The Music of My Life – 1983

Welcome back to The Music of My Life, where I feature ten songs from each year of my life.  In most cases, the ten songs I choose will be ones I like personally (unless I explain otherwise). The songs will be selected from Billboard’s Year-end Hot 100 Chart, Acclaimed Music, and will all be released in the featured year.

I turned 13 in 1983. I had a paper route and a weekly income because of it. I spent my money on toys, books and music. I loved going into Harmony House and buying 45’s or albums. As I get deeper into the 80’s, I’m seeing more and more songs that I “had” to have.

I am noticing something about a lot of the songs on my lists. There have been some that have not necessarily been meaningful to me the year they were released, but wound up being important later on in my life. That is the case of a few of them from this year. That being said, let’s check out my list….

When Lionel Richie left the Commodores, he had a number one song with “Truly.” The follow up song has always been one of my favorites. I can still see and hear my mother singing along the the chorus of “You Are.”

What I love about this is the fact that while it is a love song, it has some tempo to it. It also has a horn section. Future hit maker Richard Marx sang backup on this track. His first job in music was singing on the Lionel Richie album, and he proved himself on this track, which required some deft background vocals. Richard told songfacts.com: “Every session I ever did with Lionel, or for him, was a very fun atmosphere. I’ve been on so many sessions where it’s a downer, and you just try to get through it and nobody is having fun. Lionel is always having fun – no matter what.”

You Are

When I worked in country radio, I used to go to the Country Radio Seminar. It was a place where you got to hear various panels discussing programming, promotions and more. There were plenty of artists there (both old and new) to entertain. We’d often bring stuff for artists to sign so we could auction them off for St. Jude.

Every night there was always a show somewhere. Everyone had always talked about “the boat.” One record label would bring folks about the General Jackson Showboat and provide dinner and drinks. While us radio people would sit and eat, they would bring artists out on the stage to play for us. Many times it was familiar artists featuring their new songs or new artists that the label wanted to showcase.

One of the things about the boat was that there were always one or two surprise guests. You never knew who might show up. The year before my first boat ride, Huey Lewis had mad an appearance. The first time I was on the boat, they wheeled out this piano on the stage. Next, they brought out Ronnie Milsap and I was thrilled. I had always loved his music and he did not disappoint.

He came out laughing and joking and cranked out a few songs, including Stranger In My House. It was written by Mike Reid, who was a defensive tackle for the Cincinnati Bengals for five seasons and had a couple country hits of his own. The song was a country hit and also crossed over to the AC and Hot 100 charts.

The song is done in a minor key and from the opening chords, I was hooked.

Stranger In My House

Anyone who goes through a divorce or a break up knows that what follows can be a rough road. The next song is an example of a song that meant nothing to me at the time, but years later it did.

The fighting, the bickering, the pettiness, the blame, the suffering, the accusations and all the things that comes with a divorce is difficult enough. Once they hand you the final decree, it is important to start anew. I had a wonderful support system in place for me and as time passed, I looked back to see that I was making it. I had been through the war and I had made it to the victory.

Elton John’s I’m Still Standing was used in an animated movie called “Sing.” It was while watching that with the kids that I really heard and felt the lyrics. I can look in the mirror and know that I’m Still Standing and life is GOOD!

I’m Still Standing

Remember ELO’s song “Motor Factory?” Of course, you don’t. That’s because as the group was recording the song, it went through a bunch of changes. They lyrics were completely changed and it became Rock and Roll Is King. The song was released as a single from their Secret Messages album.

ELO’s Dave Morgan said in an interview, “I sang on quite a few tracks, I sang on ‘Rock ‘N’ Roll Is King’. I played on that one, but it wasn’t called that, it was something about something about working at Austin Longbridge! It was full of car plant sounds, you could hear it going clank, clank, clank, like somebody hitting a lathe with a hammer, and Jeff went away and made it into ‘Rock ‘n’ Roll Is King’, wiped off everything we’d done, no, there was still some backing left in there, It was much better how he finished it off than it was before.”

I remember recording this off the radio as a kid. I didn’t realize that there was (what we radio guys call) a “fake cold” ending. That’s where the song stops, you think it’s over, and they come back and sing again. The first time I recorded it off the radio I hit pause on the fake cold, only for ELO to start singing again. Urgh! I got smart after that and went and bought the single.

Rock and Roll Is King

Fleetwood Mac’s Lindsey Buckingham released a few solo albums in the 80’s. Despite some songs that were Top 40 hits, not many folks can recall them. There is, however, one song that folks know thanks to the misadventures of a family named Griswold.

Thanks to National Lampoon’s Vacation, Buckingham’s song Holiday Road had become his best known song. That’s really saying something for a song that never cracked the Top 40 and peaked at #82 when it was released. The song almost didn’t happen.

Actor/director Harold Ramis asked Buckingham to create two songs for his film National Lampoon’s Vacation. He was initially reluctant, believing that soundtrack work “wasn’t part of his discipline.” Thankfully, he decided to grant Ramis’s request, and wrote. Buckingham recorded “Holiday Road” without seeing the entire film. He figured that the movie “had to be somewhat uplifting and a little bit funny”. To keep in line with that, he added dog barks near the end of the song, unaware that the movie featured a scene where a dog is accidentally dragged to death from the bumper of a car.

It is one of those songs that makes you unconsciously press down a bit too much on the gas pedal if your driving while it is playing. I’m not sure I ever “got” the video for the song, though.

Holiday Road

ZZ Top’s Eliminator album was one of few albums that have sold over 10 million copies in America, earning Diamond certification. I helped it get there! This was an album that I remember buying and dropping the needle on for the first time. It had such a neat sound.

Billy Gibbons says that he got the idea for Sharp Dressed man when he saw a movie and a character was listed in the credits as “Sharp-Eyed Man.” According to songfacts.com, the song attracted a slew of new fans to ZZ Top when the video ran constantly on MTV. Their long beards made them instantly recognizable and the babes certainly helped, but the car was the real star.

Prior ZZ Top albums had a Tex-Mex vibe, but when it came time to sort out visuals for the album, the hot rod was finally ready – Gibbons had been working on it for years. It was good timing, giving them an MTV-friendly focal point just when they needed it. They had never made videos before and had no acting experience, but their videos provided everything MTV’s target audience craved: girls, rock and roll, and a really sweet ride.

The music video was the first that was a sequel. It picked up the story from the “Gimme All Your Loving” video of the down-on-his-luck gas station worker who is swept away by three beautiful women. In “Sharp Dressed Man,” he’s a valet, and he encounters the same three girls and is once again given the keys to the Eliminator, Billy Gibbons’ 1933 Ford Hot Rod.

Sharp Dressed Man

I had no idea in 1983 that I would be working as a sleep technologist. The next song is one that is based on a real sleep disorder – somniloquy (Sleep talking). “Talking In Your Sleep” is the biggest hit of The Romantics’ career. In fact, it’s their only Top 10 hit, and only one other song by them (“One in a Million”) even made it to the Top 40. Contrast that with the number of times you’ve heard their song, “What I Like About You,” which only made it to #49.

I love this story about the song: As usual, MTV helped boost The Romantics’ success right around this time with videos of their songs. In Greg Prato’s book MTV Ruled the World, Romantics’ lead singer Jimmy Marinos talks about this song: “That was the last song recorded for the album In Heat. All we had was a backtrack, the instrumental part of the song. And we realized it was too good a track to leave unfinished. So everybody put their heads together, and in a couple of days, we finished up the song melodically and lyrically.” Ha also mentions that the video was filmed at 8:00 in the morning in Detroit, surrounded by girls in their jammies, at what was deemed “not really rock ‘n’ roll hours.” So if they look like they just woke up, that’s because they did – and it works great!

Check out their hair in this video!!

Talking In Your Sleep

Two years ago, Dave Ruch invited a bunch of us to write a column for his Turntable Talk feature. The first topic was about why the Beatles are still relevant, the next song is an example of their influence.

When Genesis began to write That’s All, it was intended as an attempt to write a simple pop song with a melody in the style of The Beatles. Phil Collins even acknowledged in a subsequent interview that the song also features one of his attempts at a “Ringo Starr drum part.”

Genesis keyboard player Tony Banks was one of the first to use an Emulator, which was one of the first digital samplers (it was introduced in 1981). Banks would record his bandmate Mike Rutherford as he noodled around on his instruments, then play around with those samples to craft a track, which is how this song developed.

That’s All was the band’s first Top 10 hit in the US, setting the stage for their tremendous success the rest of the decade as they adapted their sound from progressive rock to tighter pop songs. The video certainly played a part in the success of the song, too. It depicts the band as homeless men taking shelter outside a disused factory. They perform the song, eat soup, play cards, and keep warm around an open fire. It was the first time Genesis used director Jim Yukich, who would direct the majority of their next videos as well as many of Collins’s solo videos.

That’s All

Remember the group Blue Angel? Me either. It was the group that Cyndi Lauper was in in 1981. It was her solo career and her first single, however, that made her famous. It is interesting to note that Girls Just Wanna Have Fun didn’t start out as the female anthem that Cyndi made it.

A Philadelphia singer/songwriter named Robert Hazard, who had a band called Robert Hazard and the Heroes, wrote it. He recorded a demo of it in 1979. Speaking with Rolling Stone, Lauper said that she had to alter the lyrics from Hazard’s original. “It was originally about how fortunate he was ’cause he was a guy around these girls that wanted to have ‘fun’ – with him”

Believe it or not, Cyndi didn’t want to record this song, but her producer, Rick Chertoff, was convinced it could become her anthem. The challenge for her was figuring out how to sing it. She ended up doing her vocal in the style of the ’50s hit “Let the Good Times Roll” by Shirley & Lee, which Shirley Goodman sings in a high-pitched voice. It obviously worked as the song went to number 2 on the Billboard Hot 100 chart.

MTV again played into the success of the song, as this was a very fun video to watch. The video, which ran constantly on MTV, features the wrestler Captain Lou Albano as Lauper’s father, and also Lauper’s real-life mother, who had no acting experience but did just fine. It won the first ever award for Best Female Video at the 1984 MTV Video Music Awards.

The song had a huge influence on how girls dressed in the 80’s. When I think of it, I can picture so many of my gal friends who dressed like Cyndi.

Girl’s Just Want To Have Fun

Everyone I grew up with had the 1984 album from Van Halen. The song actually was a bigger hit in 84, but it is on this list because it was released in December of 1983. Jump is just one of many songs that used synthesizers in the 80’s. The synthesizer intro for Van Halen’s Jump is iconic, but not everyone in the band wanted to use it.

The synthesizer was a point of contention in the band. Eddie wanted to use it, but lead singer David Lee Roth thought it would look like they were selling out to get more radio play. Eddie was classically trained on piano growing up – he didn’t start playing guitar until he was a teenager – so it wasn’t that far a stretch for him. Had the band brought in an outside keyboard player they probably would have gotten a lot of flak, but Eddie was held in such high esteem that fans were happy to hear him on another instrument.

Songfacts.com says: 1984 was David Lee Roth’s last album with Van Halen before he left the band in 1985; the video for “Jump” inflamed the tensions that led to his departure. The video was produced by Robert Lombard, who wanted to show the personal side of the band on stage. Roth, however, wanted the performance intercut with footage of him doing other things, so they shot him doing things like riding a motorcycle and getting arrested while wearing nothing but a towel. Lombard edited the video and used none of the extra Roth footage, taking it to Eddie and Alex for approval. Two days later, the band’s manager fired him for bypassing Roth. Lombard says he never received the award the video won from MTV.

Jump

Next week, we’ll look at songs from 1984. 1984 was a big year for me in a lot of ways. Musically, it was a big year for ballads. With a mix of country, R&B, and a song that led to me embarrassing myself on the air years later, it will be an interesting list!

Tell me about your favorite from 1983 that I may have missed in the comments and I will see you next week.

I Miss Record Stores!

My first job was a paper route.  I delivered for both the Detroit Free Press and the Detroit News.  I guess I was probably about 10 or 11.  Some of your customers paid the paper directly, but most of the time, you had to go door to door to “collect” for the week’s deliveries.

My dad decided since I was making money, I’d need to have a bank account to put the money in.  He went with me and I opened an account at Michigan National Bank.  I think he had hoped that I would put money in there and save it for when I needed a car or something.  The fact that the bank was basically in the parking lot of the Hoover Eleven shopping center, which was almost directly across from my paper route, was probably a bad idea!

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There were two stores in the shopping center that ended up with most of my money.  The first was Circus World, a long gone toy store where we bought the latest Star Wars toys, Matchbox cars, and toy guns.  The second store, and the one that got most of my money, was a record store called Harmony House.  Oh, Harmony House, how I miss you!!!

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When I had my paper route, Harmony House was located in the original wing of the shopping center.  I had a turntable in my bedroom and I would go and buy 12 inch LP’s, 45 singles, cassettes, and eventually CD’s.  Some of the music blogs I follow have often said, “You never forget the first album you bought with your own money.”  I can say that isn’t true.  I don’t remember mine.  I can tell you the ones I bought, but don’t remember my first.  This is probably because many of the albums my dad had ended up in my collection.

What I remember is walking in and there was a wall which had a pegboard on it.  On the pegboard, there were pockets which had the new 45 singles on it.  Each pocket contained about 20-30 45 records in it.  On the front of the pocket was the title of the song and the artist.  If you were to compare that wall to the Billboard chart, it was basically the Top 30 or 40 songs that were being played on the radio.  I remember buying “Crazy Little Thing Called Love” by Queen on 45.

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The above pic is not really what the wall in Harmony House looked like, but it gives you an idea.  Looking at the picture, it reminded me that I lost the adapter that you put on the turntable to be able to play 45’s.  With an LP album, there was a small hole in the middle of it that the spindle went through. In the above picture you can see that hole on the “Creepers” record.  The hole on a 45 was much bigger, as you can see in the majority of the 45’s shown in the picture.  It seems to me that I had about 50 of those yellow 45 adapters at home for my collection!  It snapped in the record so you could play it.

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The singles were often released in hopes that you’d buy the album when it came out.  I was buying albums from artists that my dad introduced to me like Roy Orbison, Elvis, and others.  If I had to take a good guess, I would imagine one of the first albums I ever bought was from the Beatles.  Probably Beatles 65 or Beatles VI – both of which I loved!  In elementary school we had a “Record of the Week” which each class voted on and we could all bring songs in for the class to vote on.  I remember bringing in a Beatles Album.

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I used to spend hours in Harmony House!  I remember that occasionally there would be a huge cardboard cut out of a local DJ (like Arthur P from WRIF) with a spot for 45’s.  It would be their “Pick of the Week”.   They had a listening station where you could put headphones on and listen to the 45’s and you could probably find me there 50% of my visit!  I used to love talking about music with the people who worked there and became good friends with them in doing so.  It was always cool to have one of them say, “If you like that … you will really like _____!”

Vinyl sales started to decline with the rise of cassette tapes and cassingles (a single song on a cassette).  I used to take a vinyl album and record it to cassette so I could play it on my Walkman.  Then, I just started buying albums on cassette.  I DO remember the first album I bought on cassette –

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Eventually, CDs became the way to get your music.  I remember when they first came out, they came in a HUGE box!  The CD would sit at the bottom of the packaging, and the top half of it was pretty much nothing.  Now, when you buy a CD, all you have to do is remove the cellophane around it – back then you had to crack open that huge box!

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Let me preface this by saying I realize that I am probably gonna sound like an old man here, but I hate the fact that more and more music is being delivered digitally.  That being said, I will say that in some cases it is great – like for DJing.  All my new music is downloadable and clean edits.  It does make that very easy.  However, I miss the days of listening to an entire album from start to finish.  I miss picking out the songs I hoped I would hear on the radio.  I miss comparing “notes” with other friends who bought the album to hear what songs were their favorites and why.

It seems that there is little interest in albums anymore.  Hell, back in the day, there was a radio format called “AOR” which stood for “album oriented rock” and you got to hear those cuts that weren’t being played anywhere else!  My Tune Tuesday blog this week about Dwight Yoakam was about a song that never played on the radio, but it is still a great song and one of my favorites!  Think about growing up – no doubt you have an album that you could put on and play it from start to finish and you loved every song!!  Right??

I guess one of the things I miss most about record stores, aside of the music that I bought, is talking with people about music.  I loved being able to talk to staff members about music that had just come out.  I remember talking to a guy at Harmony House all the time about the “Future Releases” that were coming out.  We’d look at the list each week and talk about it.  It was always a great conversation when an artist would do something “different” from what they normally did (Pat Benatar’s True Love album comes to mind).

I had the same experience later on with a place in Roseville called Record Time.  My buddy Ken was the manager of the Oldies Department there and would steer me toward great imports and hard to find songs.  I had so many rare and hard to find CDs in my collection because of him.  Even though our music preferences weren’t always the same – it was always great to share thoughts with him.

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The other great thing about a record store is bumping into other music lovers.  So many times I’d be looking at the back of an album and another customer would walk up and say, “That’s a great LP!”  Those random conversations could also lead to discovering new music too.

It is nice to see that vinyl records are making a comeback.  I think it’s crazy that they are trying to sell them for $30 an album, especially when you can get the CD for $15-$20!  There is something to be said about hearing a song on vinyl, though.  I don’t really even know how to describe it, maybe you can help me do that, but the best I can do is – it sounds “fuller” and more “real”.  I don’t know, maybe that’s just the old man in me….

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Today, I am forced to look for CDs (if I am buying any) at Walmart, FYE (which is slowly becoming non-existent), Barnes & Noble (which is usually WAY overpriced), or online.  It’s not the same.  If I am at Walmart, the guy next to me looking at CDs is really there to buy toilet paper, not there solely to buy music.  With the internet, we have instant access to album reviews, which can be useful if you know what you are looking for.  I miss hearing about something that I didn’t know about from a fellow music lover.  I miss walking into the record store and hearing something playing in the store and wondering “Wow!  I like that!  Who is this and how can I get it?!”

Thank goodness there are still a few stores around that sell used CD’s, records, and even movies.  Sadly, they are as close as we’ll come to Harmony House or Record Time.

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