The Music of My Life – Decade Extras – The 1980’s

This is sort of a continuation of the Music of My Life feature. It focused on music from 1970-2025. It featured tunes that have special meaning to me, brought back a certain memory or a tune that I just really like. I found that with the first three decades, there were songs that I didn’t feature. So I sat down with my original lists and selected some songs that “bubbled under,” so to speak.

I figured a good way to present them was to focus on a decade. 10 years = 1 song per year = 10 songs. Last week finished up the 70’s, and this week we’ll move on to the 80’s. So, let’s check out a few “Decade Extras.”

1980

Let’s kick off the decade with a country/pop crossover. Back when we first got cable TV, the movie channels would run movies a lot. They would schedule it in the morning, afternoon, evening, and overnight kind of rotating them so people had options on what time worked best. I remember 9 to 5 being on all the time. My mom always seemed to be watching it if it was on. I’m pretty sure she had them theme song memorized.

Dolly Parton wrote (and sang) this for the 1980 film of the same name. The film, which was her acting debut, stars Jane Fonda, Lily Tomlin, Parton, and Dabney Coleman. It dealt with life in an American office, where the workday was 9 a.m. to 5 p.m. She wrote the song while the movie was filming.

This song won the 1981 Grammys for Best Country Song and Best Country Vocal Performance, Female; it also received a Grammy nomination for Best Album Of Original Score Written For A Motion Picture Or Television Special and received Oscar and Golden Globe nominations. It also won the People’s Choice Award for Favorite Motion Picture Song.

Mojo magazine asked her what lyric she’s most proud of, Dolly Parton said: “One that I remember the very moment I wrote when I was working on ‘9 to 5,’ was ‘Pour myself a cup of ambition.’ I went, ‘Yeah that’s so good.’ That has really followed me oh through the years.”

She wrote the lyric in LA. “I would watch things going on, on the set,” she recalled to Mojo. “At night, I would go back to the hotel Bel-Air. I would get my guitar, and I would start putting pieces together. I would work on songs, clicking my nails on a typewriter.”

“I had just made myself some coffee, because I was going to spend two or three hours working on the song,” Parton continued. “I always drink coffee when I write. And I just remember saying, ‘Tumble out of bed, and stumble to the kitchen.’ What else you doing? I looked at my coffee cup and thought, ‘I pour myself a cup of ambition.'”

“Sometimes when those lines come, you just think, ‘Oh my goodness that is so good. I’m so proud of myself,” she concluded. “And then of course, many things spiritual based, I always look up and say, ‘Hey, thank you, Lord. I like that one.'”

As old as the song is, it still sounds good today.

9 to 5

1981

There are a handful of songs that “define” the 80’s for me. Your handful may or may not be different from mine. One of the greats that always seems to pop up on 80’s collections and as a “favorite” 80’s song was a phone number that everyone knows!

The opening guitar lick grabs your attention and that drum kick into the full band hooks you. This ode to a gal who doesn’t even know the singer soared up the charts to become a Top 5 single.

For years, Tommy Tutone (who isn’t the name of a person, just the name of the group) has used a story that there was a Jenny and she ran a recording studio. They have also said it was inspired by a real girl who band member Tommy Heath met in a nightclub and 867-5309 was the phone number of her parents. None of this is true, but it got them a lot more media attention, since it made a better story.

Alex Call, the songwriter, came up with it while sitting under a plum tree. He told Songfacts the story: “Despite all the mythology to the contrary, I actually just came up with the ‘Jenny,’ and the telephone number and the music and all that just sitting in my backyard. There was no Jenny. I don’t know where the number came from, I was just trying to write a 4-chord rock song and it just kind of came out.

This was back in 1981 when I wrote it, and I had at the time a little squirrel-powered 4-track in this industrial yard in California, and I went up there and made a tape of it. I had the guitar lick, I had the name and number, but I didn’t know what the song was about. This buddy of mine, Jim Keller, who’s the co-writer, was the lead guitar player in Tommy Tutone. He stopped by that afternoon and he said, ‘Al, it’s a girl’s number on a bathroom wall,’ and we had a good laugh. I said, ‘That’s exactly right, that’s exactly what it is.’

The rest is history.

867-5309

1982

I heard Foreigner for the first time while listening to Casey Kasem on American Top 40. I really liked their sound. Lou Gramm’s voice really stood out for me.

Juke Box Hero was a song that was in a good rotation when I was at the classic rock station. It has become a staple on classic rock playlists. The story behind the song is one that I love:

This song was written by Foreigner guitarist Mick Jones and lead singer Lou Gramm. In a Songfacts interview, Jones said: “That stemmed from an experience that we had, I think it was in Cincinnati. We’d gone to the arena for a sound check, and it was pouring down rain, and there were a bunch of fans waiting at the door when we went in. When we came back for the show later on, all that was left was one lonely fan, a young guy waiting out there in the rain, soaked to the skin. I thought, well, he’s waiting like five hours here, maybe we’ll take him in and give him a glimpse of what happens backstage at a show. And this kid was just mesmerized with everything. I saw this look in his eyes, and I thought, he’s seeing this for the first time, he’s having this experience. And I just imagined what was going through his mind. And I’d been toying with this title, ‘Juke Box Hero,’ I thought it was almost a satire on what we did and how it was perceived from an audience level, and public. That’s how it originated.”

How cool was that kid’s experience?! Kudos to the band for making this happen. As a bonus, they got a hit song out of it!

Jukebox Hero

1983

I was late to the Stevie Ray Vaughn party. Very late. I didn’t hear one of his songs until after his death. I had gotten together with a buddy I hadn’t seen in a while. He popped in a cassette of Stevie. I was blown away on so many levels. His voice, his playing … I’d never heard anything like it.

After a 1982 performance, Stevie and the Double Trouble band got the attention of Jackson Brown. He told the guys that they could use his personal studio to record a demo. They did just that over Thanksgiving weekend 1982. That demo was heard by a talent scout, who presented it to Epic Records, who signed Vaughn to a record deal. Epic remixed the demo, which would become his first album, Texas Flood.

While the song received heavy airplay, it didn’t get any love from the charts. The music video, the only one from this album, got heavy rotation on MTV in 1983. What he could have done if he was still around, one can only guess.

Love Struck Baby

1984

Marching band was one of my favorite things about high school. At football games and pep assemblies, we’d often play songs that were familiar to us. We Got The Beat was one they were still playing long after I graduated. Neutron Dance from the Pointer Sisters was one of those “pep songs.”

Allee Willis (who wrote Earth, Wind & Fire’s hits “September” and “Boogie Wonderland,” wrote the lyrics for this song. She sums up the song, saying: “That’s basically: if your life isn’t working, get up off your ass and change it. Because it’s really up to you.”

Fun Fact: This song was released at the high of the Cold War when there was a great deal of tension between the United States and Russia, as both had nuclear missiles aimed at each other. Willis Says: “The Russian government named me as one of the most dangerous people living in the United States, because they mis-translated it as ‘Neutron Bomb.’ The first verse they translated as ‘A powerful nuclear explosion is approaching, it will annihilate everyone; who cares if you have no car, no job, no money, just dance, dance, dance.’ And this was a huge article in Pravda, and I was supposed to be going to Russia with BMI, and I wasn’t let in the country. I mean, it was nuts.”

The song was featured in the film Beverly Hills Cop and the video includes scenes from the movie.

Neutron Dance

1985

Next is a song that I almost always played at weddings. If it wasn’t the bride and groom’s wedding song, it was one of the slow songs that packed the dance floor. The Search is Over by Survivor started as a title that was scribbled in Jim Peterik’s notebook.

He said, “It wasn’t about my life as much as a friend of mine who had a girlfriend – really a play pal throughout their growing up years – and never thought it could be anything more than that. It was looking him straight in the face that this was the girl of his destiny, and he looked everywhere to find that dream girl only to come back to the sandbox. This couple is still married and going strong. It became kind of an allegory to looking for what is obvious; having it in your hand and you being too close to even realize it.”

He told Songfacts, “Mechanically, the whole thing kind of started in my head driving down the street. I turned on my tape recorder and I sang the whole melody top to bottom into my tape recorder. The way it modulated into the chorus was very unique. When I got to the piano a few hours later, I had to find out where it was going and what it was. I brought it to rehearsal, showed it to the guys and worked with Frank (Sullivan) one on one on the song – he loved it. It was called The Search Is Over, but I still didn’t know exactly what the hook of the song was going to be. I thought of this couple, and when we came up with the line, ‘Then I touched your hand, I could hear you whisper, the search is over, love was right before my eyes,’ we looked at each other’s arms and we both had goose bumps. It was the magical turn of that phrase and realizing what this song was about. I think we discovered the song as we were writing it.”

It’s a beautiful song.

The Search Is Over

1986

I had heard Land of Confusion by Genesis on the radio long before I saw the video. It was odd to hear a “political” song from them. When I saw the video, I remember thinking that those puppets were a bit scary, not to mention ugly.

Songfacts says, “The very popular video was made using puppets created by Peter Fluck and Roger Law, who had a British TV series called The Spitting Image. The show would often make fun of Genesis, and by hiring their tormentors, the band proved that they could take a joke.

Genesis puppets had been used on the show before, but they made new ones for the video – not very flattering ones either. It was a way for the band to lighten their image from their days as earnest prog rockers. The video could go in the Cold War cultural time capsule: at the end, the Ronald Reagan puppet accidentally launches a nuclear missile.”

I guess the puppets didn’t freak everyone out, though. The video won the 1987 Grammy for Best Concept Music Video – it was the only Grammy Genesis ever won, and they weren’t even in the clip. At the MTV Video Music Awards, the video was nominated in six categories, but lost them all to Peter Gabriel’s “Sledgehammer.”

Land of Confusion

1987

The song Hot Hot Hot was first released by the group Arrow in 1982. Many cover songs followed, but the most recognizable was done by Buster Poindexter (aka David Johansen). It garnered extensive airplay through radio, MTV, and other television appearances.

For many years, people would request this at weddings and parties so they could do a conga line. It was a pretty popular tune . One venue would bring out their roast beef, which they would light on fire, and wanted us to play the song when they did it.

Over time, I was easily burned out on the song.

Hot Hot Hot

1988

I think every friend of mine had a copy of the Cocktail soundtrack in 1988. The Tom Cruise movie was what all the girls seemed to be talking about. I had been getting requests for Kokomo by the Beach Boys and it was the only place I could find it.

Mike Love of the Beach boys explained to Ssongfacts how it came together: “Terry (Melcher) was in the studio doing a track with a demo, because we were asked to do the song for the soundtrack of the movie Cocktail, featuring Tom Cruise. So we were asked by the director to come up with a song for this part of the movie where Tom Cruise goes from a bartender in New York to Jamaica. So that’s where I came up with the ‘Aruba, Jamaica’ idea, that part.

So Terry was in the studio doing the track and they didn’t have the chorus yet. They just had a certain amount of bars, but there was nothing going on there. I said, ‘Well, here’s what I want to do.’ And I remember I had told them about the part before. But he said, ‘Uh huh. How does it go again?’ So I literally, over the phone – he was in the studio and I was on the phone – sang [deadpan slow recitation]: ‘Aruba, Jamaica, ooo, I want to take you.’ So he’s writing that down, and I’m singing it in the scene, the notes, and the timing of it in tempo to the track.”

Regarding the composition of the song, Mike said: “The verses and the verse lyric was written by John Phillips of the Mamas and the Papas. He wrote ‘Off the Florida keys, there’s a place called Kokomo, that’s where we used to go to get away from it all.’ I said, ‘Hold on. We used to go sounds like an old guy lamenting his misspent youth.’ So I just changed the tense there. ‘That’s where you want to go to get away from it all.’ So that was the verse. And it was very lovely. But it didn’t have such a groove, I didn’t feel.

So I came up with the chorus part: ‘Aruba, Jamaica, ooo, I want to take you to Bermuda, Bahama, come on, pretty mama. Key Largo, Montego…’ That’s me, the chorus and the words to the chorus was Mike Love. The verse was John Phillips. The bridge, where it goes, ‘Ooo, I want to take you down to Kokomo, we’ll get there fast and we can take it slow. That’s where you want to go, down to Kokomo,’ that’s Terry Melcher. Terry Melcher produced the Byrds and Paul Revere & the Raiders, very successful producer. But he actually produced that song and he wrote that bridge part, which Carl Wilson sang beautifully. And I sang the rest of it. I sang the chorus and the verses on that particular song.

Before “Kokomo,” the last US #1 for The Beach Boys was “Good Vibrations in 1966. At 22 years, it was the longest any act had gone between US #1 hits until Cher topped the charts with “Believe” in 1999. Her previous #1 hit was “Dark Lady” in 1974, setting the new record at 25 years.

Kokomo

1989

When you think about “Super Groups,” a few come to mind: The Traveling Wilburys, Audioslave, Cream, Blind Faith, and Crosby, Stills, Nash, and Young for example. In 1989, there was another super group who had a monster hit.

Songfacts explains: Bad English was a supergroup comprised of lead singer John Waite, keyboard player Jonathan Cain, bass player Ricky Phillips, guitarist Neal Schon and drummer Deen Castronovo. Waite, Cain and Phillips had been in a popular British band called the Babys, while Schon, Castronovo and Cain were in Journey (Cain was in both groups). It was quite an assemblage of musical talent, and between them they wrote 11 of the 13 songs on their self-titled debut album. “When I See You Smile” wasn’t one of them.

The song was written by Diane Warren, who had a knack for supplying popular rock musicians with pop hits: she wrote “Nothing’s Gonna Stop Us Now” for Starship, “Who Will You Run To” for Heart, and “I Don’t Want To Miss a Thing” for Aerosmith. She had also written the song “Don’t Lose Any Sleep,” which appeared on Waite’s 1987 solo album Rover’s Return.

The band was signed to Epic Records, whose A&R man Don Grierson implored them to record a hit. They liked him, so when he suggested “When I See You Smile,” the band agreed to record it, since they knew it would supply Grierson with his hit.

This is by far the biggest hit for Bad English, but it’s not their only one. Their first single was “Forget Me Not,” which made #45 in the US. “When I See You Smile” was their next release, and “Price of Love” came next, charting at #5. They released one more album (Backlash, 1991) before terminating the project.

John Waite told Songfacts, “It was fun for a year. And then people reverted to type. I think the Journey guys wanted to be back in Journey and I wanted to be back solo. We had a very valiant attempt at making a (third) record, but we weren’t given enough time to write it. We tried, and we almost made it.”

It was (and still is) a great slow dance song!

When I See You Smile

So there you have it, a peak into some tunes that did not make my original list. If you’re an 80’s fan, we’ll visit the decade one more time next week before moving on to the 1990’s.

Thanks for listening and for reading!

The Music of My Life – 2007

Welcome back to The Music of My Life, where I feature ten songs from each year of my life. In most cases, the ten songs I choose will be ones I like personally (unless I explain otherwise). The songs will be selected from Billboard’s Year-end Hot 100 Chart, Acclaimed Music, and will all be released in the featured year.

Late 2006 and most of 2007 was a blur to me. The loss of my mother hit me hard. I distanced myself from so many people, including my wife at the time. That wasn’t good because the weekend we buried my mom, we found out we were expecting our second son. I was there, but I was not there.

Life goes on, however, and I was still working and DJing. In between all of that, I was seeing a grief counselor, which helped a little. But not much. All that being said, music found a way to get me through the tough times. Let’s look at my 2007 picks.

One of the things that has always remained constant is that people love to dance. Line dances like the Hustle, the Madison, and the Stroll have been getting people on the dance floor for years.

The Cupid Shuffle has been compared many times to the Cha Cha Slide from 2000. They are two very different songs, but they both have easy to follow line dances. Those songs became a staple of DJ gigs, dance clubs, and a night at the bar. It remains one of those songs that people of all ages can dance to. Folks still get excited when there here it play.

Nothing makes a DJ happier than a full dance floor. This one always filled them.

Cupid Shuffle

Honestly, I had forgotten that Michael Buble’ dated Emily Blunt. It seems like she and John Krasinski have been together forever. Michael was her boyfriend before she met and married John. Buble’ wrote the song Everything for Emily when they were still together. He explained:

“I wrote that song about the great happiness of real love, but at the same time I was making a statement about the world. We’re living in really crazy times, and I wanted to say that no matter what’s happening, this person in my life is what really makes it worthwhile.”

In 2009, after Buble’ and Blunt broke up, an Australian newspaper asked him about the song. He explained:

“I can sing ‘Everything’ because I’m OK now. But straight after, well, I didn’t want to listen to music. Forget about my music. I couldn’t do anything. The only good thing I did do was I went and got a therapist. I felt bad for everybody involved. It’s definitely worse cause it’s all done publicly. You go to the grocery store and it’s in every magazine. It’s the same thing that’s happened in my other break-ups. It’s always tough. You grow attached to someone and they become your best friend. You lose a friend – that’s one of the most difficult parts. I’m a sentimental person.”

This one didn’t mean much to me until after Sam and I got together. She is my everything without a doubt.

Everything

There was something about Colbie Caillat for me. I still don’t know whether it is her voice or the words of her songs. I really connected to her music. I remember hearing Bubbly for the first time and trying to figure out just what (or who) it is about. I found out, it isn’t about anyone or anything specific. According to songfacts, Colbie says,

“It’s about the feelings you get when you have a crush on someone and they make you make smile all the time; they give you butterflies and you just adore everything they do.” She added that the inspiration for the song came in the summer of 2006 when she was realizing that, “I didn’t have a crush on anyone, and its always fun to have a crush. So I was just thinking about missing those feelings and wanting them.”

She comes from a musical family. Her father, Ken Caillat produced Fleetwood Mac’s Rumours and Tusk albums!

Colbie Caillat explained the album title to MTV. “Coco is my nickname,” she said. “My parents called me it since I was a baby. And then my friends called me that, now my producer calls me it. So I just, I don’t know, I figured that would be a cool name for the album.”

She is a beautiful lady with a beautiful voice.

Bubbly

Sara Bareilles signed with Epic Records in 2005 and recorded the album Little Voice. Prior to this, she released a lot of demos. Things changed in a heartbeat thanks to iTunes.

“Love Song” was featured as the free single of the week on iTunes between June 19th and 26th June 2007. People then began to check out her album. Little Voice became the most downloaded album on the iTunes store between July 8th and 17th. Because of this, her music gained a lot of fans. She went from having a relatively small following to national exposure within a very short space of time. In an interview with Songwriter Universe, she commented on the popularity of the song:

“Honestly, I don’t know what it is about ‘Love Song’ that’s catching on with everyone. I think it’s just a cool and sassy uptempo tune and people are ready for a female artist in that range.”

What many people don’t know is that an artist doesn’t always have a lot of control of their music. Many times, they are asked to record something that the label feels is what the public wants. That was sort of the case with Love Song. Sara says,

“‘Love Song’ came out of my own frustration about trying to please somebody else with my music. I really put an unseen pressure on myself and got way too caught up in what other people wanted. That is not why I write songs. No one was really excited about the material I turned in. ‘Love Song’ came on a day where I was like, ‘God, just let me write something – anything – just for me.’ The label had no idea I was writing about them.”

I guess I like this because it does have a “feel” to it. It is as cool and sassy as she says.

Love Song

One of the absolute coolest artists I have ever met is James Otto. When I worked at the Moose he dropped by to play us some tunes and blew us away. One of the songs was “Just Got Started Lovin’ You.” My program director, Jim Johnson, and I looked at each other when he was done playing it and asked if we could start playing it on the air that day!

It was the ultimate smooth love song. When you get married, it’s easy to say I will love you forever. However, when you say, “Hold on to your seat, because I just got started loving you!” In other words, “You ain’t seen nothing yet!”

James wrote this with Jim Femino and D. Vincent Williams. In an AOL interview, he said,

“We sat down to write and I said, ‘I have got this hook – just got started loving you.’ D. Vincent had this melody line, which turned out to be completely hooky. The feel of that melody and that hook just sounds sexy, but I had no idea it was going to do what it did.”

In regard to the song itself, he says,

“This song is kind of a real groovy, R&B-feeling song. Like if Ray Charles was doing a modern Country record. It would have that R&B-feel to it, that kind of groove to it. It seems to be appealing to more women than men, which is not a bad thing. Actually the key demographic in Country music is women and all men want to reach women. That’s why we play music and buy nice cars and buy nice things, because we want to meet women in the first place. So, I guess it’s just a groovy song, it’s got a unique feel and kind of a sexy thing and hopefully it reaches them on all those levels.”

The song reached #1 in May of 2008. We were thrilled for him and were glad to see him on more than one occasion when he came through town. He and I are friends on Facebook and chat every so often. Over the past year or so he’s been working on rebuilding a late 60’s early 70’s Chevelle. It’s been fun to watch.

Side note: The first time he shook my hand, I thought he’d crush it! His hands were HUGE!

Just Got Started Loving You

The next song is about murder. I don’t promote it and I don’t think it is right. However, anyone who watches the First 48 or any of those cop shows knows that cheating is often a motive for murder.

My introduction to Wake Up Call by Maroon 5 was via video. The video was edited in the style of a NC-17 movie trailer. Naturally, lead singer Adam Levine as the main character. At the end of the video, Levine is arrested and dies in the electric chair. It was one of those videos that I thought was very well done. I like when a video lines up with the content in the song.

Despite the content of the song, I love the song.

Wake Up Call

New Eagles music?! Yes, please! That was my reaction when the song How Long hit my desk. I was working at a country station at the time. There were many people who did not want to play it, but I was super excited to add it. It was so fresh and so “Eagles!” Those harmonies were still fantastic!

From songfacts: “How Long,” was recorded with Don Henley and Glenn Frey sharing lead vocals. The song sounds especially familiar, like it could have come from the 1970s. That’s because it did.

The song was written by the band’s longtime friend J.D. Souther in 1969. Souther wrote many songs for the band (Best of My Love, Heartache Tonight, etc…). The Eagles used to perform it live in the early ’70s, but never recorded it. Souther put it on his first solo album in 1972. At the time, if one member or a cohort released a song, the Eagles wouldn’t do it themselves. However, 35 years separated them from Souther’s version. So they had no problem adding it to the Long Road Out Of Eden album.

We have YouTube to thank for the Eagles recording this song. Glenn Frey’s kids were online watching videos. They came across footage of the Eagles performing “How Long” in 1974 on a Dutch TV show called Pop Gala. They showed it to their dad and had a good laugh. Glenn’s wife suggested he record it with the Eagles. He took the idea to the band and they all got on board.

The album was the band’s first studio album in 28 years. The single didn’t even crack the Hot 100, peaking at #101. That didn’t matter, the song won the Grammy Award for Best Country Performance by a Duo or Group With Vocals.

I just love this song!

How Long

I’m not the biggest Kenny Chesney fan. I know that will not go over well with some people. I felt that there was a time when he could record a piece of trash song and people would play it. Why? Because he is Kenny Chesney. There were songs that were much better than some of his tunes that never got airplay because stations only played established acts.

With all of that being said, he did have some great songs! Don’t Blink is one of those. It basically says what I have said over and over on this blog – Time flies! Life goes faster than you can imagine.

From songfacts: “Don’t Blink” is a reflective song where Kenny Chesney sings of a TV news story where a 102-year-old man is asked about the secret to his longevity. The man’s response is “don’t blink,” which inspired the song’s message about slowing down and cherishing every moment. So very true!

For me, having children sped up the clock of time. It just goes faster when you have children. Before you know it, you blink and they go from toddlers to high school graduates.

Don’t Blink

Leona Lewis is one of those artists who appeared on a reality singing show. She won The X-Factor in February of 2008. She waited almost a year before putting out this song. Songfacts says, the 22-year-old from Islington took her time over the follow up and accompanying album. She didn’t want to rush out a record that might disappoint all her fans who supported her on the show. It was worth the wait. In its debut week “the single “Bleeding Love” sold 218,000 copies, the biggest total for any UK single since “A Moment Like This.” In it’s debut week it outsold the rest of the UK top five put together.

“Bleeding Love” was originally intended for Jesse McCartney’s third album, Departure. However record label boss Clive Davis heard the song and wanted it for Leona Lewis, who he was championing. McCartney said: “We originally wrote the song for my record and then I guess Clive Davis heard it, called up and said, ‘We really wanna use it for her album.'” Jesse co-wrote the song with OneRepublic frontman Ryan Tedder.

Jesse McCartney revealed that his songwriting inspiration for this song was the pain of a long distance relationship (specifically actress Katie Cassidy, daughter of singer David Cassidy). He said: “I kept thinking about being in love so much that it hurts. I was away from my girlfriend for four months at the time and I really wanted to throw in the towel (quit) and fly home. I was so in love that it was painful. It was like bleeding, it cut me open. That’s how my head was and that idea just really fit the song.”

Bleeding Love

When Taylor Swift first came out, I was impressed with her stuff. There were some really deep songs for a gal that young. I suppose I knew when they started remixing her songs for pop radio that she’d wind up leaving behind the format that made her famous.

There were some great songs from that debut album, and Our Song is no exception. AOL asked her if there was a true story behind this song. She replied:

“I wrote this song in my freshman year of high school for my ninth grade talent show. I was sitting there thinking, ‘I’ve gotta write an upbeat song that’s gonna relate to everyone.’ And at that time, I was dating a guy and we didn’t have a song. So I wrote us one, and I played it at the show. Months later, people would come up to me and say, ‘I loved that song that you played.’ And then they’d start singing lines of it back to me. They’d only heard it once, so I thought, ‘There must be something here!'”

Her debut album went Platinum on June 7, 2007. This made the 17-year-old Swift the first female solo artist to write or co-write every song on a Platinum-selling debut album. The album eventually went 7x Platinum.

When this reached #1 on the Billboard Hot Country Songs chart, Swift became the youngest performer ever to write and sing a chart-topping Country single.

This made my list because of my wife and me. We’ll be married 7 years in March. Would you believe we do not have a song?!

Our Song

So that wraps up 2007. What songs did I miss that are on your list? List them in the comments.

Next week, we’ll move into 2008. My list includes two fantastic parent songs, a counting song, a couple songs that make you ponder, a song with a great sample, one that I came to love because of the Rock Band video game, and a song for the guys. I thank you for listening and reading!

See you next week.

Tune Tuesday – Don’t Let Go

When I first started working in radio, it was at an oldies station. My dad, who was my biggest musical influence, took advantage of the fact that we had an extensive library and asked me to throw some of his favorites on a cassette for him. This was how I was introduced to the music of Roy Hamilton.

ROY HAM4

Roy Hamilton would have been 90 today. He started singing in his church choir and eventually landed a record deal at Columbia Records, which quickly sent him to their new subsidiary label, Epic. He recorded You’ll Never Walk Alone from the musical Carousel, Ebb Tide, and an amazing version of Unchained Melody (which reached number 1 on the R&B charts).

In mid-1956, he developed a lung condition which forced him to announce that he was retiring from the music business. When was well enough, he got back into show business, but there had been quite a change in music – rock and roll music was big and the standards he was recording before his retirement were on the way out. In 1957, Epic Records coaxed him into recording “Don’t Let Go”. The song was produced by Otis Blackwell, who had just produced “Don’t Be Cruel” and “All Shook Up” for Elvis Presley. It became a top 15 record for him and the song is said to be the first Top 40 record recorded in stereo.

He was Epic’s first major star and they treated him very well. He released 16 albums for them. He was a big influence to singers like Sam Cooke and Elvis. In 1969, while at home, he suffered a massive cerebral hemorrhage. He spent a week in a coma before his family took him off life support. He passed away at the young age of 40.

Working at WHND Honey Radio, we played music exclusively from the first decade of Rock and Roll. I got to play quite a bit of Roy Hamilton’s music. You Can Have Her and Don’t Let Go still sound fresh and fun today. His voice is powerful and even though it shined on ballads, I am partial to his uptempo stuff. In honor of his 90th, birthday, here’s Don’t Let Go….