Happy 79th Birthday, Pop!

If you have read my blogs in the past, you know that it consists of a mixture of pop culture things (like movie, TV and music thoughts) and personal things (radio stories, school memories, and things from my childhood).  As I thought about today’s blog topic, I realized that without this man in my life – this blog would probably not exist!  I guess I didn’t really realize it until now. As I scrolled back over the blogs of the past, I see just how much influence he has had in almost ALL of them!  I am talking, of course, about my dad.  Today – is his 79th birthday.  So here are some birthday thoughts for dad.

In the past I wrote a blog about his musical influence.  My musical taste is very broad, because I was introduced to so many different genres by him.  He introduced me to rock and roll with the music of Little Richard, Bobby Darin, Roy Orbison and Elvis.  He introduced me to the “Great American Songbook” with music from Frank Sinatra, Dean Martin, and Bing Crosby.  He introduced me to Jazz with Louis Prima, and Ella Fitzgerald.  He played me music from Johnny Paycheck, Willie Nelson and Merle Haggard to introduce me to country music.  The list goes on and on … but what about other influences?

Movies

I could spend an entire week writing about the various movies he introduced to me!  As far as the classic films, most of those were introduced to me because he saw that they were playing on the Monday Night Movie on regular TV or something.  You have to remember VCR’s and DVD players were not a staple in the home yet.  You also have to remember that I grew up at the time where “pay TV” was just being incarnated.  One of the first pay services was “ON TV”.  It came on channel 20 at like 8 or 9 at night.  They put an antenna on your roof and it unscrambled the signal so you could watch movies.  I remember one time I wanted to record Smokey & the Bandit – but as I said, VCR’s were not for home use yet.  The last showing of it on ON TV was at 1am one Friday night.  My dad actually stayed up with a cassette recorder in front of the TV and recorded the audio for me.  What makes this even better is there were scenes that were so funny to him, you could hear him laughing in the background as the movie played.

With Cable TV came The Movie Channel and HBO.  As more and more channels became available, American Movie Classics, Turner Classic Movies, and others were the way to watch them. So he’d tell me “You gotta watch AMC at 3 today – they’re playing ‘Angels With Dirty Faces’!”  Growing up, I remember hearing my dad talking with my grandparents, my Uncle Tom, or his friends about actors and actresses and the movies they were in.  “Great Movie!” or “What a great flick!” I’d hear him say.  Well, if he thought it was great – I wanted to see it!  Movies I remember watching – only because I had heard him talk about them included The Godfather, White Heat,  Little Caesar, Key Largo, Patton, Midway, The Maltese Falcon, and Night of the Hunter.  Many of these were films that I’d walk in to the living room and dad would be watching and he’d tell me about them and catch me up so I could watch it with him. I was introduced to Humphrey Bogart, Edward G. Robinson, The Marx Brothers, The Three Stooges, Abbott and Costello, Alfred Hitchcock, Robert Mitchum, Burt Reynolds, and SO many actors just be casually walking into a room where he was watching TV!

The Godfather Part 1 & 2 and Patton are probably some of my favorite films.  I remember watching Godfather the first time trying to keep all the names straight.  Don Barzinni, Don Stracci, Luca Brazi, Sonny, Fredo, and Tom Hagen were all characters that I had to remember (amongst many more).  Dad was there to explain so many things to me as I watched this film the first few times through.  I have found myself doing the same thing when I sit and watch it with someone who has never seen it.  (On a side note, for one class I had to read books and write book reports for it.  I remember dad wrote a book report for me on The Godfather! He got an A!)

TV

Look through my DVD collection and amongst the movies are entire series of classic TV shows.  This, again, is a direct result from my dad’s influence.  I remember watching re-runs of The Honeymooners on channel 50.  I remember when dad told me that Ralph Kramden and Sheriff Buford T. Justice from Smokey and the Bandit were the same person!  I don’t know if I would have known that as a 7 year old!  I remember staying home sick and watching re-runs of the Dick Van Dyke Show on channel 9 out of Canada.  I knew about Carl Reiner because he was one of many cameos in the movie It’s a Mad, Mad, Mad, Mad World (which should have been mentioned in the movie section of this blog).  The other stars of “Mad World” were also known to me because of my dad:  I knew Mickey Rooney from a flick called Quicksand he rented.  I knew Milton Berle from The Dean Martin Roasts and other TV appearances. I knew Jonathan Winters from a classic Twilight Zone episode (Loved watching TZ with him).  Among the other “classic” TV shows he introduced me to:  The Untouchables, F-Troop, The Munsters, Car 54, Where Are You?, McHale’s Navy, Perry Mason, Combat, Star Trek, Hogan’s Heroes, Mission: Impossible, and Get Smart.

With the availability of video rentals, I remember dad bringing home TV shows that were not shown on TV anymore or shown late at night.  You couldn’t really watch The Little Rascals, Laurel and Hardy, or The Three Stooges on TV unless you stayed up late for comedy classics – which usually was on at 11pm or midnight.  With the VCR, though, we could go to the store and rent them!  I had listened to Jack Benny and Amos and Andy on cassette tapes of old radio shows (again, thanks to dad), but now I was able to see these TV shows – and they were amazing! I used to love watching these shows with him.  One thing I always love seeing is my dad laughing and these shows (and a couple I will mention in a minute) always made him laugh – I mean big belly laughs!

I guess you could say that I grew up at a time where some of  the “current” shows are now considered classics.  Those shows, my brother and I watched on a weekly basis and watched in re-runs.  These shows included The Love Boat, Mork & Mindy, Happy Days, Lavern and Shirley, The Dukes of Hazzard, Emergency!, Welcome Back, Kotter, All In the Family, The Jeffersons, The Carol Burnett Show, Barney Miller, Fantasy Island, and Charlie’s Angels.  Some of those dad introduced me to, while others he really couldn’t stand.

Sanford and Soupy

The one show that I will forever associate with my dad is Sanford and Son.  These shows, no matter how many times we see them remain funny.  I can be on the phone with my dad and say, “So last night I watched “the piano movers” and we will both start laughing!  Years later, we can quote this show to each other and still crack each other up.  Why do we and can we bond over this show? Perhaps it’s the fact that the show is about a father and son and their relationship.  I remember how I thought it was odd that Lamont always called Fred, “Pop”.  I never used to call my dad that, although somewhere over the years, dad has become “Pop” to me.  I call him that all the time now.  As a matter of fact, he still often calls me “Lamont”!  It is not used flippantly, I use it as a genuine term of endearment!  He’s my Pop – and I use it with much love and affection!

Another show that dad introduced me to was The New Soupy Sales Show.  He grew up watching Soupy at lunch time.  My grandmother often told stories of how Soupy would say “Tomorrow, we’re having bologna sandwiches for lunch” and if dad didn’t have them, he was pissed!  Soupy’s new show on channel 20 was pretty much just like the old show.  It was full of puns, bad jokes, clips of old movies, funny horoscopes on the radio, the Words of Wisdom, and his friends White Fang, Black Tooth, Pookie and Hippy.  It may have been on right after school and before dad came home from work, because I don’t recall him watching it too much with me, however, when it became available on video – we talked about it just like we talk about Sanford and Son.

Traits of a Good Dad

When I became a father, I remember reading something about what makes a good dad.  Let me say here that none of us is perfect.  My dad was not perfect and neither am I.  My point is that when you look at these things, we can assess things we are doing well, things we can improve, and things that we will start doing.  As I think back on those things – I can see where I strive to achieve those things and, at the same time, can see a lot of those things in my own father.

For example, a father must be a good disciplinarian.  All dad’s love their children, but you know and I know that you can’t let them get away with everything.  Dad was this way.  The old story about mom saying “Wait till your father get’s home” and the child being scared to death?  Yep!  That was me!  You didn’t want to make dad mad!  I would say I made him mad more than a few times.

One time in particular I remember telling him I was spending the night at a friends house.  I was out with my girlfriend at the time.  We were still in high school, and it was a weekend.  We had no money, so we weren’t going to a hotel or anything like that.  We just planned on staying out all night.  I don’t remember how he found out, but  I remember getting a page (remember pagers?!) from the friend who I said I was staying with and he asked why my dad thought I was there!  I think my girlfriend’s mom had called my house or something.  At any rate – I was in BIG trouble! Dad’s punishment was a fair one (even though I didn’t think so at the time).  He proved a point and I NEVER did that again.  He let me know that he was in charge.  Another time, I got in trouble at school for something.  We had a meeting with the teacher and he said what he would go on to tell every teacher afterward in parent teacher conferences, “If he gets out of line again, you have my permission to smack his ass!” (Yes, this was back before a teacher giving the kid a paddle was considered wrong).

A good dad allows his kids to make mistakes. Dad watched me make a TON of them, but he knew that if I was going to learn, I needed to make those mistakes.  He’d never let me make a mistake that was life threatening or would put me in danger, but he’d let me make mistakes that he knew, when all was said and done – I’d mature and learn from it.  While there were things he questioned, he never really interfered.  I learned a lot from that – even though there were times I wish he HAD said something!

A good dad has an open mind.  Times change.  The way that things were done when he was growing up, well, they may be handled differently now (the paddling in school is a good example).  He respected that and embraced it to a degree.  As someone who loved all kinds of music, I will never forget the time he called me into the living room to play me this “cool song” he heard and liked.  It was “Groove is in the Heart” by Deee-lite.  The song was not like anything he’s ever played for me, but he liked it and played it at DJ jobs!  He embraces change!

A good dad teaches his kids to appreciate things.  Those things can be anything.  My dad certainly taught me how to appreciate family and friends.  He taught me how to appreciate good music, movies and TV.  He taught me how to appreciate what you have and the importance of living within your means.

A good dad accepts that his kids aren’t exactly like him. This may or may not have been a lesson he learned from my grandpa.  My dad had always been very accepting of my brother and I.  While we all have a lot of similarities, we are all SO very different.  He respects that our religious and political views may not be the same as his.

A good dad spends quality time with his children. This is one of those things that is difficult to do in today’s society.  We spend so much time working and trying to get things done, that we often spend the hours we are not at work doing these things.  As a divorced father with limited time with my boys, I really try hard to make the time we spend quality time, even if it is just a car ride.  Some of my favorite memories with my dad are just him and I throwing the ball around in the front yard.  That meant more to me than he will ever know!

A good dad leads by example.  Dad was never really the “Do as I say, not as I do” kind of guy.  He was a hard worker and knew the importance of providing for our family.  I never once thought of growing up and not having a job.  Dad wasn’t always perfect in this area, but because of that, I was also able to take some of the things that I didn’t like him doing (like smoking) and not doing them.

A good dad is supportive and loyal.  I am sure that in my 30 year radio career, my dad probably thought “he needs to get out of that business and find something more stable”.  If he thought it – he never once told me that!  He was nothing but supportive!  If I ever came to him with something that he questioned, he might ask a question or two regarding the opposite viewpoint, but that was it.  He might ask “are you sure you want to do this” or “have you thought about what might happen if…”, and then he let me decide.  Whatever the decision, he supported it.  I have a great respect for that.

A good dad is someone who challenges his kids. I’m sure that there were many ways that dad challenged me.  I know there were times I wanted to quit something and he gave me the pep talk to keep going.  I cannot recall specific incidents, but I know they were there.

A good dad is a teacher.  While dad taught me how to throw a “submarine” ball and how to swing a golf club, he also taught me some valuable lessons.  One of the things I have hoped to do is to write down some of those lessons and pass them down to my own children.  To illustrate my point: there is a cartoon I saw once of two guys standing in front of three piles of stuff in a garage.  The one guy asked what they were.  The second guy says, “This stuff is the stuff my dad gave me.” He points to the first pile and says “This is the stuff I want to keep.”  He points to the second pile and says, “This is the stuff my dad gave me that I want to share with my kids.” He points to the third pile and says, “This is my stuff that I don’t need and will throw away.”  That’s the way it is – as a father, you take things that you learned from your dad and keep the stuff you want to share, throw out what you don’t, and then add stuff of your own.

A good dad protects and provides for his family.  When times were tough and money was tight, my dad would DJ or play in the wedding band to bring in extra money.  I remember as a young boy my dad going back to college to get a degree so he could move up in his place of employment.  It took me over 20 years, but I also decided to go back to school to better provide for my family.  I know that my dad would do anything for us, and I would do the same for my family.

Finally, a good dad shows unconditional love.  I read where this is the greatest quality of a good father.  Even though his child may let him down, upset him, make him mad, disrespect him, and disappoint him … the love remains constant.  Not to get theological, but it is one of the great principles spoken of about God in the Bible.  It says that no matter how much a child of God angers Him, ignores Him, or disappoints Him – His love is never ending and ever present.  THAT is the kind of love a father has for his children.

I am lucky that I have never had to question whether or not my dad loves me.  He has done so much for me during my lifetime and continues to do so.  I can only hope that he knows how much he is appreciated.  I can only hope he knows how thankful I am that he was chosen to be my father.  I can only hope that he knows of the impact that he has made on me.  I hope that he will never have to question how much I love him.

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Thanks, Pop, for being such an amazing man!  Thanks for being a wonderful example to me.  Thanks for everything you have done to support, encourage, accept, and love my family.  Today, I wish you a very happy birthday and wish you many more in the future!  I love you, Pop.

“Lamont”

The Music of My Life – 2000

Welcome back to The Music of My Life, where I feature ten songs from each year of my life.  In most cases, the ten songs I choose will be ones I like personally (unless I explain otherwise). The songs will be selected from Billboard’s Year-end Hot 100 Chart, Acclaimed Music, and will all be released in the featured year.

In 2000, I turned 30. It was one of those big milestone birthdays that people joke about. “You start to fall apart at 30,” I was told. I was lucky. Right around my 30th birthday I achieved my 30 pound weight loss. I was on my way to better health and actually felt good. I was married, had a steady full time job, was doing radio part time, and still DJing on the side.

It has been interesting to look back year by year to see the changes in music. It’s funny to see how certain things come and go. For example, “Boy Bands.” When the New Kids on the Block faded away in the early 90’s, many folks thought the boy bands were done. However, in 1999, two new boy bands brought the genre back into the spotlight.

When the Backstreet Boys stormed on the scene in 1999, they helped pave the way for ‘N Sync. ‘N Sync’s No Strings Attached album would go on to be the best selling album of the 2000’s according to Billboard magazine. Bye Bye Bye was one of the songs from it that helped the sales of the album.

The song is on my list because it was one of my “go to” songs at parties. It never failed to get all of the younger females out on the dance floor. It always made me laugh because when it started to play, you’d hear a bunch of high pitched screams. I liked it to the girls you’d see watching the Beatles or Elvis!

Bye Bye Bye

Next, it’s a one hit wonder that really stuck out on the radio. The group Nine Days took Absolutely (The Story of a Girl) to the top ten on the charts, but wound up being a “one and done” group.

The song was written by lead singer Josh Hampson. The song is actually an autobiographical song about him and his wife. In an interview with Impose magazine, he says, “I exaggerated things and used tons of figurative language to express something, but it’s about me, and it’s about my wife – who was then my girlfriend – and her wanting to get engaged. I just wasn’t ready. I was basically stalling her and making her cry. I was good at that.”

Their first album didn’t produce any further hits. They recorded a second album, but their label dropped them and said that the album would not be released. They said that there were “no hits” on it.

John left the music business and became a teacher.

When a song opens cold (with no musical intro), that first line really has to grab you. The first time I heard this on the radio, it grabbed me. I thought, “Okay, tell me more about the girl who cried a river and tried to drown the whole world…”

Absolutely (The Story of a Girl)

We’ve seen throughout this series how tough times can often lead to amazing songs. That is the case for the country cross-over hit, I Hope You Dance.

The was written by Tia Sillers and Mark Sanders. Sillers told Songwriter Universe magazine:

“For ‘I Hope You Dance,’ I had written the opening line, ‘I hope you never lose your sense of wonder.’ I had just broken up with someone, going through a brutal divorce. I needed to get away, so I went to a beach on the Florida Gulf Coast. Sitting on the beach and reflecting about the breakup, I felt so small and inconsequential. But out of this difficult time came the inspiration to write ‘I Hope You Dance.’ As I was leaving the beach, I remember thinking that things weren’t really so bad, that I would get through it. That’s when I came up with the line, ‘I hope you still feel small when you stand beside the ocean.'”

In a Song facts interview, Bill Withers talked about this song. He stated that this is a song that says something that everyone can understand and remember: “There are lines that are so profound… ‘And when the time comes for you to sit it out or dance, I hope you dance.’ Come on man, you can’t say that any better.”

This was a song that became big for Daddy/Daughter and Mother/Son dances at weddings. It wasn’t odd for it to be the bridal dance either. I think Lee Ann Womack’s voice is perfect for this song and I was thrilled to see it get pop airplay.

It really is one of those songs that is a “wisdom song.” It could easily be something someone would tell a loved one if they knew it was the last time they’d see each other in my opinion. It’s just a really great song.

I Hope You Dance

it would be two years before my first child would be born. I won’t lie, the thought of being a dad scared me. The next song is one that was still being played on the radio when my son was born. It struck a chord and I know now, why.

According to Song facts, Creed’s lead singer, Scott Stapp was due to be a father. Once he found out that he was going to have a son, Stapp wrote this song because he didn’t want his child facing the same problems he faced while growing up. He was from a very strict, very devout Christian household and he didn’t want his son to grow up questioning himself and his faith like Scott did. Stapp told us: “Don’t we always want our kids to be better than us? Don’t we always want them to have a better experience in this life and this journey than we did? So I think that from my point of view I’m beginning to see why that song struck a chord with multiple generations: because it touches on a feeling and sentiments that are universal for fathers, and for parents in general.”

Scott says that he still connects with the song when he performs it. He says he remembers the fear of being a father, but also knows with time, the fear has gone and he loves being a dad.

The song would be Creed’s only #1 on the Pop chart.

With Arms Wide Open

Next is a song that I hated to include. I never really cared for the song, but it was a part of my life. Heck, it was a part of everyone’s life. It seemed like you couldn’t go anywhere without hear it or a reference to it. It may surprise you to know that despite this, it barely did anything on the charts.

Songfacts says, “Considering what a sensation this song was in America, it had a surprisingly low chart position, peaking at just #40. While the song seemed to be everywhere, its omnipresence was due more to cultural references than to record sales or airplay. Few radio stations put the song in rotation, and in this pre-download era, consumers had little interest in owning the single.”

So just how did it get so popular??

Songfacts answers that, too. “Knowing most radio stations would have no interest in this song, it was marketed through sports, with the single sent to various baseball, basketball, football, hockey and soccer teams in hopes that they would play it at games.

Most of the music played during sporting events is during lulls in the action – after a foul ball in a baseball game or when a football team is in the huddle – which is only room for about 12 seconds of a song. Songs with quick, high energy, easily understood hooks work well, and “Who Let The Dogs Out” fit the bill for these jock jams.”

Who Let The Dogs Out?

I was working in Country Radio when Tim McGraw released “My Next Thirty Years.” Talk about a song that hit home at the time. I think when you hit any milestone birthday you think about the past and the future. The lyrics conveyed things that I was feeling at the same time.

The song mentions focusing on “where I go from here,” and forgetting about “the crazy things I’ve done.” He says he is going to “cry less” and “laugh more!” He’s going to “eat more salads” and watch his weight. Then he says he’ll try “not to stay up too late.” Can you relate? I know at the time I did.

Actually, I found myself pondering those exact same things when I hit forty and fifty. You look back and hope that you’ve learned from your past experiences. You look forward with a plan to make what lies ahead the best yet. I know so many people who connected with this song. Rightfully so, it went to number one for Tim McGraw.

My Next 30 Years

How can a song that starts with the lines, “Hey, Mr. DJ, put a record on! I wanna dance with my baby!” not make my list? Music from Madonna was a song that a lot of people asked for when I was DJing. It was almost like the song was doing the talking for the crowd.

Madonna has always been a complex sort of person. This album brought back the “fun” Madonna, if you will. She told Billboard magazine, “Everything in life moves in cycles… there’s a period where you’re quiet, and there’s a period where you explode. In the time leading up to Ray of Light, I was in a quiet space – making lots of discoveries and going through lots of changes. It was an introspective, questioning time. Then, almost without warning, I felt like I needed to explode. I didn’t feel the need to be so introspective. I felt like dancing. And that’s reflected in these songs.”

When Madonna shot the video for this song, she was expecting her son. She hides it by wearing a lot of coats and such. There is one section of the video that was difficult for her to shoot due to her pregnancy, so it was animated.

Music

My next song was one that I heard first from my ex-wife. She had Beth Hart’s CD and listened to it often. I was very familiar with LA song and my pick, Delicious Surprise because of her. When I heard it on the radio, it struck me a bit differently. I can’t explain why. Maybe it was because it was just her singing (and not my ex joining in).

We all like to dream. Many of us dream big. “What if I won the lottery?” “What if I was the President?” “What if I was a movie star?” Those are questions pondered by the singer in this song. Then she offers up the advice to “see and believe” those dreams.

Jo Dee Messina did a country version of the song in 2005.

Shortly after the song was released, Beth was dropped from her record label. While it was never given as a reason, many believe it was because of her drug addiction. She battled this and bi-polar disorder for some time yet continued to make music. Today, she has been long sober and lives in California.

Her last album was a Led Zeppelin tribute album in 2022.

Delicious Surprise

The world can always use a bit more gratitude. Don’t we spend the first few years of their lives teaching our children to say “please” and “thank you?” Sadly, we don’t say it enough.

I love Dido’s song, Thank You. I love the simplicity and complexity of it. The song features all of the troubles and and stress of life in general. It also features how that all goes away when that special someone is there.

According to Songfacts:

Dido wrote “Thank You” after meeting her boyfriend, a lawyer named Bob Page, in 1995 and falling for him hard. She thanks Page for giving her the “best day of her life,” which is when they met in a club and had their first encounter. Page sparked a creative fire in Dido, who also wrote the song “Here With Me” about him. They got engaged in 2001, but broke up a year later, inspiring another Dido song: ” White Flag.”

Dido owes a lot of thanks to Eminem. He sampled the song for his song, “Stan.” He did not ask permission to use this on “Stan” until after the song was produced. However, Dido loved it agreed to let him use it. She recalled to Billboard magazine in a 2013 interview: “I just got a letter saying, ‘We heard your track. We love it. We’d like to use it for this track ‘Stan.’ Can you take a listen? I hope you like it and can we use your song?’ It was completely out of the blue. I put it on like, ‘I wonder what he could have done.’ You just don’t know. And I was a big Eminem fan, so it was pretty cool. And then I heard it. I remember because I had some friends staying in the same hotel. They were literally running down the hall, like ‘You gotta listen to this; it’s just brilliant!'”

Thank You

The final song for this week’s list is one that never cracked the Hot 100. It was the second single and title track from Green Day’s Warning album. Songfacts says, “by this time they were mellowing out a bit, with lead singer Billie Joe Armstrong playing more acoustic guitar. This was a product both of the band getting older and the pop-punk sound they ushered in falling out of fashion. The album sold poorly, but the band was well established by this point and wasn’t watching the charts.”

Billy Joe Armstrong has said that the original concept was to create a song whose lyrics were made up of all of the everyday warning signs and labels and the idea grew from there. I love his description of the content.

“The world is being filled with warnings and instructions of what not to do. The song states that it’s important to trust your instinct and do what you believe is right, but also to not be stupid enough to be the cause of another warning sign to be established. Take risks and question your surroundings, but don’t fall victim to your own stupidity.”

Well, alrighty then….

It wasn’t the words that made me like the song. It was actually the guitar and bass licks. It was so simple, but I loved the chord progressions. Someone compared it to the Kink’s Picture Book. I can hear that …

Warning

Well, that wraps up Y2K! I’m sure your list looks different than mine. What were your favorite songs from 2000? Let me know in the comments.

Next week, I may play the theme from 2001, just because, ha ha! My list only includes 2 cover songs, a must have party song, movie and TV music, a song that moves me and a song that moved the entire country.

Thanks for listening and reading! See you next week.

A Musical Treat (and Tease) on International Women’s Day!

I apologize for the lateness in this post. Happy International Women’s Day to the female readers of my blog! Thank you for all you do! I am lucky to have a very special woman in my life (my wife, Sam). I can honestly say that I would be a mess without her.

In a previous blog, I mentioned that for Women’s Month our Turntable Talk host (Dave from a Sound Day) has asked us to pick a female singer to write about. I really struggled to pick one. I even posted on Facebook asking my friends to offer up their three favorite singers. I guess I hoped that they would offer up someone that I hadn’t considered (and they did). The results surprised me.

The singers that came up the most were (1) Stevie Nicks, (2) Etta James, and (3 – tie) Pink and Karen Carpenter. Etta was the only one that was in my list of considerations. After looking at the list (and the suggestions) I finally chose who I am writing about and NO ONE mentioned her. Stay tuned for that.

I say all that to say this – in celebration of International Woman’s Day, here are some tunes by some of the gals on my list that I did not choose. I hope you will give them a listen and enjoy them.

Etta James – At Last.

The BEST version of this song!

Ella Fitzgerald – Blue Skies

One of the best and a fantastic arrangement. The Queen of Scat Singing!

Alison Krauss – When You Say Nothing At All

What a voice on this gal. God I love her version of this song.

Aretha Franklin – The House that Jack Built

I could pick so many from her, but I always loved this song! Funky !

Billie Holiday – All Of Me

Billie is an influence of so many singers both male and female. Tony Bennett was always mentioning her style.

Dusty Springfield – You Don’t Have To Say I Love You

My favorite Dusty song. The arrangement and her vocal – you can feel every emotion as you listen.

Sarah Vaughn – Broken Hearted Melody

Often overlooked, but SO good! A huge hit and a great vocal!

Diana Krall – The Look of Love

She is amazing. Her voice gets me every time. Her Christmas album is fantastic. There are so many great songs from her.

Norah Jones – Don’t Know Why

Norah and Diana Krall are very similar in my opinion. Both have smokey and unique voices. Both play piano. Both make great music. This song blew me away the first time I heard it.

Linda Ronstandt – What’s New?

I almost went with Linda. Don’t Know Much, Somewhere Out There, Blue Bayou, Different Drum and so many more great ones to chose from. However, I think the albums she did with Nelson Riddle really showcase her voice. Here is What’s New?

Pat Benatar – Bloodshot Eyes

She can rock and sing! I love her voice. She was such a huge part of the 80’s – Heartbreaker, Love is a Battlefield, Shadows of the Nights, and more! I have talked about her blues album from the 90’s so I thought I would share her cover of Wynonie Harris’ Bloodshot Eyes.

Peggy Lee – Big Spender

Her version of Fever is paramount, but I love Peggy’s song Big Spender! It’s sassy and brash. It is sloppy and teasing. It’s flirty and swings!

Jewel – You Were Meant For Me

Having the pleasure to meet and interview Jewel was a radio career highlight for me. She was such a sweet and wonderful person. I loved talking to her and having her sing on the air less than 6 feet from me was amazing. Here is a Jewel Classic

Keely Smith – On The Sunny Side of The Street

Keely was great with Louis Prima, but she was also a stand out as a solo singer. I love her version of this song.

Happy International Women’s Day!!

“Seasonal” Favorite

As the “Nostalgic Italian,” I would be wrong to not mention that today is the 346th birthday of Italian composer Antonio Vivaldi. He (along with GF Handel and JS Bach) is considered to be one of the greatest Baroque composers of all time. His work consisted of many concertos for violin, choral works, and even operas. To me, he will forever be known for one amazing work of music – The Four Seasons.

He was born in Venice, one of six children. He had some issues with his health, which many say was what we’d call asthma today. While this prevented him from playing wind instruments, it did not stop him from becoming a virtuoso violinist. It also did not stop him from composing music.

It is estimated that he wrote The Four Seasons somewhere between 1717-1720. The entire piece features 4 concertos featuring 3 movements each. It begins with the season of Spring, then Summer, Autumn and finally Winter. Wikipedia describes the piece:

They were a revolution in musical conception: Vivaldi represented flowing creeks, singing birds (of different species, each specifically characterized), a shepherd and his barking dog, buzzing flies, storms, drunken dancers, hunting parties from both the hunters’ and the prey’s point of view, frozen landscapes, and warm winter fires.

Unusually for the period, Vivaldi published the concerti with accompanying sonnets (possibly written by the composer himself) that elucidated what it was in the spirit of each season that his music was intended to evoke. The concerti therefore stand as one of the earliest and most detailed examples of what would come to be called program music—in other words, music with a narrative element. Vivaldi took great pains to relate his music to the texts of the poems, translating the poetic lines themselves directly into the music on the page. For example, in the middle section of “Spring”, when the goatherd sleeps, his barking dog can be heard in the viola section. The music is elsewhere similarly evocative of other natural sounds. Vivaldi divided each concerto into three movements (fast–slow–fast), and, likewise, each linked sonnet into three sections.

The Four Seasons is one of the best known pieces of classical music. It truly is an amazing work. I had heard it hundreds of times before, but it wasn’t until I set aside about an hour one day and listened to it in headphones that I truly gained a real appreciation for the piece. I recall sitting with my eyes closed and envisioning what season the movement was about. The images that the music conjured up in my mind was something I cannot begin to describe. It really was an amazing experience.

Here is one of MANY recordings of the entire piece:

There is a lot of debate as to whether the concerto was written to go with the sonnets that were written or the other way around. No one knows for sure who wrote the sonnets, but it is believed that Vivaldi wrote them.

As you listen to each concerto, read the sonnets and see if you can picture the things alluded to in them.

Spring

Allegro
Springtime is upon us.
The birds celebrate her return with festive song,
and murmuring streams are
softly caressed by the breezes.
Thunderstorms, those heralds of Spring, roar,
casting their dark mantle over heaven,
Then they die away to silence,
and the birds take up their charming songs once more.

Largo
On the flower-strewn meadow, with leafy branches
rustling overhead, the goat-herd sleeps,
his faithful dog beside him.

Allegro
Led by the festive sound of rustic bagpipes,
nymphs and shepherds lightly dance
beneath spring’s beautiful canopy.

Summer

Allegro non molto
Under a hard season, fired up by the sun
Languishes man, languishes the flock and burns the pine
We hear the cuckoo’s voice;
then sweet songs of the turtledove and finch are heard.
Soft breezes stir the air, but threatening
the North Wind sweeps them suddenly aside.
The shepherd trembles,
fearing violent storms and his fate.

Adagio e piano – Presto e forte
The fear of lightning and fierce thunder
Robs his tired limbs of rest
As gnats and flies buzz furiously around.

Presto
Alas, his fears were justified
The Heavens thunder and roar and with hail
Cut the head off the wheat and damages the grain.

Autumn

Allegro
Celebrates the peasant, with songs and dances,
The pleasure of a bountiful harvest.
And fired up by Bacchus’ liquor,
many end their revelry in sleep.

Adagio molto
Everyone is made to forget their cares and to sing and dance
By the air which is tempered with pleasure
And (by) the season that invites so many, many
Out of their sweetest slumber to fine enjoyment

Allegro
The hunters emerge at the new dawn,
And with horns and dogs and guns depart upon their hunting
The beast flees and they follow its trail;
Terrified and tired of the great noise
Of guns and dogs, the beast, wounded, threatens
Languidly to flee, but harried, dies.

Winter

Allegro non molto
To tremble from cold in the icy snow,
In the harsh breath of a horrid wind;
To run, stamping one’s feet every moment,
Our teeth chattering in the extreme cold

Largo
Before the fire to pass peaceful,
Contented days while the rain outside pours down.

Allegro
We tread the icy path slowly and cautiously,
for fear of tripping and falling.
Then turn abruptly, slip, crash on the ground and,
rising, hasten on across the ice lest it cracks up.
We feel the chill north winds course through the home
despite the locked and bolted doors…
this is winter, which nonetheless
brings its own delights.

Happy Birthday, Antonio Vivaldi!!

Leap Day #1 Songs!

When I thought about what to do for the year’s “bonus” day, my first thought was to list a bunch bunch of songs about “leaping” and “jumping.” Then I thought that was just too easy. So I decided to take another musical look at February 29th.

I present to you a look at songs that have the honor of being number one on Leap Day. So let’s leap back to 1940 …

2/29/40 – Glenn Miller and his Orchestra had the number one song with their best known song. In the Mood.

2/29/44 it was Glen Gray and the Casa Loma Orchestra with My Heart Tells Me

2/29/48 – Art Mooney was feeling lucky with I’m Looking Over a Four Leaf Clover

2/29/52 – Johnny Ray was shedding tears with his number one – Cry.

2/29/56 – The Nelson Riddle Orchestra took us to Lisbon Antigua

2/29/60 – It was Percy Faith and his orchestra with The Theme From a Summer Place.

2/29/64 – Of course, in 64 it had to be a Beatles song – I Want to Hold Your Hand was on top of the charts.

2/29/68 Yet another instrumental was number one. This time, Love is Blue from Paul Mauriat

2/29/72 – Harry Nilsson lamented about living Without You

2/29/76 – A TV Tune was number one. The Theme from S.W.A.T. from Rhythm Heritage

2/29/80 – Classic Queen! Freddy Mercury and the boys sat at number one with Crazy Little Thing Called Love.

2/29/84 – A song about leaping/jumping …. Jump from Van Halen

2/29/88 – George Michael took the top spot with Father Figure

2/29/92 – The is some confusion as to this particular year, however, the chart is dated 2/29/92 and it says the number one was held by Mr. Big – To Be With You (some people say Right Said Fred – I’m Too Sexy)

2/29/96 – It was the amazing pairing of Boys II Men and Mariah Carey on One Sweet Day

2/29/2000 the group Savage Garden hit number one with a forgotten favorite – I Knew I Loved You

2/29/04 Usher said “Yeah!” about having the number one tune. Any time I think of Lil Jon, I think of that sketch on the Dave Chappelle Show … LOL

2/29/08 – Flo-Rida hit number one with a song that still makes people dance – Low

2/29/12 Kelly Clarkston held the number one spot with Stronger

2/29/16 Justin Beiber was sitting at number one with Love Yourself

2/29/20 it was a song that I find to be a total piece of garbage. The lyrics disgust me and the fact that it was a number one song really makes me sick. I’ll just mention it, but I certainly will not be posting it here. The Box by Roddy Ricch.

As for today, it seems that Beyonce is at number one with something called Texas Hold ‘Em. I read the lyrics. Never heard it. I don’t care to.

Final thoughts? There were a lot of instrumentals on Leap Day! There were certainly some good tunes, some long forgotten, and some crap. Music is subjective. Any stick out for you?

Happy Leap Day!

Throwback Thursday Tune

When it was brought to my attention that the “musical” posts here have not been what they used to be, I decided to make it a point to do one today. This one takes us back to 1990. The year before Elton John released his Sleeping With The Past album. The first single was Healing Hands followed by Sacrifice, both of which were top 20 hits.

The third single was one that I remember playing at WMXD in Detroit before it went all urban. The song was a great uptempo song called “Club at the End of the Street.” I have always loved this song as I felt that it had a “60’s” sound/feel to it. After doing a bit of searching, I found out why.

The song, of course , was written by Bernie Taupin and Elton John. According to songfacts.com:

This is a fun song about a fictional hangout where they play the soul music Elton and his writing partner Bernie Taupin have always loved. Elton mentions Otis Redding and Marvin Gaye in the lyrics. Explaining the inspiration in a 1989 interview with Music Connection, Taupin said: “What I would do is I’d take a song like a Drifters song and I’d try to write a Drifters-type lyric. There’s a song on the album called ‘Club At The End Of The Street,’ which is probably the straightest emulation of one of those songs. When you hear it, it has the feel of a song like ‘Under the Boardwalk.’ It’s a real Drifters-style song. So what I would do is I’d make notes for Elton at the bottom of the lyric sheet, like ‘Think Drifters, think this or think that.'”

Elton said that he loved the song. He told Rolling Stone in 2013: “We wanted to write a song like the Drifters would record, one of those Goffin-King, Brill Building songs. It’s the closest we ever got to one.”

The song only charted at #28, but it always makes me want to sing along. The B-Side of the song was Elton’s cover of John Lennon’s Give Peace a Chance. The video is a fun one where you see an animated Elton playing at EJ’s Club and the patrons are dancing away.

Check it out!

Club at the End of the Street

When the shades are drawn
And the light of the moon is banned
And the stars up above
Walk the heavens hand in hand
There’s a shady place
At the end of the working day
Where young lovers go
And this hot little trio plays

That’s where we meet
That’s where we meet
Me and you rendezvous
In the club at the end of the street
Oooh where we meet
Oooh where we meet
Me and you rendezvous
In the club at the end of the street

From the alleyways
Where the catwalks gently sway
You hear the sound of Otis
And the voice of Marvin Gaye
In this smoky room
There’s a jukebox plays all night
And we can dance real close
Beneath the pulse of a neon light

That’s where we meet
That’s where we meet
Me and you rendezvous
In the club at the end of the street
Oooh where we meet
Oooh where we meet
Me and you rendezvous
In the club at the end of the street

There’s a downtown smell of cooking
From the flame on an open grill
There’s a sax and a big bass pumping
Lord have mercy
You can’t sit still
You can’t sit still

That’s where we meet
That’s where we meet
Me and you rendezvous
In the club at the end of the street
Oooh where we meet
Oooh where we meet
Me and you rendezvous
In the club at the end of the street

You can’t sit still
Where we meet
In the club at the end of the street
You can’t sit still
Where we meet
In the club at the end of the street
You can’t sit still
Where we meet
At the club at the end of the street
Where we meet
Where we meet
At the club at the end of the street
You can’t sit still

Sunday Song

My friend, Eric, was the choir director at my high school.  While I was never in choir, music brought us together.  We played many Easter services together, he matches with the alumni band, and he even provided music at my first marriage.

Every day on Facebook,  he will play a song on his piano.  Selections vary from classical  to jazz to pop.  He is currently playing a series of ballads.

Last night he played “Speak Softly Love.”. You may know it as the Love Theme from The Godfather. It was a huge song for Andy Williams. It reminded me of a version I was introduced to by my brother.

I had never heard of Petrizio Buanne. My brother shared his first album with me and I loved it. He covers the Godfather tune, entitled “Parla Piu Piano.”. Sung in Italian, it sounds SO good!

I figured I have been so focused on books lately, it was time to once again share some music. Here are all three versions of the song. Enjoy.

Petrizio Buanne

Andy Williams

Nino Rota (Soundtrack Version)

Turntable Talk #16 – Coulda Been A Contender

It is time once again for my contribution to Turntable Talk, a series hosted by my friend Dave Ruch at his blog “A Sound Day.” This is the 16th installment and the topic this time around was an easy one for me. The topic this month is entitled “Coulda Been a Contender.” This is simply  a song that we felt should have been a hit but wasn’t.

As a music director (the guy who helped the radio station’s program director choose what songs to play) I heard a lot of songs that wanted a spot on our play list. Many times we added songs that never went anywhere on the charts, but we thought they were good. On the other side of the coin, we played a lot of songs that I felt were crap, that wound up being hits.

When this topic presented itself, one song immediately came to mind. Unlike other topics where I went back and forth between 2-5 songs trying to pick one to write about, this one was the only one I felt really should have been a smash. I have felt that way about this song since hearing it the first time. It is a duet by a legendary artist you will know instantly, and a singer whose name you SHOULD know, because she is just that good!

The song is “Where We Both Say Goodbye” by Catherine Britt and Sir Elton John.

From her website at http://www.catherinebritt.com :

She has lived a life in the world of entertainment most will never experience or dream of.  The archetypal Aussie girl from the coal works of Newcastle uprooted herself at 17 years old and moved for six years to Nashville TN (USA) where she gained a deep knowledge of country/roots/folk history as well as touring extensively and releasing top 40 Billboard hits.

How did this happen you may well ask. Not every 17 year old  moves from Newcastle to Nashville to pursue their musical dreams. Well, the story is that a certain Elton John (yes, THAT Elton John – not to be mistaken for  . . .)  heard Catherine during one of his Australian tours in the early 2000s. So impressed with Catherine was Elton that he took her albums back to America with him and helped get a deal with RCA Records.

I can only imagine the feeling she had when she heard that Elton John was a fan AND was helping her get a record deal! There is a very cool video of Elton and Catherine that I will share after I talk about the song.

Music, like humor, is subjective. It has a certain power to it. Perhaps my feelings about the song are a bit swayed because of what was going on in my life in 2005. My mother was dying of breast cancer, my son was going through intense therapy for autism, and my marriage was slowly falling apart.

I connected with the song on a personal level, but I also understood that I wasn’t the only person who was having relationship trouble. This song struck a chord with me and I knew that there were listeners who had to be going through the exact same thing. As years went by, this song took on more and more meaning for me. As my first marriage continued to crumble and my unhappiness grew, I heard this song again on my iPod, and knew it was certainly time to “say goodbye.”

I still cannot understand how this song was NOT a hit. Perhaps it was programmers questioning whether or not to play Elton John on a country station? It could have been some consultant who felt that way, too. But today, we see artists crossing over from genre to genre and no one thinks twice about it. Maybe this song was ahead of its time.

Catherine’s voice is simply beautiful. It is almost sultry. Elton could sing just about anything and it would sound great. These two together? Magical! Their voices blend so well. Their harmonies are stellar and they convey the hurt of the lyrics. Here are two people who are dying inside because they both know – it is probably over.

Let the steel guitar pull at those heart strings …..

Where We Both Say Goodbye

A fire that’s left unattended
Surely will burn out and die
Now that we’re down to nothin’ but ashes
Is this where we both say goodbye

Chorus

Is this where two hearts break down and cry
Is this where we let go and give up the fight
Have we reached the point where it’s too late to try
Is this where we both say goodbye

It’s so hard to go on pretendin’
The truth is we’re livin’ a lie
And it kills me to know our love’s dyin’
Is this where we both say goodbye

(Chorus)

I wanted you to hear the song before you watched the next video. This is a very cool piece with Elton and Catherine talking about how they came to meet and eventually record the song. I love watching behind the scenes stuff like this.

https://youtu.be/85pORTOgkkk

The song itself only reached #38 on the Country Singles Chart. Shame on country radio !!

In 2008, RCA dropped her from the label and she returned home to Australia, where she has had great success and continues to tour.

Her website states:

Over the course of her career Catherine has collected a host of accolades, a legion of fans and a mantel of awards including the country industry’s highest honours, 2009 CMAA Female Artist of the Year Award, 2012 CMAA Single of the Year, 2013 CMAA Female Artist of the Year Award, 2016 Female Artist of the Year, 2017 Vocal Collaboration of The Year for her celebrated single “F U Cancer” as well as APRA Award and CMC Artist of the Year nominations. 6 of Catherine’s albums released to date have been nominated for the ARIA Award for the Best Country Album release, which is a first for any Australian country artist. In 2010, Catherine was also presented with the CMA Global Artist of the Year award. 

I tend to feel like Elton John in that I have always thought that she was the “real deal!”

Catherine got a raw deal here in the states. Personally, I believe she could have been as big as Martina McBride or Faith Hill. All too often, station programmers will opt to play crap from an established artists instead of playing a truly great song from a newcomer. Stupid radio/records politics!

She has done quite well for herself in Australia. Her fans love her and support her and she has taken control of her career. Her website says that her latest album, Home Truths, is “Catherine’s first release in over 20 years as a completely independent Australian artist. It’s a decision based on Catherine wanting complete control of her career – and having ownership of her own recording masters and copyrights. That’s something that – now as a parent of two young children – she believes is important – and something to pass on to them.

“Where We Both Say Goodbye” should have been the song that made America country fans take notice of Catherine Britt. It is a song that proves that she is not only an amazing songwriter, but an amazing singer as well. Her music is deep, heartfelt, and honest. I’m glad that she is enjoying the success she deserves, even if it isn’t here in the US.

My hope is that I have chosen a song that is completely unfamiliar to you. If it makes you want to hear more from Catherine, fantastic. If not, that’s ok too. Music is subjective, right?

Thanks again to Dave for allowing me to take part in this monthly feature. I look forward to reading the rest of the gang’s picks and next month’s topic. Thanks for reading..

Friday Photo Flashback

Time for another Friday Photo Flashback. This time around I’m taking you to my room….circa 1990.

The shelf you are looking at sat above my bed (a waterbed…lol). Above it was another shelf with the globe my grandmother had got me for Christmas, some ceramic pieces my mom made me and a few other things.

Just by looking at this picture, I can recall where everything else was in the room. To the right of this picture is the window that looks out to the front yard. On the wall opposite this one, my dresser sat in the corner. Directly next to it was a shelf that my cheap stereo system sat on.

(The stereo had a double cassette deck, turntable, radio tuner, and a place for a microphone. Long before I worked in radio, I made tapes for people with songs I recorded off the radio with me acting as DJ. I know I’d be embarrassed to hear those now!)

The closet was to the left of this picture. All along the walls were photos, posters, and your typical teen wall decor. The shelf pictured here was the focal point of the room.In a way, this shelf encompasses “me.”

Centered on it are the (now long gone) Three Stooges figurines. I really wish I still had them. I marvelled at the detail of the faces when I first saw them. They were fairly expensive when they came out. They represent “humor,” which has always been important in my life. To laugh and make people laugh … It’s a very big part of who I was/am.

Above the Stooges, a treble clef and music notes hang. Both were gifts from my mom. I’m sure the clef hung elsewhere in the house before she gave it to me. Music has always been important to me and continues to be.

To the left of Larry is an award I got in my senior year. I think it was for “Best Dancer” which is ridiculous. I probably only got the award because I did the Curly Shuffle once at a band party. I’ve never claimed to be a dancer. Perhaps when I hit my goal weight, I will think about a dance class with Sam.

To the right of Moe is my high school diploma. I always joke that I was in the half of the class that made the top half possible. I think if it wasn’t for band class, I probably would have done even worse. I was not the ideal student. That experience only helped me when we I finally went to college – I knew what NOT to do!

The two flags were something I got at Epcot one year. They represent my Italian and American heritage. There is more in my background on my mom’s side (English, Scottish, and German), but I tend to embrace the Italian more

The screwdriver on the shelf? I have no explanation for. I’m screwy, maybe? Yeah. That’s true in a lot of ways.