The Music of My Life – 1972

Welcome back to The Music of My Life, where I feature ten songs from each year of my life. In most cases, the ten songs I choose will be ones I like personally (unless I explain otherwise). The songs will be selected from Billboard’s Year-end Hot 100 Chart, Acclaimed Music, and will all be released in the featured year. I turned two in 1972, so what songs were influencing my tiny ears? Let’s find out.

By March of 1972, Badfinger was enjoying the success of their fourth album, Straight Up. Baby Blue was their last top 20 single. It reached number 14 on the charts. Todd Rundgren produced the song. Younger folks remember this song from the 2013 series finale of Breaking Bad.

Baby Blue

In April of 1972, the Hollies had a hit that was a film noir story set to music. Long Cool Woman in a Black Dress features an FBI agent, a bar filled with criminals and a 5’9″ beauty. Songfacts.com says: This tale of a government agent and a femme fatale contains one of the classic indecipherable lyrics in rock history. The part after “she was a long cool woman in a black dress” is “just a 5′ 9″ beautiful tall.”

The song should have been a number one, but Alone Again Naturally by Gilbert O’Sullivan prevented it from grabbing the top spot.

Long Cool Woman in a Black Dress

One of the biggest films of the year was The Godfather. The Love Theme from The Godfather is instantly recognizable. The music was composed by Nino Rota and most folks are familiar with the instrumental version. A lyricist named Larry Kusik actually wrote words to the song and it was recorded by Andy Williams under the title Speak Softly Love.

While it only reached number 34 on the charts, personally, I found the arrangement of this simply beautiful. Andy’s vocal is great, but give it a listen and just focus on the instrumentation of the orchestra.

Speak Softly Love

Three days after my second birthday, The Looking Glass released Brandy (You’re a Fine Girl). The story of the barmaid who serves the many sailors was from the band’s debut album and the song went to number one. The song was so popular that the US Social Security Administration saw a large increase in baby girls with that name in 1973.

This was not typical of the band’s sound, which caused a problem at concerts. While audiences expected pop songs like this one, the Looking Glass played rock, which left the crowds disappointed. The band broke up less than two years later.

Brandy (You’re a Fine Girl)

Also in May of 1972, the world was introduced to a little band known as The Eagles. The story behind their debut single Take it Easy is a great one. Here is the short version from Songfacts.com:

Jackson Browne started writing “Take It Easy” for his first album, but he didn’t know how to finish it. At the time, he was living in an apartment in the Echo Park section of Los Angeles, and his upstairs neighbor was Glenn Frey, who needed songs for his new band – the Eagles.

Frey heard Browne working on the song (he says that he learned a lot about songwriting by listening to his downstairs neighbor work), and told Jackson he thought it was great. Browne said he was having trouble completing the track, and played what he had of it. When he got to the second verse, Frey came up with a key lyric: “It’s a girl, my lord, in a flatbed Ford, slowing down to take a look at me.”

Browne turned the song over to Frey, who finished writing it and recorded it with the Eagles, who used it as the first song on their first album, and also their first single. Frey says Browne did most of the work on the song and was very generous in sharing the writing credit. He described the unfinished version of the song as a “package without the ribbon.”

Take It Easy

1972 introduced us to another new artist – Jim Croce. “You Don’t Mess Around With Jim” was his first single. After several years struggling for success and battling music industry politics, the song got the promotion it deserved when a rep at ABC/Dunhill named Matty Singer visited radio stations in the Philadelphia area to promote the song. It got solid airplay and national attention, which was followed by lots of positive press for the album. You Don’t Mess Around With Jim wasn’t released until nine months after it had been recorded, so Croce and his musical partner Maury Muehleisen had perfected the songs in performance, earning rave reviews.

You Don’t Mess Around With Jim

Here’s a story for you – The King of Rock and Roll was actually prevented from hitting the number one spot in 1972 by the Granddaddy of Rock and Roll. Yep, Burning Love reached number two on the charts while Chuck Berry held the number one spot with “My Ding-A-Ling!” Urgh!

Burning Love was the final Top 10 hit in the American Hot 100 or pop charts for Elvis. The electric guitar opening and riffs were overdubbed and played by Dennis Linde, the writer of the song. He performed the song in the concert movie Elvis on Tour, and because the song was still new to him, you can see him holding a sheet of paper with the lyrics on it.

Burning Love

In October of 1972, Motown’s of Stevie Wonder released on of my all time favorite songs. When some music bloggers were doing a “Song Draft” I actually picked Superstition as one of my songs. You can read that blog here:

Song Draft 2021 – Round 10 – Final Pick – Superstition – Stevie Wonder

Superstition

In September of 1972, Johnny Rivers released a cover of Huey “Piano” Smith’s 1957 song, Rockin’ Pneumonia and the Boogie Woogie Flu. In the late 50’s the country was hit with the Asian Flu, also called the “walking pneumonia.” The title of the song is a play on this. Johnny’s version did much better than Huey’s version. Huey didn’t even get into the top 40 (it peaked at 52), while Johnny had a top ten (peaking at 6). Playing piano on Johnny’s version was none other than the Wrecking Crew’s Larry Knechtel.

Rockin’ Pneumonia and the Boogie Woogie Flu

My final song from 1972 is a funky jam. There is so much that I love about Use Me by Bill Withers. The song was released on his Still Bill album. It has such a neat syncopated percussion line that interplays with the rest of the instruments and Bill’s vocal. Again, there is a great story about the writing of the song. It seems a lot of women were telling him he was just “too nice” and he wanted to change that. Bill said in an interview:

That’s fun stuff. That’s just talkin’ trash. That’s just a song about being a little playful, a little arrogant and a little cool. Unless you were one of those people that were born popular, I was a chronic stutterer until I was twenty-eight. I avoided the phone. So I wasn’t this popular guy. I remember being young and I would have girls tell me, “You’re too nice.” I didn’t understand that.

What kind of twisted world are we in? Women like bad boys, I guess. There is no more confusing form of rejection than for somebody to tell you that you’re not interesting to them because you’re too nice.

So over the course of time, you say okay, you wanna play, okay, let’s play? Use Me taps into that. I tried to be nice, now let’s get nasty. That song came quick. I was working in McDonnell Douglas out in Long Beach and the noise of the factory, they had some women working there. I crossed that line there thinking, “You all want a nasty boy? Well here I come.” [laughs]

Use Me

I hope you enjoyed my picks. What 1972 tunes were your favorites?

Next week – 1973! See you then

Movie Music Monday – Viva Las Vegas

Today we go back to 1964 for what many consider to be one of Elvis Presley’s best films – Viva Las Vegas. Why? Because his co-star in the movie, the beautiful Ann Margaret celebrated her 83rd birthday yesterday.

The chemistry between Elvis and Ann Margaret that you see on screen is real. They began an affair that got a lot of press by gossip columnists and the movie industry. This led to a showdown between Ann and Pricilla Beaulieu, Elvis’ girlfriend. Years later, in her autobiography, Ann called Elvis her “soulmate.”

15 songs were recorded for the soundtrack of the film, but only 11 were used. A full LP soundtrack was never released. Instead, to coincide with the film’s release, RCA chose four songs for a Viva Las Vegas EP.

The song Viva Las Vegas was released as a single in 1964 with What’d I Say as the B-side. This actually hurt the record’s chart performance. The title song was written by Doc Primus and Mort Shuman. The song went to #29 on the Billboard Hot 100 pop singles chart (What’d I Say did slightly better by going to #21). It has been covered by a few different artists (I love the ZZ Top version), but Elvis’ version remains my favorite.

Dim the lights and cue the theme song ….

A Beautiful Celebration

This weekend was just wonderful! My Goddaughter and her fiancé got married on Saturday. I was honored to be able to DJ the wedding for them.

Before I tell you more, I want to give a little backstory. Just after we rang in the year 2020, and before Covid closed everything, I blogged about my Goddaughter and her mom. I think in order to fully understand what I was feeling this weekend, it is worth revisiting:

January 1, 2020

Today, we met one of my oldest and dearest friends for lunch. Margaret and I have been friends since junior high. We are both Italian. My folks loved her, and her folks loved me. I think they probably both thought that we would date or something, but that never happened. We both went to a few dances together, but that was about as close to “dating” as it got. We were just really good friends and that made us both happy. We were officers in band together, we dressed up as twins for Twin Day, she and I both took a senior picture together, and spent many hours on the phone. She was/is one of my best friends!

When her daughter, Marissa, was born she asked me to be her Godfather. I was honored to do it. A Godfather is a very important role for an Italian. When I got married the first time, sadly, I saw less and less of Margaret and my Goddaughter. Whenever I was supposed to get together with them, I was always informed that we couldn’t go or we had something to do with my ex’s family. (If you have followed this blog for any length of time, you are well aware of the narcissism that I dealt with and how miserable my life had become.)

After the divorce, Margaret was one of the first to reach out to me. She completely understood what was going on. Her forgiveness meant everything to me. I hurt her. I was hurt, too. I lost many years of our friendship, and I lost so many moments with my Goddaughter. After all of that, Margaret (and many other friends) had every right to just stop talking to me, but our friendship meant so much, that we have picked up where we left off.

When I attended my Goddaughter’s 21st birthday party, I pulled her aside and apologized for missing so many important things in her life. How do you explain that to someone? As I looked back on the past, my stomach was in knots. I was sickened to think of how I must have made so many people feel. She didn’t bat an eye, however, and told me she loved me and we all enjoyed a great evening! I remember driving home from her party crying my eyes out. It wasn’t fair to her that I missed so many things. It makes me angry to know that I missed so much, but I am also happy that I can try to make up for lost time with her!

Sam and I were going to see what Margaret and her husband, Walt, were doing on New Year’s Eve and found out she was working that night. So they met us at one of the nearby bars for lunch on New Year’s Day. We enjoyed some amazing burgers, and enjoyed good conversation. There is always a lot of laughter when we get together, story telling with wild hand gestures (it is the Italian in us!) and usually some profanity! It was truly a wonderful afternoon. We hope to be able to do it more often!

During lunch, Margaret said something that struck a chord. It was something that made me sad, and happy at the same time. She said, “I have seen you more and talked to you more in the past two years, that the entire time you were married.” This made me sad, because of what I touched on early – a great friendship almost destroyed as well as the relationship between my Goddaughter and me, all because of the stupidity of someone else. It made me happy to know that our friendship remains and will grow even stronger in the years ahead.

Shortly After That

My daughter Ella was born just over a month later. Margaret and Walt made the drive up to the hospital that night with Olive Garden dinners for Sam and me, and also a ton of soup and breadsticks for the hospital staff on our floor!

Ella loves her Aunt Margaret. Margaret has shown so much love to her and Andrew. Ella thanks God for her every night when she prays. Margaret refers to them as “my babies!” Thanks to technology, they love being able to video chat with her anytime!

Last week, Margaret and I got into one of those deep conversations. The years I missed came up. The deep regret that I hate thinking about . The “What Ifs” and such. We had been talking about my kids. She told me that she had always wanted to do that for my older boys, too! Thanks to my ex, that was never to be. All the hurt I felt about missing time with Marissa and I never really realized just how much hurt Margaret felt about missing time with my boys.

Sigh. On to happier stuff….

September 23, 2023

Saturday, I arrived at the breathtaking tree farm where the wedding was to be held. The first person I saw was the groom to be, Connor. He’s a great guy and I know that he is going to be a great husband. I asked him if he was nervous, and he said he was. Marissa and Connor have been together for 7 years. They are perfect together. I don’t remember what I told him, but I assured him all would go well.

When Marissa arrived, they shuffled Connor into the lodge area so he couldn’t see her. She came over and embraced me for a hug. She didn’t even have her dress on yet, and she was just stunning. We talked a briefly and then she was off to get ready.

I saw Margaret out in front of the lodge as I parked my father-in-law’s truck (which he let me borrow so I could fit everything in it!). She was busy putting out fires on the cell phone and with people at the venue.

It didn’t take me too long to get set up. It was hot, so I was glad I hadn’t arrived in my suit. I went to change and by then, we were about an hour and a half away from the ceremony. The families all came out and the photographers got pictures done before the ceremony, which you don’t see too often. But I get it, the sun was perfect and I know that they got some amazing pictures. I, however, only got two. One of Margaret and me, and the other with Marissa.

The ceremony was just wonderful. I was sitting next to Chris, a mutual friend of Margaret and me. She asked if I was going to need a tissue. I told her probably, but I passed her back the tissue pack. Once Marissa and her dad began walking down the aisle, I could feel those tears well up.

Their officiant knew both of them very well and shared some very funny stories. At the same time, he was very professional. Marissa and Connor each wrote their own vows. They read like a love story. Wow, the looks that they gave each other throughout the ceremony and the sharing of their vows….. It was a powerful example of true love. Again, I held back tears.

I’ve DJ’s many weddings, but this was the first where a grand entrance was timed down to the second! They entered to Natalie Cole’s This Will Be (An Everlasting Love). I had a cue sheet with the time and the lyrics along with the couples that were entering at that time. They had it timed perfectly.

After the grand entrance, Marissa and Connor had put together a dance for their first song. It was such a joy to watch these two execute their moves to perfection. I was glad that a little hiccup that could have meant me not having their song was an easy fix. In all my years doing weddings, this was only the third time the bride and groom had choreographed their first dance. It was beautiful.

It was after this that I saw Margaret become “that Italian mom.” Let me explain. No one had filled the glasses of the head table and when we went to do toasts, there was nothing to toast! They decided to let people eat and they would toast during dinner while someone filled glasses. That someone – was Margaret. She came busting out of the lodge with bottle of wine in each hand. She walked to every person with an empty glass and asked, “White or red?”

She was the first table called to eat after the head table. Yet, she was like the last in line to eat! I had to tell her to get a plate. She naturally swore at me and moved through the buffet line.

Toasts from the Best Man, Maid of Honor, and the fathers of both the Bride and Groom followed. The Best Man impressed me with a perfect line. He stated that he and Connor had been best friends forever. He stated that he was happy to give up that title, because Marissa would now forever be his best friend. Good stuff!

After dinner, Marissa danced with her dad and Connor danced with his mom. Then the dance floor opened for the night. Music was not an issue, as they had given me plenty of songs to choose from. There is never enough time to get through the entire list. There were plenty of requests and the crowd seemed to be having a good time.

I naturally brought out the groom and the groomsmen, who had no idea why I called them out to the floor. I passed out a cowboy hat, and Indian head dress, a policeman’s hat, a sailor hat, and a biker hat. I led them through some silly moves and we did the YMCA together. This is always silly and they guys had fun. I even got to embarrass myself as I walked through the crown lip synching “Can’t Help Falling In Love” by Elvis with my terrible Elvis wig.

There were so many things from the evening that I will remember, but the one thing that will stick with me forever is just how beautiful Marissa looked.

I am so happy for her. I am excited to hear about all the things that are ahead for her and Connor. Random thought: Is he now my Godson-in-law? I’d be ok with that.

On my hour drive home, there was a lot of time to think about the day. I smiled again as I recalled the vows, the first dance, the last dance, and more. I had to pull over when the sadness crept in with the memory of the lost time with her. I had to remind myself that that is all in the past, and there will be more happy days ahead. Plenty of happy days, I am sure of it!

Congratulations to Marissa and Connor. Your love for each other will carry you through the tough storms … and God will get you through the rest!

I love you both!

Celebrating Jimmy Reed

The fantastic blues singer Jimmy Reed was born today in 1925. He was born Mathis James Reed in Mississippi where he learned to play guitar and harmonica. He moved to Chicago in 1943 and was drafted into the Navy. After he was discharged a couple years later, he went back to Mississippi where he married his girlfriend and the moved to Indiana.

By the 1950’s he was a fairly well known musician and was signed to Vee-Jay Records, where he recorded many of his hits. Those hits influenced many artists including Elvis, The Rolling Stones, The Yardbirds, Bob Dylan and more. All of them have recorded covers of Jimmy’s songs.

My dad introduced me to Jimmy when I was working at my first radio job. He asked me to make him a cassette of some songs if they were in the station’s library. A couple of those songs were from Jimmy. He told me stories of how he and my Uncle Tom loved listening to Jimmy Reed and the they even played a couple of those at my high school graduation party.

To me, Jimmy is a blues pioneer. When people talk about the blues, Jimmy’s name comes up. He was posthumously inducted into Rock and Roll Hall of Fame in 1991. His music may not be for everyone, but I really dig it. It will always make me think of my dad and my uncle.

Here are some of my favorites in honor of his birthday!

One of the songs on my dad’s list was “Baby What You Want Me To Do.” Elvis did this at a few of his concerts. I love the groove of this one …

Another one that Elvis covered was Jimmy’s “Big Boss Man”

The guitar lick from Jimmy’s “Shame, Shame, Shame” seems like one that I always heard my dad playing when he was warming up …

Another favorite is “Bright Lights, Big City”

https://youtu.be/l9xXchxodYg?si=0MWbQhh7N2JbjJfJ

The Stones covered this great one – “Ain’t That Lovin’ You Baby”

The Blues Brothers covered Jimmy on one of their albums, doing a cool version of “I Ain’t Got You”

Jimmy died of respiratory failure just 8 days before his 51st birthday on August 29, 1976. He was inducted posthumously to the Blues Hall of Fame in 1980. He was certainly a “Boss Man of the Blues”

Happy Birthday, Jimmy!

Royal Rock and Roll Remembrance (and Other Orchestral Music)

August 16

On this day in 1977 – a King died. The King of Rock and Roll.

On this day in 2018 – a Queen died. The Queen of Soul.

Both were musical royalty. Did you know they both have a musical group in common? Both have “recorded” with the world famous Royal Philharmonic Orchestra. Imagine what some of their songs might have sounded like with an orchestral background! Never mind. You don’t have to, because there are albums you can check out.

Here are a couple of my favorites from those albums (with some bonus cuts and artists later on)

Elvis

A Big Hunk o’ Love

Can’t Help Falling in Love

Steamroller Blues

In the Ghetto

Aretha Franklin

Respect

Natural Woman

Think

Until You Come Back To Me

Elvis has two albums with the RPO and a Christmas Album. Aretha has one. But there are other artists whose song’s have been reimagined by the RPO. The first being The Carpenters. Honestly, many of their songs already had some sort of orchestra background, but these new arrangements are neat to hear.

The Carpenters

I Just Fall In Love Again

We’ve Only Just Begun

The oddest pairing in my opinion is the RPO and the Beach Boys. Orchestral Surf??

Wouldn’t It Be Nice

Sloop John B

My favorite cut is this one – Fun, Fun, Fun

My favorite collaboration (besides Elvis) is the RPO and Roy Orbison. Wow! What an album! Simply amazing.

In Dreams

Crying

It’s Over

Only the Lonely

Running Scared

I have always loved Mean Woman Blues by Roy. However, I think the version with the RPO takes the original and beefs it up with some cool horns and makes it even better! My favorite cut!

Mean Woman Blues

So today we salute a King, a Queen, and some artists that would be considered music royalty – with a “royal” musical group that they all have in common. I hope you enjoyed listening. All of the Royal Philharmonic Albums can be heard on YouTube!

Turntable Talk – Feels Like The First Time

It’s time for another round of Turntable Talk. This is the 14th edition hosted by Dave over at A Sound Day. As always he has presented our little group of music lovers with a great topic.

In his instructions he asks:

“Do you remember what the first album you bought was? LP? CD? Reel to reel, LOL? Why that one? Do you still have it? Would you want to ? Let your nostalgia run wild! Tell us about that first record you made your own.“

Let me start by saying that many of the albums my dad had, eventually wound up as “mine.” When I think back to the albums I remember there are some that I will never forget. To be clear, my dad bought these, but I wound up listening to them. He had many from Roy Orbison, Elvis, Lenny Dee, Herb Alpert, and so many others. The ones that eventually wound up in my room were a bit odd.

First, there was Dumb Ditties. An album of novelty songs put out by K-Tel. What 6 year old kid didn’t like silly songs?

Then there were two albums that had TV themes on them. There were not the original artists, and this was long before TV Toons put out their collections. They were actually pretty cheesy versions that a kid like me knew weren’t quite right, but close enough. They had goofy cartoon drawings of the main characters from the shows on the cover and were done by the Pop Singers and Orchestra. Was that even a real group?!

The last album that my dad bought that wound up in my record collection was the 1977 album of The Muppet Show. It had the theme song, Mah-Nah-Mah-Nah, and plenty of clips of the two old guys heckling the acts.

Now as far as the first album I actually bought, my memory is hazy. I know it had to be one of two and I know I would have bought them within a week of each other.

I had a paper route. I remember that you collected whatever your customers owed you for the week, and you paid for your papers. Whatever extra tip money you made was yours. I don’t recall making a lot of money, but it was enough to go up to the toy store to buy Star Wars stuff or to Harmony House to buy an album.

My dad had a couple of the Beatles albums. He had the blue and red greatest hits albums with them looking over the railing.

I loved the Beatles growing up – early Beatles. It took me a while to appreciate the later Beatles stuff. I recall walking into the Harmony House and grabbing either Beatles ’65 OR Beatles VI. I wish I could remember which one was THE first. I know, however, that these two albums were bought almost immediately after I began delivering papers.

Whichever one I bought first, I suppose doesn’t matter. These two albums contain some of my favorite songs by the Fab Four and they were played over and over again.

“This happened once before, when I came to your door. No reply….” A cold open starts Beatles 65. Boom! There’s John. What follows on the album was a variety of musical nuggets that my young ear just loved!

The harmonies sounded even better with headphones. I’m a Loser, Baby’s In Black, I’ll Be Back, and Mr. Moonlight each had me trying to sing all the different notes. There were great cover songs like Honey Don’t, Everybody’s Trying to Be My Baby, and Rock and Roll Music. Then there was I’ll Follow the Sun. Beautifully simple.

Beatles 65 was an album I played from start to finish many times.

As for Beatles VI, there were “skip” songs on this one for me. Skip songs were You Like Me Too Much, Words of Love, Tell Me What You See, and Every Little Thing. Why those didn’t do much for me, I can’t say.

I, of course, loved those great cover songs – Dizzy Miss Lizzie, Bad Boy, and Kansas City. I knew all of these songs by their original artists, but came to dig those Beatles versions more.

As a kid, I often found myself drumming my desk in school to the opening of Look What You’re Doing. The teachers told me to leave the drumming to Ringo!

The one song that is the stand out for me on the album was Eight Days a Week. What a great song. It is one that even non Beatles fans know, love, and sing along to. I could be mistaken on this, but I swear there was no fade in on the album. I remember the first time I played this at a radio station and the fade in happened – it freaked me out. Either way, it is one of their best songs.

My love for the Fab Four started very early in life thanks to the musical influence of my mom and dad (and maybe that Beatles cartoon). That love for them continues to this day. It only makes sense to me that the first album I would buy would be from them! These albums remain as fresh today as they were when they were released – years before I ever got my hands on them.

Thanks again to Dave for inviting me to take part in this feature. As always, I look forward to reading the other contributions and to next month’s topic.

Turntable Talk #8 – Best Year In Music?

Once again, Dave from A Sound Day has asked some of us music lovers to participate in another round of Turntable Talk. This time around was a bit of a challenge for me. Dave’s e-mail stated:

“Put your thinking caps on and go through your stacks of records (or scroll thru that I-pod) and … come up with what you think the best year for music was. A tough call of course, thankfully there have been more than a few good ones! I’m interested in what you pick and don’t worry if yours duplicates someone else’s , you still have your reasons which might be different.” He goes on to say, “I think I have a guess on a couple of years that might come up more than once, but we’ll wait and see.”

This particular blog will be one of the last ones to be featured and I do not know if my year will be or has been featured. I plan on writing this KNOWING that the year I have chosen very well may be one that comes up in another post. Before I tell you the year I picked, let me tell you that I had a very difficult time narrowing it down.

My first thought was to go with 1956/1957 because those years were always so unique. You had the birth of rock and roll mixing with pop standards. When I worked at Honey Radio, I loved doing the Top 12 at 12 show when those years popped up because there was such a big variety in what was played. You could go from Elvis or Jerry Lee Lewis to Pat Boone or Nelson Riddle. When I looked at the list of songs, however, were they really the BEST? No.

The same thing can be said for some of the years in the 70’s decades. I looked through many lists and while there were many great songs, there were also a lot of really crappy songs! I just couldn’t really come up with the conviction to pick a year in that decade as the BEST.

One year kept coming up every time I started thinking about it – 1964.

I want you to know before I continue that I was dead set AGAINST 1964 when I read Dave’s e-mail. Why? Well, I felt that it would just be too Beatle heavy and loaded with British Invasion stuff. And it is. On the Top 100 Chart, The Fab Four nabbed 9 spots. 18 spots were held by other British Invasion acts. In total 27% of the Top 100 were British acts. When I really looked at the chart, the more and more I felt like this WAS the year.

1964 really was the year of the Beatles, so let’s discuss them first. They were present almost right from the start as their “Introducing The Beatles” album was released in America on January 10th of that year.

This album preceded Capitol Records “Meet the Beatles” by 10 days and there was a lawsuit surrounding that whole issue. Capitol Records won an injunction and Vee-jay Records was not allowed to put out any more Beatles recordings.

In February of 1964, the Beatles arrived in the US and appeared on Ed Sullivan’s show three times (2/9, 2/16, and 2/23). In March of 64, Billboard magazine stated that the Beatles were responsible for 60% of all single record sales! In a feat that has yet to be matched, on April 4, 1964, the Beatles held the Top 5 spots on the Billboard chart!

A week later, the boys held 14 spots on the Hot 100 Chart! That broke the previous record of 9 spots held by Elvis Presley in 1956.

In May, The Beatles Second Album was released and in July, they would release A Hard Day’s Night in theaters. “I Want to Hold Your Hand” wound up being the #1 song for the whole year of 64 (“She Loves You” was #2) To say that they played a small part in the music of 1964 would be a huge understatement.

Among the other artists that came over from “across the pond” in 64 were Manfred Mann (Do Wah Diddy Diddy), Billy J. Kramer and the Dakotas (Little Children and Bad to Me), The Dave Clark Five (Glad All Over, Because, Do You Love Me), Peter and Gordon (A World Without Love), The Animals (House of the Rising Son), The Honeycombs (Have I The Right), Dusty Springfield (Wishin’ and Hopin’), Gerry & The Pacemakers (Don’t Let the Sun Catch You Crying and How Do You Do It), Chad and Jeremy (A Summer Song), The Kinks (You Really Got Me), and the Searchers (Don’t Throw Your Love Away and Needles and Pins). It is interesting to note that the Rolling Stones debut album was released this year, but no songs appear in the Top 100 for the year.

Once you move away from the British artists, the chart has a nice variety of pop, rock, folk, country, soul, and even a few novelty songs. I think that is what made me ultimately choose this particular year.

It was nice to look over the Top 100 and see Motown represented with some classics. The Supremes hold two of the six Motown songs (Where Did Our Love Go and Baby Love), Motown was female heavy as Mary Wells (My Guy) and Martha and the Vandellas (Dancin’ In The Street) grabbed the next two spots, and the male gender was represented by The Four Tops (Baby I Need Your Loving) and The Temptations (The Way You Do The Things You Do).

While they were not “oldies” at the time, there were some classic songs that are still in hot rotation today on the oldies stations across the country. Roy Orbison had a smash with Pretty Woman in 64, and also had a hit with It’s Over. Frankie Valli and the Four Seasons grabbed three of the Top 100 with Rag Doll, Dawn and Ronnie. The Beach Boys only entry in the Top 100 was I Get Around.

1964 brought us classics like The Drifters Under The Boardwalk, Chapel of Love by the Dixie Cups, Suspicion by Terry Stafford, It Hurts to Be In Love from gene Pitney and Come A Little Bit Closer by Jay and the Americans. Johnny Rivers had a hit with Chuck Berry’s Memphis, Bobby Freeman invited us to C’mon and Swim, Detroit’s Reflections offered up Just Like Romeo and Juliet and the Shangri-Las told us the story of the Leader of the Pack.

Car songs were well represented in 64! Ronny and the Daytonas had GTO, while the Rip Chords sang Hey Little Cobra, and the Hondells had Little Honda. Jan and Dean told us the stories of The Little Old Lady from Pasadena and Dead Man’s Curve, while J. Frank Wilson and the Cavaliers told us the tragic story of a Last Kiss.

Soul music is represented by The Impressions (I’m So Proud and Keep on Pushing), Joe Hinton (Funny How Time Slips Away), The Tams (What Kind of Fool Do You Think I Am), Jimmy Hughes (Steal Away) and Nancy Wilson (How Glad Am I). If you throw Blues into the “Soul” mix, the great Tommy Tucker song “Hi Heel Sneakers” was out in 1964.

Instrumentally, Al Hirt had a monster hit with Java, The Ventures had Walk Don’t Run 1964, The Marketts had The Outer Limits, and Robert Maxwell had the incredibly cheesy lounge version of Shangri-la. While novelty songs included Jumpin’ Gene Simmons (Haunted House), The Trashmen (Surfin’ Bird) and Roger Miller (Chug-a-Lug).

While Rock was dominant in 1964, there were still some pop (and even folk) songs that made the Top 100 – one of them, doing the “impossible.” Two of the biggest pop hits of the year couldn’t be more different from each other. The third biggest hit of the year belonged to Louis “Satchmo” Armstrong and his Dixieland hit “Hello, Dolly!” Barbra Streisand (who won Album of the year at the 1964 Grammy Awards) had the 11th biggest hit of the year with “People.”

Pop/Folk was also represented by Gale Garnett (We’ll Sing in the Sunshine), The Ray Charles Singers (Love Me With All Your Heart), Dionne Warwick (Walk On By), Al Martino (I Love You More and More Every Day), and Andy Williams (A Fool Never Learns). But the biggest surprise came from an artist who hadn’t had a top 40 record since 1958!

Dean Martin didn’t care for Rock and Roll. With the British Invasion in full swing, there was very little chance of him ever having another hit. His kids loved the new artists. His son, Dean Paul, loved the Beatles. Dean told his boy, “I’m gonna knock your pallies off the charts!” On August 15, 1964 – he did just that with a song that became his NEW theme song, “Everybody Loves Somebody.” (It replaced That’s Amore as his theme song)

The song knocked the beloved Beatles A Hard Day’s Night out of the number 1 spot! It went on to stay at #1 on the Pop Standards Singles Chart for 8 weeks. It also became the theme to his weekly television show in 1965.

I picked 1964 for a few reasons. Despite my initial worry about it being British act heavy, it was the year that introduced us to the Beatles (who changed the music scene forever!). It is also the year that one act held the top 5 spots on the charts (a record that remains in place). It is also the year that my favorite singer of all time bumped the biggest group in music out of the top spot.

It is also a year that encompasses such a vast variety of music. While there may be better songs that appeared before and after 1964, it truly represents a unique time in history. America was still recovering from the loss of a beloved president, there were still Civil Rights issues, and a war in Vietnam. The music of 1964 was a welcome escape from so many things.

Was it all good? No, and that is true of every year. However, as I look at the 100 biggest songs of the year, there are a lot of great songs that have gone on to become classics. There are so many songs that are still looked at as pivotal in the music scene. The fact that many of these songs are still getting airplay today is a statement to just how good they are.

Thanks again to Dave at a Sound Day for allowing me to be a part of this feature. I can only hope that my contribution is worthy of an invite to participate in the next round.

Turntable Talk – Cover Me

This blog is part of the next installment of Dave from A Sound Day’s Turntable Talk. This time around, the subject is “cover songs.” Per our instructions:

This time around, wanting to get your thoughts on Cover Songs…what makes a really good one, maybe what your favorite bold one is. Do you like ones really faithful to the original, or ones that spin it in an altogether direction? Or conversely, what one is atrocious to you & why.

By ‘bold’ I mean covers of songs that were already known, and hits. I won’t set any minimum guidelines but as examples, most people never heard The Arrows version of ‘I Love Rock n Roll’ or The Clique’s ‘Superman’ so it was easy for Joan Jett & REM respectively make them their own. But to do a Beatles song, like Joe Cocker did only a couple of years after the original was released… that took …something.

So what cover songs work great for you?

Cover Songs

If you do a Google search on “cover songs,” there are plenty of links to articles containing lists of “the best” ones. There are also links to video’s that feature countdowns and lists of “best and worst” cover songs. Those lists, no doubt, will include: Twist and Shout by the Beatles, Proud Mary by Ike and Tina Turner, Hurt by Johnny Cash, Last Kiss by Pearl Jam, Mony Mony by Billy Idol, All Along the Watchtower by Jimi Hendrix, and many many more!

Many people are unaware that some of their favorite songs are actually cover songs. A lot of the early Rolling Stones and Beatles songs were actually covers of songs they loved by other artists. In a way, a cover song is the ultimate “hat tip” to a band’s early influence.

Personally, I tend to love cover songs. If you were to grab my iPod, that becomes very clear! I recall a time when I was married to my ex-wife and her iPod was dead. She wanted to go walk and asked if she could take mine instead. Upon returning home, she said to me, “How many different versions of a song do you need?!”

Cover Song Example

Dave asked “what makes a good” cover song? He also asked, “Do you like ones really faithful to the original, or ones that spin it in an altogether direction?“

It is difficult for me to say what exactly makes a good cover song because I think it can be one that is faithful to the original, spun in a different direction, or a mixture of both of those elements. Take for example, the Rodgers and Hart song – Blue Moon.

The song was written in 1934. There were recordings made as early as 1935. One of the best known versions is the Doo Wop hit from 1961 by the Marcels. Dean Martin did a stripped down version with piano and drums that was performed as a slow ballad. Frank Sinatra’s version was more “swingy”. Sam Cooke’s “bounced” and in 1997 a swing band called the Jive Aces covered it as a bouncy boogie woogie sounding cover. Every single version I mentioned, I like for different reasons.

Some of My Favorite Covers

If I were to make a list of all the cover songs I have on my iPod and feature one a day on my blog, I would have enough songs to write about for about 6 months! Instead, I grabbed a piece of paper and off the top of my head started jotting down the cover songs that came to mind. I gave myself 5 minutes to do this and came up with about 18 songs. The reality is that I know that I will complete this blog and after it posts say, “Oh, man! I forgot (insert cover song here)!” That’s ok.

While it may be hard for me to tell you exactly what I love about cover songs, maybe by giving some examples of some of my favorites, the music will answer the question for both of us.

The first three I came up with are all from movie soundtracks. There is no shortage of cover songs in the movies. These covers will often give new life to old songs – examples include Sweet Child of Mine by Sheryl Crow from Big Daddy, Hallelujah by Rufus Wainwright from Shrek, Hazy Shade of Winter by the Bangels from Less Than Zero, Girl You’ll Be a Woman Soon by Urge Overkill in Pulp Fiction, and, of course, I Will Always Love You by Whitney Houston in The Bodygaurd.

Johnny B. Goode – Marty McFly and the Starlighters

From Back to the Future, this is the song Marty McFly plays at the Enchantment Under the Sea Dance. In the movie, He goes off on a Eddie Van Halen type solo and the entire crowd looks at him stunned. On the soundtrack, however, there is a full version with an additional verse not in the movie. What I love about this version is the stripped down instrumentation, the saxophone and piano, and the whole feel of it. It really sounds like an “early” version of the song. It’s actually quite good.

https://youtu.be/RelL4BS2lEQ

All Shook Up – Billy Joel

From the soundtrack of Honeymoon in Vegas, which contains some very good Elvis covers. This one is my favorite. It has the feel of the Elvis version, with a little “boogie woogie” piano feel to it. Simple background vocals enhance the Billy Joel version. One addition I love is the bass drum hit after he sings, “I’m in love ….”

https://youtu.be/IsktHpH5QGk

I’m Ready – Taj Mahal

I stumbled on this by accident. This cut was used in the movie Little Big League. I’ve always been a fan of Fats Domino, but this version is just so much better. It has “meat” to it. The driving bass line keeps it moving, the piano is still there, and those saxes in the background – LOVE them. Add the electric guitar and Taj Mahal’s vocal to the mix and it is just perfect! This is one that I find myself listening to at work when I need a “pick up”

https://youtu.be/KZkRSP2oe8c

Sea of Love – The Honey Drippers

Phil Phillips did the original of this, but how can you NOT love this version?! First and foremost, you have Led Zeppelin’s Robert Plant and Jimmy Page as well as Jeff Beck in the group! Add a beautiful string arrangement and background singers to compliment them and you have a top 5 record!

https://youtu.be/2BoUzzFXuVU

Tainted Love – Soft Cell

Not many people are aware that this is actually a cover song. It was originally done in 1964 by Gloria Jones. The song was written by Ed Cobb, who was in the Four Preps, and was actually the B-side of a song called My Bad Boy’s Comin’ Home. The original had a “Motown” feel to it, while Soft Cell certainly has more of an 80’s feel to it.

Here is Soft Cell: https://youtu.be/22mYcScS_88

Here is the original: https://youtu.be/NSehtaY6k1U

Hard to Handle – Black Crowes

This one was written and recorded by the legendary Otis Redding. Otis’ version is already great, but I love this one equally. It certainly has a great feel to it. It doesn’t sound dated at all. It’s funky and a great jam!

https://youtu.be/BRcs_OzQb14

You’re Sixteen – Ringo Starr

The original was done by Johnny Burnette, who was known for rockabilly, in 1960. It’s not that I dislike the original, I just think Ringo’s version is … more fun. For years I thought Paul McCartney was playing Kazoo in this, however, one article says, “Michael Verity has quoted the song’s producer Richard Perry as revealing that it wasn’t actually a kazoo: “In fact, the solo on ‘You’re Sixteen,’ which sounds like a kazoo or something, was Paul singing very spontaneously as we played that track back, so he’s singing the solo on that.” Ringo’s version remains one of the few No. 1 singles to feature a ‘kazoo-sound’ solo. (It sure sounds like a kazoo to me!) I also love the driving piano bassline in his version.

https://youtu.be/vkR7u_sOtHI

I’m Down – Aerosmith

Originally done by the Beatles, this is almost a carbon copy of the Beatles version. I like it because I think Steven Tyler’s vocal perfectly fits the song.

https://youtu.be/oYGmtGnhdks

Look at Little Sister – Stevie Ray Vaughn

I picked this song in the recent song draft and you can read about it here:

https://nostalgicitalian.com/2021/08/10/song-draft-2021-round-3-look-at-little-sister-hank-ballard-stevie-ray-vaughn/

Steamroller Blues – Elvis

Elvis did his share of covers, and this is one that comes from his Aloha From Hawaii concert special. I have always preferred this version to the James Taylor version. To me, it is more “bluesy.” I love everything about this cut!!

https://youtu.be/4vAuXP4hIoo

Baby, I Love You – Andy Kim

This one was originally done by the Ronettes in 1963 and featured Phil Spector’s “wall of sound.” Andy Kim recorded his version in 1969 and had a top 10 hit with it. It mimics the “wall of sound” but if you listen in headphones, there is a lot of little stuff going on in the background – jingle bells, glockenspiel, castanets, and more. I remember hearing it a lot as a kid.

https://youtu.be/kdrpRKiVwi8

Since I Met You Baby – Dean Martin

This remake I stumbled on by watching MTV!! The original was done by Ivory Joe Hunter in 1956. I remember seeing the Title and Artist show up on the bottom left side of the screen when the video started and couldn’t believe that Dean Martin was on MTV. He recorded it for his The Nashville Sessions Album and I love that it stays true to the original, yet is purely Dean.

https://youtu.be/9Ls6X0-rgd4

Think – Joan Osborne

It better be good if you are covering the Queen of Soul, Aretha Franklin, and this one is! Aretha did the original in 1968 and then covered herself for a version in the Blues Brothers. I don’t remember how I stumbled on Joan Osborne’s version, but it is different enough that I love it. It has such a cocky attitude to it. Dig it –

https://youtu.be/RNskLOOwvvI

Mustang Sally – Buddy Guy

Originally done by Wilson Pickett, this is one of greatest soul songs of all time! I heard this on the Blues channel on Sirius XM and fell in love with it. I’ve always dug Buddy Guy and while this stays pretty true to the original, it has a sound of its own!

https://youtu.be/eAyFynJXe4g

Blue Suede Shoes – Elvis

Carl Perkins seemed to have all of his songs covered and many times, his songs became associated with the other artist rather than him. That’s the case with Blue Suede Shoes – it is Elvis. Elvis’ version is so much better than Carl’s in my opinion.

https://youtu.be/HeXnFx7aPOE

Your Cheating Heart – Crystal Shawanda

Originally done in 1952 by the late Hank Williams Sr. this takes a whiney and twangy song and cranks it up about 10 notches. We had Crystal in for a show when I worked at the country station and she was fantastic. This was on her debut album. I’m not sure she isn’t a huge star. Her voice is amazing and she is very talented.

https://youtu.be/GLVYxAKT12g

Dirty Laundry – Lisa Marie Presley

Written by and a hit for Don Henley, I have always loved this song. The content of the song is about mass media and how they exploit just about everything. Henley had a top 5 hit with it. I didn’t even know that Lisa Marie Presley had done this song until I heard it on some Pandora playlist. Her vocal is sultry and sells the content lyrically. A great cut!

https://youtu.be/u9_Bf1pVWOk

As a bonus – here is a live and unplugged version:

https://youtu.be/8jUBEj_8x5s

Please, Please, Please – Delbert McClinton

A cover of James Brown’s classic! James has a hit with this in 1956 and it went top 10 on the R&B charts. I think Delbert McClinton is someone who just doesn’t get enough praise for all he does. He’s a singer songwriter who can play many instruments and has released many albums. This version comes from his Honky Tonk and Blues album, which is a personal favorite.

https://youtu.be/HCs8m27CiCM

Call Me Irresponsible – Michael Buble’

Jimmy Van Heusen composed this song in 1962 with lyrics by Sammy Cahn. According to Mel Torme’, the song was written for Judy Garland to sing on her TV show. It was written as a parody to her well-known problems. Many people have done versions on the song – Frank Sinatra, Bobby Darin, Eddie Fisher, Julie London, and more. Michael Buble’ used this as the title track for his 2007 album. It get’s me right from the opening “walking” bass lick. Buble’ has made a career out of covering so many songs from the Great American Songbook, as well as many originals. He has a great band backing him and he sings this effortlessly.

https://youtu.be/oj_eUUaWBu0

Ok – Just One That I HATE

Lean on Me – Club Nouveau

I love Bill Withers. he wrote and recorded this for his 1972 Still Bill album. It was a smash and was a number 1 song. I never cared for the cover version. Yes, it stayed very close to the original, but I just never cared for the arrangement at all. It’s almost annoying to me. It is actually playing in my headphones as I am typing this. To me, the whole 80’s synth sounds just sound out of place. Not to mention the whole “We be jammin” part – URGH!! One good thing about this was that it won a Grammy for Bill Withers as the writer for Best R&B song.

I reluctantly post the link to the video here ….

https://youtu.be/kbyjaUJWWmk

Final Thoughts

So what can we say about cover songs? Are they done as a tribute to the original artist? Are they done because it’s a favorite to perform? Are they done to “improve” on the original? Are they done because an artist feels it should be presented in a different way? Who knows, really!? One could easily ask the same questions about all the crappy movie remakes that have come about.

Some of my favorite concert memories are hearing the singer do a song that is totally unexpected. My favorite memory of the Billy Joel concert I attended wasn’t Piano Man. It was when he talked about loving the Motor City and breaking into his own version of I Heard it Through The Grapevine! Magical!! Aaron Tippin played a county fair for us and one point he threw on a fedora and sang Fly Me To the Moon, which blew my mind! Very cool songs – never released – but covers, nonetheless.

In the end, a good song is a good song. I love listening to a great song done by many other singers. It says something about the song melodically and lyrically. I don’t always love the cover, but that’s ok. It’s fun to hear the artist’s take on it.

I want to thank Dave for allowing me to ramble on and on about this month’s topic. I’ve wanted to feature cover songs on my site, but just couldn’t figure out how to present it. I guess I better stop typing because the more I think about it … the more songs are coming to my head!

Thanks for reading!

Friday Photo Flashback

Recently, I did a blog based on a writing prompt that suggested finding a photo and blogging about the memories that it brings back to you. I enjoyed doing it and thought I would try to do one every Friday. I’m not sure I’ll have enough photos to post, but we’ll see.

The above photo is on my brother (left) and me (right) in our old house in Sterling Heights. The photo is probably taken around 1976. If I had to guess it is probably shortly after Christmas.

It is very easy to focus on the main action in the picture. We are obviously pulling on Stretch Armstrong. I remember seeing ads for Stretch as a kid and asked for it for Christmas or my birthday. It was one of my favorite toys. What I found interesting was looking at the things outside of the center of the picture.

At the bottom is a yellow airplane. I recognized it immediately. In one of my early blogs I talked about the Fisher Price “Adventure People.” The plane is from one of those sets.

What I remember about those “Adventure People” is that eventually, their heads wouldn’t stay up. They always fell down to the chest.

To the right of the plane are some boxes. I wish I could make out what they are. They certainly look like they may be from toys or gifts, which is why I think this might be around Christmas.

Behind me in the picture is yet another “Adventure People” set. It was hard to make out, but I remembered it once I realized what it was. It is the FP Rescue Truck. If you look carefully, you can see the red “bucket” ladder in the picture.

Behind my brother is a book case. On the bottom shelf, it looks like there might be some of my dad’s school books to the right. To the left of those is some series of books with white covers. I’m not really sure what those are.

On the next shelf up is a series of blue books which I remember well. I cannot remember if they were from Reader’s Digest or World Book or some company like that, but they had all kinds of historical stuff in them. Some were about cars, some where about movies and TV, and others were about politics. I loved looking through those and looking at pictures of old movie stars.

On the shelves above that one I can see book bindings from some of my mom’s “beauty” books, cook books, a three ring binder, a couple Bibles, and paperbacks. I’m not sure why there is a green teapot on there!

On the bottom left there was a cabinet. I want to say that is where you could find some of the family photo albums. One of them probably held the picture that is the subject of this blog.

Above the cabinet door is a shelf that is loaded up with 12 inch Vinyl records. Even though I can’t see them, I can name albums that are on this shelf! They were the ones my dad played often. The Beatles Let It Be, Roy Orbison’s Greatest Hits, Elvis In Concert, The Best of Lenny Dee, and about 20 compilation albums.

On top of the albums, there are some loose gloves (suggesting winter time), and what seems to be VHS tape holder. I know that is not what it is, because we didn’t even have VCR’s at this time. If I had to wager a guess, those drawers are probably holding 8-track tapes. (My dad used to record his own for us to listen to in the car.) The Phonograph turntable is probably on the shelf just above those albums with two speakers sitting next to it.

As I look at this picture I wish I could walk through it! While I don’t recall the layout completely, I do remember that my room was all the way at the end of the hall. I know behind me in the picture is the hall closet, my parents room would be at the end on the right, the bathroom is also on the right (you can kind of see the counter with a bottle of what looks like hairspray on it), and on the left across from the closet – my brother’s room.

I vaguely remember things about that house, as I was only there for 6 years of my life. I would love to be able to walk back through it and just take it all in. I’ve probably forgotten so much about it.

It’s actually neat to look beyond what was being captured on film. I wish that these old photos were clearer, so I could really dive into the things in the background.

A Holiday Dozen

I mentioned to my friend Max that I had hoped to post a Christmas song every day from December 1st through Christmas Day. When it comes to holiday tunes, I could probably post a favorite Christmas song for every day of the year …

At any rate, rather than spend the time to do that, I was asked by a friend to pick my Top 10 favorite Christmas Albums. How can I do that? I have so many! I could easily pick my Top 10 Christmas albums for each genre – pop, country, classical, jazz, etc… So here is what I decided to do. I took a piece of paper and jotted down the 10 albums I felt were “must have” albums for me every year. I couldn’t narrow it down to just 10, so I made it 12.

In no particular order, here is the Holiday Dozen I came up with:

Ok, you gotta have Bing! He was often referred to as “The Voice of Christmas,” and for good reason! It was an album that often accompanied us while we opened gifts.

A great album of great songs – Brenda Lee, Bobby Helms, Stevie Wonder, Roy Orbison, The Drifters, James Brown, and Aretha Franklin are all represented in this amazing collection!

When Charles Schulz was asked to write a Christmas Special, he said he would on one condition – it had to include the story of Christ’s birth. When he chose the soundtrack for the special, he wanted something that he felt could relate to everyone – so he picked Jazz. Vince Guaraldi’s songs are synonymous with Christmas for me.

Growing up, I always disliked The Christmas Song. I guess I couldn’t relate to it as a kid. As I grew up, it became more and more meaningful to me. This album is full of many other fantastic cuts that never get played on the radio.

This one represents the “novelty” side of Christmas! Yes, it includes the Chipmunks, but it also includes some classic novelty songs from Allan Sherman, Bob & Doug McKenzie, Cheech & Chong, and Weird Al Yankovic. It is also one of the few places you can find Stan Freberg’s Christmas Dragnet. Oh, yeah, and that dumb Hippopotamus song is on here, too (but I skip that one).

This is one that a friend told me about. The story goes that a couple of members of the Glenn Miller Orchestra were sitting around talking one day. They asked each other what they thought Glenn would be doing if he were still around. One of them said “Probably working on a Christmas album.” The idea was born. They contacted former members of the Glenn Miller Orchestra and they recorded this one. It is truly a great album and tribute to Miller.

Bing Crosby may have been called the “Voice of Christmas,” but Frank Sinatra was THE VOICE. This collection includes one of my favorites: Whatever Happened to Christmas. You also get his amazing version of Have Yourself a Marry Little Christmas and other classics.

Some great songs from Al Martino, Jo Stafford, Doris Day, Rosemary Clooney, and other pop singers of the 40’s and 50’s.

I have talked about this one before. It is just an amazing album with something for everyone. I love listening to Doc and the Tonight Show Band jamming on songs like Winter Wonderland, Let It Snow, and my favorite version of Jingle Bells! You’ll also love the Children’s Choir and Bell Choir on other numbers.

Mel, of course, wrote The Christmas Song, and I just love to hear his version of it. Nat King Cole’s version doesn’t include Mel’s extra lyric: “Love and joy come to you, and a Merry Christmas, too. And God bless you and send you a Happy New Year.” Known as “The Velvet Fog,” Mel’s voice is perfect on Christmas Time Is Here, The Christmas Medley, Sleigh Ride, and a Christmas version of The Glow Worm.

I have so many favorite Elvis Christmas songs that aren’t on this album, but I love how they have added the orchestra to his classics on this album. Santa Claus is Back in Town sounds so much fuller with them. I only wish that they had done If Every Day Was Like Christmas for this album.

Before both of his Christmas albums were made available, they took tracks from both his “Winter Romance” album and “The Dean Martin Christmas Album” and combined them for this collection. I have both of those albums now, but for one collection – I pick this one. Marshmallow World is one of my favorite cuts!

How about you? What’s your Holiday Dozen??