To celebrate the birthday of a living legend, I thought I would choose a song that he’s NOT known for. Sir Paul McCartney is 82 today and while he is known for his work with the Beatles and Wings, he’s had quite a solo career, too.
It’s amazing that he is still out touring at his age, but he still looks and sounds as great as ever. Every review I have read about one of his shows says it is fantastic!
The McCartney song I picked is from an album from 1988 but the song’s roots go back to 1940 and the legendary Duke Ellington. He wrote Don’t Get Around Much Anymore in 1940. Lyrics were added to the song in 1942 by Bob Russell and it became a hit.
The song has been covered by just about everyone! Bing Crosby, The Ink Spots, Micheal Buble’, Willie Nelson, Tony Bennett, Nat King Cole and so many others have offered up their personal take on the song. McCartney’s version is a rocker with some “oomph” to it.
Back in 1988 Paul released what most call “The Russian Album.”. CHOBA B CCCP was his seventh solo studio album. It was originally released in October 1988 exclusively in the Soviet Union. The album consists entirely of live-in-studio recordings of covers, mainly of rock and roll oldies.
I was working at WKSG, Kiss-FM when a bootleg of the album began to circulate. It was pretty big news to have new stuff from McCartney. We were an oldies station, so when we got our hands on Paul’s version of Kansas City from the album, we played the heck out of it.
I don’t remember if I got a copy of the bootleg or the official worldwide release in 1991 but I really loved this album. Don’t Get Around Much Anymore really stuck out to me. Paul must really like it, too, because I’ve seen him do it on talk shows like Letterman.
Give his version a listen and grab the album if you can. I think you’ll like it.
Once again, Dave Ruch from A Sound Day has offered up an interesting topic for this month’s Turntable Talk. I see it as being a way for each of us writers to offer you a bit of ourselves. I mean, any time I write something, it usually has something that gives the reader a glimpse at who I am. In some blogs I read, there are a lot of facts and not much of the author. I’ve come to “know” many of the participants through their past submissions, but this month I feel we’re going to get a bit more personal.
This month, Dave presented us with the following instructions:
It’s almost time for Christmas dinner (even if you aren’t necessarily prone to celebrating Christmas, play along) and there’s one more seat at the table. Because of the magic that is Christmas, you can invite any one musician (or person from the music world) to be your guest. Even if they’ve passed away, they can be at your table for a meal, and a few stories. So, who would you invite? And any little musical gift you hope they might possibly come with?
As with past topics, one possibility jumped out immediately. I decided to think a bit more before I made that final decision. Oh! The list of names that I came up with! It was a long one that included Elvis Presley, Mel Torme’, Nat King Cole, Bobby Darin, Roy Orbison, Doc Severinsen, Louis Prima, Frank Sinatra, Paul McCartney, Tony Bennett, Reba McEntire, Michael Buble’, and so many more! In the end, I stuck with the first name that came to mind – Dean Martin.
To this day, Dean remains my favorite singer. His laid back, carefree, and effortless approach is part of the charm that makes him so likable to me. So many of his songs hold special memories for me.
I imagine him showing up dressed to the nines in his staple tuxedo, knowing he is the guest of honor. However, I also picture him as a humble man who gets along with everyone.
Naturally, on Christmas I’d make the dish that was always served by my grandma – Ravioli. I’d be sure to make the homemade sauce for him. I’d always seen pictures of him and John Wayne eating pasta together. I’d love to hear those stories.
I feel like we could easily talk about the similarities between his folks and my grandparents (both from the old country). I know he was a fairly private guy, but I would enjoy hearing his stories about growing up in that Italian family.
The conversation would naturally turn to music. I’d have so many questions for him. The recording process has always fascinated me. On some of the newer releases they’d include some of the in between take studio chatter. Dean always seemed to be joking around and I bet he’d have some great stories about that.
Not to mention all the stars he personally knew and hung out with. I bet he could have wrote a book full of Sinatra stories! If you look back on the guests who were on his TV show, on the TV roasts, or actors who were in movies with him – it is truly an amazing group. How could he just pick one or two stories to tell when he knew so many people!?
I certainly wouldn’t want to pressure him, but I think it would be very cool to be sitting around the table and for him to give us a few measures of a Christmas song. I remember watching how people often just sang with each other back in the day. Would Dean duet with me on Marshmallow World? Who knows?
As someone who really stinks up the golf course, I’d probably bug Dean for a few golf tips. He was SO good at it, I’m sure just one little piece of advice on my grip, my stance or my swing would help me tremendously!
I’m not sure what musical gift I would hope for him to bring, but I would certainly love to get my hands on one of two things. He once had his own brand of golf balls! I’d never use them, of course, but I would love to have a box!
I would also like to have a bottle of his spirits. At one time he had a few types of his own booze!
I don’t really drink, but I think it would be awesome to have these sitting on a bar.
I suppose I’d only have one more request – a photo with him. That may be pushing the limits, so I might just have to have the camera lying around so that someone could snap some candids of the the two of us together.
I’m sure he’d be the one to want to cut the evening short. “Look, pallie, I’d love to stay and answer all your questions, but I have a 7 o’clock tee time in the morning ….” I’d totally be ok with that.
Thanks to Dave for a great topic! I cannot wait to read the guests that our other writers come up with!
How about you? Who would you picki?
Wishing you and yours a VERY Merry Christmas and a blessed 2024!
It is time once again for another edition of Turntable Talk. This is a feature created by my friend Dave Ruch from the A Sound Day Blog. This is my 18th submission for this feature and it is something I look forward to writing each month.
This time around, Dave took us to the Land of Oz for inspiration. His instructions:
“Pay No Attention to That Man (Or Woman) Behind The Curtain” . Yep the famous phrase about the Wizard of Oz.
We’ve looked at a number of great artists – singers, groups, musicians – and their records. This time we’re switching it up just a little and are going to salute someone “behind the scenes” that was significant to music. All too often people do pay no attention to the people behind the curtain in music that are so important to the albums and groups we love. There are record producers, the record company bosses and talent scouts, the people on radio who used to make the hits happen, even unsung heroes like concert roadies. Pick one you feel is important and maybe a little un-noticed and tell us why!
As a former radio guy, I immediately thought I should write about a well known DJ. There are many of them who played a big part in the music industry. Dick Clark, Casey Kasem, Wolfman Jack and Alan Freed come to mind. However, I decided that I would feature a man who played on some of the biggest hits on the radio, yet until recently was relatively unknown.
40 years ago, James Jamerson passed away at the young age of 47. At the time he passed away, no one really knew who he was, despite being one of the best (if not THE best) bass player of all time! As a matter of fact, he often tops the list of Best Bass Players of all time by numerous publications. It has been said that he single-handedly revolutionized bass playing. I agree. His creative contributions to music certainly makes him a good pick for a “man behind the curtain.”
James Jamerson was born on January 29, 1936 in Charleston, SC. When his parents divorced, his mother moved to Detroit to find work. He would spend time with his aunt, grandmother and cousin. His aunt sung at church while his grandmother and cousin played piano. He spent time listening to gospel, Jazz, and blues music and that influenced his own musical abilities.
In 1954, his mother sent for him and he attended Northwestern High School. In the music room of the high school, he saw a stand up bass lying on the floor. He picked it up and began to play with it. He had “found” his instrument. He began to play at many of the Detroit area blues and jazz clubs.
He began to get noticed and he began playing for dances, weddings, frat parties, and other events. He was quite a local celebrity. It was hard to miss him driving through town with his bass sticking out the window of his car! Because he was still a minor, the good folks at the Detroit Police Dept. gave him a permit so that he could play in clubs that served alcohol. This allowed him to get more work.
Believe it or not, Wayne State University offered him a full ride music scholarship which he turned down! He was playing so often, he figured he was already in the music field, so why would he need to go to college? Instead, after he graduated high school, he joined up with Washboard Willie and the Super Suds of Rhythm (How’s that for a group name?!). It was during this time that he began to drink alcohol (which would eventually lead to his death).
In 1958, someone from the Northern Records label heard him play and asked him to sit in on the session recordings for the label. The unique way he played caught the ear of other labels. He began to work for Fortune, Tri-Phi, Anna Records, and eventually Motown.
He and the Funk Brothers (pianist Earl Van Dyke, drummer Benny Benjamin, and guitarists Robert White and Joe Messina) spent the days recording in the “Snake Pit” (the Basement of Motown Records) and playing at Jazz clubs in the evenings. Jamerson had switched from an upright bass to a brand new creation – the electric Fender Precision Bass.
The switch really made his work stand out. On some songs, he’d play the stand up bass and then double it with the electric. What made his work on the electric so awesome is that he played the electric just like he played the stand up bass – with one finger (which many folks called “the claw”).
While he is known for playing on many of the Motown songs, he also played on Boom Boom by John Lee Hooker, Whispers Getting Louder and Higher and Higher by Jackie Wilson, Agent Double-O-Soul by Edwin Starr, Cool Jerk by the Capitols, Show and Tell by Al Wilson, Boogie Fever by the Sylvers, and so many other hits! What made the Motown stuff so good was he had some free reign to be “James Jamerson.”
Musician magazine interviewed him in 1983 and he stated that the Motown songwriting and productions teams “would give me the chord sheet, but they couldn’t write for me. When they did, it didn’t sound right. When they gave me that chord sheet, I’d look at it, but then start doing what I thought would fit. I’d hear the melody line from the lyrics and build the bass line around that.”
One of the coolest examples of how he listened and did his thing was on two separate recordings of the same song. To help illustrate this, I found some isolated bass lines on YouTube that are fascinating! Jamerson played on Marvin Gaye’s I Heard It Through the Grapevine – a Motown classic! Check out the soulful line here:
Now check out the same song – and a funkier bass line – on the Gladys Knight Version:
I find it amazing that the same man can take the same song and make them so different.
Speaking of Marvin Gaye, the Funk Brothers shared a story about how Marvin wanted Jamerson to play on What’s Going On. James was out drinking and Marvin went out looking for him. When he found him, he brought him back to the studio. Jamerson was so drunk that he couldn’t even stand up! It was no problem for him, though, he just laid on his back on the floor and played on the track!
Trivia Bit: What’s Going On is the first track that Jamerson is credited on a recording.
It is said that James Jamerson played on almost every Motown song between 1963 and 1968. That would include over 60 songs that hit #15 or better on the charts. He also performed on 23 # 1 songs on the pop charts and 56 #1 songs on the R&B charts! Berry Gordy called him an “incredible improvisor” and said “I, like the other producers, would not do a session unless at least two of the Funk Brothers were present, namely Benny Benjamin and James Jamerson.”
Some of the other Motown songs that feature Jamerson:
Ain’t No Mountain High Enough – Diana Ross and the Supremes
Ain’t That Peculiar – Marvin Gaye
Ain’t to Proud to Beg – The Temptations
Baby, I Need Your Loving – The Four Tops
Baby Love – The Supremes
Bernadette _ The Four Tops
Can I Get a Witness – Marvin Gaye
Dancing in the Streets – Martha and the Vandellas
Don’t Mess With Bill – The Marvelettes
Going to a Go Go – Smokey Robinson and the Miracles
Home Cooking – Jr. Walker and the All Stars
It Takes Two – Marvin Gaye and Tammy Terrell
My Cherie Amour – Stevie Wonder
My Girl – The Temptations
Pride and Joy – Marvin Gaye
Reach Out, I’ll Be There – The Four Tops
Shotgun – Jr. Walker and the All Stars
This Old Heart of Mine – The Isley Brothers
Two Lovers – Mary Wells
What Becomes of the Broken Hearted – Jimmy Ruffin
You can also hear him on :
The Theme from S.W.A.T. – Rhythm Heritage
The Theme from Starsky and Hutch
Just Like Romeo and Juliet – The Reflections
Rock the Boat – Hues Corporation
The list of people who were influenced by Jamerson’s playing is almost as long as the list of songs he played on! Saxophone and bass player Wilton Felder called him “The Godfather of the electric bass.”
Suzi Quatro says, “I grew up in Detroit, so I was weaned on James Jamerson and Motown music. It’s in my DNA. He is still the best and I took my style from him. It’s hard to improve on what he did, because you are talking perfection.”
Sir Paul McCartney says, “Jamerson was where I picked up a lot of my bass style. Because bass players normally have to follow: we follow chords, follow the drummer, follow the vocalist, we have a following role. Suddenly the bass had power! We could dictate the direction of the music and add excitement. James Jamerson became just my hero, really.”
James Jamerson Jr. says, “As for his sense of syncopation, that was his God-given gift. I couldn’t even explain that one. I put it like this: My dad liked to dance, so he just danced on the bass. He would occasionally polish his bass, but he’d never touch the gunk that built up on that fingerboard. he told me the ‘dirt keeps the funk’.”
Years of drinking finally caught up with Jamerson. On August 2, 1983, he died of complications from cirrhosis of the liver, heart failure and pneumonia.
He was buried in Detroit’s Woodlawn Cemetery. A few years ago, Jamerson’s cousin saw a picture of his grave site. There was no headstone, only a grass marker. Eventually, the funds were raised and a proper headstone was set in place on August 27, 2021.
In 1989, Jamerson was the subject of a book loaded with great stuff – Standing in the Shadows of Motown. I think you can still get this on Amazon. A documentary of the same name was produced in 2002
He was posthumously inducted into the Rock and Roll Hall of Fame in 2000, received a Grammy Lifetime Achievement Award in 2004, and inducted into the Musicians Hall of Fame in 2007. Last month, in South Carolina, he was honored when a street was named for him.
It is a shame that it took so long for Jamerson and the Funk Brothers to get the recognition that they deserve.
As I prepared for this piece I found myself on YouTube listening to track after track of Motown stuff and listening with different ears. I focused on that bass line and really was blown away. These are songs I have heard countless times, yet focusing on that bass made them so fresh! As I said, the isolated tracks are an entirely different thing – it is so awesome to hear Jamerson “feel” and “drive” the tunes. It is no wonder that he is ranked the #1 bass player in the business by so many different sources, including Rolling Stone magazine.
Thanks again to Dave for allowing me to be a part of such a cool feature. I have already been impressed by the other blogger’s submissions. I am sure that they love taking part in this feature as much as I do.
I was approached by my blogger buddy, Max, from the PowerPop Blog recently and asked to contribute something for his “Beatles Week” feature. In truth, it will probably go longer than a week as there are many talented writers participating with me. I think his original thought was to have each of us write about a favorite Beatles song, but then he allowed us to pursue something “Beatle themed.”
I think I have mentioned in the past that it would be extremely difficult for me to pick one favorite Beatles song. There are just too many great ones to choose from. I could spend hours talking about the fantastic harmonies of the group or the amazing songwriting contributions of Lennon and McCartney. I could also examine the way George Harrison’s guitar playing matured as the group got older. Instead, I chose to focus on the Beatle that I connected with as a young fan discovering the band – Ringo Starr.
As a kid, I discovered the Beatles through their cartoon series (as well as albums that my dad had). While the boys didn’t voice the characters themselves, it featured many of their songs and put them in silly situations. Ringo always seemed to be the goofball and I guess I found him to be the funniest.
As I began to buy Beatles albums on my own, I often found that the “Ringo” cut of each album tended to really stand out as a favorite. Let me be clear, it is not that I disliked the other guys, the opposite was true. I loved them! However, the “Ringo” cut just really had a different sound to it.
As many know, Ringo was not the original drummer for the band. Pete Best was the guy. The rumors were that he was pretty good looking and a fan favorite, so they got rid of him. How true that is, I don’t know. The boys recruited Ringo from another band (Rory Storm and the Hurricanes). Once the group got their recording contract and started sessions with George Martin, Ringo was dissed a bit. Martin felt that he was not a good enough drummer to do studio work. Eventually, Martin came around and not only was he in the recording sessions, he occasionally got to sing on a song or two.
In total, Ringo Starr sang lead vocals on 11 Beatles songs. The first was “Boys,” which was a cover of a Shirelles song. The song was one that the Beatles had been playing in their live shows for some time. Pete Best used to sing it in shows. Ringo knew the song and had performed it many times with his previous group. When the band was in the studio cutting the 1963 album “Please Please Me” he sang it in one take.
The group had been playing “Boys” for years before it was ever recorded. It was the only song that Ringo sang lead on and his loyal fans wanted to hear more. John, Paul, and George were getting tired of the song and when it was time to record their second album, Lennon and McCartney worked together to write a song for Ringo that would replace “Boys.” The song would be “I Wanna Be Your Man.”
Before they went into the studio, another British group approached Lennon and McCartney and asked if they had a song that they might record. They decided to give them “I Wanna Be Your Man.” That song became the first “hit” for Mick Jagger and The Rolling Stones!
Carl Perkins was responsible for Ringo’s next two vocal songs. First, was “Matchbox” which Perkins had a hit with in 1957. This song (and his next vocal) was responsible for the association of Ringo with rockabilly/country music. Word is that Perkins was in the studio while the Beatles recorded his songs.
For the 1964 album “Beatles For Sale,” Ringo contributed the lead vocal to Perkins’ “Honey Don’t.” Carl Perkins influenced a lot of Liverpool bands and Ringo was playing this one in his prior group before joining the Beatles. It was another song that Pete Best sang lead on in early live performances. John Lennon began singing it after Best left, but the band agreed that it was a perfect Ringo song for the album.
Ringo had decided that he wanted to have a bit more input in the songs that he was to sing. During the recording sessions for “Help” in 1965, he came upon the Buck Owens song “Act Naturally.” He brought it to the band and said he felt it would be a great song for him. They all agreed and cut it. This would mark the first Beatles cover song that they had not already been playing at live shows.
Ringo, while not best known for his song writing, did write a few for the band. By this time, John, Paul and George were all churning out songs. The three seemed to be doing everything and Ringo felt like he was being left out and maybe even someone who could easily be replaced. He went to the group and voiced his concerns. This led to his first song writing credit on a Beatles song. The song was What Goes On. The song was not all Ringo, as it was actually a song that John had originally written and Ringo tweaked and contributed to.
Yellow Submarine appeared on the 1966 Revolver album. It was a big song for Ringo as it went to #1 in the UK and #2 in the US. In Alan Clayson’s book, “Ringo Starr: Straight Man or Joker,” he says that the song was “conceived as a song that would appeal primarily to children, while recalling the band’s roots in Liverpool.” The song was written mostly by Paul McCartney and it is said that Donovan also helped (while being uncredited).
If you had to pick a “signature” song for Ringo, it would be “With a Little Help from My Friends.” The song is the second track on the Sgt. Pepper Album. The album itself was sort of a concept album where the band is playing … well, another band. In the album’s opening track, the character of Billy Shears is introduced. Even Ringo has stated that for the cut he is “taking on” the character of Shears to sing the song. The song was one that was written specifically for Ringo by John and Paul.
Ringo’s next vocal feature was one that he wrote. “Don’t Pass Me By” was one that came to him while sitting at the piano. He claims to only know a few chords on the piano and guitar. He says that while he plays around, if a melody comes to him or some words, he just keeps playing around. This is supposedly how “Don’t Pass Me By” came to be. There is some confusion as to when exactly the song was written, and while it may have been written as early as 1964, it was never recorded and released until 1968 on the White Album.
Alan Clayson says in his book that Ringo had unknowingly plagiarized music from a Jerry Lee Lewis song. It was only when George Martin was experimenting with different effects and orchestration that the song was able to be released (now sounding very musically different from it’s original version).
The song “Good Night” from the White Album was written by John Lennon. He wrote it for his five year old son, Julian. Lennon was very insistent that the song be sung by Ringo. What is interesting is that Ringo is the only Beatle who performs on the song. The music is provided by classical session musicians under the direction of producer George Martin.
Ringo’s last songwriting credit for the band appears on the 1969 album, Abbey Road. Many compare “Octopus’s Garden” to “Yellow Submarine.” Other’s compare it to an amazing and peaceful under-the sea world. This song, however, was written by Ringo at a time when things were less than peaceful with the group.
The story goes that Ringo was so angry that he walked out of a recording session because he was angry at Paul McCartney. Paul had reportedly been making comments about Ringo’s drumming, and so he left. He spent time relaxing on the Italian island of Sardinia. While there, he became fascinated by the ocean and sea life. This led to him writing the song.
When Ringo returned to the Abbey Road studios, he found that the rest of the band had decorated his drum set with flowers and found a gift from John, Paul and George as an apology. He showed the song to them and George Harrison worked with him to get the song ready to record.
After the Beatles broke up, each went on to have solo hits. Ringo enjoyed success with “Back off Boogaloo,” “Photograph,” “You’re Sixteen,” “The No No Song,” and “It Don’t Come Easy.” He continues to tour with his All-Starr Band and sells out venues.
“Peace and Love” – Ringo Starr
Perhaps if world leaders, politicians, and people in general listened to Ringo, the world would be a better place.
This blog is part of the next installment of Dave from A Sound Day’s Turntable Talk. This time around, the subject is “cover songs.” Per our instructions:
This time around, wanting to get your thoughts on Cover Songs…what makes a really good one, maybe what your favorite bold one is. Do you like ones really faithful to the original, or ones that spin it in an altogether direction? Or conversely, what one is atrocious to you & why.
By ‘bold’ I mean covers of songs that were already known, and hits. I won’t set any minimum guidelines but as examples, most people never heard The Arrows version of ‘I Love Rock n Roll’ or The Clique’s ‘Superman’ so it was easy for Joan Jett & REM respectively make them their own. But to do a Beatles song, like Joe Cocker did only a couple of years after the original was released… that took …something.
So what cover songs work great for you?
Cover Songs
If you do a Google search on “cover songs,” there are plenty of links to articles containing lists of “the best” ones. There are also links to video’s that feature countdowns and lists of “best and worst” cover songs. Those lists, no doubt, will include: Twist and Shout by the Beatles, Proud Mary by Ike and Tina Turner, Hurt by Johnny Cash, Last Kiss by Pearl Jam, Mony Mony by Billy Idol, All Along the Watchtower by Jimi Hendrix, and many many more!
Many people are unaware that some of their favorite songs are actually cover songs. A lot of the early Rolling Stones and Beatles songs were actually covers of songs they loved by other artists. In a way, a cover song is the ultimate “hat tip” to a band’s early influence.
Personally, I tend to love cover songs. If you were to grab my iPod, that becomes very clear! I recall a time when I was married to my ex-wife and her iPod was dead. She wanted to go walk and asked if she could take mine instead. Upon returning home, she said to me, “How many different versions of a song do you need?!”
Cover Song Example
Dave asked “what makes a good” cover song? He also asked, “Do you like ones really faithful to the original, or ones that spin it in an altogether direction?“
It is difficult for me to say what exactly makes a good cover song because I think it can be one that is faithful to the original, spun in a different direction, or a mixture of both of those elements. Take for example, the Rodgers and Hart song – Blue Moon.
The song was written in 1934. There were recordings made as early as 1935. One of the best known versions is the Doo Wop hit from 1961 by the Marcels. Dean Martin did a stripped down version with piano and drums that was performed as a slow ballad. Frank Sinatra’s version was more “swingy”. Sam Cooke’s “bounced” and in 1997 a swing band called the Jive Aces covered it as a bouncy boogie woogie sounding cover. Every single version I mentioned, I like for different reasons.
Some of My FavoriteCovers
If I were to make a list of all the cover songs I have on my iPod and feature one a day on my blog, I would have enough songs to write about for about 6 months! Instead, I grabbed a piece of paper and off the top of my head started jotting down the cover songs that came to mind. I gave myself 5 minutes to do this and came up with about 18 songs. The reality is that I know that I will complete this blog and after it posts say, “Oh, man! I forgot (insert cover song here)!” That’s ok.
While it may be hard for me to tell you exactly what I love about cover songs, maybe by giving some examples of some of my favorites, the music will answer the question for both of us.
The first three I came up with are all from movie soundtracks. There is no shortage of cover songs in the movies. These covers will often give new life to old songs – examples include Sweet Child of Mine by Sheryl Crow from Big Daddy, Hallelujah by Rufus Wainwright from Shrek, Hazy Shade of Winter by the Bangels from Less Than Zero, Girl You’ll Be a Woman Soon by Urge Overkill in Pulp Fiction, and, of course, I Will Always Love You by Whitney Houston in The Bodygaurd.
Johnny B. Goode – Marty McFly and the Starlighters
From Back to the Future, this is the song Marty McFly plays at the Enchantment Under the Sea Dance. In the movie, He goes off on a Eddie Van Halen type solo and the entire crowd looks at him stunned. On the soundtrack, however, there is a full version with an additional verse not in the movie. What I love about this version is the stripped down instrumentation, the saxophone and piano, and the whole feel of it. It really sounds like an “early” version of the song. It’s actually quite good.
From the soundtrack of Honeymoon in Vegas, which contains some very good Elvis covers. This one is my favorite. It has the feel of the Elvis version, with a little “boogie woogie” piano feel to it. Simple background vocals enhance the Billy Joel version. One addition I love is the bass drum hit after he sings, “I’m in love ….”
I stumbled on this by accident. This cut was used in the movie Little Big League. I’ve always been a fan of Fats Domino, but this version is just so much better. It has “meat” to it. The driving bass line keeps it moving, the piano is still there, and those saxes in the background – LOVE them. Add the electric guitar and Taj Mahal’s vocal to the mix and it is just perfect! This is one that I find myself listening to at work when I need a “pick up”
Phil Phillips did the original of this, but how can you NOT love this version?! First and foremost, you have Led Zeppelin’s Robert Plant and Jimmy Page as well as Jeff Beck in the group! Add a beautiful string arrangement and background singers to compliment them and you have a top 5 record!
Not many people are aware that this is actually a cover song. It was originally done in 1964 by Gloria Jones. The song was written by Ed Cobb, who was in the Four Preps, and was actually the B-side of a song called My Bad Boy’s Comin’ Home. The original had a “Motown” feel to it, while Soft Cell certainly has more of an 80’s feel to it.
This one was written and recorded by the legendary Otis Redding. Otis’ version is already great, but I love this one equally. It certainly has a great feel to it. It doesn’t sound dated at all. It’s funky and a great jam!
The original was done by Johnny Burnette, who was known for rockabilly, in 1960. It’s not that I dislike the original, I just think Ringo’s version is … more fun. For years I thought Paul McCartney was playing Kazoo in this, however, one article says, “Michael Verity has quoted the song’s producer Richard Perry as revealing that it wasn’t actually a kazoo: “In fact, the solo on ‘You’re Sixteen,’ which sounds like a kazoo or something, was Paul singing very spontaneously as we played that track back, so he’s singing the solo on that.” Ringo’s version remains one of the few No. 1 singles to feature a ‘kazoo-sound’ solo. (It sure sounds like a kazoo to me!) I also love the driving piano bassline in his version.
Originally done by the Beatles, this is almost a carbon copy of the Beatles version. I like it because I think Steven Tyler’s vocal perfectly fits the song.
Elvis did his share of covers, and this is one that comes from his Aloha From Hawaii concert special. I have always preferred this version to the James Taylor version. To me, it is more “bluesy.” I love everything about this cut!!
This one was originally done by the Ronettes in 1963 and featured Phil Spector’s “wall of sound.” Andy Kim recorded his version in 1969 and had a top 10 hit with it. It mimics the “wall of sound” but if you listen in headphones, there is a lot of little stuff going on in the background – jingle bells, glockenspiel, castanets, and more. I remember hearing it a lot as a kid.
This remake I stumbled on by watching MTV!! The original was done by Ivory Joe Hunter in 1956. I remember seeing the Title and Artist show up on the bottom left side of the screen when the video started and couldn’t believe that Dean Martin was on MTV. He recorded it for his The Nashville Sessions Album and I love that it stays true to the original, yet is purely Dean.
It better be good if you are covering the Queen of Soul, Aretha Franklin, and this one is! Aretha did the original in 1968 and then covered herself for a version in the Blues Brothers. I don’t remember how I stumbled on Joan Osborne’s version, but it is different enough that I love it. It has such a cocky attitude to it. Dig it –
Originally done by Wilson Pickett, this is one of greatest soul songs of all time! I heard this on the Blues channel on Sirius XM and fell in love with it. I’ve always dug Buddy Guy and while this stays pretty true to the original, it has a sound of its own!
Carl Perkins seemed to have all of his songs covered and many times, his songs became associated with the other artist rather than him. That’s the case with Blue Suede Shoes – it is Elvis. Elvis’ version is so much better than Carl’s in my opinion.
Originally done in 1952 by the late Hank Williams Sr. this takes a whiney and twangy song and cranks it up about 10 notches. We had Crystal in for a show when I worked at the country station and she was fantastic. This was on her debut album. I’m not sure she isn’t a huge star. Her voice is amazing and she is very talented.
Written by and a hit for Don Henley, I have always loved this song. The content of the song is about mass media and how they exploit just about everything. Henley had a top 5 hit with it. I didn’t even know that Lisa Marie Presley had done this song until I heard it on some Pandora playlist. Her vocal is sultry and sells the content lyrically. A great cut!
A cover of James Brown’s classic! James has a hit with this in 1956 and it went top 10 on the R&B charts. I think Delbert McClinton is someone who just doesn’t get enough praise for all he does. He’s a singer songwriter who can play many instruments and has released many albums. This version comes from his Honky Tonk and Blues album, which is a personal favorite.
Jimmy Van Heusen composed this song in 1962 with lyrics by Sammy Cahn. According to Mel Torme’, the song was written for Judy Garland to sing on her TV show. It was written as a parody to her well-known problems. Many people have done versions on the song – Frank Sinatra, Bobby Darin, Eddie Fisher, Julie London, and more. Michael Buble’ used this as the title track for his 2007 album. It get’s me right from the opening “walking” bass lick. Buble’ has made a career out of covering so many songs from the Great American Songbook, as well as many originals. He has a great band backing him and he sings this effortlessly.
I love Bill Withers. he wrote and recorded this for his 1972 Still Bill album. It was a smash and was a number 1 song. I never cared for the cover version. Yes, it stayed very close to the original, but I just never cared for the arrangement at all. It’s almost annoying to me. It is actually playing in my headphones as I am typing this. To me, the whole 80’s synth sounds just sound out of place. Not to mention the whole “We be jammin” part – URGH!! One good thing about this was that it won a Grammy for Bill Withers as the writer for Best R&B song.
So what can we say about cover songs? Are they done as a tribute to the original artist? Are they done because it’s a favorite to perform? Are they done to “improve” on the original? Are they done because an artist feels it should be presented in a different way? Who knows, really!? One could easily ask the same questions about all the crappy movie remakes that have come about.
Some of my favorite concert memories are hearing the singer do a song that is totally unexpected. My favorite memory of the Billy Joel concert I attended wasn’t Piano Man. It was when he talked about loving the Motor City and breaking into his own version of I Heard it Through The Grapevine! Magical!! Aaron Tippin played a county fair for us and one point he threw on a fedora and sang Fly Me To the Moon, which blew my mind! Very cool songs – never released – but covers, nonetheless.
In the end, a good song is a good song. I love listening to a great song done by many other singers. It says something about the song melodically and lyrically. I don’t always love the cover, but that’s ok. It’s fun to hear the artist’s take on it.
I want to thank Dave for allowing me to ramble on and on about this month’s topic. I’ve wanted to feature cover songs on my site, but just couldn’t figure out how to present it. I guess I better stop typing because the more I think about it … the more songs are coming to my head!
This blog is part of Turntable Talk, a feature created by Dave at A Sound Day.
Since I started this blog four years ago, I have wanted to write a blog about The Beatles. Outside of a few “mentions” and a couple guest blogs from my buddy Max, I have just never tackled a Beatle Blog. So let me tell you how I was finally “forced” to write about the boys from Liverpool.
Of the many blogs I follow, many of them are musically oriented. One of those is A Sound Day. Dave is the author, and you can follow Dave’s blog here: https://soundday.wordpress.com/
Dave reached out to a few of us and had an idea for a monthly blog topic. The topic would be music oriented and geared toward something that we’d all be familiar with. Each of us will write on that and it will be featured on his blog. The first topic suggested was “The Beatles – why are we talking about them 50 (+) years on?”
With that being a “base” to start with, we were given the option to write about (1) why they are still relevant (2) why they remain popular (3) is their popularity justified, etc… The Beatles themselves was the “prompt” and we can veer off how we want to. That being said, the questions that Dave presented are among many “sub” topics that I have in my notebook (Beatles Cover Songs, Songs covered by the Beatles, Favorite album, Top 10 favorites, etc…)
I have to admit, I had a difficult time trying to decide what angle I was going to go with. Then I began to think, “What if someone was unfamiliar with The Beatles? How would I introduce that person to their music? If I could only pick 10 of their songs to give an overall picture of the group, what would they be?” I made a list. This blog will reflect that list.
Before I go on, let me say that I hate my list! I cannot even begin to tell you how much I struggled to narrow it down to 10 songs that encompassed what I felt expressed why the Beatles were so fantastic. Oh, the songs that I cut from my list! There are SO many fantastic songs, and no doubt, you will question why certain ones did not make this list. I found myself questioning that, too.
After editing, re-editing, adding and removing songs, and editing again, I finally said “This is the list. No going back.” Like it or not, here are the 10 songs that I chose to introduce someone to the Fab Four:
I Saw Her Standing There
This has always been one of my favorite tracks. Paul’s “1-2-3-4” count off into the driving guitar grabs me every time. It was the first track of their first album – what a way to start an album! After all the years, I was still playing this at weddings and parties when I was DJing and it always filled the dance floor.
The story goes that Paul saw a teenage gal dancing the Twist at a dance and that event was the basis for this song. It is hard not to tap your foot as you listen to this one. (Side note: I feel the guitar solo in this song is kind of lame. The boys were still quite young at this time. Compare this solo with solos from songs just 3 years later and you can get a feel for just how far they came musically.)
If I Fell
When I think of the Beatles, I think of their harmonies. As I tried to pick songs, I tried to find one that showcased some of those harmonies. In a Playboy interview in 1984, Paul said If I Fell was recorded during “our close-harmony period.”
John called this his “first attempt at a ballad proper.” As a music guy, I love the chord changes in this song. Simple chords, diminished chords, and some ninth chords are all featured in the song. It is simple, yet complex.
On a personal note, after my divorce, I heard this song on the Beatles channel on Sirius XM just as my current wife and I were starting to date. I related to these lyrics. Who isn’t scared about starting a new relationship after being hurt by someone?
Got To Get You Into My Life
Brian Epstein wrote in his 1964 autobiography that the Beatles were turned down by Decca Records. He was told “guitar groups are on their way out.” I chose this song because it shows that they were more than just a guitar group. This was the first time the group ever used a horn section in one of their songs.
Paul admits that the song is an ode to marijuana. That is certainly not why it made my list. I’ll be honest, I never would have guessed that. I always heard it as a guy wanting a girl. I guess I’m just dumb. I chose it because, as a horn player, I loved the brass in it.
I’ll Follow The Sun
As you can see by the photo above, the song is credited to both Lennon and McCartney as writers, but the truth is that Paul wrote it. He remembered, “I wrote that in my front parlour in Forthlin Road. I was about 16. ‘I’ll Follow the Sun’ was one of those very early ones. I seem to remember writing it just after I’d had the flu and I had that cigarette. I remember standing in the parlour, with my guitar, looking out through the lace curtains of the window, and writing that one.”
He said that the group was always ready to sound different. They didn’t want to get into a place where all their songs sounded the same. This one certainly was a very different sound. I love the guitar work in this one. It is beautiful. This is another song that features some good Paul/John harmonies.
Eight Days A Week
This is a song that never left my list. It has always been one of my top Beatles songs. It’s a feel good song. I love the message of this song – There aren’t enough days in a week to show how much he cares about his love.
This was the group’s second #1 song in the US. It is just a solid Beatles pop song. It’s hard NOT to like it. There are varying stories as to how they came up with the title. Some sources say it was a “Ringoism,” something Ringo said that struck a chord with John and Paul. Another source says that Paul was in a car and he asked the chauffeur how he was. The driver supposedly replied, “working hard – working eight days a week.”
It is one of many Beatles songs that features “hand clapping.”
Something
While the bulk of the Beatles songs were penned by Lennon and McCartney, George Harrison was responsible for writing some fantastic songs. A perfect example is Something. It is what some call “the perfect love song.” Frank Sinatra (who never really had a lot of nice things to say about the Beatles) even called it “the greatest love song of the past 50 years.”
George says he wrote it “on the piano while we were making The White Album. I had a break while Paul was doing some overdubbing so I went into an empty studio and began to write. That’s really all there is to it, except the middle took some time to sort out.” George actually gave the song to Joe Cocker a year before they cut it.
The song was George’s first single and first number 1. It has been covered by many artists, and George has said that his favorite cover was done by James Brown!
A Hard Day’s Night
This song had to be on my list. Musicologist Alan Pollack says that this song “arguably holds a place within the upper echelon of the Beatles catalog.”
According to A Hard Day’s Write, Ringo is quoted as saying, “I came up with the phrase ‘a hard day’s night.’ It just came out. We went to do a job and we worked all day and we happened to work all night. I came out, still thinking it was day and said, ‘It’s been a hard day…’ looked around, saw that it was dark and added…’ ‘s night.”
There is a lesson in this song – If you work hard, romantic and domestic bliss will follow.
This song gets me from that opening chord! It’s also one of the great cowbell songs of our time!
While My Guitar Gently Weeps
This one is another George Harrison composition. Some have called this his greatest song. To me, this is a great example of just how mature the group had become in 4 years. The guitar work in this song is fantastic (Eric Clapton appears on the song). I love the interplay between the piano and high hat cymbal in the intro.
When I worked in Classic Rock, someone played me a clip of a comedian (can’t remember who) who goes off on classic rock radio. He says that there are more classic rock songs that “Stairway to Heaven,” “Layla,” and “While My Guitar gently Weeps.” This is funny, but it is a good example of just how popular this song is with music fans.
Yesterday
This song has the distinction of being covered by more artists than any other song in history. Paul calls it his “most successful song” and says that it is “amazing that it came to me in a dream.” Paul stated that he had the melody from the dream but didn’t have the words – so he “blocked it out with ‘Scrambled Eggs’.”
The sheer beauty of this song is in the arrangement. It is Paul, a guitar and a string quartet – and it works. It is hard to imagine it any other way (despite the countless covers). When Paul played it for the group, Ringo said it didn’t need any drums and John and George said it didn’t need any more guitar, and from there, it became the first “solo” song.
Fun Fact: The four members of the string quartet had never played together as a group before they played on the session.
Hey Jude
Right up until the time I was ready to start writing, the final question I had was – “Let it Be” or “Hey Jude”? Which one do I include? In the end, Hey Jude won out because it is sort of an anthem. It is a stand alone Beatles song. It’s like none other.
At 7 minutes long, it is what radio people called a “bathroom song.” Before the days of automation, DJ’s had to start a new record when one ended. Today, computers do that for them and they can walk away from the computer or studio for 10 minutes at a time as long as they didn’t have to talk. Back in the day, though, that wasn’t the case.
If you really stop and think about it, the song itself is only 3 minutes long. The last 4 minutes is just a refrain and fade out. The end of the record is longer than the song itself!
The song was written by Paul for John Lennon’s son Julian, who was then 5 years old. He was upset about his father and mother getting a divorce. It was written to help console him. Julian said, “It’s hard to imagine that this man was thinking about me and my life so much that he wrote a song about me…If I’m in a bar and the song comes on the radio, I still get goose pimples.”
I was dead set on Let it Be being the final song, until I listened back to both. Hey Jude is more “Beatles” to me, in that we have great lyrics, great instrumentation, and great harmonies. Let It Be, almost falls into that “solo” status, as it is pretty much Paul.
In Conclusion
After writing on these 10 songs, I looked back over my initial list of like 50 songs. It makes me sad that I didn’t include some of them. Others, I had on the list just because I liked them. Should I have added a Ringo vocal song? There were some good ones, but … no.
So back to Dave’s question: “The Beatles – why are we talking about them 50 (+) years on?”
Their stuff from 1964 still sounds fresh and stands out. People still request their songs, sing along with their songs, and dance to their songs! Movies are being made about them (Yesterday, Get Back). Their albums still sell. They have their own Sirius XM channel. The only answer I can come up with is “Because they are THAT good.”
Thanks, Dave for allowing me to take part in this! I look forward to reading the other posts from you and my music blogger friends.
On this day in 1942, Johnny Mercer and Glenn Wallichs launched Capitol Records in the United States. Wallichs was the man who invented the art of record promotion by sending copies of new releases to disc jockeys. It wasn’t until 13 years later, in 1955, that the now famous Capitol Records building was built.
The first artist to record at Capitol was Martha Tilton in April of 1942. She recorded the song “Moon Dreams”
Capitol Records was home to some of the biggest musical artists in history! Here are just a few:
Nat King Cole –
(Mona Lisa, A Blossom Fell, Answer Me My Love, Unforgettable)
Louis Prima and Keely Smith –
(Just a Gigolo, Old Black Magic, Jump Jive & Wail, What is This Thing Called Love)
Peggy Lee –
(‘Deed I Do, Fever, Big Spender)
Dean Martin –
(That’s Amore, Return To Me, On An Evening in Roma)
Frank Sinatra –
(One For My Baby, I Get a Kick Out of You, Love & Marriage, All The Way, Young At Heart)
The Beach Boys –
(Help Me Rhonda, Fun Fun Fun, Surfin’ USA)
The Beatles, John Lennon, Paul McCartney –
(TOO many to list!)
Stan Freberg –
St. George and the Dragonet, Yellow Rose of Texas, Heartbreak Hotel, The Great Pretender)
The Bee Gees, Garth Brooks, The Letterman, Jerry Lewis, Heart, Al Martino, Johnny Mercer, The Steve Miller Band, Katy Perry, Sammy Davis Jr., Tennessee Ernie Ford, Gene Vincent, Bob Seger …. The list goes on and on!
So many amazing singers and talents sang in the Capitol Records studios. Happy Birthday!!
As summer quickly (and sadly) draws to a close, it got me to thinking about the one thing I’ll miss most about summer – sunshine. For those who live where the sun is always shining (or at least most of the time), you really cannot comprehend just how difficult the winter months in Michigan are. While I love Autumn, I miss the sunshine as we start to see it less and less.
The lack of sunshine that is on the horizon in the months ahead, made me think of this great R&B song from Bill Withers. It’s been covered by SO many people including Nancy Sinatra, Paul McCartney, Michael Jackson, Wynonna Judd and many more, but Bill Wither’s version is the gold standard! It can be found on his 1971 album “Just As I Am.”
Bill wrote the song after being inspired while watching the movie The Days of Wine and Roses with Lee Remick and Jack Lemmon. He said in an interview that the characters Remick and Lemmon played: “They were both alcoholics who were alternately weak and strong. It’s like going back for seconds on rat poison. Sometimes you miss things that weren’t particularly good for you. It’s just something that crossed my mind from watching that movie, and probably something else that happened in my life that I’m not aware of.”
This was his first hit. He was in the navy for 9 years and after getting out, he worked in a factory making parts for airplanes. It was during this time that he met Booker T. Jones (of Booker and the MG’s). Booker brought in some amazing musicians (Donald “Duck” Dunn, Stephen Stills, and himself) to play on the track. Jones also produced the album.
One of the most recognizable parts of the song is where he repeats the words “I know” over and over and over. That was not they way he intended the song to be. he had hoped to write a verse to go there. Withers explained in an interview: “I wasn’t going to do that, then Booker T. said, ‘No, leave it like that.’ I was going to write something there, but there was a general consensus in the studio. It was an interesting thing because I’ve got all these guys that were already established, and I was working in the factory at the time. Graham Nash was sitting right in front of me, just offering his support. Stephen Stills was playing and there was Booker T. and Al Jackson and Donald Dunn – all of the MGs except Steve Cropper. They were all these people with all this experience and all these reputations, and I was this factory worker just sort of puttering around. So when their general feeling was, ‘Leave it like that,’ I left it like that.”
(Keith story: The first time I played this record at WKSG in Detroit, I was in the bathroom peeing when the “I know” part started repeating. I was standing at the urinal listening to the song over the speaker and I thought “the record is skipping!” I was playing this off a cart (which meant that it was already recorded and there was no way the song was skipping, unless it was recorded that way!). I remember running out of the bathroom and through the halls anyway …. by the time I got to the studio, the song was continuing ….skip free!)
The song won the Grammy for Best R&B song in 1972 and went all the way to #3 on the charts. While English teachers must cringe when they hear the improper grammar (“ain’t no” instead of “isn’t any”), it worked in this song (and also Ain’t No Woman (Like the One I’ve Got” and “Ain’t No Mountain High Enough).
“Ain’t No Sunshine”
Ain’t no sunshine when she’s gone
It’s not warm when she’s away
Ain’t no sunshine when she’s gone
And she’s always gone too long
Anytime she goes away
Wonder this time where she’s gone
Wonder if she’s gone to stay
Ain’t no sunshine when she’s gone
And this house just ain’t no home
Anytime she goes away
And I know, I know, I know, I know
I know, I know, I know, I know, I know
I know, I know, I know, I know, I know
I know, I know, I know, I know, I know
I know, I know, I know, I know, I know
I know, I know
Hey, I oughtta leave young thing alone
But ain’t no sunshine when she’s gone
Ain’t no sunshine when she’s gone
Only darkness every day
Ain’t no sunshine when she’s gone
And this house just ain’t no home
Anytime she goes away
Anytime she goes away
Anytime she goes away
Anytime she goes away
For our anniversary, my wife and I wanted to plan a little getaway to celebrate. Neither one of us had too much PTO in our “banks” at work, so we decided on a weekend trip. During the planning the destinations changed frequently. Originally, we had hoped to head back for another trip to Florida, but due to the lack of time available, we decided on something a bit closer to home.
There was talk of going to Nashville and maybe catching a show at the Grand Ole Opry. Then there was talk of Gatlinburg, where my mom so often talked about. I think we even chatted about Pennsylvania, too. Eventually, we decided that Chicago was where we wanted to go, but then realized that it was St. Patrick’s Day weekend, and we figured it might be just a tad crazy (although seeing the river turned green would have been cool.
Cleveland??
To be honest, I am not even sure how we decided on Cleveland, Ohio. I had mentioned that my dad had gone to the Rock and Roll Hall of Fame and said it was cool. I started to look at things in Cincinnati. There was a lot to do there, but why wasn’t the Hall of Fame coming up in any of my searches? I knew that Cincy was close to Louisville, KY and thought that we could maybe do something there, too. I had gone as far as to drop a radio buddy a note to say we were gonna be down there and asked for good restaurants to eat at … only to then realize the Hall of Fame was in Cleveland!
Now that we had cleared that up, we were set for Cleveland. Now, I will be the first to admit “Cleveland,Ohio” as the answer to “Where did you and your wife spend your first wedding anniversary?” is not at all romantic. Many people laughed when I told them. Here is the thing about my wife and I, the destination really didn’t matter – it was simply the fact that we were going to be together. To me, this is just one of the reasons I love her. We can be content with just having time with each other, no matter where we are, or what we are doing.
We have made it a tradition to go to restaurants that local wherever we go. If we can go there at home, we’ll go there at home! By doing this, we have really been treated to some amazing food. We always try to find a good steak house or something very unique to the city we are in and we have yet to be disappointed.
The Hall of Fame
Personally, I think Sam loves watching me get excited about stuff like this. We both love museums, but I must have been like a little kid on his birthday during this trip! I had, of course, seen pictures of the Hall of Fame, but it was something else to be standing in front of it. The big red block letters that sit upon the sidewalk read “LONG LIVE ROCK”. As I walked up the steps, there are phoney concert speakers erected by the hand rails. The excitement builds as you walk in.
As you enter, you walk into a huge foyer/lobby. The gift shop is to your right, to the left a cafe/coffee shop, and in front of you there is an escalator to take you down to purchase tickets. After buying our tickets, you get ready to enter and above the doors the perfect AC/DC quote to welcome you: “For those about to rock …”
Walking into the main exhibition hall, the first thing I noticed were pictures of John Lennon and Ray Charles on the wall. The first thing I am drawn to is a glass case containing Bill Haley’s guitar. Bill is often credited as being the singer of the first “rock and roll” song – Rock Around the Clock. There is a picture of him playing it in the case as well. I am not sure why I was so taken in by it, but I was.
The next thing we saw was a line of bass guitars that belong to Geddy Lee of Rush. I didn’t count , but there had to be like a dozen of them. The information said that this was only part of his massive collection.
The Roots
One thing I was thrilled to see here was the fact that the “roots” of Rock and Roll were well represented. Rock really evolved from a combination of Gospel, R&B, Bluegrass, Country, Folk, and Blues music. Each of those genres was represented here. Among my favorite things I saw: a suite belonging to Hank Williams Sr.; Louis Jordan’s music folder with his music and cue sheets; stuff from Muddy Waters, BB King, and Mahalia Jackson; Ray Charles sunglasses; Carl Perkins Guitar; salutes to Johnny Otis, Big Joe Turner, and Sam Cooke and so much more. The roots of rock were so well represented. Without these people and the genres of music, there would be no rock and roll.
Elvis
There is a pretty cool section devoted to Elvis, who was one of the first 10 artists inducted into the Hall of Fame. The Hall has a standing agreement with Graceland in Memphis (which is a museum in itself) and they send memorabilia to them often, so the exhibit changes often. There was a very cool motorcycle that was custom-built for Elvis. His gold sequins suit is there, and a jukebox which was given to him as a gift from RCA Records – it contains only Elvis records. Also on display was a double Gibson guitar which he played in his film Spinout.
The Summer of Love
With the 50th anniversary of the “Summer of Love”, there were some very cool things here. I saw groovy outfits from the Mama’s and the Papa’s, clothing from Jimi Hendrix, and the HUGE mixing board that was used to record some of Jimi’s music.
On thing I really liked to see was the various things that song lyrics were written on. There were quite a few original pieces of paper where the beginnings of songs were scribbled. There were also plenty of hotel pads of paper with lyrics on them. Loved seeing where changes were made to lyrics.
Cities and Sounds
I loved that there was a section of the hall that saluted cities and sounds. There was a section devoted to Memphis, Los Angeles, San Francisco, London and Liverpool, Seattle, and of course, Detroit.
In the Memphis section, there were plenty of neat things from Sun Records. Johnny Cash, Elvis, Jerry Lee Lewis, Carl Perkins and Roy Orbison all recorded there. To stand in front of Roy Orbison’s glasses and guitar was pretty awesome. My earliest musical memories are of my dad playing Roy’s music for me.
A nice tribute to Motown is here with stuff from Barry Gordy, The Supremes (you can see some of their dresses), Smokey Robinson, and the Temptations are all here. They were playing the episode of To Tell The Truth with Barry Gordy as we walked through this section.
The Beatles and the Rolling Stones each have a nice section at the Hall. I thought Mick Jagger of the Stones was taller, but standing by some of his outfits, he’s shorter than I thought. There is the Asher family piano that Paul McCartney donated, some of John Lennon’s outfits, and the handwritten lyrics to “In My Life”. A very cool documentary was playing in their section as well.
I jumped ahead a bit because the next section was London and Liverpool. There were some very neat things from the Yardbirds, Peter and Gordon, Herman’s Hermits and the Zombies too. All in all a nice salute to the British Invasion.
San Fran featured stuff from The Grateful Dead and Janis Joplin, while LA featured stuff from The Eagles, Jackson Brown, Joni Mitchell and Neil Young. One cool thing here was a duffle bag full of hotel keys. I don’t recall, but I think it said it belonged to one of the Eagles. They basically kept the hotel key (and keychain) from every place they stayed while on tour. The bag was stuffed full of some very cool looking keychains!
This section also had tributes to grunge music, punk music and a section called “Rave On” which focused on the “pioneers” of rock. Those pioneers included Fats Domino, Chuck Berry, Little Richard, The Everly Brothers and Buddy Holly. Soul Music was also spotlighted here with some awesome suits from James Brown, stuff from Aretha Franklin, pieces of the wreckage from Otis Redding’s plane crash, and Sam and Dave. Featured in the soul section were two amazing things – guitars from Donald “Duck” Dunn and Steve “The Colonel” Cropper. They played on almost every Atlantic and Stax record. They were members of Booker T and the MG’s, and also played with the Blues Brothers. Very cool to see!!!
Don’t worry metal heads, there was a section for Heavy Metal too. Oh, and a section for Rap, as well.
Protests
When Rock and Roll started to make waves, it wasn’t too popular with folks. We tend to forget the hatred toward the genre, but they had plenty of newscasts about burning records, and protests that happened. It was weird to watch the hatred toward the Beatles and read hate mail to the Rolling Stones. Other artists that were discussed in this section were Frank Zappa and ELO.
On the Radio
As a radio guy, it was cool to be able to walk up to an interactive touch screen and select a region of the US and then listen to old airchecks of DJ’s from different eras. Naturally, I had to listen to some of the Detroit personalities: Dick Purtain, Robin Seymour, and The Electrifying Mojo! There were plenty of familiar names from all over the states and it was nice to get to listen to their stuff too.
The Power of Rock
On the third level, there was a wall with each “class” inducted into the Hall of Fame by year. You could also go to a touch screen and search by class, by year, or by artist, and listen to their music. SO many great songs!!!
The Power of Rock is a short film by Jonathan Demme which features many performances from past Hall of Fame inductions. So many stars and so many great songs were in this film. The theater had a light show and great sound for the film and it was almost like you were watching a concert live. The film ends with Prince’s guitar solo on While My Guitar Gently Weeps – WOW! Forgot how amazing that was! They also had some of the great quotes on the walls of the hallway that you left the theater by. Prince’s outfit from that show and other outfits were there as well.
Rock on TV
It was also very cool to see some of the TV show memorabilia on this level. You could go and record something about your favorite singer or album in special booths. It was pretty cool to stand in front of Dick Clark’s American Bandstand podium! His microphone was in a glass case with other things like the set design for the Beatles appearance on Ed Sullivan. They had TV cameras there, Don Cornelius’ suit from Soul Train, outfits from the Jackson Five and Sonny & Cher and the coat worn by Davy Jones of the Monkees that he wore on The Brady Bunch. There was also some cool musically related stuff from Saturday Night Live, and from various music videos we all watched on MTV. It was neat to see Paul Shaffer’s keyboard that he played for so many years on the Late Show with David Letterman.
On the Radio – LIVE
One thing I didn’t realize was that Sirius XM broadcasts their “Classic Vinyl” station out of the Hall of Fame. Rachel Steele was on air when we went through. There is a glass window that allows you to look into the studio and watch them broadcast. I actually felt bad for her. One thing radio people like is the fact that they can go in to work without really worrying about what to wear, because….who is going to see you!? Whoever is on the air here, really has to “doll up” every day.
Over all, I loved every second of my visit here! Any music lover would enjoy themselves!! If you have never been …. you have to!
Christmas in March
The final stop on the trip was The Christmas Story House. It is the house featured in the holiday classic. They renamed the street “Cleveland Street” in honor of the movie. The Leg Lamp proudly sits in the front window and the Bumpass House is next door.
This is such an inexpensive treat! The house looks a little different on the inside, but they have restored much of it to be exactly like it looks in the film, which took a bit because there were a few owners since the movie.
We were allowed to take as many pictures as we liked. There was a guide who took us through the house and told some stories. You can see the bathroom where Ralphie solves Little Orphan Annie’s secret message, you can see the many plugs the tree was plugged into, pick up the phone that Mrs. Parker calls Flick’s mom on, see the boy’s room, and see the damper in the kitchen that billows black smoke because of the “clinker” furnace.
From the backyard you can see the steel mill (still in operation), which helped Jean Sheppard (the author) pick that particular house for the film. Across the street is a museum with the actual Red Rider BB gun used in the film, outfits from the cast, Darren McGavin’s plaster life mask (used for make up and such), plenty of behind the scenes pictures, and the Old Man’s car. The gift shop is full of great items and yes, you can purchase a pink bunny suit or a leg lamp (in various sizes).
Sam told me she’d buy me a bunny suit, but only if I wore it every Christmas! Incidentally, if you have the $$, you can spend the night in the house or next door at the Bumpass house.
The trip was short, but full of good memories. I love that we were able to do it and I love that we got to spend time with each other. It was the perfect anniversary trip.
In order for my Christmas season to be “official”, I have to hear Bobby Helms “Jingle Bell Rock” in its entirety on the radio. I’m not sure why, it just has always been the song that I have associated with the holiday. Perhaps it was one of those songs that I remember hearing on the radio as a kid, I really don’t know. I just know that it is the song that says “It’s Christmas time, Keith.”
Let me say this: I love Christmas music. As a DJ, I have played countless Christmas parties and have a huge tub of Christmas CD’s. I have a huge variety of various formats: Country Christmas songs, Pop Christmas songs, Novelty Christmas songs, and more. One of the radio stations I work for is actually playing all Christmas music right now and I enjoy doing an on air shift there. All that being said, there are certain Christmas songs that I can do without! Today’s short blog is a commentary about some of those songs.
Please Stop Playing These
“I Want a Hippopotamus For Christmas” – I don’t care whether this is the original version or one of the countless remakes. This song is just plain annoying. This song makes me want to drive off the road when I hear it. I cannot change the station fast enough when it comes on. I have yet to understand what is so appealing about this song!
ANYTHING by the Mannheim Steamroller. While I do appreciate improvisational music, there is nothing about their music that I find entertaining or worth listening to. Let’s face it, the synthesizer died in the 80’s …. let’s put these songs to bed, too.
“Jingle Bells” by the Singing Dogs. While we are at it, let’s add any Christmas songs done by cats, rabbits, ducks, ferrets, owls, pigs, or any other “musical animal”! Stop it! These awful songs deserve no place on the radio.
“Grandma Got Run Over by a Reindeer” – It sucked when it first came out. I continues to suck. Why is ok to play this song, in which grandma is MURDERED by Santa’s sleigh, but people are offended by a song that was recorded YEARS before the phrase “date rape” was even uttered claiming that is what the song is about (“Baby, It’s Cold Outside” for those unaware of that controversy)?
“Mistletoe” by Justin Beiber. – It’s friggin’ Justin Beiber. That is reason enough!
Jingle Bell Rock by Hall and Oates. As I mentioned at the beginning of this blog, the original is a classic and a must hear for me. I am not sure what it is about this version that makes me want to throw the radio out the window. It is awful! Perhaps it is just my love for the original that makes me hate this one so much, but probably not, as there are other versions of it that I like. To me, it’s like listening to cats puking…..hell, I’d actually rather listen to that, than to listen to this.
Christmas Wrapping – The Singing Waitresses. What the hell is this? I understand that the Spice Girls recorded this too and I can’t imagine their version being any better. This is probably the biggest waste of 3 minutes ever (with the exception of all Justin Beiber music). This song is in a “hot” rotation on Sirius XM’s Holly channel. This song needs to be go away forever! I want to wrap it up in toilet paper and flush it away!
It’s the Most Wonderful Time of the Year – Andy Williams. It’s the most overplayed song of the season!! I don’t mind hearing it every so often, but every 20 minutes is a bit much.
I am a HUGE Beatles fan – but I have to admit that “Happy Christmas” by John Lennon and “Wonderful Christmastime” are, outside of the previously mentioned Andy Williams song, played to death. Yoko Ono singing on “Happy Christmas” is like fingernails on the chalkboard! God! Who ever told her she could sing – John, must have. As for Sir Paul, he probably could never record again and live off the royalties from just that song they play it so much. It’s not a bad song – neither of them are – they are just so overplayed!!!
ANYTHING by Pentatonix!!! I LOVE acapella music! I do. When voices blend in good harmony, it is something amazing. Check out Ricochet’s “Let It Snow” – it’s awesome! I am not sure if the Pentatonix stuff is just overproduced, but it just sounds wrong to me. Take the song Hallelujah…Rufus Wainwright’s version is perfect. This version doesn’t sound right from the first note. I guess this album is the “new” Bing Crosby album, as stores can’t seem to keep it in stock. Personally, I’ll pass.
Dominick, the Donkey. As an Italian, I am embarrassed by this song. Lou Monte is one of the great Italian singers. His song Lazy Mary was a hit and I danced with my grandmother to it at my first wedding. Sadly, more people know Lou because of this piece of crap, than his hits! Jingity jing….URGH! Do the entire Italian community a favor and don’t ever play this again!!!
These are just a few of the songs that drive me insane. I am sure if I sat and thought about it more, or just turned on the radio, I could list countless others. For now, I will let you add to this list. What Christmas songs do YOU hate and why? I look forward to reading your responses.
Various Ramblings of a Nostalgic Italian 