Movie Music Monday – Batman

It was on this day in 1989 that Michael Keaton hit the big screen as Batman. Jack Nicholson was chosen to play the Joker.

Growing up, my only knowledge of Batman was from cartoons and the 1966 series. When the previews came out for this, I was very apprehensive. It was darker than any previous incarnation of the character I had seen.

I remember being one of the “hold outs” who didn’t really want to see the movie. My girlfriend at the time wanted to see it, so I eventually caved (pun intended) and went to see it

I truly loved the movie. Keaton was actually pretty good as the title character. Nicholson was, of course, fantastic as the Joker. He kind of stole the show, as they say.

The opening theme from Danny Elfman perfectly fits the movie. His music throughout the film seemed to enhance the scenes they accompanied. Then there was the “other” soundtrack.

From Songfacts.com:

Because of the abundance of music available for the movie (Danny Elfman of Oingo Boingo created the instrumental score), there were two soundtrack albums: Elfman’s and Prince’s. Everything that Prince composed for the movie, whether it was used in the film or not, went onto his album, including “Batdance.”

Director Tim Burton asked Prince to contribute songs for his Batman movie (at the time, he was using “1999” and “Baby I’m a Star” on a temporary soundtrack). Prince accepted while watching a rough cut of the movie and noticed four places in the film that would be “natural” locations for his songs.

Prince canceled a scheduled Paris vacation to write and produce songs for the movie. A month after the meeting with Burton, he played the director eight songs, all of them synchronized to the film. Burton rejected some of them (including “Rave the Joy Fantastic,” and “200 Balloons”), but liked most of what he heard and asked for two additional songs. “Trust” and “Partyman” were quickly offered by the Purple One. In the end, six Prince songs were used in the film.

“Batdance” was not used in the movie, and Prince never offered it up. Comprised of bits Prince pieced together overnight from music, sounds and dialogue from the movie, it served as a companion piece for the film and was essentially promotional vehicle for Batman.

Batdance was Prince’s first #1 hit since “Kiss” in early 1986. It seemed to be on every radio station around this time and did help boost the popularity of the movie. Personally, it didn’t do much for me.

Elfman’s theme, however, was a cut that I just loved! That entire build up until the opening chord (:40 seconds in) builds so much suspense. When that chord ceases and the theme continues it foreshadows the action that the film will present. It’s so good.

Happy 36th Anniversary, Batman!

Movie Music Monday – Grease

47 years ago today, Grease opened in theaters starring John Travolta and Olivia Newton-John. In its opening weekend, the film grossed $8,941,717 in 862 theaters in the United States and Canada, ranking at number 2 (behind Jaws 2).

The soundtrack album for Grease featured some original songs (Grease, Summer Nights, You’re the One That I Want) and covers mostly sung by Sha-Na-Na (Blue Moon, Hound Dog, Tears on My Pillow). It wound up being the second best selling album of the year. The soundtrack that was number one was from Saturday Night Fever, which also starred Travolta.

Fun fact: Two of the bass players who recorded on the Grease soundtrack were members of the band Toto.

Olivia Newton-John’s contract for Grease stipulated that she should have a solo spot. However, nobody had any ideas for a song for her character, Sandy, until Olivia’s producer John Farrar came up with “Hopelessly Devoted To You” halfway through the shoot. Director Randal Kleiser wasn’t wholly convinced by the song at first and had to come up with an entirely new scene to fit it in. It was eventually filmed and recorded after the movie had wrapped and it earned the film’s only Oscar nomination, for Best Music – Original Song.

John Travolta evoked this song when he introduced the In Memoriam segment at the Oscars in 2023, seven months after Olivia Newton-John died of cancer at 73. “In this industry we have the rare luxury of getting to do what we love for a living, and sometimes getting to do it with people we come to love,” a tearful Travolta said. “They’ve touched our hearts, they’ve made us smile, and became dear friends that we will always remain hopelessly devoted to.”

Movie Music Monday – Back to the Future

Michael J. Fox celebrates his 61st birthday today. He started acting as a child in the 70’s, but his role as Alex Keaton on Family Ties in the 80’s made him a star.

The role of Marty McFly in Back to the Future was first given to actor Eric Stoltz. His performance didn’t fit what they were looking for and he was replaced by Michael J. Fox.

Fox was the original choice to play Marty. Producers gave the script to the producer of Family Ties and asked him to give the script to Fox. They didn’t. After shooting scenes with Stoltz and deciding he was wrong for the part, they approached the Family Ties producer again. This time he told Fox that he was wanted for a role. They also told him he could take it as long as filming didn’t interfere with his work on Family Ties. Fox accepted the role without even reading the script.

Michael would film Family Ties during the day and Back to the Future at night until production ended on Family Ties. This left him exhausted, but according to him “Worth it.”

Huey Lewis was approached to write a song for the movie. He contributed Back In Time and The Power of Love.

My favorite cut on the soundtrack is the version of Johnny B. Goode that Marty sings at the dance in the film. Producers wanted audiences to think that it was Michael singing the song, so they never gave credit to Mark Campbell who is really singing.

Fox was taught how to look like he was playing guitar, as well as mimicking the moves of Jimi Hendrix, Pete Townshend, and Chuck Berry. Berry originally wrote and had a hit with Johnny B. Goode. He waited until the day before filming to give them permission to use the song in the film.

In the movie, Marty kind of goes crazy at the end of the song, leaving the audience and band members wondering just what he was doing. On the soundtrack, we hear a version with bits of the guitar solo from the film, but not the craziness Marty does in the film.

Happy Birthday, Michael J Fox!

Movie Music Monday – The Sting

American composer and conductor Marvin Hamlish was born on this day in 1944. He is one of a handful of people to win the “EGOT” (Emmy, Grammy, Oscar, and Tony awards).

Marvin’s first film score was in 1968 for The Swimmer. He also wrote the score for The Way We Were, the theme music to Good Morning America, and the score of the Broadway Musical A Chorus Line. He was also conductor for symphony orchestras in San Diego, Buffalo, Dallas and Pittsburgh. It is obvious to say that he was musically busy.

He may be best known for adapting the music of Scott Joplin for the movie The Sting in 1973.

The Entertainer is a rag that was composed by Scott Joplin, the first classically trained black composer to become a household name in America. The piece was copyrighted December 29, 1902; copies were received by the Copyright Office, January 8, 1903.

Joplin died in April 1917; although his place in the history of contemporary music was already secured, he predicted that he would not receive the recognition he deserved until 25 years after his death. He had no Idea that his music would go on to chart success over 50 years later!

Marvin Hamlisch on adapting Joplin’s tunes for The Sting:

“From the beginning, [director] George Roy Hill’s idea had always been to use the ragtime music of Scott Joplin. I was well aware that there were other musicians who knew the music of Scott Joplin far more intimately than I, men who had popularized Joplin’s famous piano ‘rags.’ But I knew how to write for film, marrying music to the length of each scene, and I could also play the piano ‘rags’ – those Juilliard piano lessons were about to pay off.

The real fun came for me when we started recording the soundtrack. We didn’t have a full-size orchestra, as with The Way We Were, but we had eight or nine great musicians, with yours truly at the keyboard. We spent hours making ragtime; the piano player in me had found a long-lost brother in Scott Joplin.”

Hamlisch’s rendition peaked at #3 on the Hot 100 in May 1974. It hit #1 on the Adult Contemporary charts.

Happy Birthday, Marvin Hamlish!

Movie Music Monday – Pete Kelly’s Blues

Today marks the 105th birthday of legendary singer Peggy Lee. She was discovered singing in a noisy club in Palm Springs. That noisy club played an important role in her sultry singing style. She said,

I knew I couldn’t sing over them, so I decided to sing under them. The more noise they made, the more softly I sang. When they discovered they couldn’t hear me, they began to look at me. Then, they began to listen. As I sang, I kept thinking, ‘softly with feeling’. The noise dropped to a hum; the hum gave way to silence. I had learned how to reach and hold my audience—softly, with feeling.

In 1941, she would go on to be the singer in Benny Goodman’s orchestra. She enjoyed a seven decade career which included songwriting and singing. She recorded over 1100 songs and of those co-wrote 270 of them.

Her record label kept her very busy, but she did find time to do some acting. In 1955 she did some voice work for Disney’s The Lady and the Tramp and starred with Jack Webb in Pete Kelly’s Blues. She played an alcoholic blues singer in the film and her performance earned her a nomination for the Academy Award for Best Supporting Actress.

Peggy sang 9 songs in the film. One of which was Sugar.

Fun Fact: Peggy Lee was used as inspiration for the Miss Piggy character in 1974. Originally called Miss Piggy Lee, her name was shortened to Miss Piggy when the Muppets gained fame.

As a bonus, for Peggy’s birthday, I want to include one of my favorite Peggy Lee songs. I mentioned earlier her sultry voice. I can think of no better song to demonstrate her sexiness and sultriness than Big Spender.

In the song she has her eyes on a guy with a big money roll. He caught her eye as soon as he arrived and she wants him to spend some time with her. The arrangement of the song makes you picture her walking slowly and deliberately over to him. You can picture her staring him in the eyes and shifting her hips from side to side as she moves closer.

When I was in Jazz Band in high school we played this song. I remember the director asking us to picture a beautiful woman walking towards us slyly as we played. As silly as that sounds, it made the saxes play the melody with a bit more feeling, it made us trumpets really hit to “stab” notes, and the trombones really made their glissandos loud and sloppy.

Happy Birthday, Peggy Lee!

Movie Music Monday – Shrek 2

Celebrating its 21st anniversary today is Shrek 2, which debuted in theaters May 19, 2004. It brought back our favorite characters from the first film and introduced us to some new ones.

The soundtrack included some great songs. Accidentally in Love by Counting Crows was written especially for the film. It also included Changes by David Bowie, Funky Town by Lipps Inc, and Holding Out for a Hero by Frou Frou. One of my favorites on the soundtrack is a cover of an old Buzzcocks tune.

Ever Fallen in Love (With Someone You Shouldn’t’ve)? dates all the way back to 1977. Band member and songwriter, Pete Shelley, explained that the song was inspired by a line of movie dialogue. “We were on a roll. It was only six months since we’d finished the first album. Up in Manchester this was what we used to dream of… a whirlwind of tours, interviews, TV. We were living the life. One night in Edinburgh we were in a guest house TV lounge watching the musical Guys and Dolls. This line leaped out – ‘Have you ever fallen in love with someone you shouldn’t have?’ The next day the van stopped outside a post office and I wrote the lyrics there. I did have a certain person in mind, but I’ll save that for my kiss’n’tell. The music just seemed to follow, fully formed.”

A few folks have covered the song including the Fine Young Cannibals in 1986. For Shrek 2, it was Peter Yorn who did it.

Yorn has been recognized as one of his generation’s best songwriters. He is also a singer and musician. One of the things he is known for is playing the majority of instruments on all of his songs.

Fun Fact: Peter Yorn has collaborated twice with actress/singer Scarlett Johansson: first in 2009’s Break Up and again with 2018’s Apart.

In the film, Shrek, Donkey and Puss in Boots are in the Fairy Godmother’s lab trying to find a specific potion. Puss in Boots finds it, but has issues getting it out of the case. This leads to a mess and the Godmother’s security system going off. As the trio tries to escape, an abbreviated version of Yorn’s song plays.

Here is the full tune.

It definitely get’s your toes tapping ….

Movie Music Monday – Pulp Fiction

It was on this day in 1994 that Pulp Fiction premiered at the Cannes Film Festival.

Today’s song is one that you will recognize immediately if you have seen the movie, but you probably had no idea what it was called. The song is Miserlou from Dick Dale and His Del-Tones.

No one knows who the original author of the song is, but it was around as early as the 1920’s. It was during that time that the song was popular with Greek, Arabic, and Jewish musicians. The earliest recording of the song was back in 1927. The song was often a choice for belly dancers to dance to.

Dick Dale recorded the song back in 1962. It was sort of popular around that time as part of the “Surf Rock” craze. It wasn’t until 1994 that the song gained wide spread recognition after it was featured in Pulp Fiction.

The song has been covered by trumpeter Harry James, pianist Vince Guaraldi (of Charlie Brown fame), and even the Beach Boys. Dick Dale covered himself when he rerecorded the song with a faster tempo in 1975.

In honor of Pulp Fiction’s premier 31 years ago – lets go surfin’ with Dick and the Del-Tones

Movie Music Monday – Skyfall

The last James Bond movie I saw starred Timothy Dalton. I think it was The Living Daylights, I might be wrong. I’ve honestly never seen a Bond film with Daniel Craig as 007. That being said, the music today comes from his movie Skyfall. The reason? Adele was born on this day in 1988.

Bond films are known for their amazing title songs. Live and Let Die from McCartney, Goldfinger from Shirley Bassey, and A View To a Kill from Duran Duran for example. So how did Adele get involved in the title song? Thanks to songfacts.com – here’s what happened.

Director Sam Mendes told Yahoo that at first, Adele wasn’t quite sure how to go about composing the movie theme. He explained: “She came in very early before we started shooting and her main concern was, ‘I write songs about myself, how can I make a ‘Bond’ song?’ My answer was, ‘Just write a personal song!'”

Adele teamed up with Paul Epworth to pen the sultry ballad. Said the singer: “I was a little hesitant at first to be involved with the theme song for Skyfall. There’s a lot of instant spotlight and pressure when it comes to a Bond song. But I fell in love with the script and Paul had some great ideas for the track and it ended up being a bit of a no-brainer to do it in the end. When we recorded the strings it was one of the proudest moments of my life.“

Paul Epworth said that finding the right sound for “Skyfall” was a particular challenge. “[The producers] said they wanted a dramatic ballad basically,” he explained. “With having read the script and trying to set the whole thing up in that context, where it happens in the film, there was really only one thing it could be. It was interesting to want to do something that was simultaneously dark and final, like a funeral, and to try and turn it into something that was not final. A sense of death and rebirth.”

After writing the piece of music that Epworth believed could be the tune for the Bond theme, the producer thought, “This could be the song.” Epworth told Hollywood.com that he then rang up Adele, “and said, ‘It might be too dark.’ And she said she loved it.” The pair immediately went into the studio and within 10 minutes she’d put down the first draft of the verse and chorus. “She had the lyrics ready in her head when she drove over. It was the most absurd thing. She’s fast, but it was really quite phenomenal,” he said.

Daniel Craig admitted to Yahoo that he found himself coming over a bit emotional when the song was first played to him: “I cried. From the opening bars I knew immediately, then the voice kicked in and it was exactly what I’d wanted from the beginning. It just got better and better because it fitted the movie. In fact the more of the movie we made, the more it fitted it.”

It was a top ten song in the US and it won Best Original Song at the 85th Academy Awards. It was the first Bond theme to win an Oscar.

Happy 37th birthday to Adele!

Movie Music Monday – FM

It was on this day in 1978 that “FM” premiered in theaters. As a former radio DJ, I knew it was just a matter of time before this movie would pop up in this feature. I’m surprised that it hasn’t come up already, as it has one of the best movie soundtracks!

The film starred Michael Brandon, Eileen Brennan, Alex Karras, Cleavon Little, Martin Mull, Linda Ronstadt, Jimmy Buffett, and REO Speedwagon (just to name a few). Despite what they say, this film was not the inspiration for WKRP in Cincinnati (which was in the works at the same time).

Honestly, it’s really not that great of a movie. It’s billed as a comedy, but it’s not something you’ll be belly laughing at. It also has some serious moments that are a bit forced. Then there is the lackluster “feelgood” ending that feels more fake than good. Thank goodness for the amazing soundtrack!

The soundtrack is like a snapshot of 1978 rock radio and is loaded with hits. It is so difficult to choose just one song to play here, as there are so many to choose from. Bob Seger, Steve Miller Band, Tom Petty, Foreigner, The Eagles, Boz Scaggs, Linda Ronstadt, Jimmy Buffett, Billy Joel, Joe Walsh, and even Queen! I decided to choose a band that I haven’t featured on the blog before – Steely Dan.

I suppose that it makes sense to pick the movie’s title song, FM (No Static At All). Walter Becker and Donald Fagen wrote this song specifically for the film. Fagen told American Songwriter magazine: “There was a film called FM and we were asked to do the title song,” he said. “And I said, ‘Does it have to have any specific words?’ And they said, ‘No, it just has to be about FM radio.’ We wrote that very quickly, I remember, in one or two days. And we also recorded it very quickly, too. Johnny Mandel came in and did the string chart. It was fun to meet Johnny Mandel.”

The song sold a ton of records and was actually much more popular than the movie. Fagen felt the song could have been a bigger hit if the movie had been more successful. “The song was a hit, but I think we should have seen the movie before we committed ourselves,” he said in 2007. “As you know, it wasn’t a very successful movie.”

As a piece of music, it has a lot going on. Look it up on Wikipedia and the description sounds like a music theory class! You have an overture to start, arpeggios, tonal chords, thirds and fifths, a string section, major chords and minor chords, and all kinds of key changes. It’s actually cool to hear in headphones.

When the movie came out, FM radio listening was on the rise. As the song says, it had less static than AM radio. What made FM radio stations popular was their ability to take chances by playing lesser known bands and album cuts. Listeners couldn’t get enough of it.

Movie Music Monday – Coal Miner’s Daughter

Loretta Lynn was born on this day in 1932. She really was born a coal miner’s daughter and the song is autobiographical. It reflects on the hardships her family faced growing up in rural Kentucky, where there was little money but a lot of love.

She called her autobiography “Coal Miner’s Daughter” and that was adapted into the movie of the same name in 1980. Sissy Spacek was cast as Lynn. Originally, she was supposed to lip synch with the songs for the film. However, it is Spacek who does all the singing in the movie. As a matter of fact, her version of the title song went to #23 on the country charts.

According to songfacts.com, the song had an extra four verses to it. Her producer, Owen Bradley, told her to remove them because the song was too long. “He said, ‘There’s already been one ‘El Paso,” and there’s never going to be another one,’ referring to the 4 minute song by Marty Robbins. Lynn said, “So I fiddled around and fiddled around, and finally I got four verses that I took off of ‘Coal Miner’s Daughter.’ I wished I hadn’t, but I did.”

Loretta had been releasing music since 1960. She released almost 20 albums before she released Coal Miner’s Daughter. The song was different for her because had gained popularity with tough-talking, assertive country classics like “Don’t Come Home A’ Drinkin (With Lovin’ on Your Mind)” and “You Ain’t Woman Enough (To Take My Man)”

She continued to make music through 2021. She passed away October 4, 2022.

Happy Heavenly Birthday to Miss Loretta!

Here is Sissy’s version from the film