30 Years Ago – The Final Week of Honey Radio Began

While surfing Facebook today, someone posted that it was Lorna Luft’s Birthday. Why did that strike a chord with me? As soon as I read it, I could hear my old morning show partner saying her name in his Elvis voice. We were talking about her birthday on the air and it jogged the memory. 30 years ago today – it was the beginning of the end.

What follows is an update of the blog I wrote five years ago:

Monday, November 21, 1994.  6:00 AM.

My partner Rob Main and I walked into the studio of WHND to begin what would be the last week of live broadcasts from Honey Radio.  We had heard the news weeks prior to this that the radio station was going off the air in favor of Spanish programming.  When the station was not broadcasting from our studios, we were airing satellite programming from the Cool Gold Network, which was no longer going to providing services. Honey was no longer financially viable.

At the time, Honey Radio was the oldest Oldies station in the country.  While there were stations that played oldies in the Detroit market, none were focusing exclusively on the “first decade of rock and roll”.  We primarily focused on the songs that were hits from 1955-1965, while occasionally playing some of those earlier songs from the 1950’s, too.  I think that was one of the reasons I loved working at this station so much.  When you think of the music from that decade it included rockabilly, doo wop, surf music, Motown, British Invasion music, songs from the “Brill Building”, and early soul and R&B.

We not only played the hits from this decade, but we also played songs that were local hits from local artists that were not being played anywhere else! We played music from Nolan Strong, The Dynamics, Gino Washington, Jack Scott, and so many other local acts. We did a daily show (The Top 12 at 12), which focused on a different year of the decade and counted down the Top 12 songs in Detroit from that particular day.  We always used a local chart to count down the hits.  Those charts could be from The Detroit News, WJBK, WKNR, WXYZ, or other charts.  It was unique to our station!

Today’s radio is what many refer to as “liner card radio”.  (Update: In the last five years, radio has now lowered itself to using AI DJ’s with generic content. Can it get any more boring?) The DJ’s on the air rarely have any content and read things from cards in the studio (usually promoting station events, station appearances, or sponsor information).  The most entertaining DJ’s are usually the morning show hosts, but even they are overloaded with sponsor reads and liners.  One of my radio mentors, Jay Trachman, used to say “People say that DJ’s talk too much.  This isn’t true.  The truth is that DJ’s tend to waste their listener’s time by not having anything to say. They don’t have any REAL content to share.” This is where Honey was different.

Honey Radio DJs were “personalities” – each unique.  Boogie Brian was the “Bard of Lincoln Park” and often spoke in Rhyme.  Richard D. was the “Silly DJ from Savage Minnesota” who now lived on Lack Of Drive in Warren with his wife Oldielocks and kids Doo Wop and Bee Bop.  Other personalities included Bill Stewart, Ron T., Greg Russell, Dr. Bob, “Young” Jon Ray, Scottie OJay, Rob (and every one of his characters), and me. Each of us had our “features”.  Scottie hosted the “Soul Patrol” show, Richard had the “Off the Wall Record” and “Poor Richard D’s Almanac”, Boogie had “Cruise Casts” and “Boogie’s Forgotten Favorites”, and  the list goes on and on.  There was always something fun and unique happening on Honey.

Another thing I loved about Honey was the jingles.  Our jingles were PAMS jingles.  They were many of the same tracks/jingles that were used by local radio stations all across the country during the 60’s.  They were just re-sung with our call letters.  These jingles were just awesome!  Today, you can hear many of these same jingles on Sirius XM’s 50’s on 5 and 60’s on 6. I am lucky to have many of these jingles that were taken from the master tapes on CD in my collection.

With Honey going off the air, many of us would be out of a job.  Rob and I had been working together off and on whenever I was on air for a while.  After Honey went off the air, we hoped to find a job doing mornings somewhere.  In order to do this, we needed some more “tape” of us together.  Richard D gave us permission to go on the air instead of the satellite show in the morning that final week.  We had free reign to “play around” and have fun on the air.  At the same time, we’d be getting hours of material that we could potentially use to try to get a show somewhere.

(Updated) 30 years ago today, Rob and I hit the studio with a few ideas, many voices, many characters, some great music, and had the best week of our career!  It was Thanksgiving week.  Music was scheduled for Monday-Wednesday and Friday.  Thursday we were supposed to air satellite programming.  Instead, we were on for 6 hours that Thanksgiving and played songs with a different theme each hour (Number songs, Songs with girls names or guys names, Instrumentals, Songs with body parts in the title, etc…)  Originally, those shows were recorded to cassette tapes.  Those tapes were called “Skimmers”.  The tape recorded only when the microphone was turned on.  Some time ago, I took those tapes and recorded them digitally and transferred them to CD.  I still pop them into my car and listen to that final week whenever I need a laugh.  I am guessing, I will need to pull them out to honor the 30th anniversary of Honey’s end.

The only CD I have a difficult time listening to is the last show, from November 25, 1994.  It was the last day of live broadcasting.  We had friends visit us in the studio (South Bronx Johnny, Helen & Beverly, my dad, and others).  The calls we got from listeners that day were very emotional.  They made us feel so loved.  The last break of our show, Boogie’s wife had recorded a message for him that we played right before he went on the air.  He did the final four hours of live programming.  He had prerecorded a sign off that lasted about 15 minutes with his personal reflections on the station, the staff, the listeners, and the end.  I remember Rob, his girlfriend Mary, and I all listening to this and just sobbing. Boogie expressed what everyone was feeling and it was the perfect ending to an amazing station.

It is hard to believe that it has been 30 years since that last broadcast.  When I look back, I can’t believe I was lucky enough to work with those legends!  I can’t believe I was lucky enough to be a part of such an amazing station.  I had only been in radio about 6 years when I started at Honey, and I learned SO much from watching and talking to Boogie and Richard!  What an honor to have had them as coaches, mentors, and friends.

(2024 Update) I believe my buddy Rob had already passed away when I wrote that blog. South Bronx Johnny passed away shortly after that. In 2022, Richard D passed away. I am so glad to have those tapes to hear them all again.

The Late, Great Richard D!

The one thing that I will always remember about working at Honey – is the laughter.  There was always laughter whether you were in or out of the studio.  There was laughter whether you were on air or off air.  I always seemed to leave the building with my cheeks hurting from smiling and my sides hurting from laughter.  Today, I can pop those shows in (or some of the Richard D shows I have on tape), and still laugh!

(Update) 30 years later, Honey is no more.  That makes me sad, because the world could sure use some laughter!

The Music of My Life – 1994

Welcome back to The Music of My Life, where I feature ten songs from each year of my life.  In most cases, the ten songs I choose will be ones I like personally (unless I explain otherwise). The songs will be selected from Billboard’s Year-end Hot 100 Chart, Acclaimed Music, and will all be released in the featured year.

I turned 24 in 1994.  In the 7 years I had been on the radio, I was starting to get used to the fact that radio stations made changes often.  It happened again when Honey Radio went off the air that year.  I would go on to land a gig at W4 Country in Detroit soon after.

1994 was also the year my paternal grandfather passed away.  I was very close to him and that grief hung around for some time.

Musically, I was DJing a lot more parties and discovering more music.  Thanks to a full time job where I drove a lot, I discovered some alternative music that I really enjoyed.  Many of those tunes will show up in the lists/years ahead.

Let’s check out 1994 …

As someone who feels like I can never put my feelings into words, I appreciate a song that can.  Beautiful In My Eyes was a huge Bride and Groom song when I was DJing. When it wasn’t the bridal dance, it was a slow song that always packed the dance floor.

When I DJ’d my cousin’s second wedding, it was on the “Do Not Play” list.  Why?  It was the wedding song she used in her first marriage.  As strange as it may sound, that happened a lot.

Joshua Kadison describes the song as being about “a love that just lasts forever, and you’ll always be beautiful in my eyes.” I’ve always thought it was an example of a great love song. I will also admit that I had no idea what he looked like until I found this video.

Beautiful in My Eyes

We had Doug Stone do a show for us when I worked at the Moose.  He was a nice guy and fun to chat with.  By the time he did our show, he’d pretty much had all of his hits.

One song that I found extremely relatable was Addicted to a Dollar.  There are lyrics in here that any hard working person can relate to!

“F.I.C.A. and the state – they make my paycheck look like a big mistake.
Tax man takes his before I see a cent
And what they don’t get, I’ve already spent.”

Got me more payments than I’ve got checks. Ten more to go on this car, it’s a wreck.”

Those hit home on many levels, especially for a radio guy! Even long after my radio career, those lyrics can still hit home.

Addicted to a Dollar

Next up, the only US hit for Des’ree, who had quite a few hits in the UK.  I like this song because it’s kind of a pep talk.  It’s about not being ashamed to express your feelings and about living life to its fullest.

The whole song is loaded with wisdom.  The chorus is something that a person could easily tell themselves everyday when they look in the mirror.

You gotta be bad, you gotta be bold, you gotta be wiser
You gotta be hard, you gotta be tough, you gotta be stronger
You gotta be cool, you gotta be calm, you gotta stay together
All I know, all I know, love will save the day

Some days you just gotta push through, and being bad, bold, wise, hard, tough, strong, cool, and calm can certainly help!

You Gotta Be

The Troggs followed up their hit “Wild Thing” with the ballad Love Is All Around.  They took the song to #7 in 1967.

The group Wet, Wet, Wet covered it for the movie Four Weddings And A Funeral. It wasn’t the only song they could have recorded.  The band chose “Love is All Around” over Gloria Gaynor’s “I Will Survive” and Barry Manilow’s “Can’t Smile Without You” even though some of their members hadn’t heard it before.

Singer Marti Pellow related that the decision to pick “Love Is All Around” was an easy choice “because we knew we could make it our own”. They made the right choice, as their version was a UK #1 for 15 weeks and became the best selling single in the UK in 1994.

The song is so much different than the Troggs’ version.  I think that is why I like it so much!  It isn’t that the Troggs’ version sounds dated or anything, I just think the Wet, Wet Wet version sounds more polished. It’s fantastic.

Love Is All Around

I wish I had a dollar for every time I have played this next one at a wedding or party!   It was one of my most requested songs – Cotton Eyed Joe.  What’s funny is that while high school kids were asking for it, they have no idea just how old the song is!

Songfacts says “This song originated in America in the 1800s, and is commonly associated with the American South. It became a popular song in country bars, as it was perfect for line dancing. It’s a traditional folk song, and many country artists recorded it.

Rednex is a group of Swedish producers who recorded “Cotton Eye Joe” as a techno dance song. After putting the song together, they came up with the country bumpkin motif and named the group Rednex, a play on the word “redneck,” a term for an uncultured southerner in America.

They found five Swedish performers to portray the band, dressing them in tattered clothes and giving them a stereotypical hillbilly look, with unkempt hair and dirty faces. In a cagy marketing move, they refused interviews and released a bio to the press explaining that the group was rescued from an uncivilized village called Brunkeflo in the backwoods of Idaho and brought to Sweden, where they could express their musical gifts. Their names were Bobby Sue, Billy Ray, Mary Joe, BB Stiff and Ken Tacky – all inbred.

What a way to start a band, huh?

Cotton Eyed Joe

I don’t think I could ever be a good songwriter.  There are some lines that I think are just brilliant.  One of those lines is the opening line of Green Day’s Basket Case.

Do you have the time to listen to me whine about nothing and everything all at once?”

That’s a great line!  This song is about anxiety attacks and a feeling that you are going crazy. Lead singer Billie Joe Armstrong suffered from various panic disorders while he was growing up – he would sometimes wake up in the middle of the night with a panic attack and walk around his neighborhood to settle down. “Basket Case” was a cathartic and personal song for him. “The only way I knew how to deal with it was to write a song about it,” he explained.

Songfacts says “Blasting right into the verse at the beginning of this song is something that set it apart. Simplicity was a hallmark of the Dookie album, and while omitting an intro made little marketing sense (DJs couldn’t talk up the song), it got right into the meat of the track. Tre Cool of Green Day cites the first Beatles album, Please Please Me, as an influence on Dookie, since many of those early Beatles songs also got right to the point.”

Basket Case was one of those alternative songs I heard on the radio and it made me want to hear more from Green Day.

Basket Case

I’ve got the chance to hang out and interview Aaron Tippin a couple times.  He’s a huge supporter of our veterans, and does a lot of charity work

During his stage show he puts together a bicycle while singing a song.  Then he brings out someone from a children’s hospital or foster home and donates the bike and more to those children.  Class act!

Off air, I found out he was a big fan of Frank Sinatra and Dean Martin.  We chatted for a long time about their music.  At his county fair show, he donned a fedora and nailed a Sinatra song.  It was amazing.

My dad loves his music and he asked if I would get an autograph for him.  Aaron and I were talking and I mentioned my dad’s request.  My dad loves Aaron’s patriotism and support of veterans.  I mentioned this to him.  Aaron wanted to know more about him.  Where did he serve?  How long?  What branch of service? 

He grabbed one of his photos and signed it for my dad.  It hangs proudly in my dad’s music room.  “Sam.  I KNOW you got it honest!  Thank you. Aaron Tippin.”

I Got It Honest

The video for the next song is what got me.  More on that in a second.

Weezer’s Buddy Holly was almost called “Ginger Rogers.” Well, it could have been.  According to songfacts “The early demo of this song had a slower tempo and some different lyrics. The chorus originally referenced famous dancing duo Fred & Ginger: “Oo-wee-oo you look just like Ginger Rogers, Oh, oh, I move just like Fred Astaire,” before it was changed to “Oh wee-ooh, I look just like Buddy Holly, Oh, oh, and you’re Mary Tyler Moore.”

The video was just awesome.  Spike Jonze directed it. Vintage Happy Days footage was intercut with shots of Weezer performing on the original Arnold’s Drive-In set. Al Molinaro, who played the diner’s owner on the series, made a cameo appearance in the video.

Think about this: Happy Days aired in the 1970s but was set in the 1950s, when Buddy Holly made his mark. So here we have a ’90s video referencing a ’70s TV series set in the ’50s.

The video was one of the most popular clips of 1995, it scored four MTV Video Music Awards, including Breakthrough Video and Best Alternative Music Video, and two Billboard Music Video Awards, among them Alternative/Modern Rock Clip of the Year.

The single was released to radio on September 7, 1994, which would have been Buddy Holly’s 58th birthday.

Buddy Holly

In 1994, Huey Lewis and the News released Four Chords and Several Years Ago.  It was an album of 50’s and 60’s cover songs.  What made this really cool was that they recorded it just like they would have in those days. 

You didn’t have the guitar track laid down beforehand.  The drummer wasn’t in a separate booth.  All the musicians and vocalists were in the same room recording at the same time.  This gave the songs a very authentic sound.

The band’s final entry into the Hot 100, was a cover of the JJ Jackson hit But It’s Alright.  This is not to be confused with an earlier cover they did of the Impression’s It’s Alright.  They did that one all acapella.

Four Chords is one of my favorite albums.

But It’s Alright

It is fitting that the next song is the last one on my list for 1994.  It’s fitting because since it came out, I almost always used this song as the last song of the night when I DJ’d. 

Madonna’s Take A Bow has a beautiful instrumentation and arrangement.  While beautiful, it is sad.  This song is about a failed romance Madonna had with “a movie star,” possibly Warren Beatty, whom she starred opposite in the movie Dick Tracy. 

Babyface sang backup and also produced this track to give Madonna the R&B feel she wanted for the Bedtime Stories album. At Madonna’s suggestion, this song was recorded with a full orchestra. It was the first time Babyface had worked with live strings.

I always felt like it was a perfect song to wrap up with.  The lyrics say, “The show is over, say goodbye.” I also liked that it was a 5 minute song, which gave me a little time to start packing up at gigs. At some gigs, if I had a friend there, or my significant other, I could sneak in a brief dance with them. 

Take a Bow

And just like that, we’re through 1994. Like other years, there were plenty of good ones to choose from. Which one of your favorites did I miss?

Next week, we’ll hear the dance craze people love to hate, a band that was superior to another, a soulful sweet collaboration, a rather strange song, and the reuniting of one of the biggest groups in history. I hope you’ll stop by to check it out ….

The Music of My Life – 1992

Welcome back to The Music of My Life, where I feature ten songs from each year of my life.  In most cases, the ten songs I choose will be ones I like personally (unless I explain otherwise). The songs will be selected from Billboard’s Year-end Hot 100 Chart, Acclaimed Music, and will all be released in the featured year.

In 1992, I turned 22 and would land a radio gig at WHND, Honey Radio. It was through my old radio partner that I would become all too familiar with karaoke bars. We spent a lot of time pretending to be singers at them. Believe it or not, it was listening to people try to sing that introduced me to many songs. Many of those songs, were ones I normally would have been unfamiliar with.

Let’s jump right into 1992!

The Spin Doctors are often referred to as an alternative band. I tend to think of them as a rock band, though. Two Princes sounds more like a rock song to me. I could easily hear the Stones covering it.

A buddy of mine used to sing this song all the time. From the opening drum kick and guitar lick, I was hooked. The content of the song was influenced by some classic literature. Chris Barron, said:

“I loved The Lord of the Rings and The Hobbit and Sir Gawain and the Green Knight. I was really into fantasy fiction and stuff like that. I wrote that song when I was 19, so I was still coming out of childhood, and as a child I loved wizards and kings and queens and princess and princesses and stuff like that. And I loved Shakespeare – I already was way into Shakespeare. So I gravitated towards that kind of imagery just because I liked books and poems from that period of time.”

Drummer Aaron Comess said that the song was almost a lot faster.  “There are certain songs when you find the right tempo, all of a sudden the lyrics come out, it feels right and I think with ‘Two Princes’ we really lucked out. It’s one of those things, we got in the studio, found a good tempo, we recorded it, everything just really came together. It’s very simple, there’s not a lot of stuff on it, somehow the sound and feel we got, we just lucked out and found the perfect thing.”

Songfacts pointed out that it was songs like this one that were in high demand on radio in 1992-1993. There was an onslaught of hip-hop songs at the time and it was this “sound” that began pushing it back a bit.

Two Princes

Here is another example of how I came to learn of the original because of a parody. I was familiar with the cover of their Nevermind album, but unfamiliar with a lot of their songs. Enter once again, Weird Al.

When Al first heard Nirvana, he was very impressed but thought they wouldn’t catch on. He was thrilled when “Teen Spirit” became a huge hit, since that made the group a parody target.

Al is famous for asking for permission before doing any type of parody. He got permission from Nirvana’s lead singer Kurt Cobain while he was doing an episode of Saturday Night Live. Kurt initially thought the song would be about food. Instead, it was poking fun at how hard it was to understand their lyrics.

The video is a very close parody of Nirvana’s, and got almost as much airplay. For example, the same janitor used in Nirvana’s video also makes an appearance in Weird Al’s. This time donning a tutu and playing a tuba. Al dresses just as Cobain did, complete with wig. He plays a fake blowup guitar and makes fun of the hard-to-understand lyrics by gargling water and singing with marbles in his mouth.

FYI – Dick Van Patten was not in the Nirvana video.

This song is probably the one that really solidified my opinion of Weird Al as a musical genius!

Smells Like Nirvana

For comparison – the original video:

Ok, I admit that the next song was far from a hit. It only peaked at #92 in the US, however in the UK it hit #27. The original, of course, was a number one hit for Elvis Presley in 1957. Personally, I really like Billy Joel’s version of All Shook Up. I think it should have done better on the charts.

The song is one of many Elvis covers from the soundtrack to Honeymoon in Vegas. The movie starred Nicolas Cage, James Caan, and Sarah Jessica Parker. It also featured a whole lot of Elvis impersonators.

What I love about Billy’s version is that it retains the feel of the original, but there is enough “Billy” to make it his song. When I was DJing, I used to put on a cape, an Elvis Wig, Elvis glasses, and grab some random gal out of the audience and “lip synch” this to her. It was ridiculous, but it always got a laugh from the crowd (along with a lot of photos).

All Shook Up

Next, we have the only song that I will fast dance to. I say this, because I believe there is no real dancing necessary. Songfacts explains this perfectly:

House of Pain’s Jump Around earned relentless airplay on MTV and pop radio, and became a huge crowd pleaser in bars and dance clubs. It was great for getting people on the dance floor, as no real dancing is involved – just jumping around.

Exactly. I jump like a fool when this one is on! It’s hard to look bad. It brings the bounce with a steady, throbbing rhythm along with explicit instructions on when to jump. You can’t mess this one up!

Erik “Everlast” Schrody wrote the song. Songfacts explains that the lyrics on this track are very aggressive. It contains lines like “I bust him in the eye, and then I’ll take the punk’s ho.” Everlast was surprised when the song crossed over to a pop audience. He thought it was “too hardcore” to do so. The “pugnacious” lyrics, however, are tempered with comic relief. Listen for lines like “I got more rhymes than there’s cops at a Dunkin’ Donuts shop. ” They make it a lot less threatening.

If the horn flourish that opens this song sounds familiar, it is because it comes from Bob and Earl’s song, “Harlem Shuffle”.

Jump Around

Next a movie song that never made the movie’s soundtrack. In A League of Their Own, Madonna starred with Tom Hanks, Geena Davis and Rosie O’Donnell. The film was based on the true story of an all-women baseball team that was popular during World War II.

The song is about a woman who can’t and let go of her past, with the implication that her present circumstances aren’t so good. The lyrics fit well with the film’s premise, as the now-elderly women reunite and recall their glory days as baseball stars.

To a degree, I can relate to this as I tend to live in my nostalgia and memories, however, my present circumstances are actually good. I find myself thinking of those summers playing ball at our old elementary when I hear this song.

This made me laugh: The video for this song, which shows Madonna singing from the pages of a photo album, bears a strong resemblance to Boy George’s video for his 1987 song “To Be Reborn.” The similarities were not lost on the Culture Club singer, who angrily dubbed it “This Used to Be My Video” in his autobiography.

This Used To Be My Playground

What I love about country music is the honesty of it. There are a handful of songs that I can say really hit home for me. One of them is from Travis Tritt’s third album. For me, I could relate to the lyrics of Lord Have Mercy on the Working Man. After all, I was working on a DJ’s salary!

Truth be told, it doesn’t matter what job you hold, these lyrics hit home. While primarily focusing on the economical injustice to blue collar workers, it fits anyone who struggles financially.

Uncle Sam’s got his hands in my pockets
And he helps himself each time he needs a dime

Why’s the rich man busy dancing
While the poor man pays the band
Oh they’re billing me for killing me
Lord have mercy on the working man

The final verse features Tritt’s friends joining in. Listen for Brooks and Dunn, George Jones, Little Texas, Tanya Tucker, T. Graham Brown and Porter Wagoner.

Lord Have Mercy On The Workin’ Man

MTV’s Unplugged had been around since 1989. It featured Joe Walsh, The Cure, Paul McCartney, Sting, and Mariah Carey. Eric Clapton recorded an Unplugged performance at Bray Studios in London. He rearranged many of his classic songs for the acoustic context.

The resulting Unplugged album went on to become the best selling Unplugged album in the U.S. and worldwide with sales of 10 million in the U.S. and 26 million worldwide. He earned six Grammy Awards for the album. He earned Grammys for Record of the Year, Album of the Year, Song of the Year, Best Male Pop Vocal Performance, Best Rock Male Vocal Performance and Best Rock Song.

I have been a fan of acoustic shows for a long time. I loved when artists came in and played acoustically for us. It is raw and you really feel the song. When I heard the Unplugged version of Layla, I couldn’t get enough of it. I loved the entirely different feel to the song! It was so much more bluesy.

The Unplugged version also helped Eric do his vocal. According to Songfacts, “playing the “Layla” riff while singing is like juggling on a unicycle, so Clapton tries to avoid it. When he does the rock version live, he’ll play the riff until his vocals come in, then let one of his band members take over the riff.” With the slower version, it was a lot easier for him.

Layla (Unplugged)

When it comes to Disney, you cannot deny the amazing songs that have been featured in their films. It is truly hard to picture anyone other than Robin Williams as the Genie in Aladdin. He was just perfect. There were hours of audio that were not used in the film from Robin. If it were ever released to the public, I’d buy it in a heartbeat!

Prior to having children, I was not one to run out and watch a Disney movie. However, knowing that Williams was the Genie in this one, I had to go see it. I was not disappointed.

The Genie’s song, Friend Like Me was written by the amazing composer Alan Menken and lyricist Howard Ashman. Menken and Ashman didn’t write this with Robin Williams in mind, but the actor would make the number his own. Menken told Entertainment Weekly:

“We didn’t know who was going to play the genie when we wrote the song. We were looking at the character as black, a hipster, and I suggested a Fats Waller, Harlem stride-piano style from the ’40s. When Robin Williams was suggested, my first thought was, ‘Can he sing like Fats Waller?’ Robin learned every note. He was working on Hook at the time, and he would come in after being stuck in a harness all day and sit at the piano and learn. When we went into the studio, we got exactly the Fats Waller performance we wanted, and then everyone said, ‘Okay, but now can we let Robin do his thing?’ He was amazing. That trumpet wah-wah-wah was supposed to be from an instrument, and he made it vocal. He took ahold of the creative process, both on that and ‘Prince Ali’ especially. My God, he went crazy on ‘Prince Ali.’ He was doing the Thanksgiving Day Parade, Arab-style.”

One source says that the song was originally written as a Cab Calloway style big band number. Some elements of this concept remain (for instance, when the Genie scats, in typical Calloway moves), but after Robin Williams was cast it was expanded as a more comedic, pop-culture-filled song.

I miss Robin Williams. He could do comedy and drama and do them both well. This is what makes a great actor, in my opinion. He was truly one of the best ad-libbers and I always loved watching him on late night shows.

When we were picking songs for our alumni band one year, I picked this song for us. Not the best song to march to in a parade, but it was fun to play.

Friend Like Me

I was disappointed in the soundtrack version, as it seems like Robin’s vocals are a bit buried.

I just realized that my list has two Elvis covers on it. Technically, they are both movie songs, too.

When ZZ Top released their Greatest Hits album, they included a remake of Viva Las Vegas. ZZ Top took it up a notch. They took Elvis’ song and modernized it and gave it a real driving rock sound.

I remember my dad bringing home the 12 inch single of it and saying, “Keith, you’ve got to hear this!” He put it on the turntable and there was a downward swishy sound effect followed by Elvis saying, “Y’all still want me to come with ya?” Once the guitars kick in, it just jams!

It’s one of my guilty pleasure songs.

Viva Las Vegas

I had a meeting with a bride and groom once. We were going over songs for their wedding. When I asked them what their wedding song was, they told me “If I Had $1,000,000 by Barenaked Ladies.” I must have looked like an idiot. I thought they were joking. “Barenaked Ladies?! Really?!” I had never heard of them.

I had no idea what to expect when I went searching for the song. I’ve had my share of weird songs to play for the bridal dance, so I was ready for anything. I was finally able to get a copy of it, but it wasn’t easy. The couple enjoyed their dance and the crowd loved every second of it.

Even though it’s one of the group’s most popular songs, it was never a hit single in America. It wasn’t a hit in the UK either. A lot of it was timing: The group didn’t break through outside of their native Canada until their 1998 album Stunt. The song was even re-released in 1996, but didn’t chart then either.

This is a very important song for Barenaked Ladies. They have performed it at nearly every live show since 1988. Frontman Ed Robertson told Songfacts:

“It has become its own thing and people sing along and it represents a time and a place for so many people. It’s oddly a song I don’t get bored of. It brings such joy to the room that it’s hard to not enjoy it.”

He goes on to say, “That song, it was about being in love and being maybe a little bit extravagant but not losing hold of what’s important.” Ultimately it’s just about celebrating your good fortune with someone else, and I think I’ve stayed pretty true to that.”

The song was my introduction to the group. I have come to enjoy many of their future songs, too. Perhaps one or two may show up in the years to come.

If I Had $1,000,000

That’s a wrap on 1992. Did I miss one of your favorites? Drop it in the comments.

Next week, as we head to 1993, a few ballads with a lot of personal meaning to me, a couple fun dance songs, a spelling lesson, and more stories behind the songs.

Thanks again for reading!

Tune Tuesday – Wash Out

Today is the birthday of one of the “Three Kings of Blues Guitar.” The best known of these three is most likely B.B. King, followed closely by Albert King, and last but not least, the birthday boy, Freddie King. All three Kings – but no relation to each other. Freddie was born today in 1934.

Freddie was not just a great guitarist, he was also a songwriter and singer. His voice has been called “soulful and powerful,” but today I’ll focus on his guitar playing.

He was taught to play by his mother and uncle as child and eventually moved to Chicago. There he formed a band called the Every Hour Blues Boys. He tried many times to get a record deal at Chess Records (the home of Muddy Waters and Howlin’ Wolf), but was rejected every time. They told him that he “sounded too much like B.B. King.”

Persistence paid off for him as he finally landed a record deal with Federal Records in 1960. In August of 1960, he recorded his debut single, “Have You Ever Loved a Woman.” At that same session, he recorded an instrumental that has gone on to become a blues “standard,” “Hide Away.”

Hide Away reached number five on the R&B Chart and number 29 on the Pop Chart, an unprecedented accomplishment for a blues instrumental at a time when the genre was still largely unknown to white audiences.

While at Federal Records, Freddie became good friends with Sonny Thompson, a pianist, producer, and A&R man for Cincinnati’s King Records. Federal Records was a subsidiary of King Records. After the success of Hide Away, Thompson and Freddie recorded over 30 instrumentals (including today’s pick). Yes, they recorded vocal tracks throughout this period but often released the tunes as instrumentals on albums.

On the last day of local broadcasting at Honey Radio, my partner Rob Main and I were given 6 hours of the day to play whatever we wanted. We had decided to do have each hour focus on something different. Hour 1 was songs with Male names. Hour 2 was songs with Female names. Hour 3 had songs with body parts in the title. Hour 4 focused on instrumentals. That hour got a ton of requests for more and we did an extra hour of them.

Rob was a guitar player and he was the guy who introduced me to today’s Freddie King song. He had the “Let’s Hide Away and Dance Away” album his favorite cut was called Wash Out. I remember he told me he thought it had an “early Elvis” feel to it. The repeated guitar lick does remind me a bit of Elvis’ Blue Christmas.

He handed the song to me on a cart (what we played songs off of before CDs) and I played it on air without ever hearing it. We both sat with our headphones on listened. When it was done, we cracked the microphone and he asked me if I liked it. I remember telling him that it sounded like I was just listening to a couple guys sitting in a room jamming together. That’s what it felt like to me, improvising the blues.

Freddie was always out on the road. He toured with guys like Sam Cooke, James Brown, and Jackie Wilson. He was on the road almost 300 days out of the year. All the touring caught up with him. In 1976 he began suffering from stomach issues. Painful ulcers and acute pancreatitis led to failing health and he passed away just after Christmas in 1976 at the young age of 42.

In 2012, ZZ Top inducted him into the Rock and Roll Hall of Fame. A year later, Rolling Stone magazine ranked him 15th on their list of 100 Greatest Guitarists of All Time.

Happy Birthday to Freddie King!

Friday Photo Flashback

On August 16, 1977, 47 years ago today, Elvis Presley died in Memphis, Tennessee. I was just 7 years old when he passed away, but I can recall how his passing hit my father and many others who grew up with his music and his legacy. As a kid, I knew Hound Dog, Teddy Bear, All Shook Up, and Don’t Be Cruel. It wasn’t until after he passed and as I began to dive deeper into his music that I came to appreciate his talent and why he was adored by his fans.

The first radio station I worked at (WKSG-FM, 102.7 Kiss-FM) was an oldies station, so I played my share of Elvis songs there. I played even more when I moved over to Honey Radio (WHND AM560) as they focused on early rock and roll. Discovering “new” Elvis music by playing unfamiliar (to me) songs on the radio only made me a bigger fan.

It was in the early 2000’s that I had the chance to go to Memphis on a radio trip. After we had finished our business at St. Jude Children’s Research Hospital in preparation for our radiothon, I had the opportunity to go to Graceland – Elvis’s home.

We had to wear these Walkman like headphones and carry a small device attached to them that allowed us to hear narration of the rooms and such on the tour. When we pulled up in front of the house I was surprised. It really doesn’t look as big as it does in the pictures.

Naturally, I had brought a camera, but the lighting within the house wasn’t that great for picture taking and there was a “No Flash Photography” rule on the tour. This was before we all carried around cameras on our phones. I had a camera with actual film in it that had to be developed. My photos came out dark or blurry. I was really upset by this.

The tour itself was really amazing. The various colors of the rooms, the 1977 appliances, the Jungle Room, the piano where Elvis played on the night he passed away, and the memorabilia had my brain overloading. One wall had gold records, awards, album covers and more line from floor to ceiling! Throughout the place were outfits from his movies and movie posters and various other things encased in glass. I was loving every second of my visit, snapping as many pictures as I could take and getting excited to show them to my dad when I developed them. And then, in an instant, I was silenced.

Full disclosure: the above photo is not mine. Mine came out blurry.

As you walk outside, you are almost at once in front of Elvis’ grave. The emotions that hit me were completely unexpected. I was overwhelmed to the point where I was almost in tears. I remember thinking, “Why am I almost crying? I never met Elvis before, yet I am overcome with feelings of sadness, wonder, and awe.” It was a humbling experience.

I had seen photos of the grave before, but now I was literally standing in front of it. There were flowers everywhere. It was beautiful. I stood there for quite a long time just lost in my thoughts and the moment. I had even forgot to press the button on the little audio thingy to hear this part of the tour.

As I think back to that moment, I really can’t explain what I was feeling or experiencing. It was surreal. It was like feeling a bunch of emotions all at once. There was respect and admiration as well as reverence and grief. Those few minutes at Graceland are certainly in my Top 5 “Most Complex” moments of my life.

There have since been some additions to the Graceland Graveyard since my visit. I wonder if it would hit me the same way if I were to go back.

Tune Tuesday – My Honey’s Lovin’ Arms

The fantastic actor Robert Mitchum was born today in 1917. Mitchum appeared in over 110 movie and television roles over the course of his career. The American Film Institute places him at #23 on their list of 50 Greatest American Screen Legends of All Time. He was in so many great films like the noir classic Out of the Past (1947), the noir thriller Night of the Hunter (1955), the psychological thriller Cape Fear (1962), the western 5 Card Stud (1968), the World War II film Midway (1976), and the holiday favorite Scrooged (1988) just to name a few.

So why am I writing about Robert Mitchum in a blog about music? One of the lesser-known aspects of Mitchum’s career was his foray into music as a singer. Critic Greg Adams writes, “Unlike most celebrity vocalists, Robert Mitchum actually had musical talent.” Even Frank Sinatra had nice things to say about him. Frank said, “For anyone who’s not a professional musician, he knows more about music, from Bach to Brubeck, than any man I’ve ever known.”

Many films will overdub an actor with a professional singer’s voice when the character has to sing. Mitchum’s voice was often used instead of that of a professional singer when his character sang in his films. He can be heard singing in Night of the Hunter, One Minute to Zero, The Sundowners, and he sang the theme to the film Young Billy Young.

Robert Mitchum recorded two albums. The first was recorded after he heard some calypso music while filming in the Caribbean. In 1957, he released “Calypso – Is Like So,” on which he emulated the calypso sound and style, even adopting the style’s unique pronunciations and slang. Personally, I didn’t care for this album. He has such a cool voice and by singing this way, it just sounded like a joke to me.

In 1958, he starred in the movie Thunder Road and sang the title song, “The Ballad of Thunder Road.” It was included on the rerelease of Calypso – Is Like So as a bonus song. The song never cracked the Top 40, but it did get to #62 on the charts. Although Mitchum continued to use his singing voice in his film work, he waited until 1967 to record his follow-up record, That Man, Robert Mitchum, Sings.

The album featured songs that had a country feel to them. His first single from the album, “Little Ole Wine Drinker Me” (which has a minor hit for Dean Martin) was a top-10 hit on country radio, reaching number 9 there, and crossed over into mainstream radio, where it peaked at number 96.

When I worked at Honey Radio in Detroit, my partner Rob would bring in songs sung by various celebrities. He’d play a clip of a song sung by William Shatner, Sebastian Cabot, Telly Savalas, and folks like that and have listeners call and guess who it was. One day he brought in Robert Mitchum’s version of My Honey’s Lovin’ Arms. At the time, I had no idea that he’d ever cut an album! Once I listened to it, I loved it. I couldn’t believe it was him!

The song was first recorded by a group called the Virginians in 1922. There have been many cover versions of the song since then. Bing Crosby, Barbara Streisand, Cab Calloway, Benny Goodman, Guy Lombardo, Kay Starr and (I think) Jeff Healy have all recorded the song. It is interesting to hear the various takes on the song to be sure.

As far as Mitchum’s version, it’s just …fun. It’s got simple instrumentation and some harmonious background singers and when it all comes together with Bob’s voice it just makes me smile. I remember the first time I heard the background singers sing “Doodly-op” before Mitchum comes in with his vocal. I lost it. I thought it was kinda corny, but as the song went on, I liked it more and more.

I would certainly not classify Mr. Mitchum as a great singer, but he does alright on this one. Happy Birthday, Robert!!

My Honey’s Lovin’ Arms

I love your lovin’ arms,
They hold a world of charms,
A place to nestle when I am lonely.
A cozy Morris chair,
Oh, what a happy pair!
One caress,
Happiness
Seems to bless my little honey.

I love you more each day,
When years have passed away,
You’ll find my love belongs to you only,
‘Cause when the world seems wrong,
Then I know that I belong
Right in my honey’s lovin’ arms.

I love your lovin’ arms,
They seem to hold a world of charms,
A place to nestle when I am lonely.
A cozy Morris chair,
Oh, what a happy pair!
One caress,
Happiness
Seems to bless my little honey.

I love you more each day,
When years have passed away,
You’ll find my love belongs to you only,
‘Cause when the world seems wrong,
Then I know that I belong
Right in my honey’s lovin’ arms.

Oh, when the world seems wrong,
Then I know that I belong
Right in my honey’s lovin’ arms.

Tune Tuesday: Hallelujah I Love Her So

Yesterday, my Turntable Talk was about the Blues Brothers Soundtrack. Ray Charles is featured on there with his version of Shake a Tailfeather. Also yesterday, my buddy Max from the Power Pop Blog (powerpop.blog) posted about Ray’s version of What’d I Say. That got me in a Ray Charles mood and I was surprised that I’d never posted this song before.

Hallelujah, I Love Her So was written and released by Ray Charles in 1956. I remember playing it on rare occasions when I worked at WHND, Honey Radio in Detroit. It was usually when we were featuring songs from 1956. It didn’t do much on the pop charts, but it was a Top 5 hit on the R&B charts.

As the title insinuates, it has a gospel feel to it. The opening piano lick sounds like something you’d hear before jumping into a happy hymn. One source says the song “is a testament to the joyous release of love, featuring a sophisticated horn arrangement and memorable tenor sax solo by Don Wilkerson.”

My buddy Randy from http://www.mostlymusiccovers.com no doubt knows that there have been plenty of covers of this song. Ray must have been thrilled to have his song covered by folks like Ella Fitzgerald, Peggy Lee, Brenda Lee, Jerry Lee Lewis, Stevie Wonder, Eddie Cochran, Gerry and the Pacemakers, and Frank Sinatra! Oh, and a band called the Quarrymen (who went on to become the Beatles) also covered it!

To start with, here is the original by Ray:

Ella Fitzgerald’s version sounds a bit more church-like to start, but really swings.

From the Beatles Anthology, here are the Quarrymen

Eddie Cochran’s version was released in 1959

I had no idea that Jerry Reed covered it, but it’s neat to hear his take

Sinatra always makes a song his own and he does that with this one. Very bluesy

Hugh Laurie’s version was on the deluxe version of his debut album

Of all the covers, one of my favorite versions is by an Australian singer named Guy Sebastian. From his Memphis Album he a great version.

I hope you love this one as much as I do!

Hallelujah, I Love Her SO

Let me tell you ’bout a girl I know
She is my baby and she lives next door
Every mornin’ ‘fore the sun comes up
She brings me coffee in my favorite cup
That’s why I know, yes, I know
Hallelujah, I just love her so

When I’m in trouble and I have no friend
I know she’ll go with me until the end
Everybody asks me how I know
I smile at them and say, “She told me so”
That’s why I know, oh, I know
Hallelujah, I just love her so

Now, if I call her on the telephone
And tell her that I’m all alone
By the time I count from one to four
I hear her (KNOCK) on my door
In the evening when the sun goes down
When there is nobody else around
She kisses me and she holds me tight

And tells me, “Ray Charles everything’s all right”
That’s why I know, whoa, I know
Hallelujah, I just love her so

Now, if I call her on the telephone
And tell her that I’m all alone
By the time I count from one to four
I hear her (KNOCK) on my door

In the evening when the sun goes down
When there is nobody else around
She kisses me and she holds me tight
And tells me, “Daddy, everything’s all right”
That’s why I know, yes, I know
Hallelujah, I just love her so

Oh, hallelujah
Don’t you know, I just love her so
She’s my little woman, waitin’ all this time
Babe, I’m a little fool for you, little girl…

A Voice Silenced. A Friend Lost. A Legend Remembered.

In my radio career, I have been lucky enough to work with some fantastic people. Pictured with me above are two of them. Sadly, I received word just after Christmas that the silly guy holding the coffee pot, passed away. Richard D. Haase was one of a kind.

Readers of this blog may remember that I have blogged about him in the past. Last year, I posted the following:

Richard was a fantastic mentor to me. His guidance, advice, and coaching made me a better on air personality. His love of humor, bad puns, old jokes, and silliness helped us to become instant friends. I used to love sitting in the Honey Radio office listening to him on the air. I would anxiously await the “Keith Allen” joke of the day. Sometimes there were more than one. “My part time secretary and full time airhead, Lulu, said the last time Keith was on the air he sounded funny. She thought he had a worm in his Adam’s apple!”

Later in the same show he quipped – “I’m pretty sure the year that song came out was the same year that Jon Ray (pictured to my left in the first picture) got kicked out of grade school. He was caught drawing naked pictures of Wilma Flintstone on his Etch-A-Sketch”

In past blogs I have written about Richard:

From the blog “World Radio Day Thank You” written 2-14-2018:

WHND – Honey Radio

Before I say any more, let me say that working at WHND was not work at all.  It was like play.  We had so much fun.  Anyone who tuned in and listened to this station could tell that the DJ’s were having as much fun as the listeners.  Honey was the first “Oldies” station in America.  I was honored to work here and honored to work with everyone here.

Richard D. Haase: Richard D. remains to this day one of the guys who offered me some of the most amazing advice.  I was probably a big pain in his ass.  I was always asking him something.  I had this want and need to be better.  I wanted to be the best.  I was forever asking him to listen to my show tapes and offer criticism and advice, which he did always.

One of the things I learned from him, was the importance of talking to one person.  To create the illusion that it is just me and you listening to our favorite songs and hanging out together.  I understood what he meant, and began to drop phrases like “everyone”, “all of you”, and “out there”.  He also connected me with a mentor who would take that premise and continue to grow into a better personality, the late Jay Trachman.

Richard’s show was full of “benchmarks”.  Poor Richard D’s Almanac (This Day In History), The Off The Wall Record (a rare song that he played each day), and “The Top 12 at 12” (His countdown of the top 12 local songs from a specific year).  He also featured many characters on the show that were sometimes referred to and never heard (another gimmick of old time radio).

His show was also filled with insanely bad jokes.  I often kidded him that even Milton Berle (who was known for stealing others jokes) wouldn’t touch his stuff.    He often poked fun of the other DJ’s on the station, which I found to be a unique way of cross promotion.

There were many days that we’d sit in his office and talk about radio, computers, and life in general and we’d laugh until tears rolled down our faces and our sides hurt.  Richard was a legend who had been on the air for many years, a far cry from being young!  Yet, when we worked together, we were like a bunch of elementary kids laughing and hooping it up.

From the blog “Some Old Radio Stories – Part 1” written 8-21-2018:

Richard D was one of the funniest men I ever worked with. He gave me lots of direction and I have talked about him in previous blogs, as well. I was producing his show the Top 12 at 12, which was an hour of his show which featured the Top 12 songs in Detroit from local charts from different years. It was a fun show to produce. It included new stories, TV and movie clips, old commercials, info about how much things were from that year, etc…

Richard had to play the 12 songs and sometimes there was extra time and we’d give him songs that were on the charts from that week to play as “extras” if he needed them. He was doing a countdown from 1966 and I had put a Dean Martin song in there as an extra and he played it. He made some comment about it not being the greatest song or something and moved on. I went into the studio, as I often did, to give him crap.

I said something along the lines of “Why are you messing with Italians! Dean was Italian and so I am I! Look here you Old Bastid (a term of endearment), If I were you, I’d watch what you say about Dean Martin … and Frank Sinatra for that matter!” and left the room as he laughed hysterically. After the next song he said on the air, “Ladies and Gentlemen, I must offer an apology. A little while ago I played (whatever the song was) by Dean Martin and made some negative remarks about it. Well immediately after that, Keith Allen came in here with about 12 goons who roughed me up a bit and told me that my comments were distasteful. So I must now publicly apologize. I really had no idea that Keith Allen was the President of the Dean Martin Fan Club!”

From that day on, I always tried to find a way to sneak a Dean Martin song into my show, so I could say I was President of the Dean Martin Fan Club. When Honey went off the air, I received a package from a listener named Sandy (who I remain friends with to this day), who sent me a membership to the REAL Dean Martin Fan Club with a note that read: “I thought you might actually want to be a member of the Fan Club you claim to be President of….”

From the blog “More Musical Memories” written 3-2-2018:

WHND

Richard D. used to have a feature called The Off-the-Wall Record. He’d say, “To my right is a wall. On the wall is a peg. On the peg – records. When I take one of the records of the peg on the wall and play it on the air, it becomes a Tricky Dickie Off-The Wall Record”. When he did this feature it usually consisted of rare or obscure tunes. One day I gave him Stormy Weather by the Spaniels to play. He LOVED it. He told me that was one of his favorites.

He often spoke of the group the Hi-Los and told me about the “tight” harmonies that they had. He was right. Good stuff! As a fan of the big bands, I let him listen to The Spitfire Band’s version of Cherokee, which featured an AMAZING trombone part. Again, he loved it and I think of him when it plays on the iPod.

Tying in with the Dean Martin story above:

After his last show on Honey Radio, a listener suggested I play a Dean Song in Richard’s honor….I chose “I Will”. The first line of the song is “I don’t wanna be the one to say I’m gonna miss you, but I will…” it fit the somber occasion.

I found this article was posted on the Motor City Radio Flashbacks page and is from the Detroit Free Press. It is from March of 1981, one year after he took the reigns of WHND.

There were things in that article that I didn’t even know. He mentioned his accident briefly in a conversation once, but he didn’t want to dwell on it. He spoke a lot of his days at CHUM and WXYZ. I loved listening to those stories! I remember the young Keith sitting there in awe of the legend. He spoke of long lines for autographs at remote appearances, hanging with celebrities, and performing magic with vinyl records and reel to reel tape machines. I hung on his every word!

Every day, listeners tuned in to “The Richard D Wireless Act” to hear The Top 12 at 12, Tricky Dickey Off the Wall Record, Tricky Dickey Trivia, facts from the Poor Richard D’s Almanac, and hoped to be Richard D-clared a winner. Watching him work in the studio was like watching a kid in a candy store. He was constantly moving, constantly writing, constantly thinking. He often laughed to himself just before cracking the microphone because of whatever line popped into his head. He was a master.

I’ve said before that the man you heard on the air was also the man that he was off the air. His quick wit and ad-libs were brilliant. I marveled at how his mind was able to come up with those things. In later years, I found myself mimicking his on air delivery because it was just so “personal.” He understood talking to one person and connecting with his listener. I took away a lot from his coaching and from listening to him.

Honey Radio went off the air in 1994. I was lucky enough to keep in contact with Richard through Facebook. As the years went on, life offered many changes for both of us. For me – a divorce, second marriage and new life. For him – the sad loss of his wife Pam. He spoke of her often on the show (calling her “Oldielocks”) and off air, too. In our last phone conversation, it was obvious that he missed her very much.

My heart breaks for his children and grandchildren. As a fellow Honey co-worker stated when I shared the news of his passing, “He is now reunited with the love of his life in heaven.” There is comfort in knowing this.

I hope that his family and friends will always remember the fun he had. I hope that they recall the happiness that filled a room when he was there. I hope that they remember the love that he had for each of them.

Thankfully, there are many recordings of his show available online. His voice will live on. His memory will live on. His jokes will live on (this could be a good thing or a bad thing!). You can enjoy some of them here:

https://mcrfb.com/?cat=736

What a blessing it was to have shared the same studio with Richard. I am thankful for the many laughs we shared over the years. I am forever grateful for his guidance and support. I only hope that he knew just how much he meant to me.

I’d like to think that there was an opening at God’s radio station and he needed Richard’s talent for the heavenly airwaves. I am going to miss my friend very much, but I will look back on our friendship fondly.

Rest easy, Richard.

Turntable Talk #8 – Best Year In Music?

Once again, Dave from A Sound Day has asked some of us music lovers to participate in another round of Turntable Talk. This time around was a bit of a challenge for me. Dave’s e-mail stated:

Put your thinking caps on and go through your stacks of records (or scroll thru that I-pod) and … come up with what you think the best year for music was. A tough call of course, thankfully there have been more than a few good ones! I’m interested in what you pick and don’t worry if yours duplicates someone else’s , you still have your reasons which might be different.” He goes on to say, “I think I have a guess on a couple of years that might come up more than once, but we’ll wait and see.

This particular blog will be one of the last ones to be featured and I do not know if my year will be or has been featured. I plan on writing this KNOWING that the year I have chosen very well may be one that comes up in another post. Before I tell you the year I picked, let me tell you that I had a very difficult time narrowing it down.

My first thought was to go with 1956/1957 because those years were always so unique. You had the birth of rock and roll mixing with pop standards. When I worked at Honey Radio, I loved doing the Top 12 at 12 show when those years popped up because there was such a big variety in what was played. You could go from Elvis or Jerry Lee Lewis to Pat Boone or Nelson Riddle. When I looked at the list of songs, however, were they really the BEST? No.

The same thing can be said for some of the years in the 70’s decades. I looked through many lists and while there were many great songs, there were also a lot of really crappy songs! I just couldn’t really come up with the conviction to pick a year in that decade as the BEST.

One year kept coming up every time I started thinking about it – 1964.

I want you to know before I continue that I was dead set AGAINST 1964 when I read Dave’s e-mail. Why? Well, I felt that it would just be too Beatle heavy and loaded with British Invasion stuff. And it is. On the Top 100 Chart, The Fab Four nabbed 9 spots. 18 spots were held by other British Invasion acts. In total 27% of the Top 100 were British acts. When I really looked at the chart, the more and more I felt like this WAS the year.

1964 really was the year of the Beatles, so let’s discuss them first. They were present almost right from the start as their “Introducing The Beatles” album was released in America on January 10th of that year.

This album preceded Capitol Records “Meet the Beatles” by 10 days and there was a lawsuit surrounding that whole issue. Capitol Records won an injunction and Vee-jay Records was not allowed to put out any more Beatles recordings.

In February of 1964, the Beatles arrived in the US and appeared on Ed Sullivan’s show three times (2/9, 2/16, and 2/23). In March of 64, Billboard magazine stated that the Beatles were responsible for 60% of all single record sales! In a feat that has yet to be matched, on April 4, 1964, the Beatles held the Top 5 spots on the Billboard chart!

A week later, the boys held 14 spots on the Hot 100 Chart! That broke the previous record of 9 spots held by Elvis Presley in 1956.

In May, The Beatles Second Album was released and in July, they would release A Hard Day’s Night in theaters. “I Want to Hold Your Hand” wound up being the #1 song for the whole year of 64 (“She Loves You” was #2) To say that they played a small part in the music of 1964 would be a huge understatement.

Among the other artists that came over from “across the pond” in 64 were Manfred Mann (Do Wah Diddy Diddy), Billy J. Kramer and the Dakotas (Little Children and Bad to Me), The Dave Clark Five (Glad All Over, Because, Do You Love Me), Peter and Gordon (A World Without Love), The Animals (House of the Rising Son), The Honeycombs (Have I The Right), Dusty Springfield (Wishin’ and Hopin’), Gerry & The Pacemakers (Don’t Let the Sun Catch You Crying and How Do You Do It), Chad and Jeremy (A Summer Song), The Kinks (You Really Got Me), and the Searchers (Don’t Throw Your Love Away and Needles and Pins). It is interesting to note that the Rolling Stones debut album was released this year, but no songs appear in the Top 100 for the year.

Once you move away from the British artists, the chart has a nice variety of pop, rock, folk, country, soul, and even a few novelty songs. I think that is what made me ultimately choose this particular year.

It was nice to look over the Top 100 and see Motown represented with some classics. The Supremes hold two of the six Motown songs (Where Did Our Love Go and Baby Love), Motown was female heavy as Mary Wells (My Guy) and Martha and the Vandellas (Dancin’ In The Street) grabbed the next two spots, and the male gender was represented by The Four Tops (Baby I Need Your Loving) and The Temptations (The Way You Do The Things You Do).

While they were not “oldies” at the time, there were some classic songs that are still in hot rotation today on the oldies stations across the country. Roy Orbison had a smash with Pretty Woman in 64, and also had a hit with It’s Over. Frankie Valli and the Four Seasons grabbed three of the Top 100 with Rag Doll, Dawn and Ronnie. The Beach Boys only entry in the Top 100 was I Get Around.

1964 brought us classics like The Drifters Under The Boardwalk, Chapel of Love by the Dixie Cups, Suspicion by Terry Stafford, It Hurts to Be In Love from gene Pitney and Come A Little Bit Closer by Jay and the Americans. Johnny Rivers had a hit with Chuck Berry’s Memphis, Bobby Freeman invited us to C’mon and Swim, Detroit’s Reflections offered up Just Like Romeo and Juliet and the Shangri-Las told us the story of the Leader of the Pack.

Car songs were well represented in 64! Ronny and the Daytonas had GTO, while the Rip Chords sang Hey Little Cobra, and the Hondells had Little Honda. Jan and Dean told us the stories of The Little Old Lady from Pasadena and Dead Man’s Curve, while J. Frank Wilson and the Cavaliers told us the tragic story of a Last Kiss.

Soul music is represented by The Impressions (I’m So Proud and Keep on Pushing), Joe Hinton (Funny How Time Slips Away), The Tams (What Kind of Fool Do You Think I Am), Jimmy Hughes (Steal Away) and Nancy Wilson (How Glad Am I). If you throw Blues into the “Soul” mix, the great Tommy Tucker song “Hi Heel Sneakers” was out in 1964.

Instrumentally, Al Hirt had a monster hit with Java, The Ventures had Walk Don’t Run 1964, The Marketts had The Outer Limits, and Robert Maxwell had the incredibly cheesy lounge version of Shangri-la. While novelty songs included Jumpin’ Gene Simmons (Haunted House), The Trashmen (Surfin’ Bird) and Roger Miller (Chug-a-Lug).

While Rock was dominant in 1964, there were still some pop (and even folk) songs that made the Top 100 – one of them, doing the “impossible.” Two of the biggest pop hits of the year couldn’t be more different from each other. The third biggest hit of the year belonged to Louis “Satchmo” Armstrong and his Dixieland hit “Hello, Dolly!” Barbra Streisand (who won Album of the year at the 1964 Grammy Awards) had the 11th biggest hit of the year with “People.”

Pop/Folk was also represented by Gale Garnett (We’ll Sing in the Sunshine), The Ray Charles Singers (Love Me With All Your Heart), Dionne Warwick (Walk On By), Al Martino (I Love You More and More Every Day), and Andy Williams (A Fool Never Learns). But the biggest surprise came from an artist who hadn’t had a top 40 record since 1958!

Dean Martin didn’t care for Rock and Roll. With the British Invasion in full swing, there was very little chance of him ever having another hit. His kids loved the new artists. His son, Dean Paul, loved the Beatles. Dean told his boy, “I’m gonna knock your pallies off the charts!” On August 15, 1964 – he did just that with a song that became his NEW theme song, “Everybody Loves Somebody.” (It replaced That’s Amore as his theme song)

The song knocked the beloved Beatles A Hard Day’s Night out of the number 1 spot! It went on to stay at #1 on the Pop Standards Singles Chart for 8 weeks. It also became the theme to his weekly television show in 1965.

I picked 1964 for a few reasons. Despite my initial worry about it being British act heavy, it was the year that introduced us to the Beatles (who changed the music scene forever!). It is also the year that one act held the top 5 spots on the charts (a record that remains in place). It is also the year that my favorite singer of all time bumped the biggest group in music out of the top spot.

It is also a year that encompasses such a vast variety of music. While there may be better songs that appeared before and after 1964, it truly represents a unique time in history. America was still recovering from the loss of a beloved president, there were still Civil Rights issues, and a war in Vietnam. The music of 1964 was a welcome escape from so many things.

Was it all good? No, and that is true of every year. However, as I look at the 100 biggest songs of the year, there are a lot of great songs that have gone on to become classics. There are so many songs that are still looked at as pivotal in the music scene. The fact that many of these songs are still getting airplay today is a statement to just how good they are.

Thanks again to Dave at a Sound Day for allowing me to be a part of this feature. I can only hope that my contribution is worthy of an invite to participate in the next round.

Friday Photo Flashback

Its time for another edition of my Friday Photo Flashback. I stumbled upon a photo that brought back many memories making me happy and sad at the same time. Take a peak:

If I was going to put a date on this, it is probably around 1996 or 1997. It looks like it was taken at a home I lived in with my then girlfriend and future ex. It is a terrible picture of me, as I am obviously caught by surprise here. I still have hair and am still wearing glasses. I’m also sporting one of the T-shirts I had made for my DJ business. But it is not me (or the big honking computer monitor) that catches my attention – it is the stuff I can see in the background.

A lot of it I can make out just by looking at it. However, I viewed it by zooming in and a lot caught my attention. The bookshelves alone are full of fantastic memories! The book shelf on the left side of the picture holds a boat load of VHS tapes. On the top shelf I can make out some Soupy Sales Show videos and some videos we must have recorded off TV (hand made lables). On the shelf below that I can make out the VHS tapes of the Three Stooges shorts, Jack Webb’s Dragnet movie, and the Jack Palance version of Dracula. Each shelf would hold two rows of VHS tapes. So I can only see the front rows of what is on the shelf. It seems like the third shelf down is also holding video tapes, but the three hole punch on top of the computer monitor is blocking it.

This photo is obviously taken after 1994. That is when Honey Radio went off the air. Honey stuff is all over this room! Right above the three hole punch, you can make out a black and gold Honey Radio coffee mug. On the top shelf of the right book case, I can see the the Billboard Top 100 Chart book and Pop Singles book. These were part of the Honey on air studio. Behind me on the wall is a chalk caricature that was drawn of me while I was out doing a remote broadcast. I LOVED that thing, and it is long gone now. (This may be the only photographic evidence of it). Next to that is a wooden sign with the Honey Logo on it. Below that sign are two frames. One contains one of the last Honey Happenings newsletters (which has my picture in it) and the other is a shot of me and my old morning show partner.

On the wall behind me in the photo is a beautiful framed photo of the Three Stooges. I received that for Christmas one year from my parents. Under that is the top of a Blues Brothers concert poster. At one point, I used that when my partner Steve and I would don our Blues Brothers hats when we DJ’d. And right below that are the Three Stooges dolls I wrote about in a previous Friday Photo Flashback. You can see the tag on the Curly just behind my ear.

Heading back to the bookshelves. The bookshelf on the right has SO many books that I wish I still had. There is a book on Bugs Bunny, a book on World War II that I had given my grandpa, a few books with Three Stooges scripts, an amazing biography on Curly, and the wonderful Ted Sennett book on the Art of Hanna Barbera.

On the second shelf, I can make out the Milton Berle Joke books I used when I was on the radio, biographies on Stan Freberg and Jackie Gleason, and books I had forgotten about. One example of this is when Thomas Chastain offered up a new Perry Mason novel –

Another example is the books by William Harrington series with Columbo as the star –

The next shelf contains books about movies and TV shows. I had books on Get Smart, Batman, Perry Mason, The Munsters, and more. The coolest of the TV show books were two with trivia and scripts from Monty Python’s Flying Circus.

There are other little trinkets and treasures on the shelves I can see, but the ones on the top of the book cases are ones I wish I still had. I can see my prom glasses up there (yes, they gave high school kids in 1988 wine glasses!), I had two because I went to prom with a gal in my junior year and then my senior prom.

On the left, you can see the boxes that contained limited edition Blues Brothers dolls. I had both Jake and Elwood.

Also on the top of the shelf are Ralph Kramden and Ed Norton figures – limited editions, as well.

I had no idea there was an Alice figure that went with those two until I was searching for pictures.

Finding the photo with all of these memories was such a treat to me. I am sad to remember so many great books and things that are no longer in my possession, but the memories of them remain.