A Shemptastic Birthday Salute!

(This blog originally posted in 2018)

Throughout history, some truly great people never got the respect they deserved simply because they had big shoes to fill.

* John Adams following George Washington as President of the United States.

* Ryan Seacrest following Dick Clark hosting New Year’s Rockin’ Eve.

* Ray Combs following Richard Dawson as host of Family Feud.

*Daniel Craig is forever compared to Roger Moore and Sean Connery as James Bond.

* Dick Sargent never fully got the credit he deserved as an actor because he replaced Dick York on Bewitched.

There is one “under rated” comedian who truly never got the true respect that he deserved … simply because he stepped in to fill the shoes of a comedy GIANT! This modest blog hopes to give him some recognition.

Shemp Howard was born today in 1895. Shemp was born Samuel Horwitz, but his mother had a very heavy Lithuanian accent so when she called his name it came out “Shemp”. That name stuck and he was Shemp for the remainder of his life.

Shemp and his younger brother, Moe, watched a lot of vaudeville shows and eventually started their own act. They did an act entirely in black face. This wasn’t unusual as many performers like Al Jolson, Freeman Gosden and Charles Correll we’re doing just the same.

Moe and Shemp teamed up with Ted Healy, and eventually Larry Fine joined the group. Ted Healy and his Stooges were a vaudeville hit.

My pal, Eddie Deezen, (who you may know as Eugene from the movie Grease and many other great films) wrote an very nice article about Shemp for Neatorama. In it he addresses one of Shemp’s “issues”:


According to Shemp’s wife, Gertrude “Babe” Howard, whom Shemp married in 1925, Shemp was “just a big old ‘fraidy cat.” Everyone has a particular fear or phobia (many of us have more than just one); Shemp was “afraid of his own shadow,” according to his friends, with a whole litany of fears:

*He lived in constant fear of cars, never driving or getting a driver’s license. According to Moe, this fear was rooted in an auto accident Shemp experienced when he was a youth. (In his films, when Shemp had to fake driving a car, he was towed by prop men in a simulated car but was still scared, nervously holding the steering wheel until the scene mercifully ended.)

*Shemp also refused to fly in airplanes, travelling only by train.

*He was terrified of strange dogs and would carry a big stick with him, just in case a strange dog approached him.

*He refused to swim or go in any body of water larger than a bathtub. Shemp always carried a pair of rubber overshoes in his pocket, lest he be caught in the rain.

*It also became fairly common that, before Shemp appeared live on stage, he would throw up to relieve himself.

*And Shemp was a chronic bed-wetter. He had actually served in World War I, but his stint was truncated due to his bed-wetting.

Ted Healy was a jerk. He saw these things and often used his knowledge of Shemp’s fears to scare him. Because of Healy, Shemp left the group to do solo projects. He was replaced by…Curly Howard (Shemp and Moe’s younger brother). Curly went in to become a comedy icon with the Stooges and was loved by millions.

Shemp had great success working alone. He can be seen in some of Abbott and Costello’s films, but according to Eddie Deezen’s article, Costello was very jealous of Shemp and most of his funny stuff ended up being edited out. He also appeared with WC Fields in The Bank Dick and he also played Knobby Walsh in the Joe Palooka films. While off on his own, Shemp was called (and billed as) “The Ugliest Man in Hollywood”!

In the 1940’s, it is evident by watching the Three Stooges comedies that Curly’s health was on the decline. In 1946, while waiting to shoot a final scene for Half-Wits Holiday, Curly had a massive stroke. With Curly no longer able to perform, Moe turned to his older brother, Shemp, who agreed to return to the group.

Shemp made over 70 comedies with the Stooges. He never stepped in to copy Curly, nor did he want to. He was Shemp and that was what makes his comedies with the boys unique.

Shemp had his own vocal sounds. Curly “woo woo woo’d” and “n’yuk n’yuk n’yuk’d while Shemp did something totally different. His most notable characteristic as a Stooge was a high-pitched “bee-bee-bee-bee-bee-bee!” sound, a sort of soft screech done by inhaling. This was rather multi-purpose, since Shemp emitted this sound when scared, sleeping (done as a form of snoring), overtly happy or dazed. It became as much a trademark sound of Shemp as the “nyuk nyuk” sound had become Curly’s.

The only time Moe, Curly and Shemp appeared together in a Stooges short.

Shemp was always compared to Curly. In my humble opinion, this is like comparing baseball to football or apples to oranges. They are both unique and each have their own attributes! There is no way to compare them to each other! Curly was Curly. He was energetic, childish, silly and graceful. Shemp (who was already in his 50’s when he rejoined the group) was more flippant. He was a wise cracking, all talk no action kinda guy. The dynamic was different, but it still worked.

He played with the human language wonderfully. One of my favorite Shemp lines comes from the short Sing a Song of Six Pants. The boys are dry cleaners/tailors. A customer comes in and Shemp says “Where did you get this mess?” (Referring to the man’s suit). The customer replies ” I bought it here!”. Shemp’s reply: “Oh, what a beautiful messterpiece!”

On November 22, 1955, Shemp went out with his friends to a boxing match at the Hollywood Legion Stadium. After the fights were over, Shemp hailed a taxicab to take him to his North Hollywood home with friend Al Winston. Shemp set back and lit up his cigar and told a joke. Suddenly he slumped over into Winston’s lap. Shemp had a heart attack and was dead at the age of 60. (Shemp’s daughter-in-law, Geri Greenbaum, maintains he suffered a massive cerebral hemorrhage.) His friend, Al, thought Shemp was playing a joke, since Shemp was laughing moments earlier, but realized he was actually dead. Moe’s autobiography gives a death date of November 23, 1955, as do most subsequent accounts, because of Moe’s book. But much of that book was finished posthumously by his daughter and son-in-law, and some specific details were confused as a result. The Los Angeles county coroner’s death certificate states that Shemp Howard died on Tuesday, November 22, 1955, at 11:35 [PM] PST.

A Dapper Shemp

Many Stooge fans know “the rest of the story” (to quote Paul Harvey), but for those who don’t, Eddie Deezen’s article shared the odd final chapter of Shemp’s film career :

Columbia Studios still needed four new Three Stooges shorts after Shemp died, so they hired a replacement named Joe Palma to “be Shemp.” Joe became Shemp’s “double,” or stand-in, faking scenes by not facing the camera, just standing with his back to the camera and running off or bumbling. Old footage from previous Stooge films was intermixed with the Joe Palma footage, and thus the last four Three Stooges films with “Shemp” were made.

To this day, to “get a Shemp” or “a fake Shemp” or “a Shemp” is Hollywood nomenclature for “get a double” or “use a stand-in.” Director Sam Raimi (Spiderman), a big Three Stooges fan, always credits stand-ins or doubles in his films as “Fake Shemps.”

While people who talk about Shemp often say things like, “he’s no Curly” and Stooge Festivals often promote being “all Curly”, let’s give Shemp some credit! He was a brilliant performer. He was quick, funny, and helped to keep Stooges Comedies in theaters for years after Curly left the group.

As with any team, everyone plays a part. While the team took on a new look, the slapstick was still there. The puns are still there. Larry’s facial expressions and reactions are still there. Shemp Shorts are still funny, but people who automatically cop an attitude at the opening credits before the short even starts will never come to appreciate the genius of Shemp…and that is sad.

Happy Birthday, Shemp! How can you celebrate? There are two fantastic books that came out recently that are a must read for Stooge fans.

TV Show Draft – Round 10 – The Untouchables

We have reached the final round of the Hanspostcard TV Show Draft. I want to take a moment and thank Max from the Power Pop Blog for taking up the reigns and helping us continue this round in Hans’ absence. It truly has been a fun draft!

For my final pick, I have gone back to another classic – The Untouchables. The show ran from 1959 to 1963 and starred the great Robert Stack as Eliot Ness. It is hard to imagine anyone but Robert Stack in the role of Ness, but believe it or not, Desi Arnaz had originally offered the role to actor Van Johnson. Supposedly, he wanted double what they were offering to pay for the role, and it ultimately went to Stack.

When asked about the character some years later, Stack said, “Ness was a precursor of Dirty Harry. He was a hero, a vigilante in a time when breaking the law meant nothing because there was no law because Capone owned Chicago, he owned the police force.”

The show was based on the book of the same name written by Eliot Ness and Oscar Fraley. Brian De Palma would use the book as the basis for his 1987 film of the same name.

According to Wikipedia:

The series originally focused on the efforts of a real-life squad of Prohibition agents employed by the US Department of Justice and led by Eliot Ness (Stack) that helped bring down the bootleg empire of “Scarface” Al Capone, as described in Ness’s bestselling 1957 memoir. This squad was nicknamed “The Untouchables” because of its courage and honesty; squad members could not be bribed or intimidated by the mob. Eliot Ness himself had died suddenly in May 1957, shortly before his memoir and the subsequent TV adaptation were to bring him fame beyond any he experienced in his lifetime.

The pilot for the series, a two-part episode entitled “The Untouchables,” originally aired on CBS’s Westinghouse Desilu Placyhouse (and was introduced by Desi Arnaz) on April 20 and 27, 1959. Later re-titled “The Scarface Mob”, these episodes, which featured Neville Brand as Al Capone, were the only episodes in the series to be more-or-less directly based on Ness’s memoir, and ended with the conviction and imprisonment of Capone. CBS, which had broadcast most of Desilu’s television output since 1951 beginning with I Love Lucy, was offered the new series following the success of the pilot film. It was rejected it on the advice of network vice president Hubbell Robinson. ABC agreed to air the series, and The Untouchables premiered on October 15, 1959. In the pilot movie, the mobsters generally spoke with unrealistic pseudo-Italian accents, but this idiosyncratic pronunciation was dropped when the series debuted.

The weekly series first dramatized a power struggle to establish a new boss in Capone’s absence (for the purpose of the TV series, the new boss was Frank Nitti, although this was, as usual for the series, contrary to fact). As the series continued, there developed a highly fictionalized portrayal of Ness and his crew as all-purpose, multi-agency crime fighters who went up against an array of 1930s-era gangsters and villains, including Ma Barker, Dutch Schultz, Bugs Moran, Lucky Luciano, and in one episode, Nazi agents. On many occasions during the series run, Ness would blatantly violate suspects’ Fourth Amendment rights with no legal ramifications.

The terse narration by gossip columnist Walter Winchell, in his distinctive New York accent, was a stylistic hallmark of the series, along with its ominous theme music by Nelson Riddle and its shadowy black-and-white photography, which was influenced by film noir.

The series produced 118 episodes which ran 50 minutes each. Though the book chronicled the experiences of Ness and his team against Capone, and in reality the Untouchables disbanded soon after Capone’s conviction. The series continued after the pilot and book ended, depicting the fictitious further exploits of the Untouchables against many, often real life, criminals over a span of time ranging from 1929 to 1935.

The show came with some controversy. Italian-American groups protested over what they felt was an unfair presentation of their people as Mafia-types. “We are plagued with lawsuits after certain shows” one of the show’s producers Josef Shaftel explained, noting that the series was “heavily insured against libel.” With good reason – the first lawsuit against the show was instigated by Al Capone’s angry widow. She didn’t like the way her deceased husband was made into a running villain on the show and wanted a million dollars for unfair use of his image. (She lost.)

The FBI and J. Edgar Hoover were ticked off too. They were the ones who collared the famous names that Ness was supposedly busting each week on TV and they rightfully wanted credit for it. The second episode of the series, for example, depicted Ness and his crew involved in the capture of the Ma Barker gang, an incident in which the real-life Ness played no part. The producers agreed to insert a spoken disclaimer on future broadcasts of the episode stating that the FBI had primary responsibility for the Barker case. Even the Bureau of Prisons took offense, complaining that the show made their treatment of Al Capone look soft.

The show itself was considered one of the most violent television shows of its time. Of course, by today’s standards it’s not that bad, but it was violent enough at the time to spark protests from parents who were worried about their children seeing this violence.

My Thoughts

This is one of those shows that I just love! Robert Stack’s delivery of almost every line as Ness is perfect. He won an Emmy in 1960 for Best Actor in a Dramatic Series for his portrayal of Ness.

Despite the fact that many of the stories are fictionalized to work the Untouchables into them, they are great! The show really was a forerunner to shows like The FBI, Crime Story, and even Hawaii 5-0. I love the film noir feel of it. Every episode plays like a good 50 minute movie.

The Lebanon Pennsylvania Daily News said of The Untouchables: “Between the hard-nosed approach, sharp dialogue, and a commendably crisp pace (something rare in dramatic TV at the time), this series is one of the few that remains fresh and vibrant. Only the monochrome presentation betrays its age. The Untouchables is one of the few Golden Age TV shows that deserves being called a classic.” It really does hold up well.

As I have mentioned before, one of the things I love about these old shows is seeing big stars (who are not quite yet stars) show up. In regular roles throughout the series you could see Raymond Bailey (Mr. Drysdale on the Beverly Hillbillies), Barbara Stanwyck, Barbara Nichols, Ed Asner (Lou Grant), Harry Morgan (Col. Potter on MASH), and Henry Silva.

The list of guest star appearances is long and amazing. They include: Jack Elam, Paul Frees, Jim Backus, Sam Jaffe, Martin Balsam, John Dehner, William Bendix, Whitt Bissell, Charles Bronson, James Caan, James Coburn, Mike Conners, Robert Duvall, Peter Falk, Norman Fell, Alan Hale Jr., Brian Keith, Jack Klugman, Cloris Leachman, Jack Lord, Lee Marvin, Telly Savalas, Elizabeth Montgomery, Leonard Nimoy, Robert Redford, Ricardo Montalban, Rip Torn, Jack Warden, Dick York, Cliff Robertson and so many more!

“The Untouchables” Paul Picerni, Robert Stack circa 1961

You know, they play reruns of Law and Order on TV all the time. Many of the shows I have seen numerous times. I know what’s going to happen, yet I still watch (a lot like my previous picks – Perry Mason and Columbo). The Untouchables is a show that could very easily be rerun like a Law and Order. It is that good.

I love Walter Winchell’s narration

And I love the theme song!

It has been so much fun writing on some of my favorite shows. It’s been just as fun to read about the shows picked by other members of the TV Show Draft. I hope you have enjoyed my picks…

Thanks for reading!