundtrack is one that continues to sell well during the holiday season and many of the tracks still get airplay on radio today!

The music was provided by the Vince Guaraldi Trio, a group of jazz musicians.  The producer of the special (Lee Mendelson) was a jazz fan.  He had heard the Trio’s version of “Cast Your Fate To the Wind” and thought they would be perfect for the soundtrack.

It is Vince Guaraldi that wrote the instantly recognizable “Linus and Lucy.”. He also wrote two originals for the special: Skating and Christmas Time Is Here.  Lee Mendelson had a difficult time trying to find a lyricist to write words to “Christmas Time Is Here.” With time running out to get the project finished, he jotted the lyrics himself on the back of an envelope.  It took him all of 15 minutes.

Whether you listen to the instrumental version or the vocal, the song is just beautiful. Both versions are on the soundtrack. The instrumental:

…and the vocal:

I would guess it is not often that a song from a Christmas special would be so good that other artists would want to cover it.  However, you’d be surprised at how many have!

The first cover was in 1982 by David Benoit. Patty Austin, Debby Boone, Kenny Loggins, Tony Bennett, Stone Temple Pilots, Grover Washington Jr, and others followed suit.

My favorite covers come from two amazing jazz artists.  First, the great Mel Torme:

…and Diana Krall:

Almost 60 years later, A Charlie Brown Christmas remains one of the best holiday specials of the season!

Turntable Talk #24 – This Woman’s Work

For two solid years Dave Ruch from A Sound Day has been hosting a monthly feature called “Turntable Talk.” Each month he provides a topic to me and other musical bloggers to write about. I have been honored to have participated in every one of them. Each of the participants look forward to not only writing our piece, but anxiously await reading the other contributions.

As I stated in a previous blog, this month is International Women’s Month. Dave offered us an easy topic to write about this month. His instructions state “we’re going to turn our tables and sights to the women of music. Pick one you like and write about her. Whoever you want (that might sound creepier than I intended it), singer, songwriter, band member, the lady on the ‘Breakfast in America’ cover, whoever.”

I wrote a blog that teased this topic earlier in the week. In that post, I said, “I really struggled to pick one (female singer). I even posted on Facebook asking my friends to offer up their three favorite singers. I guess I hoped that they would offer up someone that I hadn’t considered (and they did). The results surprised me. The singers that came up the most were (1) Stevie Nicks, (2) Etta James, and (3 – tie) Pink and Karen Carpenter. Etta was the only one that was in my list of considerations. After looking at the list (and the suggestions) I finally chose who I am writing about and NO ONE mentioned her.

Along with Etta James, I featured a song from my other considerations: Ella Fitzgerald, Alison Krauss, Aretha Franklin, Billie Holiday, Dusty Springfield, Sarah Vaughn, Diana Krall, Norah Jones, Linda Ronstandt, Pat Benatar, Peggy Lee, Jewel, and Keely Smith in that blog. So how did I finally come up with my choice?

My friend, Dawn, from high school actually helped me make my decision. She said, “There are so many talented vocalists, I’d have a hard time picking. if you’re going to write an impactful piece, I think you have to go with somebody you admire because they knocked down boundaries or overcame obstacles. That’s how I’d pick my vocalist.” That really struck me. Now, I am not saying that the ladies I mentioned already did not knock down boundaries or overcome obstacles – heck, Jewel was living in her van before she made it big!

My featured female singer is a talented woman named Diane Schuur.

I was introduced to Diane Schuur back in the late 80’s. I was talking about music with a gal I was dating at the time. We started talking about jazz singers and she asked if I had ever heard of Schuur. I hadn’t. If memory serves me correct, she loaned me a cassette (or maybe a CD) with some songs on it and I really enjoyed it.

One of her biographies online says this: “Diane Schuur is as eclectic as she is brilliant.” In my opinion, this statement could not be more true. While many of her songs would fall into the jazz category, she could easily be filed in the blues or pop categories, too. While preparing to write this, I picked a playlist on YouTube and it was fun to hear the different sounds of each of the songs.

My friend Dawn said to pick someone who “overcame obstacles.” Diane certainly has done that! She was born prematurely in 1953. She has been blind since birth because of Retinopathy of Prematurity. This disorder affected premature newborns who received high-oxygen therapy during neonatal intensive care. This was a standard practice until 1954.

She learned to play piano by ear. She would listen to Dinah Washington songs and began to pound out the melodies at age 3. Dinah was a big influence to Diane as she began singing her songs as a toddler and worked on her own vocal style. She once stated, “As far back as I can remember, singing was in my blood. My parents loved music, and I loved to sing. I was scatting at an early age.” She scats right up there with Ella and Mel Torme’! She also has perfect pitch!

Blindness was not her only obstacle. When she was a young adult, she began drinking and struggled with alcoholism. She also battled an eating disorder. Those obstacles were so much that she actually contemplated and attempted suicide. Thankfully, her brother-in-law stopped her from jumping out a third-story window. She got help and has been sober for several decades.

Diane got her big break when she was 22 years old. She auditioned for drummer/bandleader Ed Shaughnessy (of the Tonight Show Band) after he finished a concert with Doc Severinsen. Ed said, “this young blind girl comes in and sits down at the Fender Rhodes keyboard and starts singing the blues. Well, my hair stood on end!”

He hired her to be the vocalist in his orchestra. This led many other musicians to hear her. Those included Dizzy Gillespie and the great Stan Getz. Stan was so impressed that he became an advisor and coach to her. She stated that it was Stan who taught her that “less is more.” This was important because she had many critics that said she often “oversang” when she first started out. Stan once said, “She’s just like Sarah (Vaughn) or Ella (Fitzgerald) to me. She’s taking from the tradition, and what comes out is her own conception and advancement of the tradition.”

In 1985, she met B.B. King at a music festival in Tokyo. The two really hit it off and later made an album together entitled “Heart to Heart.” It was released in 1994 and it entered the Billboard Jazz Charts at number one!

In 1988, Frank Sinatra asked her to sing with him at a benefit concert when Liza Minnelli was unable to perform. She was a guest at Sinatra’s home and also performed at a concert with him and Quincy Jones. Frank gave her an abstract oil painting that he had created for her afterwards. When Frank passed away, Schuur recorded a tribute album for her late friends (Frank and Stan).

Other inspirations to Schuur include George Shearing, Stevie Wonder and Ray Charles who are all blind as well. She has said that one of her fondest memories was performing with Ray Charles in 1998 for a PBS concert (some of which is available on YouTube).

Her career has brought her two Grammy awards – both for Best Jazz Vocal Performance (1986 & 1987). She is still recording and touring today. She says, “For the future I plan to continue my reading of American song, paying respect to celebrated writers and polishing the gems in the jazz tradition.”

I’ve never had the chance to see her in person, but there are some fantastic live albums available.

All About Jazz says, “Ms. Schuur surely is among the very best jazz vocalists, and she exemplifies, if not redefines the “diva” category with her warm, often humorous and relaxed interactions with the audience and the musicians. Her mere presence is enough to make for a memorable evening.” I hope to be able to see her perform one day.

I will include just a couple of my favorite cuts at the end of this blog, but before I do, I want to again thank Dave for hosting this monthly feature. I hope that you enjoy reading this as much as I did writing it. I love that with each topic, I am not only enjoying old favorites, but I am introduced to new songs and singers. Perhaps this blog is your introduction to Diane Schuur?

Here is a classic – Come Rain or Come Shine

Another favorite – All Right, OK, You Win!

I just love her take on Moonlight and Shadows

One more – Her swinging version of I Can’t Believe That You’re in Love With Me

Thanks for reading!

A Musical Treat (and Tease) on International Women’s Day!

I apologize for the lateness in this post. Happy International Women’s Day to the female readers of my blog! Thank you for all you do! I am lucky to have a very special woman in my life (my wife, Sam). I can honestly say that I would be a mess without her.

In a previous blog, I mentioned that for Women’s Month our Turntable Talk host (Dave from a Sound Day) has asked us to pick a female singer to write about. I really struggled to pick one. I even posted on Facebook asking my friends to offer up their three favorite singers. I guess I hoped that they would offer up someone that I hadn’t considered (and they did). The results surprised me.

The singers that came up the most were (1) Stevie Nicks, (2) Etta James, and (3 – tie) Pink and Karen Carpenter. Etta was the only one that was in my list of considerations. After looking at the list (and the suggestions) I finally chose who I am writing about and NO ONE mentioned her. Stay tuned for that.

I say all that to say this – in celebration of International Woman’s Day, here are some tunes by some of the gals on my list that I did not choose. I hope you will give them a listen and enjoy them.

Etta James – At Last.

The BEST version of this song!

Ella Fitzgerald – Blue Skies

One of the best and a fantastic arrangement. The Queen of Scat Singing!

Alison Krauss – When You Say Nothing At All

What a voice on this gal. God I love her version of this song.

Aretha Franklin – The House that Jack Built

I could pick so many from her, but I always loved this song! Funky !

Billie Holiday – All Of Me

Billie is an influence of so many singers both male and female. Tony Bennett was always mentioning her style.

Dusty Springfield – You Don’t Have To Say I Love You

My favorite Dusty song. The arrangement and her vocal – you can feel every emotion as you listen.

Sarah Vaughn – Broken Hearted Melody

Often overlooked, but SO good! A huge hit and a great vocal!

Diana Krall – The Look of Love

She is amazing. Her voice gets me every time. Her Christmas album is fantastic. There are so many great songs from her.

Norah Jones – Don’t Know Why

Norah and Diana Krall are very similar in my opinion. Both have smokey and unique voices. Both play piano. Both make great music. This song blew me away the first time I heard it.

Linda Ronstandt – What’s New?

I almost went with Linda. Don’t Know Much, Somewhere Out There, Blue Bayou, Different Drum and so many more great ones to chose from. However, I think the albums she did with Nelson Riddle really showcase her voice. Here is What’s New?

Pat Benatar – Bloodshot Eyes

She can rock and sing! I love her voice. She was such a huge part of the 80’s – Heartbreaker, Love is a Battlefield, Shadows of the Nights, and more! I have talked about her blues album from the 90’s so I thought I would share her cover of Wynonie Harris’ Bloodshot Eyes.

Peggy Lee – Big Spender

Her version of Fever is paramount, but I love Peggy’s song Big Spender! It’s sassy and brash. It is sloppy and teasing. It’s flirty and swings!

Jewel – You Were Meant For Me

Having the pleasure to meet and interview Jewel was a radio career highlight for me. She was such a sweet and wonderful person. I loved talking to her and having her sing on the air less than 6 feet from me was amazing. Here is a Jewel Classic

Keely Smith – On The Sunny Side of The Street

Keely was great with Louis Prima, but she was also a stand out as a solo singer. I love her version of this song.

Happy International Women’s Day!!