I didn’t get a chance to blog yesterday. I’ve been on the go since Friday.
I took the day off on Friday so I could walk with Ella in the homecoming parade. After the Grand Marshall and Alumni Couple of the Year, the Kindergarten classes from the district were featured together. They walked behind a banner that said “Our Youngest Students – Class of 2038!”
Andrew and Ella hung out before we split up. He went with my wife to watch the parade (and catch candy), while Ella and I went to the staging area.
It was sunny and hot. The teachers did a good job keeping them focused for the 45 minutes we waited for everything to start. They played “telephone” and sang songs to pass the time.
Once the parade got going, we waved and tossed candy to spectators. The cars that had the Grand Marshall and the Alumni Couple were starting to break ahead of us. We certainly weren’t walking slow. They were going a bit fast.
So basically you had:
Alumni – space – half of kindergarten – space – rest of kindergarten – group behind them.
At one point, Ella and I, the principal and a couple others were stuck walking in the middle of the space. 10-15 feet of pavement in front of us and 10-15 feet pavement behind us. We couldn’t stand out any more!
I cracked jokes to the folks watching our little group along the route. “We’re pacing ourselves.” “Did you happen to see the front of the parade, we seem to have lost them.” “Wasn’t that invisible float in front of us fantastic?”
Ella, of course, took the opportunity to let the spotlight shine on her.
After about a quarter of the walk, she got tired and she wound up on my shoulders. I got quite the workout the rest of the way.
After the parade, the kids went home with Nana and Pa and I stayed for the football game. As you would expect, I was focused on the marching band.
The home team was up 21-0 at halftime. I was excited for the halftime show. The theme was “Black Widow.”. They had spider web things on the field and every band member changed from their standard uniforms into a spider designed outfit. That’s the first time I’ve ever seen a band do a show not in uniform.
It was a long day/night but it was a homecoming win – 42-8 was the final score. We got home pretty late and Andrew just slept in his clothes because he was fast asleep.
Yesterday morning was soccer time for Ella. We were there early for pictures. The game followed. At one point Ella was a goalie. Apparently this meant standing in front of the net with both arms stretched across the top of it.
Aunt Margaret came to the game and took the kids to lunch afterwards. They love her. She brought them some books and some fun sensory toys.
I love when we are able to get together, even if it was just for a short time. I’m so blessed with her friendship.
This is sort of a continuation of the Music of My Life feature. It focused on music from 1970-2025. It featured tunes that have special meaning to me, brought back a certain memory or a tune that I just really like. I found that with the first three decades, there were songs that I didn’t feature. So I sat down with my original lists and selected some songs that “bubbled under,” so to speak.
I figured a good way to present them was to focus on a decade. 10 years = 1 song per year = 10 songs. Last week finished up the 70’s, and this week we’ll move on to the 80’s. So, let’s check out a few “Decade Extras.”
1980
Let’s kick off the decade with a country/pop crossover. Back when we first got cable TV, the movie channels would run movies a lot. They would schedule it in the morning, afternoon, evening, and overnight kind of rotating them so people had options on what time worked best. I remember 9 to 5 being on all the time. My mom always seemed to be watching it if it was on. I’m pretty sure she had them theme song memorized.
Dolly Parton wrote (and sang) this for the 1980 film of the same name. The film, which was her acting debut, stars Jane Fonda, Lily Tomlin, Parton, and Dabney Coleman. It dealt with life in an American office, where the workday was 9 a.m. to 5 p.m. She wrote the song while the movie was filming.
This song won the 1981 Grammys for Best Country Song and Best Country Vocal Performance, Female; it also received a Grammy nomination for Best Album Of Original Score Written For A Motion Picture Or Television Special and received Oscar and Golden Globe nominations. It also won the People’s Choice Award for Favorite Motion Picture Song.
Mojo magazine asked her what lyric she’s most proud of, Dolly Parton said: “One that I remember the very moment I wrote when I was working on ‘9 to 5,’ was ‘Pour myself a cup of ambition.’ I went, ‘Yeah that’s so good.’ That has really followed me oh through the years.”
She wrote the lyric in LA. “I would watch things going on, on the set,” she recalled to Mojo. “At night, I would go back to the hotel Bel-Air. I would get my guitar, and I would start putting pieces together. I would work on songs, clicking my nails on a typewriter.”
“I had just made myself some coffee, because I was going to spend two or three hours working on the song,” Parton continued. “I always drink coffee when I write. And I just remember saying, ‘Tumble out of bed, and stumble to the kitchen.’ What else you doing? I looked at my coffee cup and thought, ‘I pour myself a cup of ambition.'”
“Sometimes when those lines come, you just think, ‘Oh my goodness that is so good. I’m so proud of myself,” she concluded. “And then of course, many things spiritual based, I always look up and say, ‘Hey, thank you, Lord. I like that one.'”
As old as the song is, it still sounds good today.
9 to 5
1981
There are a handful of songs that “define” the 80’s for me. Your handful may or may not be different from mine. One of the greats that always seems to pop up on 80’s collections and as a “favorite” 80’s song was a phone number that everyone knows!
The opening guitar lick grabs your attention and that drum kick into the full band hooks you. This ode to a gal who doesn’t even know the singer soared up the charts to become a Top 5 single.
For years, Tommy Tutone (who isn’t the name of a person, just the name of the group) has used a story that there was a Jenny and she ran a recording studio. They have also said it was inspired by a real girl who band member Tommy Heath met in a nightclub and 867-5309 was the phone number of her parents. None of this is true, but it got them a lot more media attention, since it made a better story.
Alex Call, the songwriter, came up with it while sitting under a plum tree. He told Songfacts the story: “Despite all the mythology to the contrary, I actually just came up with the ‘Jenny,’ and the telephone number and the music and all that just sitting in my backyard. There was no Jenny. I don’t know where the number came from, I was just trying to write a 4-chord rock song and it just kind of came out.
This was back in 1981 when I wrote it, and I had at the time a little squirrel-powered 4-track in this industrial yard in California, and I went up there and made a tape of it. I had the guitar lick, I had the name and number, but I didn’t know what the song was about. This buddy of mine, Jim Keller, who’s the co-writer, was the lead guitar player in Tommy Tutone. He stopped by that afternoon and he said, ‘Al, it’s a girl’s number on a bathroom wall,’ and we had a good laugh. I said, ‘That’s exactly right, that’s exactly what it is.’
The rest is history.
867-5309
1982
I heard Foreigner for the first time while listening to Casey Kasem on American Top 40. I really liked their sound. Lou Gramm’s voice really stood out for me.
Juke Box Hero was a song that was in a good rotation when I was at the classic rock station. It has become a staple on classic rock playlists. The story behind the song is one that I love:
This song was written by Foreigner guitarist Mick Jones and lead singer Lou Gramm. In a Songfacts interview, Jones said: “That stemmed from an experience that we had, I think it was in Cincinnati. We’d gone to the arena for a sound check, and it was pouring down rain, and there were a bunch of fans waiting at the door when we went in. When we came back for the show later on, all that was left was one lonely fan, a young guy waiting out there in the rain, soaked to the skin. I thought, well, he’s waiting like five hours here, maybe we’ll take him in and give him a glimpse of what happens backstage at a show. And this kid was just mesmerized with everything. I saw this look in his eyes, and I thought, he’s seeing this for the first time, he’s having this experience. And I just imagined what was going through his mind. And I’d been toying with this title, ‘Juke Box Hero,’ I thought it was almost a satire on what we did and how it was perceived from an audience level, and public. That’s how it originated.”
How cool was that kid’s experience?! Kudos to the band for making this happen. As a bonus, they got a hit song out of it!
Jukebox Hero
1983
I was late to the Stevie Ray Vaughn party. Very late. I didn’t hear one of his songs until after his death. I had gotten together with a buddy I hadn’t seen in a while. He popped in a cassette of Stevie. I was blown away on so many levels. His voice, his playing … I’d never heard anything like it.
After a 1982 performance, Stevie and the Double Trouble band got the attention of Jackson Brown. He told the guys that they could use his personal studio to record a demo. They did just that over Thanksgiving weekend 1982. That demo was heard by a talent scout, who presented it to Epic Records, who signed Vaughn to a record deal. Epic remixed the demo, which would become his first album, Texas Flood.
While the song received heavy airplay, it didn’t get any love from the charts. The music video, the only one from this album, got heavy rotation on MTV in 1983. What he could have done if he was still around, one can only guess.
Love Struck Baby
1984
Marching band was one of my favorite things about high school. At football games and pep assemblies, we’d often play songs that were familiar to us. We Got The Beat was one they were still playing long after I graduated. Neutron Dance from the Pointer Sisters was one of those “pep songs.”
Allee Willis (who wrote Earth, Wind & Fire’s hits “September” and “Boogie Wonderland,” wrote the lyrics for this song. She sums up the song, saying: “That’s basically: if your life isn’t working, get up off your ass and change it. Because it’s really up to you.”
Fun Fact: This song was released at the high of the Cold War when there was a great deal of tension between the United States and Russia, as both had nuclear missiles aimed at each other. Willis Says: “The Russian government named me as one of the most dangerous people living in the United States, because they mis-translated it as ‘Neutron Bomb.’ The first verse they translated as ‘A powerful nuclear explosion is approaching, it will annihilate everyone; who cares if you have no car, no job, no money, just dance, dance, dance.’ And this was a huge article in Pravda, and I was supposed to be going to Russia with BMI, and I wasn’t let in the country. I mean, it was nuts.”
The song was featured in the film Beverly Hills Cop and the video includes scenes from the movie.
Neutron Dance
1985
Next is a song that I almost always played at weddings. If it wasn’t the bride and groom’s wedding song, it was one of the slow songs that packed the dance floor. The Search is Over by Survivor started as a title that was scribbled in Jim Peterik’s notebook.
He said, “It wasn’t about my life as much as a friend of mine who had a girlfriend – really a play pal throughout their growing up years – and never thought it could be anything more than that. It was looking him straight in the face that this was the girl of his destiny, and he looked everywhere to find that dream girl only to come back to the sandbox. This couple is still married and going strong. It became kind of an allegory to looking for what is obvious; having it in your hand and you being too close to even realize it.”
He told Songfacts, “Mechanically, the whole thing kind of started in my head driving down the street. I turned on my tape recorder and I sang the whole melody top to bottom into my tape recorder. The way it modulated into the chorus was very unique. When I got to the piano a few hours later, I had to find out where it was going and what it was. I brought it to rehearsal, showed it to the guys and worked with Frank (Sullivan) one on one on the song – he loved it. It was called The Search Is Over, but I still didn’t know exactly what the hook of the song was going to be. I thought of this couple, and when we came up with the line, ‘Then I touched your hand, I could hear you whisper, the search is over, love was right before my eyes,’ we looked at each other’s arms and we both had goose bumps. It was the magical turn of that phrase and realizing what this song was about. I think we discovered the song as we were writing it.”
It’s a beautiful song.
The Search Is Over
1986
I had heard Land of Confusion by Genesis on the radio long before I saw the video. It was odd to hear a “political” song from them. When I saw the video, I remember thinking that those puppets were a bit scary, not to mention ugly.
Songfacts says, “The very popular video was made using puppets created by Peter Fluck and Roger Law, who had a British TV series called The Spitting Image. The show would often make fun of Genesis, and by hiring their tormentors, the band proved that they could take a joke.
Genesis puppets had been used on the show before, but they made new ones for the video – not very flattering ones either. It was a way for the band to lighten their image from their days as earnest prog rockers. The video could go in the Cold War cultural time capsule: at the end, the Ronald Reagan puppet accidentally launches a nuclear missile.”
I guess the puppets didn’t freak everyone out, though. The video won the 1987 Grammy for Best Concept Music Video – it was the only Grammy Genesis ever won, and they weren’t even in the clip. At the MTV Video Music Awards, the video was nominated in six categories, but lost them all to Peter Gabriel’s “Sledgehammer.”
Land of Confusion
1987
The song Hot Hot Hot was first released by the group Arrow in 1982. Many cover songs followed, but the most recognizable was done by Buster Poindexter (aka David Johansen). It garnered extensive airplay through radio, MTV, and other television appearances.
For many years, people would request this at weddings and parties so they could do a conga line. It was a pretty popular tune . One venue would bring out their roast beef, which they would light on fire, and wanted us to play the song when they did it.
Over time, I was easily burned out on the song.
Hot Hot Hot
1988
I think every friend of mine had a copy of the Cocktail soundtrack in 1988. The Tom Cruise movie was what all the girls seemed to be talking about. I had been getting requests for Kokomo by the Beach Boys and it was the only place I could find it.
Mike Love of the Beach boys explained to Ssongfacts how it came together: “Terry (Melcher) was in the studio doing a track with a demo, because we were asked to do the song for the soundtrack of the movie Cocktail, featuring Tom Cruise. So we were asked by the director to come up with a song for this part of the movie where Tom Cruise goes from a bartender in New York to Jamaica. So that’s where I came up with the ‘Aruba, Jamaica’ idea, that part.
So Terry was in the studio doing the track and they didn’t have the chorus yet. They just had a certain amount of bars, but there was nothing going on there. I said, ‘Well, here’s what I want to do.’ And I remember I had told them about the part before. But he said, ‘Uh huh. How does it go again?’ So I literally, over the phone – he was in the studio and I was on the phone – sang [deadpan slow recitation]: ‘Aruba, Jamaica, ooo, I want to take you.’ So he’s writing that down, and I’m singing it in the scene, the notes, and the timing of it in tempo to the track.”
Regarding the composition of the song, Mike said: “The verses and the verse lyric was written by John Phillips of the Mamas and the Papas. He wrote ‘Off the Florida keys, there’s a place called Kokomo, that’s where we used to go to get away from it all.’ I said, ‘Hold on. We used to go sounds like an old guy lamenting his misspent youth.’ So I just changed the tense there. ‘That’s where you want to go to get away from it all.’ So that was the verse. And it was very lovely. But it didn’t have such a groove, I didn’t feel.
So I came up with the chorus part: ‘Aruba, Jamaica, ooo, I want to take you to Bermuda, Bahama, come on, pretty mama. Key Largo, Montego…’ That’s me, the chorus and the words to the chorus was Mike Love. The verse was John Phillips. The bridge, where it goes, ‘Ooo, I want to take you down to Kokomo, we’ll get there fast and we can take it slow. That’s where you want to go, down to Kokomo,’ that’s Terry Melcher. Terry Melcher produced the Byrds and Paul Revere & the Raiders, very successful producer. But he actually produced that song and he wrote that bridge part, which Carl Wilson sang beautifully. And I sang the rest of it. I sang the chorus and the verses on that particular song.
Before “Kokomo,” the last US #1 for The Beach Boys was “Good Vibrations in 1966. At 22 years, it was the longest any act had gone between US #1 hits until Cher topped the charts with “Believe” in 1999. Her previous #1 hit was “Dark Lady” in 1974, setting the new record at 25 years.
Kokomo
1989
When you think about “Super Groups,” a few come to mind: The Traveling Wilburys, Audioslave, Cream, Blind Faith, and Crosby, Stills, Nash, and Young for example. In 1989, there was another super group who had a monster hit.
Songfacts explains: Bad English was a supergroup comprised of lead singer John Waite, keyboard player Jonathan Cain, bass player Ricky Phillips, guitarist Neal Schon and drummer Deen Castronovo. Waite, Cain and Phillips had been in a popular British band called the Babys, while Schon, Castronovo and Cain were in Journey (Cain was in both groups). It was quite an assemblage of musical talent, and between them they wrote 11 of the 13 songs on their self-titled debut album. “When I See You Smile” wasn’t one of them.
The song was written by Diane Warren, who had a knack for supplying popular rock musicians with pop hits: she wrote “Nothing’s Gonna Stop Us Now” for Starship, “Who Will You Run To” for Heart, and “I Don’t Want To Miss a Thing” for Aerosmith. She had also written the song “Don’t Lose Any Sleep,” which appeared on Waite’s 1987 solo album Rover’s Return.
The band was signed to Epic Records, whose A&R man Don Grierson implored them to record a hit. They liked him, so when he suggested “When I See You Smile,” the band agreed to record it, since they knew it would supply Grierson with his hit.
This is by far the biggest hit for Bad English, but it’s not their only one. Their first single was “Forget Me Not,” which made #45 in the US. “When I See You Smile” was their next release, and “Price of Love” came next, charting at #5. They released one more album (Backlash, 1991) before terminating the project.
John Waite told Songfacts, “It was fun for a year. And then people reverted to type. I think the Journey guys wanted to be back in Journey and I wanted to be back solo. We had a very valiant attempt at making a (third) record, but we weren’t given enough time to write it. We tried, and we almost made it.”
It was (and still is) a great slow dance song!
When I See You Smile
So there you have it, a peak into some tunes that did not make my original list. If you’re an 80’s fan, we’ll visit the decade one more time next week before moving on to the 1990’s.
You may remember that last year we redid all the boards on our side porch. I never did get the chance to stain it because of the weather. It took me a week or two, but on days when I had time and the weather was right, I got out and did it.
Here you see the first coat and the original wood. The boards really soaked up the stain, so I put a second coat on and it looks great!
Now I have to get out and stain the columns. I have a white stain that should really make them look good.
This weekend, after a slight bout with vertigo, I was able to head to the Homecoming parade and football game. The kids love the parade (because they get candy!) It was a good parade with a lot of floats, kids from the schools, and of course, my favorite – the band.
This year, the weather was great, so they were actually playing songs. Last year, the band walked and did some chants or something.
The team looked great and would go on to have a homecoming win. This is Sam’s brother’s senior year, so it extra special to see them play.
When the halftime show happened, I was a little baffled. When I was in band, the halftime show consisted of four or five songs. The band played two songs and (as I have complained about before) there were times where the xylophones had the melody and no one in the stands could hear it. I will never understand why those things are on a marching band field. When the rest of the band played, they sounded good.
It was a bit bizarre, though, as their show was about outer space or the planets or something. On the field, they had these four big “planets” on some sort of “planet holder” on wheels. There were people whose job was to move these planets around on the field. It was … strange. It’s hard to tell in the picture, so I circled the planets for you. All in all, I wanted to hear more music.
I was thrilled to see many parents there with shirts that read “I’m with the band.” I had forgotten how many people in the stands just blow the band off. That makes me so mad. Those kids work hard to put on that show and you’ve got people standing in the bleachers, blocking the view of the field, or just talking loudly while you are trying to listen. Sigh. I wish more people had some respect for the band.
Now that I work Fridays, I rarely get to see events like this, unless it falls on Saturday, and so it all worked out this weekend.
I love time with the family!
Lots to tackle over the next few days – praying I have the strength.
Welcome back to The Music of My Life, where I feature ten songs from each year of my life. In most cases, the ten songs I choose will be ones I like personally (unless I explain otherwise). The songs will be selected from Billboard’s Year-end Hot 100 Chart, Acclaimed Music, and will all be released in the featured year.
Let’s jump right into 1982. We start with a song that was released in January of ’82 in the United States. Believe it or not, this song would go on to have a special meaning for me and many others from my high school. More on that in a minute.
The Go-Go’s were one of those bands who wrote most of their own songs. “We Got The Beat” was written by guitarist Charlotte Caffey, who drew inspiration from some Motown beats, specifically one that mentioned the name of her group. She explains, “I thought it would be very clever to do ‘Going to a Go Go’ (by the Miracles). I thought, Well, let’s try working this out as a cover song. Which is really funny when I think about it. I was listening to it a lot one day, and later that night, the song came to me within five minutes. I don’t even know if it has anything to do with listening to that song, but this whole idea came to me. It was one of those things that just went right through me and came out my hand; I wrote it down, recorded it a little bit, and then brought it into rehearsal a few days later.”
The Go-Go’s released an early version of “We Got The Beat” in the UK as their first single. It was issued on Stiff Records, which was home to The Specials and Madness, both groups The Go-Go’s toured with in England to promote it. Sadly, it flopped, but the group fared far better in America, where they were signed to IRS Records by Miles Copeland, who managed The Police. In the US, “Our Lips Are Sealed” was released as their first single in the summer of 1981, followed by a new version of “We Got The Beat” in January 1982. This release was The Go-Go’s biggest hit, spending three weeks at #2. (I’ll include both versions below)
Band Camp – Summer 1985. We Got the Beat was a favorite of my high school marching band. I have no idea how long they had been playing it prior to my first year, but it was always played at pep assemblies and when our team won. It was a staple in the marching band music folder. It was the one song that we could play and just have fun. We danced, we jumped, we acted the fool while playing it. It was a celebratory song.
Our band director would say, “Let’s do the little Italian number” during rehearsals. We all knew what he was talking about because he’d often call it, “We Gotta Da Beat.” I want to say our alumni band was around for at least 10 or 12 years after I graduated and they were still playing it. We always joined it because we all had it memorized. I haven’t played my trumpet in years, but I can assure you that if I were to pick it up today, I could still play this song!
We Got the Beat
Real life once again inspired another big hit. Songwriter Wayne Carson, who wrote The Box Tops’ 1967 #1 hit “The Letter,” came up with “Always On My Mind” when he was working at a recording studio in Memphis. He lived with his wife in Springfield, Missouri, and the trip to Memphis had gone 10 days longer than expected.
When he called the missus to tell her he would be there even longer, she let him have it. He tried to assuage her by telling her that was thinking about her all the time – she was “always on my mind.” “It just struck me like someone had hit me with a hammer,” he told the LA Times, “I told her real fast I had to hang up because I had to put that into a song.”
Willie had never heard the song before the song’s co-writer, Johnny Christopher, brought it to him and Merle Haggard, who were busy recording the album Pancho & Lefty (Christopher was playing guitar on the session). “‘Always On My Mind,’ bowled me over the moment I heard it, which is one of the ways I pick songs to record,” Nelson recalled in his 1988 autobiography, Willie. “There are beautifully sad songs that bowl me over… haunting melodies you can’t get out of your mind, with lines that really stick.”
Nelson figured he and Haggard would do the song together, but Haggard didn’t care for it. After they finished recording their album, Nelson stayed in the studio and recorded the ballad solo, just to see what it would sound like. Of course, it sounded like a hit, but Nelson wondered, “We’ll never know what would have happened if Merle had really heard the song right.”
You may remember that Willie Nelson played a big part in my childhood. His Stardust album was played all the time by my grandfather. My grandfather passed away in 1981. Any song by Willie reminded me of my grandpa. My mom really struggled with his passing and I remember being in the car with her when Always on My Mind came on the radio. She had to pull over because it really hit her hard.
It hit me the same way. I know that it is far fetched to believe that grandpa sent a message from beyond the grave, but it felt that way. From Stardust to Always on My Mind and every Willie album that followed, there always seemed to be one song that fit into something that was going on in my life. This one helped me cope with the first death I ever experienced, even though it was more of a love/apology song.
Always on My Mind
One of the things that I noticed as I scanned over the list of singles released in the early eighties was the prominent use of the synthesizer. Rock bands like ZZ Top, Van Halen, and Yes added synthesizers to their mix in the ’80s and scored huge hits by adapting what songfacts.com called “the sound of the decade.” The Steve Miller Band started out as a blues band in the ’60s, evolving into a rock outfit in the ’70s. They often sprinkled electronic effects into their songs, so the keyboards and synth stabs in this song weren’t out of character.
“Abracadabra” was the last US Top 40 hit for the Steve Miller Band, and their third #1. The song was written by Miller and the lyrics were inspired by Diana Ross and the Supremes, whom he had met while performing together on NBC’s Hullabaloo in 1966. “‘Abracadabra’ started off as a great piece of music with really atrocious lyrics,” Miller explained to The Dallas Morning News. “One day I was out skiing in Sun Valley and, lo and behold, who did I see on the mountain but Diana Ross. I skied down off the mountain to go have lunch. I started thinking about the Supremes and I wrote the lyrics to ‘Abracadabra’ in 15 minutes.”
Honestly, I’m really not sure how the Supremes led to the song, but I remember it being a song that really stood out to me on the radio. I rushed out to buy the 45 and it was always a song that wound up on my “driving music” tapes.
Abracadabra
1981 was the year that many were introduced to Men at Work. Their debut single, “Who Can It Be Now” shot straight to #1 on the charts. The group started as an acoustic duo with singer Colin Hay and guitarist Ron Strykert. After a few years playing pubs in Australia, they were discovered by an American who worked for CBS records and signed them.
Colin Hay wrote the song and explained how it came about:
“I was up in the bush in Southern New South Wales with my girlfriend, just sitting outside at night. We had this little tree hut in the middle of the bush. It was a great place to kill the time, mess around with ideas. It was just an idea that popped out, it took about half and hour to write that song. I was living in St. Kilda in Melbourne, which is a great part of Melbourne. At that particular time it was a very interesting area, it was frequented by everybody from the high Jewish population, punks, drug movers, all kinds of different people. It was about six or seven hours drive away, sitting in the middle of the bush in New South Wales and that song just popped out. My girlfriend at the time said, ‘that will be your first hit, that song,’ and she was right.”
Their Business as Usual album was one that I played often.
Fun Fact: The famous saxophone part originally didn’t come in until the middle of the song, which suited when the band played it in bars. When they recorded it, producer Peter McIan identified the sax as a hook and moved it to the beginning of the song, also making it more prominent throughout. This opening sax riff made the song instantly identifiable.
Who Can It Be Now
Juice Newton had a few big hits between Queen of Hearts and Love’s Been a Little Bit Hard On Me. The latter is one of those fun sounding songs, even though it is about the hardships of a relationship. The song was released exactly one week after my 12th birthday.
Juice reminds me of Carlene Carter who had some jumpy, fun songs like this one. Even though she channels Neil Sedaka and sings harmony with herself on the song, that’s one of the reasons I love it. It’s nothing fancy, but it is just good harmony and it blends so well.
One of the things I have enjoyed while picking songs for this year was seeing the videos that were made for certain songs. Wiki describes the music video for this one perfectly. It says that it comically plays off the emotional hurt of love by showing Juice Newton being physically injured by her lover in a series of accidents. The final shot is of Newton singing in the hospital in a full-body cast with her broken leg in the air. The video was awarded Video of the Year by the American Video Association in 1982.
Love’s Been a Little Bit Hard On Me
There is an outdoor amphitheater in the Detroit area that packs in some fantastic shows every summer. I cannot tell you how many shows I have seen at Pine Knob (For some time DTE Energy paid to have the name and even though shows were at “DTE Energy Music Theater,” everyone still called it Pine Knob!). I’ve seen rock shows, comedy shows, country shows, and more there.
For many years, Eddie Money was ALWAYS the guy who played the first show there. He kicked off the summer concert season annually and it became a tradition. One year, I had the opportunity to interview Eddie on the air. It was the easiest interview in the world! Why? You never had to ask questions after he got on the phone. “Hey, Eddie! How are you?” Then Eddie would roll – he’d promote the show, promote an album, share some funny story, talk about the venue, and more. The “Money Man” was great!
I dated in high school who loved Eddie Money’s Music. She had the No Control album on cassette and we’d listen to it in the car. Think I’m in Love was on that album and I remember the first time I saw the video on MTV. Again, these early videos are fun to watch. Eddie plays a sort of vampire character in it. It was a very popular video.
Think I’m In Love
Growing up I listened to Elvis, Bill Haley, Carl Perkins, Eddie Cochran and other artists who played some rockabilly music. So when I heard the Stray Cats in 1982, it was like hearing stuff I was already familiar with. The Built For Speed album was one I played over and over.
Brian Setzer was born in New York and was exposed to a lot of genres of music. He learned to play the guitar at a young age, and when he was a teen, he formed a trio he called the Tomcats, That group would later change their name to the Stray Cats. They were influenced by all those artists I just mentioned and their group developed a fairly large following in the underground punk scene of New York City during the late ’70s. Their fan base expanded so quickly that they found themselves being courted by no less than a half dozen record labels in 1980.
Brian Setzer opted to record and produce the Stray Cats’ debut album in the UK Rock This Town was released there over a year before it was released in the US. Rock This Town was a Top 10 hit for the band. It’s crazy to watch the video and see Brian. He looks like a baby in it. Hard to believe he was only 23 when this video was shot.
Rock This Town
My dad and my uncle used to play old blues music on records and on the guitar. At my graduation party, they played stuff from Jimmy Reed, Bo Diddley, and other blues legends. Because of that, I’ve always loved the blues. Because of that, I was naturally a fan of George Thorogood.
Bad to the Bone is based on the Bo Diddley blues song “I’m a Man.” Bo Diddley was one of George’s heroes. His “version” has a much heavier guitar sound, which replaces the harmonica in Diddley’s recording. Songfacts.com says that “both songs are full of swagger, with the singers exuding lots of testosterone.”
Songfacts.com goes on to say, “With MTV coming on the air in 1981, Thorogood picked a good time to release a memorable video. The clip shows Thorogood playing pool against Bo Diddley in a place where there is no chance of a dance sequence breaking out. Pool champion Willie Mosconi also appears in the clip, which introduced Thorogood – and to some extent, Diddley – to the younger MTV crowd. Among the British New Wave acts that dominated MTV’s playlist at the time, Thorogood certainly stood out, and he created an image of a bad man. While Thorogood is a disciple of the blues, he was raised in a Delaware suburb and by most accounts is actually a pretty nice guy, despite what he claims in this song.”
I love the fact that Diddley is in this video! The song is one that has a life of it’s own. It is used as intro music for wrestlers, it has been used during the removal of the bride’s garter at weddings, and has been used in both movies and television in seriousness and for comedic effect. It is a classic.
Bad to the Bone
I love a great intro. Sometimes a great guitar riff or a neat drum thing is all it takes to hook me. The intro to Everybody Wants You was one of those intros. It appeared as the opening track of his multi-Platinum 1982 album Emotions in Motion.
The song itself didn’t do that great on the Hot 100 chart, as it only went to number 32. However, it was around this time that one of the radio formats that was big was called AOR – Album Oriented Rock. It had great success on these and rock stations. It reached number one on Billboard’s Top Rock Tracks chart. Naturally, the video did well on MTV, too. It remained in heavy rotation for quite some time.
The minute I hear this one, I think back to those nights of shooting pool with my buddies. It was always on the jukebox.
Everybody Wants You
The next song is one that is still applicable today. Perhaps even more so. What exactly is “news” today? Turn on any local news channel or entertainment news show – it is chock full of stories like the ones referenced in Don Henley’s first Top 40 hit as a solo artist – Dirty Laundry.
Again, the intro of this really stood out for me. The lyrics take it to an entirely new level. They are so good and perhaps that is because Henley had plenty of real life to draw from. This song is about unscrupulous news people doing anything for a story. Henley values his privacy, and hates it when reporters pry into his personal life. He had to deal with increased press attention when his girlfriend at the time, Maren Jensen, came down with Epstein-Barr Syndrome. She recovered, but they broke up soon after.
Songfacts.com states: “Henley sings from the standpoint of a news anchorman who “could have been an actor, but I wound up here”. The song’s theme is that TV news coverage focuses too much on negative and sensationalist news; in particular, deaths, disasters, and scandals, with little regard to the consequences or for what is important (“We all know that crap is king”). The song was inspired by the intrusive press coverage surrounding the deaths of John Belushi and Natalie Wood. It was also inspired by Henley’s own arrest in 1980 when he was charged with contributing to the delinquency of a minor and possession of marijuana, cocaine, and Quaaludes after a 16-year-old girl overdosed at his Los Angeles home”
While Don’s version is the best, Lisa Marie Presley (who had to deal with a lot of press intrusions on her personal life) also does a really neat version of Dirty Laundry.
Dirty Laundry
There were plenty of great songs in 1982, I’m sorry if I missed one of your favorites. Next week, we’ll move ahead to 1983 where there will be a good mix of rock, country, pop, soul and a movie song that will forever be associated with summer vacations ….
The Fourth didn’t quite turn out the way we had planned, but it was fun just the same. Our original plans? Stay home and relax. The plans changed in the blink of an eye, of course.
My niece called and asked if she could spend the night on the 3rd. My father-in-law and mother-in-law decided to wait to go up north so they would miss the traffic and asked to come by on the fourth, which through the grapevine led almost everyone else coming over, too!
We took the kids and our niece to one of the local Fourth of July parades. It was hotter than we expected and forgot water, of course. Thankfully, the cloud cover cooled us every so often.
Before the parade, the kids saw these horses awaiting to line up. The officers were kind enough to let them pet the horses. When one neighed loudly, they were thrilled.
As a marching band geek, I am always looking for the band. As they approached, I heard them playing the Notre Dame fight song. I will forever associate that song with the movie Airplane!
When they were almost in front of us, I heard the drum major whistle for a “roll off” and the band played This is My Country. It was fun to hear that, as it was one we played in parades when I was in band.
The band wasn’t large by any means, but it sounded great. One thing I’ve noticed as of late is that more and more bands are marching in T-shirts instead of full uniform. We never had that luxury!
The parade features lots of tractors, a jeep club, the local VFW, Moose Lodge, political people, and my favorite entry…
The Rockin’ Marching Grannies! They followed a jeep, which had a small mobile DJ in the back. As the marched behind it, they did a marching dance routine to songs. When they walked by us, they DJ was playing Ice, Ice, Baby!
Oh yeah, then there was the guy in knee-high black socks….
Ella, loved when the Blueberry Queen drove by. “Daddy! I can’t believe I saw a real queen!!!”
Every Fourth of July, we’ve given the kids a flag and they walk around with them. I’ve been able to snap pictures of them in almost the same spot every year. It’s amazing to see how much they change in a year.
The one thing we didn’t get, which we have done every year is a family selfie. By the time we thought about it, family had already started arriving.
My in-laws brought hot dogs for the grill and we had dinner and conversation before the festivities began. We also had our first bonfire of the year.
Our backyard bumps up against where they do the fireworks every year, so it’s always great to pull up a chair and watch. They had plenty of new stuff this year. My phone didn’t catch many great pictures of them this year, but I did get a couple worth sharing.
After everyone left, Sam, the kids and I went inside and promptly fell asleep. It was a nice birthday celebration.
There is plenty to dislike about social media. I know many people who have deleted accounts because of things like political posts, advertisements, censorship of their posts and stuff like that. I, on the other hand, really enjoy social media.
One of the reasons I love it is that I get to share in the excitement of my friends as they post first/last day of school photos, birthday and anniversary posts, as well as achievement and event posts for their children. As another school year winds down, there have been plenty of senior pictures, photos of last concerts, last ball games, club banquets, and this week a whole lot of prom pictures.
I remember my prom night like it was yesterday, despite having very few pictures from the evening. It is not because I didn’t take any, we certainly did. We even had professional ones taken. The problem is that they … let me say “disappeared.” I have a feeling a certain someone from my past decided to MAKE them disappear. She never cared that I was still friends with my date’s family.
I was lucky enough to stumble on one prom picture among a pile of photos I have in a box. I have to chuckle a bit as I look at my younger self.
The gal standing next to me was my date – Karen. She was the same age as my younger brother (A freshman). I knew her older sister really well as she was a year younger than me. For some reason, in our marching band parade set up, they put her next to me. She played flute and I played trumpet. I never understood why, but I’m glad she was there.
Throughout the marching band season, we chatted a lot. We made each other laugh and I genuinely enjoyed being with her. I don’t recall when I decided to ask her to prom, but I did and she said yes. I remember her asking if I was serious about taking her. I assured her I was. I am sure that her folks must have had a lot of reservations about a senior taking their freshman daughter to the prom!
My buddy Joe and I got a limo for the night, but only for after the prom. If I remember right, my dad drove us all there. It was at this beautiful golf course. I’m sure we danced, but I think we walked around the grounds a bit, too. After the prom, we drove around until all hours of the night. We had nowhere to go, but we drove around Detroit, along the water on Jefferson Avenue, I think we went over the Ambassador Bridge, we just drove around.
When I look at the picture above, I laugh at the fact that I had to have tails, a top hat, gloves and a cane! Could I look any more ridiculous!? Karen’s mother made her dress and I remember having to know what color it was to make sure my tie and cummerbund matched it. I remember how stunning she looked and being so excited to be taking her to the prom.
She may never read this, but if she does, she can correct me if I am wrong, but I believe when we decided to go to the prom it was an agreement that we were going just as friends. I am sure that is what both of us had in mind. As we drove around in the limo and talked, I noticed that Joe and his date had both fallen asleep. I do not recall if I had held her hand prior to this or not. What I am sure about is that when I took her hand in mine she didn’t push it away, and we held hands for some time.
At some point, we sat close to each other and just kind of held each other. My 18 year old heart was probably beating through my chest. I was single at the time and I really truly enjoyed her company. She had become a wonderful friend and I liked being with her. I’d like to believe that the first kiss we shared was a magnetic sort of thing that we both eased into, but I’m sure I was the one who instigated it. It was a pretty amazing moment and I kept hoping that our limo-mates would not wake up, so we could keep kissing.
It is sad to say, but I don’t remember if the limo dropped us off at Joe’s house and I took her home or if the limo took her home. What I do remember is thinking about her all night and well into the next day. At some point we decided to date and we did for some time after that.
She will always be a special friend to me and her family is like family. I have fond memories of that day, the dance, our relationship, and her family. I was lucky enough to DJ some of their family events and even officiated her older sister’s wedding.
They say every decision you make leads to an outcome. This was sort of the plot of the book the Midnight Library by Matt Haig. As a senior, I remember not really wanting to go to prom. It was the most expensive dance after all. Then there was the cost of a tux and such. I was barely making any money at the time, so I really was set on not going. The more she and I talked and laughed, the more I thought about asking her to go. I almost didn’t ask. I’m glad I did, though.
It is no secret to anyone who follows my blog that I am a Band Nerd through and through! I have many wonderful memories of playing in band when I was in school. Many memories surround the high school Homecomings.
Homecoming was always on a Saturday. We’d start the day in the morning by marching in the parade. There would be an hour or so break between the end of the parade and the actual homecoming game. After the game, we’d all go home to shower and get ready for the dance that would take place that evening. It was an all day event.
Sam had mentioned earlier in the week that the homecoming parade for our local high school was tonight. We talked about taking the kids to watch it. The route is a short distance from our house, so we all dressed and loaded up the stroller and walked to get a good spot.
From where we stood, we could look down the street to see where the parade would be starting from. At 5pm on the dot, I could see the drum major leading the band out onto the main drag. Local police and fire trucks were usually at the head of our homecoming parades, but this one had the band front and center.
As the band approached, I awaited the “roll off” which would ultimately prompt the band to play the school song. The school song was always a song played on parade routes for us. There was usually one or two other songs we’d rotate through as we marched. If we were marching in a holiday parade, we might have a Christmas song in there.
The band kept coming closer and there was still no music. I figured they were waiting for a spot full of spectators before playing. Our drum majors often did this. If there was a stretch with just a few people, we marched without playing. However, if there was a big line of people along the route, you could rest assured we were playing.
Then I noticed why there was no music – the band members didn’t even have their instruments! The only ones who did were the drummers. I was floored (and disappointed) by this. It was a beautiful day – sunny and about 65 degrees at parade time – why were they not playing? I couldn’t even fathom this.
The band walked by and were all chanting or yelling something. It was probably “Go Mustangs” or “Hurray for Clio” or something like that. Why wouldn’t you want to belt out the school fight song along the route? I don’t get it. You are at the front of the parade – it’s your time to shine. You have that golden opportunity to set the stage for everything else that follows, and you just walk on by. Heck, they may as well have been throwing candy into the crowd like everyone else did in my opinion. They were no different than the boy scouts sitting on a flatbed …
When I think of a band in a parade, I think of brass players right out in front with their notes piercing through the air and letting everyone along the parade route know they are coming! They are belting out the school fight song that alumni along the road can sing along with and little kids can clap along with. Maybe it’s just a great march from John Phillip Sousa to fire up the crowd before they all file into the stands to watch the grid iron competition. The band is such an important part of a parade.
When they plan the Macy’s Thanksgiving Day Parade, they choose 10-12 high school or university bands from across the country to perform. That, in itself, tells you of the importance of the presence of a marching band in a parade. Last year in the Detroit Thanksgiving parade, there were 5 bands that performed. Even in the Mickey Mouse photo above, the characters are playing musical instruments. To me, this says that a band is vital to a good parade.
I remember vividly that our band director, Tom Shaner, would take us out at least once during homecoming week to march around the neighborhood in preparation for the parade. It was always neat to see people standing on their front porches to watch us go by. The kids who were too young to be in school would watch us and jump around and dance to the school song. Marching bands and music make people smile!
By definition, Homecoming is a long-standing American tradition where colleges and high schools would welcome alumni back to campus and the community. So when I graduated, we got some of the old band gang back together to march in the homecoming parade. Mr. Shaner was more than happy to have us back. A highlight of getting ready for the parade was meeting together a few weeks before hand to rehearse music. With all of us sitting around in the band room, it was like old times.
That first year we gathered up quite a group with good instrumentation and we marched. We used to joke that we’d need oxygen at the end of the parade! For many, we hadn’t picked up our horns in months or years! We always counted on the newly graduated to sort of carry the older folks.
A buddy’s brother designed our logo to put it on sweatshirts so we could all sort of be in uniform. What a blast we’d have getting together every year. Once Mr. Shaner retired, the interest to get together started to fade. I sure do miss playing my trumpet in those parades.
I’m not 100% sure why the local band didn’t play in the parade. Perhaps there is a specific reason. I don’t know. As a former band student, I was disappointed – not only for me, but for my kids (and all the kids on the parade route). I wanted them to hear the sounds of the band! I’m also disappointed for the band members. What is there to remember about your homecoming parade if you weren’t playing a special piece of music? Even if all you played was the school fight song 5-10 times along the route – play something! What kind of memory is just walking along? What is a marching band without music? I guess it’s just a bunch of people walking ….
It is time for another installment of my Friday Photo Flashback. This week – a picture I didn’t even know I had.
It certainly is not a great picture of me, but it does bring back memories. The background seems dark and things behind us are hard to make out, but the people in it stir up good memories.
From left to right front row: me, Karen, and Joe. Back row: Margaret and Steve
The photo was taken at my high school graduation party. I only know this because of the clothes we are wearing (thanks to other photos from the party). It is a snapshot of an ending and new beginning for us – the end of school and the start of “real life.”
1988. The people in the photo were my best friends. Jeff would also be included in that group, and there is another photo of all of us together somewhere. The only thing that would make this a perfect snapshot of my life at that time would be Jeff in it.
I spent so much time with all of these people in high school. We always seemed to be together. it wasn’t always all of us, but you could almost be that I’d be with at least one of them!
Steve and I were practically inseparable. We spent hours in the car driving and listening to tapes I had made to “cruise” with. I’ve always said we were like Jackie Gleason and Art Carney – Ralph and Norton. I think we drove each other nuts at times, but we truly were great friends … And still are. The day was bittersweet for us because I believe the day after this photo was taken, Steve left for basic training.
Joe and I hung out almost as much, but he was always the better student and actually did his homework. A lot of the time he’d be doing that so it was just Steve and I out causing trouble. There were many times, however, that we’d all hope in the car and drive around wasting gas. I think of the three of us as the Three Amigos, or maybe the Three Stooges is more accurate. We all played cards (Pinochle) together for hours on end. Now we try to find time between our work schedules to schedule a golf outing together…
Margaret and I were as close as Steve and me. I love that she has her arm around me in this picture. We never dated – even though our folks wanted us to – but it was almost like we did. We loved each other, but never in a romantic kind of way We went to movies, dances, and dinner together and our friendship continues to this day. She is Aunt Margaret to my kids and they love her just as much as I do.
Margaret and I used to talk for hours on the phone when were in school. We still do. Both of us have long drives to work and we often chat while driving. We still vent, laugh and cry with each other. Ours truly is an amazing friendship.
Karen and I had probably just started dating when this picture was taken. She was the same age as my brother and a Freshman when I was a Senior. For some reason, she stood next to me in parade formation in marching band. It was weird because I played trumpet and she was a flute player. Not sure why we were next to each other, but it led to our relationship.
I always tried to make her laugh when we were in marching band. I usually did. As prom approached, I kind of jokingly asked if she’d want to go. She surprised me and said yes. I remember Joe and I got a limo and I think we both had top hats. I think both Karen and Joe’s date wore blue dresses. All my prom pictures are gone now, so it is hard to remember. I do have vivid memories of that night, but that is really all.
We dated for about 5 years total with a short break in there somewhere. Karen was my first love. She wasn’t my first girlfriend, but my first serious one. We had a lot of wonderful memories. She’s married now and a wonderful mother. She works hard in the medical field and I still hear from her sisters and also am friends with some of her family on Facebook. I recently DJ’d her sister’s wedding and saw her briefly. I was glad to get to say hello.
I have some wonderful memories of that graduation party. My dad gathered up members of the wedding band he had played with and they all set up and played music at the party. My Uncle Tom played drums on some songs and did some singing of old blues tunes. My cousins also joined in and played drums and guitar. It was so cool. Steve, Joe, Jeff and I all got up and sang Weird Al’s parody of La Bamba (Lasagna) like a bunch of fools.
Of course, I think of the many folks who were there, who are no longer here. My mom, my grandparents, my great grandma, my great Aunt, Steve’s dad, Joe’s mom, and so many others. Thankfully they live on in photos and memories.
It seems to me as I look at this picture that we are posing for someone else’s photo. I wonder who might have been taking it. I would certainly love to see that one. Maybe I’m wrong, though. We all don’t seem to be looking the same way. Perhaps this is just an excellent candid picture. It’s a nice candid picture where I still have hair, big glasses, and am surrounded by some of the best people I’ve ever or will ever know.
Today is March 4th and it is Marching Music Day! According to the “National Day” calendar:
March forth to the rhythm of life on Marching Music Day every March 4th. Honor the dedicated musicians and performers of many diverse styles and backgrounds. Marching Music Day celebrates all varieties of art forms that bring us “music on the move.”
Drum Corps International founded Marching Music Day to celebrate marching music as an engaging and ever-expanding art form around the world. The day also celebrates Music In Our Schools Month. The observance chose March Fourth as a clever play on words.
For centuries, the beat of a drum has kept military units moving in unison. From the training field to the battlefield, the football stadium to the Broadway stage, marching music delights performers and spectators. They also perform in small gyms, auditoriums, and grand arenas. From small parades to impressive spectacles, fifers, pipers, buglers, drum corps, marching bands, parade groups, drill teams, and color guards bring music to life. They bring audiences to their feet while stirring a crowd to an enthusiastic roar.
Marching band was one of my favorite things about high school. Here is a link to one of my earlier blogs devoted to marching band.
I encourage you to share your memories of marching band or support your favorite “marchers” by using the hashtags #MarchForth and #MarchingMusicDay to show your support on social media.
If my memory serves me correct, our high school band played three concerts. The first was the Fall concert, usually in early November, which featured both Concert Band and Marching Band songs. The Spring Concert happened in mid-May, and usually featured some of the more “fun” songs. In between those, we had a holiday concert in December.
This concert featured both the Concert Band and the various choir groups. The band almost always opened the concert and would play every 5th or 6th song. I think the band may have played a total of 4 or 5 songs during the entire concert. My grandparents, who were at every band concert, disliked the Christmas concert. They didn’t like having to wait so long to hear the band play.
It wasn’t easy for us band kids to sit on the stage throughout the entire concert either. I want to say that the area of the stage that the band was on was darkened while the choirs sang. It didn’t stop some of the goofing off in the brass and percussion sections. I can recall the drummers dropping things more than one time while the choirs were singing. They would get the “evil eye” from our band director which basically said, “Cut it out!”
The concert always ended with Handel’s Hallelujah Chorus from Messiah. Our choir director would invite any alumni up to the stage to join in and sing. It was a perfect way to end the concert. The stage was already packed with the band and all the choir people, but we always made room for the various alumni singers.
The holiday concert my senior year was pretty special for me. I can’t recall if it was the entire trumpet section, but we all got to go up on the roof of the auditorium a half hour before the concert and play Christmas carols. They were arranged in 4 part harmony and it sounded so cool. I was lucky enough to direct the players. I can only imagine how cool it must have been for folks walking into the concert and hearing us from the roof.
As a kid, I stumbled on a Boston Pops Christmas album. It had many of the songs that would play over the PA system as you walked through K-Mart or Hudson’s during the holiday season. The first song on the album was an almost 9 minute medley of Christmas songs by Leroy Anderson called A Christmas Festival.
The song remains one of my favorites to this day. I used to grab a stick and crank this up in my headphones and “conduct” the orchestra in my room. For the holiday concert my senior year, we actually got to play it, which made it even cooler for me. I was so familiar with it already, but playing it was challenging. It was a tough piece. There were plenty of time signature changes and key changes, and some high notes. We also played the “band” version of it, which was a little different from the “orchestra” version. It was such a neat piece to play. One of the things I did after the concert was grab a copy of the conductor’s score so I could watch it as I listened to the record from home.
Give it a listen:
After we graduated, there were a few times that some of the alumni band got together to play Christmas carols in the lobby prior to the school’s holiday concert. I miss those days and miss playing my horn.
Various Ramblings of a Nostalgic Italian 