Thoughts on The Godfather (1972)

It has been some time since I have been able to participate in a Blogathon, but when I saw that The Ultimate Decades Blogathon was being hosted by my friends over at Tranquil Dreams and Drew’s Movie Reviews, I had to take part in it. The basic theme is to blog about a movie that was released in a year ending in “2.” While scanning the releases from 1972 – it became very obvious which movie I would be writing about – The Godfather. (This blog may contain spoilers.)

This year marks the 50th anniversary of the film. This puts me at a disadvantage. Why? Because, let’s face it, there will be plenty of articles, books, internet articles, magazine special editions and more about this movie. You will not have to go far to find material on this masterpiece. As a matter of fact, I am currently reading one of the books that was released just a few months ago about the film.

I had actually hoped to finish the book prior to having to write this blog. I am just over halfway finished and it is fantastic!

This week, I watched the film in its entirety in preparation for this blogathon. With every viewing, I come to appreciate it more and more. It remains a film that I never tire of watching. It never gets old. It still holds up 50 years later. The Mark Seal book I am reading has certainly made me more aware of the difficulties that surrounded the making of The Godfather. At times, you wonder how it ever was finished!

At any rate, what could a lowly blogger like me possibly present to you about the Best Picture Winner of 1972? My thoughts, my observations, and my reasons for loving it. Now that I think about it, I guess I chose this film for selfish reasons. I have quoted it and referred to it in passing in past blogs, but I have never actually devoted an entire blog to it.

Unlike some blogs, mine is a personal blog that features stories from my past, posts about my family, posts about my struggles, posts about my passions, likes, and dislikes. It is a picture of “me.” No picture of me would be complete without The Godfather. So, here goes….

The First Viewing

I was two years old when The Godfather came out. I don’t recall exactly how old I was when I first saw it. What I do remember is that it was not a complete viewing.

As a teen, I remember my dad would always be laying on the floor watching TV. I had come into the room and dad was watching the movie which was playing on one of the local networks. I remember being instantly being caught up in it. As my memory serves me, the scene I was watching was where Michael goes to the hospital and no one is watching his father. I remember him begging the nurse to help move him because people were coming “to kill him.”

Once the Don (Marlon Brando) is moved to another room, Enzo the baker is shown walking up the stairs and down the hall. The entire scene where Michael and Enzo are out in front of the hospital as the car carrying the murderers pulls up (and drives away) had me at the edge of my seat! I watched the rest of the movie with my dad and remember asking him a gazillion questions.

Eventually, my dad purchased the movies (Part 1 & 2) on VHS. I remember watching part one from beginning to end and being blown away. I was never really aware of the film’s length because it held my attention all the way through. Admittedly, it took more than a couple viewings to finally get all the names of the various characters right.

For the next couple years, it seemed like HBO or The Movie Channel played the Godfather films in a hot rotation right around Christmastime. I remember going over to my girlfriend’s house and her dad was watching it. I sat down on the couch and we bonded immediately over the film. I’m not sure she was too happy that our time together was sitting on the couch watching a “mob movie.”

The movie is one of the few films that I have to sit down and watch if it is on TV. If I am scanning channels and it is on, I stop and watch. I can’t help it. I get caught up into it immediately.

The Big Screen

In 2002, select theaters were showing the film for its 30th anniversary. This was an opportunity that I had to take advantage of. My wife at the time had never seen the movie and I asked if she would like to see it. She said yes and we bought tickets.

I wish I could convey to you the amount of excitement that I felt as I sat in the seats of the Royal Oak Main theater (in Michigan) as the lights dimmed and the movie started. This was my first time watching this masterpiece on the big screen. The camera fired up and there was the solo trumpet playing the opening 7 notes of The Godfather Theme. I had chills!

“I believe in America….” The words of Amerigo Bonasera came through the sound system. The camera fades in on his face as he tells the story of his daughter and the boys who beat her. The camera pulls further and further away from him and eventually we see the back of Don Corleone. We hear the dialogue between them and it isn’t until we see Bonasera whispering in the Don’s ear that we finally see the man – Don Corleone.

The opening scene of the film remains one of my favorites of all time. It is just brilliant. It is perfect. Watching it on the big screen for the first time remains one of the coolest moments!

Mario Puzo’s novel does not open with this scene. Director Francis Ford Coppola stated that he knew this was the scene that should open the film. I can’t imagine it opening any other way. So much is conveyed it this scene – respect, disrespect, power, and family. It is the perfect springboard for the remainder of the film.

Mario Puzo, author of the Godfather

Casting

It is probably easy for me to say that the cast of the Godfather is perfect, especially since it is 50 years old. Believe it or not, Paramount was against Marlon Brando as Vito Corleone. They also were not keen on Al Pacino as Michael. Can you imagine James Caan as Michael (and NOT Sonny)? How about Martin Sheen instead of Robert Duvall as Tom Hagen? There was quite a lot of fighting over who should play who in the movie. In the end, Coppola wound up with the cast that he wanted, and when you see the finished product, you see that he had it right all along.

The Corleone Boys – Michael, Vito, Sonny and Fredo

Fun Fact: Mario Puzo actually wrote a letter to Marlon Brando telling him that he thought Brando would be perfect for the role of Don Vito Corleone in the film. He stated in his letter that Brando was the “only actor who can play the Godfather.”

Fun Fact: Throughout the entire film, the word “mafia” is never uttered.

Not Just Another “Mobster Flick”

People who have never seen the Godfather assume that it is just another mobster film. I would tend to disagree. To me, it is more about family, greed, power, and loyalty. Coppola stated somewhere that he wanted to show that the Corleone family were real people, with jobs (illegal or not), children, a home life, etc…

One of the first things we see in the film is a huge family wedding. There is laughter, dancing, music, food, and plenty of friends and family. We also see the mixture of business and family, as the Don is “working” in his den as the wedding is going on. We see him as a husband and father, dancing with his wife and his daughter at the wedding festivities. The importance of family is present as the family poses for a photo, but the Don states that it cannot be taken until Michael arrives.

The “Family” Business

The phrase “family business” is used a few times in the film. To me, the term illustrates that the two are separate, yet connected. It becomes very clear that when it comes to business, the Don, his consigliere (Tom Hagen) and his two older sons (Sonny and Fredo) are involved. The youngest son, Michael, is not a part of the family business. Sonny says that he didn’t want to “get mixed up in” it. Michael is also referred to as a “civilian” by family members. Yet his entering the business is one of the most intriguing things to me about the movie.

When Michael makes his entrance into the film he is walking hand in hand with his girlfriend Kay (Diane Keaton) in his military uniform. We see him walking from behind almost swaying, without seeing his face, we know that he is happy and in love. He is a far cry from the man he will transform into. He is soft spoken, even when he explains to Kay some of the terrible things his family is responsible for. He also makes it a point to explain, “That’s my family, Kay. NOT ME.”

In an interesting turn of events, not very far into the movie the “star” is shot and absent for much of the middle of the film. I am talking about The Godfather himself, Vito Corleone (Brando). This event leads to the beginning of the transformation of Michael. The soft spoken son, who had had his jaw broken by a corrupt cop, is now telling his brothers that he will step in and knock off the man responsible for shooting his father (which brings about a lot of laughter at first, but ultimately is what the family decides to do).

It’s not personal, Sonny. It’s just business.

In this scene, Coppola again works magic with the camera. As Michael describes what he wants to do, the camera slowly moves closer and closer to him. As the camera stops he states firmly, “I’ll kill them both.” The transformation has begun.

It continues quickly. During the scene where Michael does it, you can see him lost in thought as Virgil Solozzo (who sets up the hit on the Don) and the police captain are sitting next to him at the table. I love that as the camera sits on his face, the sounds of the trains get louder and louder until he finally stands and shoots his victims.

By the end of the film, Michael has become Don. His dark eyes tell a story of tragedy and anger. He is cold and heartless. He has “settled” all family business.

To me, this is one of the most amazing character transformations in all of film. He has gone from likeable to someone you cringe at when you look at him. He makes your stomach turn.

Final Thoughts

I feel as though I have not even begun to scratch the surface of just what a powerful movie this is. When someone thinks about the Godfather, they think of:

  • The horse’s head
  • Leave the gun. Take the cannoli
  • Sonny getting shot at the toll booth
  • Luca Brasi
  • The meeting of the Five Families
  • The interplay between the “settling of family business” and the baptism

There are so many wonderful scenes throughout this picture. I could write a blog about each of those scenes just as easily as I could write a blog about each character. The things presented here, are the things that stood out for me right from the get go when I wondered what to present.

For anyone who has never seen the movie, it is a must watch. You also need to watch it more than once. As I stated, it gets better every time. I also recommend reading the book, whether you do it before or after watching the movie, it really doesn’t matter. In some cases, reading it before will give you a better chance at remembering who is who. For me, it gave me a lot more insight as to what characters were thinking during key scenes.

(Note: Pick up Francis Ford Coppola’s Godfather Notebook. It has pages from the novel and his notes. It is fun to see how he thinks about what to keep and what to leave out. It is also cool to see what he thought was important and just how to convey things on film.)

There is plenty of imagery throughout the film. One of my favorite examples of this involves the scenes where someone kisses the Godfather’s ring. Like a pair of book ends – we see two Dons (Vito from the beginning of the film and Michael from the end of the film) in an almost identical scene. The family’s power has been transferred from one to another.

Coppola is a master at tying things together and the pictures above illustrate that.

I, on the other hand, tend to ramble (hence the title of my Blog Page). I hope that you have found my thoughts on the film enjoyable. I hope that they move you to watch the film again or for the first time.

In closing, I want to thank my friends at Tranquil Dreams and Drew’s Movie Reviews for allowing me to take part in this blogathon. I highly recommend that you follow them for some pretty amazing content. Check them out here:

https://klling.wordpress.com/

https://drewreviewmovies.wordpress.com/

Cue the Godfather theme …..

Favorite Film – The 70’s

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I guess I saw this on Facebook some time ago.   Somebody had the idea to post a list of your favorite films.  The list was to consist of your favorites from each year of your life.  So, you start with your birth year and move ahead year by year and list all the films from each year.  I am SURE I have this idea written down in my notebook of “blog ideas”.  A post from the Avocado site came up in my “Reader” list of blogs that had the same principle, but with one exception – you can only pick one movie from each year. You can read that blog here:

https://wordpress.com/read/feeds/73828787/posts/2442817483

I am going to say that narrowing down just one film from each year will be next to impossible for me.  I am going to attempt to do it.  I have a feeling that I will go back in a day, a month, or year from now and think, “No, I should have picked _____ instead!”  At any rate, some of these will be easy to pick, and some I will have to “eenie meanie miney moe” to pick just one.  Maybe this is a topic I revisit each year?  I don’t know.

I am going to break it down by “decade”, so each post will include 10 films.  Deep breath.  Here we go – back to the year I was born:

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Of the 1970 films that made my personal favorite list, many have “war” themes:  M*A*S*H, Kelly’s Heroes, and Tora! Tora! Tora!  Other films include Dean Martin in Airport! and the Mel Brooks comedy The 12 Chairs.  Of all of the films from the year of my birth, if I had to pick my absolute favorite, it would be the classic biopic, Patton.

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George C. Scott is brilliant as Patton!  He won the Oscar for Best Actor for his role.  The film won seven Academy Awards including Best Picture and Best Director.  It’s an amazing film.

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1971 was the year that George Lucas would release his film THX 1138, Gene Wilder starred in the classic Willie Wonka and the Chocolate Factory, and Clint Eastwood starred in the film that scares all radio DJs – Play Misty for Me.  But it is another Clint Eastwood film that gets my vote for my favorite film of 1971, Dirty Harry.

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There are so many good Clint Eastwood films!  It doesn’t take long for Eastwood to establish what kind of character Dirty Harry is! Come on, you know the quote:

“I know what you’re thinking: “Did he fire six shots or only five?” Well, to tell you the truth, in all this excitement, I’ve kinda lost track myself. But being this is a .44 Magnum, the most powerful handgun in the world, and would blow your head clean off, you’ve got to ask yourself one question: ‘Do I feel lucky?’ Well, do you, punk?”

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1972 was the year we saw Burt Reynolds in Deliverance, Charles Bronson in The Mechanic, and the all star cast of the Poseiden Adventure that included Gene Hackman, Shelley Winters, Ernest Borgnine, Red Buttons and others!  It was also the year that introduced many to two of the best known adult films, Behind the Green Door and Deep Throat.  1972 is probably the easiest year to pick a hands down favorite for me – no doubt about it – Mario Puzo & Francis Ford Coppola’s The Godfather.

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The novel is amazing.  The movie is just as powerful!  The cast (many unknown at the time) is just perfect!  It is hard to imagine anyone else as these characters.  Marlon Brando, Al Pacino, James Caan, Robert Duvall, Diane Keaton, Abe Vigoda, Richard Conte, Alex Rocco, and so many others star in this superb film about family and power.  I don’t think a week goes by without me quoting this film!  The film won the Best Picture Oscar and Brando won (and refused) the Oscar for Best Actor.

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While 1973 had some good films, in going through my list, they all are just “ok” to me.  In other words, there is no real “WOW” movie for me.  Charlton Heston is good in Soylent Green, Al Pacino is good in Serpico, The Sting had Paul Newman and Robert Redford (and the tune The Entertainer), Clint Eastwood is back for a Dirty Harry sequel called Magnum Force, and then there was the Exorcist.  I guess if I HAD to pick a favorite, it would be American Graffiti – because of two things (1) the music and (2) Wolfman Jack!

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1974 was a bit more difficult to narrow down to just one film.  The reason for this is that I have some classic favorites that were released in ’74 and “how do I just pick one?”  Two of my favorite Charles Bronson films, Mr. Majestyk and Death Wish, came out this year.  Also, two of my favorite Mel Brooks films were also released – Young Frankenstein (“That’s Frahn-kun-steen”) and Blazing Saddles!  It did, however, become clear that the one film that had to be at the top for 1974 was The Godfather Part II.

Al Pacino In 'The Godfather: Part II' Woody Allen And Mia Farrow In 'A Midsummer Night's Sex Comedy' '

The first time I saw it, I hated it!  I can’t lie about that.  I was confused by the shifts from past to present.  However, it became very clear with a second and third watch that the shifting from past to present is what makes this movie SO amazing.  If you really must see it all in order, you can rent the Godfather DVD and watch it chronologically.  This movie is where you really see the genius of Francis Ford Coppola.  Robert Deniro is just amazing as Vito and Al Pacino’s portrayal of Michael is about as perfect as it can get.

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1975 was the year that had us doing the Time Warp, thanks to the Rocky Horror Picture Show.  The Sunshine Boys was supposed to star Walter Matthau and Jack Benny (there are clips of screen test shots on YouTube somewhere), but when Benny died, George Burns stepped in.  Jack Nicholson is “crazy” good in One Flew Over the Cuckoo’s Nest, and Dean Martin starred in a forgotten favorite, Mr. Ricco.  The one movie that really stands out for me from 1975 is based on the Peter Benchley novel – Jaws!

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Like many, I couldn’t swim at the beach for some time after seeing it!  Now, they actually show it on a screen while people float in rafts and tubes on a lake in the summer time!  And who can forget the Jaws theme?

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In 1976, America celebrated it’s bicentennial year.  It was a very patriotic year and there were some good films in theaters.  The Watergate Scandal was the focus of All The President’s Men.  Clint Eastwood returned in another Dirty Harry sequel, The Enforcer and the western The Outlaw Josey Wales.  The wonderful Barbara Harris was featured in both Freaky Friday and Hitchcock’s Family Plot (two very opposite roles!).  Mel Brooks offered up Silent Movie, while an all-star cast (Charlton Heston, Robert Mitchum, Glenn Ford, Henry Fonda, James Coburn, and Cliff Robertson) appeared in the war film, Midway. We were first introduced to Sylvester Stallone’s Rocky Balboa in Rocky and Gene Wilder and Richard Pryor were first teamed together in Silver Streak.  There are many reasons I could pick any one of these as a favorite, but I am going to go with one I already featured as my favorite – Murder By Death.  You can read that blog here:

https://wordpress.com/post/nostalgicitalian.com/856

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It’s such a fun film and I revisit it often.

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1977 was a year of great films!  There was Woody Allen’s Annie Hall.  Then George Burns first took on the role of God in Oh, God. John Travolta danced to the Bee Gees in Saturday Night Fever. We were introduced to the comedy of the Zucker brothers with Kentucky Fried Movie. Mel Brooks saluted Alfred Hitchcock in High Anxiety.  The “other” space movie, Close Encounters of the Third Kind, hit theaters, too.  From here, I was able to narrow things down to two faves, but as I said, I can only pick one for the year. While Star Wars could easily be the top pick for 1977, I am going with Smokey and the Bandit.

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Burt Reynolds, Jerry Reed, Sally Field, and Jackie Gleason took us on a wild ride and this remains my favorite for a number of reasons.  First, it’s just funny.  Second, there are some very cool stunts.  Third, “East Bound and Down”.  Last, there are so many great quotes!

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Smokey JUST beats out Star Wars, probably because it’s a comedy.  Don’t get me wrong, Star Wars is a CLASSIC, and at some point I really need to blog about the influence of that film on me as a 7 year old kid!

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In 1978, we first meet Michael Myers in John Carpenter’s Halloween.  Peter Falk appears in the “sorta” sequel to Murder By Death in The Cheap Detective.  Robert Deniro and Christopher Walken star in The Deer Hunter.  Cheech and Chong go Up in Smoke.  Christopher Reeve first donned the cape in Superman.  Burt Reynolds starred as a stuntman in Hooper and tried to kill himself in The End.  We got chills that multiplied as we sang along with John Travolta and Olivia Newton-John in Grease.  I’m honored to have Eddie Deezen (who plays Eugene in the film) as a friend on Facebook and he often shares cool stories about the film.  Time to pick my favorite from 1978.  It is yet another very quotable movie – a comedy – National Lampoon’s Animal House.

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Kent Dorfman.  Flounder.  Pinto.  Bluto.  D-Day.  Otter.  Animal House remains as funny to me today, as the first time I saw it.  John Belushi is just awesome in this film.  I have said before that Belushi can emote more with just his eyebrows than any other actor.  I also love John Vernon as Dean Wormer – he is such a great actor!  It’s amazing that “Shout” from Otis Day and the Knights is still requested at weddings 40+ years later.  One of my most quoted movies!

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“Zero.  Point.  Zero.”

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Closing out the decade, I see my list of favorites for each year growing more and more.  In 1979, Sigourney Weaver appeared in the first (of many) Alien films.  George Hamilton’s comedic take on Dracula was in Love at First Bite.  Sylvester Stallone appeared for his second “round” as Rocky in Rocky II.  Star Trek became relevant again, as it appeared on the big screen for the first time (with the original cast members) with Star Trek: The Motion Picture.  Steve Martin brought The Jerk to life.  Alan Arkin and Peter Falk are great together in The In-Laws.  Robert Stack, Eddie Deezen, John Belushi, Dan Aykroyd, and so many others appeared in 1941 (It didn’t do all that well at the box office, but I still love this silly film). To me, my favorite of 1979 goes to the genius of Jim Henson – The Muppet Movie.  I STILL marvel at this one!

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This was such a breakthrough film.  For the first time we saw Muppets walking!  We saw them riding bikes!  The technological stuff that was achieved in this movie is still awesome to me.  This movie had tons of big cameos (including Edgar Bergan’s last film role) and just wonderful music.  I blogged about the music previously and you can read that here:

https://wordpress.com/post/nostalgicitalian.com/1218

What a “groovy” and “far out” list, huh?  I will have to move on into the 80’s next time.  I can tell you, it will be much more difficult to pick just one for every year in THAT decade!

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