Movie Music Mondays – Come On Let’s Go

Richard Steven Valenzuela would have been 83 years old today, had he not become part of the story entitled, “The Day the Music Died.” We, of course, know him by his stage name – Richie Valens.

UNSPECIFIED – JANUARY 01: Photo of Ritchie Valens (Photo by Michael Ochs Archives/Getty Images)

In May of 1958, Bob Keane of Del-Fi Records was told about a high school singer who students called “The Little Richard of San Fernando.” This peaked his interest and he went to see him perform. Keane invited Richard to his home to audition for him. After that first audition, Keane signed him to Del-Fi on May 14, 1958. At this point, the musician took the name “Ritchie” because, as Keane said, “There were a bunch of ‘Richards’ around at that time, and I wanted it to be different.” Similarly, he recommended shortening his surname to “Valens” from Valenzuela to widen his appeal beyond any obvious ethnic group.

The first song that Ritchie recorded at a session shortly after being signed was Come On, Let’s Go. Our song for today. But I am getting ahead of myself.

Ritchie’s story was told in the 1987 biographical film, La Bamba, which starred Lou Diamond Phillips as Valens. Marshall Crenshaw played Buddy Holly, Stephen Lee was the Big Bopper, and Brian Setzer makes a cameo as Eddie Cochran. Some of Ritchie Valens’ family even had roles in the film.

The film was well received and Roger Ebert said that he liked the film and the screenplay and writing: “This is a good small movie, sweet and sentimental, about a kid who never really got a chance to show his stuff. The best things in it are the most unexpected things: the portraits of everyday life, of a loving mother, of a brother who loves and resents him, of a kid growing up and tasting fame and leaving everyone standing around at his funeral shocked that his life ended just as it seemed to be beginning.”

The soundtrack consists of many Ritchie covers done by Los Lobos as well as well as Howard Huntsberry (who played Jackie Wilson in the film), Bo Diddly and Brian Setzer. A second soundtrack was released 1988 with more music from the movie.

Los Lobos did a fantastic job capturing Ritchie Valens’ essence and his songs are fairly true to the originals. While La Bamba will forever be the song Richie is remembered for, Come On, Let’s Go was always my favorite. So for Movie Music Monday, let’s here Los Lobos’ version.

Valens’ story (like that of Buddy Holly and other singers who died young) leaves us wondering “What if ….?” His was a talent taken much too soon.

Movie Music Monday – I’m A Man of Constant Sorrow

Actor George Clooney turns 63 today. While he is known for some TV work (ER, The Facts of Life, Roseanne, and Downton Abbey), he has also made quite a name for himself in the movies. His films include Hail Caesar, Catch 22, Leatherheads, The Thin Red Line, The Fantastic Mr. Fox, The Monuments Men, The Perfect Storm and Ocean’s Eleven (and the sequels).

For Movie Music Monday, I chose a cut from his film O Brother, Where Art Thou? The film is set in 1937 in Mississippi and Clooney plays one of three convicts who escape from a chain gang and are looking for treasure. They are naturally pursued by law enforcement and are on the run.

In their travels, they come across a young man who says he has “sold his soul to the devil” so that he could play guitar. The four men (who need some money) stop at a radio station and record a song as “The Soggy Bottom Boys.” Little do they know, the record becomes a HUGE hit. The song – I’m a Man of Constant Sorrow.

Origins of the song vary but it seems that it was first published in 1913 and it was called “The Farewell Song.” It is credited to writer Dick Burnett, however, even he wasn’t sure he did. In an 1973 interview he was asked:

“What about this “Farewell Song” – ‘I am a man of constant sorrow’ – did you write it?” To which he replied, “No, I think I got the ballad from somebody – I dunno. It may be my song …”

The Stanley Brothers recorded it in 1950, and Ralph Stanley said this about the song’s origin: “Man of Constant Sorrow” is probably two or three hundred years old. But the first time I heard it when I was y’know, like a small boy, my daddy – my father – he had some of the words to it, and I heard him sing it, and we – my brother and me – we put a few more words to it, and brought it back in existence. I guess if it hadn’t been for that it’d have been gone forever. I’m proud to be the one that brought that song back, because I think it’s wonderful.

In 2001, radio stations began to get requests for the bluegrass song and it didn’t take long for the Mercury Nashville label to send it out as a single. Stations were divided on whether to play the song because of its “old” sound. I was on a country station at the time and I remember when we added it to the playlist. Did it stick out when it played? It sure did. Did we get countless requests for it? We sure did? It was an unexpected hit.

Of course, some folks really believed that George Clooney sang the lead on the song, which is just not true. The lead vocals were sung by Dan Tyminski, who was actually a member of Union Station (Alison Krauss’s band).

The song received a CMA Award for “Single of the Year” in 2001 and even won a Grammy for “Best Country Collaboration with Vocals” in 2002. The song was also named Song of the Year by the International Bluegrass Music Association in 2001. It peaked at No. 35 on Billboard’s Hot Country Songs chart.

Man of Constant Sorrow

I am a man of constant sorrow
I’ve seen trouble all my days
I bid farewell to old Kentucky
The place where I was borned and raised
(The place where he was borned and raised)

For six long years I’ve been in trouble
No pleasure here on earth I find
For in this world I’m bound to ramble
I have no friends to help me now
(He has no friends to help him now)

It’s fare thee well my own true lover
I never expect to see you again
For I’m bound to ride that northern railroad
Perhaps I’ll die upon this train
(Perhaps he’ll die upon this train)

You can bury me in some deep valley
For many years where I may lay
Then you may learn to love another
While I am sleeping in my grave
(While he is sleeping in his grave)

Maybe your friends think I’m just a stranger
My face you’ll never will see no more
But there is one promise that is given
I’ll meet you on God’s golden shore
(He’ll meet you on God’s golden shore)

Movie Music Monday – Viva Las Vegas

Today we go back to 1964 for what many consider to be one of Elvis Presley’s best films – Viva Las Vegas. Why? Because his co-star in the movie, the beautiful Ann Margaret celebrated her 83rd birthday yesterday.

The chemistry between Elvis and Ann Margaret that you see on screen is real. They began an affair that got a lot of press by gossip columnists and the movie industry. This led to a showdown between Ann and Pricilla Beaulieu, Elvis’ girlfriend. Years later, in her autobiography, Ann called Elvis her “soulmate.”

15 songs were recorded for the soundtrack of the film, but only 11 were used. A full LP soundtrack was never released. Instead, to coincide with the film’s release, RCA chose four songs for a Viva Las Vegas EP.

The song Viva Las Vegas was released as a single in 1964 with What’d I Say as the B-side. This actually hurt the record’s chart performance. The title song was written by Doc Primus and Mort Shuman. The song went to #29 on the Billboard Hot 100 pop singles chart (What’d I Say did slightly better by going to #21). It has been covered by a few different artists (I love the ZZ Top version), but Elvis’ version remains my favorite.

Dim the lights and cue the theme song ….

Earth Day Kicks Off a New Feature

Happy Earth Day! 

In a past blog I mentioned that I had a few ideas for new features – most are music oriented.  I haven’t decided whether to do some weekly or biweekly, so I’m playing it by ear.

Today is the first installment of Movie Monday Music.  As a fan of movie soundtracks, I thought it might be neat to feature from them. This will allow me to feature some hits and some odd cuts, too.

For Earth Day, I wanted to pick a song from a movie featuring Earth or World in the title.  One movie jumped right out at me –  1992’s Wayne’s World.

The soundtrack album topped the Billboard  Top 200 album chart and for a good reason – it had some great music on it.  There were songs from Jimi Hendrix, Alice Cooper, Eric Clapton, Tia Carrere and, of course, Queen.

I suppose I could feature Bohemian Rhapsody, but that would be too easy.  Instead, I chose a song that I’ve always liked – Dream Weaver by Gary Wright.

The song was recorded and released in 1975. With the exception of the percussion, all the instrumentation was done on a synthesizer. It went to number one in Canada, but topped out at number 2 in the US.

Another movie connection for the song: Wes Craven once said the song was the inspiration for his film Nightmare on Elm Street.