The Music of My Life – 2009

Welcome back to The Music of My Life, where I feature ten songs from each year of my life. In most cases, the ten songs I choose will be ones I like personally (unless I explain otherwise). The songs will be selected from Billboard’s Year-end Hot 100 Chart, Acclaimed Music, and will all be released in the featured year.

One of my comedy heroes has always been Jack Benny. He claimed to be 39 for most of his career. It was one of the many personality traits built into his comedy character. In 2009, I actually turned 39 and have celebrated the anniversary of my 39th birthday ever since.

2009 once again brought changes as it was when my partner and I were let go from our morning show. They replaced us with a form of syndication. They had one person in Flint, and the rest of the crew was on the west side of the state. It hurt because we always talked about the importance of being local. Now the majority of the show is miles away and the only “local” Flint got was traffic and weather.

I think had they let us continue, we would have continued to do well in the ratings. Our program director loved what we were doing. When he passed and a new one came in, I always felt that they had it out for us. Why? So that they could do the morning show instead. In a sense, that is what happened.

It is one of those things that I have to look back on. When I do, I know that had that not happened, my life may have turned out very different. So I have to look back and be grateful for where I am now.

Ok, let’s look at some music.

I wrote all of the above without realizing that my first song is Lucky by Jason Mraz. This was the song that one of my former sisters-in-law used as her wedding song. Of all of my ex’s family, I miss her the most. I used to love making her laugh out loud. I think of her often.

This was a song I really liked right from the get go. I loved the blend of their voices. What was neat was to hear of their mutual love for each other’s music. Colbie Caillat said:

“He (Mraz) emailed me many months ago, saying that he loved my music, that he’s heard my album and he has a song on his album that he wanted me to help him finish writing and collaborate with. We finished writing through email. When he was in London recording his album, I was over there doing promotions for my album and I went over there to do vocals.”

Jason said:

“I became a fan of Colbie through MySpace and just cold-called her to see if she’d want to write and sing together. I dug her laid-back style and her attention to little things that make relationships work. She was a delight to share the mic with.”

They recorded the song without telling their respective record labels. The labels were not really into the idea. Those labels were obviously wrong as this won the 2010 Grammy Award for Best Pop Collaboration with Vocals.

Lucky

It has been said that “men only want one thing.” I suppose there are many “things” that can be interpreted to be that “one thing.” If you think that one “thing” is money, well, here is a song for you.

I remember the first time I put this one in the CD player at work. It follows the classic “flip.” In other words, you have this slow, serious sounding introduction. That is immediately flipped into something not so serious. Does that make sense? Give it a listen and you will understand what I mean, I hope.

The Trace Adkins songs I have featured here have always had a very serious tone to them. He has had his share of hits with that serious tone, too. But every artists needs to break away from those ultra serious songs now and then. Trace says:

“It’s just fun stuff. You have to try to balance these records. I try to go deep on some, but you’ve got to do some that are just mindless – just stuff you can listen to and turn it up loud and drive fast and just have fun with it and smile and sing along and laugh. You’ve got to have that stuff.”

That’s exactly what “Marry For Money” is. It is the picture of a low down, cheating, male gold digger. And with that being said, it is fun to listen to!

Marry For Money

I had DJ’s enough high school and middle school dances to hate Miley Cyrus. Urgh! That Hannah Montana stuff that the kids loved was just crap to me. That is until I heard, The Climb. It was the first song where I felt like, “Ok, she can sing” and “That song is a hit!”

The song was written by Jessi Alexander and Jon Mabe. I was worked with Jessi before, as she did a show for our listeners at the Moose. She seemed shy and quiet, but she sang like a superstar. I always thought her debut album should have done more.

This was the first single to be taken from the soundtrack of the 2009 Miley Cyrus film Hannah Montana: The Movie. When this reached #1 on the on the Adult Contemporary chart, Miley was 16 years and seven months old. This meant she was the youngest artist to top that survey since LeAnn Rimes. It was Miley’s first #1 single on any of Billboard’s airplay charts.

The song’s lyrics remind me of the poem “The Dash.” The poem is about a grave stone’s dates and the dash between them. Life isn’t about the date of birth or date of death, it’s about what happened between them – the dash.

Here is the chorus of The Climb:

There’s always gonna be another mountain
I’m always gonna wanna make it move
Always gonna be an uphill battle
Sometimes I’m gonna have to lose
Ain’t about how fast I get there
Ain’t about what’s waiting on the other side
It’s the climb

Life is about the climb!

The Climb

The next song is one that really hits home for me. Not that it was important in 2009, however, it reflected my thoughts on a situation in the mid-90’s. Without giving too much info that folks who know her would figure it out, here is the story.

There was a gal who I really liked. Ok, loved. I hated seeing her with this other dude, who totally treated her like crap. She deserved more. Deep down, I wondered if I ever got a shot to be with her. If I did, I would treat her much differently. I would treat her like he should have. She would often come to me upset because of her relationship. I wanted to scream, “Dump him! I’m here!” That never happened.

Taylor Swift explained the song this way:

“This song is basically about wanting someone who is with this girl who doesn’t appreciate him at all. Basically like ‘girl-next-door-itis.’ You like this guy who you have for your whole life, and you know him better than she does but somehow the popular girl gets the guy every time.”

Last I heard, that gal married the guy. We lost touch, because of that guy. We were such good friends at one point. It is sad to think about.

You Belong With Me

When I used to DJ, I sort of had a rough play list. I started almost all of the weddings the same way. I would play Unchained Melody after all the wedding dances were done. This got all the couples on the dance floor to dance. After it, I would play a fast song to keep the floor packed. Depending on the age group, it might be Old Time Rock and Roll, Gettin’ Jiggy Wit It, Get The Party Started, or something else.

When the Black Eyed Peas released I Gotta Feeling, it was my go to “kick off” song. All age groups loved it. It was the perfect song to talk up, too. “I gotta feelin’ we’re going to have a great night tonight! What song can I play for you, etc….”

It was a great party song and a great radio song. The song was a number 1 song for 14 weeks! The song was the first ever single to be downloaded more than one million times in the UK. Said Fergie:

“It’s exhilarating to know we are so connected to our Peabodies. Hopefully the good vibes from that song will continue to brighten people’s lives.”

According to will.i.am, he literally dreamt up this tune. He said:

“I’ve written songs right from a sleep. Have you ever had a dream where there’s a melody in your dream? I’ll wake up out of my sleep and record that! ‘I Gotta Feeling’ was one of those songs.”

I Gotta Feeling

Next is a song that I remember playing when I worked at the Adult Contemporary station. I was, of course, familiar with Colby Caillat’s music already. It wasn’t until I had moved in with Sam while going through my divorce that the lyrics of this one took on a whole new meaning. I really did begin to fall for her.

Caillat explained to Elle that the song is:

“about falling for a guy I was friends with. We went out on a date and I realized that there was no one else in the room. The room was silent, and I was on this high from it the next day and wrote this song.”

If the guy in the video looks familiar, Colby explains why:

“Bobby Moynihan from SNL plays my love interest, and the whole video is about this guy who’s not my type, but he does all these dorky things on our date that somehow impress me. So he picks the roses from my garden instead of buying me flowers. And then we’re going to go surfing and he almost hits me over the head with the surfboard. And he also has this really funny fantasy dream where he’s dressed all ‘Guido’ in white shoes and his chest is showing and I’m in this ridiculous bathing suit with huge hair and we’re dancing at a DJ party on the beach. It’s just a funny, silly video.”

Falling For You

I have been friends with a gal for almost 40 years. She always said, “Remember to smile, it’s contagious!” I always loved that. There are plenty of great sayings about smiles. “Smile, it makes everyone wonder what you’ve been up to” is another great one. One of my favorite DJ’s used to say, “If you are walking down the street and you see someone with no smile, give them yours and tell them Don Alcorn says hello.”

There are some great songs about smiling, too. “When You’re Smiling” by Dean Martin and “Smile” by Nat King Cole immediately come to mind. Well, Uncle Cracker’s isn’t a bad one either.

Uncle Kracker told Billboard magazine this is: “probably the most positive song I’ve ever written.” He added that the overall tone of the album Happy Hour, “is pretty positive in light of everything that’s going on in the world.” He said: “I made a conscious decision to try something positive. It’s what I needed. it’s a positive spin on everything.”

It’s one of those positive songs that I love!

Smile

Remember the saying, “A stranger is a friend that you haven’t met yet?” That was the thought I had when I heard the title of this Michael Buble’ song. Whether it is an unborn baby or a future lover, the song can have special meaning.

When it came time to record the Crazy Love album, Michael told song facts:

“I started this record knowing I was going to record it differently than my previous ones. I dug way deeper and was more introspective on this one. Basically, I sang the truth – made each song autobiographical – and you can definitely hear the difference. I went back to the way my idols made their records. I wanted an organic feel – so people could feel like they were in the studio with me. The musicians and I all sat in the room, recorded it right from the floor and we let the sounds all come together and bleed into one another. It’s not contrived. Not too perfect. It just feels really good.”

In an interview with The Associated Press, Bublé was asked what the message is he’s trying to send with Crazy Love. He replied:

“I think the message is that all of us can relate to this feeling, this emotion called love and it’s a complicated feeling. It doesn’t just come with butterflies in the stomach and happiness and sunshine and lollipops, it comes with heartache and jealousy and sometimes rage and sometimes insecurity and sadness and regret. It’s a beautiful, complicated, and really special feeling that keeps us all connected.”

This was the first recording by a jazz crooner to reach the Top 30 of the Billboard singles chart since Norah Jones’ “Don’t Know Why” seven years previously in 2003.

Haven’t Met You Yet

The next song stood out to me because of the sound. The first time I heard Hey Soul Sister by Train on the radio, I loved it! That ukulele cut through like a knife to me. Train’s Pat Monahan said, “The ukulele made everybody happy. I think that along with the song itself and the melodies, people gravitate towards that positive part of it. The ukulele made a big difference.”

He told Billboard that the song and the album were a return to their folk roots. He said:

“There’s super catchy riffs and melodies in it, which I think are way more important that any production trick or great-sounding vocal production. It’s kind of us going backward so we can go forward.”

The song was the most downloaded on iTunes in 2010 and is just a great feel good song.

Hey Soul Sister

Lady Antebellum (Known now as Lady A) was one of those groups that came through on a radio tour and left me speechless. They were SO good. I knew that they would be stars. They music they played, their vocal stylings, the dynamics of the group – they had it all.

Lady A is Charles Kelley, Hillary Scott and David Haywood. Need You Now was from their second album. Hillary Scott explained that the song, and many others on the album, “Are about what we are learning as we go through the ups and downs of different relationships.” She added: “All three of us know what it’s like to get to that point where you feel lonely enough that you make a late night phone call that you very well could regret the next day. But you do it anyway because it’s the only thing that’s going to give you any relief in that moment.”

Charles Kelly said that initially there some concerns about the song’s lyrical content from executives at their record label. “The response from the get-go was so big,” he said. “I remember even having some conversations with the label and people were [saying], ‘Oh no, hope they don’t get offended by the ‘I’m a little drunk and I need you now’ line. And I said, ‘But that’s honest! We’re talking about Country radio, right? What happened to the old Waylon [Jennings] songs and stuff and people said what they felt?’ It’s storytelling.” Dave Haywood added, “The three of us have been there, too. I mean, we’ve been in serious relationships and when you get out of that, all you want is that person next to you.”

I don’t know one person who hasn’t felt that way after a break up. The song connected with people everywhere and went straight to # 1. When this ballad reached #1 on the Adult Contemporary chart in its 10th week, it achieved the quickest climb to the top (excluding seasonal titles) since Phil Collins.

Lady A performed “Need You Now” at the 2010 Grammy Awards, where it won for Record of the Year and Song of the Year. It marked just the second time a country song won the Record of the Year prize and the third time Song of the Year went Country.

The song is a great song, and sadly at its peak was overplayed on the radio.

Need You Now

So there you have my picks from 2009. Did I pick one of your favorites? Did I miss one of yours? Tell me about it in the comments.

The Music of My Life – 2005

I turned 35 in 2005. There was plenty going on in my personal life at this time. We were doing various therapies for my son, who had been diagnosed as being on the Autism spectrum. I had settled into my position at 94-5 The Moose in Saginaw as their afternoon guy and music director. I was certainly loving that. And at some point during the year, my mother’s cancer returned.

At the time, My Space was pretty popular. I was blogging a lot on there. Somewhere, I have a Word document with every one of those blogs. I had to contact them to get them. I had stopped posting there after joining Facebook, and at some point they moved content. I was thankful to get those blogs as they covered the time leading up to my wedding, the birth of my sons and the death of my mom.

I posted a lot about new songs we were playing on the radio, too. A few of them make this list. Let’s head into 2005:

The legendary Ray Charles passed away in 2004, but before he did, he recorded an amazing duets album. Genius Loves Company was the best selling recording of Charles’ more than 50-year career. It was a collection of duets with Norah Jones, Natalie Cole, Elton John, B.B. King, Gladys Knight, Diana Krall, Michael McDonald, Johnny Mathis, Van Morrison, Willie Nelson, Bonnie Raitt and James Taylor.

The album entered the Top 10 on the US album chart more than 40 years after Charles’ previous appearance on that same chart. This broke the record held by another act who also made his comeback with a duets album. In 1993 Frank Sinatra’s Duets reached the Top Ten 25 years after his previous Top 10 album.

Here We Go Again was a song that Ray had recorded in 1967. Then in 2004 he re-recorded this as a duet with Norah Jones for Genius Loves Company. She recalled collaborating with Charles on this song in a 2010 interview with Billboard magazine:

“I got a call from Ray asking if I’d be interested in singing on this duets record. I got on the next plane and I brought my mom. We went to his studio and did it live with the band. I sang it right next to Ray, watching his mouth for the phrasing. He was very sweet and put me at ease, which was great because I was petrified walking in there.”

This song won Grammy Award for Record of the Year and Best Pop Collaboration in 2005 eight months after Charles passed away. In addition Genius Loves Company was awarded Album of the Year among six other awards, as the American music industry paid lavish tribute to him.

Unlike Frank Sinatra and Willie Nelson, Ray Charles’ voice is as strong as ever on this recording. I felt Sinatra’s voice was weak on his duets albums. Willie is still putting out albums and at times he sounds like he’s just speaking the lyrics. Ray, however, sounds fantastic. I love the blending of these two voices.

Here We Go Again

The next song is an example of a song that I first heard in a polka. You read that right – a polka. Weird Al Yankovic has done quite a few polka medleys on his albums. The medley usually contains a verse or chorus from a pop song done as a polka. When I first heard Beverly Hills by Weezer on the radio, I found I liked it.

Weezer lead singer (Rivers Cuomo) explained in an interview with Rolling Stone magazine that this song is about how he could live in Beverly Hills, but he wouldn’t fit in. “I could live in Beverly Hills, sure,” he says, meaning he could afford it easily. “But I couldn’t belong there.'”

Songfacts explains:

The song comes off as satire, but that wasn’t what Rivers Cuomo had in mind when he wrote it. “I was at the opening of the new Hollywood Bowl and I flipped through the program and I saw a picture of Wilson Phillips,” he said. “And for some reason I just thought how nice it would be to marry, like, an ‘established’ celebrity and live in Beverly Hills and be part of that world. And it was a totally sincere desire. And then I wrote that song, ‘Beverly Hills.’ For some reason, by the time it came out and the video came out, it got twisted around into something that seemed sarcastic. But originally it wasn’t meant to be sarcastic at all.”

The music video was shot at the Playboy mansion. It included appearances by Playboy founder Hugh Hefner and some of the Playboy bunnies. Two of those bunnies were Holly Madison and Bridget Marquardt.

Beverly Hills

When I was music director at the Moose, I spoke with a lot of record people. One of the industry folks knew I loved music from the Rat Pack. She asked me if I had heard of Michael Buble’. I hadn’t. She sent me some MP3’s of his music and I was hooked.

The song could have been sung by just about any artist who tours. The lyrics sound as if they could be autobiographical. It is sung by someone who spends a lot of time on the road with great success. With that success, there is sacrifice. He is missing his home, particularly the woman he loves.

Despite the fact that Home only reached #72 on the Hot 100 chart, it was a breakthrough song for him. The song hit #1 on the Adult Contemporary survey in July 2005. Three years later Blake Shelton reached #1 on the Country chart with his cover of Bublé’s hit.

Bublé and Blake Shelton teamed up in 2012 to record a holiday version of this song for Shelton’s, Cheers, It’s Christmas album. The collaboration happened after Shelton sent Bublé an email saying he hoped to record a yuletide-themed rendering of the tune. “I had the idea of doing a Christmas version of ‘Home,'” he said.

This was the song that proved to folks that Michael was more than a cover artist. His original songs are just as good as the standards he records. He is also more than just a Christmas artist. It bugs me that people pigeon hole him and label him like that. He’s one of my favorites.

Home

My on air name was “Keith Allen.” As a music director, I got to hear all the new music before it went on the air. I popped Play Something Country by Brooks and Dunn in the CD player and loved it. On my first listen, I thought they said my name – Keith Allen. I suppose, in a way, they did. But the lyrics refer to Toby Keith and Alan Jackson:

Said, I’m a whiskey drinking, cowboy chasing, hell of a time
I like Kenny, Keith, Alan and Patsy Cline.

I have to tell you my favorite story about this song. When my program director and I first heard this, we said, “That’s a number one song!” We told our consultant that we wanted to add it. He said he didn’t feel like it was a hit. We were both shocked. We both told him that we felt it would be number one. He fought us.

He fought us for a few weeks on this one. He finally said that if we really felt it was a hit, we should add it. We wound up making a wager. I told him that if it didn’t go to number one, we’d buy him dinner. He said if it did hit number one, he would buy US dinner. The week it hit number one, he called us for our weekly music call. When we answered we started giving him restaurants we could go to!

His issue with the song? The “wolf-like” howl of the chorus.

Play Something Country

The next song is one that everyone jokes about on October 1st every year. “Someone needs to go wake up the guy from Green Day!”

This song reminds me of Fastball’s The Way. I say that because it starts with a simple acoustic guitar behind lead singer Billie Joe Armstrong. Then the song kicks in with drums and the rest of the instrumentation. I love the sound of that.

Green Day’s Billie Joe Armstrong wrote this song about his father, who died of cancer on September 1, 1982. At his father’s funeral, Billie cried, ran home and locked himself in his room. When his mother got home she knocked on the door to Billie’s room. Billie simply said, “Wake me up when September ends,” hence the title.

“My father died in September of ’82, and I purposely, up until that point, never went there,” Armstrong said in an interview. “I think really what I was doing was processing that loss that I had with this person that I never really knew. So I wrote that song for my father and about that loss and how 20 years had passed. I remember right after I wrote it, I felt this huge weight off my shoulders.”

Wake Me Up When September Ends

Another country newcomer makes my list this week. I have actually written about him, and the song. Here is that blog:

Tune Tuesday – Must Be Doin’ Something Right

Must Be Doing Something Right

The next song is one of the slowest chart climbers in history. It was on the American Hot 100 chart for 23 weeks before it entered the Top 40. KT Tunstall’s “Suddenly I See” was inspired by another artist, Patti Smith. Tunstall said, “The inspiration for the song was Robert Mapplethorpe’s photograph of Patti Smith on the cover of her album Horses. I was staring at it one day thinking it was incredible. It’s everything I love about music – mysterious, inviting, frightening.”

Suddenly I see
This is what I wanna be
Suddenly I see
Why the hell it means so much to me

“The chorus was me thinking, ‘that’s what I want to be,'” Tunstall told The Guardian. “Not a famous pop star with lots of money, but like this woman who’s living her life as an artist. I’d been trying for more than 10 years to be a professional musician. I was just exhausted from trying to persuade other people I was good enough.”

I remember hearing this song shortly after realizing that my first marriage was over. After all I learned and discovered through therapy, the title spoke to me. Suddenly, I saw just what was going on and I realized that I couldn’t do it anymore.

Suddenly I See

There were some really good country songs around this time. There were many new artists and some really distinct sounds that were on the radio. I was impressed with Josh Turner from the first time I heard him. I couldn’t believe the tone of his low voice.

Your Man is a song that I wish I could have written. Here is a guy who has been thinking about his woman all day long. He tells her to lock the door, turn the lights down low, and play some music.

I’ve been thinking about this all day long
Never felt a feeling quite this strong
I can’t believe how much it turns me on
Just to be your man

That’s LOVE right there!!

I love the entire feel of this song. It’s the perfect song to “sway” to.

Your Man

As the “Nostalgic Italian,” I think it is safe to say that I believe in the power of a photograph. The memories that can come from looking at an old picture just amazes me. My Friday Photo Flashback is always fun to do. I think that is because of the stuff that comes to mind with those old pictures.

I know there are plenty of people who hate Nickelback. However, Photograph is a song that I can relate to in so many ways. (From songfacts): This song is about reviewing the memories (missed and forgotten) from the band’s childhood in Hanna, Alberta. The lyrics are a chronicle of real events and personal landmarks lead singer Chad Kroeger recalled as he wrote it.

“It’s just nostalgia, growing up in a small town, and you can’t go back to your childhood. Saying goodbye to friends that you’ve drifted away from, where you grew up, where you went to school, who you hung out with and the dumb stuff you used to do as a kid, the first love – all of those things. Everyone has one or two of those memories that they are fond of, so this song is really just the bridge for all that.”

Someone once said, “If you don’t think photos are important, wait until they are all you have left.” I couldn’t agree more.

The photograph Kroeger is holding in the video is the one that inspired the song: It’s a shot of him and their producer, Joey Moi, at a New Year’s Eve party.

Photograph

We wrap up 2005 with a One Hit Wonder. Defining a “one hit wonder” isn’t really easy. Most feel it is when the artist fails to have their follow up released crack the Top 25. There are certainly many songs that fit into that category.

Daniel Powter’s album was released in America in 2006. Bad Day was released in the UK in 2005. In the fifth season of Americal Idol, the song was played over a video montage of the contestant that was being sent home that week. This helped the song gain popularity.

Powter is from British Columbia who later moved to Los Angeles. “Bad Day” was his first single released on a major label (Warner Bros.), and his only hit. He later described it as “a blessing and a curse.” Powter said:

“I was touring the world and performing for thousands of people, but I felt like the song was starting to define me. I actually found myself getting almost angry about it.”

This was the top-selling digital download of 2006. This was the star of people prefer downloading songs to buying CDs. It was part of a shift toward digital distribution of individual songs. In America, the album sold 500,000, but the single was digitally downloaded over 3 million times!

My mom was doing chemotherapy and radiation for her breast cancer at this time. She found the song to be inspiring. It basically says that even if you have a bad day once in a while, things will get better. My mom always tried to have a positive outlook. She battled cancer for 10 years and by this point she was tired.

My mom had the gift of gab. She was always on the phone. She assigned Bad Day to be the ringtone for her cell phone. I believe it was on there until she passed away. When I hear this song, I am taken back to those final weeks of her life.

Bad Day

What song from 2005 did I miss that was your favorite? Drop it in the comments.

Next week, we’ll focus on 2006. On my list is a song about a steeplechase runner, a song that became a hit because of Grey’s Anatomy, and a song that was a hit on the Adult Contemporary Chart and the Country charts. It also has a great Drifter’s cover song, one that took on a whole new meaning for me when my daughter was born, and a creative way to insinuate profanity without actually using it.

Thanks for reading and for listening! See you next week.

The Music of My Life – 2002

This particular year is posting on Christmas Day. I wasn’t sure about skipping it or moving it to another day, so here it is. That being said, Merry Christmas to you and yours!

In 2002, I turned 32 years old. I also became a father for the first time. It was a year of change to be sure. I was also a year of struggle, as I would be let go from my radio job shortly after my son was born. I was able to find another radio job, but the rate of pay was so much lower that I would have been better off on unemployment.

Music has always been a way for me to get through tough times. Here are my favorites from 2002:

In February of 2002, the world was introduced to the amazing Norah Jones. The album was Come Away With Me and it was something that really stood out amongst the rest of what was going on musically at the time.

According to Songfacts.com, Norah started performing this song with Jesse Harris (the write of the song) after moving to New York City. Harris “thought it was a good fit for a female voice. Jones changed the key to fit her voice, added a drum beat, then recorded a demo of the song with Harris in October 2000. That demo got the attention of the jazz label Blue Note, which signed Jones and sent her to the studio to record with a group of session musicians. The results were too convoluted, so Jones was assigned to a different producer, Arif Mardin, who had worked with many famous artists, including Aretha Franklin. He was brought in to capture Jones’ distinctive sound, which he did by keeping the original demo take and adding some guitar and a vocal harmony, making Jones harmonize with herself.”

Jesse Harris played guitar on the original demo, which ended up being used on the final recording. He almost stopped the take because he didn’t like the mix in his headphones. He kept going and was glad he did, since that was the keeper. Jones and her band were willing to do another take, but the engineer, Jay Newland, thought it was perfect and wouldn’t let them.

Songfacts says, “Grammy voters were enamored with Jones, nominating her in five categories, with “Don’t Know Why” up for Record of the Year and Song of the Year. After the nominations were announced, the album went to #1 in America, claiming the top spot on January 25, 2003, 11 months after it was released.

Jones cleaned up at the Grammys, winning all five awards she was nominated for, with Come Away With Me earning Album of the Year. Jones also won Best New Artist and performed “Don’t Know Why” on the show.”

It wasn’t long after this that I was watching Sesame Street with my son. Norah sang this with altered lyrics about the letter “Y.”

I Don’t Know Why

The Come Away With Me album is a rare massive seller with no big hits. The only song to land in the Hot 100 was “Don’t Know Why,” which made #30. “Come Away with Me” was the third single, released in December 2002 after the album had been out for nine months. By this time, it has already sold millions of copies, but many were just discovering it.

I love that these two songs really show off the unique voice of Norah Jones.

Come Away With Me

I don’t recall the first time I heard A Thousand Miles by Vanessa Carlton. It is entirely possible that it was years after it was released. I probably heard it for the first time when I was at the Adult Contemporary station I was working for.

I just know that I really liked it. I loved the melody and her voice. I had never seen the video before I watched it to post here.

Vanessa wrote the lyrics after coming up with the song’s piano riff in the summer of 1998 at her parents’ house in Philadelphia. She revealed in a documentary for Vice that she penned the words about a Juilliard student she had a crush on while studying at the School of American Ballet. However, her love was unrequited. “I would never talk to this person,” Carlton said. “I was very shy. I was like, ‘There’s just no way on God’s creation that this would ever happen.'”

She refused to reveal the subject’s name to Vice because he’s a “famous actor” now, apparently.

The song was used in the Shawn and Marlon Wayans movie “White Chicks.” When asked about the song being in the movie, Vanessa said, “I thought it was hilarious. Those guys are really nice, too. I ran into them backstage or something, and they asked me if they could use it. They’re like fans, they’re so cute. But the scene that was in was hilarious.”

A Thousand Miles

Brad Paisley was just coming on the scene when our station brought him to town for a show. He was friendly and a bit shy. When he hit the stage, he was a marvel to watch. I’d watched a lot of people play guitar, but I was in awe of his playing!

His second album, Part II, was released in 2001. One of the songs from it showcases Brad’s playful lyrics and sense of humor. I’m Gonna Miss Her (The Fishing Song) is about a wife who gives her man an ultimatum. He needs to pick between fishing and her. I would imagine this could be re-written as The Golf Song or The Hunting Song, too.

The video is something that takes the song up a notch. Songfacts, quotes Brad:

“I’ve always written with a little humor. Even my saddest songs have a little smile to them,” Paisley recalled in his spotlight interview during the 2018 Country Radio Seminar in Nashville. “So for the [‘I’m Gonna Miss Her’] music video, I pitched this whole idea: I said, ‘I’m gonna do a video that’s gonna take the song to whole other places.’ I was going to get Dan Patrick, who was at ESPN at the time, and have him officiate a fishing tournament. And then Jimmy Dickens was gonna be my fishing buddy. Then, we were going to end up on The Jerry Springer Show. The wives were going to be upset with us, throwing chairs and stuff. [The guy from the label] said, ‘Can you really make this happen?’ And I said, ‘Absolutely.'”

“I walked out of that meeting,” Paisley added, “called my agent and said, ‘I really, really need Dan Patrick’s number.'”

His real life wife, Kimberly Williams, also appears in the video.

I’m Gonna Miss Her

The next song is one that I can relate to quite well. I have been very lucky to still have friends from elementary school (as well as middle and high school). Those elementary school friendships that last are treasures. I have written here many times about my best friend, Jeff, who I have known since second grade.

“We’re Going To Be Friends” by the White Stripes was released on the band’s third album, White Blood Cells. At that time, they were little known outside of their Detroit stomping grounds and in the UK, where they got a lot of love from the music press. But thanks to a surprise hit movie, they gained lots of recognition and fans.

This song plays at the beginning of the 2004 movie Napoleon Dynamite, where it’s used under a clever opening sequence where the credits appear on various everyday objects (lip balm, bag lunch). The film, of course, was a surprise hit and earned a great deal of exposure for the song. The main character, Napoleon, is a strong-willed, talented, quirky type with big ideas. Kinda like the White Stripes frontman, Jack White.

The movie was my first exposure to the song. It led me to dig deeper into their musical catalog.

We’re Going To Be Friends

I have always loved a song that has a Spanish feel to it. There is something about the sound of a Spanish guitar that I really dig. When I first heard My Heart is Lost to You by Brooks and Dunn, I was impressed on many levels. The thing that stuck out most was just how good Ronnie Dunn’s voice fit this type of song.

It only went to #5 on the country charts, and faded away afterward. You rarely hear it on the radio today. It is one of the songs that really got me through a rough patch. It always made me feel good when I heard it.

My Heart Is Lost To You

The 9/11 attacks were still very fresh in our minds in 2002. Patriotism was still on the rise, too. The next song became a sort of anthem for the country, but almost was not released.

Toby Keith wrote Courtesy of the Red, White and Blue shortly after the terrorist attacks of 9/11. He said he wrote the song based on what he thought his father’s thoughts on the terrorist attacks would have been. Keith’s father was a veteran and a patriot.

He told the CBS show 60 Minutes that he wrote this song in just 20 minutes, a week after 9/11. His intention was to play it for troops on USO tours, but not to be part of a commercial release. However, after playing it for Pentagon brass in Washington, the Marine Corps commandant said, according to Keith: “You have to release it. You can serve your country in other ways besides suiting up in combat.”

This was one of many country songs that were written and released after 9/11.

Courtesy of the Red, White and Blue

Elvis Presley had been dead 25 years in 2002, yet, here he is on my list!

Songfacts explains: Mac Davis and Billy Strange wrote A Little Less Conversation for the 1968 Elvis movie Live A Little, Love A Little, which was one of Presley’s last. Davis wrote the original version for Aretha Franklin, but when Billy Strange, who was handling music for the film, approached Davis about contributing a song, he realized that “A Little Less Conversation” fit the scene perfectly, so he reworked it with Strange and Elvis sang it for the film.

This was a fairly obscure Elvis song, peaking at a very un-Kingly #69 in America when it was released in 1968. But when it was remixed and released as a single in 2002, this new version went to #1 in the UK, giving Elvis 18 #1 hits there, the most of any artist. Previously, he was tied with The Beatles at 17. The remix topped the charts in several other countries as well, but only reached #50 in the US.

I do remember the first time I heard this. I was blown away. I thought it sounded modern and fresh. It was great to hear his vocals preserved and this take on the song. I was surprised when high school kids were asking for it at dances, too. They loved it and so did I.

A Little Less Conversation

The band Weezer has made some fantastic and memorable music videos. The next one is no exception.

Maladroit was Weezer’s fourth album. Keep Fishin’ was the second song released from the album. It received some high praise from critics. The AV Club stated: “It’s the kind of infectious, impeccably crafted power-pop rocker Cuomo can probably bang out in his sleep”.

The video is just a joy to watch, especially for folks like me who grew up watching The Muppet Show. The music video features Weezer as guests on The Muppet Show as drummer Patrick Wilson is held captive by none other than Miss Piggy. As noted in the Weezer Video Capture Device DVD, it marks the acting debut for the band members in a music video.

The video premiered on July 14, 2002, on MTV2. It was accompanied by a half-hour special showcasing behind-the-scenes footage from the video’s shoot.

Despite the Muppet Show wrapping in 1979 after five seasons on the air, I can see them having more fun with Weezer and other artists if it were still airing. (The new version from a few years ago took it to a more adult level with themes that I felt were not “Muppet-ish”)

Keep Fishing

Speaking of growing up in the 70’s and 80’s, the next song was like a time capsule. It tossed in many things that I remembered, and many others did, too. It was a crossover hit for Mark Wills called 19 Something.

The song begins with singer’s reminiscence of his formative years, the 1970s and 1980s. In the first verse and chorus, various 1970s-related bits of pop culture are referenced, such as Farrah Fawcett, eight track tapes, and Stretch Armstrong. The first verse also mentions the videogame Pac-man (“I had the Pac-Man pattern memorized.”). The first chorus begins with the line “It was 1970-somethin’ / In the world that I grew up in.” Verse two, similarly, references 1980s pop culture, such as the Rubik’s Cube, a black Pontiac Trans Am, and MTV. The second chorus likewise begins with “It was 1980-somethin’.” In the song’s bridge, the singer then expresses his desire to escape to his childhood years: “Now I’ve got a mortgage and an SUV / All this responsibility makes me wish sometimes / That it was 1980-somethin’.“

It was released as a single from Mark Wills’ Greatest Hits CD. It went to number one on the Country Charts and peaked at number twenty-three on the Hot 100 charts.

19 Something

The final song on my list is a cover of a Joni Mitchell song, Big Yellow Taxi. The song was a hit for her in 1970. She said in an interview: “I wrote ‘Big Yellow Taxi’ on my first trip to Hawaii. I took a taxi to the hotel and when I woke up the next morning, I threw back the curtains and saw these beautiful green mountains in the distance. Then, I looked down and there was a parking lot as far as the eye could see, and it broke my heart… this blight on paradise. That’s when I sat down and wrote the song.”

The Counting Crows covered the song as an afterthought and originally for a hidden track on their 2002 album Hard Candy. It was only released as a single after Vanessa Carlton’s back-up vocals were added for a new version that featured on the soundtrack to the 2003 movie Two Weeks Notice. Their version became the band’s only Top 20 single in the UK, peaking at #13. In the US it reached #42.

If I had to choose between the original and the cover version, I’d choose the original. I don’t think this is a bad cover, but many did. It appears on a few “worst cover song” lists.

I think the song itself is why it is on my list, I love the song. This version doesn’t touch the original, but it did introduce younger folks to the song.

Big Yellow Taxi

Did I leave off one of your favorites from 2002? If so, mention it in the comments.

Next week, we kick off the New Year with 2003. Next to my list for ’03, I wrote “difficult year.” Whether that means that it was hard to narrow my list down to 10 songs or that it was hard to find 10 songs, I don’t remember. I can tell you it features a couple covers songs, a song every parent can relate to, and we learn what beverage equestrians give to their horses.

See you then!

Turntable Talk #24 – This Woman’s Work

For two solid years Dave Ruch from A Sound Day has been hosting a monthly feature called “Turntable Talk.” Each month he provides a topic to me and other musical bloggers to write about. I have been honored to have participated in every one of them. Each of the participants look forward to not only writing our piece, but anxiously await reading the other contributions.

As I stated in a previous blog, this month is International Women’s Month. Dave offered us an easy topic to write about this month. His instructions state “we’re going to turn our tables and sights to the women of music. Pick one you like and write about her. Whoever you want (that might sound creepier than I intended it), singer, songwriter, band member, the lady on the ‘Breakfast in America’ cover, whoever.”

I wrote a blog that teased this topic earlier in the week. In that post, I said, “I really struggled to pick one (female singer). I even posted on Facebook asking my friends to offer up their three favorite singers. I guess I hoped that they would offer up someone that I hadn’t considered (and they did). The results surprised me. The singers that came up the most were (1) Stevie Nicks, (2) Etta James, and (3 – tie) Pink and Karen Carpenter. Etta was the only one that was in my list of considerations. After looking at the list (and the suggestions) I finally chose who I am writing about and NO ONE mentioned her.“

Along with Etta James, I featured a song from my other considerations: Ella Fitzgerald, Alison Krauss, Aretha Franklin, Billie Holiday, Dusty Springfield, Sarah Vaughn, Diana Krall, Norah Jones, Linda Ronstandt, Pat Benatar, Peggy Lee, Jewel, and Keely Smith in that blog. So how did I finally come up with my choice?

My friend, Dawn, from high school actually helped me make my decision. She said, “There are so many talented vocalists, I’d have a hard time picking. if you’re going to write an impactful piece, I think you have to go with somebody you admire because they knocked down boundaries or overcame obstacles. That’s how I’d pick my vocalist.” That really struck me. Now, I am not saying that the ladies I mentioned already did not knock down boundaries or overcome obstacles – heck, Jewel was living in her van before she made it big!

My featured female singer is a talented woman named Diane Schuur.

I was introduced to Diane Schuur back in the late 80’s. I was talking about music with a gal I was dating at the time. We started talking about jazz singers and she asked if I had ever heard of Schuur. I hadn’t. If memory serves me correct, she loaned me a cassette (or maybe a CD) with some songs on it and I really enjoyed it.

One of her biographies online says this: “Diane Schuur is as eclectic as she is brilliant.” In my opinion, this statement could not be more true. While many of her songs would fall into the jazz category, she could easily be filed in the blues or pop categories, too. While preparing to write this, I picked a playlist on YouTube and it was fun to hear the different sounds of each of the songs.

My friend Dawn said to pick someone who “overcame obstacles.” Diane certainly has done that! She was born prematurely in 1953. She has been blind since birth because of Retinopathy of Prematurity. This disorder affected premature newborns who received high-oxygen therapy during neonatal intensive care. This was a standard practice until 1954.

She learned to play piano by ear. She would listen to Dinah Washington songs and began to pound out the melodies at age 3. Dinah was a big influence to Diane as she began singing her songs as a toddler and worked on her own vocal style. She once stated, “As far back as I can remember, singing was in my blood. My parents loved music, and I loved to sing. I was scatting at an early age.” She scats right up there with Ella and Mel Torme’! She also has perfect pitch!

Blindness was not her only obstacle. When she was a young adult, she began drinking and struggled with alcoholism. She also battled an eating disorder. Those obstacles were so much that she actually contemplated and attempted suicide. Thankfully, her brother-in-law stopped her from jumping out a third-story window. She got help and has been sober for several decades.

Diane got her big break when she was 22 years old. She auditioned for drummer/bandleader Ed Shaughnessy (of the Tonight Show Band) after he finished a concert with Doc Severinsen. Ed said, “this young blind girl comes in and sits down at the Fender Rhodes keyboard and starts singing the blues. Well, my hair stood on end!”

He hired her to be the vocalist in his orchestra. This led many other musicians to hear her. Those included Dizzy Gillespie and the great Stan Getz. Stan was so impressed that he became an advisor and coach to her. She stated that it was Stan who taught her that “less is more.” This was important because she had many critics that said she often “oversang” when she first started out. Stan once said, “She’s just like Sarah (Vaughn) or Ella (Fitzgerald) to me. She’s taking from the tradition, and what comes out is her own conception and advancement of the tradition.”

In 1985, she met B.B. King at a music festival in Tokyo. The two really hit it off and later made an album together entitled “Heart to Heart.” It was released in 1994 and it entered the Billboard Jazz Charts at number one!

In 1988, Frank Sinatra asked her to sing with him at a benefit concert when Liza Minnelli was unable to perform. She was a guest at Sinatra’s home and also performed at a concert with him and Quincy Jones. Frank gave her an abstract oil painting that he had created for her afterwards. When Frank passed away, Schuur recorded a tribute album for her late friends (Frank and Stan).

Other inspirations to Schuur include George Shearing, Stevie Wonder and Ray Charles who are all blind as well. She has said that one of her fondest memories was performing with Ray Charles in 1998 for a PBS concert (some of which is available on YouTube).

Her career has brought her two Grammy awards – both for Best Jazz Vocal Performance (1986 & 1987). She is still recording and touring today. She says, “For the future I plan to continue my reading of American song, paying respect to celebrated writers and polishing the gems in the jazz tradition.”

I’ve never had the chance to see her in person, but there are some fantastic live albums available.

All About Jazz says, “Ms. Schuur surely is among the very best jazz vocalists, and she exemplifies, if not redefines the “diva” category with her warm, often humorous and relaxed interactions with the audience and the musicians. Her mere presence is enough to make for a memorable evening.” I hope to be able to see her perform one day.

I will include just a couple of my favorite cuts at the end of this blog, but before I do, I want to again thank Dave for hosting this monthly feature. I hope that you enjoy reading this as much as I did writing it. I love that with each topic, I am not only enjoying old favorites, but I am introduced to new songs and singers. Perhaps this blog is your introduction to Diane Schuur?

Here is a classic – Come Rain or Come Shine

Another favorite – All Right, OK, You Win!

I just love her take on Moonlight and Shadows

One more – Her swinging version of I Can’t Believe That You’re in Love With Me

Thanks for reading!

A Musical Treat (and Tease) on International Women’s Day!

I apologize for the lateness in this post. Happy International Women’s Day to the female readers of my blog! Thank you for all you do! I am lucky to have a very special woman in my life (my wife, Sam). I can honestly say that I would be a mess without her.

In a previous blog, I mentioned that for Women’s Month our Turntable Talk host (Dave from a Sound Day) has asked us to pick a female singer to write about. I really struggled to pick one. I even posted on Facebook asking my friends to offer up their three favorite singers. I guess I hoped that they would offer up someone that I hadn’t considered (and they did). The results surprised me.

The singers that came up the most were (1) Stevie Nicks, (2) Etta James, and (3 – tie) Pink and Karen Carpenter. Etta was the only one that was in my list of considerations. After looking at the list (and the suggestions) I finally chose who I am writing about and NO ONE mentioned her. Stay tuned for that.

I say all that to say this – in celebration of International Woman’s Day, here are some tunes by some of the gals on my list that I did not choose. I hope you will give them a listen and enjoy them.

Etta James – At Last.

The BEST version of this song!

Ella Fitzgerald – Blue Skies

One of the best and a fantastic arrangement. The Queen of Scat Singing!

Alison Krauss – When You Say Nothing At All

What a voice on this gal. God I love her version of this song.

Aretha Franklin – The House that Jack Built

I could pick so many from her, but I always loved this song! Funky !

Billie Holiday – All Of Me

Billie is an influence of so many singers both male and female. Tony Bennett was always mentioning her style.

Dusty Springfield – You Don’t Have To Say I Love You

My favorite Dusty song. The arrangement and her vocal – you can feel every emotion as you listen.

Sarah Vaughn – Broken Hearted Melody

Often overlooked, but SO good! A huge hit and a great vocal!

Diana Krall – The Look of Love

She is amazing. Her voice gets me every time. Her Christmas album is fantastic. There are so many great songs from her.

Norah Jones – Don’t Know Why

Norah and Diana Krall are very similar in my opinion. Both have smokey and unique voices. Both play piano. Both make great music. This song blew me away the first time I heard it.

Linda Ronstandt – What’s New?

I almost went with Linda. Don’t Know Much, Somewhere Out There, Blue Bayou, Different Drum and so many more great ones to chose from. However, I think the albums she did with Nelson Riddle really showcase her voice. Here is What’s New?

Pat Benatar – Bloodshot Eyes

She can rock and sing! I love her voice. She was such a huge part of the 80’s – Heartbreaker, Love is a Battlefield, Shadows of the Nights, and more! I have talked about her blues album from the 90’s so I thought I would share her cover of Wynonie Harris’ Bloodshot Eyes.

Peggy Lee – Big Spender

Her version of Fever is paramount, but I love Peggy’s song Big Spender! It’s sassy and brash. It is sloppy and teasing. It’s flirty and swings!

Jewel – You Were Meant For Me

Having the pleasure to meet and interview Jewel was a radio career highlight for me. She was such a sweet and wonderful person. I loved talking to her and having her sing on the air less than 6 feet from me was amazing. Here is a Jewel Classic

Keely Smith – On The Sunny Side of The Street

Keely was great with Louis Prima, but she was also a stand out as a solo singer. I love her version of this song.

Happy International Women’s Day!!

Midweek Music – Norah Jones

I missed Tune Tuesday for a couple weeks, so here is a musical blog.

In 2003, I was surfing from radio station to radio station and came across a song that “stood out” to me. The singer had this sultry, smokey voice that peaked my curiosity. I had no idea who she was and had never heard the song before. I stood out to me because it sounded almost like a jazz standard, something like Frank Sinatra would have recorded. The song was “Come Away With Me” by Norah Jones.

Norah Jones

The served as the title track of Norah’s debut album. In 2003, Norah was about 24 years old. She recorded the album in late 2000-2001 (so she would have been around 21). The album was very successful, peaking at #1 on the Billboard 200. It also was a Grammy winning album walking away with Grammy’s for Best Pop Vocal Album and Album of the Year!

The song is so simple. Her vocal is beautiful on this song (and all of those on this album). It is one of my favorite songs to just sit and relax with.

Come Away With Me

“Come Away With Me”

Come away with me in the night
Come away with me
And I will write you a song

Come away with me on a bus
Come away where they can’t tempt us
With their lies

I want to walk with you
On a cloudy day
In fields where the yellow grass grows knee-high
So won’t you try to come

Come away with me and we’ll kiss
On a mountaintop
Come away with me
And I’ll never stop loving you

And I want to wake up with the rain
Falling on a tin roof
While I’m safe there in your arms
So all I ask is for you
To come away with me in the night
Come away with me

Norah Jones

Another song on the album that is just amazing is “Don’t Know Why”. The song was written by Jesse Harris and had actually appeared on an album he did in 1999. He teamed up with Norah at some point and she recorded it. The word is that the song on the album is actually the first and only take of the song. Norah told performingsongwriter.com:

“It was a demo I sang for Jesse in May of 2001. That was the first take of the song on that recording, and that’s the one we used for the record. I think it was really beautiful. It was so spontaneous. That’s what made it so cool. I feel like that’s why people connected with it. We were lucky we captured some kind of spark.”

In another story I read, the bass player thought he was too loud and almost stopped the take. He admits, he is glad that he didn’t, as he calls the take “magic”. I would agree. It truly is an amazing cut. In 2003, it won Grammy’s for Record of the Year, Song of the Year, and Best Female Pop Vocal Performance.

Don’t Know Why

“Don’t Know Why”

I waited ’til I saw the sun
I don’t know why I didn’t come
I left you by the house of fun
I don’t know why I didn’t come
I don’t know why I didn’t come

When I saw the break of day
I wished that I could fly away
Instead of kneeling in the sand
Catching teardrops in my hand

My heart is drenched in wine
But you’ll be on my mind
Forever

Out across the endless sea
I would die in ecstasy
But I’ll be a bag of bones
Driving down the road alone

My heart is drenched in wine
But you’ll be on my mind
Forever

Something has to make you run
I don’t know why I didn’t come
I feel as empty as a drum
I don’t know why I didn’t come
I don’t know why I didn’t come
I don’t know why I didn’t come

The album remains one of my favorites. She does a great cover of “Cold, Cold Heart” and other songs on it. Whether you want to call the album Jazz, Pop, Blues or Folk, it doesn’t matter to me. I call it – AMAZING!