TV Show Draft – Round 10 – The Untouchables

We have reached the final round of the Hanspostcard TV Show Draft. I want to take a moment and thank Max from the Power Pop Blog for taking up the reigns and helping us continue this round in Hans’ absence. It truly has been a fun draft!

For my final pick, I have gone back to another classic – The Untouchables. The show ran from 1959 to 1963 and starred the great Robert Stack as Eliot Ness. It is hard to imagine anyone but Robert Stack in the role of Ness, but believe it or not, Desi Arnaz had originally offered the role to actor Van Johnson. Supposedly, he wanted double what they were offering to pay for the role, and it ultimately went to Stack.

When asked about the character some years later, Stack said, “Ness was a precursor of Dirty Harry. He was a hero, a vigilante in a time when breaking the law meant nothing because there was no law because Capone owned Chicago, he owned the police force.”

The show was based on the book of the same name written by Eliot Ness and Oscar Fraley. Brian De Palma would use the book as the basis for his 1987 film of the same name.

According to Wikipedia:

The series originally focused on the efforts of a real-life squad of Prohibition agents employed by the US Department of Justice and led by Eliot Ness (Stack) that helped bring down the bootleg empire of “Scarface” Al Capone, as described in Ness’s bestselling 1957 memoir. This squad was nicknamed “The Untouchables” because of its courage and honesty; squad members could not be bribed or intimidated by the mob. Eliot Ness himself had died suddenly in May 1957, shortly before his memoir and the subsequent TV adaptation were to bring him fame beyond any he experienced in his lifetime.

The pilot for the series, a two-part episode entitled “The Untouchables,” originally aired on CBS’s Westinghouse Desilu Placyhouse (and was introduced by Desi Arnaz) on April 20 and 27, 1959. Later re-titled “The Scarface Mob”, these episodes, which featured Neville Brand as Al Capone, were the only episodes in the series to be more-or-less directly based on Ness’s memoir, and ended with the conviction and imprisonment of Capone. CBS, which had broadcast most of Desilu’s television output since 1951 beginning with I Love Lucy, was offered the new series following the success of the pilot film. It was rejected it on the advice of network vice president Hubbell Robinson. ABC agreed to air the series, and The Untouchables premiered on October 15, 1959. In the pilot movie, the mobsters generally spoke with unrealistic pseudo-Italian accents, but this idiosyncratic pronunciation was dropped when the series debuted.

The weekly series first dramatized a power struggle to establish a new boss in Capone’s absence (for the purpose of the TV series, the new boss was Frank Nitti, although this was, as usual for the series, contrary to fact). As the series continued, there developed a highly fictionalized portrayal of Ness and his crew as all-purpose, multi-agency crime fighters who went up against an array of 1930s-era gangsters and villains, including Ma Barker, Dutch Schultz, Bugs Moran, Lucky Luciano, and in one episode, Nazi agents. On many occasions during the series run, Ness would blatantly violate suspects’ Fourth Amendment rights with no legal ramifications.

The terse narration by gossip columnist Walter Winchell, in his distinctive New York accent, was a stylistic hallmark of the series, along with its ominous theme music by Nelson Riddle and its shadowy black-and-white photography, which was influenced by film noir.

The series produced 118 episodes which ran 50 minutes each. Though the book chronicled the experiences of Ness and his team against Capone, and in reality the Untouchables disbanded soon after Capone’s conviction. The series continued after the pilot and book ended, depicting the fictitious further exploits of the Untouchables against many, often real life, criminals over a span of time ranging from 1929 to 1935.

The show came with some controversy. Italian-American groups protested over what they felt was an unfair presentation of their people as Mafia-types. “We are plagued with lawsuits after certain shows” one of the show’s producers Josef Shaftel explained, noting that the series was “heavily insured against libel.” With good reason – the first lawsuit against the show was instigated by Al Capone’s angry widow. She didn’t like the way her deceased husband was made into a running villain on the show and wanted a million dollars for unfair use of his image. (She lost.)

The FBI and J. Edgar Hoover were ticked off too. They were the ones who collared the famous names that Ness was supposedly busting each week on TV and they rightfully wanted credit for it. The second episode of the series, for example, depicted Ness and his crew involved in the capture of the Ma Barker gang, an incident in which the real-life Ness played no part. The producers agreed to insert a spoken disclaimer on future broadcasts of the episode stating that the FBI had primary responsibility for the Barker case. Even the Bureau of Prisons took offense, complaining that the show made their treatment of Al Capone look soft.

The show itself was considered one of the most violent television shows of its time. Of course, by today’s standards it’s not that bad, but it was violent enough at the time to spark protests from parents who were worried about their children seeing this violence.

My Thoughts

This is one of those shows that I just love! Robert Stack’s delivery of almost every line as Ness is perfect. He won an Emmy in 1960 for Best Actor in a Dramatic Series for his portrayal of Ness.

Despite the fact that many of the stories are fictionalized to work the Untouchables into them, they are great! The show really was a forerunner to shows like The FBI, Crime Story, and even Hawaii 5-0. I love the film noir feel of it. Every episode plays like a good 50 minute movie.

The Lebanon Pennsylvania Daily News said of The Untouchables: “Between the hard-nosed approach, sharp dialogue, and a commendably crisp pace (something rare in dramatic TV at the time), this series is one of the few that remains fresh and vibrant. Only the monochrome presentation betrays its age. The Untouchables is one of the few Golden Age TV shows that deserves being called a classic.” It really does hold up well.

As I have mentioned before, one of the things I love about these old shows is seeing big stars (who are not quite yet stars) show up. In regular roles throughout the series you could see Raymond Bailey (Mr. Drysdale on the Beverly Hillbillies), Barbara Stanwyck, Barbara Nichols, Ed Asner (Lou Grant), Harry Morgan (Col. Potter on MASH), and Henry Silva.

The list of guest star appearances is long and amazing. They include: Jack Elam, Paul Frees, Jim Backus, Sam Jaffe, Martin Balsam, John Dehner, William Bendix, Whitt Bissell, Charles Bronson, James Caan, James Coburn, Mike Conners, Robert Duvall, Peter Falk, Norman Fell, Alan Hale Jr., Brian Keith, Jack Klugman, Cloris Leachman, Jack Lord, Lee Marvin, Telly Savalas, Elizabeth Montgomery, Leonard Nimoy, Robert Redford, Ricardo Montalban, Rip Torn, Jack Warden, Dick York, Cliff Robertson and so many more!

“The Untouchables” Paul Picerni, Robert Stack circa 1961

You know, they play reruns of Law and Order on TV all the time. Many of the shows I have seen numerous times. I know what’s going to happen, yet I still watch (a lot like my previous picks – Perry Mason and Columbo). The Untouchables is a show that could very easily be rerun like a Law and Order. It is that good.

I love Walter Winchell’s narration

And I love the theme song!

It has been so much fun writing on some of my favorite shows. It’s been just as fun to read about the shows picked by other members of the TV Show Draft. I hope you have enjoyed my picks…

Thanks for reading!

TV Show Draft – Pick #1 – Police Squad!

This blog is part of the TV Show Draft that is being hosted by Hans from Slice The Life. He is the same guy who hosted the Song Draft I took part in last year. This is the same idea. All the participants will pick their “draft picks” like one would pick a player in a fantasy football draft. Once a show is picked, it is out of the running for others to pick.

That in itself makes this draft more difficult for me. I mean, there is no shortage of shows to write about. However, I have a feeling that many of the picks on my list are also picks on some of the other bloggers. Because of this, I have an extra long list in case I have to make a last minute switch of my pick.

For my first pick, I went with a show that despite only being on the air for 6 episodes, makes me laugh every time I watch it – Police Squad!

In 1980, Airplane! was a major hit at the movies. One of the reasons I think it was such a hit was the fact that you had actors and actresses known for playing dramatic roles in this comedy film, playing it completely straight! Watching Lloyd Bridges, Robert Stack, and Peter Graves saying completely ridiculous lines as serious as possible only added to the humor of the film. How they kept a straight face with everything else that was going on in the background always amazed me.

To me, Leslie Nielsen was perfect for this movie. His role as Dr. Rumack is fantastic. His booming baritone voice saying those lines in all seriousness is just hilarious. No wonder he was the one who David Zucker, Jim Abrahams and Jerry Zucker approached him to play the lead, Detective Frank Drebin, in this TV series.

The series was basically a TV version of Airplane! There would be straight dialogue, silly jokes, word play, and all kinds of sight gags to watch for in the back ground. It was going to spoof cop shows. As a matter of fact, much like Airplane! which was almost a line by line copy of the movie Zero Hour, Police Squad lifted a plot and even dialogue from the TV show M Squad. It also drew from the show Felony Squad. The opening credits are very similar to M Squad (which starred Lee Marvin).

The opening narration was done by Hank Simms, who had done announcing on many other great shows. His narration is done is a matter of factly stern voice. He announces Leslie Neilsen and Alan North. Both enter scenes in which they pull out their guns and begin firing. Then, he announces “… and Rex Hamilton as Abraham Lincoln!”

The scene is Lincoln at Ford’s Theatre. When his hat is shot off, he gets up and returns fire with his own gun! This is one of two running gags in the credits.

The other gag is just priceless. The gag introduces each weeks guest star.

In the credits, the guest stars are killed off and never appear in the rest of the show!

Guest stars included Lorne Greene, William Conrad, Florence Henderson, Robert Goulet, and Florence Henderson. Word is that they shot a scene of John Belushi, but when he died of a drug overdose, they reshot with another guest star.

The final gag of the opening credits was a simple (and stupid) one. The title of episode would appear on screen, but the announcer would call the episode something completely different. For example, the first episode shows on the screen as “A Substantial Gift,” but the announcer reads “A Broken Promise.”

The Naked Gun movies were direct spin offs of the TV show. Alan North played Ed on the show, while George Kennedy played him in the movies. Peter Lupus (who is brilliantly funny on the show) plays Norberg on the show, while OJ Simpson plays Nordberg (yes, spelled differently) in the movies. Many of the scenes from the movies were adapted from scenes from the show.

The show consisted of dialogue that at times reminded me of Abbott and Costello’s “Who’s on First?” Here is an example from the first episode:

[Frank and Ed are interviewing a witness to a shooting]

Sally: Well, I first heard the shot, and as I turned, Jim fell.

Frank: Jim Fell’s the teller?

Sally: No, Jim Johnson.

Frank: Who’s Jim Fell?

Ed: He’s the auditor, Frank.

Sally: He had the flu, so Jim… filled in.

Frank: Phil who?

Ed: Phil Din. He’s the night watchman.

Sally: Oh, if only Phil had been here…

The deadpan delivery of Leslie Nielsen on this show (and in the Naked Gun movies) made him comedy gold! In a scene where he and Ed are interviewing the widow of a man shot in a robbery, Drebin simply says:

“We’re sorry to bother you at such a time like this, Mrs. Twice. We would have come earlier, but your husband wasn’t dead then.”

The show aired on ABC in 1982. After 4 episodes aired, the show was cancelled. The last two episode aired later that summer. So why was such a funny show cancelled? That question was posed to Leslie Nielsen in an interview for the DVD release. He stated that ABC said “Police Squad! was canceled because viewers had to pay close attention to the show in order to get much of the humor.” In other words, people had to WATCH the show to get it. TV Guide stated that was “the most stupid reason a network ever gave for ending a series.”

Nielsen also stated that “the premise was more effective in the successful Naked Gun films because the much larger screen size in a cinema meant viewers saw more of the visual gags.”

There certainly is some truth to that, as the movies were very successful. It is interesting that the creator of The Simpsons, Matt Groening said, “If Police Squad had been made twenty years later, it would have been a smash. It was before its time. In 1982 your average viewer was unable to cope with its pace, its quick-fire jokes. But these days they’d have no problems keeping up, I think we’ve proved that.”

One of my favorite lines in the series comes from the third episode of the series. After a small group of mobsters blackmail various store-owners, Frank and Norberg go undercover and set up a key-making and locksmith store. The mobsters offer Frank “protection” in exchange for money, but Frank declines. While they attack the store with guns, Frank and Norberg’s Locksmith store remains, enraging the mobsters’ boss (played by the great Al Ruscio). Frank goes to see the boss and walks in unannounced:

Dutch Gunderson: Who are you and how did you get in here?

Frank: I’m a locksmith. And, I’m a locksmith.

Brilliant!!!

I need to interject here and say that Peter Lupus, who of course is known for his role as Willy on Mission: Impossible, is just hilarious! He was a body builder turned actor and was fantastic in Mission: Impossible. He really shows his comedy chops in Police Squad. I wish he had been in more episodes. He is almost over the top in everything he does.

In one episode, the crew is searching for a kidnapped girl. When the kidnapper calls, he is told to get a tap on the phone. As the call is going on you see him in the background banging and destroying the phone. It is a classic payoff when they ask if they got a tap on the phone ….

Later in the episode, mime comes through a window and acts out the “ransom note.” In a very funny scene, Frank, Ed, and Norberg (Lupus) are playing Charades to guess the answers. Peter Lupus steals the scene. He is so hysterically funny!

In the final running gag, the end of every episode featured Drebin and Hocken talking about the week’s criminal going to “Stateville Prison”, and mentioning the names of the criminals from all previous episodes. The scene ended with an imitation “Freeze Frame” with the actors trying to stand still while various things happened to or around them (such as Hocken pouring coffee into Drebin’s cup until it overflows and starts burning him.)

Those were so fun to watch. I wonder just how hard it was to get them to not react while everything around them went crazy?

I am so glad to have the entire series on DVD. It is a “go to” when I need to really laugh out loud. What a shame that this show never caught on. At the same time, if it had, would they have ever ventured out and made the Naked Gun movies? Who knows?

Thanks for reading!!

My 5 Favorite Films of the ’50’s

Fave Films 50s Blogathon Poster Ver 3

National Classic Movie Day

Today, May 16th is National Classic Movie Day.  This blog is part of a blogathon being hosted by my friends at the Classic Film and TV Cafe’.  This is the first time I have participated in it, but it is something they have done for the past few years.  According to other bloggers, it started with the “You are stuck on a deserted island” premise.  “What are the ‘must have’ movies you have to have?”  Over the years, the theme of the blog has changed yearly.  This year, bloggers were asked to pick their five favorite films of the 1950’s.  You can find links to all of the blogs that are a part of this blogathon by going to their website at: http://www.classicfilmtvcafe.com

Lauren Bacall once said, “It’s not an old movie if you haven’t seen it.”  There is SO much truth to this quote.  I don’t remember where I first stumbled on it, but it was a quote that stuck with me. The reason I start this blog with this quote is to prompt you to expand your thinking and attitude a bit.

The movies I am going to write about are what some would consider “old.”  This does note mean that they lack in a good story or a good performance.  As a matter of fact, as I look over my list of movies, I feel that they all have a good story and some powerful performances.  What makes them even better, in my opinion, is that they lack the CGI special effects and modern day movie magic!  They are good films without all that.

Honorable Mentions

Trying to trim my original list down to 5 movies was a difficult task.  I started with a list of about 50 films.  I whittled that down to a list of about 17.  Certainly, any of these could be in my top 5 and are well worth a watch if you have never seen them:

  • Rear Window
  • Singing in the Rain
  • Ben Hur
  • Dial M for Murder
  • Shane
  • North By Northwest
  • Forbidden Planet
  • On the Waterfront
  • Vertigo
  • The Ten Commandments
  • Gun Fight at the OK Corral
  • The Young Lions.

The star power in the movies listed above is amazing!  Now, here are the 5 I have chosen to write about for National Classic Movie Day (in chronological order):

The Wild One (1953)

The film opens with these words on the screen:  “This is a shocking story.  It could never take place in most American towns – but it did in this one.  It is a public challenge not to let it happen again.”  Well, right from the start you are hooked.  The film is based on Frank Rooney’s short story “The Cyclists’ Raid”, which was inspired by media coverage of a motorcycle rally that got out of hand in July of 1947.

The film stars Marlon Brando as Johnny, the leader of The Black Rebels Motorcycle Club.  Word is Brando only took the role because of producer Stanley Kramer.  It’s an odd role for him, at least for me because I am use to him delivering these great monologues in other films.  He rarely speaks in this film, but it is still a powerful performance.

Even though he is only in the film for about 10 minutes, Lee Marvin’s performance as Chino, the leader of the Beetles, is very memorable.  Other members of the cast include Mary Murphy as Brando’s love interest and Robert Keith and Jay C. Flippen as law officers.

While the “shock” value today is a whole lot less than it was when this film is released, there are still moments that will stick with you!  Perhaps this is a bit stereotypical in the portrayal of rebellious teens, if you can get past the 50’s jive lingo, it’s worth a watch.

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Night of the Hunter (1955)

This film is the only film directed by Charles Laughton.  It is also one of those films that scared the hell out of me.  Robert Mitchum is simply amazing as Reverend Powell.  Powell is a serial killer who has the words “L-O-V-E” and “H-A-T-E” tattooed on his hands, and often uses them for spur of the moment sermons.  While in jail, Powell’s cell mate speaks of the money he has hidden from a bank robbery he committed.  Powell only learns that the man’s children are aware of where the money is hidden.  After the man is executed for his crimes, Powell finds the man’s children and widow and marries her in hopes of finding the money.

The cast also includes a young Peter Graves, James Gleason, Lillian Gish, and Shelley Winters.  This movie still freaks me out when I see the “under water” scene!  Mitchum is the perfect villain and this movie will stay with you long after you watch it!

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Patterns (1956)

This is one of those films that not many people know about, and that is a shame!  The screen play is written by Rod Serling (Yes, Rod Serling of the Twilight Zone!) and it is a marvelous and suspenseful drama.  It was originally broadcast live on the Kraft Television Theatre in 1955 with Richard Kiley in the starring role of Fred Staples.  In the film, Van Heflin takes over the role.

Most of the movie takes place at the offices of Ramsey & Co – an industrial corporation headed by Walter Ramsey, played brilliantly by Everett Sloan.  You think you hate your boss?  Wait until you see Sloan in action.  He is the ultimate JERK!

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Ed Begley Sr. plays the role of Bill Briggs.  Briggs and Ramsey are always at odds with each other.  Briggs and Staples hit it off and become good friends.  In a story that could happen at any company anywhere, Staples finds out that he has been brought in to replace Briggs.

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The movie is a true representation of corporate America.  We see the every day stress and the effects of it on the employees of the company and their family members throughout the film.  Serling was very careful to make the dialogue of the film as “normal” as possible.  One source stated that he re-wrote the screen play often to be sure the dialogue was honest.

The end of the film features a very tense confrontation between Staples and Ramsey.  The performances of Heflin and Sloan are Oscar worthy, in my opinion.  It may not be loaded with a whole lot of action, but it truly is an amazing film.

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12 Angry Men (1957)

12 men

Hands down, this is one of my favorite films of all time.  It is a film that is often showed as part of management training or employee orientations because it shows a group of men with different morals and personalities working toward a solution (in this case – a verdict).

I have never been picked for jury duty.  I cannot imagine the weight or stress that is put on 12 people to decide whether someone is guilty or innocent of a crime.  I can’t imagine the stress of possibly sending someone to death as a result of the verdict either.  Watching this film is an experience, without a doubt.

The film basically takes place in one room.  After the first vote, there are 11 votes for guilty and one for innocent, which begins the process of examining the evidence.  In one of the most effective camera tricks in film, it continues to close in as the film progresses.  In other words, we start seeing the entire jury room and all 12 men.  As the movie continues, the camera gets closer and closer to each of the jurors as tensions continue to build.  It may or may not be noticed to the casual viewer, but it is really adds to the movie and the eventually conclusion.

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The cast is also top notch!  Henry Fonda is juror #8, the one who starts all the trouble.  Martin Balsam, John Fiedler, E.G. Marshall, Ed Begley Sr., Joseph Sweeney, Jack Warden, Edward Binns, Jack Klugman, Robert Webber, George Voskovec, and Lee J. Cobb comprise the rest of the jury.

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The personalities and the conflicts that go on between them are a clear picture of what we deal with each and every day in human nature.  We are all different.  We all come from different backgrounds and beliefs.  It is no wonder this film is used to help people in management understand the differences in humans and human nature.

While all the performances are spot on, the one that stands out the most to me is that of Lee J. Cobb.  His performance is exhausting and perfect – and just one of the many reasons to see this movie.

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Rio Bravo (1959)

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This one made my list as a guilty pleasure.  I love John Wayne, and have plenty of his films among my favorites, but it’s not his performance that stands out to me – it’s Dean Martin’s.

After Dean Martin and Jerry Lewis parted ways, there were many people who thought that Dean Martin’s career was over.  It almost was because of his first solo film (Ten Thousand Bedrooms), which flopped.  He came back to become quite a good actor and this is one of those performances that often cited as one that made his critics re-think what he could do. No surprise, Dean plays a drunk in this film.  His performance in this movie, to me, is one of his best.

The film was produced and directed by Howard Hawks.  Along with John Wayne and Dean Martin (who would also star together in The Sons of Katie Elder), the cast features singer/actor Ricky Nelson, the lovely Angie Dickinson, Ward Bond, and Walter Brennan.  It’s a good story, with something for everyone.  For me, I always come back for Dean’s performance.

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Conclusion

If you have never seen these five films (or the “honorable mentions”), I encourage you to check them out.  I also encourage you to surf over to the Classic Film and TV Cafe’ (www.classicfilmtvcafe.com) to read other entries in this blogathon, and read some other great posts.  I thank them for allowing me to participate and look forward to the next blogathon!

What are YOUR five favorite films of the ’50s??