Tune Tuesday

There are plenty of “musical” birthdays that I could have tied into Tune Tuesday today. Billy Eckstine (1914), Jerry Vale (1931), Steve Lawrence (1935), Toby Keith (1961) and Joan Osborne (1962) were all born on this day. However, I decided not to pick any of them.

Instead, I wanted to feature one of the early influencers of Rock and Roll. As a matter of fact, he is in the Rock and Roll Hall of Fame. His music would not be considered Rock and Roll, but his “jump blues” and “rhythm and blues” sound certainly influenced many of those rock pioneers. I am talking about the amazing Louis Jordan.

Louis Jordan was born on this day in 1908. He was a saxophonist, multi-instrumentalist, songwriter and bandleader who was popular from the late 1930s to the early 1950s.  Among his nicknames were “The King of the Jukebox,” “The Father of Rhythm and Blues,” and “The Grandfather of Rock and Roll.”

According to Wiki, “Jordan began his career in big band swing jazz in the 1930s.” He came to the public’s attention while he played in Chick Webb’s hard swinging band. As his career continued, he became better known as an “innovative popularizer of jump blues—a swinging, up-tempo, dance-oriented hybrid of jazz, blues, and boogie-woogie. Typically performed by smaller bands consisting of five or six players, jump music “featured shouted, highly syncopated vocals and earthy, comedic lyrics on contemporary urban themes. It strongly emphasized the rhythm section of piano, bass and drums; after the mid-1940s, this mix was often augmented by electric guitar.”

Louis Jordan, ca. 1950.

From 1942 to 1951, Jordan had 59 songs that charted! On the R&B charts, of those 59 songs the lowest charting song rose to #14. According to Joel Whitburn’s analysis of the Billboard  magazine charts, Jordan ranks fifth among the most successful musicians of the period 1942–1995!

I’m staring at a list of his songs and it is hard to choose just one to feature. Memorable songs from Louis include: Five Guys Named Moe, Let the Good Times Roll, Is You Is or Is You Ain’t My Baby, Knock Me a Kiss, Beware, Caldonia, Open the Door Richard, and G.I. Jive. His songs were even referenced in cartoons. One example is Tom the Cat singing Is You Is or Is You Ain’t My Baby in a Tom & Jerry cartoon. Another is from a Bugs Bunny/Yosemite Sam cartoon where Sam is banging on a door and says, “Open the door!” He pauses, breaks the fourth wall by looking at the viewer and says, “Notice I didn’t say, ‘Richard?'”

Louis Jordan and His Tympani Five

Here are a couple of my top Louis Jordan songs. First, a little boogie-woogie with Choo Choo Ch’Boogie:

My buddy used the chorus of this song as his answering machine outgoing message. There Ain’t Nobody Here But Us Chickens:

My best friend, Jeff, and I always laugh at this next one. Give it a listen all the way through once, and then go back and listen to it again and focus on the vocals by the Tympany Five in the back ground. Here is Beans and Cornbread:

The Rock and Roll Hall of Fame say that my final Louis Jordan pick is an “early example of rap.” I can totally see where they might thing that. It is one of those great “story” songs. From 1950, here is a Saturday Night Fish Fry:

Happy Birthday Louis Jordan!!!

Turntable Talk #23 – The Soundtrack of Our Lives

Once again, Dave Ruch from A Sound Day has offered up a gem of a topic for his monthly Turntable Talk feature! This month it is a topic that I have been hoping he’d get around to. Per his instructions:

This time around, let’s look for THE SOUNDTRACK OF OUR LIVES !  Pick a great movie soundtrack and talk a bit about it. It can be from a great movie or a dog of one (or anything in between), one made specifically for the film or one assembled from existing tunes as long as it’s one that works for you!

There are certainly many fantastic soundtracks to choose from. Movies that are known for being a great film and also their great soundtracks include American Graffiti, Smokey and the Bandit, The Wedding Singer, The Sting, and Forrest Gump. Those aren’t even considered “musicals!” When I think about musicals, wow, that list is a long one. 

Plenty of movie (and TV) soundtracks can be found in my collection. When I worked in radio, I would often buy soundtracks so I could uses some instrumental tracks as voiceover beds (music that plays underneath your voice as you are doing a bit or talking to a listener). I used a variety of cuts from Napoleon Dynamite, Stripes, The Three Amigos, Dragnet, and movies that were box office bombs! My pick comes from a movie that was far from a bomb. It was one of the biggest films of the 1980’s.

The one soundtrack that has always been a favorite for me (and it doesn’t even contain all the songs featured in the film) is The Blues Brothers. It has some fantastic cuts from Belushi and Aykroyd as well as musical legends like Ray Charles, Aretha Franklin, and Cab Calloway.

I had this soundtrack on vinyl and I played the heck out of it. Many of the songs were featured on my “driving mix tapes” when I had my first car! While the album contains 11 great tracks, the film included many other classics that I wound up searching for to add to my collection. The music doesn’t follow their chronological appearance in the film for some reason.

She Caught the Katy

The album opens with this Taj Mahal song. The Blues Brothers version has a lot more sound to it. It is so much fuller with the horns and guitars of the band. It is the song that the starring credits roll under. The opening guitar lick leads to the first big horn stab (and we see Belushi) then you have another horn stab (and we see Aykroyd) and the third big horn stab hits as we see the movie’s title card.

Belushi’s vocal on this is perfect. I like his vocal on this cut more than any other song on the album.

Peter Gunn Theme

This is the first of two TV themes on the album. This instrumental plays as the Blues Brothers are driving back to Elwood’s place. There are some really great shots of the city of Chicago in this scene. As you listen to this one, you can hear the talents of Tom “Bones” Malone, “Blue” Lou Marini, and “Mr. Fabulous” Alan Rubin. If I had a dollar for every time I used this as background music to introduce a wedding party I could fly to Italy! 

Gimme Some Lovin’

Best known for being a hit for the Spencer Davis Group (and a young Steve Winwood), the soundtrack features the full song. In the film, the band begins to play this song at Bob’s Country Bunker (a country bar) and the owner shuts the lights off on them. If I had to choose between the two, I’d pick the Spencer Davis version over this one, but it is still a great jam.

Shake a Tail Feather

Originally done by the Five Du-Tones of Chicago in 1963, James and Bobby Purify had a bigger hit with it in 1967. This version tops them because of one man – the great Ray Charles. In the film, he owns a music shop and the band is buying new instruments. Ray is asked about a keyboard and Murphy Dunn tells him that the “action” of the keys is not that great. Ray sits down and says, “I don’t see anything wrong with the action on this piano” and launches into this song.

As Ray plays, a crowd gathers outside the store and dances along with the song doing all the dances mentioned in it (the monkey, the jerk, the boogaloo, etc…). This song is fantastic. 

Everybody Needs Somebody To Love

The song was written by Solomon Burke and recorded by him in 1964. Wilson Pickett’s 1966 cover is probably the best known version. This song is featured at the Blues Brothers’ big concert toward the end of the film. Over the intro, Elwood (Aykroyd) speaks to the audience and thanks “the members of Illinois law enforcement” who are present and waiting to arrest them. We get to hear a big more of Aykroyd on this track.

The Old Landmark

When you mention the Blues Brothers to someone, they will often quote “We’re on a mission from God.” This song is performed by the Godfather of Soul, James Brown who plays a preacher. Jake and Elwood are attending this church service and it is a pivotal moment in the film (and what sets them off on their “mission from God.” 

The Old Landmark is a gospel song written by Dr. William Herbert Brewster Sr. back in 1949. It has been recorded by the Staple Singers, Aretha Franklin, Dionne Warwick and many others. James Brown takes this to a whole new level. It’s hard to imagine anyone performing this. He performed/recorded this one live on set.

Think

The Queen of Soul, Aretha Franklin, performs this one as she is telling off her husband Matt “Guitar” Murphy. The song was a hit for Aretha in 1968. For the film, they bump up the tempo and add some dancers. This track is SO good! ”Blue” Lou Marini grabs his sax midway through the number and really jams through the end.

This was one of the harder songs to do in the film. Aretha had recorded the song and found it difficult to lip synch to her vocals as they filmed. It was a scene that needed many takes to do. This version is far superior to her original version.

Theme From Rawhide

The second TV theme on the album takes place in that country bar. After the lights go out they band has to figure out something that the audience will like. They wind up performing this one. Aykroyd’s vocal is just awesome here not to mention the “call and answer” between him and Belushi. Add in a whip and you have a real country hit on your hands!

This scene always makes me laugh because they perform on a stage surrounded by chicken wire. Why? Because the crowd gets so excited they throw beer bottles at them!

Minnie The Moocher

This was a song that Cab Calloway had been singing for decades! He was the “Hi-De-Ho Man.” I just love this version of the song. The rumor is that Cab wanted to do the disco version of the song that he had recorded in the past. They insisted that it needed to be the jazz/big band sound. 

The song itself send you right back to the 1940’s. The full sound of the band, the horn section, and the amazing trumpet solos by Alan Rubin. Without a visual, it is still fantastic. Watching it in the film only enhances the experience. 

They band is on stage waiting for Jake and Elwood to arrive. The crowd is getting antsy. The band is dressed in street clothes and look sort of shabby. Cab asks if they know the song and the band says they do. He yells, “Hit it!” and the curtain opens. Out struts Cab in a white tuxedo backed by the band, wearing black tuxes and looking sharp. The stage now has an backdrop of famous 40’s places with neon signs and a sweet looking band stand.

As a trumpet player, I can’t NOT mention the spectacular trumpet playing of Alan Rubin on this one!

Cab was a scat singer and his call and answer with the audience is just priceless. I’m not sure how old he was here, but his vocals are right on! He was a legend!

Sweet Home Chicago

This is the longest track on the soundtrack. The original version was done by Robert Johnson in 1936. This is the second song the band plays at their big concert (and the one where they make their escape, hence the long instrumental ending). As they intro it, they dedicate it to the late, great Magic Sam (who was from Chicago) who recorded it in 1967.

This is such a fun song to listen to and to watch in the film. The looks that they give John Candy’s character and the other folks who have been chasing them always make me smile. The song serves as the background music as we transition from night to day and the ultimate finale of the movie.

Jailhouse Rock

Movie Spoiler: The entire Blues Brothers Band gets arrested at the end of the movie. Naturally, the final song of the movie is Jailhouse Rock, originally done by Elvis Presley. Trivia: In the film, the first “prisoner” to jump up on the tables and dance is Joe Walsh!

On the soundtrack, the song is a bit different than in the film. You have a complete cut on the album, while in the movie each band member has a little solo as their name appears in the credits. In the film version you also get a line or two sung by James Brown, Cab Calloway, Aretha Franklin, Ray Charles and more. It’s a perfect capstone to wrap the soundtrack.

I have played the songs on this album over and over again on vinyl, cassette, on my iPod, and YouTube. It remains one of my favorite soundtracks of all time! What disappoints me is the many songs that were featured in the film that didn’t make the soundtrack. They are worth finding and checking out!

Of course, I can’t tease those without listing them, so here goes:

  • Somebody Loan Me a Dime – Fenton Robinson (Plays while Jake is escorted from his prison cell)
  • Shake Your Moneymaker – Elmore James (Plays while Jake and Elwood visit with Curtis at the orphanage)
  • Soothe Me/Hold On, I’m Comin’ – Sam and Dave (Plays on the 8 track in the Bluesmobile while Jake and Elwood are driving and get pulled over)
  • I Can’t Turn You Loose – The Blues Brothers – Originally done by Otis Redding (Plays while they drive through the mall and as they take the stage at the Palace Hotel Ballroom concert)
  • Let the Good Times Roll – Louis Jordan (Plays on the record player in Elwood’s place)
  • Anema e core (Until) – Ezio Pinza (The piece is playing the apartment that Tom Malone and Lou Marini used to stay – the “Are you the police?” scene)
  • Quando, Quando, Quando – Murph and the Magictones (Plays in the Holiday Inn scene)
  • Just the Way You Are – Muzak version of the Billy Joel song. (Plays in the Holiday Inn scene)
  • Die Romantiker (The waltz that plays at the Chez Paul restaurant)
  • Boom Boom – John Lee Hooker (Plays as the Blues Brothers are going to meet Matt “Guitar” Murphy)
  • Mama Lawdy/Boogie Chillen – John Lee Hooker (Plays when Jake calls Maury Sline and on the way to Bob’s Country Bunker)
  • Your Cheatin’ Heart – Kitty Wells (Plays as the Blues Brothers enter Bob’s Country Bunker)
  • Stand By Your Man – The Blues Brothers (Plays at Bob’s Country Bunker)
  • I’m Walkin’ – Fat’s Domino (Plays as Jake and Elwood and the orphans promote the concert)
  • Ride of the Valkyries – Richard Wagner (Plays as the Nazis are chasing the Blues Brothers toward the end of the movie)
  • The Girl from Impanema – Muzak version (Plays, naturally, in an elevator as the Blues Brothers go up the 11th floor with the tax money)

The Blues Brothers may or may not have been the first movie of “mine” that I made my wife watch with me. I’m sure that she made me watch one of her tear jerking chick flicks to get back at me afterward. To me, this movie remains a classic. As far as the sequel – not so much. It did have a decent soundtrack, but that is about it.

I have been wanting to write about this album for a long time and am glad that Dave finally gave me a reason to indulge myself with this blog. I am also excited to see what the rest of the bloggers have chosen for their soundtrack. 

I’m already looking forward to next month’s topic! Thanks for reading!

“Cleveland Rocks!”

For our anniversary, my wife and I wanted to plan a little getaway to celebrate.  Neither one of us had too much PTO in our “banks” at work, so we decided on a weekend trip.  During the planning the destinations changed frequently.  Originally, we had hoped to head back for another trip to Florida, but due to the lack of time available, we decided on something a bit closer to home.

There was talk of going to Nashville and maybe catching a show at the Grand Ole Opry.  Then there was talk of Gatlinburg, where my mom so often talked about.  I think we even chatted about Pennsylvania, too.  Eventually, we decided that Chicago was where we wanted to go, but then realized that it was St. Patrick’s Day weekend, and we figured it might be just a tad crazy (although seeing the river turned green would have been cool.

Cleveland??

To be honest, I am not even sure how we decided on Cleveland, Ohio.  I had mentioned that my dad had gone to the Rock and Roll Hall of Fame and said it was cool.  I started to look at things in Cincinnati.  There was a lot to do there, but why wasn’t the Hall of Fame coming up in any of my searches?  I knew that Cincy was close to Louisville, KY and thought that we could maybe do something there, too.  I had gone as far as to drop a radio buddy a note to say we were gonna be down there and asked for good restaurants to eat at … only to then realize the Hall of Fame was in Cleveland!

Now that we had cleared that up, we were set for Cleveland.  Now, I will be the first to admit “Cleveland,Ohio” as the answer to “Where did you and your wife spend your first wedding anniversary?” is not at all romantic.  Many people laughed when I told them.  Here is the thing about my wife and I, the destination really didn’t matter – it was simply the fact that we were going to be together.  To me, this is just one of the reasons I love her.  We can be content with just having time with each other, no matter where we are, or what we are doing.

We have made it a tradition to go to restaurants that local wherever we go.  If we can go there at home, we’ll go there at home!  By doing this, we have really been treated to some amazing food.  We always try to find a good steak house or something very unique to the city we are in and we have yet to be disappointed.

The Hall of Fame

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Personally, I think Sam loves watching me get excited about stuff like this.  We both love museums, but I must have been like a little kid on his birthday during this trip!  I had, of course, seen pictures of the Hall of Fame, but it was something else to be standing in front of it.  The big red block letters that sit upon the sidewalk read “LONG LIVE ROCK”.  As I walked up the steps, there are phoney concert speakers erected by the hand rails. The excitement builds as you walk in.

As you enter, you walk into a huge foyer/lobby.  The gift shop is to your right, to the left a cafe/coffee shop, and in front of you there is an escalator to take you down to purchase tickets.  After buying our tickets, you get ready to enter and above the doors the perfect AC/DC quote to welcome you: “For those about to rock …”

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Walking into the main exhibition hall, the first thing I noticed were pictures of John Lennon and Ray Charles on the wall.  The first thing I am drawn to is a glass case containing Bill Haley’s guitar.  Bill is often credited as being the singer of the first “rock and roll” song – Rock Around the Clock.  There is a picture of him playing it in the case as well.  I am not sure why I was so taken in by it, but I was.

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The next thing we saw was a line of bass guitars that belong to Geddy Lee of Rush.  I didn’t count , but there had to be like a dozen of them.  The information said that this was only part of his massive collection.

The Roots

One thing I was thrilled to see here was the fact that the “roots” of Rock and Roll were well represented.  Rock really evolved from a combination of Gospel, R&B, Bluegrass, Country, Folk, and Blues music. Each of those genres was represented here.  Among my favorite things I saw:  a suite belonging to Hank Williams Sr.; Louis Jordan’s music folder with his music and cue sheets; stuff from Muddy Waters, BB King, and Mahalia Jackson; Ray Charles sunglasses; Carl Perkins Guitar; salutes to Johnny Otis, Big Joe Turner, and Sam Cooke and so much more.   The roots of rock were so well represented.  Without these people and the genres of music, there would be no rock and roll.

Elvis

There is a pretty cool section devoted to Elvis, who was one of the first 10 artists inducted into the Hall of Fame.  The Hall has a standing agreement with Graceland in Memphis (which is a museum in itself) and they send memorabilia to them often, so the exhibit changes often.  There was a very cool motorcycle that was custom-built for Elvis.  His gold sequins suit is there, and a jukebox which was given to him as a gift from RCA Records – it contains only Elvis records.  Also on display was a double Gibson guitar which he played in his film Spinout.

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The Summer of Love

With the 50th anniversary of the “Summer of Love”, there were some very cool things here.  I saw groovy outfits from the Mama’s and the Papa’s, clothing from Jimi Hendrix, and the HUGE mixing board that was used to record some of Jimi’s music.

On thing I really liked to see was the various things that song lyrics were written on.  There were quite a few original pieces of paper where the beginnings of songs were scribbled.  There were also plenty of hotel pads of paper with lyrics on them.  Loved seeing where changes were made to lyrics.

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Cities and Sounds

I loved that there was a section of the hall that saluted cities and sounds.  There was a section devoted to Memphis, Los Angeles, San Francisco, London and Liverpool, Seattle, and of course, Detroit.

In the Memphis section, there were plenty of neat things from Sun Records.  Johnny Cash, Elvis, Jerry Lee Lewis, Carl Perkins and Roy Orbison all recorded there.  To stand in front of Roy Orbison’s glasses and guitar was pretty awesome.  My earliest musical memories are of my dad playing Roy’s music for me.

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A nice tribute to Motown is here with stuff from Barry Gordy, The Supremes (you can see some of their dresses), Smokey Robinson, and the Temptations are all here.  They were playing the episode of To Tell The Truth with Barry Gordy as we walked through this section.

The Beatles and the Rolling Stones each have a nice section at the Hall.  I thought Mick Jagger of the Stones was taller, but standing by some of his outfits, he’s shorter than I thought.  There is the Asher family piano that Paul McCartney donated, some of John Lennon’s outfits, and the handwritten lyrics to “In My Life”.  A very cool documentary was playing in their section as well.

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I jumped ahead a bit because the next section was London and Liverpool.  There were some very neat things from the Yardbirds, Peter and Gordon, Herman’s Hermits and the Zombies too.  All in all a nice salute to the British Invasion.

San Fran featured stuff from The Grateful Dead and Janis Joplin, while LA featured stuff from The Eagles, Jackson Brown, Joni Mitchell and Neil Young.  One cool thing here was a duffle bag full of hotel keys.  I don’t recall, but I think it said it belonged to one of the Eagles.  They basically kept the hotel key (and keychain) from every place they stayed while on tour.  The bag was stuffed full of some very cool looking keychains!

This section also had tributes to grunge music, punk music and a section called “Rave On” which focused on the “pioneers” of rock.  Those pioneers included Fats Domino, Chuck Berry, Little Richard, The Everly Brothers and Buddy Holly.  Soul Music was also spotlighted here with some awesome suits from James Brown, stuff from Aretha Franklin, pieces of the wreckage from Otis Redding’s plane crash, and Sam and Dave.  Featured in the soul section were two amazing things – guitars from Donald “Duck” Dunn and Steve “The Colonel” Cropper.  They played on almost every Atlantic and Stax record.  They were members of Booker T and the MG’s, and also played with the Blues Brothers.  Very cool to see!!!

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Don’t worry metal heads, there was a section for Heavy Metal too. Oh, and a section for Rap, as well.

Protests

When Rock and Roll started to make waves, it wasn’t too popular with folks.  We tend to forget the hatred toward the genre, but they had plenty of newscasts about burning records, and protests that happened.  It was weird to watch the hatred toward the Beatles and read hate mail to the Rolling Stones.  Other artists that were discussed in this section were Frank Zappa and ELO.

On the Radio

As a radio guy, it was cool to be able to walk up to an interactive touch screen and select a region of the US and then listen to old airchecks of DJ’s from different eras.  Naturally, I had to listen to some of the Detroit personalities:  Dick Purtain, Robin Seymour, and The Electrifying Mojo!  There were plenty of familiar names from all over the states and it was nice to get to listen to their stuff too.

The Power of Rock

On the third level, there was a wall with each “class” inducted into the Hall of Fame by year.  You could also go to a touch screen and search by class, by year, or by artist, and listen to their music.  SO many great songs!!!

The Power of Rock is a short film by Jonathan Demme which features many performances from past Hall of Fame inductions.  So many stars and so many great songs were in this film.  The theater had a light show and great sound for the film and it was almost like you were watching a concert live.  The film ends with Prince’s guitar solo on While My Guitar Gently Weeps – WOW!  Forgot how amazing that was!  They also had some of the great quotes on the walls of the hallway that you left the theater by.  Prince’s outfit from that show and other outfits were there as well.

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Rock on TV

It was also very cool to see some of the TV show memorabilia on this level.  You could go and record something about your favorite singer or album in special booths.  It was pretty cool to stand in front of Dick Clark’s American Bandstand podium!  His microphone was in a glass case with other things like the set design for the Beatles appearance on Ed Sullivan.  They had TV cameras there, Don Cornelius’ suit from Soul Train, outfits from the Jackson Five and Sonny & Cher and the coat worn by Davy Jones of the Monkees that he wore on The Brady Bunch.  There was also some cool musically related stuff from Saturday Night Live, and from various music videos we all watched on MTV.  It was neat to see Paul Shaffer’s keyboard that he played for so many years on the Late Show with David Letterman.

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On the Radio – LIVE

One thing I didn’t realize was that Sirius XM broadcasts their “Classic Vinyl” station out of the Hall of Fame.  Rachel Steele was on air when we went through.  There is a glass window that allows you to look into the studio and watch them broadcast.  I actually felt bad for her.  One thing radio people like is the fact that they can go in to work without really worrying about what to wear, because….who is going to see you!?  Whoever is on the air here, really has to “doll up” every day.

Over all, I loved every second of my visit here!  Any music lover would enjoy themselves!!  If you have never been …. you have to!

Christmas in March

The final stop on the trip was The Christmas Story House.  It is the house featured in the holiday classic.  They renamed the street “Cleveland Street” in honor of the movie.  The Leg Lamp proudly sits in the front window and the Bumpass House is next door.

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This is such an inexpensive treat!  The house looks a little different on the inside, but they have restored much of it to be exactly like it looks in the film, which took a bit because there were a few owners since the movie.

We were allowed to take as many pictures as we liked.  There was a guide who took us through the house and told some stories.  You can see the bathroom where Ralphie solves Little Orphan Annie’s secret message, you can see the many plugs the tree was plugged into, pick up the phone that Mrs. Parker calls Flick’s mom on, see the boy’s room, and see the damper in the kitchen that billows black smoke because of the “clinker” furnace.

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From the backyard you can see the steel mill (still in operation), which helped Jean Sheppard (the author) pick that particular house for the film.  Across the street is a museum with the actual Red Rider BB gun used in the film, outfits from the cast, Darren McGavin’s plaster life mask (used for make up and such), plenty of behind the scenes pictures, and the Old Man’s car.  The gift shop is full of great items and yes, you can purchase a pink bunny suit or a leg lamp (in various sizes).

Sam told me she’d buy me a bunny suit, but only if I wore it every Christmas!  Incidentally, if you have the $$, you can spend the night in the house or next door at the Bumpass house.

The trip was short, but full of good memories.  I love that we were able to do it and I love that we got to spend time with each other. It was the perfect anniversary trip.

Cleveland, does indeed, ROCK!