The Music of My Life – Decade Extra – The 1970’s

Last week I wrapped up my Music of My Life feature. It focused on music from 1970-2025. I admit that it was fun to look back at the tunes that have special meaning to me, bring back a certain memory or a tune that I just really like.

When I got into the 2000’s it became more difficult for me to find songs. With the earlier years, however, I found it difficult to narrow my list down to just ten songs. So I sat down with my original lists and selected some songs that “bubbled under,” so to speak.

I figured a good way to present them was to focus on a decade. 10 years = 1 song per year = 10 songs. Let’s head back to the 70’s and check out a few “Decade Extras.”

1970

I wish I could find the recording of this so I could set it up better. My co-host, Steph, and I were in conversation with our newsman, Hal. Something came up about knocking and Hal says, “Knock three times on the ceiling if you want me.” This led to me asking why we were discussing Tony Orlando on a country station.

Steph walks out of the studio during commercials and I went on the hunt for the song. I found it and cued it up to the chorus. When she comes back to the studio, and she has to read a sponsorship for the weather forecast. I let her begin and out of nowhere I play the chorus of Knock Three Times. She was so thrown by this, she can’t stop laughing. She’s trying to do the sponsorship, but every 6th or 7th word, I’d fire the chorus again. She is down for the count in laughter (which was my intention), so I wound up reading it and apologizing to our listeners.

I think of Steph every time I hear it.

Knock Three Times

1971

I’ve always love the Jonathan Edwards song “Sunshine.” It was always one that I loved singing along with. Had it not been for a mistake, it may never have gotten recorded. According to songfacts.com, he recorded this out of necessity when one of the tracks he put down was accidentally erased. Instead of redoing that song, he did “Sunshine.” Pleased with the results, he and the engineer overdubbed bass and added the drums the next day.

Edwards was signed to Atco Records. They released “Sunshine” as his first single early in 1971, but it flopped. The song got some traction thanks to disc jockeys in New England who started playing it off the album. Six months after the Atco single was released, it was re-issued on the independent Capricorn label with a demo version on the B-side. This time, the song was a hit, shooting to #4 in the US.

He would often end live shows with the song, and Edwards said,  “I often say, and it’s true, that if I had never done another song in my life, I’ll be happy to have come and gone with that.”

Sunshine

1972

For the longest time, I thought that Neil Diamond was singing Nice To Be With You. When I started working at my first radio gig, I found out I was wrong.

The song was actually one that had a local connection. Jim Gold formed the group Gallery in Detroit. They recorded quite a few songs, but none were as big as Nice To Be With You. It was also the title track of their debut album.

Nice to Be With You

1973

There was no shortage of Jim Croce songs in my original feature. My mom and dad listened to his music a lot. He was one of many artists who were a part of my childhood.

I love when songs have some basis or inspiration in real life. Bad, Bad Leroy Brown is one of them.

“Leroy Brown is a guy that he actually met,” said his widow Ingrid. “When he was in the service – The National Guard – this guy had gone AWOL. He was a guy that Jim kind of related to, he liked to sing with him. This guy had gone AWOL but he came back to get his paycheck, and he got caught. Jim just thought he was such a funny guy that he thought he’d include his name in the song, and it just worked. There really was a Leroy Brown, and sometimes having a name helps you to build a song around it.”

It’s one of the few songs I can sing at karaoke.

Bad, Bad Leroy Brown

1974

I was a big Beatles fan growing up. As a kid, I didn’t really understand why Paul McCartney was in another group (Wings) or why John Lennon was doing solo stuff. I do remember hearing Band on the Run, though, and liking it.

McCartney recorded the album in Lagos, Nigeria along with his wife Linda and guitarist Denny Laine. The other Wings decided not to make the trip, which worked out fine in the end: McCartney considers the album his best post-Beatles work. He told Word in 2005:

“I was on drums and guitar a lot, mainly because the drummer decided to leave the group the night before and one of the guitar players decided not to come! So we got that solo element into an otherwise ‘produced’ album.”

Band On the Run

1975

It’s a Long Way to the Top is an autobiographical song for AC/DC. It describes their struggles as they tried to make it big. Right from the start, they delivered a top notch live show night after night. Songfacts says: It was genuine: At the time, they were just getting started and playing some seedy venues with even seedier business associates. The hard work eventually paid off, and several years later the band was selling out arenas.

“It’s A Long Way To The Top” really summed us up as a band,” Angus Young told Rolling Stone. “It was the audience that really allowed us to even get near a studio.”

The song is a bit unusual because instead of a lengthy guitar solo it features Angus Young on lead and Bon Scott on the bagpipes in a Dueling Banjos sort of way. I remember the first time I heard the song. “Are those bagpipes?!” Yes. Yes, they are!

It’s a Long Way to the Top

1976

Turn the Page by Bob Seger is also a song about being out on the road and performing. This one focuses on the effects of touring on a performer. There is a lot of loneliness that they feel.

Bob says, “Our first headline shows ever in a large (twelve thousand seat) hall were the two shows at Detroit’s Cobo Arena, September 4th and 5th, 1975. I remember while I was singing this how nice it was to have such good on-stage monitors. I had never heard my voice so well while performing.” The version on Seger’s greatest hits album was taken from these shows.

The song is a classic rock staple here in Michigan. I got to see Bob perform one of his last shows and it was electrifying. I can’t even begin to explain the feel of the room when he performed this one.

Turn the Page

1977

“What’s Your Name” by Lynyrd Skynyrd is another song that is based on a true story. One night while they were on tour, the band was drinking at their hotel bar when one of the roadies got in a fight. They all got kicked out. So they went to a room, ordered champagne and continued the party.

Songfacts says: The incident in this song did not happen in Boise, Idaho. The first line was originally, “It’s 8 o’clock and boys it’s time to go,” but lead singer Ronnie Van Zant changed it when he found out his brother, Donnie, was opening his first national tour with his band .38 Special in Boise. The first line became “It’s 8 o’clock in Boise, Idaho.”

Three days after the album was released, Ronnie Van Zant, Steve Gaines, and Cassie Gaines died in a plane crash. The cover of the album was redone because the original cover had the band surrounded by flames.

What’s Your Name

1978

Hold the Line by Toto caught my ear the first time I heard it because of the piano open with the guitar riff intermingling with it. It was the debut single for the group who was made up primarily of session musicians.

From songfacts: “Hold the line” is an expression meaning to maintain your existing position, which in this case is the singer telling a girl to be patient and stay with their relationship.

The saying also has a more literal meaning, however, which is how David Paich came up with the title. “Hold the line” is what you tell someone on the phone if you want to put them on hold while you’re taking another call. This is typical in workplaces, but in the days before cell phones, some households (especially ones with teenagers) also had multiple phone lines coming in and could put callers on hold. Paich lived in one such household.

Paich said: “When I was in high school, all of a sudden the phone started ringing off the hook, and I had a situation where I was at the dinner table and I had three girls all call at the same time, so all the lights were flashing. I was kind of juggling girlfriends, and that’s how that came about.”

Toto’s video was a bit ahead of it’s time. MTV hadn’t even gone on the air yet when the song was released.

Hold the Line

1979

Don’t Stop Me Now by Queen is such a fun song to play at weddings and parties, especially after the audience has loosened up. So often I’d come out of a slow song and segue right into the smooth intro of Freddie Mercury. People would raise their hands and sway while singing along. Then, when the tempo changes, the dance floor was insane.

It’s a catchy song that has you singing along, even if you are just hearing it for the first time. In 2011, Queen fans voted the chorus of “Don’t Stop Me Now” as the band’s best ever lyric.

In an Absolute Radio interview, Brian May says, “I thought it was a lot of fun, but I did have an undercurrent feeling of, ‘aren’t we talking about danger here,’ because we were worried about Freddie at this point. That feeling lingers, but it’s become almost the most successful Queen track as regards to what people play in their car or at their weddings. It’s become a massive, massive track and an anthem to people who want to be hedonistic. It was kind of a stroke of genius from Freddie.”

Don’t Stop Me Now

So what do you think? I like this idea. A quick look back at a decade. There are plenty of songs to choose from that did not make the original run of this feature. Join me next week for more!

The Music of My Life – 1974

Welcome back to The Music of My Life, where I feature ten songs from each year of my life.  In most cases, the ten songs I choose will be ones I like personally (unless I explain otherwise). The songs will be selected from Billboard’s Year-end Hot 100 Chart, Acclaimed Music, and will all be released in the featured year.  I turned four in ’74, so let’s venture back there and give a listen….

Bob Marley wrote I Shot the Sheriff and recorded it in 1973.  Eric Clapton covered in for his 461 Ocean Boulevard album.  Billboard magazine called his version a “catchy goof of a winner.” Clapton softens up the reggae a bit and it went straight to the top spot on the Hot 100 Chart.

I Shot the Sheriff

June of 1974 was a hot month for music releases as the next five songs all hit the radio in that month.  First, we have a soul hit from the Three Degrees – When Will I See You Again.

Before I go on, let me explain why it is on my list.  I was dating my prom date, Karen, and we often spent evenings driving around and listening to the radio.  There was a “love song” show called Pillow Talk that aired at night.  It always seemed to play on that show and throughout the day on the Adult Contemporary stations.

I think we both thought the name of the song was “Precious Moments” for some reason.  All I can recall is that we both laughed at the “Hoo” and “Hah” at the beginning.  I don’t know about her, but every time I hear it, I think of her and us laughing at that song.

The lead singer on the song, Sheila Ferguson, hated it the first time she heard the demo. She said she’d never sing it because she felt it was insulting to be given a song that “took no talent to sing.” Her thoughts obviously changed after the song’s success, and the group had a #2 hit!

When Will I See You Again

Canadian singer Andy Kim hadn’t had a hit record since 1971 and has lost his record deal in 1973.  He never gave up and created his own label (Ice Records) and used his own money to record Rock Me Gently. 

The song was released in June and hit #1 in September of 1974.  The B-side was an instrumental version of the song and some stations played that, too.  Rock Me Gently was the last Top Ten hit for him.

Rock Me Gently

Long before I was a radio DJ, I was introduced to Wolfman Jack by the Guess Who.  The Guess Who’s Burton Cummings explained that the song began as a jam and was originally called “Clap For Napoleon.” As they were appearing on NBC’s Midnight Special a few times in 1973 (they hosted the show in ’74), they changed the lyric as a tribute to the show’s host, the late Wolfman Jack. The Wolfman can be heard throughout the song.

In his autobiography Have Mercy!: Confessions of the Original Rock ‘n Roll Animal, Wolfman Jack singles out Burton Cummings for adding his name to the song and taking him on tour to promote it. According to the Toronto Sun, the Wolfman quit his job at WNBC (where he enjoyed “$350,000 – plus a secretary, a chauffeured limousine, a bodyguard, and a well-ventilated private room at Rockefeller Center for the smoking of dope in”) to go on tour with The Guess Who.

Clap For The Wolfman

You would think that if someone wrote a song called Sweet Home Alabama, they’d be from there, right?  Nope.  None of the writers hailed from that state. Ronnie Van Zant and Gary Rossington were from Florida and Ed King was from California.

Lynyrd Skynyrd enjoyed a top 10 Hit with the song that will forever be recognized by that wonderful guitar intro.  Gary Rossington explained the writing process: “I had this little riff. It’s the little picking part and I kept playing it over and over when we were waiting on everyone to arrive for rehearsal. Ronnie and I were sitting there, and he kept saying, ‘play that again’. Then Ronnie wrote the lyrics and Ed and I wrote the music.”

Sweet Home Alabama

You can blame my mother for the next entry on the list.  She loved listening to “easy listening” stuff and this was one that she always sang along with (when she remembered the words).

Annie’s Song was written by John Denver for his wife, Annie.  She explained, “It was written after John and I had gone through a pretty intense time together and things were pretty good for us. He left to go skiing and he got on the Ajax chair on Aspen mountain and the song just came to him. He skied down and came home and wrote it down… “

The song was on his album Back Home Again and was his second number-one song in the US, occupying that spot for two weeks in July 1974.

Annie’s Song

Everlasting Love was originally a hit in 1967  by Robert Knight and there are plenty of cover versions.  My favorite version has to be by Carl Carlton.

Carl himself chose to record the song as he liked David Ruffin’s version from 1969.  It was originally released as a B-side in 1973, but it was remixed with a disco beat and released as a single in 1974.  It was a disco staple at discotheques all across the country.

Everlasting Love

In 1964, Chuck Berry wrote Promised Land basing it on the melody for Wabash Cannonball.  He wrote the song while he was in prison.  He borrowed an atlas from the prison library and he plotted out all the stops from Norfolk to California.

In 1974, it was Elvis who recorded a version of this great story song that is faster and makes even the hardships experienced by the “poor boy” sound fun. It became the title track for Elvis’ 1975 album.

Promised Land

I certainly cannot imagine the next song as a country song, but believe it or not, that was the intention.  In 1953 Peter Radcliffe wrote You’re the First, My Last, My In-Between but it was never recorded. That is until Barry White rewrote the lyrics in 1974 and recorded it with a disco beat as You’re the First, My Last, My Everything.

Most of the lyrical changes came to Barry during a rough recording session when it didn’t seem like the song was going to pan out. “I went into the studio and made up my own melody all the way through. Half of the words in it I changed right in front of the microphone.” When Peter Radcliffe heard the final result, he cried.  The song went to #2 on the charts.

I always loved how Barry always seemed to have some sort of seductive talk before he sang.  One morning we discussed this on our radio show.  My partner dismissed it by saying, “Hey, there ain’t nothing better than two minutes and forty two seconds of Barry White saying cool things!”

You’re the First, My Last, My Everything

My final song from 1974 comes from  Michigan’s own Grand Funk Railroad.  This would be a bigger hit in 1975 because it wasn’t released until December of 1974. It actually went on to become the sixth biggest hit of 1975.

Some Kind of Wonderful was originally recorded by the Soul Brother Six in 1967, but it barely cracked the Top 100, only reaching 91.  Grand Funk recorded it for their album All the Girls in the World, Beware!  It would reach #3 on the charts.

Grand Funk drummer Don Brewer explained, “We used to listen to a station called WAMM, which was a black station in Flint (Michigan). We all grew up on R&B, gospel and soul music, and they used to play the Soul Brothers Six version of that song all the time on WAMM radio in the ’60s. When we were traveling around the country, I used to start singing that song in the back of the car a cappella, and everybody would just kind of jump in and sing along with me – ‘I don’t need a whole lots of money, I don’t need a big fine car.’ We’d kind of shear off on the choruses and stuff, and our manager said, ‘That’s a great song, why don’t you record it,’ so we recorded the song and it became a huge hit.”

I love stories like that!

Some Kind of Wonderful

That wraps it up for 1974.  Did I miss one of your favorites?  Tell me about it in the comments.

See you next week in 1975.

The Music of My Life – 1973

Welcome back to The Music of My Life, where I feature ten songs from each year of my life.  In most cases, the ten songs I choose will be ones I like personally (unless I explain otherwise). The songs will be selected from Billboard’s Year-end Hot 100 Chart, Acclaimed Music, and will all be released in the featured year.  I turned three in 1973, so let’s see what music had some influence on me ….

In January of 1973, The Four Tops released their second song on the ABC label.  They had left Motown the year before and this song became their biggest post-Motown hit.  Ain’t No Woman (Like The One I’ve Got) was originally recorded by Hamilton, Joe Frank, and Reynolds in 1972. It’s hard for me to hear anyone else but Levi Stubbs on the vocal.  It reached #4 on the Billboard Hot 100.

Ain’t No Woman (Like The One I’ve Got)

In March of 1973, Elvis released one of my favorite live cuts – Steamroller Blues.  I did a piece on the song for Tune Tuesday a few months back.  You can read that here:

https://nostalgicitalian.com/2024/03/12/tune-tuesday-steamroller/

Elvis added the song to his concert set list and this recording was from his Aloha From Hawaii show. It reached #17 on the charts.

Steamroller Blues

In April of 1973, Gerry Rafferty and Joe Egan’s song about a music industry party was released by their band The Stealer’s Wheel. “Well, I don’t know why I came here tonight” is the opening line of Stuck in the Middle and it makes you want to hear the rest of the story. 

It was a top ten hit for the group, reaching #6 on the charts.  The band was surprised at the success of the song, especially since Gerry’s vocal was meant to sound like a funny Bob Dylan. Many people thought it actually was Bob Dylan singing!

Stuck in the Middle

Also released in April of 1973, the last Top 40 hit for a singing barber.  This song actually seems out of place on my list, but I have a reason it’s here.

Don McLean wrote And I Love You So for his debut album in 1970.  It was the B-side of his single Castles in the Air. Crooner Perry Como used it as the title song for his 1973 album. It would peak at #29 on the charts.

I include it here because when my old morning show partner and I would go out and sing karaoke, he used to sing this one.  I had never heard it before then and I loved the lyrics and melody.

And I Love You So

Another great opening line for a song was from Paul Simon.  “When I think back on all the crap I learned in high school….” Kodachrome was released in May of 1973.  The song was originally written as “Going Home,” but he didn’t think it worked.  Kodachrome sounded similar and he went with that.

It has been said that the song is a sort of admiration for all the things that brighten the world.  After his lamenting about high school,  his world becomes alive with memories.

Kodachrome

Also released in May of 1973, a song that is based on real events and has one of the greatest opening riffs of all time. Smoke on the Water is the story of how Deep Purple was getting to record in a mobile studio they rented from the Rolling Stones.  The night before they were set to record, someone fired a flare gun during Frank Zappa’s song King Kong and set the casino venue on fire that destroyed it.  Deep Purple watched the fire from their hotel room and the smoke from the fire across the water led to the song’s title.

The opening riff which was written by guitarist Richie Blackmore, was inspired by “an interpretation of inversion” of Beethoven’s Fifth Symphony.  That intro remains something I love hearing, especially in headphones.  The guitar riff by itself, then the hi-hat cymbal, snare drum kicks, bass guitar and finally the vocal.  SO cool.

Smoke on the Water

The next song has an interesting story. It has it’s origins in a song that I almost picked for my list. From Songfacts.com: In February 1973, Stevenson released the song “Shambala” which was written by the composer Daniel Moore. Two weeks later, Three Dog Night released their version of the song, which became the much bigger hit, charting at US #3 while Stevenson’s version stalled at #66. Stevenson and Moore then got together and re-wrote “Shambala” as “My Maria,” changing the lyrics so the song became an ode to a beautiful woman. The ploy worked, and Stevenson had by far his biggest hit. (It went to #9 on the Billboard Hot 100.)

Brooks and Dunn enjoyed a number one country song with their cover of the song in 1996.

My Maria

Another song that was inspired by real events was from Jim Croce. In 1970, Jim Croce wrote Time in a Bottle the night that he found out his wife, Ingrid, was pregnant. Songfacts.com says: The couple had been married for five years, and Ingrid found out she was pregnant when she went to a fertility specialist. She recalls a mix of terror and delight in Jim’s reaction when she told him the news. The child was a boy named Adrian, who grew up to become the singer-songwriter A.J. Croce.

The song was released in November of 1973, and it hit #1 in America 14 weeks after Croce was killed in a plane crash in September.

For the record, I have never been to a whorehouse. The next song is a classic rock standard about the aforementioned establishment. The boys of ZZ Top based La Grange on John Lee Hooker’s Boogie Chillin’, and there is even a vocal tribute to Hooker as Billy Gibbons sings “Ho Ho Ho Ho!”

Again from Songfacts.com: The place in this song is the subject of the 1982 movie The Best Little Whorehouse In Texas, starring Dolly Parton and Burt Reynolds, which was adapted from a 1978 Broadway play. In a 1985 interview with Spin magazine, ZZ Top bass player Dusty Hill explained: “Did you ever see the movie, The Best Little Whorehouse in Texas? That’s what it’s about. I went there when I was 13. A lot of boys in Texas, when it’s time to be a guy, went there and had it done. Fathers took their sons there.

La Grange

We wrap 1973 with another great classic rock song. “I was cutting a rug down at a place called the Jug with a girl named Linda Lou…” the story begins and right from the get go trouble is brewing!  Lynyrd Skynyrd released Gimme Three Steps in November of 1973.

From Songfacts.com: This song is based on a true story. As Skynyrd guitarist Gary Rossington tells it, lead singer Ronnie Van Zant, who was about 18 at the time, used a fake ID to get in a bar while his younger bandmates Rossington and Allen Collins waited for him in a truck. Van Zant danced with a girl named Linda, whose boyfriend, who was not too happy about it, came up to Ronnie and reached for something in his boot. Figuring he was going for a gun, Van Zant told him: “If you’re going to shoot me it’s going to be in the ass or the elbows… just gimme a few steps and I’ll be gone.” He ran to the truck, and he, Rossington, and Collins wrote this song that night.

This was one of the few songs Skynyrd released as a single. It was their first major-label release, and it didn’t chart, which simply amazes me. It is a song that has truly become a party classic. I think I got more requests for this one than Sweet Home Alabama at weddings. Maybe it wasn’t a hit, but I have certainly heard this a lot throughout my life, and I always sing along!

Gimme Three Steps

That wraps up 1973 for me. Did you have any favorites from that year? Next week, we move on to 1974. See you there!