Last week social media was flooded with AI generated pictures of people’s “action figures.” You basically upload a picture of yourself and ask AI to generate it with whatever accessories you want. And while there were memes making fun of everyone doing this, I had to try it for myself.
This made me laugh out loud. It also got me wondering what else it could do. I asked it to make me and Larry from the Three Stooges doctors.
They got Larry’s hair right, but not so much the face.
Then I asked it to make me and Moe from the Three Stooges mechanics.
This was a bit closer. The face is a bit off, and I have no idea why they have my name as Chris here. I figured they’d get better as I kept going.
So I asked it to make me and Dean Martin singing a duet.
This is actually pretty good. Dean’s eyes are a bit off, but I was impressed. The best one of them all though was when I asked it to make me having a nice pasta dinner with Frank Sinatra.
All that’s missing are the pinky rings! I was totally blown away by this one. I have a few more ideas I want to try with a few other celebrities. If they are worth posting, I’ll share them.
Welcome back to The Music of My Life, where I feature ten songs from each year of my life. In most cases, the ten songs I choose will be ones I like personally (unless I explain otherwise). The songs will be selected from Billboard’s Year-end Hot 100 Chart, Acclaimed Music, and will all be released in the featured year. Much of the information presented with the help of Songfacts.com.
I would turn 45 in 2015. I was still DJing school dances and proms, which helped me become familiar with some of the new music. I was still getting music sent to me monthly via a service. I would just download everything and play songs that were requested (if it was clean) or songs I was playing on the Adult Contemporary Station.
Maroon 5’s Sugar was one I played on the radio. When I first heard it, I thought of Michael Jackson’s “Beat It.” I thought I was weird, but apparantly I wasn’t the only one. Songfacts even said “both songs have a similar chorus structure with an almost-identical syllable count.”
The song always got folks on the dance floor. The kids loved it, probably because of the amount of sexual innuendo in the lyrics.
The music video was directed by filmmaker David Dobkin and shot in Los Angeles during December 2014. The clip follows the plot story of Dobkin’s 2005 romantic comedy film Wedding Crashers as we witness the band drive across Los Angeles, surprising a handful of newlyweds on their big day. “Adam and I are old friends and have been talking about doing something together for over a decade,” said Dobkin. “Plus, it’s very meaningful because the band was in New York ten years ago and attended the original Wedding Crashers première.”
Sugar
I first heard Ellie Goulding’s Love Me Like You Do when it played on my radio show. Whether it was the instrumentation of the song, or her unique voice, something stuck out to me. I really liked this song. Honestly, I had no idea she recorded it for that 50 Shades of Grey movie.
Songfacts says:
This song was the first time that Ellie Goulding worked with producer Max Martin. She subsequently teamed up with the Swedish hitmaker for several Delirium tracks. Goulding explained to Billboard magazine how he unlocked her voice. “He directed me on a couple of songs and he’d be like, ‘Can you do this? And I’d be like, ‘Do you mean this?'” she said. “and he’d be like, “Where did that come from? Never heard that before. Never heard you sing low on any of your records before.” And yeah, it was great. It just came out of nowhere. He was good at bringing that confidence out of me.”
That confidence is evident in the song and its powerful chorus.
Love Me Like You Do
In 2015, there were many things happening in my life which I couldn’t control. I became a “yes man” and began to let people walk over me. I seemed to cave every time there was conflict. I just tried to make everyone, but me, happy.
I can still remember hearing the line, “I’ve still got a lot of fight left in me” In Rachel Platten’s Fight Song. It slapped me in the face. It was instrumental in me trying to take back things in my life. Unfortunately, it was that change that only led to more conflict.
Rachel had been playing music for a long time, but nothing ever really came from it. This song changed everything. She said,
“I grinded and worked so hard for so long and got to the point of… I didn’t think it was going to happen. I thought I might need to figure something else out. That moment bred ‘Fight Song.’ So that song came because I had to make a decision, ‘Am I going to keep going or am I going to give up on myself?'”
“I came up with the answer to the decision, I guess through writing the song,” she added. “I didn’t even realize it was happening, but through writing the song I made the decision to not give up on myself. Even if it’s only getting to play to a handful of people a night, that’s enough. At least I get to spread this message. Then funnily enough, by releasing the song, I got this amazing opportunity.”
Fight Song
What drew me to Dear Future Husband by Meghan Trainor was the sound. It sounded like a 50’s song and I liked it. This baffled me because I hated her debut song, “All About That Bass.”
Meghan revealed to The Miami Herald that the song’s subject matter was inspired by an ongoing joke between her and her father that Meghan’s future husband is out there somewhere, “chilling.”
The lyrics list the various things she expects from her future “groom-to-be.” They include “flowers every anniversary.” “open doors for me” and, “don’t have a dirty mind.” She says, “Girls need to be treated better. I never got that growing up.”
Hopefully, there are still men who do those things for their woman. Society tends to make those things old fashioned, but I disagree.
Dear Future Husband
Long before Sam and I were married, we were friends. We both work in sleep medicine. We would chat on the phone and talk about work. She knew I worked in music and told me that her new favorite song was Stressed Out by Twenty One Pilots. I hadn’t heard that one yet.
What has the guys stressed out these days? Tyler Joseph explains:
“I think one of the toughest things is that balances act of trying to maintain relationships while being on the road. It’s been a crazy few years. Josh and I are both very close with our families. It’s one of our favorite moments in our careers is being able to have our families in that video at the end. With that being said, it has been tough trying to maintain those relationships. The other stress is trying to outdo ourselves we either write a song or we play a show. Josh and I, we come from a local scene where every time you played your hometown you had to do something new. You can’t just play the same set. So we kind of apply it to the way that we approach every show, always trying to outdo ourselves.”
Fun Fact: Much of the video was filmed at Josh Dun’s childhood home. Because the home number is listed, Dun’s parents had to cancel the landline to put an end to the calls that were coming in all day and all night!
The song always reminds me of the early days of our friendship.
Stressed Out
Remember earlier in this series when I said “Gangnam Style” was the worst dance song ever? Well, I forgot about the annoying craze started by Silento. I didn’t know what the “Whip” or the “Nae Nae” were! Oh, the requests that I got for their piece of garbage! I would often have to play this two or three times at school dances. URGH!!!
According to songfacts:
“Watch Me (Whip/Nae Nae)” was the soundtrack to the biggest dance craze of 2015. It’s actually two dances. For The Whip, just keep your arm straight and swing it in front of your face like you’re driving a car. The Nae Nae is similar, but with an open hand. They combine very well.
The Nae Nae is based on the character Sheneneh, played by Martin Lawrence in his ’90s TV series Martin. Sheneneh is a very brash woman who is extremely confrontational but gets offended easily. When she gets excited or upset, she makes an exaggerated “talk to the hand” gesture, which is the dance move here.
This song launched his career, but his success didn’t last long. A few years later, in 2021, he was indicted for murder after killing his cousin.
Watch Me
Another song that stuck out to me on the radio was 7 Years by Lukas Graham. The song has some really powerful lyrics.
Lukas Graham explained the song’s message to radio.com:
“The song’s basically just about becoming a good father, and being such a good father that your children would want to come and visit you when you’re an old, boring man,” he said. “I had a really, really cool father, so that’s what I wanna be too.”
“A lot of older people are actually very, very young,” he continued. “And they look at their age as some stamp that now they can point fingers at all the people that are younger than them; in reality I am probably a lot smarter than some of them anyway, at least. I’ve read more books; I’ve tried more stuff; I’ve seen more things.”
“And I think that’s why I can write a song like ‘Seven Years,’ because I might only be 27, but I know what my dreams are,” Graham concluded. “I knew when I was a young man that I wanted to be a father, and I knew I was gonna be a good father at that.”
I can totally relate to that. I have really tried to be a good father to all of my children.
If you listen closely, the sound of a film projector comes in during the quite parts of this song, including the intro. This gives it a nostalgic feel as if watching home movies.
7 Years
I also think of my wife when I hear the next song. I was unaware of her love of country music early in our relationship. Then she started to talk about Thomas Rhett. Die A Happy Man happened to be the first Rhett song I played when I was working at the country station.
He wrote the song for his wife, who’d been asking him to write her a love song. When he played it for her, he said watching her listen to it for the first time was very rewarding. He said:
“I’ve written love songs but never to the extent of that personal,” he said. “We strictly wrote that song about me and my wife’s relationship. I just think this song shows how me and Lauren love each other, and I hope this song is an encouragement to other married couples or people that are dating.”
It certainly was an encouragement to me!
Die A Happy Man
There was a student at one of the schools that would always ask for the group Panic! At The Disco. I’d see him walk up the me and I knew exactly what he wanted to hear. He’d come up multiple times with different songs. It is because of him that I became familiar with Death of a Bachelor.
In 2015, Frank Sinatra would have turned 100. The band used this song as a tribute to him. Brendon Urie posted on his Instagram in reference to the song’s release.
“I attach his music to so many memories: opening presents on Christmas day, my grandparents teaching the rest of the family to swing dance, watching Who Framed Roger Rabbit with my siblings (Sinatra makes a cameo in the form of a cartoon sword singing ‘Witchcraft’).”
“His music has been a major player in the soundtrack of my life. So it’s only right that I return the favor and/or pay it forward. I wrote a new album this year and even in the few songs that don’t sound remotely similar to any of his music I still felt his influence in the writing and the need to relate so personally to each song.”
He said of the song, “It’s like if Sinatra and Beyoncé made a song together. It’s like some Beyoncé beats with some Sinatra vocals. It’s really crazy.”
You even get a Sinatra vibe from the video
Death of a Bachelor
The next song is one that didn’t mean much to me until my divorce – Love Yourself by Justin Bieber. After a break up, the singer is still dealing with an ex. He tells her he’s not crying about things and she should really just go lover herself. It’s a great “blow off” song.
It was written by Ed Sheeran. Out of the many songs he has co-written for other artists, he considers this his favorite.
“I feel like the one that is the slam dunk, whenever I’m at a gig, to play someone else’s song that I had written is “Love Yourself” by Justin Bieber because it was so massive for him. I think it’s his biggest song… anywhere in the world, if I picked up a guitar and played that, they’d be like ‘oh my god, you wrote that!'”
“People always say, ‘Why didn’t you keep it?’ And to be honest, he was on such a roll at that point that I think it wouldn’t have been as big if I’d sung it,” he continued. “He had his whole period of his life that was a bit… you know what I mean. And America loves a comeback story.”
Love Yourself
As a bonus song, here is one that I really like because of its soulful sound. It is the debut single for Charlie Puth – Marvin Gaye. He wrote the chorus the first day he came to Los Angeles. Puth says he was at a coffee shop when the melody struck – he found himself tapping his foot and clapping out the beat.
The song is a duet with Meghan Trainor. Charlie explains how it all came about:
“Meghan and I were at a party one night, and we were exchanging the new music, and she heard ‘Marvin Gaye; and asked, ‘Who else is singing on this? It should be a duet. Let me sing on it!’ So I’m like… OK, Meghan Trainor just asked me to sing on my song, absolutely! In one day, she knew the whole thing. We did it all in one take.”
Asked if Marvin Gaye inspires his music, Puth replied:
“I listened to a lot of Marvin Gaye and Motown records. When I was making my record, I just wanted to make this soulful sound. When Marvin Gaye made his music, he evoked this feeling that would reach everybody.”
The video takes place at a school dance. There is plenty of sexual innuendo, but the music is so smooth and soulful that the people can’t help but dance.
Bonus: Marvin Gaye
So that wraps up 2015. Did I miss one of your favorites? Tell me in the comments. Next week, will be a little different. You may recall me mentioning that the further I got into the 2000’s, the less I connected with the music. I may have been familiar with a song or two, but if I couldn’t connect with it personally or call it a favorite – I didn’t add it.
Because of that, next week will feature the years 2016 & 2017. My list will feature a song with a life lesson, a suggestion for “our” song from my wife, movie music, a song that has a bit of a 60’s sound, and a song that pushes blame. I hope you’ll come back next week.
Welcome to the first Turntable Talk of 2025, hosted by Dave of A Sound Day. This is the 34th round, if you are keeping track. If you are a new follower, let me fill you in on how it works. Dave Ruch offers up a musical topic to a group of us music fans each month. Each of the writers come up with a response to the topic and Dave runs each piece on his website.
We have had some fun and interesting topics, and this one is no exception. This time around, Dave asks, “What’s my scene?” Our instructions: Pick a sort of music “Scene” that either you would have liked to have been a part of or one that you think really created a lot of the music you love. Pick a general place and time and have fun….
My fellow music bloggers know my musical tastes pretty well by now. So, let’s see a show of hands – How many thought I’d pick The Rat Pack in Vegas? I almost did, but I know I have written on a live Rat Pack show in the past. Honestly, as awesome as that would be, the more I thought about it the more I leaned another way.
My scene certainly influenced the Rat Pack. Dean Martin cut an album called Swingin’ Down Yonder. Frank Sinatra recorded albums titled: Sinatra Swings, Songs for Swingin’ Lovers, Swing Easy, Sinatra’s Swingin’ Session, Sinatra and Swingin’ Brass, and A Swingin’ Affair! You know what the song says, “It don’t mean a thing, if it ain’t got that swing!”
As a mediocre trumpet player, I have always loved Big Band/Swing music. Most folks would consider the Swing Era to be from the early 1930’s to around the mid 1940’s. Even though swing music was prominent in the early 1930’s, it was often ridiculed for its style and feel. Some went as far as to call it a menace (much like Rock and Roll when it gained popularity). After 1935, big bands rose to prominence playing swing music. They held a major role in defining swing as a distinctive style.
There were many big bands on the scene at this time. Each had a very distinct sound and feel to it. For example, Glenn Miller’s orchestra often used a clarinet lead. Count Basie’s sound has a relaxed feel to it. Benny Goodman used a driving and hard swing sound. Duke Ellington’s songs has a sophisticated sound to them.
The band leaders often took the spotlight. They were amazing instrumentalists. Harry James and his trumpet, Benny Goodman and Artie Shaw on their clarinets, Gene Krupa on his drums, the trombones of Tommy Dorsey and Glenn Miller, and Lionel Hampton’s vibes. Along with those great leaders, there were plenty of talented musicians within those bands who went on to make a name for themselves.
Perhaps Sinatra recorded his many swing songs because he rose to fame alongside Tommy Dorsey. He was one of many singers who sang with those big bands. Others included the voices of Ella Fitzgerald, Billie Holiday, Kay Starr, Peggy Lee, Doris Day, Kitty Kallen, and Dick Haymes. While they all started with the big swing bands, they also went on to have prolific careers.
During the swing era, the big bands would often play at dance halls across the country. They appeared on the radio playing dance music. Some appeared in movies, and all of them made records. Their music had teenagers and young adults dancing until their feet hurt.
As years went on, the taste of music listeners changed. Swing began to fade away to make way for music that was less “danceable” like bebop. Many of the swing bands broke up, while other continued without their original leaders. The Glenn Miller Orchestra still tours today, for example.
When I put on headphones and listen to old big band recordings, I picture myself there listening. I picture myself in one of those great 1930’s suits with a stylish fedora.
Maybe it is in a dance hall or at a live concert. Maybe I am in the audience of a radio program where the band is playing. Wherever the music is being played, I am zoned in on it. I am listening to the drum beat of Sing, Sing, Sing and Benny Goodman. I can hear the vibrato of Tommy Dorsey’s trombone solo on I’m Getting Sentimental Over You. I marvel as I watch and listen to Harry James play his theme song, Ciribiribin.
Throughout the evening, I will study those great instrumentalists who improvise solos off the top of their head. Looking at nothing but chords and making up their own melodies. This is something I wish I could do as a trumpet player.
In all honesty, in my “scene,” I would be happy as a clam to just be in the audience. It would be the bees knees just watching those guys swing! Yeah, I can totally see myself swinging, singing, and dancing to the sounds of swing.
Thanks again, Dave for inviting me to take part in this feature. It is always fun to contribute and to read the other submissions. I’m already looking forward to next month’s topic!
Welcome back to The Music of My Life, where I feature ten songs from each year of my life. In most cases, the ten songs I choose will be ones I like personally (unless I explain otherwise). The songs will be selected from Billboard’s Year-end Hot 100 Chart, Acclaimed Music, and will all be released in the featured year.
I turned 35 in 2005. There was plenty going on in my personal life at this time. We were doing various therapies for my son, who had been diagnosed as being on the Autism spectrum. I had settled into my position at 94-5 The Moose in Saginaw as their afternoon guy and music director. I was certainly loving that. And at some point during the year, my mother’s cancer returned.
At the time, My Space was pretty popular. I was blogging a lot on there. Somewhere, I have a Word document with every one of those blogs. I had to contact them to get them. I had stopped posting there after joining Facebook, and at some point they moved content. I was thankful to get those blogs as they covered the time leading up to my wedding, the birth of my sons and the death of my mom.
I posted a lot about new songs we were playing on the radio, too. A few of them make this list. Let’s head into 2005:
The legendary Ray Charles passed away in 2004, but before he did, he recorded an amazing duets album. Genius Loves Company was the best selling recording of Charles’ more than 50-year career. It was a collection of duets with Norah Jones, Natalie Cole, Elton John, B.B. King, Gladys Knight, Diana Krall, Michael McDonald, Johnny Mathis, Van Morrison, Willie Nelson, Bonnie Raitt and James Taylor.
The album entered the Top 10 on the US album chart more than 40 years after Charles’ previous appearance on that same chart. This broke the record held by another act who also made his comeback with a duets album. In 1993 Frank Sinatra’s Duets reached the Top Ten 25 years after his previous Top 10 album.
Here We Go Again was a song that Ray had recorded in 1967. Then in 2004 he re-recorded this as a duet with Norah Jones for Genius Loves Company. She recalled collaborating with Charles on this song in a 2010 interview with Billboard magazine:
“I got a call from Ray asking if I’d be interested in singing on this duets record. I got on the next plane and I brought my mom. We went to his studio and did it live with the band. I sang it right next to Ray, watching his mouth for the phrasing. He was very sweet and put me at ease, which was great because I was petrified walking in there.”
This song won Grammy Award for Record of the Year and Best Pop Collaboration in 2005 eight months after Charles passed away. In addition Genius Loves Company was awarded Album of the Year among six other awards, as the American music industry paid lavish tribute to him.
Unlike Frank Sinatra and Willie Nelson, Ray Charles’ voice is as strong as ever on this recording. I felt Sinatra’s voice was weak on his duets albums. Willie is still putting out albums and at times he sounds like he’s just speaking the lyrics. Ray, however, sounds fantastic. I love the blending of these two voices.
Here We Go Again
The next song is an example of a song that I first heard in a polka. You read that right – a polka. Weird Al Yankovic has done quite a few polka medleys on his albums. The medley usually contains a verse or chorus from a pop song done as a polka. When I first heard Beverly Hills by Weezer on the radio, I found I liked it.
Weezer lead singer (Rivers Cuomo) explained in an interview with Rolling Stone magazine that this song is about how he could live in Beverly Hills, but he wouldn’t fit in. “I could live in Beverly Hills, sure,” he says, meaning he could afford it easily. “But I couldn’t belong there.'”
Songfacts explains:
The song comes off as satire, but that wasn’t what Rivers Cuomo had in mind when he wrote it. “I was at the opening of the new Hollywood Bowl and I flipped through the program and I saw a picture of Wilson Phillips,” he said. “And for some reason I just thought how nice it would be to marry, like, an ‘established’ celebrity and live in Beverly Hills and be part of that world. And it was a totally sincere desire. And then I wrote that song, ‘Beverly Hills.’ For some reason, by the time it came out and the video came out, it got twisted around into something that seemed sarcastic. But originally it wasn’t meant to be sarcastic at all.”
The music video was shot at the Playboy mansion. It included appearances by Playboy founder Hugh Hefner and some of the Playboy bunnies. Two of those bunnies were Holly Madison and Bridget Marquardt.
Beverly Hills
When I was music director at the Moose, I spoke with a lot of record people. One of the industry folks knew I loved music from the Rat Pack. She asked me if I had heard of Michael Buble’. I hadn’t. She sent me some MP3’s of his music and I was hooked.
The song could have been sung by just about any artist who tours. The lyrics sound as if they could be autobiographical. It is sung by someone who spends a lot of time on the road with great success. With that success, there is sacrifice. He is missing his home, particularly the woman he loves.
Despite the fact that Home only reached #72 on the Hot 100 chart, it was a breakthrough song for him. The song hit #1 on the Adult Contemporary survey in July 2005. Three years later Blake Shelton reached #1 on the Country chart with his cover of Bublé’s hit.
Bublé and Blake Shelton teamed up in 2012 to record a holiday version of this song for Shelton’s, Cheers, It’s Christmas album. The collaboration happened after Shelton sent Bublé an email saying he hoped to record a yuletide-themed rendering of the tune. “I had the idea of doing a Christmas version of ‘Home,'” he said.
This was the song that proved to folks that Michael was more than a cover artist. His original songs are just as good as the standards he records. He is also more than just a Christmas artist. It bugs me that people pigeon hole him and label him like that. He’s one of my favorites.
Home
My on air name was “Keith Allen.” As a music director, I got to hear all the new music before it went on the air. I popped Play Something Country by Brooks and Dunn in the CD player and loved it. On my first listen, I thought they said my name – Keith Allen. I suppose, in a way, they did. But the lyrics refer to Toby Keith and Alan Jackson:
Said, I’m a whiskey drinking, cowboy chasing, hell of a time I like Kenny, Keith, Alan and Patsy Cline.
I have to tell you my favorite story about this song. When my program director and I first heard this, we said, “That’s a number one song!” We told our consultant that we wanted to add it. He said he didn’t feel like it was a hit. We were both shocked. We both told him that we felt it would be number one. He fought us.
He fought us for a few weeks on this one. He finally said that if we really felt it was a hit, we should add it. We wound up making a wager. I told him that if it didn’t go to number one, we’d buy him dinner. He said if it did hit number one, he would buy US dinner. The week it hit number one, he called us for our weekly music call. When we answered we started giving him restaurants we could go to!
His issue with the song? The “wolf-like” howl of the chorus.
Play Something Country
The next song is one that everyone jokes about on October 1st every year. “Someone needs to go wake up the guy from Green Day!”
This song reminds me of Fastball’s The Way. I say that because it starts with a simple acoustic guitar behind lead singer Billie Joe Armstrong. Then the song kicks in with drums and the rest of the instrumentation. I love the sound of that.
Green Day’s Billie Joe Armstrong wrote this song about his father, who died of cancer on September 1, 1982. At his father’s funeral, Billie cried, ran home and locked himself in his room. When his mother got home she knocked on the door to Billie’s room. Billie simply said, “Wake me up when September ends,” hence the title.
“My father died in September of ’82, and I purposely, up until that point, never went there,” Armstrong said in an interview. “I think really what I was doing was processing that loss that I had with this person that I never really knew. So I wrote that song for my father and about that loss and how 20 years had passed. I remember right after I wrote it, I felt this huge weight off my shoulders.”
Wake Me Up When September Ends
Another country newcomer makes my list this week. I have actually written about him, and the song. Here is that blog:
The next song is one of the slowest chart climbers in history. It was on the American Hot 100 chart for 23 weeks before it entered the Top 40. KT Tunstall’s “Suddenly I See” was inspired by another artist, Patti Smith. Tunstall said, “The inspiration for the song was Robert Mapplethorpe’s photograph of Patti Smith on the cover of her album Horses. I was staring at it one day thinking it was incredible. It’s everything I love about music – mysterious, inviting, frightening.”
Suddenly I see This is what I wanna be Suddenly I see Why the hell it means so much to me
“The chorus was me thinking, ‘that’s what I want to be,'” Tunstall told The Guardian. “Not a famous pop star with lots of money, but like this woman who’s living her life as an artist. I’d been trying for more than 10 years to be a professional musician. I was just exhausted from trying to persuade other people I was good enough.”
I remember hearing this song shortly after realizing that my first marriage was over. After all I learned and discovered through therapy, the title spoke to me. Suddenly, I saw just what was going on and I realized that I couldn’t do it anymore.
Suddenly I See
There were some really good country songs around this time. There were many new artists and some really distinct sounds that were on the radio. I was impressed with Josh Turner from the first time I heard him. I couldn’t believe the tone of his low voice.
Your Man is a song that I wish I could have written. Here is a guy who has been thinking about his woman all day long. He tells her to lock the door, turn the lights down low, and play some music.
I’ve been thinking about this all day long Never felt a feeling quite this strong I can’t believe how much it turns me on Just to be your man
That’s LOVE right there!!
I love the entire feel of this song. It’s the perfect song to “sway” to.
Your Man
As the “Nostalgic Italian,” I think it is safe to say that I believe in the power of a photograph. The memories that can come from looking at an old picture just amazes me. My Friday Photo Flashback is always fun to do. I think that is because of the stuff that comes to mind with those old pictures.
I know there are plenty of people who hate Nickelback. However, Photograph is a song that I can relate to in so many ways. (From songfacts): This song is about reviewing the memories (missed and forgotten) from the band’s childhood in Hanna, Alberta. The lyrics are a chronicle of real events and personal landmarks lead singer Chad Kroeger recalled as he wrote it.
“It’s just nostalgia, growing up in a small town, and you can’t go back to your childhood. Saying goodbye to friends that you’ve drifted away from, where you grew up, where you went to school, who you hung out with and the dumb stuff you used to do as a kid, the first love – all of those things. Everyone has one or two of those memories that they are fond of, so this song is really just the bridge for all that.”
Someone once said, “If you don’t think photos are important, wait until they are all you have left.” I couldn’t agree more.
The photograph Kroeger is holding in the video is the one that inspired the song: It’s a shot of him and their producer, Joey Moi, at a New Year’s Eve party.
Photograph
We wrap up 2005 with a One Hit Wonder. Defining a “one hit wonder” isn’t really easy. Most feel it is when the artist fails to have their follow up released crack the Top 25. There are certainly many songs that fit into that category.
Daniel Powter’s album was released in America in 2006. Bad Day was released in the UK in 2005. In the fifth season of Americal Idol, the song was played over a video montage of the contestant that was being sent home that week. This helped the song gain popularity.
Powter is from British Columbia who later moved to Los Angeles. “Bad Day” was his first single released on a major label (Warner Bros.), and his only hit. He later described it as “a blessing and a curse.” Powter said:
“I was touring the world and performing for thousands of people, but I felt like the song was starting to define me. I actually found myself getting almost angry about it.”
This was the top-selling digital download of 2006. This was the star of people prefer downloading songs to buying CDs. It was part of a shift toward digital distribution of individual songs. In America, the album sold 500,000, but the single was digitally downloaded over 3 million times!
My mom was doing chemotherapy and radiation for her breast cancer at this time. She found the song to be inspiring. It basically says that even if you have a bad day once in a while, things will get better. My mom always tried to have a positive outlook. She battled cancer for 10 years and by this point she was tired.
My mom had the gift of gab. She was always on the phone. She assigned Bad Day to be the ringtone for her cell phone. I believe it was on there until she passed away. When I hear this song, I am taken back to those final weeks of her life.
Bad Day
What song from 2005 did I miss that was your favorite? Drop it in the comments.
Next week, we’ll focus on 2006. On my list is a song about a steeplechase runner, a song that became a hit because of Grey’s Anatomy, and a song that was a hit on the Adult Contemporary Chart and the Country charts. It also has a great Drifter’s cover song, one that took on a whole new meaning for me when my daughter was born, and a creative way to insinuate profanity without actually using it.
Thanks for reading and for listening! See you next week.
I am truly surprised that December 12th is not an Italian holiday. It was on this day in 1915, that Frank Sinatra was born.
Frank is revered as Italian royalty. His voice made the women swoon. Men both respected him and were jealous of him.
Many biographies have been written about him, so I will not attempt to write one here. Instead, as we are in the middle of the Christmas season, I felt that a small Sinatra Holiday Playlist would be in order.
Here are some of my favorite Sinatra Christmas songs, as we tip our hats to one of the greatest vocalists ever…
Jingle Bells
The Christmas Waltz
Mistletoe and Holly
Let It Snow Let It Snow Let It Snow
Have Yourself a Merry Little Christmas
Christmas Memories
… And a couple with Bing
We Wish You the Merriest
Go Tell It On the Mountain
And because it is just fun to watch, one with Dean Martin…
Welcome back to The Music of My Life, where I feature ten songs from each year of my life. In most cases, the ten songs I choose will be ones I like personally (unless I explain otherwise). The songs will be selected from Billboard’s Year-end Hot 100 Chart, Acclaimed Music, and will all be released in the featured year.
In 1999, I turned 29 years old. In September of that year, I would venture into a marriage that would fail years later. Two great sons came out of it though, and that was a great thing.
1999 was also the year that I began receiving monthly CDs with new music on them. It was a great was to always be sure to have clean edits of songs and be current. I received my first CD in May of that year and thankfully so!
I had been hired to DJ a prom. It was the first one I had ever done. I had been able to scrounge up some of the “newer” songs thanks to friends. However, a lot of the brand new stuff not in stores yet. (This is probably before I got my iPod and iTunes). Two days before the prom, that CD had the hottest song on the radio at the time. The song was Ricky Martin’s Livin’ La Vida Loca.
That night, I had requests for it and was surprised (and thankful) it was on the CD! I played it at least three times that night and knew my investment was a good one. Those CDs saved me plenty of times.
Frank Sinatra died on May 14, 1998, which was around the time this song was conceived. Co-writer Desmond Child told Songfacts that Sinatra’s music was a strong influence on this song. He said, “Frank Sinatra’s music was coming out of the airwaves, and we were all of a sudden into this Rat Pack idea, and also the Latin Elvis concept that we had for him. So we put that into the songs, as well – there was a swing aspect to it. So the verses were more like that, and then the choruses were all out rock anthems, with horns. Because horns had fallen out of favor, we brought horns back.”
Paul McCartney’s guitarist, Rusty Anderson, played on the song. Co-writer Robi Rosa asked him to put some guitar on some sections that were blank slates. He remembers: “I was thinking more of a James Bond vibe actually. But I kinda liked the way it counter-balanced the song.”
Anderson recorded his guitar work at his studio intending it to just be a demo. “I didn’t have a reverb to print that I was happy with so I figured the mixer would have the perfect reverb in mixdown,” he explained. “That recording turned into the single. When I heard it on the radio, I was shocked that they left it dry!”
Many years later, the song re-entered my life when I took my son to the movies. In Shrek 2, Puss in Boots (Antonio Banderas) and Donkey (Eddie Murphy) sing it as the credits roll.
Livin’ La Vida Loca
Next is a song that I always felt should have been a bigger hit. I Know How The River Feels was a song that was recorded first by country singer Ty Herndon in 1996. His version was never released. Diamond Rio recorded it for their Unbelievable album and it was their third single from it.
I liked it because it gave Diamond Rio a different sound. This was the first song of theirs to feature outside instruments as they added a string section to the arrangement. The song, however, was met with some negative reviews from critics. It only went to #33 on the Country charts.
I love the way the song uses a river with its twists and turns to describe the search for love. Finally, when it reaches the sea – the search, the twists, and the turns – you reach the final destination.
Now I know how the river feels When it reaches the sea And finally finds the place It was always meant to be Holding fast, home at last Knowing the journey’s through Lying here with you I know how the river feels
I Know How The River Feels
Hey Leonardo by Blessid Union of Souls is a song that I liked for a few reasons. First, the parenthetical title is “She likes me for me.” Isn’t that what love is about? It’s not about the physical things, the status and such. It is about loving a person because they are that person. Next, I like when a song tosses in some pop culture references.
Songfacts says: This song is written in the form of a letter to someone named Leonardo – a reference to actor Leonardo DiCaprio. In the song, the singer lists many celebrities and the qualities they possess making them attractive to women. He emphasizes that while he does not have the same qualities, his girlfriend loves him just the way he is.
The celebrities that are referenced include: Tyson Beckford, Robert Redford, Steve Buscemi and the movie Fargo. It also references opera singer Pavarotti, model Cindy Crawford, Clint Eastwood’s characterization of Dirty Harry, and Jim Carrey in the movie The Cable Guy.
Hey Leonardo
For the longest time I had only ever heard the clean edit of the next song. When I downloaded “Why Don’t You Get a Job” by the Offspring, it was the album version. It certainly was not edited. As I think of the words that are edited from it, I chuckle. They seem tame compared to what words are allowed on the radio today.
Offspring’s Americana album was a concept album. It examined the unpleasant side of life in America. Songfacts says, The song fits the concept by examining how so many people get by in the country without being productive and contributing to society.
If you listen closely, the melody might sound familiar. That is because it is based on The Beatles song “Ob-La-Di, Ob-La-Da,” with some elements of Simon & Garfunkel’s “Cecilia.”
Why Don’t You Get A Job
I’ve told this story before. When the Dixie Chicks first hit the radio, I did not think they would last. I felt that they had too much of a traditional sound and that listeners would not like it. I was wrong and I am glad that they went on to have radio success.
Their album Wide Open Spaces was full of hits. I came to really love the harmonies of the Dixie Chicks, especially on the last single from the album.
The Chicks’ version of “Tonight the Heartache’s on Me” was released in April of 1999. It had been recorded in 1994 by singer/songwriter Joy Lynn White, whose version was much slower. The Chicks version has a tempo and attitude that conveys all the feelings of the lyrics.
I love the play on words in the title. “The next round’s on me” is something you might hear in bars all over the country. The story of the song takes place in a bar. A gal sees her ex walk in with another woman and “Boom” – the hurt is there. “Bartender, pour the wine, ’cause the hurtin’s all mine. Tonight, the heartache’s on me!”
The song is a guilty pleasure, I suppose.
Tonight The Heartache’s On Me
I hate to say that Sheryl Crow is a cover artist, because she is not. However, her cover songs are really good! Take for example, her cover of 1987’s Sweet Child ‘O Mine.
It was originally done, of course, by Guns N’ Roses. The lyrics came from a poem Axl Rose was working on. Songfacts says that “he wrote the song about his girlfriend, Erin Everly, the daughter of Don Everly of the Everly Brothers. After dating for four years, they got married at a quickie wedding in Las Vegas on April 28, 1990, but just nine months later, the marriage was annulled, with Everly claiming abuse.“
The Sheryl Crow version appeared in the Adam Sandler movie Big Daddy. It earned her the Grammy Award for Best Female Rock Vocal Performance in 2000. Her version appears near the middle of the movie right after they take the kid away. The Guns N’ Roses original is also played in the movie (at the end with the credits.)
I think her voice compliments this song very well. Her voice is much better than some of the folks who attempted to sing this when I hosted karaoke!
Sweet Child O’ Mine
The aforementioned green ogre, Shrek, ties in with my next song. I think this is the one that most people associate with the Shrek films. I’m talking, of course, about All Star by Smash Mouth.
Like most Smash Mouth originals, it was written by their guitarist, Greg Camp. He said in a Songfacts interview:
“When we were on tour for the first record, it’s still when people were writing fan mail, like, in the form of paper and pencils and typewriters and stuff,” said Camp. “We would get these big bags of fan mail and we would take them to the Laundromat and do our laundry and read all this mail while we were sitting around waiting for our clothes to get dry. And about 85-90 percent of the mail was from these kids who were being bullied or their brothers or older siblings were giving them s–t for liking Smash Mouth or liking whatever they’re doing or the way they dressed and stuff. So we were, like, ‘We should write a song for fans.’
Before I stopped DJing a couple years ago, this song was still being requested at high school dances.
All Star
It is always great to see an artist from the past make a come back. 1999 was a great year for Carlos Santana!
Most music people are aware of Clive Davis. He is a legendary record executive who has worked with many artists and even appeared on American Idol. He was the mastermind behind Santana’s Supernatural album.
Santana hadn’t had a hit since “Hold On” in 1982, so Davis teamed him with contemporary musicians like Wyclef Jean, Everlast and Lauryn Hill to make sure the younger generation took notice. The result was a wildly successful album that went over well with Santana’s old fans and created a legion of new ones. “Smooth” was the first single; it spent 12 weeks at #1 in the US.
Rob Thomas sang lead on “Smooth,” but that wasn’t the plan. He had never written a song for someone else before, so he jumped at the chance to write a song for Santana. When he finished it, Thomas suggested George Michael, one of his musical heroes, as the vocalist. Arista Records ended up asking Thomas to do the vocals, and when he did, it was in Michael’s style. “If you listen to the melody and the cadence, it’s an attempt to emulate his style in so many ways,” Rob said.
Smooth” won Song Of The Year and Record Of The Year at the 2000 Grammy Awards. Supernatural also won for Best Rock Album and Album Of The Year. Santana picked up a total of eight awards that night.
Fun fact: Santana has the distinction of waiting the longest between his first charting single and first #1 hit. In 1969, “Tango” hit #56 in the US, and 30 years later, “Smooth” was #1.
Smooth
The next song was probably THE ear worm of 1999. It was certainly one of those songs that got into your head. Believe it or not, Lou Bega’s “Mambo No 5” was a cover song! The song was originally done in 1952 by the Cuban-Mexican bandleader Perez Prado. Known as the “King of the Mambo,” Prado recorded numerous mambos. When he ran out of inspiration, he would simply number them. “Mambo No 5” was one of a series of eight.
The difference between the two versions? Perez Prado’s version was instrumental. In 1999, Lou Bega added lyrics to it. By doing so, he transformed it into a love song for several women. Those women: Angela, Pamela, Sandra, Rita, Monica, Erica, Tina, Mary and Jessica. It was reported that the girls he mentioned were all Lou’s former girlfriends. It is probably beyond coincidence that eight of the girls in the song have names that end in “A,” making them quite singable.
Why is it on my list? Because I will forever link it to Barbara Eden. Let me explain. My buddy Steve said to me one day, “Hey. Did you know that you can sing the I Dream of Jeannie Theme song to Mambo No 5 and it fits perfectly?” I looked at him like he was nuts…until I heard it.
So, when you give it a listen, when Lou says, “A little bit of (Girl’s name)…” when he says the girls name, start singing the theme song and watch how it fits. It’s uncanny and it is ridiculous! Now, every time I hear it, that is ALL I hear!
If you’d like me to punch my friend for you, I will.
Mambo #5
Finally, this week a song that I literally just mentioned because of a birth anniversary. Last Tuesday, I featured this for Tune Tuesday and Robert Goulet’s birthday. I didn’t realize that it would coincide with this week’s list. You can read about that here:
Alright, which one of your favorites did I miss from 1999? Tell me about it in the comments.
Next week, we enter a new decade with the year 2000. It was a year that seemed SO far away for many of us. We all breathed a sigh of relief when the world didn’t shut down at midnight on January 1st (the Y2K fiasco!). Remember that?
My list next week is straight forward, and has no cover songs on it (I may have to double check to be sure). There are a few songs that strike a chord with me, especially as I celebrated birthday #30. Another good mix comes your way in 7 days.
Welcome back to The Music of My Life, where I feature ten songs from each year of my life. In most cases, the ten songs I choose will be ones I like personally (unless I explain otherwise). The songs will be selected from Billboard’s Year-end Hot 100 Chart, Acclaimed Music, and will all be released in the featured year.
I turned 24 in 1994. In the 7 years I had been on the radio, I was starting to get used to the fact that radio stations made changes often. It happened again when Honey Radio went off the air that year. I would go on to land a gig at W4 Country in Detroit soon after.
1994 was also the year my paternal grandfather passed away. I was very close to him and that grief hung around for some time.
Musically, I was DJing a lot more parties and discovering more music. Thanks to a full time job where I drove a lot, I discovered some alternative music that I really enjoyed. Many of those tunes will show up in the lists/years ahead.
Let’s check out 1994 …
As someone who feels like I can never put my feelings into words, I appreciate a song that can. Beautiful In My Eyes was a huge Bride and Groom song when I was DJing. When it wasn’t the bridal dance, it was a slow song that always packed the dance floor.
When I DJ’d my cousin’s second wedding, it was on the “Do Not Play” list. Why? It was the wedding song she used in her first marriage. As strange as it may sound, that happened a lot.
Joshua Kadison describes the song as being about “a love that just lasts forever, and you’ll always be beautiful in my eyes.” I’ve always thought it was an example of a great love song. I will also admit that I had no idea what he looked like until I found this video.
Beautiful in My Eyes
We had Doug Stone do a show for us when I worked at the Moose. He was a nice guy and fun to chat with. By the time he did our show, he’d pretty much had all of his hits.
One song that I found extremely relatable was Addicted to a Dollar. There are lyrics in here that any hard working person can relate to!
“F.I.C.A. and the state – they make my paycheck look like a big mistake. Tax man takes his before I see a cent And what they don’t get, I’ve already spent.”
“Got me more payments than I’ve got checks. Ten more to go on this car, it’s a wreck.”
Those hit home on many levels, especially for a radio guy! Even long after my radio career, those lyrics can still hit home.
Addicted to a Dollar
Next up, the only US hit for Des’ree, who had quite a few hits in the UK. I like this song because it’s kind of a pep talk. It’s about not being ashamed to express your feelings and about living life to its fullest.
The whole song is loaded with wisdom. The chorus is something that a person could easily tell themselves everyday when they look in the mirror.
“You gotta be bad, you gotta be bold, you gotta be wiser You gotta be hard, you gotta be tough, you gotta be stronger You gotta be cool, you gotta be calm, you gotta stay together All I know, all I know, love will save the day“
Some days you just gotta push through, and being bad, bold, wise, hard, tough, strong, cool, and calm can certainly help!
You Gotta Be
The Troggs followed up their hit “Wild Thing” with the ballad Love Is All Around. They took the song to #7 in 1967.
The group Wet, Wet, Wet covered it for the movie Four Weddings And A Funeral. It wasn’t the only song they could have recorded. The band chose “Love is All Around” over Gloria Gaynor’s “I Will Survive” and Barry Manilow’s “Can’t Smile Without You” even though some of their members hadn’t heard it before.
Singer Marti Pellow related that the decision to pick “Love Is All Around” was an easy choice “because we knew we could make it our own”. They made the right choice, as their version was a UK #1 for 15 weeks and became the best selling single in the UK in 1994.
The song is so much different than the Troggs’ version. I think that is why I like it so much! It isn’t that the Troggs’ version sounds dated or anything, I just think the Wet, Wet Wet version sounds more polished. It’s fantastic.
Love Is All Around
I wish I had a dollar for every time I have played this next one at a wedding or party! It was one of my most requested songs – Cotton Eyed Joe. What’s funny is that while high school kids were asking for it, they have no idea just how old the song is!
Songfacts says “This song originated in America in the 1800s, and is commonly associated with the American South. It became a popular song in country bars, as it was perfect for line dancing. It’s a traditional folk song, and many country artists recorded it.
Rednex is a group of Swedish producers who recorded “Cotton Eye Joe” as a techno dance song. After putting the song together, they came up with the country bumpkin motif and named the group Rednex, a play on the word “redneck,” a term for an uncultured southerner in America.
They found five Swedish performers to portray the band, dressing them in tattered clothes and giving them a stereotypical hillbilly look, with unkempt hair and dirty faces. In a cagy marketing move, they refused interviews and released a bio to the press explaining that the group was rescued from an uncivilized village called Brunkeflo in the backwoods of Idaho and brought to Sweden, where they could express their musical gifts. Their names were Bobby Sue, Billy Ray, Mary Joe, BB Stiff and Ken Tacky – all inbred.“
What a way to start a band, huh?
Cotton Eyed Joe
I don’t think I could ever be a good songwriter. There are some lines that I think are just brilliant. One of those lines is the opening line of Green Day’s Basket Case.
“Do you have the time to listen to me whine about nothing and everything all at once?”
That’s a great line! This song is about anxiety attacks and a feeling that you are going crazy. Lead singer Billie Joe Armstrong suffered from various panic disorders while he was growing up – he would sometimes wake up in the middle of the night with a panic attack and walk around his neighborhood to settle down. “Basket Case” was a cathartic and personal song for him. “The only way I knew how to deal with it was to write a song about it,” he explained.
Songfacts says “Blasting right into the verse at the beginning of this song is something that set it apart. Simplicity was a hallmark of the Dookie album, and while omitting an intro made little marketing sense (DJs couldn’t talk up the song), it got right into the meat of the track. Tre Cool of Green Day cites the first Beatles album, Please Please Me, as an influence on Dookie, since many of those early Beatles songs also got right to the point.”
Basket Case was one of those alternative songs I heard on the radio and it made me want to hear more from Green Day.
Basket Case
I’ve got the chance to hang out and interview Aaron Tippin a couple times. He’s a huge supporter of our veterans, and does a lot of charity work
During his stage show he puts together a bicycle while singing a song. Then he brings out someone from a children’s hospital or foster home and donates the bike and more to those children. Class act!
Off air, I found out he was a big fan of Frank Sinatra and Dean Martin. We chatted for a long time about their music. At his county fair show, he donned a fedora and nailed a Sinatra song. It was amazing.
My dad loves his music and he asked if I would get an autograph for him. Aaron and I were talking and I mentioned my dad’s request. My dad loves Aaron’s patriotism and support of veterans. I mentioned this to him. Aaron wanted to know more about him. Where did he serve? How long? What branch of service?
He grabbed one of his photos and signed it for my dad. It hangs proudly in my dad’s music room. “Sam. I KNOW you got it honest! Thank you. Aaron Tippin.”
I Got It Honest
The video for the next song is what got me. More on that in a second.
Weezer’s Buddy Holly was almost called “Ginger Rogers.” Well, it could have been. According to songfacts “The early demo of this song had a slower tempo and some different lyrics. The chorus originally referenced famous dancing duo Fred & Ginger: “Oo-wee-oo you look just like Ginger Rogers, Oh, oh, I move just like Fred Astaire,” before it was changed to “Oh wee-ooh, I look just like Buddy Holly, Oh, oh, and you’re Mary Tyler Moore.”
The video was just awesome. Spike Jonze directed it. Vintage Happy Days footage was intercut with shots of Weezer performing on the original Arnold’s Drive-In set. Al Molinaro, who played the diner’s owner on the series, made a cameo appearance in the video.
Think about this: Happy Days aired in the 1970s but was set in the 1950s, when Buddy Holly made his mark. So here we have a ’90s video referencing a ’70s TV series set in the ’50s.
The video was one of the most popular clips of 1995, it scored four MTV Video Music Awards, including Breakthrough Video and Best Alternative Music Video, and two Billboard Music Video Awards, among them Alternative/Modern Rock Clip of the Year.
The single was released to radio on September 7, 1994, which would have been Buddy Holly’s 58th birthday.
Buddy Holly
In 1994, Huey Lewis and the News released Four Chords and Several Years Ago. It was an album of 50’s and 60’s cover songs. What made this really cool was that they recorded it just like they would have in those days.
You didn’t have the guitar track laid down beforehand. The drummer wasn’t in a separate booth. All the musicians and vocalists were in the same room recording at the same time. This gave the songs a very authentic sound.
The band’s final entry into the Hot 100, was a cover of the JJ Jackson hit But It’s Alright. This is not to be confused with an earlier cover they did of the Impression’s It’s Alright. They did that one all acapella.
Four Chords is one of my favorite albums.
But It’s Alright
It is fitting that the next song is the last one on my list for 1994. It’s fitting because since it came out, I almost always used this song as the last song of the night when I DJ’d.
Madonna’s Take A Bow has a beautiful instrumentation and arrangement. While beautiful, it is sad. This song is about a failed romance Madonna had with “a movie star,” possibly Warren Beatty, whom she starred opposite in the movie Dick Tracy.
Babyface sang backup and also produced this track to give Madonna the R&B feel she wanted for the Bedtime Stories album. At Madonna’s suggestion, this song was recorded with a full orchestra. It was the first time Babyface had worked with live strings.
I always felt like it was a perfect song to wrap up with. The lyrics say, “The show is over, say goodbye.” I also liked that it was a 5 minute song, which gave me a little time to start packing up at gigs. At some gigs, if I had a friend there, or my significant other, I could sneak in a brief dance with them.
Take a Bow
And just like that, we’re through 1994. Like other years, there were plenty of good ones to choose from. Which one of your favorites did I miss?
Next week, we’ll hear the dance craze people love to hate, a band that was superior to another, a soulful sweet collaboration, a rather strange song, and the reuniting of one of the biggest groups in history. I hope you’ll stop by to check it out ….
The amazing Neal Hefti was born today in 1922. Neal may not be a name that you recognize, but I bet that you recognize at least one of the songs that he has composed.
He was a jazz trumpet player, arranger, and composer. He began arranging songs in his teens and went on to arrange songs for Woody Herman and his band, including the famous Woodchopper’s Ball. After leaving Herman’s band he did freelance work for Buddy Rich, Billy Butterfield and Harry James.
In 1950, he began to arrange charts for Count Basie. He was a key factor in the “Basie sound.” Basie liked his stuff so much, Basie had him arrange some charts for Basie and Frank Sinatra. When Frank and Basie recorded together, they recorded standard songs that Frank had recorded before, however, Hefti’s arrangements were done so that the band complimented Sinatra’s singing.
Hefti led his own band in the 50’s and did so until moving back to California in 1960. When he returned, he began to do work for the film industry. He enjoyed a lot of success writing movie and television music. His film music included songs for The Odd Couple, Sex and the Single Girl, and Barefoot in the Park.
The music for the Odd Couple movie led to him writing music for the television series. He wrote the theme song and background music for the Odd Couple and a little super hero show that took the nation by storm in 1966 – Batman.
He received three Grammy nominations for his television work and received one award for his Batman television score. The Batman Theme was “a simple cyclic twelve-bar blues-based theme” that became a Top 10 single for The Marketts (and also for himself).
My brother and I watched Batman in syndication and we love the campiness of it to this day. The them is iconic (and easy to sing along with). Happy 102nd Birthday, Mr. Hefti!
Welcome back to The Music of My Life, where I feature ten songs from each year of my life. In most cases, the ten songs I choose will be ones I like personally (unless I explain otherwise). The songs will be selected from Billboard’s Year-end Hot 100 Chart, Acclaimed Music, and will all be released in the featured year.
A brand new decade has dawned and I will turn 20 in 1990. It was a time of change for me, as well. I had been working at WKSG for a little over 2 years. I truly believed that I’d have that job for years, but had yet to learn how unstable radio jobs were. When I was fired, I called my old boss (now at another station in Detroit) and cried like a baby. He brought me in part time at WMXD.
As I looked through the music from 1990 and 1991, there were many songs that I played while at WMXD. When I started there, the music was a mix of Adult Contemporary and Urban songs. Eventually, they would go all Urban Contemporary and I was let go again.
One of the songs I played, I wrote about recently, but it still makes my list here. If you want to know more about Elton John’s Club at the End of the Street, you can read the earlier post here:
Next on the list is a song that was released on my 20th birthday, May 15, 1990. “Vision Of Love” was Mariah Carey’s first single. The song debuted at #73 in America, but two months later, in August, spent four weeks at the #1 spot. I remember playing this one on WMXD, as well. It was a song that really showcased her outrageous vocal range! The first time I heard her belt out that high note, I couldn’t believe it!
The original demo of the song was described as a 1950’s shuffle, but that didn’t matter. The song was good enough. Songfacts says, The original version was included on Mariah’s demo tape for Columbia. It was one of the songs that caught the ear of Tommy Mottola, her future husband and, more importantly, the head of the label’s parent company, CBS Records. At the time, Mariah was working as a backup singer for Brenda K. Starr, who invited her to a label party in Manhattan where the demo tape made its way into Mottola’s hands. After listening to the tape in his limo on the way home, he went back to the party to track down the singer. Mariah had already left and no one knew who she was. Days later, she found a message on her answering machine inviting her to sign with the label. Mottola then sent her to Los Angeles to re-record “Vision Of Love.”
Let me be honest right here. After her second album, there were not too many songs by Mariah that I cared for. I don’t know this for sure, but I feel the “business” changed her. There were a couple of songs later that were good. I felt, however, her strongest stuff was on those first two albums.
Vision of Love
The Godfather trilogy will always be my number one, but my second favorite trilogy would be Back to the Future. In 1990, Back to the Future Part III was released in theaters. I couldn’t wait to see how it all wrapped up.
ZZ Top released their Recycler album in 1990. The lead single from the album was a song from Back to the Future Part III called Doubleback. The group made a cameo appearance in the movie playing an acoustic version. That version is on the soundtrack of the movie.
Doubleback
But wait, there’s more! Consider this a Double Shot of ZZ Top. From the same album, My Head’s In Mississippi sounded like classic ZZ Top to me. I just loved the shuffle and the vocals. Billy Gibbons said:
“My buddy Walter Baldwin spoke in the most poetic way. Every sentence was a visual awakening. His dad was the editor of the Houston Post. We grew up in a neighborhood where the last thing you would say is, ‘These teenagers know what blues is.’ But our appreciation dragged us in. Years later, we were sitting in a tavern in Memphis called Sleep Out Louie’s — you could see the Mississippi River. Walter said, ‘We didn’t grow up pickin’ cotton. We weren’t field hands in Mississippi. But my head’s there.’ Our platform, in ZZ Top, was we’d be the Salvador Dalí of the Delta. It was a surrealist take. This song was not a big radio hit. But we still play it live, even if it’s just the opening bit.”
In 2008, Gibbons stated, “‘My Head’s in Mississippi,’ which was one of the first completed tracks on the album, is a great example of how we mixed the new with the old. Initially, it was a straight-ahead boogie-woogie. Then Frank stepped in and threw in those highly gated electronic drum fills, which modernized the track.”
My Head’s in Mississippi
I have never owned a pair of parachute pants. They do look comfortable, however, and it looks like you have a lot of freedom in them.
As much as I didn’t really want to include this one, I did play it a lot while DJing. It always got folks out dancing, then again, so did Super Freak by Rick James. Believe it or not, James did NOT give Hammer permission to use the song.
Songfacts explains: Rick James tried to keep rappers from sampling his music, turning down any requests. According to James, his lawyers authorized the “Super Freak” sample without his permission. He heard about it when a friend told him about “U Can’t Touch This” and the song came on the radio they were listening to in the car. James said he was irate, but somewhat appeased when he found out how much money it was making for him. Still, he claimed he wouldn’t have done the deal if he was asked.
James had another beef as well: he wanted to be listed as a songwriter on “U Can’t Touch This.” He sued MC Hammer for credit. The case was settled out of court, with James getting listed as a co-writer on the track along with Hammer and Alonzo Miller. Miller was a disc jockey who wrote some lyrics on “Super Freak.”
He recorded the song at Capitol Records, where Frank Sinatra, Nat King Cole, and Dean Martin recorded, The label ran an innovative marketing campaign to promote this song. They mailed out free cassette singles of the track to 100,000 kids. The cassettes came with a letter from Hammer asking them to call MTV and request the video. The ploy worked, and the video became the most-played of 1990 on the network.
U Can’t Touch This
I don’t remember when my ex-girlfriend had sent this song to me. It was probably after we broke up the first time. I say that because I believe that this song is what led us to getting back together eventually. I remember being pretty messed up after the break up. I did end up dating someone else.
I don’t recall how my ex and I began chatting again, but it led to her giving me this song. I really loved and cared about my ex. I broke it off with the gal I had been dating to get back together with my ex. It was really unfair to her, but I was 20, almost 21, and didn’t really know any better.
While we enjoyed some very good times the second time around, it didn’t last. She broke up with me again, which led to me always wondering what I did to cause he to leave. Anyway, I tell you all that to play Cuts Both Ways.
Cuts Both Ways
In 1967, Otis Redding wrote and recorded his version of Hard to Handle. He wrote it with Allen Jones and Al Bell and the track was produced by the legendary Steve Cropper. It was released in 1968 (after his death) as the B-side to his song “Amen.”
The song was first covered in 1968 by Patti Drew. The Black Crowes covered the song on their debut album, Shake Your Money Maker. Two versions of the song exist. First, the original album version and the hit single remixed with an overdubbed brass section. The latter is available on the 30th Anniversary edition of Shake Your Money Maker.
Songfacts says: This was The Black Crowes’ third single, following “Twice As Hard” and “Jealous Again.” It made #45 in the US in December 1990, as the group was rapidly gaining momentum. After “She Talks To Angels” hit #30 in May 1991 – over a year after the album was released – “Hard To Handle” was reissued, this time going to #26 and becoming the highest-charting single for the band on the Hot 100.
This has always been a song that I love to crank up. It’s funky and fun!
Hard To Handle
My next song is another one that I played while at WMXD. I was familiar with James Ingram before I worked there and always liked his voice. I Don’t Have The Heart was his only solo number one song. The song won him a Grammy Award for Best Male Pop Vocal Performance in 1991.
The song was written by the duo of Allan Rich and Jud Friedman. It was the first song they wrote together. Speaking about Rich’s lyrics, Friedman told Songwriting Magazine, “Allan says he’s not a poetic lyricist, and he’s not a flowery lyricist. He is very conversational, but in a good way, and that has its own poetry. It’s the poetry of reality and the poetry of life and interactions. And the thing about I Don’t Have The Heart, among many brilliant things about Allan’s idea for the song, is it’s an example of taking a phrase that’s very well known, ‘I don’t have the heart,’ and flipping it. ‘I don’t have the heart to hurt you but I don’t have the heart to love you.’ He used it in two different ways, and that was poetic. We’ve all been there, sometimes wearing one of the shoes and sometimes wearing the other.”
That was the thing that caught me, too. The flip. I love when a lyric does that.
I Don’t Have the Heart
Whitney Houston hadn’t been on the radio since 1988. While she had her fair share of uptempo songs, but I feel like radio played more of her ballads. So the first time I played I’m Your Baby Tonight, I was wowed by it.
According to Songfacts:
By the time Houston released her third album, I’m Your Baby Tonight, she was coming off of a three-year hiatus. Prior to this, she had a record-breaking string of seven consecutive #1 singles on the Billboard Hot 100. The problem was, her record label felt she was losing touch with her black audience. Houston balked at the claim, telling USA Today, “I don’t sing music thinking this is black, or this is white… I sing songs that everybody’s going to like.”
But producers L.A. Reid and Babyface agreed with the assertion. Reid told Billboard: “We wanted to come up with something that was different than anything Whitney had sung. So we approached it from that angle. We wanted to give her a new direction, and pick up where we felt she was lacking. We felt like she needed more of a black base.”
It definitely was a fresh sound for her, but I don’t know hear it as “more black” or “more white.” To me, it is just a great song!
The Julien Temple-directed music video shows Houston in the guise of different pop culture figures. They include silver screen siren Marlene Dietrich, Audrey Hepburn, and all three of The Supremes.
I’m Your Baby Tonight
Allow me just one more song from my WMXD days. Let me set this up for you. When I was at WKSG, these two sweet old ladies always called to request songs. They were sisters named Virginia and Dorothy. They always seemed to call toward the end of my overnight shift.
Virginia suffered with respiratory issues, so it took her a bit to say what she wanted. She would get a couple words out and have to take a breath. She had emphysema and really struggled to breathe.
Dorothy, on the other hand, was always on the go. She was always talking about where she was over the weekend. She was always at a party or something, even though she didn’t drive. She took a bus or Your Ride where she needed to go.
When I told them that I was leaving the station, Dorothy gave me her address to keep in touch. When I moved to Ludington, she and Virginia wrote me often. Eventually, communication was over the phone. When I moved back home, we actually ran into each other at a Weight Watchers. meeting.
I was closer to Dorothy, and she would invite me to stop by for coffee. She always had some sort of baked good ready. She was born the same day as Frank Sinatra. She was such a sweet friend. I am sure that I lost touch with her after I married my ex, and was sad to hear that she (and her sister) had passed away.
She once told me that she didn’t like all of the music we played at WMXD. One song she loved was The First Time by Surface. This song went to number one on the Billboard Hot 100. Whenever I hear it, I think about my friend and am grateful to have known her.
The First Time
Robert Palmer’s Don’t Explain album was very different. It contains 18 tracks and a variety of styles. There is R&B, Rock, Jazz, and more. It also includes some cover songs. I love the track “Top 40” because it swings a bit with a great sax line. It, however, wasn’t released as a single.
The song that is closest to what he had success with in the 80’s is You’re Amazing. I love the guitar line in the song. Billboard said, “Palmer’s reliably strong soul stylings added to headbanger guitar riffs and sweet background harmonies proves to be a quirky, but potent, combination.”
I don’t know that I would call the guitars “headbangers,” but I suppose they are a bit harder than Palmer usually presents. Now, the background harmonies – yeah, I dig those!
You’re Amazing
1990 Bonus Song
I just can’t pass up one song. It is a song that my best friend, Jeff, and I still laugh about. I can’t be sure who heard this first, but I know we laughed about it for years. The idea of taking the voice from a 1970’s instructional dance record and incorporating it into this is brilliant. The Bingo Boys did just that!
It is this vocal part from that record that makes us laugh so much. I cannot even being to picture a couple in their living room trying to learn a dance to that guy! It is so absurd that after a few of his lines, Princessa jumps in to shut him up. “Act like the end of a record and fade out …” is the lyric. I think that’s an awesome line.
The Bingo Boys were a trio from Austria. The song was actually released in the US first. It was released in the UK in 1991. It went to number one on the Hot Dance Club Play chart and reached number 25 on the Hot 100.
The song borrows heavily from a number of earlier recordings, including “Dance, Dance, Dance (Yowsah, Yowsah, Yowsah)” by Chic, “Dance (Disco Heat) by Sylvester, “Kiss” by the Art of Noise and Tom Jones, the popular James Brown “Yeah! Woo!” sample loop, the bassline motif from Mantronix’s single “Got to Have Your Love”, and a synth motif from The Whispers’ “And The Beat Goes On”. See if you can catch them all ….
How To Dance
That’s a wrap on 1990. Next week, we’ll check out 1991. That was the year I turned 21 and moved out for the first time. What kind of surprises will pop up?
Did I miss any big 1990 songs from your list?? Drop them in the comments!
Welcome to October! Every First of October the world celebrates International Coffee Day.
As a life long coffee drinker, this is the perfect day to offer up a tune or two about my blessed “bean water!”. There are a lot of songs about coffee, but today I will share my top 3.
Frank Sinatra was not known for his novelty songs, but he did record one or two. The Coffee Song pokes fun at they drink a lot in Brazil because no other drink is available.
Many covers of the song are out there, too. Louis Prima, Rosemary Clooney and even the Muppets covered that song.
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Black Coffee is another song that has many covers. It was first recorded in 1949 by Sarah Vaughn. Peggy Lee was next to cover it as well as Ray Charles, Bobby Darin, Julie London and kd Lang.
The most popular version of the song is probably by Ella Fitzgerald. She really can sing this one
The Java Jive was done by the ink Spots. It was first written in 1940. It was first recorded by the Ink Spots, and The Manhattan Transfer did a great cover. I am partial to the Ink Spots, but the Transfer:a version is better sound quality
Whether you percolate your coffee, use a Keurig, or simply use a drip coffee machine, grab a hot cup of Joe today and celebrate with the world?!
Various Ramblings of a Nostalgic Italian 