One of the hardest things about using my library’s Libby App is the occasional wait. This was the case recently as I had finished one book and was waiting for another. When this happens, I usually go to the other Library App (Hoopla). It is there that I will grab something short to read until my book becomes available.
I began to search for something like a short mystery when I stumbled on a title that screamed “Film noir.” The audio book was a little over 6 hours long. That’s three trips back and forth to work, so I borrowed it. Viviana Valentine Gets Her Man is a 1950’s detective story and didn’t take a lot of thought to get through.
As I read it, in my mind I pictured an old black and white detective movie. There were the occasional slang words (like “dollface”) that added to the “noir” feel. It wasn’t something that blew me away, but it wasn’t a bad little read.
Here is the Goodreads synopsis:
Life as a secretary in New York just got tougher when Viviana Valentine’s boss winds up dead in this debut historical mystery, perfect for fans of Susan Elia MacNeal and Frances Brody.
New York City, 1950. Viviana Valentine is Girl Friday to the city’s top private investigator, Tommy Fortuna. The clients can be frustrating, and none more maddening than fabulously wealthy Tallmadge Blackstone, who demands Tommy tail his daughter, Tallulah, and find out why she won’t marry his business partner, a man forty years her senior. Sounds like an open-and-shut case for a P.I. known for busting up organized crime—but the next day, Viviana opens the office to find Tommy M.I.A. and a lifeless body on the floor.
The cops swoop in and Detective Jake Lawson issues a warrant for Tommy’s arrest. Desperate to clear Tommy’s name, Viviana takes on the Blackstone case herself. When she goes out for a night on the town with the heiress, she begins to learn the secrets behind Tallulah’s life and loves—and discovers that the body in the office is none other than Tallulah’s betrothed. Meanwhile, Lawson is itching to solve his murder case, and continues harassing Viviana for answers—until she’s the victim of an attack by a group of goons hooked up with a gangster named Santino Napolitano, a.k.a. Tino the Conderoga. Tino’s connected to the death of Tommy’s brother, and now he’s trying to get to Tommy through Viviana.
But Tommy’s still missing, and Tino is still out for blood. As Viviana digs into the dirty history of the Blackstone empire, she suddenly realizes the true danger at hand. Now, it’s up to her to find her missing boss and make sure she doesn’t turn up D.O.A.
I plays out just like an old movie and was enjoyable. If you are looking for a book you can get through quick, check it out.
That book was good enough that I wanted to read more by him. I knew him as a singer, but not as a novelist. I came across a book entitled Swing. As someone who loves a good mystery and big band music, I decided to check this out. I listened to the audio book.
The book had a Film Noir feel to it and it did have a few twists that threw me for a loop. Here is the Goodreads synopsis:
“Swing just might be the best historical thriller of the year. Certainly it is the most creative.” –Pittsburgh Post-Gazette
In the swinging big band era, jazz saxophonist and arranger Ray Sherwood is haunted by personal tragedy. But when Gail Prentice, a beautiful and talented Berkeley student, seeks his help in orchestrating an original composition slated to debut at the newly created Treasure Island in San Francisco Bay, Ray is diverted from his worries and drawn to the beguiling coed. Within moments of their first meeting, however, Ray witnesses a horrifying sight: a woman plunging to her death from the island’s emblematic Tower of the Sun.
Ray soon finds himself trapped in a coil of spiraling secrets in which nothing is certain, including Gail’s intentions toward him and her connection to the dead woman. And as events speed toward the shocking climax, Ray must unlock an ominous puzzle with sinister implications that stretch far beyond anything he could imagine.
As a musician, there were some neat musical things in the book that I liked. Many musical terms, which Rupert defines for you, fit into the story as well. Do you have to be a musician to like this one? Not really, but I really connected to it a bit more.
One interesting thing about the audio book was that on occasion, Ray, the main character might talk about a piece of music he arranged as it begins to play in the background. Sometimes, he talks about singing a song on stage and the song plays before the story picks back up. There is a piano piece that Ray discovers and he describes it and then it plays for you. It was certainly a bit different and unexpected, but it enhanced the story a bit. If you don’t like swing music, you may not care for those bits.
The story had a few spots where it felt like it dragged a bit, but overall, I liked the book. I didn’t know it was set in the WWII era, but it makes sense with that big band music theme. It seems like I have a lot of WWII books on my list, and as of yet, they are not boring me.
As a side note, Rupert Holmes is working on a second story in the “Murder Your ____” series. Murder Your Mate is due out later this year.
A few weeks back, I was a lucky winner of a Goodreads Giveaway. I received Under The Paper Moon by Shaina Steinberg and I have just finished it.
My first thought when I saw the cover was “Film Noir.” It had that 1940’s look about it and after reading the synopsis, I was excited to read it:
Mr. and Mrs. Smith meets The Thin Man ’s Nick and Nora Charles in this intrigue-filled debut from film and television writer Shaina Steinberg, as two former spies who shared more than just missions during WWII reunite in 1948 Los Angeles. Can they let go of heartbreak long enough to team up for one last operation?
It’s 1942, and as far as her father knows, Evelyn Bishop, heiress to an aeronautics fortune, is working as a translator in London. In truth, Evelyn—daring, beautiful, and as adept with a rifle as she is in five languages—has joined the Office of Strategic Services as a spy. Her goal is to find her brother, who is being held as a POW in a Nazi labor camp. Through one high-risk mission after another she is paired with the reckless and rebellious Nick Gallagher, growing ever close to him until the war’s end brings with it an act of deep betrayal.
Six years later, Evelyn is back home in Los Angeles, working as a private investigator. The war was supposed to change everything, yet Evelyn, contemplating marriage to her childhood sweetheart, feels stifled by convention. Then the suspected cheating husband she’s tailing is murdered, and suddenly Evelyn is back in Nick’s orbit again.
Teaming up for a final mission, Evelyn and Nick begin to uncover the true nature of her case— and realize that the war has followed them home. For beyond the public horrors waged by nations there are countless secret, desperate acts that still reverberate on both continents, and threaten everything Evelyn holds dear…
It really did have that “Film Noir” feel to it at times and wasn’t really a bad read. I enjoyed how the author gave us a look at the present and some events in the past that helped to move the story line and the mystery along. It all fits together by the end.
Honestly, whenever I read a spy novel set in this period of time, it is hard for me to not read the dialogue like something out of a movie. That being said, I always read the character of Nick like a Humphrey Bogart sounding guy. Evelyn was Veronica Lake-ish to me. The character, Katie, I read like an annoying school girl because that what she reminded me of.
The story took a minute to get going, but when someone is killed it begins to move at a pretty decent pace. There were some twists in the story that I didn’t see coming and I probably would have rated it a bit higher if I hadn’t been put off by some “over the top” and almost unbelievable things that happen toward the climax of the story. That was the only downfall to the story for me.
Over all, it was a nice Historical Fiction read. The overall rating on Goodreads is 4 stars, I gave it 3.5 stars.
Thanks to the folks at Kensington Publishing for choosing me as a winner on Goodreads and sending me a copy.
My son gets a weekly visit from Head Start. She brings over projects for them to do and works with him on fine motor skills, coloring, cutting, and such. He and my daughter love this visit.
My wife was talking to the Head Start lady as she was getting ready to leave. I didn’t hear the beginning of the story, but it was about a kid whose mother was shopping and had no idea that the child wasn’t with her. “How do you not know your child is not with you?” was one of the questions that was asked.
I was immediately taken back to a day that I barely remember. I remember certain things about it, and I probably should have called my dad to get a clearer version of the story before I write this. For now, here is my side.
This would have been in the early 70’s. There were no cell phones. We were told not to go with strangers, but times were a lot different than they are today. We could go out when we got up and stay out until dark without checking in and our folks never gave it a second thought.
I remember my family went to the mall. My mom went off with my brother who may have only been 2 or 3 at the time. I was probably about 5 or 6. I had yet to get glasses, so my eyesight was not the greatest. I remember I was standing in whatever store my dad and I were in (probably Kresge) and we had walked down the toy aisle. I was looking at some sort of car or truck and dad was ready to move on. “Time to put that down, Keith. Let’s go find your mom.” “I’ll be right there,” was my reply.
I do not know how long afterward I stood there looking at the other toys on the shelf, but it couldn’t have been that long. I remember when I finally did look up, I couldn’t find my dad. I remember standing there and feeling like everything around me was a blur. I didn’t see which way he went. I just stood there. I am sure I began crying.
I remember a man asking me something. I was so scared I don’t really know what he said. I don’t remember if he took me to a store employee, if they made an announcement over the PA, from this point it is pretty much a blur. Long story short – my dad and I were reunited.
I don’t recall him yelling at me or lecturing me, but I am sure he did. I only remember the next part because of how unusual it was. We rarely (except for holidays) went to my grandparents house at night. That night, however, we went there and my dad told them what happened.
I remember sitting at the head of the dining room table with the chandelier above it turned on. I remember the heads and faces of my parents and grandparents telling me how dangerous a situation it was. I remember hearing how lucky I was that someone didn’t snatch me away. I was told how worried they were when they couldn’t find me.
Because it was dark out and I was at the kitchen table, I felt like I was in a film noir interrogation room!
As a parent, I completely understand what my parents must have experienced that night. My kids are SO fast when they are out and about. They can be gone in a flash. In a split second, I can lose sight of them. It is a parent’s worst nightmare.
I pray that I never EVER have to go through what my dad and mom did with me. I suppose this same kind of situation is what led to someone creating the “leash backpacks” for kids.
I’ve been scared many times in my life, but even though I was very young, I can still remember the terror I felt that day!
The very talented Angela Lansbury has passed away just days shy of her 97th birthday. She will forever be remembered for her role as Jessica Fletcher in Murder, She Wrote. She was also in Bedknobs and Broomsticks, Blue Hawaii, Gaslight, Death on the Nile, Beauty and the Beast, and so many other roles.
I stumbled on one of her earlier performances on accident. I was doing a search for Film Noir films and found one that starred Raymond Burr (Perry Mason). Angela Lansbury starred opposite of him in a film that has become a favorite – Please Murder Me from 1956.
IMDB describes it this way:
A lawyer (Raymond Burr) suffers a guilt complex after getting a murder acquittal for his client (Agela Lansbury), and then finding out she did commit the crime.
Rotten Tomatoes gives a little bit more of the plot for you:
A lovesick attorney (Raymond Burr) tries to trap a murder client (Angela Lansbury) he got acquitted by arranging for her to kill him.
The movie starts with lawyer Craig Carlson buying a pistol at a pawn shop and putting it in his office desk drawer with a file folder. He dictates a message into a tape recorder for the local district attorney revealing that he expects to be murdered within an hour, and he begins to tell his story in extended flashbacks.
I believe that the film is now in the public domain and can be viewed completely on YouTube. It is worth the watch. Great film noir and great acting from Burr and Lansbury. The film reminds me of something you would hear on an old radio show like Suspense or The Whistler. Great ending!
We have reached the final round of the Hanspostcard TV Show Draft. I want to take a moment and thank Max from the Power Pop Blog for taking up the reigns and helping us continue this round in Hans’ absence. It truly has been a fun draft!
For my final pick, I have gone back to another classic – The Untouchables. The show ran from 1959 to 1963 and starred the great Robert Stack as Eliot Ness. It is hard to imagine anyone but Robert Stack in the role of Ness, but believe it or not, Desi Arnaz had originally offered the role to actor Van Johnson. Supposedly, he wanted double what they were offering to pay for the role, and it ultimately went to Stack.
When asked about the character some years later, Stack said, “Ness was a precursor of Dirty Harry. He was a hero, a vigilante in a time when breaking the law meant nothing because there was no law because Capone owned Chicago, he owned the police force.”
The show was based on the book of the same name written by Eliot Ness and Oscar Fraley. Brian De Palma would use the book as the basis for his 1987 film of the same name.
According to Wikipedia:
The series originally focused on the efforts of a real-life squad of Prohibition agents employed by the US Department of Justice and led by Eliot Ness (Stack) that helped bring down the bootleg empire of “Scarface” Al Capone, as described in Ness’s bestselling 1957 memoir. This squad was nicknamed “The Untouchables” because of its courage and honesty; squad members could not be bribed or intimidated by the mob. Eliot Ness himself had died suddenly in May 1957, shortly before his memoir and the subsequent TV adaptation were to bring him fame beyond any he experienced in his lifetime.
The pilot for the series, a two-part episode entitled “The Untouchables,” originally aired on CBS’s Westinghouse Desilu Placyhouse (and was introduced by Desi Arnaz) on April 20 and 27, 1959. Later re-titled “The Scarface Mob”, these episodes, which featured Neville Brand as Al Capone, were the only episodes in the series to be more-or-less directly based on Ness’s memoir, and ended with the conviction and imprisonment of Capone. CBS, which had broadcast most of Desilu’s television output since 1951 beginning with I Love Lucy, was offered the new series following the success of the pilot film. It was rejected it on the advice of network vice president Hubbell Robinson. ABC agreed to air the series, and The Untouchables premiered on October 15, 1959. In the pilot movie, the mobsters generally spoke with unrealistic pseudo-Italian accents, but this idiosyncratic pronunciation was dropped when the series debuted.
The weekly series first dramatized a power struggle to establish a new boss in Capone’s absence (for the purpose of the TV series, the new boss was Frank Nitti, although this was, as usual for the series, contrary to fact). As the series continued, there developed a highly fictionalized portrayal of Ness and his crew as all-purpose, multi-agency crime fighters who went up against an array of 1930s-era gangsters and villains, including Ma Barker, Dutch Schultz, Bugs Moran, Lucky Luciano,and in one episode, Nazi agents. On many occasions during the series run, Ness would blatantly violate suspects’ Fourth Amendment rights with no legal ramifications.
The terse narration by gossip columnist Walter Winchell, in his distinctive New York accent, was a stylistic hallmark of the series, along with its ominous theme music by Nelson Riddle and its shadowy black-and-white photography, which was influenced by film noir.
The series produced 118 episodes which ran 50 minutes each. Though the book chronicled the experiences of Ness and his team against Capone, and in reality the Untouchables disbanded soon after Capone’s conviction. The series continued after the pilot and book ended, depicting the fictitious further exploits of the Untouchables against many, often real life, criminals over a span of time ranging from 1929 to 1935.
The show came with some controversy. Italian-American groups protested over what they felt was an unfair presentation of their people as Mafia-types. “We are plagued with lawsuits after certain shows” one of the show’s producers Josef Shaftel explained, noting that the series was “heavily insured against libel.” With good reason – the first lawsuit against the show was instigated by Al Capone’s angry widow. She didn’t like the way her deceased husband was made into a running villain on the show and wanted a million dollars for unfair use of his image. (She lost.)
The FBI and J. Edgar Hoover were ticked off too. They were the ones who collared the famous names that Ness was supposedly busting each week on TV and they rightfully wanted credit for it. The second episode of the series, for example, depicted Ness and his crew involved in the capture of the Ma Barker gang, an incident in which the real-life Ness played no part. The producers agreed to insert a spoken disclaimer on future broadcasts of the episode stating that the FBI had primary responsibility for the Barker case. Even the Bureau of Prisons took offense, complaining that the show made their treatment of Al Capone look soft.
The show itself was considered one of the most violent television shows of its time. Of course, by today’s standards it’s not that bad, but it was violent enough at the time to spark protests from parents who were worried about their children seeing this violence.
My Thoughts
This is one of those shows that I just love! Robert Stack’s delivery of almost every line as Ness is perfect. He won an Emmy in 1960 for Best Actor in a Dramatic Series for his portrayal of Ness.
Despite the fact that many of the stories are fictionalized to work the Untouchables into them, they are great! The show really was a forerunner to shows like The FBI, Crime Story, and even Hawaii 5-0. I love the film noir feel of it. Every episode plays like a good 50 minute movie.
The Lebanon Pennsylvania Daily News said of The Untouchables: “Between the hard-nosed approach, sharp dialogue, and a commendably crisp pace (something rare in dramatic TV at the time), this series is one of the few that remains fresh and vibrant. Only the monochrome presentation betrays its age. The Untouchables is one of the few Golden Age TV shows that deserves being called a classic.” It really does hold up well.
As I have mentioned before, one of the things I love about these old shows is seeing big stars (who are not quite yet stars) show up. In regular roles throughout the series you could see Raymond Bailey (Mr. Drysdale on the Beverly Hillbillies), Barbara Stanwyck, Barbara Nichols, Ed Asner (Lou Grant), Harry Morgan (Col. Potter on MASH), and Henry Silva.
The list of guest star appearances is long and amazing. They include: Jack Elam, Paul Frees, Jim Backus, Sam Jaffe, Martin Balsam, John Dehner, William Bendix, Whitt Bissell, Charles Bronson, James Caan, James Coburn, Mike Conners, Robert Duvall, Peter Falk, Norman Fell, Alan Hale Jr., Brian Keith, Jack Klugman, Cloris Leachman, Jack Lord, Lee Marvin, Telly Savalas, Elizabeth Montgomery, Leonard Nimoy, Robert Redford, Ricardo Montalban, Rip Torn, Jack Warden, Dick York, Cliff Robertson and so many more!
“The Untouchables”
Paul Picerni, Robert Stack
circa 1961
You know, they play reruns of Law and Order on TV all the time. Many of the shows I have seen numerous times. I know what’s going to happen, yet I still watch (a lot like my previous picks – Perry Mason and Columbo). The Untouchables is a show that could very easily be rerun like a Law and Order. It is that good.
I love Walter Winchell’s narration
And I love the theme song!
It has been so much fun writing on some of my favorite shows. It’s been just as fun to read about the shows picked by other members of the TV Show Draft. I hope you have enjoyed my picks…
Various Ramblings of a Nostalgic Italian 