Turntable Talk #37 – Turn It On Again

This was first posted on the A Sound Day blog hosted by Dave Ruch:

Once again, Dave from A Sound Day has invited me to participate in his month Turntable Talk feature. I truly appreciate the fact that he always comes up with great topics. Some of those topics are a bit more difficult to write (like last month), and some are quite easy. This month’s topic falls into the latter category.

Dave is calling this month’s round –Turn it on Again!  His instructions are very easy: “tell us about your favorite music video, or the one which impresses you most, and why you love it.” As a child who grew up with MTV, I had many that came to mind.

At this writing, I don’t know what the other contributors have chosen to write about. Has someone picked Michael Jackson’s Thriller? What about Take on Me from A-Ha or Buddy Holly by Weezer? I also wonder about Fatboy Slim’s Weapon of Choice, Peter Gabriel’s Sledgehammer and Nirvana’s Smells Like Teen Spirit. Each and every one of them stands out and have appeared on many “Best Music Video” lists.

I’m not sure that my pick would be considered my “favorite.” I also wouldn’t say it “impresses” me most, but I do enjoy watching the craziness of it. I suppose readers may be surprised at my choice, as I don’t really write about many “rock” songs. I suppose that this song wouldn’t fit into that category, but the singer qualifies as a rocker (at least most people think so).

“The band as you know it is over!” That is what Eddie Van Halen told Rolling Stone in mid-August 1985. This confirmed the rumors of division in the band with David Lee Roth. Eddie also made sure to add that “Dave left to be a movie star.” With that, Dave went on to explore a solo career. In late 1984, Dave released a cover of the Beach Boy’s California Girls. He followed that with another cover song (medley actually) from the great Louis Prima.

In 1956, Prima took the song Just a Gigolo and paired it up with I Ain’t Got Nobody. He used the song in his 1950’s Las Vegas act with Sam Butera and Keely Smith. The success of that act gained Prima a recording deal with Capitol Record, which hoped to capture on record the atmosphere of his shows. The first album, titled The Wildest! was released in November 1956, and opened with “Just a Gigolo”/”I Ain’t Got Nobody.” It became Prima’s signature number and helped relaunch his career.

Roth’s version is really almost a note for not copy of Prima’s record. By itself, it’s just an ok cover song. However, with an entertaining video that features celebrity look-alikes, beautiful women, and Dave being … Dave, it becomes something much much more.

The video for the song begins with Dave asleep at a news desk as his video for “California Girls” plays behind him on the monitor. The crew calls his name and he wakes up. After his talk, the freaky crew members begin to speak to him. They are right in the camera, so the viewer sees this from Dave’s perspective in this sequence. It’s actually kind of disturbing. The intro to the video is almost two minutes long before the song actually begins.

When it does, Dave is off dancing through the studio. We see him showing up at a talk show, walking through the backstage area among Vegas showgirls, astronauts, pimps, pirates, monsters, cheerleaders, hula dancers, and the police. All of this happens before you really get to the “meat and potatoes” of the video.

It is there that Dave begins parodying videos from Michael Jackson, Cyndi Lauper, Billy Idol, Richard Simmons’s “Sweatin’ to the Oldies” videos (Davercize!), Willie Nelson, and Boy George. As he appears in each of the videos, he winds up wrecking them. It is almost like watching a cartoon. It’s utter chaos, but a fun chaos (unless you count the priest who has a heart attack because of Dave’s dancing.)

The video is like a snapshot of the 80’s. It’s funny to imagine Dave crashing into a Willie Nelson or Cyndi Lauper video. As the “Nostalgic Italian,” I appreciate the nostalgia that the video presents. It is more powerful now than it was in 1985.

Eventually, MTV edited the 2 minute intro out, and just played the song portion of the video in rotation. I think that is how I first saw the video. When I searched for it to post in this blog, I found the full video. I honestly had forgotten all about the intro, but seeing it again was a hoot. Watching Dave do his “over the top” announcer made me think of so many of those DJ’s on the radio who literally puke every thing they say.

Back in one of our first rounds of Turntable Talk, we discussed music videos and whether they hurt radio. To me, I love the fact that a music video can convey the story of a sad song or add a whole lot of fun to another. With this video, Dave pokes fun at other videos, which only makes his more enjoyable to see.

I could be wrong, but it is possible that Weird Al Yankovic looked back to this video as inspiration for his UFH video. In Al’s Video, (in between clips from the movie) he pokes fun at Guns and Roses, Prince, George Michael, Peter Gabriel, ZZ Top, Billy Idol, The Beatles, INXS and the Talking Heads!

Thanks again, Dave for asking me to take part in this feature. I know that I really look forward to your topics and enjoy writing my response to them. I am already looking forward to next month.

Thanks for reading!

Leap Day #1 Songs!

When I thought about what to do for the year’s “bonus” day, my first thought was to list a bunch bunch of songs about “leaping” and “jumping.” Then I thought that was just too easy. So I decided to take another musical look at February 29th.

I present to you a look at songs that have the honor of being number one on Leap Day. So let’s leap back to 1940 …

2/29/40 – Glenn Miller and his Orchestra had the number one song with their best known song. In the Mood.

2/29/44 it was Glen Gray and the Casa Loma Orchestra with My Heart Tells Me

2/29/48 – Art Mooney was feeling lucky with I’m Looking Over a Four Leaf Clover

2/29/52 – Johnny Ray was shedding tears with his number one – Cry.

2/29/56 – The Nelson Riddle Orchestra took us to Lisbon Antigua

2/29/60 – It was Percy Faith and his orchestra with The Theme From a Summer Place.

2/29/64 – Of course, in 64 it had to be a Beatles song – I Want to Hold Your Hand was on top of the charts.

2/29/68 Yet another instrumental was number one. This time, Love is Blue from Paul Mauriat

2/29/72 – Harry Nilsson lamented about living Without You

2/29/76 – A TV Tune was number one. The Theme from S.W.A.T. from Rhythm Heritage

2/29/80 – Classic Queen! Freddy Mercury and the boys sat at number one with Crazy Little Thing Called Love.

2/29/84 – A song about leaping/jumping …. Jump from Van Halen

2/29/88 – George Michael took the top spot with Father Figure

2/29/92 – The is some confusion as to this particular year, however, the chart is dated 2/29/92 and it says the number one was held by Mr. Big – To Be With You (some people say Right Said Fred – I’m Too Sexy)

2/29/96 – It was the amazing pairing of Boys II Men and Mariah Carey on One Sweet Day

2/29/2000 the group Savage Garden hit number one with a forgotten favorite – I Knew I Loved You

2/29/04 Usher said “Yeah!” about having the number one tune. Any time I think of Lil Jon, I think of that sketch on the Dave Chappelle Show … LOL

2/29/08 – Flo-Rida hit number one with a song that still makes people dance – Low

2/29/12 Kelly Clarkston held the number one spot with Stronger

2/29/16 Justin Beiber was sitting at number one with Love Yourself

2/29/20 it was a song that I find to be a total piece of garbage. The lyrics disgust me and the fact that it was a number one song really makes me sick. I’ll just mention it, but I certainly will not be posting it here. The Box by Roddy Ricch.

As for today, it seems that Beyonce is at number one with something called Texas Hold ‘Em. I read the lyrics. Never heard it. I don’t care to.

Final thoughts? There were a lot of instrumentals on Leap Day! There were certainly some good tunes, some long forgotten, and some crap. Music is subjective. Any stick out for you?

Happy Leap Day!

Turntable Talk – Did Video Kill The Radio Star?

This blog is my entry for Dave over at A Sound Day’s “Turntable Talk.” Kudo’s to Dave for picking some fantastic topics, and at the same time letting us participants “run” with it. The following are the instructions we were given:

We were told we ” …don’t have to write literally about the question, but we’re looking for your thoughts on all things music video – how much did MTV change the music of the ’80s? Since there were already British acts making videos regularly in the 70s, do you think it would have taken off in a big way even without the American MTV influence?  Did it kill careers… or make careers that shouldn’t have happened? Do you have favorite ones you still like to watch?  Do you miss the days when MTV (or Much Music in Canada, or European equivalents) ran music videos instead of reality TV and old reruns?   Really, approach it how you like, but I’m curious to get thoughts on the Video Revolution.

My Conundrum

There have been many people who truly believe that video killed the radio star. As a child of the 70’s and 80’s, I lived through the beginnings of MTV. When I think about music videos, there are so many that I will forever associate with the songs. For example:

  • Take On Me – a-ha
  • Sledgehammer – Peter Gabriel
  • Rhythm Nation – Janet Jackson
  • Bad, Billie Jean, Beat It, Black or White, and of course, Thriller – Michael Jackson
  • Vogue – Madonna
  • Smells Like Teen Spirit – Nirvana
  • Buddy Holly – Weezer
  • Weapon of Choice – Fatboy Slim
  • Dire Straits – Money For Nothing
  • Legs – ZZ Top
  • Land of Confusion – Genesis
  • Hot For Teacher – Van Halen
  • Simply Irresistible – Robert Palmer
  • Girls Just Wanna Have Fun – Cyndi Lauper
  • Run DMC and Aerosmith – Walk This Way
  • California Girls – David Lee Roth
  • Got My Mind Set on You – George Harrison
  • Stuck With You – Huey Lewis and the News
  • Faith – George Michael
  • White Wedding – Billy Idol
  • Opposites Attract – Paula Abdul

The list could go on and on! Those are just the ones that I pulled off the top of my head (and I am probably forgetting some big ones)!

The more I thought about it, I kept coming back to “Video killed the radio star.” Perhaps that is the case (as some proclaim), but I can think of one artist who made videos and it got him mainstream attention.

MTV Welcomes Weird Al Yankovic

According to Wikipedia, the discography of Mr. Yankovic consists of fourteen studio albums, nine compilation albums, eleven videos albums, two extended plays, two box sets, forty-six singles and fifty-four music videos. 

Those fifty-four music videos helped to take Weird Al Yankovic to the mainstream world. Let’s face it, the only place you could hear him on the radio was on the Dr. Demento Show, which was often aired in the worst possible time slot because of the crazy content. When Al ventured into the video realm, more and more viewers wanted to see – and hear – more of him!

Parody songs have been around forever, and very rarely ever got radio play. Novelty records were big in the 50’s and 60’s, and there were a few here and there in the 70’s. When Al comes on the scene in 1983, he took it to a whole new level, using videos.

1983’s “Ricky” is credited as being his first video. It was a parody of Toni Basil’s “Micky.” It was a parody base on the TV show I Love Lucy. The video was shot in black and white and still looks great today.

From there, Al continued to use video to gain exposure on MTV. His next single was “I Love Rocky Road” which parodies Joan Jett’s “I Love Rock and Roll.” Instead of a greaser bar, it is set in … an ice cream parlor.

Al’s next video is really the one that really stands out as the one that moved him to a whole new level. Yes, he is a parody singer, but with the video for “Eat It” (a parody of Michael Jackson’s Beat It), not only is the song parodied, but so is the video. Al’s video is literally a shot for shot remake of Jackson’s. Throughout the video, instead of switchblades there are rubber chickens and kitchen utensils, and gags for almost everything in the Beat It video.

I can’t say whether or not the video is responsible for this, but the song won Al a Grammy Award for Best Comedy Recording in 1984. The video won for Best Male Performance at the 1984 American Video Awards!

From that point on, Al continued to make music videos for his singles. Art Fleming appeared in the “I Lost on Jeopardy” video, non-stop visual gags were plentiful in the “Like a Surgeon” video, and the James Brown “screams and shrieks” in “Living With a Hernia” were all more painful than soulful.

In 1988, Al once again parodied Michael Jackson. If I had to pick a “perfect” Weird Al parody video, it this would be one of two. Al won another Grammy Award for Best Concept Music Video for “Fat.” He even got permission from MJ to use the same set as the original video. Al’s makeup took three hours to apply every day and his fat suit weighed 40 pounds. Every time I hear the line, “Ding Dong, Yo!” I still crack up.

I mentioned that “Fat” is one of two “perfect” videos. The other would have to be the fantastic video for “Smells Like Nirvana” (a parody of Smells Like Teen Spirit). Al famously got permission for this parody from Kurt Cobain himself when he was performing on Saturday Night Live. In this Grammy-nominated video, Al satirizes Nirvana and the grunge movement, shooting on the same set as the original video and using the same actor who played the janitor (Rudy Larosa). Dick Van Patten has a cameo, which for whatever reason is extremely funny to me. Why Dick Van Patten??!! Someone said that Tony Hawk makes an appearance in the video, too. I’m not sure I know where.

Weird Al has certainly used music videos to his advantage. It takes a lot of creativity to write a good parody (I mean, come on, there are a lot of crap ones out there – just look on YouTube), but to take an already funny song and create a video that brings about even more humor, just enhances the song. I’ve said it before, and I will say it again, Weird Al is a musical genius.

There have been many other great videos that have followed. To name a few: Amish Paradise (featuring Florence Henderson), Headline News (featuring The People’s Court’s Doug Llewelyn), Gump (featuring Ruth Buzzi and Pat Boone), The Saga Begins (the fantastic Star Wars tribute), White and Nerdy (featuring Donny Osmond and Seth Green), and so many more.

Yes, video may have killed the radio star, but it certainly helped boost the career of Weird Al Yankovic.

I Made It 15 Days! A New Record!

I’m out! I got “Whammed” on Tuesday by a co-worker.

Another co-worker and I were just talking about this on December 1st. Do you play Whamageddon? Do you even know what it is? If not, I’ll tell you.

It’s probably one of the stupidest and silliest games of the holiday season. The objective? Avoid hearing Last Christmas by Wham from December 1st to December 25th (although there are some people who try to avoid it the entire month of December).

Here are the rules:

When I was working part time at Cars 108, it was especially difficult to avoid hearing it, because the station played all Christmas music during the holidays. However, now that Covid has pretty much forced my retirement from radio, I have a bit more control over things.

Yes, I still do flip through the channels on the radio, but it is mostly Sirius XM stations that probably wouldn’t play the Wham version. However, there were times that my wife and I were driving where we were scanning through local stations and the risk factor was higher. I thought for sure if I was gonna be “Whammed” it would be driving in the car, but that is not what happened.

One of our co-workers was listening to a variety of music on YouTube Tuesday night. I know for a fact that she was here the night me and my other co-workers were talking about Whamageddon. Whether she heard the discussion or not, I don’t know.

She was playing Christmas songs of her choice – meaning, she was searching and then selecting the songs to play. She literally turned to us and said, “Here’s one for you” and started Wham! My buddy and I looked at each other and were like, “Really!? Why would you play that?!” She said she had no idea about the game. That was NOT the way I thought I’d lose the game! I am sure that there was a look of disgust and defeat on our faces!

I suppose I’ll give it a go again next year … Maybe I can go longer than 15 days!

Tune Tuesday – Feelin’ Good

One of my followers asked how picked my songs for Tune Tuesday.  To be honest, I have no rhyme or reason for the songs that end up here.  Last week, I wrote about Marvin Gaye for his birthday, and the week before that it was Nat King Cole for his birthday.  Today, it just happens to be a song I heard while in my car this afternoon.  It also happens to be a song that fits where I am in my life right now.

In the past year I have been blogging, I have written much about weeding out negativity, and the positive changes that have happened in my life.  I have written about reaching a point where I thought of ending my life, only to come through dark times to find true love and true happiness.  This song totally fits where I am now –  Feeling Good!

buble

The Song

The song was written by singer, songwriter, and actor Anthony Newley for the musical “The Roar of the Greasepaint – The Smell of the Crowd”.  Despite being covered by many artists (including Traffic, The Pussycat Dolls, George Michael, Joe Bonamassa, and John Coltrane – just to name a few), prior to Michael Buble’s version, the best known version was by the amazing Nina Simone. She recorded it for her 1965 “I Put a Spell on You” album.  Her version was never released as a single, but became known because of a Volkswagen advertisement in 1994.

Michael Buble’

I was first introduced to his music from a friend of mine who worked at All Access.  Kelly knew I was a big fan of the “Great American Songbook”, and the music of Frank Sinatra, Dean Martin, Billie Holiday, and other great vocalists.  We spent a lot of time talking music.  She sent me a copy of Buble’s debut album and I was pretty impressed.  I was not only impressed with his vocals, but I was impressed with his band and the arrangements of the songs.  When his next album, “It’s Time”, hit stores, I made sure to pick it up.

Feelin’ Good is the opening cut from the “It’s Time” album.  It was released as a single, coincidentally this month in 2005.  The song opens with a slow fade up, and Michael’s vocal.  It’s soft and smooth and then the band kicks in with a big bass line, a sloppy and bluesy brass line, and you are hooked.  Everything about the arrangement of this song is perfect.  I love Nina’s version, but after you hear Buble’s version, it sounds “unfinished”.  It sounds weak and like it needs a few more musicians.

Buble’ acknowledges the influences of Dean, Frank, Tony Bennett, and continues to keep those wonderful songs alive (as well as some originals of his own).  Many people think of him and think of his Christmas music, which is sad.  He has SO many great songs.

As I reflect on where I am now in my life, I have found a happiness that I never knew I could experience.  I have found a love that many only dream about.  Ask me how I am feeling, and I will tell you I am “Feeling Good!”

Feeling Good

Birds flying high
You know how I feel
Sun in the sky
You know how I feel
Breeze driftin’ on by
You know how I feel
It’s a new dawn
It’s a new day
It’s a new life
For me
And I’m feeling good
I’m feeling good
Fish in the sea
You know how I feel
River running free
You know how I feel
Blossom on the tree
You know how I feel
It’s a new dawn
It’s a new day
It’s a new life
For me
And I’m feeling good
Dragonfly out in the sun,
You know what I mean, don’t you know
Butterflies all havin’ fun,
You know what I mean
Sleep in peace when the day is done, that’s what I mean
And this old world is a new world
And a bold world
For me
For me
Stars when you shine
You know how I feel
Scent of the pine
You know how I feel
Oh freedom is mine
And I know how I feel
It’s a new dawn
It’s a new day
It’s a new life
It’s a new dawn
It’s a new day
It’s a new life
It’s a new dawn
It’s a new day
It’s a new life
It’s a new life
For me
And I’m feeling good
I’m feeling good
I’m feeling so good
I feel so good