Normally, I would steer clear of this song, but because it is his birthday, I will feature it today.
Happy 83rd Birthday to Bob Lind!
In 1965, Bob Lind signed a contract with World Pacific Records, which was a division of Liberty Records. It was there that he recorded his composition (and only hit) Elusive Butterfly.
From songfacts.com:
Bob Lind wrote this song, where he sees himself as a butterfly hunter. He is looking for romance, but he finds it as elusive as butterflies are to capture. It turned out to be the only hit for Lind, who did a lot of traveling as a kid and ended up playing folk music around Denver when he flunked out of Western State College. He wrote “Elusive Butterfly” as the sun was coming up after staying up all night. He says the song is about “The magic of the quest, the thrill of searching, even when that which is sought is hard to see.”
One of music’s greatest bass players, Carol Kaye, played on the song. She told songfacts.com:
“It was at Sunset Sound. It was kind of a boring tune. I think it was D-flat or something, and it stays a long time in that chord and then it moves in a funny way to the next chord, it’s like a sidebar phrase or something like that. I missed it and I went to go up to the G-flat or whatever and I missed it and I came right back down. I did a slide up and down. And they stopped and I thought, ‘Uh oh, he caught me.’ He said, ‘Do more of those!’ (laughing) So the slide was born, then. I’d stick that slide in here and there on the records I cut.”
I chuckled when I read her quote calling the song “boring.” When I was at WKSG in Detroit, this song would come up on the play list from time to time. Johnny Molson, who did the evening show before I came on the air, had the best description of the song. He told me that the song “sounds like someone ate a Hallmark card … and threw up.”
Happy Birthday to Johnny, by the way. Who knew he and Bob shared a birthday?
Plagued by drug and alcohol problems, Lind gained a reputation in the business for being “hard to work with.” He eventually left the music business for some time, but his music was recorded by over 200 artists. Those artists include: Cher, Glen Campbell, Dolly Parton, Eric Clapton, The Turtles, Johnny Mathis, Nancy Sinatra, The Four Tops, and Petula Clark!
In 1988, he moved to Florida. He wrote five novels, an award-winning play, and a screenplay, Refuge, which won the Florida Screenwriters’ Competition in 1991. He also worked briefly for the Weekly World News and is credited with co-writing their famous “Bat Boy” story.
I’d say that he should stick to singing, but I’m not really keen on that either… So, Happy Birthday, Bob.
This is sort of a continuation of the Music of My Life feature. It focused on music from 1970-2025. It featured tunes that have special meaning to me, brought back a certain memory or a tune that I just really like. I found that with the first three decades, there were songs that I didn’t feature. So I sat down with my original lists and selected some songs that “bubbled under,” so to speak.
I figured a good way to present them was to focus on a decade. 10 years = 1 song per year = 10 songs. Last week finished up the 70’s, and this week we’ll move on to the 80’s. So, let’s check out a few “Decade Extras.”
1980
Let’s kick off the decade with a country/pop crossover. Back when we first got cable TV, the movie channels would run movies a lot. They would schedule it in the morning, afternoon, evening, and overnight kind of rotating them so people had options on what time worked best. I remember 9 to 5 being on all the time. My mom always seemed to be watching it if it was on. I’m pretty sure she had them theme song memorized.
Dolly Parton wrote (and sang) this for the 1980 film of the same name. The film, which was her acting debut, stars Jane Fonda, Lily Tomlin, Parton, and Dabney Coleman. It dealt with life in an American office, where the workday was 9 a.m. to 5 p.m. She wrote the song while the movie was filming.
This song won the 1981 Grammys for Best Country Song and Best Country Vocal Performance, Female; it also received a Grammy nomination for Best Album Of Original Score Written For A Motion Picture Or Television Special and received Oscar and Golden Globe nominations. It also won the People’s Choice Award for Favorite Motion Picture Song.
Mojo magazine asked her what lyric she’s most proud of, Dolly Parton said: “One that I remember the very moment I wrote when I was working on ‘9 to 5,’ was ‘Pour myself a cup of ambition.’ I went, ‘Yeah that’s so good.’ That has really followed me oh through the years.”
She wrote the lyric in LA. “I would watch things going on, on the set,” she recalled to Mojo. “At night, I would go back to the hotel Bel-Air. I would get my guitar, and I would start putting pieces together. I would work on songs, clicking my nails on a typewriter.”
“I had just made myself some coffee, because I was going to spend two or three hours working on the song,” Parton continued. “I always drink coffee when I write. And I just remember saying, ‘Tumble out of bed, and stumble to the kitchen.’ What else you doing? I looked at my coffee cup and thought, ‘I pour myself a cup of ambition.'”
“Sometimes when those lines come, you just think, ‘Oh my goodness that is so good. I’m so proud of myself,” she concluded. “And then of course, many things spiritual based, I always look up and say, ‘Hey, thank you, Lord. I like that one.'”
As old as the song is, it still sounds good today.
9 to 5
1981
There are a handful of songs that “define” the 80’s for me. Your handful may or may not be different from mine. One of the greats that always seems to pop up on 80’s collections and as a “favorite” 80’s song was a phone number that everyone knows!
The opening guitar lick grabs your attention and that drum kick into the full band hooks you. This ode to a gal who doesn’t even know the singer soared up the charts to become a Top 5 single.
For years, Tommy Tutone (who isn’t the name of a person, just the name of the group) has used a story that there was a Jenny and she ran a recording studio. They have also said it was inspired by a real girl who band member Tommy Heath met in a nightclub and 867-5309 was the phone number of her parents. None of this is true, but it got them a lot more media attention, since it made a better story.
Alex Call, the songwriter, came up with it while sitting under a plum tree. He told Songfacts the story: “Despite all the mythology to the contrary, I actually just came up with the ‘Jenny,’ and the telephone number and the music and all that just sitting in my backyard. There was no Jenny. I don’t know where the number came from, I was just trying to write a 4-chord rock song and it just kind of came out.
This was back in 1981 when I wrote it, and I had at the time a little squirrel-powered 4-track in this industrial yard in California, and I went up there and made a tape of it. I had the guitar lick, I had the name and number, but I didn’t know what the song was about. This buddy of mine, Jim Keller, who’s the co-writer, was the lead guitar player in Tommy Tutone. He stopped by that afternoon and he said, ‘Al, it’s a girl’s number on a bathroom wall,’ and we had a good laugh. I said, ‘That’s exactly right, that’s exactly what it is.’
The rest is history.
867-5309
1982
I heard Foreigner for the first time while listening to Casey Kasem on American Top 40. I really liked their sound. Lou Gramm’s voice really stood out for me.
Juke Box Hero was a song that was in a good rotation when I was at the classic rock station. It has become a staple on classic rock playlists. The story behind the song is one that I love:
This song was written by Foreigner guitarist Mick Jones and lead singer Lou Gramm. In a Songfacts interview, Jones said: “That stemmed from an experience that we had, I think it was in Cincinnati. We’d gone to the arena for a sound check, and it was pouring down rain, and there were a bunch of fans waiting at the door when we went in. When we came back for the show later on, all that was left was one lonely fan, a young guy waiting out there in the rain, soaked to the skin. I thought, well, he’s waiting like five hours here, maybe we’ll take him in and give him a glimpse of what happens backstage at a show. And this kid was just mesmerized with everything. I saw this look in his eyes, and I thought, he’s seeing this for the first time, he’s having this experience. And I just imagined what was going through his mind. And I’d been toying with this title, ‘Juke Box Hero,’ I thought it was almost a satire on what we did and how it was perceived from an audience level, and public. That’s how it originated.”
How cool was that kid’s experience?! Kudos to the band for making this happen. As a bonus, they got a hit song out of it!
Jukebox Hero
1983
I was late to the Stevie Ray Vaughn party. Very late. I didn’t hear one of his songs until after his death. I had gotten together with a buddy I hadn’t seen in a while. He popped in a cassette of Stevie. I was blown away on so many levels. His voice, his playing … I’d never heard anything like it.
After a 1982 performance, Stevie and the Double Trouble band got the attention of Jackson Brown. He told the guys that they could use his personal studio to record a demo. They did just that over Thanksgiving weekend 1982. That demo was heard by a talent scout, who presented it to Epic Records, who signed Vaughn to a record deal. Epic remixed the demo, which would become his first album, Texas Flood.
While the song received heavy airplay, it didn’t get any love from the charts. The music video, the only one from this album, got heavy rotation on MTV in 1983. What he could have done if he was still around, one can only guess.
Love Struck Baby
1984
Marching band was one of my favorite things about high school. At football games and pep assemblies, we’d often play songs that were familiar to us. We Got The Beat was one they were still playing long after I graduated. Neutron Dance from the Pointer Sisters was one of those “pep songs.”
Allee Willis (who wrote Earth, Wind & Fire’s hits “September” and “Boogie Wonderland,” wrote the lyrics for this song. She sums up the song, saying: “That’s basically: if your life isn’t working, get up off your ass and change it. Because it’s really up to you.”
Fun Fact: This song was released at the high of the Cold War when there was a great deal of tension between the United States and Russia, as both had nuclear missiles aimed at each other. Willis Says: “The Russian government named me as one of the most dangerous people living in the United States, because they mis-translated it as ‘Neutron Bomb.’ The first verse they translated as ‘A powerful nuclear explosion is approaching, it will annihilate everyone; who cares if you have no car, no job, no money, just dance, dance, dance.’ And this was a huge article in Pravda, and I was supposed to be going to Russia with BMI, and I wasn’t let in the country. I mean, it was nuts.”
The song was featured in the film Beverly Hills Cop and the video includes scenes from the movie.
Neutron Dance
1985
Next is a song that I almost always played at weddings. If it wasn’t the bride and groom’s wedding song, it was one of the slow songs that packed the dance floor. The Search is Over by Survivor started as a title that was scribbled in Jim Peterik’s notebook.
He said, “It wasn’t about my life as much as a friend of mine who had a girlfriend – really a play pal throughout their growing up years – and never thought it could be anything more than that. It was looking him straight in the face that this was the girl of his destiny, and he looked everywhere to find that dream girl only to come back to the sandbox. This couple is still married and going strong. It became kind of an allegory to looking for what is obvious; having it in your hand and you being too close to even realize it.”
He told Songfacts, “Mechanically, the whole thing kind of started in my head driving down the street. I turned on my tape recorder and I sang the whole melody top to bottom into my tape recorder. The way it modulated into the chorus was very unique. When I got to the piano a few hours later, I had to find out where it was going and what it was. I brought it to rehearsal, showed it to the guys and worked with Frank (Sullivan) one on one on the song – he loved it. It was called The Search Is Over, but I still didn’t know exactly what the hook of the song was going to be. I thought of this couple, and when we came up with the line, ‘Then I touched your hand, I could hear you whisper, the search is over, love was right before my eyes,’ we looked at each other’s arms and we both had goose bumps. It was the magical turn of that phrase and realizing what this song was about. I think we discovered the song as we were writing it.”
It’s a beautiful song.
The Search Is Over
1986
I had heard Land of Confusion by Genesis on the radio long before I saw the video. It was odd to hear a “political” song from them. When I saw the video, I remember thinking that those puppets were a bit scary, not to mention ugly.
Songfacts says, “The very popular video was made using puppets created by Peter Fluck and Roger Law, who had a British TV series called The Spitting Image. The show would often make fun of Genesis, and by hiring their tormentors, the band proved that they could take a joke.
Genesis puppets had been used on the show before, but they made new ones for the video – not very flattering ones either. It was a way for the band to lighten their image from their days as earnest prog rockers. The video could go in the Cold War cultural time capsule: at the end, the Ronald Reagan puppet accidentally launches a nuclear missile.”
I guess the puppets didn’t freak everyone out, though. The video won the 1987 Grammy for Best Concept Music Video – it was the only Grammy Genesis ever won, and they weren’t even in the clip. At the MTV Video Music Awards, the video was nominated in six categories, but lost them all to Peter Gabriel’s “Sledgehammer.”
Land of Confusion
1987
The song Hot Hot Hot was first released by the group Arrow in 1982. Many cover songs followed, but the most recognizable was done by Buster Poindexter (aka David Johansen). It garnered extensive airplay through radio, MTV, and other television appearances.
For many years, people would request this at weddings and parties so they could do a conga line. It was a pretty popular tune . One venue would bring out their roast beef, which they would light on fire, and wanted us to play the song when they did it.
Over time, I was easily burned out on the song.
Hot Hot Hot
1988
I think every friend of mine had a copy of the Cocktail soundtrack in 1988. The Tom Cruise movie was what all the girls seemed to be talking about. I had been getting requests for Kokomo by the Beach Boys and it was the only place I could find it.
Mike Love of the Beach boys explained to Ssongfacts how it came together: “Terry (Melcher) was in the studio doing a track with a demo, because we were asked to do the song for the soundtrack of the movie Cocktail, featuring Tom Cruise. So we were asked by the director to come up with a song for this part of the movie where Tom Cruise goes from a bartender in New York to Jamaica. So that’s where I came up with the ‘Aruba, Jamaica’ idea, that part.
So Terry was in the studio doing the track and they didn’t have the chorus yet. They just had a certain amount of bars, but there was nothing going on there. I said, ‘Well, here’s what I want to do.’ And I remember I had told them about the part before. But he said, ‘Uh huh. How does it go again?’ So I literally, over the phone – he was in the studio and I was on the phone – sang [deadpan slow recitation]: ‘Aruba, Jamaica, ooo, I want to take you.’ So he’s writing that down, and I’m singing it in the scene, the notes, and the timing of it in tempo to the track.”
Regarding the composition of the song, Mike said: “The verses and the verse lyric was written by John Phillips of the Mamas and the Papas. He wrote ‘Off the Florida keys, there’s a place called Kokomo, that’s where we used to go to get away from it all.’ I said, ‘Hold on. We used to go sounds like an old guy lamenting his misspent youth.’ So I just changed the tense there. ‘That’s where you want to go to get away from it all.’ So that was the verse. And it was very lovely. But it didn’t have such a groove, I didn’t feel.
So I came up with the chorus part: ‘Aruba, Jamaica, ooo, I want to take you to Bermuda, Bahama, come on, pretty mama. Key Largo, Montego…’ That’s me, the chorus and the words to the chorus was Mike Love. The verse was John Phillips. The bridge, where it goes, ‘Ooo, I want to take you down to Kokomo, we’ll get there fast and we can take it slow. That’s where you want to go, down to Kokomo,’ that’s Terry Melcher. Terry Melcher produced the Byrds and Paul Revere & the Raiders, very successful producer. But he actually produced that song and he wrote that bridge part, which Carl Wilson sang beautifully. And I sang the rest of it. I sang the chorus and the verses on that particular song.
Before “Kokomo,” the last US #1 for The Beach Boys was “Good Vibrations in 1966. At 22 years, it was the longest any act had gone between US #1 hits until Cher topped the charts with “Believe” in 1999. Her previous #1 hit was “Dark Lady” in 1974, setting the new record at 25 years.
Kokomo
1989
When you think about “Super Groups,” a few come to mind: The Traveling Wilburys, Audioslave, Cream, Blind Faith, and Crosby, Stills, Nash, and Young for example. In 1989, there was another super group who had a monster hit.
Songfacts explains: Bad English was a supergroup comprised of lead singer John Waite, keyboard player Jonathan Cain, bass player Ricky Phillips, guitarist Neal Schon and drummer Deen Castronovo. Waite, Cain and Phillips had been in a popular British band called the Babys, while Schon, Castronovo and Cain were in Journey (Cain was in both groups). It was quite an assemblage of musical talent, and between them they wrote 11 of the 13 songs on their self-titled debut album. “When I See You Smile” wasn’t one of them.
The song was written by Diane Warren, who had a knack for supplying popular rock musicians with pop hits: she wrote “Nothing’s Gonna Stop Us Now” for Starship, “Who Will You Run To” for Heart, and “I Don’t Want To Miss a Thing” for Aerosmith. She had also written the song “Don’t Lose Any Sleep,” which appeared on Waite’s 1987 solo album Rover’s Return.
The band was signed to Epic Records, whose A&R man Don Grierson implored them to record a hit. They liked him, so when he suggested “When I See You Smile,” the band agreed to record it, since they knew it would supply Grierson with his hit.
This is by far the biggest hit for Bad English, but it’s not their only one. Their first single was “Forget Me Not,” which made #45 in the US. “When I See You Smile” was their next release, and “Price of Love” came next, charting at #5. They released one more album (Backlash, 1991) before terminating the project.
John Waite told Songfacts, “It was fun for a year. And then people reverted to type. I think the Journey guys wanted to be back in Journey and I wanted to be back solo. We had a very valiant attempt at making a (third) record, but we weren’t given enough time to write it. We tried, and we almost made it.”
It was (and still is) a great slow dance song!
When I See You Smile
So there you have it, a peak into some tunes that did not make my original list. If you’re an 80’s fan, we’ll visit the decade one more time next week before moving on to the 1990’s.
Welcome back to The Music of My Life, where I feature ten songs from each year of my life. In most cases, the ten songs I choose will be ones I like personally (unless I explain otherwise). The songs will be selected from Billboard’s Year-end Hot 100 Chart, Acclaimed Music, and will all be released in the featured year.
I started this feature with 1970 and we have come to 2006. As each year progresses, it has been interesting. I have noticed that some years it is difficult to get 10 songs, while other years I have trouble narrowing my picks to 10. I have a feeling that as I get closer to the end, there may be the need to pick less than 10. We’ll see.
2006 was a year of ups and downs. It became clear that my mom’s cancer battle may be drawing to an end. There was quite a change in her. After ten years of fighting, she was tired. She passed in October.
In October, just 11 days before my mom passed, the Detroit Tigers went to the World Series for the first time since 1984. My dad and I were so excited. Of course, the high was brought low when they lost it in 5 games.
Musically, 2006 wasn’t a bad year. My list has a variety of genres and a few songs that mean more now than they did in 2006. So let’s turn on the radio …
I love the sound of a good acoustic guitar and a simple vocal. If you look back over the years I’ve covered, there are quite a few songs like that. In 2006, Hey There Delilah jumped out of the radio for me. I loved the sound.
Delilah is a real person. Her name is Delilah DiCrescenzo. She is a steeplechase runner Plain White T’s lead singer Tom Higgenson met through a friend. He thought she was the most beautiful girl he’d ever seen.
He told Songfacts:
“I was like, ‘Well, all right, I’ve got to write a song for this girl.’ I literally started playing it. The first verse just poured out exactly as it is, all the way through to the chorus. I didn’t really know the girl, you know? So, it was like, ‘What’s it like in New York City? Tonight, you look so pretty'”
He told Clickmusic that he felt this was possibly the most well-crafted song on the album:
“I think I definitely spent the most time on the lyrics with that song. It’s a lyric-driven song, so every line was important. It’s very exposed and vulnerable, but it’s very simple.”
Tom didn’t get the girl – Delilah was dating somebody and wasn’t interested – but he did get a number one song out of the encounter.
Hey There Delilah
The next song was one that I played when working in country radio. It was one of those songs that surprised me and became a country hit. I don’t know that country music would have ever been associated with Bon Jovi!
Jon Bon Jovi and Richie Sambora wrote two versions of Who Says You Can’t Go Home. Both are on their Have a Nice Day album. One version is just the band and was a hit on the Adult Contemporary charts. The other is a country version featuring Jennifer Nettles of the band Sugarland.
At first, Jon Bon Jovi wanted Keith Urban to sing with him on the country version and play the banjo. It didn’t work out since their voices were so similar and the banjo didn’t sound right, so they used Nettles. The song went to #1 on the Country charts, the first time a rock band has done that.
Jennifer was a bit anxious about singing with Bon Jovi. In an interview she said, “I had his New Jersey posters on my door when I was in the seventh or eighth grade. It made me nervous because the last thing I would want is to ruin a Bon Jovi song.” I think it is safe to say that she didn’t.
Who Says You Can’t Go Home
The next song is just one that struck a chord lyrically. When I heard the story behind the song, it took on a deeper meaning. Isaac Slade of The Frey explained to Songfacts how he came up with How To Save A Life. He explained that he wrote this song about an experience he had working at a camp for troubled youths:
“One of the kids I was paired up with was a musician. Here I was, a protected suburbanite, and he was just 17 and had all these problems. And no one could write a manual on how to save him. I got a lot of email about it. One kid died in a car accident, and I guess it had been the last song he downloaded from his computer. They played it at his funeral, and some of his friends got ‘Save A Life’ tattooed on their arms. The response has been overwhelming.”
Lead guitarist David Welsh told I Like Music the story of this song:
“The song came about very organically. Isaac had this idea on the piano of this kind of lullaby. Then he concocted this repetitious drum beat that moved the lullaby along with Ben. The lyrics came from an experience Isaac had with a teenager he was mentoring who was struggling with drugs and addiction. It was just a very natural process, the song developed and the lyrics fitted very well.”
The Fray is comprised of devout Christians, and this song certainly has some religious subtext, with specific references to God:
And I pray to God he hears you
The Christian music community embraced the song, sending it to #4 on the Christian Songs chart, but it wasn’t marketed as a religious song and was also a hit in the secular community – it made #3 on the Hot 100 and was also a #1 Adult Contemporary hit.
How To Save A Life
The first and only cover song on my 2006 list is a classic. In 1960, The Drifters recorded Save The Last Dance For Me. It was originally a B-side. The legendary Dick Clark thought Save the Last Dance For Me was the better of the two songs and started playing it on the radio. Bingo – it became a number one song.
It is a song that has been covered by many artists including Buck Owens, Dolly Parton and John Davidson! In 2006, Michael Buble’ released it as the third single from his It’s Time album. There were many remixes of the song before the single was released. After Bublé performed the album version of the song during the closing credits of the film “The Wedding Date,” that version was released to radio, peaking at No. 5 on the Billboard Adult Contemporary chart.
I love his version! I love entire feel of it. It is so different from the original and the instrumentation is SO good. Every time I hear that horn line, it gives me chills. I like that it gives a little nod to the original by going from the strong brass sound to the lone guitar with the opening vocal.
Save The Last Dance For Me
If I mention the song Chasing Cars by Snow Patrol to my wife, she will immediately remind me that it was used in an episode of Grey’s Anatomy. A friend of mine will remind me that it was used in an episode of One Tree Hill. I have seen neither one of these shows – by choice.
It was a song I heard on the radio and I remember thinking was a great love song it was. It’s a great song about just getting through day by day with just you and your significant other. Lead singer Gary Lightbody, who called it “the most pure and open love song I’ve ever written.”
It’s such an amazing song, and Lightbody was even impressed with it. He wrote it under unique circumstances. He says he wrote it in the garden of producer Garret “Jacknive” Lee’s cottage one night while in “a blur of red wine and Percocet.” He says he wrote about 10 songs that night, and when he looked at them the next day nine of them were terrible, but “Chasing Cars” stood out like “a diamond in the s–t.”
It took 35 weeks to get there, but the song did reach #1 on the Top 40 charts. It was the only Top 40 hit foe the band in the US.
Chasing Cars
Country music listeners can get offended easily. In my years working in the format I can recall the division that songs like Goodbye Earl and Honky Tonk Badonkadonk stirred up. You had people who loved them or people who were offended by them. So when Love You by Jack Ingram hit my desk, I wasn’t sure about adding it.
You ask, “Why? Why would a song called ‘Love You’ be one you didn’t want to add?” Well, the “love” in the song means anything but “love.” Wikipedia says that this is a “kiss off” song. “Its lyrics feature several phrases where the F word is replaced with the word “love.”
It’s the ultimate “radio edit!” Here is part of the chorus –
“Love you, love this town / Love this mother-lovin’ truck that keeps breakin’ lovin’ down”.
There are also more traditional replacements in the song, with “dang” (“damn”), “heck” (“hell”), and “shoot” (“sh*t”) appearing several times in the first verse.
The song took on a whole new meaning for me when I was going through my divorce. It was a song that I would often listen to after a heated interaction with my ex.
My next song is here because I have a distinct memory of my oldest song when he was about 5 singing it in the back seat. I remember thinking, “Where did he hear that?!” Nothing like hearing your 5 year old singing, “You got soul, you got class. You got style, you’re badass!” Thanks a lot, Christina Aguilera!
It had been 4 years since Aguilera had released an album. Ain’t No Other Man was the first single from her Back To Basics album. The song samples a 1968 Latin soul tune called “Hippy Skippy Moon Strut” (aka “I’ll Be a Lucky Man”) by Dave Cortez and the Moon People, and “The Cissy’s Thang” by Soul Seven.
She said of the song, “I wanted to make it light and easy for people to dance to and sing along to, so the whole song is based on feel-good elements of soul and blues and jazz. Lyrically, I just got married, so it’s about someone in particular, but it’s all about feeling good and not taking anything too seriously.”
It’s definitely a catchy tune and people still like to dance to it. I dig the horns.
Ain’t No Other Man
The next song on my list is one that many can relate to. At any workplace, you are going to have people who will stand around and tell you what would make life better or what the government needs to do. They are right there with “solutions” to the world’s problems, but all they do is talk. They are not doing anything to make a change in things, instead, they wait on the world to change.
When you hear the lyrics of Waiting on the World to Change, you can see just how deep John Mayer is. You’d think it was written by someone in their 40’s, but he was only 28 when he wrote it.
Songfacts says that this song is how most people deal with problems in the world. When Mayer sings, “Me and all my friends, we are all misunderstood, say we stand for nothing but there’s no way we ever could,” he’s talking about his generation and their lack of faith in the government – all we can do is wait, and it seems like everyone is waiting for the world to become a better place. We sit on our hands and watch as the government takes control.
In an interview with the Daily Mail December 21, 2007 Mayer explained why he wrote this song that makes a point without laboring matters: “I wanted to start a debate. Most of us are happy to wait for things to change.”
Waiting on the World to Change
The next song is another example of a song that didn’t mean much to me in 2006, but means more to me now. In 2006, I had only my one son. My second son arrived in 2007. Until 2020, I was a “boy dad.” In 2020, my daughter was born. All of a sudden, all of those Daddy/Daughter songs started to hit hard.
Working in country radio, there is no shortage of songs about kids, songs about family and songs about daughters. If I had a dollar for every time I played My Little Girl by Tim McGraw as a Bride/Bride’s father song …. I could go on a long trip!
It was featured in the film Flicka. It is one of many that I want to dance with my daughter to.
My Little Girl
My final song for this week is one that I heard while visiting a church. Many of the modern churches will sing contemporary Christian songs instead of traditional hymns. I love those hymns, I won’t lie. I get chills singing many of them.
My brother-in-law at the time invited us to their church. It was odd for me, as I felt like I was watching a play or production instead of being in church. To me, it should be about the message and not so much the “tug at your heartstrings to make you cry” production. Anyway, I heard this song there and I did like it.
Chris Tomlin has had many Christian hits. Songfacts interviewed him about the song:
Tomlin said, “I wrote that song when I was living in Austin, Texas. I remember sitting on my sofa in my little apartment. And Psalm 104 was the psalm I was looking at. It said, ‘You our lord are very great. You’re clothed with splendor and majesty, wrap yourself with light as with a garment’ – through those opening verses and just describing a little bit of God, the glory of majesty, that little chorus came out. I started singing the chorus and, man, I had no idea, I thought the chorus was just a little simple thing and it was. And I had no idea it would become such a song in the church, and a song that finds its way in so many different cultures, different languages. It’s so transferrable, so accessible. I had no idea that it would ever become that.
I remember I had the song, I thought it was finished. I didn’t have a bridge to the song, and I met Ed Cash who produced that record it was on. First time meeting him and talking to him about maybe producing my new record. And I remember he picks his guitar up and says, ‘This ‘How Great is Our God’ song, I think it’s pretty good, but it’s not finished.’ And I’m like, ‘What are you talking about? Who do you think you are?’ And I remember him grabbing his guitar. I believe it was something about, ‘What if you do something like this?’ And I remember he just started singing, ‘You’re the name above all names, you are worthy of our praise.’ And it’s really good, but when you open up and let somebody else sneak in, it just makes it better. So that’s when we knew it was taking it to another level.”
How Great Is Our God
With all I have been through, I know my faith got me through. They say that it is often played with the hymn, How Great Thou Art. I can totally see the two songs complimenting each other.
So what song from 2006 did I miss that was your favorite? Tell me in the comments.
Next week it is 2007. My list includes one of the biggest dance crazes of the 2000’s, a song about murder, a song about time flying, and a fantastic song by a classic group from the 70’s and 80’s. Join me next week …
Welcome back to The Music of My Life, where I feature ten songs from each year of my life. In most cases, the ten songs I choose will be ones I like personally (unless I explain otherwise). The songs will be selected from Billboard’s Year-end Hot 100 Chart, Acclaimed Music, and will all be released in the featured year.
I would turn 17 in 1987. It was my junior year in high school and I did what I had to do to get by in all my classes except band class. I was completely devoted to band class. I was an officer in band class (I was one of the librarians who helped sort, catalog and distribute music). I often stayed late and practiced with a couple other band nerds.
It was also the year I dated a gal who was kinda sorta toxic. It was an 8 month relationship that really had me messed up. I won’t go into details. We had some good times, but the bad times outweighed them. As I have worked ahead for this feature, I began to notice how some songs really hold some big relationship memories. The power of a song and the memories attached to them aren’t always happy, but I have noticed that there are more happy ones than bad ones.
Off to 1987 and my ten picks …
One of the best concerts I ever attended was Billy Joel and Elton John. There were two piano greats and a night of fantastic music. I am always interested to find out an artist’s hero, or favorite artist. Billy has often said that his favorite was the great Ray Charles. Put the two of them together and you’ve got one very cool song.
According to songfacts.com, when Ray showed up at the session, they met for the first time, and Joel was in awe. To break the ice and get to know each other, they each played piano for a while before recording the song. Whenever Charles would meet someone for the first time, he would touch that person’s face. When he did this to Joel, he said, “relax,” since he could tell Billy was nervous.
In a 1986 promotional interview, Joel said he was sitting at home trying to find inspiration for the song in his surroundings when his baby grand sparked his imagination. “I began looking around at things that have been consistent in my life, and in this age of synthesizers and electronic keyboards the piano has almost become an old-fashioned instrument,” he recalled. “I glanced at the baby grand piano and realized that I had a lot of love for that thing. The piano has provided me with a nice living, a career, and happiness. It’s gotten me women, and it’s gotten me through some strange times.”
He continued: “Sometimes at night I’d sit down and give myself a concert, and it’s almost like the piano did it – I didn’t even have anything to do with it. When I was thinking about a theme for Ray and me, it seemed apropos: you know, Ray Charles, piano player. Billy Joel, piano player. Let’s talk about a real love in our lives – the baby grand. ‘Baby Grand’ is really a love song to an instrument.”
Personally, this is just one of those magical musical songs to me. It’s a bluesy love song played by two talents who love their instrument – and making music. And that is good enough for me.
Baby Grand
I’m sure that every radio market had an adult contemporary station that played love songs at night. Usually, it was hosted by a deep voiced DJ who would smoothly deliver requests and dedications over the air. In Detroit, we had “Pillow Talk” hosted by Alan Almond.
In 1987, I had my driver’s license and I would go out cruising around with my friends. When I began dating, I would often “park” and listen to the love song show. As I was going through songs for this feature, I was overwhelmed by just how many of those songs were nightly staples on that show.
While there were times that my girlfriend and I would make out in a parking lot, there were also a lot of times when we sat and listened to the music and talk. There were a lot of ballads that came out in the mid-80’s. Many of them continue to be played as wedding songs and such.
One song that really stood out on the radio was an instrumental by Kenny G. It was his hit, Songbird. It sounded so out of place, yet perfectly fit. Because it was an instrumental, the DJ would often use it to read those lovey dovey dedications. “Sarah wants Josh to know that she misses him so much tonight.” “William called in to thank Beth for a wonderful first date.” “Deborah wants Tim to know that she is very sorry for the argument they had tonight and wants to dedicate this one to him.”
Fun fact: “Songbird” is all Kenny G – he played every instrument on the track (including the drum programming) and recorded it in his home studio. “I created a whole sound based on what I was hearing inside me,” he told Vanity Fair. “It came out, and Whoa! That’s exactly what I wanted!”
When I hear Songbird, I am reminded of those nights where I thought I was really in love and had no idea what true love was at the time.
Songbird
MTV turned 6 in 1987 and as we have seen in the past few weeks, there were many creative videos to boost record sales. I could list about 50 videos that are forever etched in my brain, and up near the top would be the one for the next song – Doing It All For My Baby.
Mike Duke (who played with the Outlaws) cowrote the song with Philip Cody. They couldn’t get anyone to record it. Mike went on tour with Delbert McClinton and at some point was doing club gigs in Mississippi. Some guys from Huey’s band came in to see the gig and he was playing ‘Doing It All For My Baby.’ The guys in the band said, ‘Wow, we love this song. We’re going to bring it to Huey.’ And they brought it in, and three years after we wrote the song, Huey Lewis & the News recorded the song and put it on their biggest selling album ever.”
The band produced an extended video for the song that lasted almost 8 minutes and resulted an one of the iconic MTV images of the ’80s: the band’s heads on display in glass cases while they sing this song. In the video, the band gets stranded somewhere spooky, and end up in various Frankenstein scenes with Lewis playing Dr. Frankenstein. It was truly one of those “fun” videos!
This song features the Tower of Power Horns. I can’t imagine the song without them!
Doing It All For My Baby
When I used to DJ, I would often play music at the VFW hall that my dad belonged to. I met so many great people there and remain friends with many of them. It was here that I became familiar with a lot of songs that I hadn’t heard before. One of them was my next song.
Jimmy Mac, as he was known to all of us, used to always ask for stuff like Barry White, Deon Jackson and the Whispers. Rock Steady never failed to get people on the dance floor. I started playing it at other gigs afterward and it always worked.
According to songfacts.com, the song was written and produced by the team of L.A. Reid and Babyface. It was one of the first songs the pair worked on for another artist – they were members of the group The Deele at the time. In 1989, they formed LaFace Records and became music moguls as well as hit producers. TLC, OutKast and Pink were all signed to LaFace. It would be their biggest hit, reaching #7 on the chart.
Rock Steady
It has taken me 17 weeks to finally “Rickroll” you. Sorry. Of course, Rickrolling wouldn’t even become a thing until 2007, but you have to admit that the song was an earworm. Once you heard it, it was stuck in your brain for hours. (The same thing happens to me with his song, “Together Forever.” Which is almost the same song, really!)
At the time, however, this was a pretty big thing. I remember it playing at all the high school dances and all the kids dancing to it, well, not me, but you know what I mean. Astley’s story is actually a cool one …
He worked for the British production team of Stock, Aitken and Waterman’s studio for two years. While he was there he was operating tape machines, singing on recordings for other singers, learning the trade and famously making the tea before the production trio wrote and produced this song for him, which became his first hit. It was recorded in October 1986, but wasn’t released until July 1987, as the producers were waiting for the right environment to break a new artist.
It was inspired by a woman Pete Waterman had been seeing for three years. Rick Astley was staying with Waterman at the time, and after a three-hour phone call with the woman, Astley said, “You’re never gonna give her up.” Aitken and Waterman then changed the story a bit and made him the one who was vulnerable. It was the biggest hit of 1987 in the UK, and went to number one here in the states.
I guess the nice thing about this blog is that you don’t have to click on the video, but you KNOW you want to! Do it! Click it!
Never Gonna Give You Up
Time to clear your musical pallet of Mr. Astley. I’ll do it with the phenomenal blending of three beautiful voices.
The group Trio was made up of Dolly Parton, Linda Ronstadt, and Emmylou Harris. These three ladies were good friends with each other and admirers of each other’s work. The first attempted to record an album together in the mid-1970s, but scheduling conflicts and other difficulties (including the fact that the three women all recorded for different record labels) prevented its release. Record labels were real peculiar about that kind of thing, I guess.
The Trio album was released in March of 1987. One of four singles that was released was called Those Memories of You. This song was recorded by Bill and James Monroe in 1950! Mel Tillis’ daughter, Pam, released a version in 1986 (reaching #55), but the Trio version is the one that was the hit. It was a top 5 song on the Country charts. The video starred a familiar face – actor Harry Dean Stanton.
The Trio album won the Grammy Award for Best Country Performance by a Duo or Group with Vocal.
It is one of those songs that I could get lost in the vocals and the harmonies.
Those Memories of You
The next song is on my list because of my brother. He listened to a lot of music in his room, but I can distinctly remember Madonna and Debbie Gibson music playing a lot. If memory serves me right, he saw her in concert a few times. Shake Your Love seems to be the one song from this album that I always heard from down the hall.
Out of the Blue was Debbie’s debut album and Shake Your Love was the second single from it. What is impressive to me is that she wrote every song on this album and was only 16 when the album was released! This and her first single (Only in My Dreams) were both top 5 records for her.
Another 1980’s superstar helped Debbie with the dance moves in the video for this song – Paula Abdul.
Shake Your Love
Desmond Child has written and co-written some very big songs, including You Give Love a Bad Name and Livin’ on a Prayer for Bon Jovi. When a record rep suggested that Steven Tyler and Joe Perry of Aerosmith write a song with him, they were not thrilled.
Child told songfacts.com: Steven was much more friendly, as he is, and was very generous, really, and showed me a song that they had started called ‘Cruisin’ for the Ladies.’ I listened to that lyric, and I said, ‘You know what, that’s a very boring title.’ And they looked at me like, ‘How dare you?’ And then Steven volunteered, sheepishly, and said that when he first wrote the melody he was singing ‘Dude Looks like a Lady.’ It was kind of a tongue twister that sounded more like scatting. He got the idea because they had gone to a bar and had seen a girl at the end of the bar with ginormous blonde rock hair, and the girl turned around and it ended up being Vince Neil from Motley Crue. So then they started making fun of him and started saying, ‘That dude looks like a lady, dude looks like a lady, dude looks like a lady.’ So that’s how that was born. That’s the true story of how that was born. So I grabbed onto that and I said, ‘No, that’s the title of the song.'”
I have always loved the story of how the song came to be. It really became the comeback song for the group, as their last hit was back in 1978. When I first saw Mrs. Doubtfire with Robin Williams and they played this song, I laughed out loud.
Dude Looks Like A Lady
In 1982, George Harrison released his Gone Troppo album and it didn’t do well. It can be said that a lot of his work was well off the mainstream, using unusual instruments and based on Indian music. “Got My Mind Set On You” proved that he could release a song requiring very little thought and send it up the charts. Naturally, many of Harrison’s ardent followers can’t stand this song.
The song was written by Rudy Clark and originally recorded by James Ray in 1962. George had bought a copy of the single in the summer of 1963 when visiting his sister Louise in Illinois. Many years later when he was writing his Cloud Nine album, he remembered the song and decided to cover it.
Songfacts.com says that when Harrison conceived the Cloud Nine album, he looked for a producer who could carry some of the load and not be intimidated by working with a former Beatle. He sought out Jeff Lynne of ELO for the role even though he had never met him – he connected with Lynne by having their mutual friend, Dave Edmunds, get him the message. It ended up being a great fit. Lynne brought his distinctive production sheen to the tracks and helped out writing some of the songs. Lynne’s influence can be heard in the backing vocals of the “Got My Mind Set On You” chorus. Harrison and Lynne are responsible for bringing together Roy Orbison, Bob Dylan, and Tom Petty, forming The Traveling Wilburys in 1988.
MTV played the video a lot for this song and VH1 had recently gone on the air, so it aired there, too. As simple as this song is, I’ve always loved this one by George.
There were two videos for the song, the first I was unaware of until I stumbled on it for this piece. Both were directed by Gary Weis. The first features a young guy trying to win a ballerina for a gal he sees in an arcade. She is watching the video of George on a kinescope. Here is that video:
Got My Mind Set On You
This second video is the one I am most familiar with. It was inspired by the then-recently released movie – Evil Dead II. As George sits in a study singing, furniture and knick-knacks (including a stuffed squirrel, sentient chainsaw, a suit of armor, and mounted stag and warthog) begin to sing or dance along with the song. FYI, the backflip is performed by a stunt double.
I have made it no secret that I love Roy Orbison’s music. I remember being thrilled that he was making a comeback in the late 80’s. His stuff with the aforementioned Wilburys is so good. His posthumous Mystery Girl album was a fitting sendoff for him.
The original version of crying was recorded in 1961. Roy claimed to have written this as the result of an encounter he had with an old flame with whom he was still in love. He refused to say how much she meant to him, and when he ran into her again it was too late. It has one of the most powerful endings in music, in my opinion.
He claimed the stunning climax at the end of the song was not contrived, but just happened in the course of the song. He told the NME in 1980: “Immediately I thought of a past experience and just retold that, was the way that came about. It was the retelling of a thing with a girlfriend that I had had. I couldn’t tell you right now what notes I hit at the end of the song, or anything.”
In 1987, shortly after he signed with Virgin Records, he recorded a duet of this song with kd lang which was released as a single and later used as the B-side to his 1989 release “She’s A Mystery To Me.” This duet won the 1988 Grammy award for Best Country Vocal Collaboration, and was re-released in the UK in 1992, where it hit #13. Lang said that when they met to do the recording, it was obvious that their voices had a “tonal connection.”
I do not disagree with her. To me, the 1961 version is perfection. When I hear it, I am mentally exhausted. It is so moving. How can you top it? Add kd lang. Wow. To say that I was blown away by this version is an understatement. The arrangement and the vocals are just powerful and beautiful at the same time.
There was a time in my life where I could relate to the lyrics of this song. It was a painful time, and the hurt conveyed in the song was very real to me.
Crying
Boy, this week I Rickroll you and end on a sad note. Sorry about that. Next week will be better.
We’ll travel to 1988 next week. It was my senior year, and there are some fun ones on my list. I hope you will come back and check out the list.
What was your favorite from 1987? Drop them in the comments ….
Dabney Coleman passed away recently at the age of 92. He was one of those great actors who always seemed to be playing a jerk in the movies. He played those characters so well, it is hard to believe that he was actually the opposite of that in real life.
As an actor, he appeared in so many great classic TV shows. He was in The Naked City, Ben Casey, Dr. Kildare, The Outer Limits, Hazel, The Donna Reed Show, The Fugitive, That Girl, I Dream of Jeannie, The Mod Squad, Bonanza, Ironside, Kojak, Mannix, Cannon, Police Story, Mary Hartman Mary Hartman, Quincy ME, The Love Boat, Columbo, Different Strokes, Boardwalk Empire, Yellowstone, and so many more. He starred as the lead character in Buffalo Bill and The Slap Maxwell Story. His movies included Midway, North Dallas Forty, War Games, Tootsie, Dragnet, The Beverly Hillbillies, Modern Problems, and of course, 9 to 5.
I always liked him as an actor, and it is 9 to 5 which brings about the lesson learned. That lesson is something that I can relate to right now in my life. For those not familiar with 9 to 5, let me give you just a brief overview of the plot from IMDB:
“Three female employees of a sexist, egotistical, lying, hypocritical bigot find a way to turn the tables on him.:
Yeah, that’s pretty much what happens. Dabney plays the hard-ass, no nonsense boss, Franklin Hart. He is the stereotypical bad boss. He is exactly how he is described by IMDB. Long story short, working for him sucks. The workplace is a hell hole where the employees are basically slaves to his rules and statutes. The employees can’t even put pictures up at their desks!
I won’t give away too much of the plot, but the three ladies played by Lily Tomlin, Dolly Parton, and Jane Fonda wind up holding him against his will and run the company while he is “away.” During that time, the girls change things up a bit, well, a lot. They add flex shifts for workers, a daycare, plants and pictures can adorn desks, rehabilitation programs, and a whole lot more. Employee morale goes through the roof!
As for how the movie ends, you will have to watch for yourself, but here is the lesson and how it applies to me and my work life. We recently had a merger. As that merger continued to be finalized, there were a lot of unknowns. A few weeks ago, our director was let go along with many others. No one knew what was going to happen.
Shortly after an introductory e-mail, our interim manager was named manager, much to our delight. We all like her. She was one of us techs, so she knows all our concerns and the things we deal with on a daily basis. We then had a meeting via Zoom/Teams where all of us were told of the plans going forward. This was scary for us – we had no idea.
What happened during the meeting was nothing short of amazing. Ideas that had been thrown around years ago and shot down, were suddenly a possibility. Many concerns were addressed and tentative plans to correct them were presented. Over and over again we were given things that were being discussed for our workplace that would make things so much easier for all of us. The future looks bright!
I won’t lie to you, a couple years ago, I was on the job hunt. I had interviews, but nothing really panned the way I had hoped. Places I thought were the answer gave off bad vibes. People I met didn’t give me a good feeling, etc. So I stayed and did my job. (It is always easier to find a job while you still have one.) I was so unhappy about things. I was miserable. I wasn’t sure how much longer I could do it. My health was bad, my blood pressure was up, my sleep was nonexistent, and my home life was tense. Stress was an understatement.
When the interim manager took over, she presented me with an opportunity to go to second shift. I jumped at the opportunity. Almost immediately, my demeaner was better. I was happier. I saw more of my family. My stress level dropped – and so did my blood pressure. My doc was so impressed with my blood pressure that she wrote a note saying that for my health’s sake, I should not be allowed to work midnights.
Anyway, after that meeting, I got a sense that our new leaders really wanted to (1) help our lab grow, (2) help get us what we needed to be the best for our patients, and (3) make us employees happy. Just like in the movie 9 to 5, I see these things being implemented and the morale becoming better. I see good things to come. The leaders truly make me feel appreciated and I think that’s amazing.
When I was a boss in radio, I always said if you make your employees happy, they will follow your leadership. I hope that the vibe that I am feeling is right and we see happy employees and a great work environment.
This blog is a continuation of a series I started earlier this week. Somebody had the idea to post a list was to consist of your favorite films from each year of your life. So, you start with your birth year and move ahead year by year and list all the films from each year. A post from the Avocado site came up in my “Reader” list of blogs that had the same principle, but with one exception – you can only pick one movie from each year. My last blog focused on my favorites from the 1970’s and this one will feature the 1980’s.
I have a feeling that there will be more movies per year for me to pick from in this decade.
1980 was a year for sequels. Burt Reynolds and Jackie Gleason returned for another adventure in Smokey and the Bandit II, Darth Vader and Luke Skywalker faced off in The Empire Strikes Back, and Christopher Reeve was back as Superman in Superman II. We were first introduced to Jason in the first of many installments of the Friday the 13th franchise. Queen provided the theme song for the film Flash Gordon. A few years before he was dealing with a Delorean, Robert Zemeckis directed Kurt Russell and Jack Warden in Used Cars. Jack Nicholson yelled “Here’s Johnny!” in the Shining and Dolly Parton, Jane Fonda, and Lily Tomlin dreamed of knocking off their boss in Nine to Five.
I mentioned in the last blog that I had a feeling it would be more difficult to pick just one movie per year as I headed into the 80’s. That was proven to be true as I looked over the movies for 1980 and saw three of my all-time favorites were released. ANY three of these could easily be my one pick for the year for the following reasons (1) all three of them have an amazing cast (2) all three of them are funny (3) all three of them are all full of great movie lines! I want to break the rules and make this a three way tie! Alas, I have to pick just one.
The first runner up – Caddyshack. Such a funny movie that is quoted every day on golf courses all across the country! Rodney Dangerfield, Ted Knight, Bill Murray, and Chevy Chase all combine their talents to make this such a funny movie! Second runner up – The Blues Brothers. John Belushi and Dan Aykroyd are Jake and Elwood Blues. It is a comedy of epic proportions and has one of the best soundtracks ever. Also, very quotable.
The pick for my favorite, though, has to be THE most quoted movie of the ’80s – Airplane! “I am serious. And don’t call me Shirley!”
Lloyd Bridges, Robert Stack, Peter Graves, Leslie Nielsen, Robert Hayes and SO many more! The Zucker Brothers brought us this comedy, a direct rip-off of a film called Zero Hour (look for the comparison on YouTube), and it is a joke after joke laugh riot. Having serious actor say these comedy lines straight makes the line even more funny! The scenes with “Johnny” are worth the price of admission!
1981 brought us some great films. Some of my favorite action movies from ’81 include Burt Reynolds in Sharky’s Machine, and Sylvester Stalone and Billy Dee Williams in Nighthawks. Adventure films included stop-action creatures from Ray Harryhausen in Clash of the Titans and our introduction to Indiana Jones with Harrison Ford starring in Raiders of the Lost Ark (the face melting scene still creeps me out!).
1981 was full of comedies, some better than others (Remember Ringo Starr’s Caveman?!). Dudley Moore was brilliantly funny in Arthur. The Muppets return for fun in The Great Muppet Caper. Chevy Chase, Dabney Coleman, and Nell Carter appear in the underappreciated Modern Problems. George Hamilton plays dual roles in a film I recently blogged about, Zorro The Gay Blade. Not his best, but I still laugh at Jerry Lewis’ Hardly Working. And Mel Brooks offered up History of the World Part I (and left many of us longing for Part II).
Stripes starring Bill Murray, John Candy, and Harold Ramis comes in as a close second here. It could easily be THE favorite for this year. It is still funny today, and I find myself quoting it often. Just edging it out as my favorite is The Cannonball Run.
Burt Reynolds leads an all star cast in the race across the country! Silly fun and many funny lines. Dom Deluise, Dean Martin, Sammy Davis Jr. Farrah Fawcett, Bert Convy, Jamie Farr, Roger Moore, Jack Elam, Adrienne Barbeau, Peter Fonda, Terry Bradshaw, Mel Tillis, and so many more star in this comedy, which will always remain one of my favorites!
In 1982, Sylvester Stallone introduced us to Rambo in First Blood while Harrison Ford starred in Blade Runner (which finally just recently got a sequel). ET phoned home, Sean Penn was stoned out of his mind in Fast Times at Ridgemont High, and Scott Baio had super powers in Zapped! Airplane II: The Sequel recycled some old jokes and was not as good as the original. Michael Keaton drove Henry Winkler crazy in Night Shift. Creepshow was creepy (and had a cool cameo from Stephen King). A favorite from this year is Steve Martin’s Dead Men Don’t Wear Plaid, which is shot in black and white and Steve interacts with old movie stars.
My top pick for 1982 has got to be Star Trek II: The Wrath of Khan.
I didn’t care for the first Star Trek film, but this one was excellent. Again, we have the original cast back on the Enterprise. This film goes back to the original series for a tie in. Ricardo Montalban played the character on the series and now, years later, he finds Kirk and plans to get his revenge. It is a great story, and the film has a powerful ending. The best of the entire series in my opinion. Montalban is just amazing in this movie!
The scene with William Shatner screaming “Khan!” – how can you not love it?
I can already sense the backlash I am going to get for my pick from this year, please remember this is MY list and not yours!
In the comedy category, 1983 had Michael Keaton stepping in for Teri Garr in Mr. Mom. Gary Busey, Marsha Warfield, and Mr. T are a riot in DC Cab while Bob and Doug McKenzie (Dave Thomas and Rick Moranis) get their first feature film in Strange Brew. Dan Aykroyd takes on “mom” in Doctor Detroit while Rodney Dangerfield takes on his mother-in-law in Easy Money. 1983 also introduced us to the Griswold family as they make their trip to Walley World in National Lampoon’s Vacation.
The Skywalker’s were back for the third part of the original trilogy in Return of the Jedi, while Christopher Walken woke from a coma with psychic powers in The Dead Zone. And who can forget Al Pacino’s thrilling performance in Scarface? My pick for favorite of this year is a holiday classic – A Christmas Story.
So why this film? Because it remains one that I faithfully watch every Christmas. Who can’t relate to the way the Parker boys feel as Christmas approaches? While it is set in the 1940’s, their excitement mirrors what every child feels during the holidays. It’s a classic! I had the chance to see the Christmas Story house this year (and blogged about it) and it was fun to walk through.
As I looked over my list from ’84, I once again see more comedies than other genres. Eddie Murphy went to Detroit to film Beverly Hills Cop, Bill Murray, Dan Aykroyd and Harold Ramis took on the spiritual realm in Ghostbusters. Michal Keaton and Joe Piscopo are mobsters is Johnny Dangerously. We meet the first batch of recruits in the first Police Academy movie, while Cannonball Run II fell flat, despite a great cast. Sight gags and puns galore were seen with Val Kilmer in Top Secret, and we first met Sarah Connor in the first Terminator movie.
1984 was the year the Detroit Tigers last won a World Series. I will never forget the excitement of that series or the season that led up to it. Perhaps that is why my favorite flick from 1984 is The Natural.
Robert Redford is Roy Hobbs and he is an amazing ball player. The film is based on a 1952 book by Bernard Malamud. (Spoiler, in case you haven’t seen it) In the book, Hobbs strikes out at the end. However, in the movie, there is an amazing homerun that knocks out the lights and sparks fly all over the place – one of my favorite endings!
“Knock the cover off the ball ….”
My list of favorites from this year is not too long. Not that there weren’t some great films released, because there were, but many of them didn’t make an impact on me. I enjoyed the James Bond film A View to a Kill (Roger Moore as Bond), Harrison Ford in Witness, and Chevy Chase as Fletch. The “Brat Pack” film The Breakfast Club was released with your “stereotypical high school teens”. The Goonies was one I watched once. It was ok, but I didn’t see the hype that everyone else did. As stupid as it was, Transylvania 6-5000 always made me laugh. Jeff Goldblum, Ed Begley Jr., John Byner, Geena Davis, and Michael Richards are all part of the cast, and there are some funny (and some very dumb) scenes.
Who would have thought that a board game could inspire a very funny film? Clue came out in 1985 and had three different endings (it varied on wherever you saw it). Christopher Lloyd, Tim Curry, Martin Mull, Madeline Khan, Michael McKean, Eileen Brennan, and Lesley Ann Warren play the various people from the game and it is just a blast to watch. This easily could be my pick, but there is one film that stands out far above the rest.
As someone who always loved stories about time travel, I was hooked immediately by the trailer for Back to the Future. It remains one that I can watch over and over today.
There is just SO much to love about this film!!! Great story. Great characters (and a great cast). Comedy. Suspense. Good music and a cool car that when it hit 88 miles per hour, you saw some “pretty serious sh*t!”
1986 really doesn’t have a stand out film for me. I enjoyed Top Gun with Tom Cruise (it also has a sequel coming out). Little Shop of Horrors was an ok movie (Steve Martin as the dentist is a high light). Tough Guys had some good scenes, but with big stars like Burt Lancaster and Kirk Douglas, I expected more. One Crazy Summer had some funny scenes, but wasn’t a laugh out loud riot. Ferris Bueller’s Day Off was good. I loved the premise of this kid skipping school and doing all that he did … and still making it home before his folks found out (what kid didn’t want to do what Ferris did?!).
The only film that stands out to me from 1986 is one that you may question. It gets the my pick as favorite for sentimental reasons. The Three Amigos starring Steve Martin, Chevy Chase, and Martin Short. I don’t care how many times El Guapo yells “It’s a sweater!”, I laugh! But that is not why I picked this one. Back when my oldest son was just diagnosed with autism, we were watching this movie. There is a scene where the Amigos are sitting around a campfire and they begin to sing the song “Blue Shadows”. My son walked to the TV and just stared. He loved that song. At that time, we had no idea if he would ever really speak more than a few words. He would watch this scene over and over! I even have it on my iPod because it makes me think of him.
After the song, we used to have to wait for the turtle to say “Goodnight, Ned” before we had to rewind that scene.
1987 offered up some classics. Who wasn’t freaked out by the rabbit scene in Fatal Attraction? Even though you saw it coming, you cried when Richie Valens died in La Bamba. Louis Armstrong’s What A Wonderful World was given new life on the radio thanks to Robin Williams in Good Morning, Vietnam. “Nobody gets outta here without singing the blues” is one of my favorite lines from Adventures in Babysitting. Dan Aykroyd and Tom Hanks team up for a Dragnet movie that misses the mark. Danny Glover and Mel Gibson first teamed up for Lethal Weapon and Kevin Costner played Elliot Ness in The Untouchables. We also enjoyed the fairy tale The Princess Bride and Mel Brooks parodied Star Wars and space movies with Spaceballs (“We Break for Nobody!”
If you loved Airplane, but have never seen Amazon Women on the Moon, you need to. It’s as silly as Airplane and has some very funny scenes. For years, I’ve joked that I’d like my funeral to be like a roast. I said I would want people to share funny stories about times we shared together. In this film, there is actually a funeral that is a roast – with a dias that includes Steve Allen, Slappy White, and other comedy greats!
My 1987 favorite goes to Planes, Trains, and Automobiles.
This is just one of the best John Hughes films. You get every emotion watching this film. There are times that are laugh out loud funny and there are times where you are wiping tears from your eyes. Steve Martin and John Candy are just great together. This film makes me miss John Candy. He was such a great actor.
In 1988 Dirty Harry returned in The Dead Pool, Tom Hanks wished he was Big, and Eddie Murphy and Arsenio Hall were Coming to America. Bruce Willis starred in the first Die Hard and Michael Keaton was Beetlejuice. I was impressed by the interaction between humans and cartoons in Who Framed Roger Rabbit and (as a Monty Python fan) loved John Cleese and Michael Palin in A Fish Called Wanda.
With my favorite movie that kicked off this decade (Airplane), it should come as no surprise that my pick from 1988 is The Naked Gun starring Leslie Nielsen.
Shortly after Airplane, the Zucker brothers created Police Squad. It was a short lived TV show starring Leslie Nielsen as Lt. Frank Drebin. It aired just 6 episodes. The show is the premise for the movie. George Kennedy replaced Alan North and OJ Simpson (pre-murder trial) also starred. Ricardo Montalban plays the villain in this and is just great. Not as many lines as Airplane, but just as funny!!
“It’s Enrico Palazzo!!”
As I come to the last year of this decade, I am faced with the same issue I had with the first year. I have many favorites from this year and wonder just how I can pick only one movie as a favorite!
Comedies included Eddie Murphy in Harlem Nights, Weird Al Yankovic starred in his first film UHF, John Candy was Uncle Buck in another John Hughes film, and Charlie Sheen was Wild Thing in Major League (“Just a bit outside!”). Bernie is dead, but he still has quite an adventure in Weekend at Bernie’s. Jack Palance plays a wonderful bad guy in Tango and Cash and the Griswold’s host Christmas in National Lampoon’s Christmas Vacation. And I can’t forget to mention that Doc Brown and Marty McFly return in Back to the Future II (which some people hate because it goes back and forth from time to time – but that’s what I love about it! That, and the fact that they reshot original scenes from Part I and then had the characters interact within that scene.)
Two films that really stand out from 89 are not comedies, but adventure movies. The runner up for my favorite is Tim Burton’s Batman. As a fan of the 1966 Batman, I was excited to see how this film would be portrayed. Michael Keaton played Batman and I thought he did ok. Jack Nicholson as the Joker was amazing! I loved his interpretation of the character (though I still believe Cesar Romero is the best). It was really well done. This brings me to my favorite film of 1989 – Indiana Jones and the Last Crusade.
In the Indiana Jones series, I always felt this was the strongest of them all. Harrison Ford is again great as Indy, but his father, played by Sean Connery, steals the scenes. I can easily see my dad and I fighting with each other like these two do if we ever were off on an adventure like this. I just love their interactions with each other. They are both just perfect in this film. The final scene is also just a picture perfect ending!
So with that, let’s ride into the sunset. When we return, let’s dive into the 90’s, ok?
Various Ramblings of a Nostalgic Italian 