The Music of My Life – 2016 & 2017

Welcome back to The Music of My Life. I began this feature last May on my birthday. Over the past 11 months, I have featured 10 songs from every year of my life. The songs featured were released in that week’s particular year. It may have been a bigger hit the following year, but I decided to stick with the rules I had put in place.

This week, I guess I am breaking on of the rules. The rule was that I’d feature 10 songs per year. Last week (2015) I was able to get 10 songs, but from here on out I doubt I will be able to. Whether lyrics were just to raunchy, or some other reason, I found myself looking at songs I disliked or had never heard of. Every once in a while, I’d come across a song or two, but it has become very difficult.

So today, let’s tackle two years 2016 & 2017. It was during these two years that I was going through a very difficult time. These were the last days of my marriage and the beginning (and end) of the divorce. I was only occasionally doing a DJ gig here or there, so I became unfamiliar with many new songs.

Let’s start in 2016 first,

2016

My first pick for ’16 is an amazing song by Tim McGraw. Humble and Kind was written by Lori McKenna. She wrote the song at her home when her kids were at school. She set out to write down what she and her husband would want the children to know, fully aware that kids are bombarded with advice and most of it goes right through them.

“Honestly, it’s a very simple song,” she told The Boot. “It’s really just this list of things that I wanted to make sure we told them, in this rhyme form. I was lucky that the chorus made as much sense as it did. I did write it in that one sitting; it took me a few hours, but it was a lucky day.“

Tim McGraw says, “I guess I had it for a year and a half or so, and it was just her and an acoustic guitar playing it. The night that she wrote it, she sent it to me, and I listened to it over and over, and I just fell in love with the song and her version of it.”

“I knew I wanted to record it, but I just couldn’t quite get my head around how I wanted to do it,” he continued. “I couldn’t get past her demo of her singing it. It was just so beautiful and so touching. If anybody’s ever heard Lori just sit and sing with a guitar, she could sing anything to you and sell it to you. It’s so beautiful what she does.”

It is a fantastic song with a universal truth.

Humble and Kind

My wife and I don’t really have a “song” that we claim for ourselves. We’ve talked about it before and we have songs that were “possible” songs, but never came up with one. One of those possible songs was From The Ground Up.

While we were just beginning our life together, the fact that the song was written about a couple that had been together a long time didn’t matter. Because all relationships have to start from scratch and move forward.

This song finds Dan Smyers and Shay Mooney singing of a love between an elderly couple that’s rooted in commitment and grows deeper with every passing year. “‘From the Ground Up’ is a song that started with a conversation about our grandparents and the love that they shared for the 65-plus years that they were married,” Smyers said. “It tells the story of the life that they built through their power and dedication to each other, and the perseverance to endure whatever would come their way.” (from songfacts.com)

From The Ground Up

Next is a song that Time magazine hated. Justin Timberlake’s Can’t Stop the Feeling. They voted it the worst song of 2016. They said, “The insipid earworm – which was ostensibly recorded for an animated movie about trolls – became essentially unavoidable at any social gathering where someone in attendance was likely to use the phrase ‘cut loose.’ Forget the feeling – just please, please stop this song.”

This song was huge at the few DJ gigs I did do in 2016 & 2017. From songfacts:

Justin Timberlake told People he would never have written the song if it wasn’t for Trolls. “Listening to [producer] Gina Shay and [directors] Mike Mitchell and Walt Dohrn talk about the movie and how it was really inspired by the ’70s, I started bringing up the soundtrack from Saturday Night Fever, movies where the soundtrack was released before the movie and got people equally excited,” he explained. “The movie seems like an unabashed pop song to me, so I was like, ‘Let’s just write an unabashed pop song.'”

“Our task was to write a song that encapsulated the message of the movie, and by the way, we want people to be able to dance to it,” Timberlake said on the red carpet leading up to the Oscars. “When I was watching the movie it reminded me of disco, so that’s where I got the idea for a modern disco song.”

Can’t Stop The Feeling

Next is a powerful song from Alessia Cara – Scars To Your Beautiful. Cara said to her fans before premiering the song. “The standards that we have to kind of face as young women in everyday life just to feel, or look a certain way, or act a certain way, because there’s a lot of pressure being a young girl, and just girls and women in general,” she said. “So I wanted to make a reminder to just love yourself and appreciate yourself no matter what.”

Many of her fans, as well as people hearing it for the first time, have said how much this song meant to them. I can agree with them.

Scars To Your Beautiful

Play That Song by Train was a song that was playing in the background while I was doing something. I was able to pick out the familiar melody, which made me wonder “What is this? Is this a current song? Who is this?”

(Songfacts) The song is built around the melody of the much covered classic “Heart and Soul” written by Hoagy Carmichael and Frank Loesser in 1938. American band leader Larry Clinton recorded the most successful version in 1939, reaching #1 on the chart. Modern listeners probably best known it as the song that Robert Loggia and Tom Hanks play and dance to on a giant foot-operated electronic keyboard in the 1988 movie Big.

The video shows Train singer Pat Monahan dancing around a sunny Los Angeles as he listens to the song. There is a nod to Big as we see him at one point moving back and forth on a giant keyboard. It’s kind of hard not to feel good when you hear that melody.

Play That Song

2017

If the melody of Feel It Still by Portugal The Man sounds familiar, there is a reason. Songfacts explains:

The melody on this track kicks it like it’s 1961, interpolating the Marvelettes hit “Please, Mr. Postman.”

Ooh woo, I’m a rebel just for kicks, now…

Oh yes, wait a minute Mister Postman…

“That ‘Please Mr. Postman’ melody is every bit of the way we grew up,” John Gourley said in his Songfacts interview. “I grew up with dog-mushing parents – which I know is a bizarre thing for anybody outside of Alaska. And even within Alaska, it’s such a small community within the state. So I grew up around really long drives. We were off the grid our whole lives until I left. Like, an hour drive to town. Sometimes a two-hour drive to town. That’s four hours, both ways. So we would just listen to oldies radio, and ‘Please Mr. Postman’ is a staple.

I always wanted to sing something to that melody. It’s a totally different song, and that to me is what music is about. What songwriting is about is paying homage and creating something new. It’s no longer ‘Please Mr. Postman.’ Now, it’s ‘Feel It Still.'”

Feel It Still

I didn’t know much about Imagine Dragons until I started working at the Adult Contemporary station. I played quite a few of their songs there, including Thunder. What struck me about this song is that he is a boy with dreams of being on stage. His classmates make fun of him for dreaming about being a star. The tables turn in the second verse, as the Dragons frontman (Dan Reynolds) flips the script on those who mocked him.

Now I’m smiling from the stage
While you were clapping in the nose bleeds

Karma strikes back. Reynolds says, “‘Thunder’ is: ‘I’m so happy for a really (crappy) middle school and high school existence and getting kicked out of college. It’s reflecting on all those things and saying, ‘Good, I’m happy for all that because that brought me to this place of being. It created angst inside of me that bred art.'”

Thunder

Speaking of Karma, Taylor Swift sings about it and a bit of revenge in Look What You Made Me Do. This is another song that interpolates another as it follows the rhythm of Right Said Fred’s I’m Too Sexy.

Right Said Fred frontman Richard Fairbrass explained how Swift interpolated their tune:

“The title of ‘Look What You Made Me Do’ is based upon the verse of ‘…Sexy.’ That’s basically it. What’s weird about ‘Sexy’ is that when people sing it, they sing the verse, not the chorus – nobody sings that. Everybody sings: ‘I’m too sexy’ – it’s the verse that people have latched onto, not the chorus.”

In Taylor’s song they adapt that rhythm and attitude of the ‘Sexy’ verse as a chorus – so they’ve just interpolated it differently, that’s all it is. I’d be an idiot to complain about it. We’ve been really lucky to have been picked by somebody like Taylor, who is obviously very cool and very successful and open-minded and relaxed about it. She’s not like some people.”

Fun Fact: Taylor Swift’s bathtub in the music video is filled with $10 million worth of Neil Lane diamonds.

Look What You Made Me Do

Ed Sheeran’s Perfect was a song that I suggested as a possibility for “our song” to my wife. It is a truly beautiful love song.

Ed Sheeran wrote this waltz-time love song for his girlfriend Cherry Seaborn, who is an old school friend. After writing it he had no idea whether or not she really likes the track. “I just recorded it and sent it because she was living in New York at the time so I didn’t see her reaction,” he told BBC Radio 2. “I think she liked it.”

Ed calls the song a bit “cheesy,” but I truly like it.

Perfect

The final pick for this week is a song I played at both stations I was working at. I was doing part time work at the country station and part time work on the adult contemporary station. Meant to Be played on both stations. It felt weird to say Florida Georgia Line on the AC station and even weirder to say Bebe Rexha on the country station.

Bebe Rexah said the song was one that helped her get through some personal issues:

“I’ve recently been going through heartbreak, and I listen to the song, and it makes me feel better and like there’s some type of destiny and if something doesn’t work out then, there’s something better waiting for you,” she said. “I think that’s something we need more than ever with all the events going on in the world. People want to feel safe and like everything’s going to be OK.”

Just how did FGL and Rexha get together for this song? FGL’s Tyler Hubbard says,

“Man, it was pretty organic. We ended up, last-minute, kinda out of the blue, getting together with her in LA when we were [there] writing, and wrote it kind of on a whim, late-night. The next thing you know, we just kinda hit gold, if you will. A really special song kinda fell out of the sky, as we call it. It doesn’t happen like that every time we get in a room to write.”

The song really has the life lesson of “It will happen if it’s meant to be” in it.

Meant To Be

Well, that wraps up 2016 and 2017. I had trouble finding my songs, did I miss one of your favorites? Tell me which ones in the comments. Next week, we’ll combine 2018 and 2019. On my list a song that has one of the weirdest videos I have ever seen. Also on the list some movie music, a country ear worm, and a touching song about grandparents. See you then.

Thanks for listening and for reading!

The Music of My Life – 2010

Welcome back to The Music of My Life, where I feature ten songs from each year of my life. In most cases, the ten songs I choose will be ones I like personally (unless I explain otherwise). The songs will be selected from Billboard’s Year-end Hot 100 Chart, Acclaimed Music, and will all be released in the featured year.

We are in the home stretch, as they say. We’re closing in on 2025 and admittedly, the newer music is not as well known to me. Once I was forced into retirement from radio and mobile DJing in 2020, I lost touch with almost all new stuff. I am guessing as we get closer to the end, I may need to double up on years and maybe feature 5 from some of them instead of 10.

I was introduced to Colby Caillat when I worked at the Adult Contemporary station. There was something about her voice that really stood out to me. I Never Told You is a song that I like not because of the lyrical content, but because of her voice.

As I heard this the first time, there was just something that sounded “real.” It was like there was real hurt and real struggle to it. It was only later that I found out why. She told songfacts.com in an interview that it was “the most difficult song she ever wrote. “‘I Never Told You’ was a long work in progress, said the Malibu-based singer-songwriter. “I started it by myself when I was on tour in Germany. Then two years later I played it for Jason Reeves and Kara DioGuardi when we were writing together in Hawaii for my album ‘Breakthrough’, and they helped me finish writing it that week. It’s now one of my favorite songs!”

I Never Told You

They say you are your own worst critic. When I listen back to my old radio shows, I think of how things could have been edited or worked with a better punch line. I’m fine when it is me telling myself what to do. Sometimes, however, there are people who think they know it all. They offer you this “sage” advice that isn’t worth squat.

That kind of situation led to my next song. I love the angst that you hear in the lyrics and voice of Sara Bareilles on King of Anything. She told Billboard magazine:

“It was the last song I wrote before we went into the studio, and I was at the point where I started sharing the music with my inner circle and started getting feedback. I remember having a very vivid realization of, ‘Oh, I forgot that this was a part of it. Everybody gets to tell you what they think about what you do.’ I could tell I was getting defensive. That song was a little bit of a pep-talk song-and that’s exactly what ‘Love Song’ was.”

She went on to tell PopEater:

“I’ve had more unsolicited advice on my life than I care to mention, and this was how I dealt with it. It felt empowering to turn that frustration into music, especially a song that doesn’t even sound angry. Apparently, I don’t get over things very quickly.”

She says that it is sort of an “F You” song. What do you think?

King of Anything

Adam Levine said that “‘Misery’ is about the desperation of wanting someone really badly in your life but having it be very difficult. Kind of what all the songs I write are about. I’m not treading on new ground, but I think a lot of people – including myself – deal with that all the time. Relationships are difficult, and it’s good therapy to write about them.”

I had never seen the video before choosing this one for my list. It’s loaded with some steamy scenes. Levine told MTV News about the Joseph Kahn-directed video.

“The cool thing is, when Joseph wrote the treatment after reading a few sentences, I thought it was really amazing,” he said. “Because it kind of turns the whole idea of the sexual energy between two people – a guy and a girl, a music video, you’ve seen that a million times – that exists in this video, but it’s turning it on its ass and having the girl be the more domineering one who’s trying to kill me.”

The song was one that really just stood out when it played on the radio.

Misery

I was still working at the Adult Contemporary station when I was going through my divorce. After it was finalized and Sam and I started to feel like there was something between us, I heard this song. The lyrics really struck a chord. I really did feel like a teenager again.

Katy Perry says that, “‘Teenage Dream’ is a euphoric feeling. It gives off this feeling that a lot of people have been through. I remember my teenage years, and I remember falling in love for the first time and how impressionable that was. How sensitive I was to every feeling. Heartbreak was really hard. Of course heartbreak is really hard now, and love is still intense, but it’s a different type of feeling, that teenage love. I want people to have that feeling again of falling in love unabashedly – those teenage dreams.”

This new love was unexpected, but made me feel giddy inside. It still feels that way.

Teenage Dream

In this world, we tend to beat ourselves up. We pick on ourselves. When we feel like doing that, we ought to remember what Mr. Rogers taught us. He would say, “I like you just the way you are. You’ve made this day a special day by just your being you.” That’s great advice for children and adults. That’s also why I picked the next song.

Bruno Mars conveys that Mr. Rogers message to his lady – “You’re amazing just the way you are!”

Bruno said, “I’m a big fan of simple songs. When we wrote Just The Way You Are, I wasn’t thinking of anything deep or poetic. I was telling a story. Get ready to fall in love!”

Sometimes the simple messages hit just right. The song went to #1 for Bruno.

Just The Way You Are

The Bruno Mars song was written with Cee Lo Green in mind. Cee Lo didn’t feel it was right for him, but he did feel like Forget You was.

Before I go on, I should state that Forget You is like the “Edited for Television” movies. If you replace “forget” with another F word, you’ll see what I mean. When I first hear this, I had no idea that is what the song was really called. The music service I used when DJing sent over the “radio edit” which had edited out the “s*#t” from “ain’t that some s*#t.” In the unedited version, Cee-Lo drops 16 f-bombs in just 3 1/2 minutes.

The song features Cee Lo’s Elektra labelmate Bruno Mars. It originated during a session in L.A. with Mars and Phil Lawrence.. The pair played to Cee-Lo a rough demo of a song they weren’t sure was worth completing. “When Bruno first sung ‘F—- You’ to me, they were still a bit indecisive on whether or not it could work at all,” Green told Entertainment Weekly. “I was like, ‘I like it. Let’s record it.'” The trio then completed the song with Cee Lo contributing many of the verse lyrics.

I loved the feel of this song and I was hooked from the line, “I guess he’s an X-Box and I’m more Atari!”

Forget You

A lot of folks dissed Michael Buble’ when he first came out. He was doing covers of old standards from crooners from the 40’s and 50’s. I guess they figured, anyone could do that, but Buble’ wrote some great original stuff. When his original stuff gained popularity, those folks shut up.

He has proven his talent and his fans love him. I love the arrangements he has come up with for his covers and his original stuff stands out, too. The guy is more than just covers and Christmas music.

Hollywood is not only a great song, but a great video. Michael likes to have fun and it shows here. His personality really shows through here I think. The video parodies several celebrities, including Canadian teen idol Justin Bieber. Speaking of the clip, Bublé told The Sun: “The video is about celebrity culture, people’s dreams about fame and what can go with it. You can see what fun I had playing the characters.”

Again, the song was different, fun and stuck out when it played on the radio, which is why I love it.

Hollywood

Christina Perri’s voice is very unique. It is almost as though it changes with each of her songs. For Jar of Hearts, I almost felt that it was deeper and darker than her other songs, if that even makes sense. I truly am mesmerized by her voice.

I have been accused by certain people from my past as being a “heart collector,” but that is really just nonsense. I was never a stud in school or afterward, and to say I was a Cassanova or Rudolph Valentino is simply hilarious. Anyway, in the song, Christina Perri looks to distance herself from a guy who is worse than a heartbreaker – he’s a heart collector, keeping them in a (metaphorical) jar and tearing love apart.

She wrote the lyric about a serial heart collector she once dated. On her blog, she told the story behind the tune: “I wrote the song after I went home to Philadelphia for the holiday last December [2009]. I sat in my childhood bedroom and hid from the boy (with the jar of hearts) who wanted to see me. My heart wanted to see him, my head knew better.”

I am aware that men are the more common keepers of “jars of hearts,” but I know at least two females from my past who were the same way.

Jar of Hearts

Train was really one of those groups I liked. I played a lot of their stuff on the radio and at parties and dances. This one, I found out, didn’t start out as Marry Me. From songfacts:

Pat Monahan got together with the producers David Katz and Sam Hollander to write the title track of the album, but their sessions also sparked “Marry Me,” which started off as a song called “Stay On Me.”

“It was absolutely beautiful and had the same longing melodies,” Hollander said in a songfacts interview, “but it just didn’t raise its hand. Then Pat went back in and flipped it to ‘Marry Me,’ and the emotion went a step further.

When Jonathan Daniel, Pat’s manager, played it for me, I had chills. I could not believe what Pat did with it. Sometimes you get those surprises. Sometimes a song never lives up to the demo in the room, but that one far surpassed it. He deserves the credit. That’s his heart – he’s a big-hearted guy with a really deft lyrical touch.”

I love hearing the origin stories for songs. I love the idea for the video, too. The video, directed by Lex Halaby, opens with a montage of real married couples telling the stories of how they met. When the song starts, it turns into a storyline where Monahan falls for a waitress, played by Anna Camp of True Blood and The Good Wife.

Marry Me

My final song is one that just “sounds happy.” What makes this unique is that instead of Tom Higgenson singing lead, guitar played Tim Lopez does the honors. Tim actually wrote the song. He told songfacts:

“It was written for this girl that I was dating while we were making our last album out in Malibu. We have a lot of history; I’ve known her since I was 11 or 12. I wasn’t really emotionally available to her at the time. I hadn’t completely gotten over my divorce, so when the band left on tour, I decided it wasn’t right to try to keep the relationship going so we called it quits. It was only over the last year or so that I’ve realized what I walked away from. The song was an attempt to rekindle things and win her back. She’s currently dating someone else, and I’m happy for her. But in case it doesn’t work out… who knows?”

The song barely cracked the top 40 (peaking at #38), but it is a song that sounds so good to me.

Rhythm of Love

With that, we wrap up 2010. Did I miss one of your favorites? Tell me in the comments.

Next week, we venture into 2011. Looking at the list, there is at least two ear worms; there are plenty of songs that I always played for one particular high school at their dances; and a song that I thought should have been a hit for a group who was big in the 80’s. I hope to see you next week.

Thanks for reading and for listening.

The Music of My Life – 2009

One of my comedy heroes has always been Jack Benny. He claimed to be 39 for most of his career. It was one of the many personality traits built into his comedy character. In 2009, I actually turned 39 and have celebrated the anniversary of my 39th birthday ever since.

2009 once again brought changes as it was when my partner and I were let go from our morning show. They replaced us with a form of syndication. They had one person in Flint, and the rest of the crew was on the west side of the state. It hurt because we always talked about the importance of being local. Now the majority of the show is miles away and the only “local” Flint got was traffic and weather.

I think had they let us continue, we would have continued to do well in the ratings. Our program director loved what we were doing. When he passed and a new one came in, I always felt that they had it out for us. Why? So that they could do the morning show instead. In a sense, that is what happened.

It is one of those things that I have to look back on. When I do, I know that had that not happened, my life may have turned out very different. So I have to look back and be grateful for where I am now.

Ok, let’s look at some music.

I wrote all of the above without realizing that my first song is Lucky by Jason Mraz. This was the song that one of my former sisters-in-law used as her wedding song. Of all of my ex’s family, I miss her the most. I used to love making her laugh out loud. I think of her often.

This was a song I really liked right from the get go. I loved the blend of their voices. What was neat was to hear of their mutual love for each other’s music. Colbie Caillat said:

“He (Mraz) emailed me many months ago, saying that he loved my music, that he’s heard my album and he has a song on his album that he wanted me to help him finish writing and collaborate with. We finished writing through email. When he was in London recording his album, I was over there doing promotions for my album and I went over there to do vocals.”

Jason said:

“I became a fan of Colbie through MySpace and just cold-called her to see if she’d want to write and sing together. I dug her laid-back style and her attention to little things that make relationships work. She was a delight to share the mic with.”

They recorded the song without telling their respective record labels. The labels were not really into the idea. Those labels were obviously wrong as this won the 2010 Grammy Award for Best Pop Collaboration with Vocals.

Lucky

It has been said that “men only want one thing.” I suppose there are many “things” that can be interpreted to be that “one thing.” If you think that one “thing” is money, well, here is a song for you.

I remember the first time I put this one in the CD player at work. It follows the classic “flip.” In other words, you have this slow, serious sounding introduction. That is immediately flipped into something not so serious. Does that make sense? Give it a listen and you will understand what I mean, I hope.

The Trace Adkins songs I have featured here have always had a very serious tone to them. He has had his share of hits with that serious tone, too. But every artists needs to break away from those ultra serious songs now and then. Trace says:

“It’s just fun stuff. You have to try to balance these records. I try to go deep on some, but you’ve got to do some that are just mindless – just stuff you can listen to and turn it up loud and drive fast and just have fun with it and smile and sing along and laugh. You’ve got to have that stuff.”

That’s exactly what “Marry For Money” is. It is the picture of a low down, cheating, male gold digger. And with that being said, it is fun to listen to!

Marry For Money

I had DJ’s enough high school and middle school dances to hate Miley Cyrus. Urgh! That Hannah Montana stuff that the kids loved was just crap to me. That is until I heard, The Climb. It was the first song where I felt like, “Ok, she can sing” and “That song is a hit!”

The song was written by Jessi Alexander and Jon Mabe. I was worked with Jessi before, as she did a show for our listeners at the Moose. She seemed shy and quiet, but she sang like a superstar. I always thought her debut album should have done more.

This was the first single to be taken from the soundtrack of the 2009 Miley Cyrus film Hannah Montana: The Movie. When this reached #1 on the on the Adult Contemporary chart, Miley was 16 years and seven months old. This meant she was the youngest artist to top that survey since LeAnn Rimes. It was Miley’s first #1 single on any of Billboard’s airplay charts.

The song’s lyrics remind me of the poem “The Dash.” The poem is about a grave stone’s dates and the dash between them. Life isn’t about the date of birth or date of death, it’s about what happened between them – the dash.

Here is the chorus of The Climb:

There’s always gonna be another mountain
I’m always gonna wanna make it move
Always gonna be an uphill battle
Sometimes I’m gonna have to lose
Ain’t about how fast I get there
Ain’t about what’s waiting on the other side
It’s the climb

Life is about the climb!

The Climb

The next song is one that really hits home for me. Not that it was important in 2009, however, it reflected my thoughts on a situation in the mid-90’s. Without giving too much info that folks who know her would figure it out, here is the story.

There was a gal who I really liked. Ok, loved. I hated seeing her with this other dude, who totally treated her like crap. She deserved more. Deep down, I wondered if I ever got a shot to be with her. If I did, I would treat her much differently. I would treat her like he should have. She would often come to me upset because of her relationship. I wanted to scream, “Dump him! I’m here!” That never happened.

Taylor Swift explained the song this way:

“This song is basically about wanting someone who is with this girl who doesn’t appreciate him at all. Basically like ‘girl-next-door-itis.’ You like this guy who you have for your whole life, and you know him better than she does but somehow the popular girl gets the guy every time.”

Last I heard, that gal married the guy. We lost touch, because of that guy. We were such good friends at one point. It is sad to think about.

You Belong With Me

When I used to DJ, I sort of had a rough play list. I started almost all of the weddings the same way. I would play Unchained Melody after all the wedding dances were done. This got all the couples on the dance floor to dance. After it, I would play a fast song to keep the floor packed. Depending on the age group, it might be Old Time Rock and Roll, Gettin’ Jiggy Wit It, Get The Party Started, or something else.

When the Black Eyed Peas released I Gotta Feeling, it was my go to “kick off” song. All age groups loved it. It was the perfect song to talk up, too. “I gotta feelin’ we’re going to have a great night tonight! What song can I play for you, etc….”

It was a great party song and a great radio song. The song was a number 1 song for 14 weeks! The song was the first ever single to be downloaded more than one million times in the UK. Said Fergie:

“It’s exhilarating to know we are so connected to our Peabodies. Hopefully the good vibes from that song will continue to brighten people’s lives.”

According to will.i.am, he literally dreamt up this tune. He said:

“I’ve written songs right from a sleep. Have you ever had a dream where there’s a melody in your dream? I’ll wake up out of my sleep and record that! ‘I Gotta Feeling’ was one of those songs.”

I Gotta Feeling

Next is a song that I remember playing when I worked at the Adult Contemporary station. I was, of course, familiar with Colby Caillat’s music already. It wasn’t until I had moved in with Sam while going through my divorce that the lyrics of this one took on a whole new meaning. I really did begin to fall for her.

Caillat explained to Elle that the song is:

“about falling for a guy I was friends with. We went out on a date and I realized that there was no one else in the room. The room was silent, and I was on this high from it the next day and wrote this song.”

If the guy in the video looks familiar, Colby explains why:

“Bobby Moynihan from SNL plays my love interest, and the whole video is about this guy who’s not my type, but he does all these dorky things on our date that somehow impress me. So he picks the roses from my garden instead of buying me flowers. And then we’re going to go surfing and he almost hits me over the head with the surfboard. And he also has this really funny fantasy dream where he’s dressed all ‘Guido’ in white shoes and his chest is showing and I’m in this ridiculous bathing suit with huge hair and we’re dancing at a DJ party on the beach. It’s just a funny, silly video.”

Falling For You

I have been friends with a gal for almost 40 years. She always said, “Remember to smile, it’s contagious!” I always loved that. There are plenty of great sayings about smiles. “Smile, it makes everyone wonder what you’ve been up to” is another great one. One of my favorite DJ’s used to say, “If you are walking down the street and you see someone with no smile, give them yours and tell them Don Alcorn says hello.”

There are some great songs about smiling, too. “When You’re Smiling” by Dean Martin and “Smile” by Nat King Cole immediately come to mind. Well, Uncle Cracker’s isn’t a bad one either.

Uncle Kracker told Billboard magazine this is: “probably the most positive song I’ve ever written.” He added that the overall tone of the album Happy Hour, “is pretty positive in light of everything that’s going on in the world.” He said: “I made a conscious decision to try something positive. It’s what I needed. it’s a positive spin on everything.”

It’s one of those positive songs that I love!

Smile

Remember the saying, “A stranger is a friend that you haven’t met yet?” That was the thought I had when I heard the title of this Michael Buble’ song. Whether it is an unborn baby or a future lover, the song can have special meaning.

When it came time to record the Crazy Love album, Michael told song facts:

“I started this record knowing I was going to record it differently than my previous ones. I dug way deeper and was more introspective on this one. Basically, I sang the truth – made each song autobiographical – and you can definitely hear the difference. I went back to the way my idols made their records. I wanted an organic feel – so people could feel like they were in the studio with me. The musicians and I all sat in the room, recorded it right from the floor and we let the sounds all come together and bleed into one another. It’s not contrived. Not too perfect. It just feels really good.”

In an interview with The Associated Press, Bublé was asked what the message is he’s trying to send with Crazy Love. He replied:

“I think the message is that all of us can relate to this feeling, this emotion called love and it’s a complicated feeling. It doesn’t just come with butterflies in the stomach and happiness and sunshine and lollipops, it comes with heartache and jealousy and sometimes rage and sometimes insecurity and sadness and regret. It’s a beautiful, complicated, and really special feeling that keeps us all connected.”

This was the first recording by a jazz crooner to reach the Top 30 of the Billboard singles chart since Norah Jones’ “Don’t Know Why” seven years previously in 2003.

Haven’t Met You Yet

The next song stood out to me because of the sound. The first time I heard Hey Soul Sister by Train on the radio, I loved it! That ukulele cut through like a knife to me. Train’s Pat Monahan said, “The ukulele made everybody happy. I think that along with the song itself and the melodies, people gravitate towards that positive part of it. The ukulele made a big difference.”

He told Billboard that the song and the album were a return to their folk roots. He said:

“There’s super catchy riffs and melodies in it, which I think are way more important that any production trick or great-sounding vocal production. It’s kind of us going backward so we can go forward.”

The song was the most downloaded on iTunes in 2010 and is just a great feel good song.

Hey Soul Sister

Lady Antebellum (Known now as Lady A) was one of those groups that came through on a radio tour and left me speechless. They were SO good. I knew that they would be stars. They music they played, their vocal stylings, the dynamics of the group – they had it all.

Lady A is Charles Kelley, Hillary Scott and David Haywood. Need You Now was from their second album. Hillary Scott explained that the song, and many others on the album, “Are about what we are learning as we go through the ups and downs of different relationships.” She added: “All three of us know what it’s like to get to that point where you feel lonely enough that you make a late night phone call that you very well could regret the next day. But you do it anyway because it’s the only thing that’s going to give you any relief in that moment.”

Charles Kelly said that initially there some concerns about the song’s lyrical content from executives at their record label. “The response from the get-go was so big,” he said. “I remember even having some conversations with the label and people were [saying], ‘Oh no, hope they don’t get offended by the ‘I’m a little drunk and I need you now’ line. And I said, ‘But that’s honest! We’re talking about Country radio, right? What happened to the old Waylon [Jennings] songs and stuff and people said what they felt?’ It’s storytelling.” Dave Haywood added, “The three of us have been there, too. I mean, we’ve been in serious relationships and when you get out of that, all you want is that person next to you.”

I don’t know one person who hasn’t felt that way after a break up. The song connected with people everywhere and went straight to # 1. When this ballad reached #1 on the Adult Contemporary chart in its 10th week, it achieved the quickest climb to the top (excluding seasonal titles) since Phil Collins.

Lady A performed “Need You Now” at the 2010 Grammy Awards, where it won for Record of the Year and Song of the Year. It marked just the second time a country song won the Record of the Year prize and the third time Song of the Year went Country.

The song is a great song, and sadly at its peak was overplayed on the radio.

Need You Now

So there you have my picks from 2009. Did I pick one of your favorites? Did I miss one of yours? Tell me about it in the comments.

The Music of My Life – 2003

This will post on January 1, 2025, so let me start off by saying Happy New Year! I am sure that I will be posting something of a New Year’s Wish as well today.

Off to the side of my 2003 list I wrote, “Difficult year!” This could mean that it was difficult to pick ten songs. It could also mean that it was difficult to narrow the list down to ten songs. With my life, it could mean that 2003 was a difficult year personally. I’m not sure. I know that as I got deeper into the 2000’s, there were fewer songs that I liked. Maybe that is it?

Anyway, let’s drift into 2003:

Drift Away was a top 5 hit for Dobie Gray in 1973. In 2002, Gray recorded this as a duet with Uncle Kracker. When the song reached the Billboard top 10 in 2003, 30 years later, it broke a record. Dobie broke the record for the biggest gap between top US top 10 appearances and held that record for 17 years.

How did Uncle Kracker come to record it? You can thank a radio DJ for that. Songfacts explains:

“Although Uncle Kracker liked this song, he only performed it out of necessity at first. He was making the rounds on the morning radio shows to promote his solo debut, Double Wide (2000), which was mostly rap-rock tracks except for the mellow hit single “Follow Me.” Because he was expected to perform a few songs during his appearance, he needed something else to sing in the same vein, and the DJ Scott Shannon suggested the Dobie Gray tune.“

Kracker said, “If it wasn’t for him, that song would have never gotten cut, he pretty much put the bug in my ear for that.”

I like the fact that the cover included the original singer. People liked it, too. It was #1 for 28 weeks in 2003-04 on the Adult Contemporary chart. It broke the record for the longest run atop the tally and held the record for 15 years.

Drift Away

I had my first child in 2002. Over that first year, it was amazing to see the changes in him. I never really understood how fast time flies, until having children.

I was working in country radio in 2003 and I remember hearing Then They Do for the first time. I knew that it would be a huge hit because any parent could relate to the lyrics. They are delivered perfectly by Trace Adkins.

The song begins and describes a typical morning where the singer’s children are causing trouble on the way to school. Naturally, he thinks things will be easier when the children grow up. In time, the children go off to college and get married. It is then that the parents realize that they have more time to themselves now. Their children have accomplished their dreams, but their house and lives feel a lot emptier nonetheless.

It’s sort of a “be careful what you wish for” kind of thing. Be present and enjoy the memories.

Then They Do

The next song is one that I really liked. I don’t necessarily pray to angels when I am down or when I am hurting, but I do pray. I pray to God and ask Him to give me guidance or comfort. I did an in depth study for Sunday School at our church about angels once. That is why I don’t pray to them.

That being said, I do understand that in certain situations, people will often pray. Some, pray to angels. I think in essence, they pray to heaven for help. That’s kind of what I got from Train’s Pat Monahan’s inspiration for the song.

From Songfacts:

The song was inspired by something his therapist, Judy Bell, told him. Monahan told Buzzfeed, she said: “Just remember that we are made up of angels and traitors, and the angel is the one that says, ‘You’re beautiful and you can do anything you want,’ and the traitor is the one that says, ‘You’re ugly and you can’t get anything right.'”

“That song just came from that conversation of, if we all called our angels, what a cool life this would be for all of us,” he said.

The song went to number one on the Adult Contemporary chart.

Calling All Angels

I have always loved Willie Nelson. Some of his duets are just fantastic. I loved Pancho and Lefty with Merle Haggard. I loved To All The Girls I’ve Loved Before and Spanish Eyes with Julio Iglesias. I loved Seven Spanish Angels with Ray Charles. Last week, I could have included Mendocino County Line, his duet with Lee Ann Womack. When he did his duet with Toby Keith, it was a monster country hit.

Toby posted the story behind Beer For My Horses on his website:

“When I was a kid I worked for a rodeo company,” says Toby. “The old timers who worked the stock and stuff in the back would carry a pint of whiskey in their pocket – they were just old cowboys. They would pull it out and say, ‘Here’s to me, here’s to you, we got screwed, so screw you, here’s to me.’ They always had some little toast. One was to hold up the bottle for a drink and say, ‘Whiskey for my men, beer for my horses.’ I kept that in my head a long time thinking I’d write it some day.“

“We did finally, trying to say that maybe it’s time that justice gets back into the judicial system. The big posse goes out and catches the bad guys and everybody comes back to lick their wounds, remember the ones they lost and celebrate with the ones that made it back. You raise your glass and say, ‘Whiskey for my men, beer for my horses, bartender.’ One of those conceptual deals. Soon as we got done writing it I thought man, it’d be cool if we could talk Willie Nelson into singing the Texas verse on that. Obviously he went for it and I think it’s the biggest multi-week #1 either of us ever had.“

In 2008, Toby and Willie starred with Rodney Carrington in the movie of the same name.

Beer For My Horses

The next song was a top five hit for 3 Doors Down. Lead singer, Brad Arnold told Songfacts:

“The song’s just about being away from someone, or missing them,” he clarifies. “And it really doesn’t matter if you’re here without them for all day or all month. It’s just kind of about the lonely and missing of somebody, but people kind of take that sort of as a little bit of a sad song. And in a way, I kind of meant it as a happy song. And the reason being because it’s talking about being here without you, but she’s still with me in my dreams. ‘And tonight, it’s only you and me,’ so the song was really just about that dream. And being in a state of peace, because you’ve got that person there with you in your sleep. And in that way I kind of meant for it to be a little bit of a happy song.”

The song means a lot to many military personnel. Especially those who find themselves away from their loved ones with their lives in danger. At the same time, many think about someone who has passed away and that miss them. However you interpret it, it really is a great song.

Here Without You

Josh Turner is one of the nicest singers I’ve ever had the chance to meet. His voice can rattle things hanging on a wall it is so deep. I remember when his first single (Long Black Train) hit my desk. Personally, I loved it. I got it. I understood it. However, it had a Christian theme to it and I wondered how the listeners would like it.

I love hearing him tell the story of how the song came about. He told AOL Music:

“‘Long Black Train’ was inspired by a vision that I had of a long, black train running down this track way out in the middle of nowhere. I could see people standing out to the sides of this track watching this train go by. As I was walking, experiencing this vision, I kept asking myself, ‘What does this vision mean and what is this train?’ It dawned on me that this train was a physical metaphor for temptation. These people are caught up in the decision of whether or not to go on this train. And this came about in a time of my life where I was trying to figure out who I was as an artist and as a person… I was trying to learn how to deal with the freedom that I had away from home for the first time. ‘Long Black Train,’ the song and the album, are very special to me. It was just one of those things that I felt like God gave to me for a purpose, and I’ve been out here promoting that purpose.”

He wrote the song after listening to some old Hank Williams Sr. songs. He was a college senior. He said he started strumming the guitar and the verses came to him. He never had any intention of releasing the song and noted that when he wrote it, “I didn’t even have a record contract yet!”

Long Black Train

Next is song that has been covered a few times. The First Cut is the Deepest was written by Cat Stevens. He did a demo of the song in 1965. In 1967, it was a hit for P.P. Arnold in Britain reaching #18 in the charts.

In America, the first version to chart was by Keith Hampshire, who took it to #70 in 1973. Rod Stewart covered it in 1976, taking it to #21 US and #1 UK. Sheryl Crow released her version in 2003, which made #14 in the US and #37 in the UK.

Sheryl recorded it for her hits compilation, “The Very Best of Sheryl Crow.” It was one of her biggest radio hits. It also became her first solo top-40 country hit following the success of her duet with Kid Rock (“Picture”)

First Cut Is The Deepest

Next, the third duet on my 2003 list. This was another one of those songs that after hearing it, I knew it would be a hit. How could it NOT be with Jimmy Buffett on it?

The song came about when writer Don Rollins had with the line “It’s Five O’Clock Somewhere.” It was written for another artist whose album wanted a Jimmy Buffett vibe to it. The artist passed on the song and eventually it came to Alan Jackson. Rollins explains,

“I got the call that it was on hold for Alan, which I thought was strange, because if you hear the demo it’s very island-ly. There are acoustic guitars and steel drum samples, very much Buffett. The idea that someone as country as Alan Jackson might be interested in that song never even occurred to me. Then I got wind that he was wanting to do a duet with Buffett, and it made a little bit more sense at that point.”

This song spent eight weeks at #1 on the Country charts, and won the 2003 Grammy for Best Country Song. It was the first #1 song on the Country chart for Jimmy Buffett.

It’s Five O’clock Somewhere

Last week I picked a remix of Elvis Presley’s A Little Less Conversation. In 2002, the remix had worldwide success. Because of that English record producer Paul Oakenfold took another Elvis song and did a remix of it. This time it was Rubberneckin’.

Rubberneckin’ was a song that Elvis sang in the movie A Change of Habit. It was released as the B-side of Don’t Cry Daddy. It was a top ten hit for him.

The remix only reached number 94 on the Hot 100 chart in the US, but it was big elsewhere. It peaked at number two in Canada, and number three in Australia. It also reached the top 10 in Denmark, Finland, Ireland, and the United Kingdom.

Some folks dislike these remixes. I can see where a bad remix would make me feel that way. I really thought these two Elvis remixes were great. I was loving how many people danced to them at parties.

Rubberneckin’

The final song of 2003 is probably the most bizarre. It just sticks out, and the band knew this! I’m talking about I Believe in a Thing Called Love by The Darkness. This was a song that was brought to my attention by my ex. I had never heard it before, but one time I was asked to play it at a party and the crowd went crazy!

From Songfacts:

The British magazine Classic Rock named this as their Greatest Rock Song of the ’00s. The band’s frontman Justin Hawkins commented: “All The Darkness ever tried to do was bring a little joy into the glorious realm of rock, but ‘I Believe In A Thing Called Love’ crossed over big time and changed our lives forever. To have been awarded ‘Song Of The Decade’ is overwhelming and I’m very grateful to Classic Rock for everything.”

The band’s former guitarist, Dan Hawkins, told Classic Rock the story of the song: “‘I Believe In A Thing Called Love’ was such an important song for The Darkness, but when we wrote it I really wasn’t sure about it. The chorus is so stupidly catchy, I thought people were just gonna take it as a complete joke! Right from the start, this song stuck out like a sore thumb.

We started with the riff, which Justin came up with. It sounded really great right away. But when he sang the chorus for the first time, I just said, ‘No, you can’t do that – it sounds ridiculous!’ I really thought people would just laugh at us when they heard it. So for the rest of the song, I tried to make it sound cool, more ‘rock.’ The rest of the song is all in minor key.“

Songfacts also presents this very funny review:

The New York Times wrote that this song “sticks to the listener like hair gel.”

I Believe in a Thing Called Love

So there you have it. Did I miss one of your favorites from 2003? Make sure to tell me about it in the comments.

Next week, I’ll present my list from 2004. The list include one of the funniest group names to say on the radio, a monster debut song, movie music, a dance craze that is still going strong, and a song that still brings me to tears.

Thanks for reading and listening!

The Music of My Life – 2001

In 2001, I turned 31. It is a year that I will not forget. It was that year that I found out I was going to be a father for the first time. To say that I was freaking out a little was an understatement. My mom continued to get treatment for breast cancer. There was a time where I prayed that she would be around for my wedding. Now I was praying that she’d be around to meet her first grandchild. My first song was inspired by, coincidentally, a mother with cancer.

It was also the year of the 9/11 attacks. I, of course, was around for the Challenger accident. Many folks called that the “JFK assassination” of my generation. As sad as the Challenger accident was, 9/11 was on an entirely different level. I remember sitting alone wondering about the world we were welcoming our baby into. The event caused many of us to think … more on that shortly.

Train’s Drops of Jupiter came from devastating loss for lead singer Pat Monahan. In a VH1 interview, he revealed that he wrote this song about the death of his mother. Train was were touring in 1988 when Monahan’s mom was dying of lung cancer – she was a heavy smoker. Cell phones had not yet become widely used. This found Monahan making many stops to pay phones on the tour to speak with his mom. It was in December of that year, his mother died.

In early 1999 Train was working on their next album when their record company started pressuring them for a hit. Monahan returned to his childhood home in Pennsylvania, and woke one morning with the words “back in the atmosphere” in his head. Beginning a time of healing, he started to compose the song. Pat said: “Loss of the most important person in my life was heavy on my mind, and the thought of ‘what if no one ever really leaves? What if she’s here but different. The idea was, she’s back here in the atmosphere.”

He recorded a demo of the song and played it for the president of their record company at Columbia. The president loved it and told him it was his Grammy song. He was right: It won Grammys for Best Rock Song and Best Instrumental Arrangement With Accompanying Vocalist. The label had Train record the song quickly. That way they could put it on the album and use it as the title track.

Pat Monahan is quoted as saying, ““It was an obvious connection between me and my mother. ‘Drops of Jupiter’ was as much about me being on a voyage and trying to find out who I am. The best thing we can do about loss of love is find ourselves through it.”

That is SO true.

Drops of Jupiter

I mentioned when I did my list in 1999 that I’ll Be by Edwin McCain is hard to listen to. It was the wedding song my ex and I used. In 2000, Edwin released I Could Not Ask For More, which is a more beautiful song, in my opinion.

This song itself is about spending time with your true love. It is about realizing you do not need anything else in life to make you happy. The song was written by Diane Warren, who has written quite a few songs that I have written about. McCain said that he had to speed the song up to suit his voice. He said, “The tempo of the song was actually half of what it is now. At first, I wasn’t into it. Now it’s a popular wedding song; every night on tour people tell me that it was their wedding song.”

It was in 2001 that country singer Sara Evans covered the song. While not too different from McCain’s version, I love her version more. I have always felt that she has one of the best female voices in country music. She is also one of the most beautiful singers I have met. I loved watching her perform this live.

I Could Not Ask For More

This next song is on my list for one reason and one reason only – the video! I can still remember the first time I watched it and was blown away by Christopher Walken. I had no idea he could dance like this!

Weapon of Choice appeared on Fatboy Slim’s third album and featured Bootsy Collins. Bootsy is, of course, known for his work with Parliament-Funkadelic and Bootsy’s Rubber Band. Boosty co-wrote the song and plays bass on it.

According to Songfacts:

The official music video for “Weapon of Choice” reveals a surprising side of Christopher Walken, known for his intense, often villainous roles in films like Pulp Fiction, The Deer Hunter, and True Romance. What most of us didn’t know until this video appeared is that Walken is a great dancer – he trained at the Washington Dance Studio and appeared in musicals such as 1981’s Pennies from Heaven. In a 2014 interview with Entertainment Weekly, Walken said he accepted the role before he became “too decrepit to dance.”

He choreographed the video with Michael Rooney, son of Mickey Rooney, and performed stunts, including flying across the mezzanine in a harness. Reflecting on the humor and playfulness of the video, Fatboy Slim told Higher Frequency in 2006: “I think it’s full of irony, and to see an actor that I really admire but who’s famous for playing psychopaths, to see him do that silly un-psychopathic dancing made me smile and made everyone else smile.”

The “Weapon of Choice” music video was a huge hit! It won six MTV Video Music Awards in 2001. It won for Breakthrough Video, Best Direction, Best Choreography, Best Art Direction, Best Editing, and Best Cinematography. It also went on to win the Grammy Award for Best Music Video. To top it all off, it was named the greatest music video of all time by VH1 in 2002.

Weapon of Choice

I recently saw where Brian Cranston, Jane Kaczmarek, and Frankie Muniz announced that they will reunite for a reboot of Malcolm in the Middle. The show debuted in 2000 and did very well. I always watched it because I could relate to the constant fighting between the brothers. I also loved the humor of the show.

They Might Be Giants recorded this song specifically for Malcolm in the Middle, and can be found on the show’s soundtrack. The show used other songs from the band throughout the run of the show.

The rumor is that the song is about guitar player John Flansburgh’s brother. I can totally see this. We may not have used the exact phrase growing up, but I know my brother and I often said that the other couldn’t boss the other around. It hits home in that way for me.

Boss of Me

The next song was a triumphant return for Weezer. Their fans were a little worried about the band in the late ’90s. After touring for their 1996 album Pinkerton, they took some time off and went through some lineup changes. It was during this time that Rivers Cuomo was taking classes at Harvard. He enrolled there in 1995 and attended sporadically when it suited his schedule. “Island In The Sun” was welcome relief for fans, showing that the band was back and in a good place. (Cuomo did eventually graduate Harvard, earning a degree in English in 2006.)

Songfacts says, “Unlike many Weezer songs, there’s no trace of pathos and no deeper meaning, making it an easy song to enjoy even if you’re not a big fan of the band. It became one of their most popular songs, although it was never a bit hit, reaching a chart peak of just #111 in the US.”

This is another one of those songs that I remember hearing a lot on the radio. I find it hard to believe that it only reached #111 on the charts. It was obviously good enough for them to play on TV. Weezer played it along with “Hash Pipe,” when they were musical guests on Saturday Night Live, May 19, 2001. It was their only guest appearance on the show.

Sing along…. “Hip. Hip.”

Island in the Sun

What do Neil Diamond, The Monkees and Smash Mouth have in common? One MONSTER hit!

Neil Diamond wrote I’m a Believer in 1966. Don Kirshner was looking for material for the Monkees to record and liked it. Neil was allowed to record it as well as part of their deal and did so in 1967. The Monkees version went to #1in ’66.

Jump ahead 35 years to 2001. Smash Mouth recorded a version of the song for the Dreamworks animated movie, Shrek. The song was picked because it fit the movie’s theme, as it was a sort of fairy tale. The opening line of the song is “I thought love was only true in fairy tales.”

Smash Mouth’s version is a great modern take on the song and still fun to sing along with. When I hear it, I am taken back to watching this movie with my oldest son. He loved Shrek and we watched it MANY times.

I’m a Believer

The next song was one that I often used as a first song at parties and weddings. It was a good one because it was the “kick off” song and literally got the party started.

Songfacts.com says: Get the Party Started was written by Linda Perry of 4 Non Blondes. After the group broke up in the early ’90s, Perry released two solo albums and started writing for other artists. She learned that hits of the ’00s were made digitally. She bought Akai MPC and Korg Triton digital workstations and started experimenting with them. As she was learning how to use them, she came up with the track by adding layer after layer, then she quickly banged out a lyric with every party cliché she could think of, arriving at lines like:

I’m your operator, you can call anytime
I’ll be your connection to the party line

It worked: “Get The Party Started” was a huge hit for Pink and launched Perry’s songwriting career. Her next hit was “Beautiful” for Christina Aguilera.

The song is synonymous with Pink, but it was almost offered to another singer. Thankfully, a phone call changed that. Perry initially thought this could be a hit for Madonna. However, Pink happened to call her the week after she wrote the song. Pink was a huge 4 Non Blondes fan. She sought out Perry, who was very surprised to get a call from a pop star. When they met, Perry gave Pink an MP3 copy of the “Get The Party Started.” Pink’s management loved the song and arranged for them to work together on her second album.

Get The Party Started

When an artist’s first single is a ballad, it is usually because the ballad is amazing. Most record labels want uptempo songs. (Honestly, most radio stations want uptempo stuff, too!) There are no shortage of ballads waiting to get airplay!

When it came time to release his first single, Enrique Iglesias fought to get “Hero” released. “Everybody thought first singles at the time had to be uptempo,” he told People. “But I knew that it was one of those songs that when I wrote it it just felt special.” It was, and he was right. Iglesias attributes the success of this song to a combination of good lyrics, melody, and excellent production. He feels those three qualities need to work together to make a timeless hit.

The song took on a whole new meaning shortly after it was released. This song was released on August 14, 2001, just a month before the September 11 attacks on the US. The song doesn’t describe the type first-responder heroes, but the theme of standing by a loved one resonated at this time. The song became quite popular because of that, reaching a chart peak of #3.

One pastor taught a message on husbands and wives. He stated that what a husband wants is to be his wife’s hero. That’s the guy who will take away her pain and be there through thick and thin.

Hero

MercyMe is a contemporary Christian group. They had an Adult Contemporary crossover hit with a song that was written by their lead singer Bart Millard. I Can Only Imagine is simply about imagining what it will be like meeting Jesus for the first time.

In a Songfacts interview, Bart said that he that he wrote the song in about 10 minutes. He said that it was one of just three songs he wrote where he felt like he was “a spectator watching the song being written.”

Regarding the song’s meaning, Millard stated: “When my father died of cancer in 1991, he left me with the assurance that he was headed to a better place. For several years following his death, I would find myself writing the phrase ‘I can only imagine’ on anything I could find. That simple phrase would give me a peace thinking about what my dad was finally experiencing. Years later, in 1999, MercyMe was writing songs for an independent project. I remember coming home from a show and being wide awake on our bus at 2 o’clock in the morning. I was trying to write lyrics in an old notebook of mine, when all of a sudden, I stumbled across that phrase. About ten minutes later, the song was written. Some people say it’s amazing that it was written in ten minutes, when really it had been on my heart for almost ten years.”

This one means a lot to me personally. I am so grateful for my faith and my Savior. It is an amazing thing to imagine….

I Can Only Imagine

I can still vividly remember the morning of 9/11. I was in a meeting with my boss at the radio station when the morning gal came in and told us that a plane had hit the World Trade Center. We went into the newsroom and were shaken to the core when we watched the second plane it the Twin Towers. That would be one of the longest and most emotional days in my radio career.

I worked at a country station at the time. We saw a lot of patriotism come out of those attacks. Songwriters wrote songs about being an American and such, but none of the equaled the contribution made by Alan Jackson.

The 9/11 attacks made a lot of us stop and think about life. We were left with so many questions. We were left shocked and scarred by the images we watched on TV. It was constantly on our minds. Alan Jackson seemed to be on the same page as everyone else, and conveyed it all perfectly in the song Where Were You (When the World Stopped Turning)

He wrote the song alone, with the idea coming to him at 4am in the morning. He explained to The Boot that the lyrics really “came out of nowhere.” “It was just a gift,” he said. “I got up and scribbled it down and put the melody down so I wouldn’t forget it, and the next day I started piecing all those verses together, thoughts I had or visuals I had.”

The song made its debut on the Country Music Association’s annual awards show on November 7, 2001. I still cannot believe that he was able to sing the song without breaking down. Alan considers this to be one of his biggest (if not the biggest) accomplishment. He said in an interview: “I [recently] did a radio interview, and the guy was talking about being at the [CMA] Awards the night I sang ‘Where Were You,'” he explained. “Even though that was a hard performance for me and an emotional time, I still get so many comments about that. Of all the awards, and all that kind of stuff, the music is still what I like. To be able to create a song that really affects people and makes a mark in the music industry, I would have to say that would be a highlight.”

To this day, the song still gives me chills. I’m sure you will never forget where you were when the events of that day unfolded either.

Where Were You

Sorry to wrap up the year on a somber note, but that wraps up my list. How about you? What song from 2001 did I miss that was your favorite. Mention it in the comments.

Next week, we’ll head to 2002. My list features movie music, an in your face patriotic song, a song full of 70’s and 80’s nostalgia, a cover song, an appearance by the Muppets, and the return of the King! I hope you’ll check it out.

Until next week, thanks for listening and for reading!