Movie Music Monday – Dragnet

Nine notes. Nine notes that are still recognizable today. Broken into two parts – 4 notes, then 5 notes. “Dum da dum dum” (Pause) “Dum da dum dum da.” Those notes were immediately followed by a stern narrator who informed listeners, “Ladies and gentlemen. The story you are about to hear is true. Only the names have been changed to protect the innocent.”

On this day in 1949, Jack Webb debuted on radio as Sergeant Joe Friday in Dragnet. He created and produced the show as well. Wiki states that “Dragnet is perhaps the most famous and influential police procedural crime drama in American media history. Webb’s aims in Dragnet were for unpretentious acting and a realistic depiction of policing. The series portrayed police work as dangerous and heroic, and helped shape public perception of law enforcement in the 20th century, improving the public’s opinion of police officers.”

The radio show was so popular that it made the transition to television. It ran on NBC from 1951 to 1959. NBC brought the show back to television from 1967 to 1970. It first appeared as a feature film in 1954. It became the first theatrical film to be based on a TV show.

Check out this trailer!

A TV movie was produced in 1966 with the intention of it launching the return of the show to TV. It didn’t air until 1969 for some reason. The final film version made Dragnet a comedy starring Dan Aykroyd and Tom Hanks.

Wiki says “The film contrasted the terse, clipped character of Friday, a hero from an earlier age, with the “real world” of Los Angeles in 1987 to broad comedic effect. Apart from Aykroyd’s spot-on imitation of Webb’s Joe Friday and Harry Morgan reprising his role of Bill Gannon (now Captain), the film version has few similarities with previous incarnations. This Dragnet parody was a hit with audiences.”

Dragnet was no stranger to parodies. It was parodied by Looney Tunes, Woody Woodpecker, Sesame Street, The Three Stooges, Rocky and Bullwinkle, and a series of audio parodies by Stan Freberg. Jack Webb loaned Stan the actual band/orchestra he used on radio for his parodies.

As I mentioned, the theme is instantly recognized today. For the 1987 film, producers got the British band The Art of Noise to perform it. The them is actually two songs merged together. The opening is entitled Danger Ahead, and what follows is the Dragnet March. The Art of Noise version is very …. 80’s.

The first “hit version” was done by Ray Anthony and His Orchestra in 1953. It starts very familiar and gets a bit “jazzy.”

And to start your Monday with a laugh or two, here are a couple of Stan Freberg’s Dragnet parodies. Notice how the music “stabs” were used to enhance the story, just like on the radio.

Happy Birthday, Dragnet!!

Share Your Nostalgia – Round 3 Wrap Up

Over the past week, I have featured some of my blogging friends in a round of Share Your Nostalgia. I always feel happy when someone tells me “Yes! I’d love to participate and write something for you.” I feel even better when those who respond are those who will write a piece that you find interesting and entertaining. This week, was no exception.

This round tapped into the childhood of my guest bloggers. I asked them to write about their favorite cartoon or cartoon character growing up. Each of them wrote a piece different from the other. Each relayed an experience that was unique to them, yet shared with you and me. I extend to each of them my sincere gratitude for taking time to participate. Thank you!

I love features like this because the contributions will sometimes be familiar and sometimes be an introduction to something new. That has been the case with each Share Your Nostalgia round. Randy, Max, Dana, Dave and Paul all wrote of familiar toons (Gumby, Underdog, Musical cartoons, Huckleberry Hound, and Top Cat). Christian introduced us to a long running German cartoon (The Show Starring the Mouse). Now, it is my turn to wrap up the topic.

Saturday mornings were such a great time for my brother and me. My mom often slept in on Saturdays (because she was watching old Kung Fu movies the night before). My dad would usually be at work. So when we got up, we’d run out to the living room and turn on the TV. Cartoons were usually on until noon and on all three of the network stations. Chris and I would be up around 8am and be in front of the TV until the toons were over.

The one that was a staple was The Bugs Bunny Road Runner Show.

This show seemed to be on all morning. It was constant Looney Tunes! We watched this a lot. We discovered other shows when we’d switch channels because Pepe LePew, Road Runner or some other character we weren’t really into came on. When we discovered that, we were really perplexed as to what to watch. Neither of us knew how to read the TV Guide, so we often stumbled on shows by accident.

I believe that is how we discovered the crazy Laff-a-lympics show, which featured many Hanna Barbera characters.

If the Super Friends was on, we’d certainly stop to watch that. Both of us were fans of the superheroes. The show paired Batman, Superman, Wonder Woman and Aquaman with The Wonder Twins in some seasons and Wendy, Marvin and Wonder Dog in others.

I seem to also remember watching all things Scooby-Doo. We’d catch the classics (Scooby-Doo Where Are You?) and The New Scooby-Doo Movies. The “movies” featured famous folks that the gang would meet (The Three Stooges, Laurel and Hardy, Batman and Robin, Don Knotts, Jonathan Winters, Sonny and Cher, Jerry Reed and even the Addams Family) and the real star (in most cases) provided their own voice.

So many cartoons! Saturday mornings were heaven for us kids!

Dave said in his piece that he tended to like the Hanna Barbera cartoons more than the others. I don’t think I’d be wrong to say that they “owned” Saturday mornings. As a matter of fact, my choice also comes from Hanna Barbera – Hong Kong Phooey.

1974. Confetti and banners appear high above a parade. We see the back of our hero riding in a convertible. Then the narrator says: “Who is this superhero? Sarge? No. Rosemary, the telephone operator? No. Penry, the mild-mannered janitor? Could be!”

Hong Kong Phooey aired from September to December. There were only 31 episodes. To me, it seemed like there were so many more. The show aired September through December of ’74 and was rerun through 1976. There were so many things that I loved about this show.

Fun Fact: Originally the show was meant to be a vehicle for Huckleberry Hound, playing Hong Kong Phooey, until it was decided to make it more original.

Our hero is kind of clumsy. Many times it is his sidekick, Spot, who is there to help him catch the villain. He sort of reminds me of the Inspector in the Pink Panther movies. He’s a bumbling, clownish character. Spot would sometimes prove to be the brains of the two, helping Hong Kong Phooey out of certain jams. The humor of the incompetence of Hong Kong Phooey is a recurring theme of each episode.

Greg Ehrbar, host of The Funtastic World of Hanna and Barbera Podcast and author of Hanna-Barbera: The Recorded History said, “Joe Barbera and the team auditioned everyone possible for the perfect Penry/Hong Kong Phooey voice. Scatman Crothers really impressed them with his talent in 1966 with his performance as the Cheshire Cat in the album version of the classic Alice In Wonderland. He voiced Meadowlark in the CBS Harlem Globetrotters series in 1971 and became the definitive Hong Kong Phooey in 1974, making him the first African American to play the lead in an animated TV series.”

I cannot imagine Hong Kong Phooey without Scatman’s voice. It was a perfect fit.

Sergeant Flint finds himself annoyed by our hero and feels that he is a hinderance to the police. The character is voice by Joe E. Ross, who many remember from Car 54, Where Are You? He even uses his “Ooo Ooo” catchphrase for this character.

Rosemary, the telephone operator is voiced by Kathy Gori. She explained in an interview how she came up with the very unique voice: “My inspiration was “Rhoda”, played by Valerie Harper, on The Mary Tyler Moore Show. It was a combination of Rhoda and Rhoda’s mom, played by Nancy Walker. I used to watch Rhoda all the time and thought that’ll be funny.”

Rosemary is an important character because she always answers a call about a crime and tells Sergeant Flint about it. Penry, the janitor (and HKP’s secret identity) over hears her. Then he’s off to change and fight crime. To do so he goes behind the vending machine, jumps into a filing cabinet (always getting stuck, and is freed by Spot) and once disguised, jumps on an ironing board that flattens him against the wall only to drop onto a couch that he uses to bounce into a dumpster that houses the “Phooeymobile.” The vehicle can change into other forms of transportation simply by hitting a gong!

When perplexed with a problem, he never worries about it. He simply turns his copy of The Hong Kong Book of Kung Fu, a correspondence-course martial-arts instruction handbook!

The idea of having a clumsy and incompetent character be a hero was not something new. It was the precursor to many other characters including Inspector Gadget. The premise works and fans enjoy it. Hong Kong Phooey was feared by criminals and admired by citizens, despite his clumsiness and flaws.

Over 50 years later, Hong Kong Phooey remains popular. Kathy Gori (Rosemary), says she still receives fan mail in connection with the cartoon! One guy took his love for the cartoon a bit far. In 2002, a plumber in England changed his name legally to Hong Kong Phooey out of admiration for the character. He did this without telling his wife, who only found out when utility bills addressed to Hong Kong Phooey started arriving at their house. She was not pleased.

In 2006, I saw that the entire series had been released on DVD. Naturally, I rushed out to buy it. The DVD set includes commentary on select episodes as well as a documentary of the show from its development through its legacy. The set also includes production designs, never-before-seen original artwork, and new interviews. It was worth every dime!

Finally, I couldn’t write about the “number one super guy” without playing his theme song!

Again, I thank all of the bloggers who participated this time around. Perhaps I’ll come up with another topic in the future. If you have a suggestion, please let me know. Thanks for reading!

Share Your Nostalgia – Round 3

A while back, I asked some blogger friends if they’d want to write a piece for my Share Your Nostalgia feature. In the past we have looked at Favorite Childhood Toy and Favorite Childhood Book. Today, we go back to Saturday mornings. This was when we sat in front of the TV with our favorite cereal and watched hours of cartoons. So I asked my guests to write about their favorite cartoon or cartoon character growing up.

Today’s guest blogger is no stranger to readers of this blog. He is my friend, Dave, from A Sound Day. He has been hosting his monthly music feature Turntable Talk for 3 years. I have been lucky enough to write for every topic. He is also the one who encouraged me to host a feature of my own, which is this one. I have used his presentation as a blueprint for my feature. I appreciate Dave’s support on this. I probably would have never started it, had he not encouraged me. For that, I thank you!

I’m excited to see what Dave’s thoughts are, so I’ll turn it over to him….

Thanks to Keith for inviting me back to this round of his super “Share your Nostalgia”. I love the idea and the picks for toys and books were pretty simple for me. But this round is a bit different. Keith mentioned that I challenged him a little in the last round of my Music round-table, Turntable Talk, with a tricky topic. Well, I think he’s going tit-for-tat here; I had to think some about this one – a favorite childhood cartoon.

I loved cartoons as a kid, but it’s odd. I loved music then too, and I seem to have an almost photographic (or is it audio tape?) memory of the music I heard back then. It seems like I could close to pull a top 30 chart from the early-’70s out of my head and it would be fairly close to accurate; I can hear a few bars of a song from that era and usually I’ll identify it if it was on radio back then, even if I’d not thought about it for a couple of decades. Not so the cartoons though! My memories of the ones I watched are now a bit fuzzy.

Reading Christian’s column earlier this week, it occurs to me I could have gone for Peanuts and A Charlie Brown Christmas. I loved that show then, love it now and I likely have seen it each and every December since I was a kid, so I remember it pretty clearly! But even though it was animated, it somehow seems more like a “special” than a cartoon for me.

I do remember, as many others here will probably comment on too, that it was a different world back then. The Flintstones and Jetsons (both of which I liked) were something of a different breed, half hour cartoons with a full story line, and they played Monday-Friday when I was young. They were like a sitcom made via animation and the forefunner of The Simpsons, which for years as an adult in the ’90s was a weekly “must see”.

I remember seeing the Flintstones a lot during my school lunch breaks … the public school was just five doors up from our house so coming home was easy and I often had my sandwich while enjoying Fred and Barney’s antics. But otherwise, cartoons were pretty much just a Saturday morning thing. No Cartoon Network or round-the-clock programming with cartoons then, so they were a special treat. Many a Saturday I’d be up before my parents and crept into the living room (no TVs in our bedrooms back then either) and turn on the big old console TV quietly and laugh my head off at the cartoons.

Now, it’s tough to really pick a particular favorite but what I recall well is that there were essentially two diffferent cartoon streams. There was Merrie Melodies/Looney Tunes and Hanna-Barbera. The first two were technically separate but by the 1940s had pretty much merged and were interchangeable. They were the dominant ones that played week after week, hour after hour it seemed. There were shows like Looney Tunes and the Bugs Bunny & Roadrunner Show. They were, I guess, the “stars” of the cartoon world – Bugs Bunny, Roadrunner and Coyote, Tweety bird and Sylvester the Cat, Porky Pig and of course, everyone’s favorite sexually abusive skunk, Pepe le Pew. There were endless numbers of the short cartoons featuring those characters and while I enjoyed them somewhat, they didn’t really grab me all that much.

Bugs Bunny actually bugged me somewhat – he was too smug, too arrogant. Looking back, I think it was indicative of my upbringing. Both parents rather stressed “don’t brag. Don’t show off” to me, and while even though my Dad wasn’t British (my Mom was) they both rather exuded that British “stiff upper lip” persona. As such, that smug, show offy rabbit got under my skin … though not as much as it did Elmer Fudd’s. Same goes for Tweety, as much as I love birds. And the Coyote, he I sort of felt sorry for. But even now recall wondering “why does he keep buying stuff from Acme when it always backfires on him?”

I much preferred the Hanna-Barbera ones, though I didn’t see them nearly as much. They likely weren’t as popular overall. I guess Yogi Bear was the most famous of their Saturday morning characters, there were shows which incorporated Yogi into the title. I found Yogi, Booboo and their never-ending quest for a pic-a-nic basket kind of funny. But the real stars to me were some of the minor or secondary characters who’d have their own little bits now and again. Specifically, Auggie Doggie and Huckleberry Hound.

Huckleberry Hound was a laid-back blue dog with a southern accent apparently designed to sound like Andy Griffith. He’d try various jobs, like dog catcher or even ancient knight, usually not too well and was often outsmarted by local crows. All the while, his love was playing on his old banjo, singing “My darling Clementine” rather off-key. It was the first animated show to win an Emmy by the way, going back to 1960 when it won Outstanding Achievement in Children’s Programming. When I found this old clip of him on Youtube, it made me smile and think back again.

Auggie Doggie was a little dachshund pup who adored his father, Doggie Daddy. Auggie just wanted to make Dear Old Dad proud and Doggie Daddy doted on his son (in his Jimmy Durante-like voice) and together they took on a number of adventures… usually with unexpected consequences. For instance, in a review of the first season of its clips, storylines included Auggie creating a flying saucer and taking off into space and “Good Mouse Keeping” where the pair “try to get rid of an annoying mouse from their home” with the mouse always getting the upper hand.

I liked those three dogs a lot, and perhaps even more because they weren’t as omni-present as the Merrie Melodies crew. Looking back, there was a sort of innocence and naivete about them perhaps lacking in the competitors which were a little mean at the core. Its a child-like quality that seems entirely welcome in shows for small children and something that, my very limited experience suggests has long disappeared from 21st Century cartoons. Those are usually better drawn or computer-animated and more action packed but lacking in storyline or morals. It’s nice to think back to a simpler time and simpler childhoods and watching a few of these old cartoons helps me do that, so thanks Keith for the topic. I hope you all have similar recollections or trips back to happy times of your past with the others’ picks too.

Share Your Nostalgia – Round 3

Today’s guest blogger is someone that I recently connected with on WordPress. I enjoy her writing so much that she has already contributed a guest blog here. Her blog, Regular Girl Devos, is full of gems. Some of her features are a Monday Motivation piece, Quotes that will make you think, Praise pieces, blogs to Find Your Purpose, and various Stories. I’m glad to have Dana here again. I wonder what her take on cartoons is …

Thank you, Keith, for inviting me to write about such a fun subject! I’m going vintage, so hop in my time machine as I dial in the spring of 1963…

My mom worked to make ends meet, so I spent my days at grandma’s house. Every Monday, grandma and I would go to the grocery store. As she drove the old Chevy, I would stand on the bench seat next to her, excited for the treat soon to come.

In my bare feet, I ran past the western pony ride in front of the store to the Kiddierama Cartoon Theater Booth, just inside next to the checkout lanes. Slipping past the red velvet-like curtain, I would slide onto the wooden seat and wait for grandma to push the button on the outside. It was dark, but not scary. As we were usually there on Mondays, I wouldn’t have to share my little movie theater with anyone. Soon, images would flicker on the small screen and the music would play.

I delighted in the dancing woodland creatures, insects, and even trees and flowers. I experienced all kinds of music, from classical to swing-time jazz and barbershop quartets. When it stopped, I hopped out to push the button again—no coins needed!

I remember many of these musical animated short films, but until I began my research, I didn’t realize how many studios produced them. Disney began making Silly Symphonies in 1929, and Terrytoons began the same year. Walter Lantz Productions followed with Swing Symphony, MGM had Happy Harmonies, and Warner Brothers had Merrie Melodies and Looney Tunes.

Most of those I saw in that little booth were from the early days and I loved them! Stories told only with music and dancing violins, what is not to like? Here are a few links to my favorites:

Silly Symphonies, “The Cookie Carnival” https://www.youtube.com/watch?v=SRB2YlQOSBI

and “Music Land” https://www.youtube.com/watch?v=dihJ1w48Jh0

Terrytoons, “Harvest Time” https://www.youtube.com/watch?v=Q7pxBkSVHy8

Of course, the most popular animated musical movie was Disney’s “Fantasia,” released in 1940. The cartoons produced during the “Golden Age of American animation,” from 1928 through the 60s, are the best!

Because I also love vintage movies, I enjoy the cartoons starring classic Hollywood actors like Clark Gable, Bing Crosby, and Jimmy Stewart, just to name a few. One, by Merrie Melodies, is called “Hollywood Steps Out.” It includes caricatures of over 40 of Hollywood’s most popular performers. Here is a link to IMDb if you would like to learn more: https://www.imdb.com/title/tt0033724/?ref_=ls_t_2

If you appreciate vintage comedy, watch this one by Looney Tunes from 1942 of Abbott and Costello called “The Tale of Two Kitties.” It is hilarious!

Does anyone else remember these tiny theaters in the stores?

“A cheerful heart is a good medicine, but a downcast spirit dries up the bones.” Proverbs 17:22

This Day in (My Childhood) History

It was on this day in 1891 that the amazing Carl Stalling was born. You may not know him by name, but I guarantee you know his work!

Carl is probably best known for arranging and composing music for cartoons and animated films. If you have ever watched a Looney Tunes or Merrie Melodies cartoon, you have heard his music. While at Warner Brothers, he averaged one complete score each week, for 22 years!

As a young man, he played organ accompaniment to silent films. It was about this time he met Walt Disney. Walt had him arrange some music for a few of the early shirts. He even had Carl do the voice of Mickey Mouse in 1929’s The Karnival Kid. He worked with Disney for two years.

In 1936, he began working on music for Warner Brothers. From 1936 onwards, Stalling was the film score composer for almost every theatrical animated short released by the company until he retired.

Director Chuck Jones was asked about Stalling:

A few years back, Carl’s music was released on an album called The Carl Stalling Project. A year or so later, they released a second volume. It is actually very cool to listen to!

You can listen to the amazing soundtrack on YouTube! Some of the cuts have studio chatter, which I always love listening to. Here is a link to the albums:

Back in 1969, a childhood staple premiered on National Educational Television, a precursor of PBS. 55 years later, Sesame Street continues to entertain and teach children everywhere!

I grew up watching the show. I always got a kick out of Ernie and Bert. I even had an Ernie hand puppet.

Kermit the Frog was the newsman I trusted most as a kid. I loved watching Grover mess up that one guy’s order at the restaurant. I remember that artist who painted the number of the day on whatever he could find. Guy Smiley seemed to host whatever show was happening and Cookie Monster couldn’t get enough cookies! I loved Count Von Count and the fact that there was always a thunder clap and lightning when he laughed!

They were my first TV friends. Oscar the Grouch, Big Bird, the Martians, the Twiddle Bugs, Mr. Hooper, Susan, Bob, Gordon, Maria, and Luis kept me company and helped me learn so much. I remember having the Sesame Street Little People, too!

We played, we learned, and we sang songs! Who can forget the Pinball Song? The Lady Bugs Picnic? “C” is for Cookie? I Love Trash? The People In Your Neighborhood? Sing? The Alligator King? It Ain’t Easy Being Green? I Don’t Want To Live On The Moon? Rubber Duckie? I had Rubber Duckie on a 45 and played it on my portable record player!

The format has changed a lot and so has the cast. Additional Muppets have been added, and some new humans have replaced old ones. The show has been shortened to 30 minutes, and it is mostly Elmo now. The number and letter of the day are just throwaways now and only get a brief mention. It lacks so much of what it had, but it is still going!

I could always count on Sesame Street to do exactly what its theme song said it would do – chase “the clouds away!” Great memories for sure!

A Blog in Three Quarter Time

There is a thing that circulates on Facebook every so often that says, “Every thing I learned about Classical Music, I learned from Looney Tunes.” In a way, that is true for me (and a lot of people). Here is a link to an article from Classic FM:

https://www.classicfm.com/composers/liszt/cartoonist-how-generation-learned-classical-music-bugs-bunny/

I bring this up for a silly reason today. I was playing that crazy racing game Forza Horizon 5 the other day. In the game, there are different radio stations you can listen to. I usually have the classical music station on as I play the game. I think there are like 10 songs that rotate. Every time this one song would come on, I’d laugh because I’d think of cartoon trapeze artists. I bet without even hearing it, you know what song I am talking about!

In my 52 years, I never knew the name of it or who composed it. I know know. Forza Horizon 5 is set in Mexico, so it is only appropriate that the song was written by a Mexican composer by the name of Juventino Rosas. The waltz (in 3/4 time) is called Sobre las Olas or “Over the Waves.” It was first published in 1888!

The song has been recorded by Chet Atkins, The Beach Boys, Pete Fountain and Willie Nelson! It appeared in the 1943 Warner Brothers cartoon “An Itch in Time” and the 1950 Warner Brothers cartoon Canary Row. It appears with English lyrics (entitled “The Loveliest Night of the Year”) in the 1951 film “The Great Caruso.” It remains Rosas’ most popular piece of music.

Give it a listen here (the melody you will recognize begins 41 seconds into the song):

Please understand that this song by itself doesn’t make me laugh. I actually enjoy it. The reason it makes me laugh in the game is that it is usually playing while I am driving and crashing into mailboxes, running over gates, rear ending cars in my way, or watching my car go off a cliff or something.

Imagine that song playing while you are casually ripping up the roads at 307 miles per hour!!! Or even passing someone doing 131 miles per hour….

I’m not sure why this makes me chuckle but it does. Now, take Gustov Holst’s piece from The Planets – Mars, The Bringer of War. This piece fits into those scenarios a bit better. There is a sense of urgency and suspense involved. In some racing events, it is a perfect background piece. Even better, there is one race that you are driving up a mountain to where there is a live volcano – talk about a perfect song!

As much of a stress reliever the game is for me, I love the fact that there is some great classical music in it to accompany the various races and tasks.

So let me change what I said earlier … “Every thing I learned about Classical Music, I learned from band class, Looney Tunes … and a video racing game!”

Toon Tunes …

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As I stated at the end of yesterday’s blog – I could easily write an entire blog about Cartoon Theme songs. Some readers messaged privately with suggestions, while others commented on Facebook. So, I sat down and gathered some thoughts and have come up with a list of some of my favorites. In doing so, I noticed that some cartoons were great cartoons, but their theme songs were just not that memorable to me. Those I will omit. Perhaps they are some of your favorites, and again, feel free to add them to my initial list.

The Classics

“Overture, curtains, lights. This is it, the night of nights.

No more rehearsing and nursing a part, We know every part by heart

Overture, curtains, lights. This is it, you’ll hit the heights

And oh what heights we’ll hit … On with the show, this is it!”

Every Saturday morning, we’d sit in front of the television and hear Bugs Bunny and his cartoon pals sing this song as the Bugs Bunny Show began. Cartoon after cartoon kicked off with the Merrie Melodies or Looney Tunes theme. We watched Bugs Bunny, Daffy Duck, Elmer Fudd, Foghorn Leghorn, Yosemite Sam, Sylvester and Tweety, The Roadrunner, Wile E Coyote, and countless others make us laugh with sticks of dynamite and anvils. Oh, what a time to be a kid!

Outside of the Looney Tunes, Hanna Barbera churned out a lot of the classic cartoons we all have come to love. In 1958, kids were introduced to Yogi Bear and his pal Boo Boo. The theme song told us that he was “smarter than the average bear”, and he was! No Pic-a-nic basket was safe! Yogi was a take off of Art Carney’s Honeymooners character Ed Norton. Daws Butler nails the voice perfectly. From opening theme, you know you are in for some great fun with Yogi trying to outsmart Ranger Smith.

Speaking of the Honeymooners – Hanna Barbera literally stole the entire show idea and just set it in the stone age. That’s right, The Flintstones was a direct rip off of the show. It worked. It was the first prime time cartoon show and it did very well. The adventures of Fred and Barney commence after we are introduced to them via the theme song “Flintstones! Meet the Flintstones, they’re the modern stone age family!” Fred and Barney also would up on Saturday morning cartoons with newer versions and varieties of the 1960’s show including a cartoon about their grown up kids Pebbles and Bamm Bamm.

My buddy Vince immediately mentioned the theme song to Jonny Quest in response to my last blog. As far as theme songs, this one is awesome. Quest first appeared on TV in 1964 and from the moment it starts you get the feeling something big is coming. There is a sense of urgency in it. You are joining him on an adventure! In my 30 years of radio, I have heard this theme song as background music for contests, traffic reports, and more. Why? Because it is one cool theme song!

In 1962, Hanna Barbera took us on another travel through time. This time is was the future. “Meet George Jetson” … the theme starts by introducing us to each member of the family. We are wowed with flying cars, tubes that allow people to travel from one place to the other, folding cars, and more. The Jetsons lacked some of the luster of the Flintstones, but it still was a success and a favorite of kids my age.

There were MANY incarnations of Scooby-Doo. The best one in my opinion was Scooby Doo, Where Are You? Some cool teenagers and their dog always seem to stumble on a mystery – and solve it! So many bad guys would have gotten away with it, “If it hadn’t been for those meddling kids”! “Scooby doobie doo – Where are you? We got some work to do now…”. Not only did they have a cool theme, they often had another song that would play during a chase scene!

I want to mention a couple more 60’s cartoons to mention before moving on. I mentioned Henry Mancini in my blog yesterday, he is responsible for one of the all time greatest cartoon themes: The Pink Panther. It was the theme to the 1963 movie, and also used for the cartoon starting in 1964. There are so many things that make it such a magnificent piece, but the one that stands out is the tenor sax solo. It is perfection! The song was released as a single and was a top 10 hit.

Part of the Pink Panther show was the Ant and the Aardvark. It is a very Tom and Jerry/Cat and Mouse type cartoon. John Byner does the voices for the cartoons and his choices were to do the ant in a Dean Martin-ish voice, while doing the aardvark in a Jackie Mason-ish one. The theme reminds me of a Dixieland-swing song. The theme song basically plays as an underscore throughout all 17 of the series cartoons, and you will be humming it for a few hours after you’re done watching!

In 1967, Hanna Barbera offered up The Abbott and Costello Cartoon show. These cartoons were unique in that Bud Abbott provides the voice for himself. Costello had passed away in 1959, and his voice was provided by Stan Irwin. I don’t recall the cartoon itself much, but I can recall the opening sequence and the music of the theme. The only words spoken …..well, yelled, during the theme are “Hey Abbott!” by Costello.

The Super Heroes

What kid doesn’t want to be a super hero? I know we did. We spent Saturdays after cartoons were done pretending to be Batman, Superman, etc… We could watch them on the Superfriends show. Very heroic music would play as actor Ted Knight (of Caddyshack and the Mary Tyler Moore Show) introduced us to each of them. There were a few different Superfriends shows – one featured Wendy, Marvin, and Wonder Dog, another featured The Wonder Twins, and another featured some of the lesser known heroes.

The Super Heroes had some of the best theme songs. Underdog’s theme was one I can still sing to this day: “When criminals in this world appear, and break the laws that they should fear, the cry goes up both far and near for Underdog!”. Wally Cox voiced Underdog and spoke entirely in rhyme. He was always trying to save Sweet Polly Purebread from Simon Bar Sinister and Riff Raff. George S. Irving was the narrator of the show – he is known for playing The Heat Miser in the holiday special The Year Without a Santa Claus. It is one of my favorite theme songs.

Who was your number 1 super guy? Well, Hong Kong Phooey, of course! He tells us so in the theme song! It’s another Hanna Barbera classic! The theme is sung by Scatman Crothers, who many may know from the Shining, Sanford and Son, and other films. He plays Penrod “Penry” Pooch, a janitor who is a Kung Fu Master, thanks to his Hong Kong Book of Kung Fu. The theme reminds us that he is quicker than the human eye, and he’s got a groovy style – ah, the 70’s!!!

The all time best super hero cartoon theme song has got to be, hands down, Spiderman! We all know the story of Spiderman – Peter Parker is bitten by a radioactive spider and gets his super powers. I love that this is referenced in the theme song: “Is he strong? Listen, bud, he’s got radioactive blood!” That is brilliant writing right there! We all love Spidey, and we know that he’s got our backs…..after all, he is our “friendly neighborhood Spiderman”. There is only one version of the theme that is as cool as the original – be sure to check out Michael Buble’s version of the theme song! It’s pretty sweet!

One Full Musical Toon

I have got to give praise to a cartoon that is entirely musical. This is a cartoon that has been referenced by friends I grew up with as well as my kids. That cartoon is “The Three Little Bops”. It’s a modern day take on the Three Little Pigs.

What makes this cartoon so memorable is that these three pigs are now a musical trio playing jazz for clubs (House of Straw, House of Sticks, and finally, the House of Bricks). The Big Bad Wolf is also a musician….but not a very good one. He keeps trying to join the pigs and they keep telling him to beat it because his playing is awful. The crowds don’t like his playing either. At first, he is kicked out of the house of straw, so he “huffs and puffs” and blows the place down. He does the same for the house of sticks. The house of bricks, however, is a bit more of a challenge. “I’ll show those pigs that I’m not stuck, if I can’t blow it down, I’ll blow it up”. He attempts to light the fuse on a big tub of TNT, and the fuse is blown out. He moves farther away from the target and lights it again, but he’s too far from the building and as he is carrying it back, the TNT explodes – and takes him with it.

The narrator states, “The Big Bad Wolf was really gone and with him went his corny horn. Went out of this world without a trace, didn’t go to heaven, was the other place”. We then see the wolf down there playing his horn brilliantly. One pig notes, “The Big Bad Wolf, he learned the rule – you gotta get hot to play real cool!” The wolf’s spirit, with his horn float up through the floor and join the pigs on the end of the song. The pigs lobby card now reads “The Three Little Bops Plus One”.

The music for the cartoon is done by the great Shorty Rogers who was a jazz composer and trumpeter. The vocal is done by the one and only Stan Freberg. This cartoon is fun, jazzy, hip, and so well written! Another thing that makes this cartoon unique is that Mel Blanc was under contract with Warner Brothers during this time and his voice is not used in the cartoon at all (at least according to all the sources I checked).

Now it’s your turn. Which cartoon theme songs were your favorites?

That’s all folks….