The Music of My Life – Decade Extra – The 2000’s

This is sort of a continuation of the Music of My Life feature. It focused on music from 1970-2025. It featured tunes that have special meaning to me, brought back a certain memory or a tune that I just really like. I found that with the first three decades, there were songs that I didn’t feature. So I sat down with my original lists and selected some songs that “bubbled under,” so to speak.

I figured a good way to present them was to focus on a decade. 10 years = 1 song per year = 10 songs. Two weeks ago we finished looking at the 90’s. This we we’ll move to the 2000’s. So, let’s check out a few “Decade Extras.”

2000

I’m not sure why, but the more I listened to Barenaked Ladies The more I liked their stuff. It always seemed like they were having a good time and always like to have some tongue in cheek kind of lyrics. Pinch Me is no exception.

According to Songfacts, this song is one of the many that the band often change the lyrics to during live performances for comedic effect. Lyrics that are often changed include “And run through with my gym short on” replaced with “no clothing on,” “And change in to drier clothes” to “changing to my sister’s clothes.” When they were on tour with Alanis Morissette, the line was often changed to “change into Alanis’ clothes.”

In the third verse there is a classic schoolyard joke: “I could hide out under there – I just made you say underwear.” This caused a fan trend of throwing underwear on stage during live performances. When this happens, Robertson changes the line to “I just made you throw underwear.”

Bandmember Ed Robertson came up with the concept for the Philip Harder-directed music video, where he plays a fast food worker who daydreams an exciting life with restaurant patrons dancing all around him. One customer is played by Will & Grace actor Eric McCormack, a friend of the band who did the cameo free of charge. The story hit close to home for Robertson, who really did work at a Wendy’s back in the ’80s.

Pinch Me

2001

I suppose this is another one of those great Friday at 5 songs. I don’t know that I ever used it as one on my radio show, but it certainly could work. The song was previously recorded by The Ranch, a short-lived Country trio founded by Keith Urban. It was the Dixie Chicks, however, who would have a hit with Some Days You Gotta Dance.

Urban played guitar on their rendition, but according to Songfacts he kept the female trio waiting. The Australian country star recalled to Rolling Stone: “I got on a bit of a three-day bender and couldn’t come to the session and had to call them and tell them I’m going to be a bit late. Then I would call them and say I’m going to be a bit later. And then I would call them and be a bit later. And I completely missed the session. I lived like a street away. It was ridiculous. I could have walked there with my guitar in hand and I couldn’t make it. I remember just feeling so ashamed and disgusted at myself. I finally [showed up] the next day.”

“I think they brought in another guitarist that ghosted my playing, so I think there are two players on there,” Urban added. “I’m not sure how much of mine actually ended up on there.”

What amazes me about this song is that it was the eighth and final single from their Fly album! That is truly unheard of. At most, usually there are only four singles released from an album. I don’t deny that the album itself was one of the best released that year, but eight singles?!

The song peaked at #7 on the Country chart and #55 on the Hot 100. Is hard not to want to dance to this one.

Some Days You Gotta Dance

2002

As a radio DJ, you get a lot of requests. A lot of times it’s because someone loves a song, sometimes they want to dedicate a song, and sometimes they want to play it in remembrance of someone. It’s hard to believe today, but at one time the DJ was a friend who made their listener feel good with the songs that they played.

That is kind of the sentiment of Van Morrison in a song that not many people know. ‘Hey, Mr. DJ” is a song written by Van Morrison and recorded on his 2002 album, Down The Road. In the song, he pleads with the DJ to play a song that will “Make everything all right.” It was released as a single in the United Kingdom and charted at number fifty-eight.

The Rolling Stone reviewer, David Fricke said, “‘Hey Mr. DJ’ is a requiem for the one-on-one electricity of pre-Clear Channel radio, swinging with sweet brass and the iconic echo of Sam Cooke’s ‘Havin’ A Party.’

The song was originally recorded in 2000 with Linda Gail Lewis, intended for an album entitled Choppin’ Wood. Before the release of the album, Lewis’ contributions to the song were removed and string and vocal overdubs were added.

Hey Mr. DJ

2003

I remember the first time I played Clocks by Coldplay on the adult contemporary station I worked at. I was really hooked from that opening piano and even long after my shift I can remember that piano playing in my head as sort of an earworm.

According to Songfacts, lead singer Chris Martin wrote the lyrics and the piano riff for “Clocks” in 15 minutes in a studio in Liverpool, shortly before Coldplay released the album. Since they didn’t have much time, they put it aside and planned to work on it for their next album. When the band’s manager, Phil Harvey, heard the demo, he convinced them to do whatever was necessary to record it for A Rush Of Blood To The Head, especially since the song deals with the importance of time. Consequently, Coldplay delayed the release of the album by two months to finish “Clocks.”

The song was a favorite of many other musicians. U2’s Bono included “Clocks” on his “60 Songs That Saved My Life” list, compiled to coincide with him turning 60. “I chose ‘Clocks’ because I can hold onto it tighter than time,” he wrote in a “fan letter” to Coldplay. “‘Clocks’ arrived in the nick of time with its Phillip Glass-type arpeggiation and ecstatic exhortation… I just punched the air in a manly, but not aggressive way. ‘They are not a rock band,’ I thought out loud to myself, ‘there is something much more interesting going on… they’re like The Isley Brothers or something.'”

“Clocks” won the Grammy for 2003 Record Of The Year.

Clocks

2004

One of the hardest things about scheduling music on a country station is creating a balance of up-tempo to mid-tempo songs in comparison with slow ballads. Country music certainly has a lot of ballads and a lot of times those ballads are hits at the same time which makes it very difficult to schedule the music so there’s not too many slow songs in a row. I remember that being the problem when Brad Paisley released Whiskey Lullaby.

The subject matter of the song itself is not very happy. As a matter of fact it is a very sad song about a man who gets his heart broken so bad, he drinks himself to death. His ex blames herself for his death and also starts drinking, eventually killing herself with the whiskey as well.

I still remember the line of the song that made me want to add it to our playlist. Songfacts even mentions it: The key line in the song is “He put that bottle to his head and pulled the trigger,” a striking metaphor for what happens when drinking away one’s sorrows will no longer work, and it becomes a method of suicide.

The song is a duet with Alison Krauss, who sings the second verse in the role of the woman and also plays viola on the track.

Despite earning the 2005 CMA for Song Of The Year and also taking Video Of The Year at both the CMAs and ACMs. It was not a #1 Country hit. The way that a song becomes number one is by the amount of plays it gets on the radio. Because of the songs sad and depressing nature, it just didn’t get played as much. What’s interesting is it was never expected to be a single.

The Dixie Chicks were the first act to put the song on hold, but they didn’t record it. Then Brad Paisley heard the tune and spotted its potential as a duet. Country legend Bill Anderson co-wrote the song and recalled:

“Brad called me one day on the phone, and said, ‘I’ve been listening to this ‘Whiskey Lullaby,’ what would you think if I brought a girl to sing on that second verse?’ And I said, ‘I’ve never thought of that. Who do you have in mind?’ And he said, ‘Well, I think there’s only two people who could do it, and I would like to have one of those: Alison Krauss or Dolly Parton.’ And I told him, ‘Well, you don’t have to ask my permission to do that, because I love them both!’ So next thing I knew, they worked out all the contract stuff with Alison and everything fell into place.”

The song is extremely sad, but hauntingly beautiful at the same time.

Whiskey Lullaby

2005

I suppose I don’t remember too much about this year’s particular season of American Idol. But I must have watched it on and off occasionally because I remember when Katherine McPhee sang it. I was really impressed with not only her singing but I kind of like the song too. I’m talking about KT Tunstall’s Black Horse and the Cherry Tree.

From Songfacts:

In The Guardian newspaper of February 24, 2006, Tunstall explained: “One summer, I was traveling in Greece on a little moped and this massive black horse had broken free in an olive grove and was going nuts. It looked apocalyptic: a seed was sown. I wrote the song years later in a tiny studio in Shepherd’s Bush. I was about to tour Scottish coffee shops and was worried about coming across like Phoebe from Friends. At the same time I saw a brilliant guy called Son of Dave who looked like a ginger nylon 1980s’ Elvis: really raw blues with just voice and effects. I got a pedal and one of my techie friends helped me put myself and my guitar through it. It’s probably the most scientific I’ve been, but the song was written in a 10-minute burst. The lyrics where my ‘Heart stops dead’ refer to a heart murmur I had as a baby. I got into this fantasy that my heart felt betrayed and had decided to stop working. The song is about having to dig incredibly deep to find out who you wanna be.”

KT Tunstall says in You magazine November 4, 2007 about granting Katharine McPhee permission to cover her song on American Idol:

“It was a bit of a quandary for me, because I don’t like reality pop shows at all. They’re great TV, but they’re not good for music. When Katharine chose ‘Black Horse,’ she demonstrated a bit of personality in what’s otherwise a puppet show, and that appearance did me a lot of favors.”

Black Horse and The Cherry Tree

2006

I do realize that this is the second song from Brad Paisley on this list. He impressed me from the first time I saw him playing a little local club at a show we hosted.

He is an absolutely amazing guitar player. I was really impressed with the fact that he played every guitar on this particular song. Brad is also one of those tongue-in-cheek kind of artists, and this song is a good example. The World.

It was released on March 13, 2006, as the third single from Paisley’s 2005 album Time Well Wasted. It reached the top of the Billboard Hot Country Singles chart and also peaked at number 45 on the U.S. Billboard Hot 100.

The music video was directed by Scott Scovill. It features a little girl whose older sister finds one of her CDs in the former’s room and yells at her for it. The little girl then opens a little chest that reveals a Brad Paisley concert. She magically appears at the concert, and Brad Paisley gives her his hat. Then when the little girl is in her room again, her older sister comes in to apologize for being mean and permit her to listen to her CDs anytime. The little girl then shows her older sister what’s in the magic chest. The concert shows earth balls rolling around on top of the audience, which has been done at some of Brad Paisley’s concerts. The video peaked at #1 on CMT’s Top 20 Countdown in 2006.

The World

2007

Every once in a while, I will come across a song that I like, just because of the sound of it. That’s why James Blunt’s 1973 wasn’t on my original 2007 list, but is here.

I Like Music asked James Blunt what 1973 meant to him personally. He replied:

“Well I was born in 1978. So I wrote it about a girl called Simona in a song about a nostalgic moment – it’s a celebration of something we did last year in Ibiza. And Pacha originally opened in 1973, but 1973 was also a great year for music, so many fantastic albums came out at that time.”

According to Blunt, the girl “Simona” mentioned several times in the lyrics was based on a real woman whom he met at a club.

I’m not sure why, but I like the sound of this one.

1973

2008

The Fray always seemed to have a song that hit me with deep lyrics. I felt that way with You Found Me.

The starting point for this song was back in 2006 when frontman Isaac Slade found himself pondering why bad things happen to good people after witnessing various crises among people close to the singer. The lyrics for this tune came from these deliberations. Slade said on The Fray’s website that this was a tough song for him to write. He explained:

“Its about the disappointment, the heart ache, the let down that comes with life. Sometimes you’re let down, sometimes you’re the one who lets someone else down. It gets hard to know who you can trust, who you can count on. This song came out of a tough time, and I’m still right in the thick of it. There’s some difficult circumstances my family and friends have been going through over the past year or so and can be overwhelming. It wears on me. It demands so much of my faith to keep believing, keep hoping in the unseen. Sometimes the tunnel has a light at the end, but usually they just look black as night. This song is about that feeling, and the hope that I still have, buried deep in my chest.”

This song was inspired by a dream. Isaac Slade told The Sun February 6, 2009:

“I dreamt I ran into God on a street corner. He looked like Bruce Springsteen and he was smoking a cigarette. I had it out with him and asked ‘Where were you when all this bad stuff was happening to these very undeserving, good people?'” Slade, whose Christian faith is important to him added: “There were tough times. I was questioning my faith, angry at things that had happened in my life and the lives of my friends. A friend had suffered a miscarriage, I had lost my grandfather. I was angry and the song felt angry and hopeless too. I imagined what I’d say to God, in the face of all the crap my friends have gone through in the last couple of years.”

His description reminds me of the country song A Few Questions by Clay Walker. In that song, he questions God about a lot going on the in the world.

You Found Me

2009

I have said in the past that when Lady Antebellum (now Lady A) first came by the studio, I knew they would be a success. They have proved that in many ways. It took them three songs to get their first chart topper and it took them quite a while to get there.

I Run To You was the first #1 on the Hot Country Songs Chart for the group. The track took 26 weeks to climb to the top.

Co-Producer Paul Worley said on the album’s liner notes: “The song is an expression against hate, prejudice, negativity, running the rat race, but ultimately the redemption of love! And it has an irresistible melody and a head-bobbing groove. What could be better?”

While the trio had had two previous hits they really connected with their audience with this song. “Our fans grasped who we were with ‘I Run to You,’ “Hillary Scott told Billboard magazine. “The message and that song is so much about what we’re about. It was like two puzzle pieces fitting together. Now you know us and we know you.”

This won the 2009 CMA Single of the Year Award. Lady Antebellum also snagged the Vocal Group of the Year award at the same ceremony, ending a six-year run by Rascal Flatts in that race.

I Run To You

That wraps up this week. We’ll go one more week in the early 2000’s before moving to the 2010’s and then putting a bow on this feature for good. I hope you enjoyed it.

Thanks for reading and thanks for listening – see you next week.

The Music of My Life – 2006

Welcome back to The Music of My Life, where I feature ten songs from each year of my life. In most cases, the ten songs I choose will be ones I like personally (unless I explain otherwise). The songs will be selected from Billboard’s Year-end Hot 100 Chart, Acclaimed Music, and will all be released in the featured year.

I started this feature with 1970 and we have come to 2006. As each year progresses, it has been interesting. I have noticed that some years it is difficult to get 10 songs, while other years I have trouble narrowing my picks to 10. I have a feeling that as I get closer to the end, there may be the need to pick less than 10. We’ll see.

2006 was a year of ups and downs. It became clear that my mom’s cancer battle may be drawing to an end. There was quite a change in her. After ten years of fighting, she was tired. She passed in October.

In October, just 11 days before my mom passed, the Detroit Tigers went to the World Series for the first time since 1984. My dad and I were so excited. Of course, the high was brought low when they lost it in 5 games.

Musically, 2006 wasn’t a bad year. My list has a variety of genres and a few songs that mean more now than they did in 2006. So let’s turn on the radio …

I love the sound of a good acoustic guitar and a simple vocal. If you look back over the years I’ve covered, there are quite a few songs like that. In 2006, Hey There Delilah jumped out of the radio for me. I loved the sound.

Delilah is a real person. Her name is Delilah DiCrescenzo. She is a steeplechase runner Plain White T’s lead singer Tom Higgenson met through a friend. He thought she was the most beautiful girl he’d ever seen.

He told Songfacts:

“I was like, ‘Well, all right, I’ve got to write a song for this girl.’ I literally started playing it. The first verse just poured out exactly as it is, all the way through to the chorus. I didn’t really know the girl, you know? So, it was like, ‘What’s it like in New York City? Tonight, you look so pretty'”

He told Clickmusic that he felt this was possibly the most well-crafted song on the album:

“I think I definitely spent the most time on the lyrics with that song. It’s a lyric-driven song, so every line was important. It’s very exposed and vulnerable, but it’s very simple.”

Tom didn’t get the girl – Delilah was dating somebody and wasn’t interested – but he did get a number one song out of the encounter.

Hey There Delilah

The next song was one that I played when working in country radio. It was one of those songs that surprised me and became a country hit. I don’t know that country music would have ever been associated with Bon Jovi!

Jon Bon Jovi and Richie Sambora wrote two versions of Who Says You Can’t Go Home. Both are on their Have a Nice Day album. One version is just the band and was a hit on the Adult Contemporary charts. The other is a country version featuring Jennifer Nettles of the band Sugarland.

At first, Jon Bon Jovi wanted Keith Urban to sing with him on the country version and play the banjo. It didn’t work out since their voices were so similar and the banjo didn’t sound right, so they used Nettles. The song went to #1 on the Country charts, the first time a rock band has done that.

Jennifer was a bit anxious about singing with Bon Jovi. In an interview she said, “I had his New Jersey posters on my door when I was in the seventh or eighth grade. It made me nervous because the last thing I would want is to ruin a Bon Jovi song.” I think it is safe to say that she didn’t.

Who Says You Can’t Go Home

The next song is just one that struck a chord lyrically. When I heard the story behind the song, it took on a deeper meaning. Isaac Slade of The Frey explained to Songfacts how he came up with How To Save A Life. He explained that he wrote this song about an experience he had working at a camp for troubled youths:

“One of the kids I was paired up with was a musician. Here I was, a protected suburbanite, and he was just 17 and had all these problems. And no one could write a manual on how to save him. I got a lot of email about it. One kid died in a car accident, and I guess it had been the last song he downloaded from his computer. They played it at his funeral, and some of his friends got ‘Save A Life’ tattooed on their arms. The response has been overwhelming.”

Lead guitarist David Welsh told I Like Music the story of this song:

“The song came about very organically. Isaac had this idea on the piano of this kind of lullaby. Then he concocted this repetitious drum beat that moved the lullaby along with Ben. The lyrics came from an experience Isaac had with a teenager he was mentoring who was struggling with drugs and addiction. It was just a very natural process, the song developed and the lyrics fitted very well.”

The Fray is comprised of devout Christians, and this song certainly has some religious subtext, with specific references to God:

And I pray to God he hears you

The Christian music community embraced the song, sending it to #4 on the Christian Songs chart, but it wasn’t marketed as a religious song and was also a hit in the secular community – it made #3 on the Hot 100 and was also a #1 Adult Contemporary hit.

How To Save A Life

The first and only cover song on my 2006 list is a classic. In 1960, The Drifters recorded Save The Last Dance For Me. It was originally a B-side. The legendary Dick Clark thought Save the Last Dance For Me was the better of the two songs and started playing it on the radio. Bingo – it became a number one song.

It is a song that has been covered by many artists including Buck Owens, Dolly Parton and John Davidson! In 2006, Michael Buble’ released it as the third single from his It’s Time album. There were many remixes of the song before the single was released. After Bublé performed the album version of the song during the closing credits of the film “The Wedding Date,” that version was released to radio, peaking at No. 5 on the Billboard Adult Contemporary chart.

I love his version! I love entire feel of it. It is so different from the original and the instrumentation is SO good. Every time I hear that horn line, it gives me chills. I like that it gives a little nod to the original by going from the strong brass sound to the lone guitar with the opening vocal.

Save The Last Dance For Me

If I mention the song Chasing Cars by Snow Patrol to my wife, she will immediately remind me that it was used in an episode of Grey’s Anatomy. A friend of mine will remind me that it was used in an episode of One Tree Hill. I have seen neither one of these shows – by choice.

It was a song I heard on the radio and I remember thinking was a great love song it was. It’s a great song about just getting through day by day with just you and your significant other. Lead singer Gary Lightbody, who called it “the most pure and open love song I’ve ever written.”

It’s such an amazing song, and Lightbody was even impressed with it. He wrote it under unique circumstances. He says he wrote it in the garden of producer Garret “Jacknive” Lee’s cottage one night while in “a blur of red wine and Percocet.” He says he wrote about 10 songs that night, and when he looked at them the next day nine of them were terrible, but “Chasing Cars” stood out like “a diamond in the s–t.”

It took 35 weeks to get there, but the song did reach #1 on the Top 40 charts. It was the only Top 40 hit foe the band in the US.

Chasing Cars

Country music listeners can get offended easily. In my years working in the format I can recall the division that songs like Goodbye Earl and Honky Tonk Badonkadonk stirred up. You had people who loved them or people who were offended by them. So when Love You by Jack Ingram hit my desk, I wasn’t sure about adding it.

You ask, “Why? Why would a song called ‘Love You’ be one you didn’t want to add?” Well, the “love” in the song means anything but “love.” Wikipedia says that this is a “kiss off” song. “Its lyrics feature several phrases where the F word is replaced with the word “love.”

It’s the ultimate “radio edit!” Here is part of the chorus –

“Love you, love this town / Love this mother-lovin’ truck that keeps breakin’ lovin’ down”.

There are also more traditional replacements in the song, with “dang” (“damn”), “heck” (“hell”), and “shoot” (“sh*t”) appearing several times in the first verse.

The song took on a whole new meaning for me when I was going through my divorce. It was a song that I would often listen to after a heated interaction with my ex.

My next song is here because I have a distinct memory of my oldest song when he was about 5 singing it in the back seat. I remember thinking, “Where did he hear that?!” Nothing like hearing your 5 year old singing, “You got soul, you got class. You got style, you’re badass!” Thanks a lot, Christina Aguilera!

It had been 4 years since Aguilera had released an album. Ain’t No Other Man was the first single from her Back To Basics album. The song samples a 1968 Latin soul tune called “Hippy Skippy Moon Strut” (aka “I’ll Be a Lucky Man”) by Dave Cortez and the Moon People, and “The Cissy’s Thang” by Soul Seven.

She said of the song, “I wanted to make it light and easy for people to dance to and sing along to, so the whole song is based on feel-good elements of soul and blues and jazz. Lyrically, I just got married, so it’s about someone in particular, but it’s all about feeling good and not taking anything too seriously.”

It’s definitely a catchy tune and people still like to dance to it. I dig the horns.

Ain’t No Other Man

The next song on my list is one that many can relate to. At any workplace, you are going to have people who will stand around and tell you what would make life better or what the government needs to do. They are right there with “solutions” to the world’s problems, but all they do is talk. They are not doing anything to make a change in things, instead, they wait on the world to change.

When you hear the lyrics of Waiting on the World to Change, you can see just how deep John Mayer is. You’d think it was written by someone in their 40’s, but he was only 28 when he wrote it.

Songfacts says that this song is how most people deal with problems in the world. When Mayer sings, “Me and all my friends, we are all misunderstood, say we stand for nothing but there’s no way we ever could,” he’s talking about his generation and their lack of faith in the government – all we can do is wait, and it seems like everyone is waiting for the world to become a better place. We sit on our hands and watch as the government takes control.

In an interview with the Daily Mail December 21, 2007 Mayer explained why he wrote this song that makes a point without laboring matters: “I wanted to start a debate. Most of us are happy to wait for things to change.”

Waiting on the World to Change

The next song is another example of a song that didn’t mean much to me in 2006, but means more to me now. In 2006, I had only my one son. My second son arrived in 2007. Until 2020, I was a “boy dad.” In 2020, my daughter was born. All of a sudden, all of those Daddy/Daughter songs started to hit hard.

Working in country radio, there is no shortage of songs about kids, songs about family and songs about daughters. If I had a dollar for every time I played My Little Girl by Tim McGraw as a Bride/Bride’s father song …. I could go on a long trip!

It was featured in the film Flicka. It is one of many that I want to dance with my daughter to.

My Little Girl

My final song for this week is one that I heard while visiting a church. Many of the modern churches will sing contemporary Christian songs instead of traditional hymns. I love those hymns, I won’t lie. I get chills singing many of them.

My brother-in-law at the time invited us to their church. It was odd for me, as I felt like I was watching a play or production instead of being in church. To me, it should be about the message and not so much the “tug at your heartstrings to make you cry” production. Anyway, I heard this song there and I did like it.

Chris Tomlin has had many Christian hits. Songfacts interviewed him about the song:

Tomlin said, “I wrote that song when I was living in Austin, Texas. I remember sitting on my sofa in my little apartment. And Psalm 104 was the psalm I was looking at. It said, ‘You our lord are very great. You’re clothed with splendor and majesty, wrap yourself with light as with a garment’ – through those opening verses and just describing a little bit of God, the glory of majesty, that little chorus came out. I started singing the chorus and, man, I had no idea, I thought the chorus was just a little simple thing and it was. And I had no idea it would become such a song in the church, and a song that finds its way in so many different cultures, different languages. It’s so transferrable, so accessible. I had no idea that it would ever become that.

I remember I had the song, I thought it was finished. I didn’t have a bridge to the song, and I met Ed Cash who produced that record it was on. First time meeting him and talking to him about maybe producing my new record. And I remember he picks his guitar up and says, ‘This ‘How Great is Our God’ song, I think it’s pretty good, but it’s not finished.’ And I’m like, ‘What are you talking about? Who do you think you are?’ And I remember him grabbing his guitar. I believe it was something about, ‘What if you do something like this?’ And I remember he just started singing, ‘You’re the name above all names, you are worthy of our praise.’ And it’s really good, but when you open up and let somebody else sneak in, it just makes it better. So that’s when we knew it was taking it to another level.”

How Great Is Our God

With all I have been through, I know my faith got me through. They say that it is often played with the hymn, How Great Thou Art. I can totally see the two songs complimenting each other.

So what song from 2006 did I miss that was your favorite? Tell me in the comments.

Next week it is 2007. My list includes one of the biggest dance crazes of the 2000’s, a song about murder, a song about time flying, and a fantastic song by a classic group from the 70’s and 80’s. Join me next week …

Thanks for reading and listening!