Tag: My dad

The Music of My Life – 1992

Welcome back to The Music of My Life, where I feature ten songs from each year of my life.  In most cases, the ten songs I choose will be ones I like personally (unless I explain otherwise). The songs will be selected from Billboard’s Year-end Hot 100 Chart, Acclaimed Music, and will all be released in the featured year.

In 1992, I turned 22 and would land a radio gig at WHND, Honey Radio. It was through my old radio partner that I would become all too familiar with karaoke bars. We spent a lot of time pretending to be singers at them. Believe it or not, it was listening to people try to sing that introduced me to many songs. Many of those songs, were ones I normally would have been unfamiliar with.

Let’s jump right into 1992!

The Spin Doctors are often referred to as an alternative band. I tend to think of them as a rock band, though. Two Princes sounds more like a rock song to me. I could easily hear the Stones covering it.

A buddy of mine used to sing this song all the time. From the opening drum kick and guitar lick, I was hooked. The content of the song was influenced by some classic literature. Chris Barron, said:

“I loved The Lord of the Rings and The Hobbit and Sir Gawain and the Green Knight. I was really into fantasy fiction and stuff like that. I wrote that song when I was 19, so I was still coming out of childhood, and as a child I loved wizards and kings and queens and princess and princesses and stuff like that. And I loved Shakespeare – I already was way into Shakespeare. So I gravitated towards that kind of imagery just because I liked books and poems from that period of time.”

Drummer Aaron Comess said that the song was almost a lot faster.  “There are certain songs when you find the right tempo, all of a sudden the lyrics come out, it feels right and I think with ‘Two Princes’ we really lucked out. It’s one of those things, we got in the studio, found a good tempo, we recorded it, everything just really came together. It’s very simple, there’s not a lot of stuff on it, somehow the sound and feel we got, we just lucked out and found the perfect thing.”

Songfacts pointed out that it was songs like this one that were in high demand on radio in 1992-1993. There was an onslaught of hip-hop songs at the time and it was this “sound” that began pushing it back a bit.

Two Princes

Here is another example of how I came to learn of the original because of a parody. I was familiar with the cover of their Nevermind album, but unfamiliar with a lot of their songs. Enter once again, Weird Al.

When Al first heard Nirvana, he was very impressed but thought they wouldn’t catch on. He was thrilled when “Teen Spirit” became a huge hit, since that made the group a parody target.

Al is famous for asking for permission before doing any type of parody. He got permission from Nirvana’s lead singer Kurt Cobain while he was doing an episode of Saturday Night Live. Kurt initially thought the song would be about food. Instead, it was poking fun at how hard it was to understand their lyrics.

The video is a very close parody of Nirvana’s, and got almost as much airplay. For example, the same janitor used in Nirvana’s video also makes an appearance in Weird Al’s. This time donning a tutu and playing a tuba. Al dresses just as Cobain did, complete with wig. He plays a fake blowup guitar and makes fun of the hard-to-understand lyrics by gargling water and singing with marbles in his mouth.

FYI – Dick Van Patten was not in the Nirvana video.

This song is probably the one that really solidified my opinion of Weird Al as a musical genius!

Smells Like Nirvana

For comparison – the original video:

Ok, I admit that the next song was far from a hit. It only peaked at #92 in the US, however in the UK it hit #27. The original, of course, was a number one hit for Elvis Presley in 1957. Personally, I really like Billy Joel’s version of All Shook Up. I think it should have done better on the charts.

The song is one of many Elvis covers from the soundtrack to Honeymoon in Vegas. The movie starred Nicolas Cage, James Caan, and Sarah Jessica Parker. It also featured a whole lot of Elvis impersonators.

What I love about Billy’s version is that it retains the feel of the original, but there is enough “Billy” to make it his song. When I was DJing, I used to put on a cape, an Elvis Wig, Elvis glasses, and grab some random gal out of the audience and “lip synch” this to her. It was ridiculous, but it always got a laugh from the crowd (along with a lot of photos).

All Shook Up

Next, we have the only song that I will fast dance to. I say this, because I believe there is no real dancing necessary. Songfacts explains this perfectly:

House of Pain’s Jump Around earned relentless airplay on MTV and pop radio, and became a huge crowd pleaser in bars and dance clubs. It was great for getting people on the dance floor, as no real dancing is involved – just jumping around.

Exactly. I jump like a fool when this one is on! It’s hard to look bad. It brings the bounce with a steady, throbbing rhythm along with explicit instructions on when to jump. You can’t mess this one up!

Erik “Everlast” Schrody wrote the song. Songfacts explains that the lyrics on this track are very aggressive. It contains lines like “I bust him in the eye, and then I’ll take the punk’s ho.” Everlast was surprised when the song crossed over to a pop audience. He thought it was “too hardcore” to do so. The “pugnacious” lyrics, however, are tempered with comic relief. Listen for lines like “I got more rhymes than there’s cops at a Dunkin’ Donuts shop. ” They make it a lot less threatening.

If the horn flourish that opens this song sounds familiar, it is because it comes from Bob and Earl’s song, “Harlem Shuffle”.

Jump Around

Next a movie song that never made the movie’s soundtrack. In A League of Their Own, Madonna starred with Tom Hanks, Geena Davis and Rosie O’Donnell. The film was based on the true story of an all-women baseball team that was popular during World War II.

The song is about a woman who can’t and let go of her past, with the implication that her present circumstances aren’t so good. The lyrics fit well with the film’s premise, as the now-elderly women reunite and recall their glory days as baseball stars.

To a degree, I can relate to this as I tend to live in my nostalgia and memories, however, my present circumstances are actually good. I find myself thinking of those summers playing ball at our old elementary when I hear this song.

This made me laugh: The video for this song, which shows Madonna singing from the pages of a photo album, bears a strong resemblance to Boy George’s video for his 1987 song “To Be Reborn.” The similarities were not lost on the Culture Club singer, who angrily dubbed it “This Used to Be My Video” in his autobiography.

This Used To Be My Playground

What I love about country music is the honesty of it. There are a handful of songs that I can say really hit home for me. One of them is from Travis Tritt’s third album. For me, I could relate to the lyrics of Lord Have Mercy on the Working Man. After all, I was working on a DJ’s salary!

Truth be told, it doesn’t matter what job you hold, these lyrics hit home. While primarily focusing on the economical injustice to blue collar workers, it fits anyone who struggles financially.

Uncle Sam’s got his hands in my pockets
And he helps himself each time he needs a dime

Why’s the rich man busy dancing
While the poor man pays the band
Oh they’re billing me for killing me
Lord have mercy on the working man

The final verse features Tritt’s friends joining in. Listen for Brooks and Dunn, George Jones, Little Texas, Tanya Tucker, T. Graham Brown and Porter Wagoner.

Lord Have Mercy On The Workin’ Man

MTV’s Unplugged had been around since 1989. It featured Joe Walsh, The Cure, Paul McCartney, Sting, and Mariah Carey. Eric Clapton recorded an Unplugged performance at Bray Studios in London. He rearranged many of his classic songs for the acoustic context.

The resulting Unplugged album went on to become the best selling Unplugged album in the U.S. and worldwide with sales of 10 million in the U.S. and 26 million worldwide. He earned six Grammy Awards for the album. He earned Grammys for Record of the Year, Album of the Year, Song of the Year, Best Male Pop Vocal Performance, Best Rock Male Vocal Performance and Best Rock Song.

I have been a fan of acoustic shows for a long time. I loved when artists came in and played acoustically for us. It is raw and you really feel the song. When I heard the Unplugged version of Layla, I couldn’t get enough of it. I loved the entirely different feel to the song! It was so much more bluesy.

The Unplugged version also helped Eric do his vocal. According to Songfacts, “playing the “Layla” riff while singing is like juggling on a unicycle, so Clapton tries to avoid it. When he does the rock version live, he’ll play the riff until his vocals come in, then let one of his band members take over the riff.” With the slower version, it was a lot easier for him.

Layla (Unplugged)

When it comes to Disney, you cannot deny the amazing songs that have been featured in their films. It is truly hard to picture anyone other than Robin Williams as the Genie in Aladdin. He was just perfect. There were hours of audio that were not used in the film from Robin. If it were ever released to the public, I’d buy it in a heartbeat!

Prior to having children, I was not one to run out and watch a Disney movie. However, knowing that Williams was the Genie in this one, I had to go see it. I was not disappointed.

The Genie’s song, Friend Like Me was written by the amazing composer Alan Menken and lyricist Howard Ashman. Menken and Ashman didn’t write this with Robin Williams in mind, but the actor would make the number his own. Menken told Entertainment Weekly:

“We didn’t know who was going to play the genie when we wrote the song. We were looking at the character as black, a hipster, and I suggested a Fats Waller, Harlem stride-piano style from the ’40s. When Robin Williams was suggested, my first thought was, ‘Can he sing like Fats Waller?’ Robin learned every note. He was working on Hook at the time, and he would come in after being stuck in a harness all day and sit at the piano and learn. When we went into the studio, we got exactly the Fats Waller performance we wanted, and then everyone said, ‘Okay, but now can we let Robin do his thing?’ He was amazing. That trumpet wah-wah-wah was supposed to be from an instrument, and he made it vocal. He took ahold of the creative process, both on that and ‘Prince Ali’ especially. My God, he went crazy on ‘Prince Ali.’ He was doing the Thanksgiving Day Parade, Arab-style.”

One source says that the song was originally written as a Cab Calloway style big band number. Some elements of this concept remain (for instance, when the Genie scats, in typical Calloway moves), but after Robin Williams was cast it was expanded as a more comedic, pop-culture-filled song.

I miss Robin Williams. He could do comedy and drama and do them both well. This is what makes a great actor, in my opinion. He was truly one of the best ad-libbers and I always loved watching him on late night shows.

When we were picking songs for our alumni band one year, I picked this song for us. Not the best song to march to in a parade, but it was fun to play.

Friend Like Me

I was disappointed in the soundtrack version, as it seems like Robin’s vocals are a bit buried.

I just realized that my list has two Elvis covers on it. Technically, they are both movie songs, too.

When ZZ Top released their Greatest Hits album, they included a remake of Viva Las Vegas. ZZ Top took it up a notch. They took Elvis’ song and modernized it and gave it a real driving rock sound.

I remember my dad bringing home the 12 inch single of it and saying, “Keith, you’ve got to hear this!” He put it on the turntable and there was a downward swishy sound effect followed by Elvis saying, “Y’all still want me to come with ya?” Once the guitars kick in, it just jams!

It’s one of my guilty pleasure songs.

Viva Las Vegas

I had a meeting with a bride and groom once. We were going over songs for their wedding. When I asked them what their wedding song was, they told me “If I Had $1,000,000 by Barenaked Ladies.” I must have looked like an idiot. I thought they were joking. “Barenaked Ladies?! Really?!” I had never heard of them.

I had no idea what to expect when I went searching for the song. I’ve had my share of weird songs to play for the bridal dance, so I was ready for anything. I was finally able to get a copy of it, but it wasn’t easy. The couple enjoyed their dance and the crowd loved every second of it.

Even though it’s one of the group’s most popular songs, it was never a hit single in America. It wasn’t a hit in the UK either. A lot of it was timing: The group didn’t break through outside of their native Canada until their 1998 album Stunt. The song was even re-released in 1996, but didn’t chart then either.

This is a very important song for Barenaked Ladies. They have performed it at nearly every live show since 1988. Frontman Ed Robertson told Songfacts:

“It has become its own thing and people sing along and it represents a time and a place for so many people. It’s oddly a song I don’t get bored of. It brings such joy to the room that it’s hard to not enjoy it.”

He goes on to say, “That song, it was about being in love and being maybe a little bit extravagant but not losing hold of what’s important.” Ultimately it’s just about celebrating your good fortune with someone else, and I think I’ve stayed pretty true to that.”

The song was my introduction to the group. I have come to enjoy many of their future songs, too. Perhaps one or two may show up in the years to come.

If I Had $1,000,000

That’s a wrap on 1992. Did I miss one of your favorites? Drop it in the comments.

Next week, as we head to 1993, a few ballads with a lot of personal meaning to me, a couple fun dance songs, a spelling lesson, and more stories behind the songs.

Thanks again for reading!

The Music of My Life – 1984

Welcome back to The Music of My Life, where I feature ten songs from each year of my life.  In most cases, the ten songs I choose will be ones I like personally (unless I explain otherwise). The songs will be selected from Billboard’s Year-end Hot 100 Chart, Acclaimed Music, and will all be released in the featured year.

1984 was a big year for me. It was a year of change as I started high school that year. It was also the year that the Detroit Tigers won the World Series! What an amazing year!

Musically, it was the year of Michael Jackson’s Thriller, Weird Al’s Eat It, and Prince had a few hits, too. As I looked over the list from ’84, there are a lot of “staple” 80’s hits from this year. Alas, not too many of those made my list. I apologize to fans of A-ha.

My first pick is one of a few songs that I could feature on my Music Movie Monday feature because it comes from a great soundtrack. Beverly Hills Cop was huge here in Michigan because Eddie Murphy plays a Detroit cop. But there is another Detroit connection as well…

According to songfacts.com: “The Heat Is On” was written for the film by Harold Faltermeyer (who also wrote Axel F for the film) and Keith Forsey, and they needed a popular artist to sing it. The Beverly Hills Cop soundtrack album was on MCA Records, which Glenn Frey recently signed with. MCA asked several of their male rock singers to audition for the lead vocal for the song. At first Frey thought this wasn’t something “rock stars” did, but he decided to go along, just for fun, never thinking they’d pick him. Harold Faltermeyer was impressed by Frey’s vocal (the instrumental tracks were already recorded) and shocked Frey by using his version. It was Frey’s biggest solo hit, reaching #2 in the US.

The other Detroit connection? Glenn Frey was born and raised in Detroit where he played in bands with names like The Mushrooms and Subterraneans before heading to Los Angeles and joining the Eagles.

The Heat Is On

I have already mentioned Thriller by Michael Jackson. Spoiler Alert: It isn’t on my list. However, you gotta admit that the video was pretty darn good, right? I mean it was all over MTV and people still copy the dance for it at weddings and such. But would you believe that it did NOT win the first-ever Video of the Year award at MTV’s Video Music Awards? So what video did?

That honor went to You Might Think by The Cars! Today a video like this would be pretty easy to make, however, the video was very advanced for the time and was one of the first to use computerized effects. Singer/guitarist Ric Ocasek’s image appeared in various animated scenes – he would show up as a fly, climbing the Empire State Building, just about anywhere to get the attention of the girl. (The object of his affection was played by model Susan Gallagher.) When the video was first aired, it was done so without the fly – because technically, the video’s effects were not done.

The song was released in February 1984, as the first single from their Heartbeat City album. “You Might Think” peaked at number seven in the United States. This is one of those videos that I always got a laugh out of. It seemed so silly to me. It was directed by Jeff Stein (who was famous for other videos). He thought The Cars were a boring live band so he used digital trickery to get around that. I think it worked.

You Might Think

The next song is the “love theme” from the movie Footloose. You may remember in one of my past posts about Footloose that Dean Pitchford not only wrote the screenplay for the movie, but he wrote all the lyrics to all the songs (some with co-writers). He wrote Almost Paradise with Eric Carmen.

The Footloose producers wanted it to be a duet. They knew that they wanted Heart’s Ann Wilson for their female voice. They contacted Wilson, and asked her for a list of preferred duet partners. Her list included Paul Rodgers and Lou Gramm, but it was Mike Reno (the lead singer for Loverboy) – not on the list – who was chosen.

They recorded the song together at a session in Chicago with Keith Olsen, who had worked on Heart’s Passionworks album and also the 1975 Fleetwood Mac album, producing. At the time, Ann was nursing a broken wrist, but stayed off her painkillers so she wouldn’t be compromised during the session. They put their vocals down over the track that had already been recorded, then went their separate ways. She thought it was a great song, but was still surprised it was released as a single. She was even more surprised when it became a staple of proms and weddings.

That is the reason the song is on my list. I was a junior in high school and was dating a senior. She asked me to go to her prom, which was titled “Almost Paradise.” I think it was their class song, I don’t know for sure. I remember this would have been in 1987, so the song was a few years old by then. With every ticket, the student received a wine glass with the Almost Paradise logo on it. LOL – it didn’t take long for the school to stop giving away wine glasses!

Almost Paradise

Huey Lewis was a big part of my high school days! My buddy Steve and I loved cruising around and listening to Huey’s albums. This was one I loved the minute I heard it. As a lover of oldies and the Rock and Roll greats, I heard it as a “hat tip” to them and their influence on music.

In a 2013 Billboard interview, Huey said they song found its roots in Cleveland. “‘The Heart of Rock & Roll’ was written driving out of Cleveland. We’d heard that Cleveland was this great rock and roll town, and we’re from San Francisco – how can Cleveland be anything? We went to play the Agora Ballroom and had this amazing gig. On the bus out of town I was looking at the skyline of Cleveland and I said, ‘You know what boys? The heart of rock and roll really is in Cleveland. Hey, that’s a pretty good song title. Later I thought it through and went, ‘The heart of rock and roll is still beating’. The idea is that, although the music business is in New York and LA, good rock and roll is where you find it.”

Sports was one of my favorite albums back then. I had it on vinyl to play at home and on cassette to play in the car. The Heart of Rock and Roll the third of five singles from Sports, the third Huey Lewis & the News album. All of the singles were hits, and the album went on to sell over 7 million copies in America, putting the band of firm financial footing for the first time, which was very important to them – these guys were all in their 30s and had been working in music since the early ’70s.

The Heart of Rock and Roll

My dad was really involved in the local Vietnam Veteran’s chapter when I was in high school. As we got older, me and some of the guys would go up to their events. They often had cook outs, holiday dances, and fund raisers. I met so many great people at these events and came to love hanging out with them. My dad would spin records for the group.

Along with many oldies he would play songs like “Some Gave All,” “Goodnight, Saigon,” and “The Ballad of the Green Berets.” But it was always at the end of the night that my dad would play God Bless the USA. The first time I witnessed this, I choked up. Everyone in the building gathered on the dance floor and held hands. They would sing this song at the top of their lungs and raise their hands in the air. It was truly moving.

This song holds a special place in my heart for those friends.

God Bless The U.S.A.

The videos of many songs will forever be what I think of when I hear them. We’re Not Gonna Take It is a great example. I remember thinking it was cool that “the guy who played Niedermeyer in Animal House” was the dad in this video!

According to Dee Snider, he started writing this song in 1980, two years before Twisted Sister released their first album, Under the Blade. He had the hook, but couldn’t come up with a verse melody. After Def Leppard released their Pyromania album in 1983, Snider came up with a plan. “In studying some of Mutt Lange’s work with Def Leppard, I saw that a number of their songs were using variations on the chorus as a verse. That gave me the information I needed to come up with the rest of ‘We’re Not Gonna Take It.'”

Songfacts.com perfectly describes the song this way: “This is the mighty anthem for anyone lashing out at an authority figure and ready to put up a fight. The song is short on specifics, so it can apply to just about any situation where “we” are battling “the powers that be.” This all-purpose approach was intentional and gave the song a timeless quality.“

We’re Not Gonna Take It

When I first moved to Mid-Michigan, I discovered that there was a local hockey team. The Flint Generals played in a sports arena that held like 3000 people. There wasn’t a bad seat in the place. I loved being able to see these guys slam up against the glass. It was great!!

When the Generals disbanded, the public hoped for hockey to continue. They would up bringing in a hockey team that was made up of college aged kids and the team was called The Michigan Warriors.

The hockey was a bit less violent, but it was still hockey. I always loved a night out at the games. When they would introduce the members of the team (and at the end of each game) they always played Scandal’s The Warrior.

The Warrior

The next song is one that I always liked because the hook is catchy and it had a cool sax part. Sadly, it is also the subject of one of the biggest flubs I ever did on the air.

Released in August of 1984, “Smooth Operator” was the breakout hit in America for Sade, who were based in England. Their debut album, Diamond Life, was first issued in 1984 in the UK, where “Smooth Operator” was the third charting single. In the US, the album was released in 1985, with “Hang On To Your Love” as the first single. It went nowhere, but the next single, “Smooth Operator,” rose to #5 and earned the group a reputation as an exotic soulful act with a captivating frontwoman.

One night I was working at WMXD and I came out of the song and realized that I had never known who sang it. I looked at the music log and read, “Sade.” So that’s what I called her – “Sade” (Say-d). The phones lit up and people were either making fun of me or asking why I was playing songs when I couldn’t even pronounce the name of the artist! I was embarrassed. I had no idea until I pulled the CD out of the player and saw the writing ….

What a dope!!

Smooth Operator

Sea of Love was a song that I heard often on the oldies station. Phil Phillips had recorded it in 1959 and it was a top 5 hit. The song was covered by Robert Plant’s Honeydrippers in 1984. They truly were a rock and roll supergroup – Robert Plant, Jeff Beck, Jimmy Page, Paul Schaffer, Nile Rogers and other greats appeared in the group.

They only released one EP, The Honeydrippers: Volume One. Sea of Love took their remake all the way up to number 3 on the Billboard Hot 100 Chart. I love the orchestration of this version so much. The EP is worth a listen – Rockin’ At Midnight would go to #25. The success of the songs led Plant to say that a full album would be released, but it never came to be.

Sea of Love

My final pick is one that is really embarrassing. So why is it here? Because the minute I saw it as a released single, the chorus became an ear worm and stuck in my head. If I have to walk around singing it over and over, you may as well, too!

My 14 year old self loved novelty records. I had Spike Jones, Weird Al, and many more in my collection. When I first heard this “rap” song, I laughed like hell. When I ran to the store to get the single, I remember thinking how cool it was that I got the 12 inch vinyl record. It had the single, an extended mix, and on the B-side an instrumental.

As I listened to this before adding it officially to my list, I thought, “What in the world did I like about this song?! It really is kinda dumb.” At the same time, all these years later, there are still people I know who will break into a chorus of “Duh Ha, Duh Ha! Duh Ha Ha Ha Ha Ha..”

Yep, that gives it away. I was a fan of the Rappin’ Duke by Shawn Brown. Do I really need to go into any history on this one? Probably not. Forgive me for the earworm….

Rappin’ Duke

Next week I’ll take a look at 1985 and how some of those songs connect to my life. Movie music will be in there for sure, a tribute to some legends, the first slow song I remember dancing to, and maybe a song I have featured once before on this blog. See you next week!

The Music of My Life – 1982

Welcome back to The Music of My Life, where I feature ten songs from each year of my life.  In most cases, the ten songs I choose will be ones I like personally (unless I explain otherwise). The songs will be selected from Billboard’s Year-end Hot 100 Chart, Acclaimed Music, and will all be released in the featured year.

Let’s jump right into 1982. We start with a song that was released in January of ’82 in the United States. Believe it or not, this song would go on to have a special meaning for me and many others from my high school. More on that in a minute.

The Go-Go’s were one of those bands who wrote most of their own songs. “We Got The Beat” was written by guitarist Charlotte Caffey, who drew inspiration from some Motown beats, specifically one that mentioned the name of her group. She explains, “I thought it would be very clever to do ‘Going to a Go Go’ (by the Miracles). I thought, Well, let’s try working this out as a cover song. Which is really funny when I think about it. I was listening to it a lot one day, and later that night, the song came to me within five minutes. I don’t even know if it has anything to do with listening to that song, but this whole idea came to me. It was one of those things that just went right through me and came out my hand; I wrote it down, recorded it a little bit, and then brought it into rehearsal a few days later.”

The Go-Go’s released an early version of “We Got The Beat” in the UK as their first single. It was issued on Stiff Records, which was home to The Specials and Madness, both groups The Go-Go’s toured with in England to promote it. Sadly, it flopped, but the group fared far better in America, where they were signed to IRS Records by Miles Copeland, who managed The Police.  In the US, “Our Lips Are Sealed” was released as their first single in the summer of 1981, followed by a new version of “We Got The Beat” in January 1982. This release was The Go-Go’s biggest hit, spending three weeks at #2. (I’ll include both versions below)

Band Camp – Summer 1985. We Got the Beat was a favorite of my high school marching band. I have no idea how long they had been playing it prior to my first year, but it was always played at pep assemblies and when our team won. It was a staple in the marching band music folder. It was the one song that we could play and just have fun. We danced, we jumped, we acted the fool while playing it. It was a celebratory song.

Our band director would say, “Let’s do the little Italian number” during rehearsals. We all knew what he was talking about because he’d often call it, “We Gotta Da Beat.” I want to say our alumni band was around for at least 10 or 12 years after I graduated and they were still playing it. We always joined it because we all had it memorized. I haven’t played my trumpet in years, but I can assure you that if I were to pick it up today, I could still play this song!

We Got the Beat

Real life once again inspired another big hit. Songwriter Wayne Carson, who wrote The Box Tops’ 1967 #1 hit “The Letter,” came up with “Always On My Mind” when he was working at a recording studio in Memphis. He lived with his wife in Springfield, Missouri, and the trip to Memphis had gone 10 days longer than expected.

When he called the missus to tell her he would be there even longer, she let him have it. He tried to assuage her by telling her that was thinking about her all the time – she was “always on my mind.” “It just struck me like someone had hit me with a hammer,” he told the LA Times, “I told her real fast I had to hang up because I had to put that into a song.”

Willie had never heard the song before the song’s co-writer, Johnny Christopher, brought it to him and Merle Haggard, who were busy recording the album Pancho & Lefty (Christopher was playing guitar on the session). “‘Always On My Mind,’ bowled me over the moment I heard it, which is one of the ways I pick songs to record,” Nelson recalled in his 1988 autobiography, Willie. “There are beautifully sad songs that bowl me over… haunting melodies you can’t get out of your mind, with lines that really stick.”

Nelson figured he and Haggard would do the song together, but Haggard didn’t care for it. After they finished recording their album, Nelson stayed in the studio and recorded the ballad solo, just to see what it would sound like. Of course, it sounded like a hit, but Nelson wondered, “We’ll never know what would have happened if Merle had really heard the song right.”

You may remember that Willie Nelson played a big part in my childhood. His Stardust album was played all the time by my grandfather. My grandfather passed away in 1981. Any song by Willie reminded me of my grandpa. My mom really struggled with his passing and I remember being in the car with her when Always on My Mind came on the radio. She had to pull over because it really hit her hard.

It hit me the same way. I know that it is far fetched to believe that grandpa sent a message from beyond the grave, but it felt that way. From Stardust to Always on My Mind and every Willie album that followed, there always seemed to be one song that fit into something that was going on in my life. This one helped me cope with the first death I ever experienced, even though it was more of a love/apology song.

Always on My Mind

One of the things that I noticed as I scanned over the list of singles released in the early eighties was the prominent use of the synthesizer. Rock bands like ZZ Top, Van Halen, and Yes added synthesizers to their mix in the ’80s and scored huge hits by adapting what songfacts.com called “the sound of the decade.” The Steve Miller Band started out as a blues band in the ’60s, evolving into a rock outfit in the ’70s. They often sprinkled electronic effects into their songs, so the keyboards and synth stabs in this song weren’t out of character.

“Abracadabra” was the last US Top 40 hit for the Steve Miller Band, and their third #1. The song was written by Miller and the lyrics were inspired by Diana Ross and the Supremes, whom he had met while performing together on NBC’s Hullabaloo in 1966. “‘Abracadabra’ started off as a great piece of music with really atrocious lyrics,” Miller explained to The Dallas Morning News. “One day I was out skiing in Sun Valley and, lo and behold, who did I see on the mountain but Diana Ross. I skied down off the mountain to go have lunch. I started thinking about the Supremes and I wrote the lyrics to ‘Abracadabra’ in 15 minutes.”

Honestly, I’m really not sure how the Supremes led to the song, but I remember it being a song that really stood out to me on the radio. I rushed out to buy the 45 and it was always a song that wound up on my “driving music” tapes.

Abracadabra

1981 was the year that many were introduced to Men at Work. Their debut single, “Who Can It Be Now” shot straight to #1 on the charts. The group started as an acoustic duo with singer Colin Hay and guitarist Ron Strykert. After a few years playing pubs in Australia, they were discovered by an American who worked for CBS records and signed them.

Colin Hay wrote the song and explained how it came about:

“I was up in the bush in Southern New South Wales with my girlfriend, just sitting outside at night. We had this little tree hut in the middle of the bush. It was a great place to kill the time, mess around with ideas. It was just an idea that popped out, it took about half and hour to write that song. I was living in St. Kilda in Melbourne, which is a great part of Melbourne. At that particular time it was a very interesting area, it was frequented by everybody from the high Jewish population, punks, drug movers, all kinds of different people. It was about six or seven hours drive away, sitting in the middle of the bush in New South Wales and that song just popped out. My girlfriend at the time said, ‘that will be your first hit, that song,’ and she was right.”

Their Business as Usual album was one that I played often.

Fun Fact: The famous saxophone part originally didn’t come in until the middle of the song, which suited when the band played it in bars. When they recorded it, producer Peter McIan identified the sax as a hook and moved it to the beginning of the song, also making it more prominent throughout. This opening sax riff made the song instantly identifiable.

Who Can It Be Now

Juice Newton had a few big hits between Queen of Hearts and Love’s Been a Little Bit Hard On Me. The latter is one of those fun sounding songs, even though it is about the hardships of a relationship. The song was released exactly one week after my 12th birthday.

Juice reminds me of Carlene Carter who had some jumpy, fun songs like this one. Even though she channels Neil Sedaka and sings harmony with herself on the song, that’s one of the reasons I love it. It’s nothing fancy, but it is just good harmony and it blends so well.

One of the things I have enjoyed while picking songs for this year was seeing the videos that were made for certain songs. Wiki describes the music video for this one perfectly. It says that it comically plays off the emotional hurt of love by showing Juice Newton being physically injured by her lover in a series of accidents. The final shot is of Newton singing in the hospital in a full-body cast with her broken leg in the air. The video was awarded Video of the Year by the American Video Association in 1982.

Love’s Been a Little Bit Hard On Me

There is an outdoor amphitheater in the Detroit area that packs in some fantastic shows every summer. I cannot tell you how many shows I have seen at Pine Knob (For some time DTE Energy paid to have the name and even though shows were at “DTE Energy Music Theater,” everyone still called it Pine Knob!). I’ve seen rock shows, comedy shows, country shows, and more there.

For many years, Eddie Money was ALWAYS the guy who played the first show there. He kicked off the summer concert season annually and it became a tradition. One year, I had the opportunity to interview Eddie on the air. It was the easiest interview in the world! Why? You never had to ask questions after he got on the phone. “Hey, Eddie! How are you?” Then Eddie would roll – he’d promote the show, promote an album, share some funny story, talk about the venue, and more. The “Money Man” was great!

I dated in high school who loved Eddie Money’s Music. She had the No Control album on cassette and we’d listen to it in the car. Think I’m in Love was on that album and I remember the first time I saw the video on MTV. Again, these early videos are fun to watch. Eddie plays a sort of vampire character in it. It was a very popular video.

Think I’m In Love

Growing up I listened to Elvis, Bill Haley, Carl Perkins, Eddie Cochran and other artists who played some rockabilly music. So when I heard the Stray Cats in 1982, it was like hearing stuff I was already familiar with. The Built For Speed album was one I played over and over.

Brian Setzer was born in New York and was exposed to a lot of genres of music. He learned to play the guitar at a young age, and when he was a teen, he formed a trio he called the Tomcats, That group would later change their name to the Stray Cats. They were influenced by all those artists I just mentioned and their group developed a fairly large following in the underground punk scene of New York City during the late ’70s. Their fan base expanded so quickly that they found themselves being courted by no less than a half dozen record labels in 1980.

Brian Setzer opted to record and produce the Stray Cats’ debut album in the UK Rock This Town was released there over a year before it was released in the US. Rock This Town was a Top 10 hit for the band. It’s crazy to watch the video and see Brian. He looks like a baby in it. Hard to believe he was only 23 when this video was shot.

Rock This Town

My dad and my uncle used to play old blues music on records and on the guitar. At my graduation party, they played stuff from Jimmy Reed, Bo Diddley, and other blues legends. Because of that, I’ve always loved the blues. Because of that, I was naturally a fan of George Thorogood.

Bad to the Bone is based on the Bo Diddley blues song “I’m a Man.” Bo Diddley was one of George’s heroes. His “version” has a much heavier guitar sound, which replaces the harmonica in Diddley’s recording. Songfacts.com says that “both songs are full of swagger, with the singers exuding lots of testosterone.”

Songfacts.com goes on to say, “With MTV coming on the air in 1981, Thorogood picked a good time to release a memorable video. The clip shows Thorogood playing pool against Bo Diddley in a place where there is no chance of a dance sequence breaking out. Pool champion Willie Mosconi also appears in the clip, which introduced Thorogood – and to some extent, Diddley – to the younger MTV crowd. Among the British New Wave acts that dominated MTV’s playlist at the time, Thorogood certainly stood out, and he created an image of a bad man. While Thorogood is a disciple of the blues, he was raised in a Delaware suburb and by most accounts is actually a pretty nice guy, despite what he claims in this song.”

I love the fact that Diddley is in this video! The song is one that has a life of it’s own. It is used as intro music for wrestlers, it has been used during the removal of the bride’s garter at weddings, and has been used in both movies and television in seriousness and for comedic effect. It is a classic.

Bad to the Bone

I love a great intro. Sometimes a great guitar riff or a neat drum thing is all it takes to hook me. The intro to Everybody Wants You was one of those intros. It appeared as the opening track of his multi-Platinum 1982 album Emotions in Motion.

The song itself didn’t do that great on the Hot 100 chart, as it only went to number 32. However, it was around this time that one of the radio formats that was big was called AOR – Album Oriented Rock. It had great success on these and rock stations. It reached number one on Billboard’s Top Rock Tracks chart. Naturally, the video did well on MTV, too. It remained in heavy rotation for quite some time.

The minute I hear this one, I think back to those nights of shooting pool with my buddies. It was always on the jukebox.

Everybody Wants You

The next song is one that is still applicable today. Perhaps even more so. What exactly is “news” today? Turn on any local news channel or entertainment news show – it is chock full of stories like the ones referenced in Don Henley’s first Top 40 hit as a solo artist – Dirty Laundry.

Again, the intro of this really stood out for me. The lyrics take it to an entirely new level. They are so good and perhaps that is because Henley had plenty of real life to draw from. This song is about unscrupulous news people doing anything for a story. Henley values his privacy, and hates it when reporters pry into his personal life. He had to deal with increased press attention when his girlfriend at the time, Maren Jensen, came down with Epstein-Barr Syndrome. She recovered, but they broke up soon after.

Songfacts.com states: “Henley sings from the standpoint of a news anchorman who “could have been an actor, but I wound up here”. The song’s theme is that TV news coverage focuses too much on negative and sensationalist news; in particular, deaths, disasters, and scandals, with little regard to the consequences or for what is important (“We all know that crap is king”). The song was inspired by the intrusive press coverage surrounding the deaths of John Belushi and Natalie Wood. It was also inspired by Henley’s own arrest in 1980 when he was charged with contributing to the delinquency of a minor and possession of marijuana, cocaine, and Quaaludes after a 16-year-old girl overdosed at his Los Angeles home”

While Don’s version is the best, Lisa Marie Presley (who had to deal with a lot of press intrusions on her personal life) also does a really neat version of Dirty Laundry.

Dirty Laundry

There were plenty of great songs in 1982, I’m sorry if I missed one of your favorites. Next week, we’ll move ahead to 1983 where there will be a good mix of rock, country, pop, soul and a movie song that will forever be associated with summer vacations ….

See you then!

Friday Photo Flashback

This Sunday (6/9) will mark 36 years since I graduated from high school. Coincidentally, I graduated from college with my Associates Degree 25 years later (11 years ago). I mention this because there have been so many graduation posts on Facebook over the last week or two. Many of my friends have been celebrating the college and high school graduations of their sons, daughters and grandchildren and they pictures and messages have been wonderful to read.

For the Friday Photo Flashback today, I share two photos from my high school graduation day. The first is one with my dad and me.

I remember when we took this photo thinking it was corny, but looking back at it now, I am so glad we took it. I’m sure there were plenty of times that my folks wondered if I’d ever get grades good enough to graduate! I had so much trouble with Algebra and often did the bare minimum in some of the classes that I hated (like Family Life – URGH). Luckily, there were plenty of classes that I took that I did like.

This photo is taken in our driveway just before I left to go to commencement. I was in band and we played before the ceremony started, so I had to be there early. That is my Ford Escort that my grandmother bought me for graduation. I laugh because of the stuff painted on it and the cat that is suction cupped to the back window. The Oops at the left rear bumper is where my friend Margaret slid into my car one winter morning (that’s a story in itself).

I truly love this photo of my dad and me.

The second photo is from later that evening, but before the ceremony. Our ceremony was held outdoors in the football stadium. The stage was set up in the center of the field and parents and family were seated in the stands to watch. The band set up on the track in front of the field. The first few numbers were played with all the seniors in place. When it was close to the start of the ceremony, the seniors left and lined up to walk into the stadium.

I remember all of the little things that happened in the month or two before graduation where the reality of school ending would hit me. One of those things was when we went to band class and there were songs that were played without us senior players. We sat and listened and it was hard. I loved playing music so much, I hated the fact that it was all coming to and end for me.

One of my favorite memories of that night was getting to conduct the band. There were a couple of us who did that. I picked a song called Tin Pan Alley, which was a medley of songs like I’m Looking Over a Four Leaf Clover, Ain’t She Sweet, and Happy Days Are Here Again. It was a long song and I was surprised I was allowed to conduct that one.

I remember it was a tad breezy that night and at one point the conductor’s score flipped a few pages. Thank goodness I was familiar with the song and really didn’t need it. As I look at this photo I see many classmates that I am still in contact with. Our valedictorian, Debbie, who is playing trumpet in the white cap and gown played the trumpet solo that I had played when we did it in concert because I was conducting. Directly to the right of my left hand, you can see a leg in a pink cast. That’s Theresa, if memory serves me right, she fell and broke her ankle at the band banquet a few weeks prior to graduation.

What an amazing feeling to be in front of the band, and in control of the tempo and volume of a piece of music. We had a conducting class that year and many of us got to conduct warm up pieces before rehearsal began. I learned so much from this and I would love the opportunity to do that again.

You know what’s funny? After 36 years, I can remember exactly how that song goes. I remember all the transitions, the tempo changes, the drum and cymbal cues, and solos. I could probably sing it for you note for note.

Shortly after this, all of our band seniors got up, shook hands with Mr. Shaner (our director), and lined up with the rest of our class. For three years, we had been the ones playing Pomp and Circumstance on a loop as seniors walked down the aisles and to their seats. Now, it was our turn. What a surreal moment to be listening to it as we walked in and prepared to get our diplomas.

36 years ago … wow.

Friday Photo Flashback

This week, I began a new feature called The Music of My Life and began featuring music from every year of my life. I began in 1970, and I thought I would stay in 1970 for the Friday Photo Flashback. As a bonus, because I couldn’t decide on one picture, you get two!

The above photo was taken shortly after I came home from the hospital. It is one of my favorite photos of my dad and me. There really isn’t a whole lot happening in the background, but there are some things that really stick out to me.

First, I was a pretty good looking kid! Next, my dad, for as long as I can remember always had a mustache. The fact that he doesn’t have one in this picture makes it a bit more special to me. Then, there are his sideburns. It seems like he always seemed to have those, but they are a bit more prominent here. Dad is also wearing a white t-shirt in this picture. It seems like he would wear those often when he was just walking or working around the house. Finally, we both have hair in this photo! LOL

The above photo is a bit after the one with my dad. I love my mom’s smile in this picture! Despite my brother and I making fun of her about them in later years, I love that she’s wearing the horn-rimmed glasses.

This photo was taken at my grandma’s house. So it makes it a nostalgic trip to remember the lay out of her house. It seems like my grandma had that yellow couch forever! There was a green chair made of the same scratchy fabric that went with it. It is no surprise to see the paneling on the wall behind it. If I could stretch the right side of the picture a bit more, directly above the couch was grandma’s cuckoo clock.

On the left side of the picture is a napkin holder that I vaguely remember her having. Later on, they just used paper towels that they stacked in a Tupperware sort of container. Directly behind my mom was grandma’s fridge, which always had a big block of parmesan cheese that she would grate fresh for spaghetti dinners. The freezer was on top and I remember they’d have Wonder Bread in thick plastic bags in there. I wish I knew what that thing is above the freezer next to that vase. It looks like fake flowers, but I don’t know.

Behind me is the stove, which produced some of the most amazing meals I’ve ever eaten! It looks like there was an analog clock on it to the right. I can see one of grandma’s percolators on the stove, as well as the infamous casserole dish that everyone had in the 70’s! In the middle of the stove top, I can see the glass salt and pepper shakers that my grandma used all her life. They are just like the ones you used to see in restaurants before they were replaced by those plastic ones.

There is actually a space between the stove and that counter top behind me. If I were to stretch that side of the photo to the left, the sink would be against the wall and another cupboard would be on the left side of a window that was above the sink. This was the spot where my father was aggravating my grandma one day and she went to kick him in his behind, but he moved. She fell and he stood there laughing. It was probably not funny for her at the time, but she certainly laughed about it whenever she retold the story.

There was a time when grandma always had a table cloth on the table, but as we got older, she stopped. I’m guessing it is because we stained them with food or drink. She eventually just had placemats. For whatever reason, I remember that there was a wooden bowl in the middle of the table that had fake wax fruit in it. My brother and I always seemed to pluck the plastic grapes off the plastic vines.

I have so many wonderful memories of that house, my grandparents, my mom, and my dad. I am glad to have so many photos to remind me of those days…..

Young Fear

My son gets a weekly visit from Head Start. She brings over projects for them to do and works with him on fine motor skills, coloring, cutting, and such. He and my daughter love this visit.

My wife was talking to the Head Start lady as she was getting ready to leave. I didn’t hear the beginning of the story, but it was about a kid whose mother was shopping and had no idea that the child wasn’t with her. “How do you not know your child is not with you?” was one of the questions that was asked.

I was immediately taken back to a day that I barely remember. I remember certain things about it, and I probably should have called my dad to get a clearer version of the story before I write this. For now, here is my side.

This would have been in the early 70’s. There were no cell phones. We were told not to go with strangers, but times were a lot different than they are today. We could go out when we got up and stay out until dark without checking in and our folks never gave it a second thought.

I remember my family went to the mall. My mom went off with my brother who may have only been 2 or 3 at the time. I was probably about 5 or 6. I had yet to get glasses, so my eyesight was not the greatest. I remember I was standing in whatever store my dad and I were in (probably Kresge) and we had walked down the toy aisle. I was looking at some sort of car or truck and dad was ready to move on. “Time to put that down, Keith. Let’s go find your mom.” “I’ll be right there,” was my reply.

I do not know how long afterward I stood there looking at the other toys on the shelf, but it couldn’t have been that long. I remember when I finally did look up, I couldn’t find my dad. I remember standing there and feeling like everything around me was a blur. I didn’t see which way he went. I just stood there. I am sure I began crying.

I remember a man asking me something. I was so scared I don’t really know what he said. I don’t remember if he took me to a store employee, if they made an announcement over the PA, from this point it is pretty much a blur. Long story short – my dad and I were reunited.

I don’t recall him yelling at me or lecturing me, but I am sure he did. I only remember the next part because of how unusual it was. We rarely (except for holidays) went to my grandparents house at night. That night, however, we went there and my dad told them what happened.

I remember sitting at the head of the dining room table with the chandelier above it turned on. I remember the heads and faces of my parents and grandparents telling me how dangerous a situation it was. I remember hearing how lucky I was that someone didn’t snatch me away. I was told how worried they were when they couldn’t find me.

Because it was dark out and I was at the kitchen table, I felt like I was in a film noir interrogation room!

As a parent, I completely understand what my parents must have experienced that night. My kids are SO fast when they are out and about. They can be gone in a flash. In a split second, I can lose sight of them. It is a parent’s worst nightmare.

I pray that I never EVER have to go through what my dad and mom did with me. I suppose this same kind of situation is what led to someone creating the “leash backpacks” for kids.

I’ve been scared many times in my life, but even though I was very young, I can still remember the terror I felt that day!

Happy New Year – Welcome 2024

“Although no one can go back and make a brand new start, anyone can start from now and make a brand new ending.” – Carl Bard

2024 rang in quietly at my place. Sam worked New Year’s Eve and New Year’s Day. I was in bed and asleep by 11:45pm on NYE. I didn’t even hear the fireworks and gunshots. At 5:45am, Daisy was barking to go outside. I got up, got dressed, and took her outside. The sad thing about this who scenario is that the first kiss of 2024 for me … was from the dog!

Sam came home and went to sleep and the kids and I prepared for my dad’s visit. Each of us had things going on over the holiday, so he said he’d drive up on New Year’s Day. He brought the kids their Christmas presents. Ella got a Barbie Camper and Andrew got a Little People car wash. Naturally they fought over the toys while my dad and Rose were there. During one loud batch of screaming, I looked at my dad and said, “By the way, I was hoping you could babysit the kids for a few days.” LOL

Rose doesn’t like her picture on the net, so I cropped her out of the picture. It is always nice when the kids get to see them.

I’m glad I got to see my dad. I feel like I see him less now with my new schedule, but we still talk all the time. There’s nothing better than seeing each other in person, though.

My yearly recap is coming and a pretty big thing happened today that brought me to tears. More on that next blog.

A Proud Son

I waited until he posted about this first, and now I want to share it with you. It brought me to tears.

First, let me say the pride a father feels in his children. The father-son bond is a special one. All too often, we lose sight of the pride that a son has for their father. Our dad is our hero. He is our role model. He is a teacher and giver of advice. My dad is all of that to me and more.

I have written about my dad and his time in the army here before. He was in Vietnam. I didn’t learn till I was older all the things he went through there and back home. When I came to partially understand those things, I felt more pride for him than ever. Well, that pride grew a bit more this weekend.

Let me let my dad tell you what happened. Here is his Facebook post:

Yesterday after around 11:15 am, a car pulled up in front of my house it had QOV on the door of the car. I had no idea what this was about. She came to the door and Rose opened it her name was Lynn Lebeck and she asked for me. So I came out to the front room and in her hand she had what looked like a flag inside of it was a quilt. This organization is the Quilts of Valor. Rose nominated me for my service in Vietnam. I was chosen to receive this quilt after they reviewed information about my service. When she pulled it out of the case I was without words, Rose broke out in tears and hugged me and said “Welcome Home, Sam”. I almost lost it, and told her and Lynn, that I felt I didn’t deserve this. Lynn said “you are so wrong Sam.” Rose found out about this organization because I did a Veterans Day presentation twice at our Elementary School.

What a tremendous honor for my dad! He has often told me that he was “just doing my duty.” He is quite humble, as many veterans are. His service to our country is nothing to take lightly, in my opinion. He deserves to be recognized for it (as do ALL veterans)!

This quilt is just beautiful and will forever be treasured by my dad and our family. How awesome to think of the work it took to produce it and the love that is behind every stitch!

I have never heard of this organization. If I had, I most certainly would have nominated him for it. I am glad that Rose did and that he was chosen to receive one of these amazing quilts.

Rose is not one who likes her picture on the internet, but know that before it was cropped, she is standing proud next to me dad as he wears his quilt of valor.

I am so proud to be my father’s son. Dad, I love you and I am happy that your service was recognized. Thank you for all that you have done for me, my family, and our country.

If you know of a veteran who is deserving of this honor, you can submit a nomination at their website:

https://www.qovf.org/

Celebrating Jimmy Reed

The fantastic blues singer Jimmy Reed was born today in 1925. He was born Mathis James Reed in Mississippi where he learned to play guitar and harmonica. He moved to Chicago in 1943 and was drafted into the Navy. After he was discharged a couple years later, he went back to Mississippi where he married his girlfriend and the moved to Indiana.

By the 1950’s he was a fairly well known musician and was signed to Vee-Jay Records, where he recorded many of his hits. Those hits influenced many artists including Elvis, The Rolling Stones, The Yardbirds, Bob Dylan and more. All of them have recorded covers of Jimmy’s songs.

My dad introduced me to Jimmy when I was working at my first radio job. He asked me to make him a cassette of some songs if they were in the station’s library. A couple of those songs were from Jimmy. He told me stories of how he and my Uncle Tom loved listening to Jimmy Reed and the they even played a couple of those at my high school graduation party.

To me, Jimmy is a blues pioneer. When people talk about the blues, Jimmy’s name comes up. He was posthumously inducted into Rock and Roll Hall of Fame in 1991. His music may not be for everyone, but I really dig it. It will always make me think of my dad and my uncle.

Here are some of my favorites in honor of his birthday!

One of the songs on my dad’s list was “Baby What You Want Me To Do.” Elvis did this at a few of his concerts. I love the groove of this one …

Another one that Elvis covered was Jimmy’s “Big Boss Man”

The guitar lick from Jimmy’s “Shame, Shame, Shame” seems like one that I always heard my dad playing when he was warming up …

Another favorite is “Bright Lights, Big City”

The Stones covered this great one – “Ain’t That Lovin’ You Baby”

The Blues Brothers covered Jimmy on one of their albums, doing a cool version of “I Ain’t Got You”

Jimmy died of respiratory failure just 8 days before his 51st birthday on August 29, 1976. He was inducted posthumously to the Blues Hall of Fame in 1980. He was certainly a “Boss Man of the Blues”

Happy Birthday, Jimmy!