Movie Music Monday – For Your Eyes Only

On this day in 1981, the 12th James Bond film, For Your Eyes Only, had its premier in London. It once again starred Roger Moore as Agent 007.

The theme song for the film was written by Bill Conti, who will be forever remembered for writing the theme to the Rocky Movies. When he wrote it he had originally thought about Dusty Springfield of Donna Summer to sing it. He felt that they fit into the “style” of the Bond films. The studio suggested Sheena Easton, who had just had a huge hit with “Morning Train.” Bill listened to her album and was not impressed, so he met with her. After that meeting, he decided to work with her on the song.

Believe it or not, the band Blondie was originally approached to write a title song for the film. The producers of the film rejected their song in favor of Conti’s song. (Blondie’s recording of a completely different song, also called “For Your Eyes Only”, appeared on their 1982 album The Hunter). Conti’s lyricist, Mick Leeson, had originally used the line “for your eyes only” as the final line of the song. That didn’t match up with the film’s title reveal in the opening credits, so the two rewrote the song with the phrase as the first line of the song.

Sheena Easton is the only artist (to date) to be seen singing the theme song to a Bond movie during its opening title. Her seductive appearance in these clips was, according to the star, Roger Moore, “sexier than any of the Bond girls.” Sheena, however, says that the filming process was very unglamorous. Anyone who has seen the credits, would argue that she looks amazing in the film.

The song was released as a single in June 1981, just a couple weeks prior to the movie’s release and it became a world wide hit for Easton. She was only 22 years old when she released “For Your Eyes Only,” making her the youngest person ever to perform a Bond song. She held that record until 2020 when 18-year-old Billie Eilish recorded the theme tune for No Time to Die.

Here are those opening credits …

For Your Eyes Only

For your eyes only, can see me through the night
For your eyes only, I never need to hide
You can see so much in me
So much in me that’s new
I never felt, until I looked at you

[Chorus]
For your eyes only, only for you
You see what no one else can see
Now I’m breaking free
For your eyes only, only for you
The love I know you need in me
The fantasy you freed in me
Only for you, only for you

For your eyes only, the nights are never cold
You really know me, that’s all I need to know
Maybe I’m an open book
Because I know you’re mine
But you won’t need to read between the lines

[Chorus]
For your eyes only, only for you
You see what no one else can see
Now I’m breaking free
For your eyes only, only for you
The passions that collide in me
The wild abandoned side of me
Only for you, for your eyes only

Movie Music Monday – Who’s Got the Action

Friday (6/7) marked the 107th birthday of Dean Martin, my favorite singer.  He is known for his many hit records, his hit TV show, his celebrity roasts, his live performances, and his films.  For many of his movies, the title song for the film was sung by Dean.  Examples of this are Rio Bravo, Five Card Stud, and the featured song today – Who’s Got the Action?

The movie opened on Christmas Day in theaters.  It is a comedy based on the novel Four Horse Players Are Missing by Alexander Rose about a man with a gambling problem.

I remember really liking this movie when I saw it the first time.  I remember laughing a lot at some of the lines and the interactions between Dean and Eddie Albert.  Lana Turner is great in this movie and as the story rolls on, the silliness of it is like something out of an episode of I Love Lucy. 

Walter Matthau plays a mobster in it and watching him play a very stereotypical Italian mobster is comical to me.  He was great.

As far as the title song, I don’t know much about it.  It is perfect for the movie, though, as the lyrics compare women to racehorses.  Dean’s character loves playing the horses and the race/horse references are plenty.

The song swings!  The opening brass syncopation grabbed me the first time I heard it.  Today, I will share two versions of the song.  The original and the reimagined version that appeared on a Dean album of duets entitled Forever Cool.  The latter is done with Big Bad Voodoo Daddy.  The chart is basically the same, but “beefed up” and some harmonies added.  I love that cut.

Give it a listen and tell me what you think…

With Big Bad Voodoo Daddy:

Who’s Got The Action?

Gal is like a racehorse, I play her to win
But if I should lose her, another may come in
Love can be like heaven, love can be a joke
But it’s worth a gamble so, hey, I go for broke

Who’s got the action?
Who’ll take a chance on love?
Who’s got a kiss for me?
Give me one and you’ll get back three

Who’s got the action?
Just say it on the line
I’ll bet you ten to one
You’ll be mine

Now once I had a Philly, I ain’t seen her since
Some can’t go the distance, they’re only good in sprints
Sweethearts stay together, when it’s fair and warm
But comes stormy weather, they don’t run to form

Who’s got the action?
Who’ll take a chance on love?
Who’s got a kiss for me?
Give me one and you’ll get back three

Who’s got the action?
Just say it on the line
I’ll bet you ten to one
You’ll be mine

They put on a long shot, I play either way
All I need is a winner and this could be the day
When I win my parlay, I’ll be set for life
I’ll take all that money and go find me a wife

Who’s got the action?
Who’ll take a chance on love?
Who’s got a kiss for me?
Give me one and you’ll get back three

Who’s got the action?
Just say it on the line
I’ll bet you ten to one, I’ll bet you ten to one
I’ll bet you ten to one, you’ll be mine

Movie Music Monday – I’m Ready

For Movie Music Monday this week, I bring you a song from a movie that I have never seen. I want to say that I was exposed to the soundtrack while walking through a Barnes and Noble or FYE and it was playing over the speakers. I heard this neat cover of a Fats Domino song and asked where I could get it. The employee told me that it was on the soundtrack of Little Big League.

I guess the premise of the film is that a 12 year old boy inherits the Minnesota Twins Baseball team when his grandfather dies. He plays little league baseball and thinks the manager is too hard on the players. After some words are exchanged, the boy fires the manager and names himself as the manager. Ok, whatever….

The soundtrack is ok. It has a few Booker T and the MG’s songs on it, Dion and Jeff Beck covering The Ventures Walk, Don’t Run. It was Taj Mahal’s version of I’m Ready that blew me away. The way it sounded coming through the sound system – it was so good.

I’m Ready originally appeared on Taj Mahal’s 1993 Dancing the Blues album before making it’s way to the 1994 soundtrack for the movie. Fats Domino released the original version in 1959. His version is good, but Taj Mahal’s version kicks it up about 10 notches. It has such a fuller sound to it. The bass line is not played on a stand up bass and it really drives the whole song. The piano line is as solid as Fats’ line. Of course, I love the little background horn stabs and a great saxophone solo! It’s hard not to want to jump around and dance to this one.

Movie Music Monday – To Be Your Man

Admittedly, today I present a song that is probably unfamiliar to you. It is a truly amazing love song by Don Williams, who was born on this day in 1939.

In 1980, Burt Reynolds, Jerry Reed, Jackie Gleason and Sally Field teamed up together again for the less than stellar “Smokey and the Bandit II.” While it was not anywhere near as good as the original, it did have a few funny scenes and some classic country songs.

Don Williams earned the nickname “The Gentle Giant because of his smooth baritone/bass voice and his height. Over his career he had seventeen number one records. His hits include Tulsa Time, Lord, I Hope This Day is Good, I Believe In You, It Must Be Love, and Some Broken Hearts Never Mend.

Don played himself in Smokey and the Bandit II. In the story, Don is playing at a club nearby and Bandit and his friends go to hear him. As they walk in to the club, he is playing his hit Tulsa Time. From the stage he introduces the Bandit and dedicates To Be Your Man to Bandit and Frog (Sally Field). For years, I looked for the song on Don Williams collections, but I could only find it on the soundtrack for the movie. (That’s not necessarily a bad thing as there are great songs from Tanya Tucker, Roy Rogers, The Statler Brothers, Mel Tillis, and of course, Jerry Reed on the album as well.)

I guess what I love about this song is (1) Don’s vocal (2) the simple, yet powerful lyrics, and (3) the fact that I could have easily written these words to my wife.

To Be Your Man

Be my love, be my friend
Help me grow, help me bend
Understand, now and then
When I do wrong

It’s for you that I try
I will live ’til the day I die
Givin’ all, all that I can
To be your man

High on a hill, standin’ alone
I’ll tell the world everythin’ I’ve done
Raise my hand, testify
My love is real

When I laugh, when I cry
I would never, never lie
I’ll do all, all that I can
To be your man

So, be my love, be my friend
Help me grow, help me bend
Understand, now and then
When I do wrong

Well, it’s for you that I try
I will live ’til the day I die
Givin’ all, all that I can
To be your man

When we’re old, old and gray
And the children have moved away
And it’s time, our time again
For being alone

Then you’ll look, look and see
Love’s been good to you and me
Understand, it’s my plan
To be your man

So, won’t you be my love, be my friend
Help me grow, help me bend
Understand, now and then
When I do wrong

Well, it’s for you that I try
I will live ’til the day I die
Givin’ all, all that I can
To be your man

Movie Music Mondays – Mermaids

Today Cher celebrates birthday 78. If I were still on the radio, I’d follow that line with, “and her nose celebrates number 52!” Sorry.

Cher enjoyed musical success as a duo with with Sonny Bono, as a solo singer, a television star on The Sonny and Cher Comedy Hour, and as a movie actress in Silkwood, Mask, The Witches of Eastwick, Moonstruck (for which she won an Academy Award for Best Actress) and Mermaids. Mermaids was a 1990 comedy/drama which also starred Bob Hoskins, Winona Ryder and Christina Ricci in her film debut.

The film was set in the 1960’s and the soundtrack is full of some great songs from Frankie Valli and the Four Seasons, Lesley Gore, Smokey Robinson and the Miracles and, of course, Cher. Cher covered Barbara Lewis’ 1965 hit “Baby I’m Yours” and Betty Everett’s 1964 hit The Shoop Shoop Song (It’s in His Kiss). Shoop Shoop was released as a single in November of 1990 and only went to number 33 on the Billboard Hot 100 chart. That is actually surprising to me, because it still plays in a pretty heavy rotation on the Adult Contemporary stations.

Happy Birthday, Cher!

The Shoop Shoop Song (It’s in His Kiss)

Does he love me? I wanna know
How can I tell if he loves me so?

Oh no, you’ll be deceived
(Is it in his eyes?)
Oh no, he’ll make believe

If you wanna know (shoop, shoop, shoop, shoop)
If he loves you so (shoop, shoop, shoop, shoop)
It’s in his kiss (that’s where it is, oh yeah)

Oh no, it’s just his charms
(In his warm embrace?)
Oh no, that’s just his arms

If you wanna know (shoop, shoop, shoop, shoop)
If he loves you so (shoop, shoop, shoop, shoop)
It’s in his kiss (that’s where it is)
Oh, oh, it’s in his kiss (that’s where it is)

Oh, oh, oh, kiss him (hold him)
And squeeze him tight
And find out what you wanna know
If it’s love, if it really is
It’s there in his kiss

Oh no, that’s not the way
And you’re not listenin’ to all I say

If you wanna know (shoop, shoop, shoop, shoop)
If he loves you so (shoop, shoop, shoop, shoop)
It’s in his kiss (that’s where it is)
Oh, yeah, it’s in his kiss (that’s where it is)

Oh, oh, oh, kiss him (hold him)
And squeeze him tight
And find out what you wanna know
If it’s love, if it really is
It’s there in his kiss

Oh no, that’s not the way
And you’re not listenin’ to all I say

If you wanna know (shoop, shoop, shoop, shoop)
If he loves you so (shoop, shoop, shoop, shoop)
It’s in his kiss (that’s where it is, oh yeah)
Oh, yeah, it’s in his kiss (that’s where it is, oh yeah)
Oh, it’s in his kiss (that’s where it is)

Movie Music Mondays – Come On Let’s Go

Richard Steven Valenzuela would have been 83 years old today, had he not become part of the story entitled, “The Day the Music Died.” We, of course, know him by his stage name – Richie Valens.

UNSPECIFIED – JANUARY 01: Photo of Ritchie Valens (Photo by Michael Ochs Archives/Getty Images)

In May of 1958, Bob Keane of Del-Fi Records was told about a high school singer who students called “The Little Richard of San Fernando.” This peaked his interest and he went to see him perform. Keane invited Richard to his home to audition for him. After that first audition, Keane signed him to Del-Fi on May 14, 1958. At this point, the musician took the name “Ritchie” because, as Keane said, “There were a bunch of ‘Richards’ around at that time, and I wanted it to be different.” Similarly, he recommended shortening his surname to “Valens” from Valenzuela to widen his appeal beyond any obvious ethnic group.

The first song that Ritchie recorded at a session shortly after being signed was Come On, Let’s Go. Our song for today. But I am getting ahead of myself.

Ritchie’s story was told in the 1987 biographical film, La Bamba, which starred Lou Diamond Phillips as Valens. Marshall Crenshaw played Buddy Holly, Stephen Lee was the Big Bopper, and Brian Setzer makes a cameo as Eddie Cochran. Some of Ritchie Valens’ family even had roles in the film.

The film was well received and Roger Ebert said that he liked the film and the screenplay and writing: “This is a good small movie, sweet and sentimental, about a kid who never really got a chance to show his stuff. The best things in it are the most unexpected things: the portraits of everyday life, of a loving mother, of a brother who loves and resents him, of a kid growing up and tasting fame and leaving everyone standing around at his funeral shocked that his life ended just as it seemed to be beginning.”

The soundtrack consists of many Ritchie covers done by Los Lobos as well as well as Howard Huntsberry (who played Jackie Wilson in the film), Bo Diddly and Brian Setzer. A second soundtrack was released 1988 with more music from the movie.

Los Lobos did a fantastic job capturing Ritchie Valens’ essence and his songs are fairly true to the originals. While La Bamba will forever be the song Richie is remembered for, Come On, Let’s Go was always my favorite. So for Movie Music Monday, let’s here Los Lobos’ version.

Valens’ story (like that of Buddy Holly and other singers who died young) leaves us wondering “What if ….?” His was a talent taken much too soon.

Movie Music Monday – I’m A Man of Constant Sorrow

Actor George Clooney turns 63 today. While he is known for some TV work (ER, The Facts of Life, Roseanne, and Downton Abbey), he has also made quite a name for himself in the movies. His films include Hail Caesar, Catch 22, Leatherheads, The Thin Red Line, The Fantastic Mr. Fox, The Monuments Men, The Perfect Storm and Ocean’s Eleven (and the sequels).

For Movie Music Monday, I chose a cut from his film O Brother, Where Art Thou? The film is set in 1937 in Mississippi and Clooney plays one of three convicts who escape from a chain gang and are looking for treasure. They are naturally pursued by law enforcement and are on the run.

In their travels, they come across a young man who says he has “sold his soul to the devil” so that he could play guitar. The four men (who need some money) stop at a radio station and record a song as “The Soggy Bottom Boys.” Little do they know, the record becomes a HUGE hit. The song – I’m a Man of Constant Sorrow.

Origins of the song vary but it seems that it was first published in 1913 and it was called “The Farewell Song.” It is credited to writer Dick Burnett, however, even he wasn’t sure he did. In an 1973 interview he was asked:

“What about this “Farewell Song” – ‘I am a man of constant sorrow’ – did you write it?” To which he replied, “No, I think I got the ballad from somebody – I dunno. It may be my song …”

The Stanley Brothers recorded it in 1950, and Ralph Stanley said this about the song’s origin: “Man of Constant Sorrow” is probably two or three hundred years old. But the first time I heard it when I was y’know, like a small boy, my daddy – my father – he had some of the words to it, and I heard him sing it, and we – my brother and me – we put a few more words to it, and brought it back in existence. I guess if it hadn’t been for that it’d have been gone forever. I’m proud to be the one that brought that song back, because I think it’s wonderful.

In 2001, radio stations began to get requests for the bluegrass song and it didn’t take long for the Mercury Nashville label to send it out as a single. Stations were divided on whether to play the song because of its “old” sound. I was on a country station at the time and I remember when we added it to the playlist. Did it stick out when it played? It sure did. Did we get countless requests for it? We sure did? It was an unexpected hit.

Of course, some folks really believed that George Clooney sang the lead on the song, which is just not true. The lead vocals were sung by Dan Tyminski, who was actually a member of Union Station (Alison Krauss’s band).

The song received a CMA Award for “Single of the Year” in 2001 and even won a Grammy for “Best Country Collaboration with Vocals” in 2002. The song was also named Song of the Year by the International Bluegrass Music Association in 2001. It peaked at No. 35 on Billboard’s Hot Country Songs chart.

Man of Constant Sorrow

I am a man of constant sorrow
I’ve seen trouble all my days
I bid farewell to old Kentucky
The place where I was borned and raised
(The place where he was borned and raised)

For six long years I’ve been in trouble
No pleasure here on earth I find
For in this world I’m bound to ramble
I have no friends to help me now
(He has no friends to help him now)

It’s fare thee well my own true lover
I never expect to see you again
For I’m bound to ride that northern railroad
Perhaps I’ll die upon this train
(Perhaps he’ll die upon this train)

You can bury me in some deep valley
For many years where I may lay
Then you may learn to love another
While I am sleeping in my grave
(While he is sleeping in his grave)

Maybe your friends think I’m just a stranger
My face you’ll never will see no more
But there is one promise that is given
I’ll meet you on God’s golden shore
(He’ll meet you on God’s golden shore)

Movie Music Monday – Viva Las Vegas

Today we go back to 1964 for what many consider to be one of Elvis Presley’s best films – Viva Las Vegas. Why? Because his co-star in the movie, the beautiful Ann Margaret celebrated her 83rd birthday yesterday.

The chemistry between Elvis and Ann Margaret that you see on screen is real. They began an affair that got a lot of press by gossip columnists and the movie industry. This led to a showdown between Ann and Pricilla Beaulieu, Elvis’ girlfriend. Years later, in her autobiography, Ann called Elvis her “soulmate.”

15 songs were recorded for the soundtrack of the film, but only 11 were used. A full LP soundtrack was never released. Instead, to coincide with the film’s release, RCA chose four songs for a Viva Las Vegas EP.

The song Viva Las Vegas was released as a single in 1964 with What’d I Say as the B-side. This actually hurt the record’s chart performance. The title song was written by Doc Primus and Mort Shuman. The song went to #29 on the Billboard Hot 100 pop singles chart (What’d I Say did slightly better by going to #21). It has been covered by a few different artists (I love the ZZ Top version), but Elvis’ version remains my favorite.

Dim the lights and cue the theme song ….

Earth Day Kicks Off a New Feature

Happy Earth Day! 

In a past blog I mentioned that I had a few ideas for new features – most are music oriented.  I haven’t decided whether to do some weekly or biweekly, so I’m playing it by ear.

Today is the first installment of Movie Monday Music.  As a fan of movie soundtracks, I thought it might be neat to feature from them. This will allow me to feature some hits and some odd cuts, too.

For Earth Day, I wanted to pick a song from a movie featuring Earth or World in the title.  One movie jumped right out at me –  1992’s Wayne’s World.

The soundtrack album topped the Billboard  Top 200 album chart and for a good reason – it had some great music on it.  There were songs from Jimi Hendrix, Alice Cooper, Eric Clapton, Tia Carrere and, of course, Queen.

I suppose I could feature Bohemian Rhapsody, but that would be too easy.  Instead, I chose a song that I’ve always liked – Dream Weaver by Gary Wright.

The song was recorded and released in 1975. With the exception of the percussion, all the instrumentation was done on a synthesizer. It went to number one in Canada, but topped out at number 2 in the US.

Another movie connection for the song: Wes Craven once said the song was the inspiration for his film Nightmare on Elm Street.