The Music of My Life – 2005

Welcome back to The Music of My Life, where I feature ten songs from each year of my life. In most cases, the ten songs I choose will be ones I like personally (unless I explain otherwise). The songs will be selected from Billboard’s Year-end Hot 100 Chart, Acclaimed Music, and will all be released in the featured year.

I turned 35 in 2005. There was plenty going on in my personal life at this time. We were doing various therapies for my son, who had been diagnosed as being on the Autism spectrum. I had settled into my position at 94-5 The Moose in Saginaw as their afternoon guy and music director. I was certainly loving that. And at some point during the year, my mother’s cancer returned.

At the time, My Space was pretty popular. I was blogging a lot on there. Somewhere, I have a Word document with every one of those blogs. I had to contact them to get them. I had stopped posting there after joining Facebook, and at some point they moved content. I was thankful to get those blogs as they covered the time leading up to my wedding, the birth of my sons and the death of my mom.

I posted a lot about new songs we were playing on the radio, too. A few of them make this list. Let’s head into 2005:

The legendary Ray Charles passed away in 2004, but before he did, he recorded an amazing duets album. Genius Loves Company was the best selling recording of Charles’ more than 50-year career. It was a collection of duets with Norah Jones, Natalie Cole, Elton John, B.B. King, Gladys Knight, Diana Krall, Michael McDonald, Johnny Mathis, Van Morrison, Willie Nelson, Bonnie Raitt and James Taylor.

The album entered the Top 10 on the US album chart more than 40 years after Charles’ previous appearance on that same chart. This broke the record held by another act who also made his comeback with a duets album. In 1993 Frank Sinatra’s Duets reached the Top Ten 25 years after his previous Top 10 album.

Here We Go Again was a song that Ray had recorded in 1967. Then in 2004 he re-recorded this as a duet with Norah Jones for Genius Loves Company. She recalled collaborating with Charles on this song in a 2010 interview with Billboard magazine:

“I got a call from Ray asking if I’d be interested in singing on this duets record. I got on the next plane and I brought my mom. We went to his studio and did it live with the band. I sang it right next to Ray, watching his mouth for the phrasing. He was very sweet and put me at ease, which was great because I was petrified walking in there.”

This song won Grammy Award for Record of the Year and Best Pop Collaboration in 2005 eight months after Charles passed away. In addition Genius Loves Company was awarded Album of the Year among six other awards, as the American music industry paid lavish tribute to him.

Unlike Frank Sinatra and Willie Nelson, Ray Charles’ voice is as strong as ever on this recording. I felt Sinatra’s voice was weak on his duets albums. Willie is still putting out albums and at times he sounds like he’s just speaking the lyrics. Ray, however, sounds fantastic. I love the blending of these two voices.

Here We Go Again

The next song is an example of a song that I first heard in a polka. You read that right – a polka. Weird Al Yankovic has done quite a few polka medleys on his albums. The medley usually contains a verse or chorus from a pop song done as a polka. When I first heard Beverly Hills by Weezer on the radio, I found I liked it.

Weezer lead singer (Rivers Cuomo) explained in an interview with Rolling Stone magazine that this song is about how he could live in Beverly Hills, but he wouldn’t fit in. “I could live in Beverly Hills, sure,” he says, meaning he could afford it easily. “But I couldn’t belong there.'”

Songfacts explains:

The song comes off as satire, but that wasn’t what Rivers Cuomo had in mind when he wrote it. “I was at the opening of the new Hollywood Bowl and I flipped through the program and I saw a picture of Wilson Phillips,” he said. “And for some reason I just thought how nice it would be to marry, like, an ‘established’ celebrity and live in Beverly Hills and be part of that world. And it was a totally sincere desire. And then I wrote that song, ‘Beverly Hills.’ For some reason, by the time it came out and the video came out, it got twisted around into something that seemed sarcastic. But originally it wasn’t meant to be sarcastic at all.”

The music video was shot at the Playboy mansion. It included appearances by Playboy founder Hugh Hefner and some of the Playboy bunnies. Two of those bunnies were Holly Madison and Bridget Marquardt.

Beverly Hills

When I was music director at the Moose, I spoke with a lot of record people. One of the industry folks knew I loved music from the Rat Pack. She asked me if I had heard of Michael Buble’. I hadn’t. She sent me some MP3’s of his music and I was hooked.

The song could have been sung by just about any artist who tours. The lyrics sound as if they could be autobiographical. It is sung by someone who spends a lot of time on the road with great success. With that success, there is sacrifice. He is missing his home, particularly the woman he loves.

Despite the fact that Home only reached #72 on the Hot 100 chart, it was a breakthrough song for him. The song hit #1 on the Adult Contemporary survey in July 2005. Three years later Blake Shelton reached #1 on the Country chart with his cover of Bublé’s hit.

Bublé and Blake Shelton teamed up in 2012 to record a holiday version of this song for Shelton’s, Cheers, It’s Christmas album. The collaboration happened after Shelton sent Bublé an email saying he hoped to record a yuletide-themed rendering of the tune. “I had the idea of doing a Christmas version of ‘Home,'” he said.

This was the song that proved to folks that Michael was more than a cover artist. His original songs are just as good as the standards he records. He is also more than just a Christmas artist. It bugs me that people pigeon hole him and label him like that. He’s one of my favorites.

Home

My on air name was “Keith Allen.” As a music director, I got to hear all the new music before it went on the air. I popped Play Something Country by Brooks and Dunn in the CD player and loved it. On my first listen, I thought they said my name – Keith Allen. I suppose, in a way, they did. But the lyrics refer to Toby Keith and Alan Jackson:

Said, I’m a whiskey drinking, cowboy chasing, hell of a time
I like Kenny, Keith, Alan and Patsy Cline.

I have to tell you my favorite story about this song. When my program director and I first heard this, we said, “That’s a number one song!” We told our consultant that we wanted to add it. He said he didn’t feel like it was a hit. We were both shocked. We both told him that we felt it would be number one. He fought us.

He fought us for a few weeks on this one. He finally said that if we really felt it was a hit, we should add it. We wound up making a wager. I told him that if it didn’t go to number one, we’d buy him dinner. He said if it did hit number one, he would buy US dinner. The week it hit number one, he called us for our weekly music call. When we answered we started giving him restaurants we could go to!

His issue with the song? The “wolf-like” howl of the chorus.

Play Something Country

The next song is one that everyone jokes about on October 1st every year. “Someone needs to go wake up the guy from Green Day!”

This song reminds me of Fastball’s The Way. I say that because it starts with a simple acoustic guitar behind lead singer Billie Joe Armstrong. Then the song kicks in with drums and the rest of the instrumentation. I love the sound of that.

Green Day’s Billie Joe Armstrong wrote this song about his father, who died of cancer on September 1, 1982. At his father’s funeral, Billie cried, ran home and locked himself in his room. When his mother got home she knocked on the door to Billie’s room. Billie simply said, “Wake me up when September ends,” hence the title.

“My father died in September of ’82, and I purposely, up until that point, never went there,” Armstrong said in an interview. “I think really what I was doing was processing that loss that I had with this person that I never really knew. So I wrote that song for my father and about that loss and how 20 years had passed. I remember right after I wrote it, I felt this huge weight off my shoulders.”

Wake Me Up When September Ends

Another country newcomer makes my list this week. I have actually written about him, and the song. Here is that blog:

Tune Tuesday – Must Be Doin’ Something Right

Must Be Doing Something Right

The next song is one of the slowest chart climbers in history. It was on the American Hot 100 chart for 23 weeks before it entered the Top 40. KT Tunstall’s “Suddenly I See” was inspired by another artist, Patti Smith. Tunstall said, “The inspiration for the song was Robert Mapplethorpe’s photograph of Patti Smith on the cover of her album Horses. I was staring at it one day thinking it was incredible. It’s everything I love about music – mysterious, inviting, frightening.”

Suddenly I see
This is what I wanna be
Suddenly I see
Why the hell it means so much to me

“The chorus was me thinking, ‘that’s what I want to be,'” Tunstall told The Guardian. “Not a famous pop star with lots of money, but like this woman who’s living her life as an artist. I’d been trying for more than 10 years to be a professional musician. I was just exhausted from trying to persuade other people I was good enough.”

I remember hearing this song shortly after realizing that my first marriage was over. After all I learned and discovered through therapy, the title spoke to me. Suddenly, I saw just what was going on and I realized that I couldn’t do it anymore.

Suddenly I See

There were some really good country songs around this time. There were many new artists and some really distinct sounds that were on the radio. I was impressed with Josh Turner from the first time I heard him. I couldn’t believe the tone of his low voice.

Your Man is a song that I wish I could have written. Here is a guy who has been thinking about his woman all day long. He tells her to lock the door, turn the lights down low, and play some music.

I’ve been thinking about this all day long
Never felt a feeling quite this strong
I can’t believe how much it turns me on
Just to be your man

That’s LOVE right there!!

I love the entire feel of this song. It’s the perfect song to “sway” to.

Your Man

As the “Nostalgic Italian,” I think it is safe to say that I believe in the power of a photograph. The memories that can come from looking at an old picture just amazes me. My Friday Photo Flashback is always fun to do. I think that is because of the stuff that comes to mind with those old pictures.

I know there are plenty of people who hate Nickelback. However, Photograph is a song that I can relate to in so many ways. (From songfacts): This song is about reviewing the memories (missed and forgotten) from the band’s childhood in Hanna, Alberta. The lyrics are a chronicle of real events and personal landmarks lead singer Chad Kroeger recalled as he wrote it.

“It’s just nostalgia, growing up in a small town, and you can’t go back to your childhood. Saying goodbye to friends that you’ve drifted away from, where you grew up, where you went to school, who you hung out with and the dumb stuff you used to do as a kid, the first love – all of those things. Everyone has one or two of those memories that they are fond of, so this song is really just the bridge for all that.”

Someone once said, “If you don’t think photos are important, wait until they are all you have left.” I couldn’t agree more.

The photograph Kroeger is holding in the video is the one that inspired the song: It’s a shot of him and their producer, Joey Moi, at a New Year’s Eve party.

Photograph

We wrap up 2005 with a One Hit Wonder. Defining a “one hit wonder” isn’t really easy. Most feel it is when the artist fails to have their follow up released crack the Top 25. There are certainly many songs that fit into that category.

Daniel Powter’s album was released in America in 2006. Bad Day was released in the UK in 2005. In the fifth season of Americal Idol, the song was played over a video montage of the contestant that was being sent home that week. This helped the song gain popularity.

Powter is from British Columbia who later moved to Los Angeles. “Bad Day” was his first single released on a major label (Warner Bros.), and his only hit. He later described it as “a blessing and a curse.” Powter said:

“I was touring the world and performing for thousands of people, but I felt like the song was starting to define me. I actually found myself getting almost angry about it.”

This was the top-selling digital download of 2006. This was the star of people prefer downloading songs to buying CDs. It was part of a shift toward digital distribution of individual songs. In America, the album sold 500,000, but the single was digitally downloaded over 3 million times!

My mom was doing chemotherapy and radiation for her breast cancer at this time. She found the song to be inspiring. It basically says that even if you have a bad day once in a while, things will get better. My mom always tried to have a positive outlook. She battled cancer for 10 years and by this point she was tired.

My mom had the gift of gab. She was always on the phone. She assigned Bad Day to be the ringtone for her cell phone. I believe it was on there until she passed away. When I hear this song, I am taken back to those final weeks of her life.

Bad Day

What song from 2005 did I miss that was your favorite? Drop it in the comments.

Next week, we’ll focus on 2006. On my list is a song about a steeplechase runner, a song that became a hit because of Grey’s Anatomy, and a song that was a hit on the Adult Contemporary Chart and the Country charts. It also has a great Drifter’s cover song, one that took on a whole new meaning for me when my daughter was born, and a creative way to insinuate profanity without actually using it.

Thanks for reading and for listening! See you next week.

The Music of My Life – 2000

In 2000, I turned 30. It was one of those big milestone birthdays that people joke about. “You start to fall apart at 30,” I was told. I was lucky. Right around my 30th birthday I achieved my 30 pound weight loss. I was on my way to better health and actually felt good. I was married, had a steady full time job, was doing radio part time, and still DJing on the side.

It has been interesting to look back year by year to see the changes in music. It’s funny to see how certain things come and go. For example, “Boy Bands.” When the New Kids on the Block faded away in the early 90’s, many folks thought the boy bands were done. However, in 1999, two new boy bands brought the genre back into the spotlight.

When the Backstreet Boys stormed on the scene in 1999, they helped pave the way for ‘N Sync. ‘N Sync’s No Strings Attached album would go on to be the best selling album of the 2000’s according to Billboard magazine. Bye Bye Bye was one of the songs from it that helped the sales of the album.

The song is on my list because it was one of my “go to” songs at parties. It never failed to get all of the younger females out on the dance floor. It always made me laugh because when it started to play, you’d hear a bunch of high pitched screams. I liked it to the girls you’d see watching the Beatles or Elvis!

Bye Bye Bye

Next, it’s a one hit wonder that really stuck out on the radio. The group Nine Days took Absolutely (The Story of a Girl) to the top ten on the charts, but wound up being a “one and done” group.

The song was written by lead singer Josh Hampson. The song is actually an autobiographical song about him and his wife. In an interview with Impose magazine, he says, “I exaggerated things and used tons of figurative language to express something, but it’s about me, and it’s about my wife – who was then my girlfriend – and her wanting to get engaged. I just wasn’t ready. I was basically stalling her and making her cry. I was good at that.”

Their first album didn’t produce any further hits. They recorded a second album, but their label dropped them and said that the album would not be released. They said that there were “no hits” on it.

John left the music business and became a teacher.

When a song opens cold (with no musical intro), that first line really has to grab you. The first time I heard this on the radio, it grabbed me. I thought, “Okay, tell me more about the girl who cried a river and tried to drown the whole world…”

Absolutely (The Story of a Girl)

We’ve seen throughout this series how tough times can often lead to amazing songs. That is the case for the country cross-over hit, I Hope You Dance.

The was written by Tia Sillers and Mark Sanders. Sillers told Songwriter Universe magazine:

“For ‘I Hope You Dance,’ I had written the opening line, ‘I hope you never lose your sense of wonder.’ I had just broken up with someone, going through a brutal divorce. I needed to get away, so I went to a beach on the Florida Gulf Coast. Sitting on the beach and reflecting about the breakup, I felt so small and inconsequential. But out of this difficult time came the inspiration to write ‘I Hope You Dance.’ As I was leaving the beach, I remember thinking that things weren’t really so bad, that I would get through it. That’s when I came up with the line, ‘I hope you still feel small when you stand beside the ocean.'”

In a Song facts interview, Bill Withers talked about this song. He stated that this is a song that says something that everyone can understand and remember: “There are lines that are so profound… ‘And when the time comes for you to sit it out or dance, I hope you dance.’ Come on man, you can’t say that any better.”

This was a song that became big for Daddy/Daughter and Mother/Son dances at weddings. It wasn’t odd for it to be the bridal dance either. I think Lee Ann Womack’s voice is perfect for this song and I was thrilled to see it get pop airplay.

It really is one of those songs that is a “wisdom song.” It could easily be something someone would tell a loved one if they knew it was the last time they’d see each other in my opinion. It’s just a really great song.

I Hope You Dance

it would be two years before my first child would be born. I won’t lie, the thought of being a dad scared me. The next song is one that was still being played on the radio when my son was born. It struck a chord and I know now, why.

According to Song facts, Creed’s lead singer, Scott Stapp was due to be a father. Once he found out that he was going to have a son, Stapp wrote this song because he didn’t want his child facing the same problems he faced while growing up. He was from a very strict, very devout Christian household and he didn’t want his son to grow up questioning himself and his faith like Scott did. Stapp told us: “Don’t we always want our kids to be better than us? Don’t we always want them to have a better experience in this life and this journey than we did? So I think that from my point of view I’m beginning to see why that song struck a chord with multiple generations: because it touches on a feeling and sentiments that are universal for fathers, and for parents in general.”

Scott says that he still connects with the song when he performs it. He says he remembers the fear of being a father, but also knows with time, the fear has gone and he loves being a dad.

The song would be Creed’s only #1 on the Pop chart.

With Arms Wide Open

Next is a song that I hated to include. I never really cared for the song, but it was a part of my life. Heck, it was a part of everyone’s life. It seemed like you couldn’t go anywhere without hear it or a reference to it. It may surprise you to know that despite this, it barely did anything on the charts.

Songfacts says, “Considering what a sensation this song was in America, it had a surprisingly low chart position, peaking at just #40. While the song seemed to be everywhere, its omnipresence was due more to cultural references than to record sales or airplay. Few radio stations put the song in rotation, and in this pre-download era, consumers had little interest in owning the single.”

So just how did it get so popular??

Songfacts answers that, too. “Knowing most radio stations would have no interest in this song, it was marketed through sports, with the single sent to various baseball, basketball, football, hockey and soccer teams in hopes that they would play it at games.

Most of the music played during sporting events is during lulls in the action – after a foul ball in a baseball game or when a football team is in the huddle – which is only room for about 12 seconds of a song. Songs with quick, high energy, easily understood hooks work well, and “Who Let The Dogs Out” fit the bill for these jock jams.”

Who Let The Dogs Out?

I was working in Country Radio when Tim McGraw released “My Next Thirty Years.” Talk about a song that hit home at the time. I think when you hit any milestone birthday you think about the past and the future. The lyrics conveyed things that I was feeling at the same time.

The song mentions focusing on “where I go from here,” and forgetting about “the crazy things I’ve done.” He says he is going to “cry less” and “laugh more!” He’s going to “eat more salads” and watch his weight. Then he says he’ll try “not to stay up too late.” Can you relate? I know at the time I did.

Actually, I found myself pondering those exact same things when I hit forty and fifty. You look back and hope that you’ve learned from your past experiences. You look forward with a plan to make what lies ahead the best yet. I know so many people who connected with this song. Rightfully so, it went to number one for Tim McGraw.

My Next 30 Years

How can a song that starts with the lines, “Hey, Mr. DJ, put a record on! I wanna dance with my baby!” not make my list? Music from Madonna was a song that a lot of people asked for when I was DJing. It was almost like the song was doing the talking for the crowd.

Madonna has always been a complex sort of person. This album brought back the “fun” Madonna, if you will. She told Billboard magazine, “Everything in life moves in cycles… there’s a period where you’re quiet, and there’s a period where you explode. In the time leading up to Ray of Light, I was in a quiet space – making lots of discoveries and going through lots of changes. It was an introspective, questioning time. Then, almost without warning, I felt like I needed to explode. I didn’t feel the need to be so introspective. I felt like dancing. And that’s reflected in these songs.”

When Madonna shot the video for this song, she was expecting her son. She hides it by wearing a lot of coats and such. There is one section of the video that was difficult for her to shoot due to her pregnancy, so it was animated.

Music

My next song was one that I heard first from my ex-wife. She had Beth Hart’s CD and listened to it often. I was very familiar with LA song and my pick, Delicious Surprise because of her. When I heard it on the radio, it struck me a bit differently. I can’t explain why. Maybe it was because it was just her singing (and not my ex joining in).

We all like to dream. Many of us dream big. “What if I won the lottery?” “What if I was the President?” “What if I was a movie star?” Those are questions pondered by the singer in this song. Then she offers up the advice to “see and believe” those dreams.

Jo Dee Messina did a country version of the song in 2005.

Shortly after the song was released, Beth was dropped from her record label. While it was never given as a reason, many believe it was because of her drug addiction. She battled this and bi-polar disorder for some time yet continued to make music. Today, she has been long sober and lives in California.

Her last album was a Led Zeppelin tribute album in 2022.

Delicious Surprise

The world can always use a bit more gratitude. Don’t we spend the first few years of their lives teaching our children to say “please” and “thank you?” Sadly, we don’t say it enough.

I love Dido’s song, Thank You. I love the simplicity and complexity of it. The song features all of the troubles and and stress of life in general. It also features how that all goes away when that special someone is there.

According to Songfacts:

“Dido wrote “Thank You” after meeting her boyfriend, a lawyer named Bob Page, in 1995 and falling for him hard. She thanks Page for giving her the “best day of her life,” which is when they met in a club and had their first encounter. Page sparked a creative fire in Dido, who also wrote the song “Here With Me” about him. They got engaged in 2001, but broke up a year later, inspiring another Dido song: ” White Flag.”

Dido owes a lot of thanks to Eminem. He sampled the song for his song, “Stan.” He did not ask permission to use this on “Stan” until after the song was produced. However, Dido loved it agreed to let him use it. She recalled to Billboard magazine in a 2013 interview: “I just got a letter saying, ‘We heard your track. We love it. We’d like to use it for this track ‘Stan.’ Can you take a listen? I hope you like it and can we use your song?’ It was completely out of the blue. I put it on like, ‘I wonder what he could have done.’ You just don’t know. And I was a big Eminem fan, so it was pretty cool. And then I heard it. I remember because I had some friends staying in the same hotel. They were literally running down the hall, like ‘You gotta listen to this; it’s just brilliant!'”

Thank You

The final song for this week’s list is one that never cracked the Hot 100. It was the second single and title track from Green Day’s Warning album. Songfacts says, “by this time they were mellowing out a bit, with lead singer Billie Joe Armstrong playing more acoustic guitar. This was a product both of the band getting older and the pop-punk sound they ushered in falling out of fashion. The album sold poorly, but the band was well established by this point and wasn’t watching the charts.”

Billy Joe Armstrong has said that the original concept was to create a song whose lyrics were made up of all of the everyday warning signs and labels and the idea grew from there. I love his description of the content.

“The world is being filled with warnings and instructions of what not to do. The song states that it’s important to trust your instinct and do what you believe is right, but also to not be stupid enough to be the cause of another warning sign to be established. Take risks and question your surroundings, but don’t fall victim to your own stupidity.”

Well, alrighty then….

It wasn’t the words that made me like the song. It was actually the guitar and bass licks. It was so simple, but I loved the chord progressions. Someone compared it to the Kink’s Picture Book. I can hear that …

Warning

Well, that wraps up Y2K! I’m sure your list looks different than mine. What were your favorite songs from 2000? Let me know in the comments.

Next week, I may play the theme from 2001, just because, ha ha! My list only includes 2 cover songs, a must have party song, movie and TV music, a song that moves me and a song that moved the entire country.

Thanks for listening and reading! See you next week.

The Music of My Life – 1997

I have found it interesting to do this feature every week. First, I am reminded about the things that were going on in my life at the time. Second, I find it funny how an old song can apply to my future life events. This feature has been like therapy for me. I don’t always write down everything that these songs bring to mind, but I am made aware of them. I appreciate you letting me indulge myself by sharing these songs.

I would turn 27 in 1997. I had gone through a break up that hurt me bad. I was spending a lot of time at the karaoke bars and drinking much more than I should. I felt lost and alone. Alcohol numbed a lot of the pain. It was a very dark time.

When I wasn’t singing karaoke, I was hosting it or DJing a wedding or party. I enjoyed doing that because it was almost like being in radio again. There was interaction with people and that was something that I desperately needed.

1997 was a decent year for music. Many of the songs on my list were first heard while I was driving for EDS. I would play many of these songs while DJing. Some of them bring back memories of bad times, but most of them have a good memory attached to them.

I will stop rambling now and jump right into 1997 –

I like the next song because it was so different from what people were used to hearing from them. Green Day was known for some pretty heavy sounding songs that were “in your face.” So an acoustic song from them comes from out of left field. Believe it or not, the song could have been on their first album, but wasn’t.

Songfacts.com explains: “Billie Joe Armstrong wrote this song in 1993 and submitted it for the band’s first major-label album, Dookie, which was released in 1994. Both the band and their label felt it was a great song but didn’t fit on the album, which was loaded with punk blasters. The song was held back and didn’t make their next album, Insomniac (1995) either. It was finally included on the Nimrod album in 1997.

In 2010, Armstrong told Spin Magazine, “That was really the first time we attempted a ballad. The first time we ever played that song was during an encore in New Jersey – I had to pound a beer backstage to get up the courage. I knew we were gonna take a tomato to the face.” A very poignant song, this is quite popular at graduations and weddings despite the kiss-off title “Good Riddance.” Billie Joe Armstrong wrote it about a very specific event in his life, but he’s thrilled when others relate it to their own experience.

This song was played over a montage of clips in a “look back” Seinfeld special. The special aired before the finale of the show. I would have never expected that this song would work for something like that. But it certainly did.

This song is very poignant and gives me chills when I hear it. The blending of the guitar, the strings, and his voice is just beautiful to me.

Good Riddance

In Good Riddance, Green Day sings about the “photographs and still frames in your mind.” Believe it or not, that kind of fits how the next song was described by one of the members.

You either like or dislike Hanson. That like or dislike probably comes from the song MMMbop. Why? It is one of those songs that sticks in your head forever after you hear it. It is very catchy and the lyrics make you think. But just what in the world is this song all about?

Drummer Zac Hanson says, “What that song talks about is, you’ve got to hold on to the things that really matter. MMMBop represents a frame of time or the futility of life. Things are going to be gone, whether it’s your age and your youth, or maybe the money you have, and all that’s going to be left are the people you’ve nurtured and have really built to be your backbone and your support system.”

Zac tells the story of how the song happened, “That song started out as the background part for another song,” he said. “We were making our first independent album and we were trying to come up with a background part. We started singing a slightly different incarnation of what is now the chorus of ‘MMMBop.’ That sort of stuck in our heads but never really worked as a background part. Over a couple of years, we really crafted the rest of the song – the verses and bridge and so on. It was something we almost stumbled upon.”

Zac made me laugh when I read that because the song even got stuck in THEIR heads!

What is truly amazing to me is that the song was released as their first single in 1997. At the time, Isaac Hanson was 16 years old, Taylor was 13, and Zac was 11. The song quickly became a huge worldwide hit. It was getting constant airplay on radio stations and MTV, and going to #1 in 27 countries.

It is on my list because I was DJing a high school dance once and a student asked for it. He was very shy and didn’t dance much. He may have had autism, I am not sure. When I played it, this boy came out of his shell and danced like crazy! The students formed a circle around him as he danced. It was one of those things I will always remember.

Mmmbop

Before you listen to the next song, I need you to hear this. I had no idea that this song was sampled for the 1997 hit.

I had never heard of the Andrew Oldham Orchestra. I had no idea that there was an instrumental album of Rolling Stones songs. The Verve did, however, and sampled it for the song Bittersweet Symphony.

The Verve took the sample and added vocals, strings, guitar and percussion. This led to trouble. After a lawsuit by the Rolling Stones’ former manager, Allen Klein, the Verve had to relinquish all royalties from the song. Rolling Stones members Mick Jagger and Keith Richards were added to the songwriting credits. Things worked out in 2019. After Klein died, Jagger, Richards, and Klein’s son ceded the rights to the Verve songwriter, Richard Ashcroft.

If I had to put why I like this song into words, I would find it hard to do. There is something about it. It is mesmerizing to me. MTV’s Gil Kaufman wrote “Bitter Sweet Symphony” was “built on a slow-rolling fat beat, a pomp and circumstance violin loop. And (was like an) … elliptical, snake-swallowing-its-tail lyrics” Rolling Stone magazine wrote that it “intertwines baroque strings worthy of Pachelbel with sedated vocals and shimmering guitar lines”.

The song is built around one simple chord.

Bittersweet Symphony

Much like Bittersweet Symphony, I was hooked on the next song as soon as I heard the intro. Again, the intro was “borrowed” from another song. This time it was from Perrey and Kingley. They were considered pioneers of electronic music. They were together from 1965-1967. Smash Mouth interpolates the keyboard line from their 1966 single, Swan’s Splashdown. You don’t need to listen to but 15 seconds of the song to know the Smash Mouth song …

Smash Mouth’s guitar player Greg Camp wrote Walkin’ on the Sun. He said, “The song was basically a social and racial battle cry. It was a sort of ‘Can’t we all get along?’ song for the time when I wrote it. It was just about all the things that were going on around me as a young person. And I’m, like, God, what is going on? I don’t understand why this is happening. It’s like we might as well be walking around a planet on fire.”

The songs has a 1960’s sound to it, which made the song stick out on the radio. It was their first hit song. The song itself was never sold in stores as a single, so it never made the Hot 100 chart. However, it went to #1 on the Modern Rock chart and #2 on the Airplay chart. Because it was not released as a single, the album Fush Yu Mang sold over 2 million copies. The album was the only way to get it.

I was one of those 2 million people who bought the album.

Walking On the Sun

Kevin Sharp’s story is a moving one. He was born in 1970, the same year as me. In school, her performed in musicals and was an active musician. When he was 19, he started to feel tired and dizzy. This led to a diagnosis of a rare form of bone cancer. His chance of recovering was not good.

Through the Make-A-Wish Foundation, which grants wishes to children with life-threatening illnesses, Kevin met the record producer David Foster. They became friends fast. He went through two years of chemo and radiation therapy, which caused him to lose his hair permanently.

While in remission, he recorded a demo that wound up in the hands of his friend David Foster. Thanks to him, Kevin was signed to a record deal in 1996. His first album was Measure of a Man. The first single was a cover of Tony Rich’s Nobody Knows, which went to #1 on the Country Charts. His next two singles were both top ten hits for him.

He would go on to became a motivational speaker and spokesperson for the Make-A-Wish Foundation. He was awarded the foundation’s Wish Granter of the Year award, in 1997. Sharp wrote a book, Tragedy’s Gift, and published it in 2004. Despite releasing two more albums, he never ever matched the success of his first album. He died at age 43 of complications from stomach surgeries and digestive issues in 2014.

If You Love Somebody is one of his three top 10 songs. Deborah Evans Price, of Billboard magazine reviewed the song favorably. She said that the record grabs the listener immediately and doesn’t let go thanks to the “energetic percussion that opens this track and gives way to a spree of sassy fiddle lines.” She goes on to say that the song is a fine example of the “vibrancy and passion he can bring to a great uptempo cut.”

The song is a fun love song that speaks of all the things you would do because you love someone.

If You Love Somebody

In 1997, there were still music videos being made – and played on MTV. While I love the next song, it is the video that really stands out. More on that in a second.

The Backstreet Boys were very big in Europe. When they returned to the US, no one really knew them. In 1997, they released their first album in the states. Everybody (Backstreet’s Back) was the band’s choice for a single. However, because they had been in Europe, the record label felt that the song wouldn’t make sense to audiences and it wasn’t even on the US release.

The song was the first single from the international release. It started gaining steam on Canadian and nearby US stations. The label finally added the song to the US album after a million units had already been produced. It was released as the fourth single.

Joseph Kahn was approached to do the music video for the song. When he met with BSB and saw their smooth dance moves, he thought they were more like “little Michael Jacksons.” This led to him thinking about the Thriller video which had the singer leading a choreographed dance with zombies. Kahn developed a similar concept for the Backstreet Boys.

In the video, the boy band’s tour bus breaks down near a spooky mansion. It is where they’re forced to spend a harrowing night. The haunted manor has a transformative effect on the boys, and each one changes. (Brian Littrell changes into a werewolf; AJ McLean into Erik, The Phantom Of The Opera recluse; Kevin Richardson into the two-faced Dr. Jekyll & Hyde; Howie D into Dracula; and Nick Carter into a mummy.) They converge in the ballroom and bust out “Thriller”-esque moves with a group of dancers. At the end, they’re relieved to discover the whole experience was just a nightmare – that is until their driver turns out to be a monster. The driver? Antonio Fargas, who was known for his role as Huggy Bear on the ’70s cop show Starsky & Hutch.

Everybody (Backstreet’s Back)

Up next, a group who got its name from a story created by one of the members. In the story, the men were Chumbas and the women were Wambas. Tubthumping was the first single from Chumbawamba’s eighth album – Tubthumper.

I suppose it is important to point out a few “vocabulary” words here. In England, a tubthumper is a politician. Here in the US, tubthumping is like “campaigning.” “Pissing” has a very different meaning in the UK. “Pissing the night away” would translate to “Drinking alcoholic beverages all night.” To be pissed in England is to be drunk, while in the US it is to be angry.

Whenever we played this song DJing, we’d go out on the floor and do a dance that we made up. It was basically an easy thing that matched the lyrics. “I get knocked down (crouch down), but I get up again (jump up) you’re never gonna keep me down (stand shaking our heads and wagging our finger side to side). Easy and no instruction needed because of the lyrics.

We had empty booze bottles that we’d pretend to swig when the band said, “He takes a whiskey drink, he takes a vodka drink”. It was silly and stupid, but it always got a laugh from the crowd.

At 54, I doubt that I could crouch down and jump up again like I did when I was 27!

Tubthumping

The next song was the debut single for the group Everclear. Everything to Everyone is true of many of us. I remember when I was with my ex, that I would do things that I didn’t necessarily want to do because I wanted to please her. I spent a lot of time in my life trying to please people and never really standing up for myself. It’s like the Sheryl Crow song – “If it makes you happy….”

In an interview with Songfacts, lead singer Art Alexakis says:

“It’s kind of an angry song. That person is within everybody, I think everybody has this ability to try and be everything to everyone, to try to please. I think there are 2 aspects of it – there’s the pleaser, who doesn’t always show his true self, always plays nice and as time goes on shows more and more of himself, but there’s also the people who are everything to everyone who are manipulators and users.”

When asked if the song had “anything to do with the record business”, Alexakis replied, “Oh yeah. Anything in the entertainment business you’ll find people who are slimy.”

I believe that you will not only find them in the entertainment business, but in much more than that!

Everything to Everyone

You cannot say that country music doesn’t have some great song titles! Take the next song on my list. Did I Shave My Legs For This?

Deana Carter’s father was a songwriter. The legendary Dean Martin recorded one of his songs, and perhaps as a thank you, named her Deana. Another legend, Willie Nelson, heard one of her demo tapes and invited her to play Farm Aid in 1994. That same tape, led to her being signed to Capitol Records.

Did I Shave My Legs For This is also the title track of the album. The album gave Deana three #1 songs (Strawberry Wine, We Danced Anyway and How Do I Get There?). The title track was the fourth single released from the album. It didn’t fair as well as the previous songs as it only went to #25 on the Country Charts.

I have learned from DJing and hosting karaoke that just because a song wasn’t a hit, doesn’t mean it isn’t liked. I always got requests for this song and people were always singing it. At weddings or parties, groups of women would sing along at the top of their lungs to it. It reminded me of what people did when Friends in Low Places would play.

Back in the day, we used to play Karaoke Roulette. This was where a friend would pick a song for you to sing. You wouldn’t know what song until you got to the microphone. My friends always made me sing songs like “I Am Woman,” “I Touch Myself,” and such. This was one they gave me one night and I nailed it! I knew the song and hammed it up all the way through it.

Did I Shave My Legs For This?

My final song is one that brought back a genre of music that overtook the nation in the 1930’s and 1940’s. I grew up listening to Benny Goodman, Harry James, and other swing bands. It was almost mind blowing to hear swing music on the radio in 1997.

The 1996 movie Swingers and t he Cherry Poppin’ Daddies are credited with the “Swing Revival.” Other groups like Big Bad Voodoo Daddy and The Brian Setzer Orchestra had success in the genre, too. The BSO’s version of Jump, Jive and Wail turned the revival into what songfacts called “a full-fledged craze!”

Zoot Suit Riot was a song that was inspired by real events. Songfacts explains:

The Zoot Suit Riots began in Los Angeles in 1943, triggered by conflict between the American servicemen stationed in Southern California and the Los Angeles Mexican-American community. Tensions had been building since the 1942 murder of a Latino man named Jose Diaz, a case referred to as the Sleepy Lagoon murder case.

The riots took place when swing music was the hot sound and everyone was doing the jitterbug. Lead singer Steve Perry says, “I wrote it inspired by the Zoot Suit Riots. I guess it seemed like a Pachuco rallying cry that could double as a dance anthem for those of us interested in swing music and culture at a time when nobody else was. It was an expression of a proud marginalism. That’s not that deep, but there you go.”

It wasn’t odd around this time to have a bride and groom request a swing song as their first dance. Most had taken a dance class and had a routine for that dance. It was always cool to watch that.

One day, I hope to get around to seeing Setzer, Big Bad Voodoo Daddy, or any swing band live. I love the energy that they put out as they play.

Zoot Suit Riot

That’s it for 1997. There were many songs that didn’t make my cut, maybe your favorite is one of them? Let me know what your picks are in the comments.

1998 is on the horizon and we’ll check out my tunes from that year next week. They include a song that I almost picked for this month’s Turntable Talk Topic (songs based on historical events or people), a song that is often played as the last song of the night at DJ gigs, a song I mentioned in this week’s post, and a great song I can barely listen to anymore. Find out why next week

Thanks for reading!

The Music of My Life – 1994

I turned 24 in 1994. In the 7 years I had been on the radio, I was starting to get used to the fact that radio stations made changes often. It happened again when Honey Radio went off the air that year. I would go on to land a gig at W4 Country in Detroit soon after.

1994 was also the year my paternal grandfather passed away. I was very close to him and that grief hung around for some time.

Musically, I was DJing a lot more parties and discovering more music. Thanks to a full time job where I drove a lot, I discovered some alternative music that I really enjoyed. Many of those tunes will show up in the lists/years ahead.

Let’s check out 1994 …

As someone who feels like I can never put my feelings into words, I appreciate a song that can. Beautiful In My Eyes was a huge Bride and Groom song when I was DJing. When it wasn’t the bridal dance, it was a slow song that always packed the dance floor.

When I DJ’d my cousin’s second wedding, it was on the “Do Not Play” list. Why? It was the wedding song she used in her first marriage. As strange as it may sound, that happened a lot.

Joshua Kadison describes the song as being about “a love that just lasts forever, and you’ll always be beautiful in my eyes.” I’ve always thought it was an example of a great love song. I will also admit that I had no idea what he looked like until I found this video.

Beautiful in My Eyes

We had Doug Stone do a show for us when I worked at the Moose. He was a nice guy and fun to chat with. By the time he did our show, he’d pretty much had all of his hits.

One song that I found extremely relatable was Addicted to a Dollar. There are lyrics in here that any hard working person can relate to!

“F.I.C.A. and the state – they make my paycheck look like a big mistake.
Tax man takes his before I see a cent
And what they don’t get, I’ve already spent.”

“Got me more payments than I’ve got checks. Ten more to go on this car, it’s a wreck.”

Those hit home on many levels, especially for a radio guy! Even long after my radio career, those lyrics can still hit home.

Addicted to a Dollar

Next up, the only US hit for Des’ree, who had quite a few hits in the UK. I like this song because it’s kind of a pep talk. It’s about not being ashamed to express your feelings and about living life to its fullest.

The whole song is loaded with wisdom. The chorus is something that a person could easily tell themselves everyday when they look in the mirror.

“You gotta be bad, you gotta be bold, you gotta be wiser
You gotta be hard, you gotta be tough, you gotta be stronger
You gotta be cool, you gotta be calm, you gotta stay together
All I know, all I know, love will save the day“

Some days you just gotta push through, and being bad, bold, wise, hard, tough, strong, cool, and calm can certainly help!

You Gotta Be

The Troggs followed up their hit “Wild Thing” with the ballad Love Is All Around. They took the song to #7 in 1967.

The group Wet, Wet, Wet covered it for the movie Four Weddings And A Funeral. It wasn’t the only song they could have recorded. The band chose “Love is All Around” over Gloria Gaynor’s “I Will Survive” and Barry Manilow’s “Can’t Smile Without You” even though some of their members hadn’t heard it before.

Singer Marti Pellow related that the decision to pick “Love Is All Around” was an easy choice “because we knew we could make it our own”. They made the right choice, as their version was a UK #1 for 15 weeks and became the best selling single in the UK in 1994.

The song is so much different than the Troggs’ version. I think that is why I like it so much! It isn’t that the Troggs’ version sounds dated or anything, I just think the Wet, Wet Wet version sounds more polished. It’s fantastic.

Love Is All Around

I wish I had a dollar for every time I have played this next one at a wedding or party! It was one of my most requested songs – Cotton Eyed Joe. What’s funny is that while high school kids were asking for it, they have no idea just how old the song is!

Songfacts says “This song originated in America in the 1800s, and is commonly associated with the American South. It became a popular song in country bars, as it was perfect for line dancing. It’s a traditional folk song, and many country artists recorded it.

Rednex is a group of Swedish producers who recorded “Cotton Eye Joe” as a techno dance song. After putting the song together, they came up with the country bumpkin motif and named the group Rednex, a play on the word “redneck,” a term for an uncultured southerner in America.

They found five Swedish performers to portray the band, dressing them in tattered clothes and giving them a stereotypical hillbilly look, with unkempt hair and dirty faces. In a cagy marketing move, they refused interviews and released a bio to the press explaining that the group was rescued from an uncivilized village called Brunkeflo in the backwoods of Idaho and brought to Sweden, where they could express their musical gifts. Their names were Bobby Sue, Billy Ray, Mary Joe, BB Stiff and Ken Tacky – all inbred.“

What a way to start a band, huh?

Cotton Eyed Joe

I don’t think I could ever be a good songwriter. There are some lines that I think are just brilliant. One of those lines is the opening line of Green Day’s Basket Case.

“Do you have the time to listen to me whine about nothing and everything all at once?”

That’s a great line! This song is about anxiety attacks and a feeling that you are going crazy. Lead singer Billie Joe Armstrong suffered from various panic disorders while he was growing up – he would sometimes wake up in the middle of the night with a panic attack and walk around his neighborhood to settle down. “Basket Case” was a cathartic and personal song for him. “The only way I knew how to deal with it was to write a song about it,” he explained.

Songfacts says “Blasting right into the verse at the beginning of this song is something that set it apart. Simplicity was a hallmark of the Dookie album, and while omitting an intro made little marketing sense (DJs couldn’t talk up the song), it got right into the meat of the track. Tre Cool of Green Day cites the first Beatles album, Please Please Me, as an influence on Dookie, since many of those early Beatles songs also got right to the point.”

Basket Case was one of those alternative songs I heard on the radio and it made me want to hear more from Green Day.

Basket Case

I’ve got the chance to hang out and interview Aaron Tippin a couple times. He’s a huge supporter of our veterans, and does a lot of charity work

During his stage show he puts together a bicycle while singing a song. Then he brings out someone from a children’s hospital or foster home and donates the bike and more to those children. Class act!

Off air, I found out he was a big fan of Frank Sinatra and Dean Martin. We chatted for a long time about their music. At his county fair show, he donned a fedora and nailed a Sinatra song. It was amazing.

My dad loves his music and he asked if I would get an autograph for him. Aaron and I were talking and I mentioned my dad’s request. My dad loves Aaron’s patriotism and support of veterans. I mentioned this to him. Aaron wanted to know more about him. Where did he serve? How long? What branch of service?

He grabbed one of his photos and signed it for my dad. It hangs proudly in my dad’s music room. “Sam. I KNOW you got it honest! Thank you. Aaron Tippin.”

I Got It Honest

The video for the next song is what got me. More on that in a second.

Weezer’s Buddy Holly was almost called “Ginger Rogers.” Well, it could have been. According to songfacts “The early demo of this song had a slower tempo and some different lyrics. The chorus originally referenced famous dancing duo Fred & Ginger: “Oo-wee-oo you look just like Ginger Rogers, Oh, oh, I move just like Fred Astaire,” before it was changed to “Oh wee-ooh, I look just like Buddy Holly, Oh, oh, and you’re Mary Tyler Moore.”

The video was just awesome. Spike Jonze directed it. Vintage Happy Days footage was intercut with shots of Weezer performing on the original Arnold’s Drive-In set. Al Molinaro, who played the diner’s owner on the series, made a cameo appearance in the video.

Think about this: Happy Days aired in the 1970s but was set in the 1950s, when Buddy Holly made his mark. So here we have a ’90s video referencing a ’70s TV series set in the ’50s.

The video was one of the most popular clips of 1995, it scored four MTV Video Music Awards, including Breakthrough Video and Best Alternative Music Video, and two Billboard Music Video Awards, among them Alternative/Modern Rock Clip of the Year.

The single was released to radio on September 7, 1994, which would have been Buddy Holly’s 58th birthday.

Buddy Holly

In 1994, Huey Lewis and the News released Four Chords and Several Years Ago. It was an album of 50’s and 60’s cover songs. What made this really cool was that they recorded it just like they would have in those days.

You didn’t have the guitar track laid down beforehand. The drummer wasn’t in a separate booth. All the musicians and vocalists were in the same room recording at the same time. This gave the songs a very authentic sound.

The band’s final entry into the Hot 100, was a cover of the JJ Jackson hit But It’s Alright. This is not to be confused with an earlier cover they did of the Impression’s It’s Alright. They did that one all acapella.

Four Chords is one of my favorite albums.

But It’s Alright

It is fitting that the next song is the last one on my list for 1994. It’s fitting because since it came out, I almost always used this song as the last song of the night when I DJ’d.

Madonna’s Take A Bow has a beautiful instrumentation and arrangement. While beautiful, it is sad. This song is about a failed romance Madonna had with “a movie star,” possibly Warren Beatty, whom she starred opposite in the movie Dick Tracy.

Babyface sang backup and also produced this track to give Madonna the R&B feel she wanted for the Bedtime Stories album. At Madonna’s suggestion, this song was recorded with a full orchestra. It was the first time Babyface had worked with live strings.

I always felt like it was a perfect song to wrap up with. The lyrics say, “The show is over, say goodbye.” I also liked that it was a 5 minute song, which gave me a little time to start packing up at gigs. At some gigs, if I had a friend there, or my significant other, I could sneak in a brief dance with them.

Take a Bow

And just like that, we’re through 1994. Like other years, there were plenty of good ones to choose from. Which one of your favorites did I miss?

Next week, we’ll hear the dance craze people love to hate, a band that was superior to another, a soulful sweet collaboration, a rather strange song, and the reuniting of one of the biggest groups in history. I hope you’ll stop by to check it out ….

September Songs

Welcome September! As the new month rings in, the realization that we have entered the final days of summer and the beginning of autumn approaches. As I wrote the date yesterday, I began to sing September Song. It is a song that has been recorded by many people, but I was first introduced to it by Willie Nelson. It was on his Stardust album, which we played many times while we were up north. My grandpa said that it was his favorite song on that album.

So that made me think that a good way to welcome the month is with songs about September. Here are some of my favorites:

September Song – Willie Nelson

September Morn – Neil Diamond

This was one I remember well from when my dad was playing guitar in a wedding band called Foxfire. Whenever he had band practice, he’d bring my brother and me along. There were plenty of nights we loathed going to those practices, but every now and then, they played a song I really liked. This song was one that my mother often sang along with as she was driving.

See You In September – The Happenings

This is one that reminds me of my days at WHND, Honey Radio. The music director was very good about making sure summer songs played during the summer and songs like this played at the end of the school year and at the beginning of September. I won’t say it is a “favorite” but it does bring back some of my favorite radio memories.

September When I First Met You – Barry White

My buddy Jeff Goodrich used to say “There’s nothing like 6 minutes and 42 seconds of Barry saying cool things!” It’s a smooth groove ….

Maybe September – Tony Bennett

The legendary Tony Bennett croons through this Song from The Oscar. The parenthetical title is actually Maybe September. Sinatra called Tony one of the greatest singers of all time. His smooth delivery blends so well with this very pretty arrangement …

September Skies – The Brian Setzer Orchestra

This is one of my favorite cuts from the BSO’s first album. It is not one that many have heard before, but I can hear the likes of Michael Buble’ doing this one, too. Tell me what you think …

September – Earth, Wind and Fire

Come on! You can’t have a list of September songs without this one! This came out in 1978 and it is STILL requested at weddings and parties! People love to dance to this one. Crank it up!

September in the Rain – Annie Lennox

Sinatra did this. So did Dinah Washington. I picked up Annie Lennox’s Nostalgia album and was blown away by her version. She’s got such a great voice and the arrangement is beautiful.

Wake Me Up When September Ends – Green Day

Every October someone will post on Facebook, “Time to wake up the guy from Green Day.” This is one of a few songs I like from them. I love the simple guitar at the beginning and how the song builds into the “Green Day” sound.

September of My Years – Frank Sinatra

A Sinatra classic, and the perfect song to wrap with. I guess at 52 years old, I am probably entering or in the September of my own years. Time flies. We see that each and every year. It seems like we just started summer, but alas, fall fast approaches.

Sing it, Mr. Sinatra ….

I’m sure I may have forgotten a few – which September song is your favorite??