The Music of My Life – 2001

Welcome back to The Music of My Life, where I feature ten songs from each year of my life. In most cases, the ten songs I choose will be ones I like personally (unless I explain otherwise). The songs will be selected from Billboard’s Year-end Hot 100 Chart, Acclaimed Music, and will all be released in the featured year.

In 2001, I turned 31. It is a year that I will not forget. It was that year that I found out I was going to be a father for the first time. To say that I was freaking out a little was an understatement. My mom continued to get treatment for breast cancer. There was a time where I prayed that she would be around for my wedding. Now I was praying that she’d be around to meet her first grandchild. My first song was inspired by, coincidentally, a mother with cancer.

It was also the year of the 9/11 attacks. I, of course, was around for the Challenger accident. Many folks called that the “JFK assassination” of my generation. As sad as the Challenger accident was, 9/11 was on an entirely different level. I remember sitting alone wondering about the world we were welcoming our baby into. The event caused many of us to think … more on that shortly.

Train’s Drops of Jupiter came from devastating loss for lead singer Pat Monahan. In a VH1 interview, he revealed that he wrote this song about the death of his mother. Train was were touring in 1988 when Monahan’s mom was dying of lung cancer – she was a heavy smoker. Cell phones had not yet become widely used. This found Monahan making many stops to pay phones on the tour to speak with his mom. It was in December of that year, his mother died.

In early 1999 Train was working on their next album when their record company started pressuring them for a hit. Monahan returned to his childhood home in Pennsylvania, and woke one morning with the words “back in the atmosphere” in his head. Beginning a time of healing, he started to compose the song. Pat said: “Loss of the most important person in my life was heavy on my mind, and the thought of ‘what if no one ever really leaves? What if she’s here but different. The idea was, she’s back here in the atmosphere.”

He recorded a demo of the song and played it for the president of their record company at Columbia. The president loved it and told him it was his Grammy song. He was right: It won Grammys for Best Rock Song and Best Instrumental Arrangement With Accompanying Vocalist. The label had Train record the song quickly. That way they could put it on the album and use it as the title track.

Pat Monahan is quoted as saying, ““It was an obvious connection between me and my mother. ‘Drops of Jupiter’ was as much about me being on a voyage and trying to find out who I am. The best thing we can do about loss of love is find ourselves through it.”

That is SO true.

Drops of Jupiter

I mentioned when I did my list in 1999 that I’ll Be by Edwin McCain is hard to listen to. It was the wedding song my ex and I used. In 2000, Edwin released I Could Not Ask For More, which is a more beautiful song, in my opinion.

This song itself is about spending time with your true love. It is about realizing you do not need anything else in life to make you happy. The song was written by Diane Warren, who has written quite a few songs that I have written about. McCain said that he had to speed the song up to suit his voice. He said, “The tempo of the song was actually half of what it is now. At first, I wasn’t into it. Now it’s a popular wedding song; every night on tour people tell me that it was their wedding song.”

It was in 2001 that country singer Sara Evans covered the song. While not too different from McCain’s version, I love her version more. I have always felt that she has one of the best female voices in country music. She is also one of the most beautiful singers I have met. I loved watching her perform this live.

I Could Not Ask For More

This next song is on my list for one reason and one reason only – the video! I can still remember the first time I watched it and was blown away by Christopher Walken. I had no idea he could dance like this!

Weapon of Choice appeared on Fatboy Slim’s third album and featured Bootsy Collins. Bootsy is, of course, known for his work with Parliament-Funkadelic and Bootsy’s Rubber Band. Boosty co-wrote the song and plays bass on it.

According to Songfacts:

The official music video for “Weapon of Choice” reveals a surprising side of Christopher Walken, known for his intense, often villainous roles in films like Pulp Fiction, The Deer Hunter, and True Romance. What most of us didn’t know until this video appeared is that Walken is a great dancer – he trained at the Washington Dance Studio and appeared in musicals such as 1981’s Pennies from Heaven. In a 2014 interview with Entertainment Weekly, Walken said he accepted the role before he became “too decrepit to dance.”

He choreographed the video with Michael Rooney, son of Mickey Rooney, and performed stunts, including flying across the mezzanine in a harness. Reflecting on the humor and playfulness of the video, Fatboy Slim told Higher Frequency in 2006: “I think it’s full of irony, and to see an actor that I really admire but who’s famous for playing psychopaths, to see him do that silly un-psychopathic dancing made me smile and made everyone else smile.”

The “Weapon of Choice” music video was a huge hit! It won six MTV Video Music Awards in 2001. It won for Breakthrough Video, Best Direction, Best Choreography, Best Art Direction, Best Editing, and Best Cinematography. It also went on to win the Grammy Award for Best Music Video. To top it all off, it was named the greatest music video of all time by VH1 in 2002.

Weapon of Choice

I recently saw where Brian Cranston, Jane Kaczmarek, and Frankie Muniz announced that they will reunite for a reboot of Malcolm in the Middle. The show debuted in 2000 and did very well. I always watched it because I could relate to the constant fighting between the brothers. I also loved the humor of the show.

They Might Be Giants recorded this song specifically for Malcolm in the Middle, and can be found on the show’s soundtrack. The show used other songs from the band throughout the run of the show.

The rumor is that the song is about guitar player John Flansburgh’s brother. I can totally see this. We may not have used the exact phrase growing up, but I know my brother and I often said that the other couldn’t boss the other around. It hits home in that way for me.

Boss of Me

The next song was a triumphant return for Weezer. Their fans were a little worried about the band in the late ’90s. After touring for their 1996 album Pinkerton, they took some time off and went through some lineup changes. It was during this time that Rivers Cuomo was taking classes at Harvard. He enrolled there in 1995 and attended sporadically when it suited his schedule. “Island In The Sun” was welcome relief for fans, showing that the band was back and in a good place. (Cuomo did eventually graduate Harvard, earning a degree in English in 2006.)

Songfacts says, “Unlike many Weezer songs, there’s no trace of pathos and no deeper meaning, making it an easy song to enjoy even if you’re not a big fan of the band. It became one of their most popular songs, although it was never a bit hit, reaching a chart peak of just #111 in the US.”

This is another one of those songs that I remember hearing a lot on the radio. I find it hard to believe that it only reached #111 on the charts. It was obviously good enough for them to play on TV. Weezer played it along with “Hash Pipe,” when they were musical guests on Saturday Night Live, May 19, 2001. It was their only guest appearance on the show.

Sing along…. “Hip. Hip.”

Island in the Sun

What do Neil Diamond, The Monkees and Smash Mouth have in common? One MONSTER hit!

Neil Diamond wrote I’m a Believer in 1966. Don Kirshner was looking for material for the Monkees to record and liked it. Neil was allowed to record it as well as part of their deal and did so in 1967. The Monkees version went to #1in ’66.

Jump ahead 35 years to 2001. Smash Mouth recorded a version of the song for the Dreamworks animated movie, Shrek. The song was picked because it fit the movie’s theme, as it was a sort of fairy tale. The opening line of the song is “I thought love was only true in fairy tales.”

Smash Mouth’s version is a great modern take on the song and still fun to sing along with. When I hear it, I am taken back to watching this movie with my oldest son. He loved Shrek and we watched it MANY times.

I’m a Believer

The next song was one that I often used as a first song at parties and weddings. It was a good one because it was the “kick off” song and literally got the party started.

Songfacts.com says: Get the Party Started was written by Linda Perry of 4 Non Blondes. After the group broke up in the early ’90s, Perry released two solo albums and started writing for other artists. She learned that hits of the ’00s were made digitally. She bought Akai MPC and Korg Triton digital workstations and started experimenting with them. As she was learning how to use them, she came up with the track by adding layer after layer, then she quickly banged out a lyric with every party cliché she could think of, arriving at lines like:

I’m your operator, you can call anytime
I’ll be your connection to the party line

It worked: “Get The Party Started” was a huge hit for Pink and launched Perry’s songwriting career. Her next hit was “Beautiful” for Christina Aguilera.

The song is synonymous with Pink, but it was almost offered to another singer. Thankfully, a phone call changed that. Perry initially thought this could be a hit for Madonna. However, Pink happened to call her the week after she wrote the song. Pink was a huge 4 Non Blondes fan. She sought out Perry, who was very surprised to get a call from a pop star. When they met, Perry gave Pink an MP3 copy of the “Get The Party Started.” Pink’s management loved the song and arranged for them to work together on her second album.

Get The Party Started

When an artist’s first single is a ballad, it is usually because the ballad is amazing. Most record labels want uptempo songs. (Honestly, most radio stations want uptempo stuff, too!) There are no shortage of ballads waiting to get airplay!

When it came time to release his first single, Enrique Iglesias fought to get “Hero” released. “Everybody thought first singles at the time had to be uptempo,” he told People. “But I knew that it was one of those songs that when I wrote it it just felt special.” It was, and he was right. Iglesias attributes the success of this song to a combination of good lyrics, melody, and excellent production. He feels those three qualities need to work together to make a timeless hit.

The song took on a whole new meaning shortly after it was released. This song was released on August 14, 2001, just a month before the September 11 attacks on the US. The song doesn’t describe the type first-responder heroes, but the theme of standing by a loved one resonated at this time. The song became quite popular because of that, reaching a chart peak of #3.

One pastor taught a message on husbands and wives. He stated that what a husband wants is to be his wife’s hero. That’s the guy who will take away her pain and be there through thick and thin.

Hero

MercyMe is a contemporary Christian group. They had an Adult Contemporary crossover hit with a song that was written by their lead singer Bart Millard. I Can Only Imagine is simply about imagining what it will be like meeting Jesus for the first time.

In a Songfacts interview, Bart said that he that he wrote the song in about 10 minutes. He said that it was one of just three songs he wrote where he felt like he was “a spectator watching the song being written.”

Regarding the song’s meaning, Millard stated: “When my father died of cancer in 1991, he left me with the assurance that he was headed to a better place. For several years following his death, I would find myself writing the phrase ‘I can only imagine’ on anything I could find. That simple phrase would give me a peace thinking about what my dad was finally experiencing. Years later, in 1999, MercyMe was writing songs for an independent project. I remember coming home from a show and being wide awake on our bus at 2 o’clock in the morning. I was trying to write lyrics in an old notebook of mine, when all of a sudden, I stumbled across that phrase. About ten minutes later, the song was written. Some people say it’s amazing that it was written in ten minutes, when really it had been on my heart for almost ten years.”

This one means a lot to me personally. I am so grateful for my faith and my Savior. It is an amazing thing to imagine….

I Can Only Imagine

I can still vividly remember the morning of 9/11. I was in a meeting with my boss at the radio station when the morning gal came in and told us that a plane had hit the World Trade Center. We went into the newsroom and were shaken to the core when we watched the second plane it the Twin Towers. That would be one of the longest and most emotional days in my radio career.

I worked at a country station at the time. We saw a lot of patriotism come out of those attacks. Songwriters wrote songs about being an American and such, but none of the equaled the contribution made by Alan Jackson.

The 9/11 attacks made a lot of us stop and think about life. We were left with so many questions. We were left shocked and scarred by the images we watched on TV. It was constantly on our minds. Alan Jackson seemed to be on the same page as everyone else, and conveyed it all perfectly in the song Where Were You (When the World Stopped Turning)

He wrote the song alone, with the idea coming to him at 4am in the morning. He explained to The Boot that the lyrics really “came out of nowhere.” “It was just a gift,” he said. “I got up and scribbled it down and put the melody down so I wouldn’t forget it, and the next day I started piecing all those verses together, thoughts I had or visuals I had.”

The song made its debut on the Country Music Association’s annual awards show on November 7, 2001. I still cannot believe that he was able to sing the song without breaking down. Alan considers this to be one of his biggest (if not the biggest) accomplishment. He said in an interview: “I [recently] did a radio interview, and the guy was talking about being at the [CMA] Awards the night I sang ‘Where Were You,'” he explained. “Even though that was a hard performance for me and an emotional time, I still get so many comments about that. Of all the awards, and all that kind of stuff, the music is still what I like. To be able to create a song that really affects people and makes a mark in the music industry, I would have to say that would be a highlight.”

To this day, the song still gives me chills. I’m sure you will never forget where you were when the events of that day unfolded either.

Where Were You

Sorry to wrap up the year on a somber note, but that wraps up my list. How about you? What song from 2001 did I miss that was your favorite. Mention it in the comments.

Next week, we’ll head to 2002. My list features movie music, an in your face patriotic song, a song full of 70’s and 80’s nostalgia, a cover song, an appearance by the Muppets, and the return of the King! I hope you’ll check it out.

Until next week, thanks for listening and for reading!

The Music of My Life – 1998

In 1998, I turned 28. I was still working in the mail room at EDS and spent a lot of time driving and making deliveries. Most of my radio listening was to the morning show on the alternative station or the rock station. The gal I was dating at the time would go on to become my first wife. She also listened to the same stations and we’d talk about stuff we heard on the shows. I will have to talk about her in more detail in a few. But only because it ties in with a song, that I suppose had to be on this list.

Let’s dive into the music.

If you are a regular reader to this blog, you are familiar with the Turntable Talk feature. Dave, from the A Sound Day blog hosts it and gives us a monthly topic. This month is was to write about a song that was based on a real event or a real person. My first song was almost my pick, but I knew this week it was on my list. Surprisingly, not one of the other bloggers chose it.

Here is the story from Songfacts:

The Way, by Fastball, is based on the true story of Lela and Raymond Howard. They were an elderly couple from Salado, Texas who drove to the annual Pioneer Day festival 10 miles away in Temple and didn’t return. She had Alzheimer’s disease and he was recovering from brain surgery.

When they disappeared, a reporter from the Austin American-Statesman wrote a series of articles about the missing couple. Fastball bassist Tony Scalzo came up with the idea for the song after reading the articles (the band is from Austin). “It’s a romanticized take on what happened,” he said. Scalzo pictured them “taking off to have fun, like they did when they first met.”

Thirteen days after the Howards went missing, they were found in Hot Springs, Arkansas, about 400 miles from their destination. They were still in the vehicle (an Oldsmobile Delta 88), which had veered off the side of the road and was hidden in brush. Scalzo had finished writing the song when he learned that the couple had died.

The song itself has a sort of retro feel to it. It also incorporates a lot of little sound effects into the mix. “There was this brief moment in time when people were having hits with really weird stuff,” Fastball’s Miles Zuniga said. “We got lucky that we came around at that time. Even two years later was too late.”

I think that is what I loved about the song. It starts off someone tuning a radio dial. It has a hollow sound to it. All of a sudden, you are hearing a full produced cut. That change in sound really grabbed me.

Songfacts puts it this way, The song opens with the sounds of an analog radio going up and down the dial, briefly tuning in stations amongst the static. When “The Way” starts, it’s as if the listener has found a song he likes and is going to give it a listen. For the first 40 seconds, the dynamics are restricted to simulate the limited frequency of a radio signal. At the line, “they drank up the wine,” the full range comes in.

Despite the sad story of the song, it is one of my favorite 90’s songs.

Listen carefully: The guitar solo was inspired by the song Secret Agent Man. Guitarist Mike Zuniga was a big fan of 50’s and 60’s songs.

The Way

Before you hear the next song. Here is a vocabulary lesson for you.

Jiggy. (adj.) (1) To be cool and trendy. (2) Often associated with a style of dress. (3) Dancing effectively. (4) Making a name for yourself. (noun) (1) sex.

Will Smith’s Gettin’ Jiggy Wit It was a monster hit. It was a song that packed the dance floor when it came out and for years afterward. It was often the song I played as the first fast dance when I was DJing weddings.

This song has so many different things piled into it. For example, This samples the beat from “He’s the Greatest Dancer” from Sister Sledge. Now add the “na-na-na-na-na-na-na-na” hook, which is from a song called “Sang and Dance” by the Bar-Kays. Finally it also incorporates some lyrical elements from the 1980 song “Love Rap” by Spoonie Gee and The Treacherous Three. (Who?!) Because of all of that, 12 different writers are credited as composers on the song!

I’m not really into rap music. While many consider this song rap, I think of it as more a pop/rock/dance/rap song. My favorite lines in the song, which make me laugh every time:

Women used to tease me
Give it to me now, nice and easy
Since I moved up like George and Weezie

Gettin’ Jiggy Wit It

Prior to 1998, I was spending a lot of time at the karaoke bar. It was a regular thing to close the bar for me. This song became the “Bar Closing Anthem” in 1998 and beyond. Many DJ’s used it at the end of the night, too.

Closing Time was Semisonic’s only American hit. Dan Wilson told The Hollywood Reporter how he wrote this song in 20 minutes:

“My bandmates were tired of ending our sets with the same song, so there was kind of an uprising where they demanded something different to end our nights with. So I thought, ‘OK, I’ll write a song to close out the set,’ and then boom, I wrote ‘Closing Time’ really fast.

There was one little adjustment later, which I credit to our A&R guy, Hans Haedelt. He said, ‘It’s too simple. You need to break up the rhythm of the verses.’ So that line, ‘Gather up your jackets, move it to the exits, I hope you have found a friend’ is the first time it deviates from the rhythmic pattern. He was right – it’s a great moment in the song.”

I used this for a while as my last song of the night, but it never felt right to me to end a DJ gig with a semi-upbeat song.

Closing Time

The next song is one that could be featured on my Movie Music Monday feature. The song appeared on the Can’t Hardly Wait soundtrack.

Can’t Get Enough of You Baby is a song that was written back in 1966! Denny Randell and Sandy Linzer wrote the song for the Toys. It was also recorded by The Four Seasons and Michigan’s ? and the Mysterians. ?’s version of the song was the more Rocking/Swinging version. When Smash Mouth recorded it, they copied that sound. Smash Mouth became the first group to bring it into the Top 40. They released it as the lead single from their Astro Lounge album.

This is one of those songs that immediately makes you feel good. Well, it does for me anyway. I mean, it’s a love song, but it rocks!

Fun Fact: Running just 2:29, this was the shortest Top 40 hit of 1998.

Can’t Get Enough of You Baby

Speaking of love songs, Diane Warren sure knows how to write them! I could write an entire blog about all of the hits that she has written! Maybe one day I will.

This is another song that could be a Movie Music Monday song. It appeared in the film, Armageddon, which starred Liv Tyler, the daughter of Steven Tyler of Aerosmith.

Originally, U2 was asked to perform I Don’t Want to Miss a Thing. The idea for Aerosmith performing it only came after Liv was cast in the film. The song was “A grand production featuring a 52-piece orchestra. This was by far Aerosmith’s biggest hit on the US Hot 100, and their only chart-topper. It was #1 US for four weeks in September 1998, becoming one of the most popular songs of the year.” – songfacts.com

Diane Warren found inspiration for this song after hearing about an interview with James Brolin. He said that when his wife Barbra Streisand was away, he missed her even when he was sleeping. When she set out to write a song for Armageddon, she thought this was a good sentiment to express, since the film deals with the impending destruction of all on Earth.

This was another one of those “pack the dance floor” songs. Most of the time, it was used as the bridal dance. When it wasn’t I often played it in my first slow song set. As the DJ, it was always heart warming to see couples dancing to a song like this. Staring into each others eyes, or singing the lyrics to each other. I played this one a lot!

I Don’t Want To Miss A Thing

My introduction to Barenaked Ladies was If I Had $1,000,000. The more I heard from them, the more impressed I became. I remember the first time I heard One Week on the radio. It really was something to hear them rattling off the lyrics.

Songfacts says: The band has said that this song is about a big fight in a relationship. The lyrics are essentially meaningless, but wildly entertaining. It showed off their clever wordplay in a rapid-fire interplay between their lead singers, Ed Robertson and Steven Page. Robertson wrote the song.

Robertson said, “I wrote the chorus structure of the song, but I couldn’t figure out the verses at all. I got together with Steve a bunch of times and said, ‘I have this idea for a song, and I couldn’t figure out where to go with it.’ And finally Steve said to me at some point, ‘Just freestyle it! Just do what you do onstage every night. It’s gonna be great.'”

The song One Week was a number one hit for the band – for one week.

One Week

Trivia Question: What was the most-played radio song in 1999 in 11 different countries, including Canada, UK, Australia, Japan and Israel? Answer: Kiss Me from Sixpence None The Richer.

Here in the US, the song got a lot of help and exposure from the media. Songfacts explains: It was used on the second season of the WB TV show Dawson’s Creek, first on November 11, 1998 and then on another episode that aired April 28, 1999. In between, it was used in the movie She’s All That, which premiered January 29, 1999. With just about every teenage girl in America hearing the song on the TV show, the movie, or the many radio stations that put the song in rotation, it cracked the Top-40 on February 27, 1999 and made it all the way to #2.

TV soundtracks helped a lot of songs in the 1990’s. Shows like Ally McBeal, Friends, Mad About You, and Party of Five were just a few that released soundtracks.

To me, I love the sound of the song. The guitar and the vocal of Leigh Nash blend so well together. It’s no wonder that Taylor Swift says it was the first song she learned how to play on the guitar.

Kiss Me

Last week, I mentioned the Swing Revival that was taking place and mentioned Zoot Suit Riot. The Cherry Poppin’ Daddies and Big Bad Voodoo Daddy were a part of that, but I believe that it was Brian Setzer who took it to a whole new level.

Brian Setzer had success with the Stray Cats in the 80’s. When he formed the Brian Setzer Orchestra and started covering jazz and swing songs, we saw a resurgence in his career.

The first album came out in 1994 and featured covers of Route 66 and Lady Luck. It also featured originals like the beautiful September Skies. The second album came out in 1996 and featured covers of Stevie Ray Vaughn, Roy Montrell, and Gene Pitney. In 1998, The BSO released the Dirty Boogie and the lead single was a Louis Prima classic.

Jump, Jive, an’ Wail originally appeared on a Louis Prima album called The Wildest. It was recorded live in Las Vegas in 1956. Setzer’s version went to #23 on the Hot 100 chart, but I always felt it was more popular than that. We used to get requests for it when we DJ’s so that people could swing dance to it.

I absolutely love this version. To me, Prima’s version sounds like the Demo and Setzer’s is the finished product! The song won Setzer a Grammy in 1999 for Best Pop Performance by a Duo or Group with Vocals.

Jump, Jive an’ Wail

The next song is hard to include on this list. I almost skipped it, but in a feature that is called The Music of My Life, how could I not list it? Let me explain.

When my ex and I decided to get married, we didn’t have a wedding song. I had some suggestions that were pretty much shot down immediately. Looking back at this now, I understand why. I was never really going to have a say in the song. I had a list of great songs. I was a wedding DJ for crying out loud, I had all kinds that we could make work.

For weeks, I attempted to suggest song after song. For each song I would be told why it was a bad choice. I finally accepted that anything I offered up was going to be turned down for some reason. So when she came to me with Edwin McCain’s I’ll Be, I listened to it and told her okay.

That being said, I have to admit that I never really felt like this was a wedding song. Not surprising that Edwin didn’t feel it was either! In a songfacts interview he said the track was not intended as a love song at all: “It was kind of a Hail Mary prayer for me, personally. And it’s been obviously linked as a romantic song. It’s one of those things that I hesitate to say too much, because sometimes songs become what they were supposed to be, and it’s not really up to the songwriter to determine what that is.”

He went on to say that a break-up prompted him to pen this song: “It was the end of a relationship for me, and it was also an admission of my inability to function in a relationship, hence the love suicide line. And it was the hope that I would be better, grow and be better as a person. I was struggling with some personal problems at the time, as well, so it was all of those things. It was this admission of failure and this prayer that I could be a better person, wrapped up as sort of the end of a relationship kind of thought. And it was something that I said to a girl that I’d been going out with. I knew that she was waiting, and I always said to her, ‘Don’t ever look back on this in any other way than I’ll be your biggest fan.’ You know, ‘I’ll always be a fan.'”

So my first wedding song was about a break up. Maybe it was prohetic?

I’ll Be

The final song brings us back to Barenaked Ladies. It wasn’t until I researched this for this feature that I realized it wasn’t really a hit. It only got up to #44 on the charts, which is surprising to me. I almost like this more than One Week. For what it is worth, it did go to #1 in Canada.

As you watch the video, keep in mind that the band was not happy with it. They had a concept of what they wanted. It was to be seen from the point of view of various household pets. (A cat, a dog, a goldfish, and a bird). The band was disappointed with the filming of the video while it was being shot, as they did not feel it was fitting their concept.

Many times, a video helped a band with their song. This was not one of those times, obviously. I have to wonder how the release date played into the song’s poor performance. It was released in late December. The charts are pretty much done at that time, and you’ve got two weeks where nothing really changes. The song could have been dead in the water the week it was released. Sorry, that’s my radio mind spewing out thoughts.

It’s All Been Done

Did I miss one of your favorites from 1998? Let me know in the comments.

Next week, we’ll party like it’s 1999! On my list is a song that was so popular I played it 4 times at a prom. The list also features one of the songs that was shot down by my ex, movie music from two big animated films, an artist who waited 30 years for his first #1, a song that makes me think of Barbara Eden, and one of my favorite cover songs.

Thanks for reading! See you next week!