Welcome back to The Music of My Life, where I feature ten songs from each year of my life.  In most cases, the ten songs I choose will be ones I like personally (unless I explain otherwise). The songs will be selected from Billboard’s Year-end Hot 100 Chart, Acclaimed Music, and will all be released in the featured year.

We are in the home stretch, as they say. We’re closing in on 2025 and admittedly, the newer music is not as well known to me. Once I was forced into retirement from radio and mobile DJing in 2020, I lost touch with almost all new stuff. I am guessing as we get closer to the end, I may need to double up on years and maybe feature 5 from some of them instead of 10.

I was introduced to Colby Caillat when I worked at the Adult Contemporary station. There was something about her voice that really stood out to me. I Never Told You is a song that I like not because of the lyrical content, but because of her voice.

As I heard this the first time, there was just something that sounded “real.” It was like there was real hurt and real struggle to it. It was only later that I found out why. She told songfacts.com in an interview that it was “the most difficult song she ever wrote. “‘I Never Told You’ was a long work in progress, said the Malibu-based singer-songwriter. “I started it by myself when I was on tour in Germany. Then two years later I played it for Jason Reeves and Kara DioGuardi when we were writing together in Hawaii for my album ‘Breakthrough’, and they helped me finish writing it that week. It’s now one of my favorite songs!”

I Never Told You

They say you are your own worst critic. When I listen back to my old radio shows, I think of how things could have been edited or worked with a better punch line. I’m fine when it is me telling myself what to do. Sometimes, however, there are people who think they know it all. They offer you this “sage” advice that isn’t worth squat.

That kind of situation led to my next song. I love the angst that you hear in the lyrics and voice of Sara Bareilles on King of Anything. She told Billboard magazine:

“It was the last song I wrote before we went into the studio, and I was at the point where I started sharing the music with my inner circle and started getting feedback. I remember having a very vivid realization of, ‘Oh, I forgot that this was a part of it. Everybody gets to tell you what they think about what you do.’ I could tell I was getting defensive. That song was a little bit of a pep-talk song-and that’s exactly what ‘Love Song’ was.”

She went on to tell PopEater:

“I’ve had more unsolicited advice on my life than I care to mention, and this was how I dealt with it. It felt empowering to turn that frustration into music, especially a song that doesn’t even sound angry. Apparently, I don’t get over things very quickly.”

She says that it is sort of an “F You” song. What do you think?

King of Anything

Adam Levine said that “‘Misery’ is about the desperation of wanting someone really badly in your life but having it be very difficult. Kind of what all the songs I write are about. I’m not treading on new ground, but I think a lot of people – including myself – deal with that all the time. Relationships are difficult, and it’s good therapy to write about them.”

I had never seen the video before choosing this one for my list. It’s loaded with some steamy scenes. Levine told MTV News about the Joseph Kahn-directed video.

“The cool thing is, when Joseph wrote the treatment after reading a few sentences, I thought it was really amazing,” he said. “Because it kind of turns the whole idea of the sexual energy between two people – a guy and a girl, a music video, you’ve seen that a million times – that exists in this video, but it’s turning it on its ass and having the girl be the more domineering one who’s trying to kill me.”

The song was one that really just stood out when it played on the radio.

Misery

I was still working at the Adult Contemporary station when I was going through my divorce. After it was finalized and Sam and I started to feel like there was something between us, I heard this song. The lyrics really struck a chord. I really did feel like a teenager again.

Katy Perry says that, “‘Teenage Dream’ is a euphoric feeling. It gives off this feeling that a lot of people have been through. I remember my teenage years, and I remember falling in love for the first time and how impressionable that was. How sensitive I was to every feeling. Heartbreak was really hard. Of course heartbreak is really hard now, and love is still intense, but it’s a different type of feeling, that teenage love. I want people to have that feeling again of falling in love unabashedly – those teenage dreams.”

This new love was unexpected, but made me feel giddy inside. It still feels that way.

Teenage Dream

In this world, we tend to beat ourselves up. We pick on ourselves. When we feel like doing that, we ought to remember what Mr. Rogers taught us. He would say, “I like you just the way you are. You’ve made this day a special day by just your being you.” That’s great advice for children and adults. That’s also why I picked the next song.

Bruno Mars conveys that Mr. Rogers message to his lady – “You’re amazing just the way you are!”

Bruno said, “I’m a big fan of simple songs. When we wrote Just The Way You Are, I wasn’t thinking of anything deep or poetic. I was telling a story. Get ready to fall in love!”

Sometimes the simple messages hit just right. The song went to #1 for Bruno.

Just The Way You Are

The Bruno Mars song was written with Cee Lo Green in mind. Cee Lo didn’t feel it was right for him, but he did feel like Forget You was.

Before I go on, I should state that Forget You is like the “Edited for Television” movies. If you replace “forget” with another F word, you’ll see what I mean. When I first hear this, I had no idea that is what the song was really called. The music service I used when DJing sent over the “radio edit” which had edited out the “s*#t” from “ain’t that some s*#t.” In the unedited version, Cee-Lo drops 16 f-bombs in just 3 1/2 minutes.

The song features Cee Lo’s Elektra labelmate Bruno Mars. It originated during a session in L.A. with Mars and Phil Lawrence.. The pair played to Cee-Lo a rough demo of a song they weren’t sure was worth completing. “When Bruno first sung ‘F—- You’ to me, they were still a bit indecisive on whether or not it could work at all,” Green told Entertainment Weekly. “I was like, ‘I like it. Let’s record it.'” The trio then completed the song with Cee Lo contributing many of the verse lyrics.

I loved the feel of this song and I was hooked from the line, “I guess he’s an X-Box and I’m more Atari!”

Forget You

A lot of folks dissed Michael Buble’ when he first came out. He was doing covers of old standards from crooners from the 40’s and 50’s. I guess they figured, anyone could do that, but Buble’ wrote some great original stuff. When his original stuff gained popularity, those folks shut up.

He has proven his talent and his fans love him. I love the arrangements he has come up with for his covers and his original stuff stands out, too. The guy is more than just covers and Christmas music.

Hollywood is not only a great song, but a great video. Michael likes to have fun and it shows here. His personality really shows through here I think. The video parodies several celebrities, including Canadian teen idol Justin Bieber. Speaking of the clip, Bublé told The Sun: “The video is about celebrity culture, people’s dreams about fame and what can go with it. You can see what fun I had playing the characters.”

Again, the song was different, fun and stuck out when it played on the radio, which is why I love it.

Hollywood

Christina Perri’s voice is very unique. It is almost as though it changes with each of her songs. For Jar of Hearts, I almost felt that it was deeper and darker than her other songs, if that even makes sense. I truly am mesmerized by her voice.

I have been accused by certain people from my past as being a “heart collector,” but that is really just nonsense. I was never a stud in school or afterward, and to say I was a Cassanova or Rudolph Valentino is simply hilarious. Anyway, in the song, Christina Perri looks to distance herself from a guy who is worse than a heartbreaker – he’s a heart collector, keeping them in a (metaphorical) jar and tearing love apart.

She wrote the lyric about a serial heart collector she once dated. On her blog, she told the story behind the tune: “I wrote the song after I went home to Philadelphia for the holiday last December [2009]. I sat in my childhood bedroom and hid from the boy (with the jar of hearts) who wanted to see me. My heart wanted to see him, my head knew better.”

I am aware that men are the more common keepers of “jars of hearts,” but I know at least two females from my past who were the same way.

Jar of Hearts

Train was really one of those groups I liked. I played a lot of their stuff on the radio and at parties and dances. This one, I found out, didn’t start out as Marry Me. From songfacts:

Pat Monahan got together with the producers David Katz and Sam Hollander to write the title track of the album, but their sessions also sparked “Marry Me,” which started off as a song called “Stay On Me.”

“It was absolutely beautiful and had the same longing melodies,” Hollander said in a songfacts interview, “but it just didn’t raise its hand. Then Pat went back in and flipped it to ‘Marry Me,’ and the emotion went a step further.

When Jonathan Daniel, Pat’s manager, played it for me, I had chills. I could not believe what Pat did with it. Sometimes you get those surprises. Sometimes a song never lives up to the demo in the room, but that one far surpassed it. He deserves the credit. That’s his heart – he’s a big-hearted guy with a really deft lyrical touch.”

I love hearing the origin stories for songs. I love the idea for the video, too. The video, directed by Lex Halaby, opens with a montage of real married couples telling the stories of how they met. When the song starts, it turns into a storyline where Monahan falls for a waitress, played by Anna Camp of True Blood and The Good Wife.

Marry Me

My final song is one that just “sounds happy.” What makes this unique is that instead of Tom Higgenson singing lead, guitar played Tim Lopez does the honors. Tim actually wrote the song. He told songfacts:

“It was written for this girl that I was dating while we were making our last album out in Malibu. We have a lot of history; I’ve known her since I was 11 or 12. I wasn’t really emotionally available to her at the time. I hadn’t completely gotten over my divorce, so when the band left on tour, I decided it wasn’t right to try to keep the relationship going so we called it quits. It was only over the last year or so that I’ve realized what I walked away from. The song was an attempt to rekindle things and win her back. She’s currently dating someone else, and I’m happy for her. But in case it doesn’t work out… who knows?”

The song barely cracked the top 40 (peaking at #38), but it is a song that sounds so good to me.

Rhythm of Love

With that, we wrap up 2010. Did I miss one of your favorites? Tell me in the comments.

Next week, we venture into 2011. Looking at the list, there is at least two ear worms; there are plenty of songs that I always played for one particular high school at their dances; and a song that I thought should have been a hit for a group who was big in the 80’s. I hope to see you next week.

Thanks for reading and for listening.