The Music of My Life – 1986

Welcome back to The Music of My Life, where I feature ten songs from each year of my life. In most cases, the ten songs I choose will be ones I like personally (unless I explain otherwise). The songs will be selected from Billboard’s Year-end Hot 100 Chart, Acclaimed Music, and will all be released in the featured year.

I turned sweet sixteen in 1986. MTV was 5 years old and music videos were becoming more and more iconic. To make that point, we kick off my list with a video that is often listed as one of the best of the 1980’s.

Robert Palmer released Addicted to Love in January of 1986. It was accompanied by a video where he is singing in front of a “band” of beautiful women who look exactly alike. They wear lots of makeup and identical outfits as they pretend to play the instruments.

According to songfacts: the funny thing about the video is that the models posing as a band were selected precisely because they did NOT know how to play the instruments. As a result, each girl is keeping her own time and moving to a different beat. The video is constantly parodied, including in a Pepsi commercial with Britney Spears.

You might say the song came to Palmer in a dream. It all started with a guitar riff that came to him in a dream one night. He told Q magazine in 1988, “That noisy riff woke me up. I went downstairs, got out the tape recorder, then went back to bed. Next morning, I thought, Phew, caught one there!”

From the “What Might Have Been” file: Palmer wanted this song to be a duet with Chaka Khan, and he almost got his wish. He recorded it with her, but Chaka’s label, Warner Brothers Records, would not allow her voice to be used on the record, so Palmer had to erase her part and re-record her high notes before releasing it.

If you’re going to be addicted to something, love is a good thing, wouldn’t you say?

Addicted to Love

Next, we have a song whose video was like nothing that had been done before. Depending on the source, some say it was the 4th most played video on MTV. The video is so fun to watch, you may actually forget that the song is full of sexual innuendos.

Sledgehammer was a BIG number one song for Peter Gabriel. It was his first solo number one. It actually bumped his old band, Genesis, out of the number one spot.

The song was influenced by the ’60s soul music Gabriel listened to as a teenager, in particular Otis Redding, who Peter saw perform at the Ram Jam club in London in 1967. The horn section was typical of this sound. As a matter of fact, the horn section that he used was the legendary Memphis Horns, who played on several hits from Stax Records.

The wildly innovative video was directed by Stephen R. Johnson and featured stop-motion claymation techniques. It swept the MTV video music awards in 1987, and is considered a major breakthrough. It was a bit hard for Gabriel, though. He once remembered how he spent 16 hours lying beneath a heavy sheet of glass for the video, while each frame was shot, one after the other.

I’ve always felt that this song had at least some influence in the blues. It just sounds like a great blues song to me.

Sledgehammer

Songfacts says that this song has a lot of haters and has appeared on various “worst of” lists over the years. An example: it was listed #1 on VH1’s 40 Most Awesomely Bad Metal Songs. As a Michigan guy, I can tell you that they used this song as the Detroit Pistons theme song for years. Heck, they use this song at all kinds of sporting events.

Europe’s The Final Countdown is like an anthem. The iconic keyboard riff was composed by lead singer Joey Tempest five years before the song was recorded. The band’s keyboard player Mic Michaeli had lent him the instrument.

Despite writing the song, Tempest still cannot believe the success. He said, “It was quite a surprise that the song ‘The Final Countdown’ became such a big hit because it was written for the band, it was written for our concert, it was written to be the opening song in our concert. It was almost six-minutes long, it was never intended to be a short pop hit or anything, it was very much a surprise and its been used for all kinds of events, anything from Formula 1 to boxing. It’s been used a lot.”

I liked this song before Arrested Development aired on Fox, but came to love it even more because of the way they used it on the show. Will Arnett is a magician on the show and they often used the song as background music as he performed his “illusions.” The song only made a very funny scene, even funnier for me.

The Final Countdown

The next pick is not quite a duet, but it brought back a legendary voice and put her back in the spotlight. It almost didn’t happen, but Eddie Money stepped in and made it happen.

My favorite track on Eddie Money’s Can’t Hold Back album is Take Me Home Tonight. The song is based on The Ronettes’ 1963 hit “Be My Baby,” and features their lead singer, Ronnie Spector, on the chorus performing her famous line, “Be my little baby.”

At first, the song was going to be a duet with Martha Davis, lead singer of The Motels. Eddie, however, wanted “the real thing” (Ronnie) on the song, so he called her to ask, telling her, “This is a tribute to you. The song is all about you.” According to Spector, she got on board as soon as she heard the lyric, “Listen honey, just like Ronnie sang… be my little baby.”

“When they said that, I was sold,” she told Entertainment Weekly. Spector says Money was very excited when she showed up to record it. “He was a crazy person – freaking out in the studio, going, ‘I’ve got the real Ronnie Spector singing ‘Be My Baby’ on my record!,'” she said.

This cracks me up because I can see Eddie going crazy. He was a bundle of energy. Every time I interviewed him on the radio, it was hard to get a word in because he would just chat away with that “Eddie Money” energy!

Take Me Home Tonight

It must have been the summer of 1987 when our band took a trip to Cedar Point. I am not a ride person, so I hung out with guys who also didn’t ride them. As we walked the streets of the Point, we saw a “You Be The Star” booth. I suppose you would call it an early form of Karaoke.

There was a book that listed a bunch of songs that they had a music track from. They ushered you into this little recording booth with a microphone and headphones. I don’t remember if you got to rehearse the song first, but I thought that was the case. At the end of the session, they played your song on the speakers for all to hear and you got a cassette of the tune to take home. It cost a pretty penny to do and the music tracks were very cheap sounding.

I had some money and made a tape of Mack the Knife for my grandma (which was awful). I sounded so bad on it. Then, me and my three friends chose Hip To Be Square. I had heard the song before, but didn’t know it well enough to sing the lead. My buddy, Steve knew it and sang it like he had a record deal! Chris and I were satisfied enough to be the “Here, there and everywhere” guys.

The music video was directed by the team of Kevin Godley and Lol Creme, who made some of the most innovative videos of the ’80s. They got a distinctive look by using a medical camera – the kind doctors use to see inside the human body. They had the band perform the song a few times a few feet away from the camera, and did the heavy lifting in post production – the band loved it because it was so easy for them. The resulting video contained angles previously unseen on MTV, including one from the point of view of the drumsticks. It was nominated for Best Experimental Video at the 1987 Video Music Awards.

Hip To Be Square

The next pick is one that didn’t mean much to me in 1986, but two years later it sure did. I remember early in my senior year receiving a ballot in which I was to vote on our class song. Honestly, I don’t remember what songs we were picking from, but I do recall some of them being not very “class song-like.”

Our class chose Time to Remember by Billy Joel. It was the third single from his The Bridge album. The chorus is about looking back on the good times with appreciation and gratitude, making it a perfect song for proms, graduations, and just about any occasion where memories are shared:

This is the time to remember
‘Cause it will not last forever
These are the days to hold on to
‘Cause we won’t, although we’ll want to

Our teachers told us that the high school years would fly by. We never really felt that, especially during some boring lecture. Of course, the senior years goes by the quickest. Those lyrics should have been posted somewhere for every one to see, because by the time I heard them, and the meaning sunk in, it was graduation day.

I’m reminded of a quote from Ed Helms’ character Andy on the final episode of NBC’s The Office:

“I wish there was a way to know you’re in the good old days before you’ve actually left them.”

I don’t have to tell you, especially if you are a regular reader, that those days are definitely a time I remember, and remember them fondly!

Time To Remember

The group Cameo was formed in 1974, however, it wasn’t until 12 years later that they had their first Top 40 Hit. Word Up was the title track from their 13th album! The song was written by band members Larry Blackmon and Tomi Jenkins.

“Word Up” is a saying that was popular in New York and other urban areas in the US that acted as an affirmation of what was said, kind of a hipper “you bet.” Blackmon said this about the song:

“It just sounded good, and it was before its time. You can play “Word Up” anyplace anywhere, and someone is going to be grooving and bobbing their head. Our sound was unique, as well. I haven’t heard another one like it, and we probably won’t hear another one like it in the future. It was that significant for us.“

This was one of those songs that everyone at school seemed to be singing as they walked down the hall to class. We all seemed to know the words.

It got a lot of radio airplay and MTV played the video a lot. I’ve seen the video many times before, but I had forgotten about a neat cameo. (LOL – a cameo in a Cameo video!) Watch for Star Trek: The Next Generation’s LeVar Burton as a policeman.

Word Up

I am almost 100% against remaking movies. I feel the same way about television shows. Music on the other hand is a bit different. When an artist covers a song, they bring to it their own interpretation of the song. Think of all the different versions of an old standard like “Georgia on My Mind.” Off the top of my head I can throw out 5-8 versions that I absolutely love.

I remember the first time I heard the Art of Noise doing Peter Gunn. I was in the car and I thought, “What in the world is this?” The more I listened the more intrigued I was. I was impressed with how close the guitar sounded like Duane Eddy. Of course, I was even more surprised to hear that it WAS Eddy!

It didn’t do much on the charts, but the sound was so different and unique that I had to go pick up the tune. The video was a private eye parody with comedian Rik Mayall as the detective. The song was a Grammy winner, as it took home the award for Best Rock Instrumental Performance.

Peter Gunn

I mentioned that Sledgehammer had a bit of a blues sound to it earlier, and so does this one. Take a little blues and mix in some rock and you get some good stuff from The Fabulous Thunderbirds.

The title track from their Tuff Enuff album was a top 10 record for the group in 1986. They are often considered to be a one hit wonder band, but their song Wrap It Up was a minor hit. Kim Wilson wrote it and sings lead on the song.

The song is about a guy who will do pretty much anything for his gal, including wrestling with a lion or a grizzly bear, swimming the sea, put out a fire, and fight Ali. He’d even walk ten miles on his hands and knees, which really isn’t walking I suppose, but walk sounds better than crawl.

There is so much I love about this song, the syncopated guitar lick, the lyrics and the attitude. It made for a perfect sing along driving song.

Tuff Enuff

My last pick is another cover song, and this one I think tops the original and most of the other versions. That is saying a lot, because I am not the biggest Beach Boys fan.

California Dreamin’ was a hit for the Mamas and the Papas. It was written by John and Michelle Phillips. Barry McGuire (who had a hit with Eve of Destruction in 1965) actually recorded it first with the Mamas and Papas singing backup. They, of course, recorded their own version of the song soon after.

The Beach Boys recorded it for their Greatest Hits album, Made in U.S.A. The song was produced by the great Terry Melcher and had Roger McGuinn of the Byrds playing the 12-string guitar on it. Naturally, there was a video which featured McGuinn along with every living member of The Beach Boys and the “California Dreamin'” songwriters, John and Michelle Phillips. This primed the group for a big comeback two years later with their #1 hit “Kokomo.”

There are so many things about this song that I just love. That opening 12-string is fantastic. With the opening line, you get it and an echo of it which I thought sounded cool. Even cooler, after the line “and the sky is grey” there is that rumble of thunder that makes you feel the chill of the wind and the anticipation of a storm. Then there is that fantastic harmony! It is perfect for this song. Finally, their version opts for a jamming sax solo and loses the wimpy flute solo used in the Mamas and Papas version. That sax aids in conveying a “haunted sounding ending” as the song begins to fade away.

The song never hit the Top 40 on the Hot 100 chart, but on the Adult Contemporary charts it went to number 8.

California Dreamin‘

Next week, we’ll take a look at 1987. I’ll feature two fantastic duets, we’ll shake, rock, and roll, and hear about 6 beautiful ladies … er, 5.

What was your favorite from 1986? Tell Me about it in the comments. See you next time….

Spring Rerun – Tube Tunes

I’m adapting this post from a few years ago because of a couple recent articles on MSN about TV theme songs. I clicked on one about the Top 30 best TV Theme songs, and that lead to MSN offering up many other “TV theme song” articles and lists, naturally. At any rate, back when this blog was in its infancy, I wrote a blog about them and I thought maybe it was time to revisit since I have many new followers.

Today, many shows don’t even bother with a theme song. You see the credits scroll on the screen while the show is in progress. This is sad. To me, a TV theme song kind of sets the mood for the show. Usually, it will be a song with catchy lyrics or a melody that you can hum along with. Using that as my criteria, lets go back and look at some of my favorite theme songs from TV’s past. When we’re done – tell me your favorites that I may have missed.

The 50’s

Second, The Dick Van Dyke Show. What’s not to like about this one? You only have to wonder whether or not he’s gonna trip over the ottoman when he walks in the house.

Then there is the Twilight Zone. The haunting guitar part that plays those same four notes over and over is scary as hell! As a kid, I remember freaking out when it was on. Today, as I listen to it, it is perfect for the show. It was the perfect music to play while Rod Serling explained that we were entering another dimension. I can’t tell you how many times something obscure happens and I start humming the theme song!

One of the great 50’s themes is also one of the most recognizable is from the master of suspense, Alfred Hitchcock Presents. He is known for his movies, naturally, but his TV work was right up there with the aforementioned Twilight Zone.

Another one of my favorites was the theme to Perry Mason. It was written by Fred Steiner who said he wanted to capture Perry’s sophistication and toughness. The song is actually called Park Avenue Beat and it is a bluesy “piece of symphonic R&B”. The song was re-recorded for the Perry Mason TV movies and was used by the Blues Brothers band while out touring.

Another theme song that I absolutely love, has a Blues Brothers tie in, too. Peter Gunn is a private eye. The initial base line accompanied by low brass instruments screams sleazy private eye. It’s a great piece. The song actually plays in the first Blues Brothers movie as the brothers are driving through Illinois. They do a fine cover of it.

The 60’s

The shows of the 60’s and 70’s had some of the best theme songs!

The theme to Mission: Impossible is instantly recognizable. It was composed by the great Lalo Schifrin. What’s neat about the song is that it is in 5/4 time. From the opening note – you can see the fuse light up and begin to burn. It’s such a cool piece of music. I was glad that they used it in the movies with Tom Cruise (even though I disliked them).

Wanna sing along with the theme to Batman? You only need to sing the word “Batman” and you got it! Neil Hefti, who was a composer and arranger, composed the theme with it’s simple guitar lick and vocal. It was a hit for Hefti, The Ventures, and the The Marketts.

William Dozier, creator of Batman, also created the Green Hornet. Even though the show didn’t last long, the theme song is memorable for a few reasons. First, it is based on the classical piece, The Flight of the Bumblebee. Second, playing the trumpet on the song is the great Al Hirt! Classic! One that you will hum for days.

Who can forget the theme to the Monkees? “Here we come, walking down the street. We get the funniest looks from, everyone we meet….” Hey! Hey! They’re the Monkees! For this show, they gathered 4 guys with little or no musical experience and made them a band. The show appealed to kids and adults alike. It was fast paced with quick jokes and 4 lovable characters who featured many of their hit songs on the show.

https://youtu.be/96A0uyFWQHs?si=TZOd0N9lkMroBH2W

In the 60’s the guitar played a big part in theme songs. Think about this, The Munsters theme had such a catchy lick that was sampled for the song Uma Thurman by Fall Out Boy. It was cool enough to sample for one of today’s hit songs.

One of those great guitar theme songs was to Get Smart. The opening sequence changed a little from season to season, but it always included Don Adams walking through a corridor with sets of doors one right after another until he finally makes it to the payphone that gets him into CONTROL headquarters. Love this song and it never fails, if I am ever walking down a long hallway – I will almost always start to hum this song.

I mentioned the Ventures earlier, and they have one of the coolest theme songs – Hawaii 5-0. It was a huge instrumental hit for the band. It’s a great balance of guitar and horns. The use of the tympani drum and the pyramid effect by the horns in this song is masterful! It’s one of those theme songs you instantly crank up.

Maybe it’s the marching band guy in me, but I always loved a good march. That’s what you get as the theme song for Hogan’s Heroes. We played this in our alumni band one year.

The 70’s

Disco was in and some theme songs were just “funky”. Two examples of this are Barney Miller and it’s spin-off, Fish. The funky bass in the two theme songs is prominent and sets the tone for the them. The guitar melodies blend in and make them two themes that you could listen to over and over. The horns in Barney Miller continue to crescendo to the end of the song itself. It started slow and funky and ends in such a way that when it’s over you are disappointed cause you want more. The Twin Towers stand proudly in the opening scene as well.

It’s funny to listen to the Fish theme song again, because I realize how much it sounds like the theme from Night Court.

Norman Lear was a staple of 70’s TV. He created All In The Family, Maude, The Jeffersons, Sanford and Son, Good Times, and the list of his credits goes on and on. I have featured the Sanford and Son theme as a separate blog before, because it is one of my favorites. Here it is again, just because.

The Jeffersons was a spin-off of All In The Family. George Jefferson is “moving on up” to a bigger and better life and that’s where the theme song sets you up. It tells you the story. The theme song was written by Ja’net Dubois (of Good Times) and Jeff Berry and sung by Dubois and a gospel choir. Her vocal is amazing and so is the song.

How do I describe the theme song from What’s Happening!!? As the show opens, the main characters are running down a sidewalk bouncing a ball. The music kinda sounds like a ball is bouncing and then the soprano sax jumps in. It’s odd, but it’s catchy. It’s also written and composed by one of the most respected men in music – Henry Mancini!

The 70’s introduced us to the superhero Wonder Woman. I do not know a boy alive who did not have a crush on Lynda Carter. Much like the Batman theme, this theme repeats the character’s name a few times, but then expands on how wonderful she is. There is a funky little bass line that drives the song and I can’t really remember much more because I was watching Lynda Carter run ….

Welcome Back, Kotter was the show that introduced us to John Travolta. It was a comedy about a guy (Gabe Kaplan) who goes back to his old neighborhood to teach. The show was originally going to be called Kotter. The title was changed, however, because of the theme song. It was written and recorded by former lead singer of the Lovin’ Spoonful, John Sebastian. The song hit the charts and went all the way up to #1. This song give you the feel of the “folksy” 70’s.

Ok, I have to include the theme from a show that I watched faithfully every week as a kid. I was introduced to many stars and a lot of songs by watching this show. How can I not include The Muppet Show

The 80’s

There are so many great theme songs from the 80’s! Let’s start with Night Court. Night Court’s theme song throws me back to the 70’s because of that funky bass open – even more so now that I have listened to the Fish theme! You also have that soprano sax melody. It’s not a long theme, and when it’s done, you wish that you could find somewhere an “extended club mix”.

I just wrote about this next show for a Blogathon and did an entire blog on it as well. Police Squad only produced 6 episodes and it was cancelled. It starred Leslie Nielson as Lt. Frank Drebin. At the time, the network didn’t think that a show like Police Squad would be something an audience would want to watch (so they could catch all the jokes – remember, this was done by the guys who gave us the movie Airplane!). The theme song was accompanied by a voice over announcer reading the credits. He would also announce tonight’s guest star (who would always die during the credits) and give the name of the episode (which never matched with the title read on the screen). Thankfully, when the Naked Gun movies were made, the kept the theme song.

In 1980, Urban Cowboy hit theaters and country music was all the rage. It only made sense that we’d have a country comedy show on TV. That show was the Dukes of Hazzard. Talk about big name singers – Waylon Jennings sings the theme song, and he was also the show’s narrator. The song was released as a single in August of 1980, and it went to #1 on the Billboard Country Charts! Yee-haw!

The 90’s

It is here that we begin to see the decline in the use of the TV theme song. As a matter of fact, it became a habit to edit them down to 10-30 seconds from the already short 60 seconds. There are some that stand out for me though from this decade.

Tim Allen’s Home Improvement was a show based on his comedy act. His grunts and vocalizations intermingle through the theme song, almost as if they are a part of the musical score. The theme song almost sounds like a “work” song, both in sound and in tempo.

Seinfeld was one of those shows who used a theme song for a while, and used it at the end of the show, but often times especially in the show’s later seasons, it was shortened. The bubbly, poppy, twangy bass, and silly feel will forever be associated with the show about nothing and it’s silly characters.

From the opening guitar of “I’ll Be There for You” by the Rembrandts, you are in New York with Ross, Rachel, Chandler, Joey, Phoebe and Monica. The theme to the show Friends was an international hit. It was a song that was requested on radio and used at wedding receptions to introduce bridal parties. The song is heavily influenced by the Beatles (I Feel Fine) and the Monkees (Pleasant Valley Sunday). It was originally just one minute long, but the band went in an recorded an extended version, which became a radio hit.

Who could forget It’s Garry Shandling’s Show? The show, in itself, was silly. Garry interacts with the cast, but often will interact with the studio audience as well. It was just so weird. The theme song is just as weird. It’s a bouncy song that basically references itself (this is the theme to Garry’s show) and tells you how it came to be (Garry called me up and asked if I would write his theme song) and then asks how you like it (we’re almost halfway finished how do you like it so far?). The melody is so catchy, you can’t help but want to sing (or whistle) along with it.

One that I loved singing along to was the theme to That 70’s Show. The first season’s version was done by Todd Griffin, but from season 2 onward the group Cheap Trick sang the theme song. It rocked a bit more that season one.

2000-2010

There were only a few shows that I really enjoyed watching by this time. One that made me laugh out loud all the time was Arrested Development. This ridiculous silly theme song seemed so out of place, but I loved it

I really loved the show House MD. The theme song is actually a song that has a vocal called “Teardrop” by the group Massive Attack. If you hear the vocal version, you wonder how or why anyone would think to use this as the theme to a medical show…

The medical comedy Scrubs was a very good show which reminded me a lot of MASH. The theme on the show is only like 20 seconds long. However, I found the full version by Lazlo Bane called, “Superman.”

Another really short theme which I loved came from another show that made me laugh. 30 Rock. This cast was so good and the theme conveys the craziness that the characters experience while trying to put on their show. There is a couple full versions of the theme which can be found on the official soundtrack, but here is the TV version.

Wrapping up

I know I’m going to go back over this and think about many others I forgot to mention, but for now, I will stop here. So think about this for a minute:

With the TV theme song becoming more and more absent from TV…what are your thoughts? Which ones did you love growing up? Which ones do you still sing? Which ones did you hate?

Now it’s your turn – I look forward to seeing your comments.

Turntable Talk #23 – The Soundtrack of Our Lives

Once again, Dave Ruch from A Sound Day has offered up a gem of a topic for his monthly Turntable Talk feature! This month it is a topic that I have been hoping he’d get around to. Per his instructions:

“This time around, let’s look for THE SOUNDTRACK OF OUR LIVES ! Pick a great movie soundtrack and talk a bit about it. It can be from a great movie or a dog of one (or anything in between), one made specifically for the film or one assembled from existing tunes as long as it’s one that works for you!“

There are certainly many fantastic soundtracks to choose from. Movies that are known for being a great film and also their great soundtracks include American Graffiti, Smokey and the Bandit, The Wedding Singer, The Sting, and Forrest Gump. Those aren’t even considered “musicals!” When I think about musicals, wow, that list is a long one.

Plenty of movie (and TV) soundtracks can be found in my collection. When I worked in radio, I would often buy soundtracks so I could uses some instrumental tracks as voiceover beds (music that plays underneath your voice as you are doing a bit or talking to a listener). I used a variety of cuts from Napoleon Dynamite, Stripes, The Three Amigos, Dragnet, and movies that were box office bombs! My pick comes from a movie that was far from a bomb. It was one of the biggest films of the 1980’s.

The one soundtrack that has always been a favorite for me (and it doesn’t even contain all the songs featured in the film) is The Blues Brothers. It has some fantastic cuts from Belushi and Aykroyd as well as musical legends like Ray Charles, Aretha Franklin, and Cab Calloway.

I had this soundtrack on vinyl and I played the heck out of it. Many of the songs were featured on my “driving mix tapes” when I had my first car! While the album contains 11 great tracks, the film included many other classics that I wound up searching for to add to my collection. The music doesn’t follow their chronological appearance in the film for some reason.

She Caught the Katy

The album opens with this Taj Mahal song. The Blues Brothers version has a lot more sound to it. It is so much fuller with the horns and guitars of the band. It is the song that the starring credits roll under. The opening guitar lick leads to the first big horn stab (and we see Belushi) then you have another horn stab (and we see Aykroyd) and the third big horn stab hits as we see the movie’s title card.

Belushi’s vocal on this is perfect. I like his vocal on this cut more than any other song on the album.

Peter Gunn Theme

This is the first of two TV themes on the album. This instrumental plays as the Blues Brothers are driving back to Elwood’s place. There are some really great shots of the city of Chicago in this scene. As you listen to this one, you can hear the talents of Tom “Bones” Malone, “Blue” Lou Marini, and “Mr. Fabulous” Alan Rubin. If I had a dollar for every time I used this as background music to introduce a wedding party I could fly to Italy!

Gimme Some Lovin’

Best known for being a hit for the Spencer Davis Group (and a young Steve Winwood), the soundtrack features the full song. In the film, the band begins to play this song at Bob’s Country Bunker (a country bar) and the owner shuts the lights off on them. If I had to choose between the two, I’d pick the Spencer Davis version over this one, but it is still a great jam.

Shake a Tail Feather

Originally done by the Five Du-Tones of Chicago in 1963, James and Bobby Purify had a bigger hit with it in 1967. This version tops them because of one man – the great Ray Charles. In the film, he owns a music shop and the band is buying new instruments. Ray is asked about a keyboard and Murphy Dunn tells him that the “action” of the keys is not that great. Ray sits down and says, “I don’t see anything wrong with the action on this piano” and launches into this song.

As Ray plays, a crowd gathers outside the store and dances along with the song doing all the dances mentioned in it (the monkey, the jerk, the boogaloo, etc…). This song is fantastic.

Everybody Needs Somebody To Love

The song was written by Solomon Burke and recorded by him in 1964. Wilson Pickett’s 1966 cover is probably the best known version. This song is featured at the Blues Brothers’ big concert toward the end of the film. Over the intro, Elwood (Aykroyd) speaks to the audience and thanks “the members of Illinois law enforcement” who are present and waiting to arrest them. We get to hear a big more of Aykroyd on this track.

The Old Landmark

When you mention the Blues Brothers to someone, they will often quote “We’re on a mission from God.” This song is performed by the Godfather of Soul, James Brown who plays a preacher. Jake and Elwood are attending this church service and it is a pivotal moment in the film (and what sets them off on their “mission from God.”

The Old Landmark is a gospel song written by Dr. William Herbert Brewster Sr. back in 1949. It has been recorded by the Staple Singers, Aretha Franklin, Dionne Warwick and many others. James Brown takes this to a whole new level. It’s hard to imagine anyone performing this. He performed/recorded this one live on set.

Think

The Queen of Soul, Aretha Franklin, performs this one as she is telling off her husband Matt “Guitar” Murphy. The song was a hit for Aretha in 1968. For the film, they bump up the tempo and add some dancers. This track is SO good! ”Blue” Lou Marini grabs his sax midway through the number and really jams through the end.

This was one of the harder songs to do in the film. Aretha had recorded the song and found it difficult to lip synch to her vocals as they filmed. It was a scene that needed many takes to do. This version is far superior to her original version.

Theme From Rawhide

The second TV theme on the album takes place in that country bar. After the lights go out they band has to figure out something that the audience will like. They wind up performing this one. Aykroyd’s vocal is just awesome here not to mention the “call and answer” between him and Belushi. Add in a whip and you have a real country hit on your hands!

This scene always makes me laugh because they perform on a stage surrounded by chicken wire. Why? Because the crowd gets so excited they throw beer bottles at them!

Minnie The Moocher

This was a song that Cab Calloway had been singing for decades! He was the “Hi-De-Ho Man.” I just love this version of the song. The rumor is that Cab wanted to do the disco version of the song that he had recorded in the past. They insisted that it needed to be the jazz/big band sound.

The song itself send you right back to the 1940’s. The full sound of the band, the horn section, and the amazing trumpet solos by Alan Rubin. Without a visual, it is still fantastic. Watching it in the film only enhances the experience.

They band is on stage waiting for Jake and Elwood to arrive. The crowd is getting antsy. The band is dressed in street clothes and look sort of shabby. Cab asks if they know the song and the band says they do. He yells, “Hit it!” and the curtain opens. Out struts Cab in a white tuxedo backed by the band, wearing black tuxes and looking sharp. The stage now has an backdrop of famous 40’s places with neon signs and a sweet looking band stand.

As a trumpet player, I can’t NOT mention the spectacular trumpet playing of Alan Rubin on this one!

Cab was a scat singer and his call and answer with the audience is just priceless. I’m not sure how old he was here, but his vocals are right on! He was a legend!

Sweet Home Chicago

This is the longest track on the soundtrack. The original version was done by Robert Johnson in 1936. This is the second song the band plays at their big concert (and the one where they make their escape, hence the long instrumental ending). As they intro it, they dedicate it to the late, great Magic Sam (who was from Chicago) who recorded it in 1967.

This is such a fun song to listen to and to watch in the film. The looks that they give John Candy’s character and the other folks who have been chasing them always make me smile. The song serves as the background music as we transition from night to day and the ultimate finale of the movie.

Jailhouse Rock

Movie Spoiler: The entire Blues Brothers Band gets arrested at the end of the movie. Naturally, the final song of the movie is Jailhouse Rock, originally done by Elvis Presley. Trivia: In the film, the first “prisoner” to jump up on the tables and dance is Joe Walsh!

On the soundtrack, the song is a bit different than in the film. You have a complete cut on the album, while in the movie each band member has a little solo as their name appears in the credits. In the film version you also get a line or two sung by James Brown, Cab Calloway, Aretha Franklin, Ray Charles and more. It’s a perfect capstone to wrap the soundtrack.

I have played the songs on this album over and over again on vinyl, cassette, on my iPod, and YouTube. It remains one of my favorite soundtracks of all time! What disappoints me is the many songs that were featured in the film that didn’t make the soundtrack. They are worth finding and checking out!

Of course, I can’t tease those without listing them, so here goes:

Somebody Loan Me a Dime – Fenton Robinson (Plays while Jake is escorted from his prison cell)
Shake Your Moneymaker – Elmore James (Plays while Jake and Elwood visit with Curtis at the orphanage)
Soothe Me/Hold On, I’m Comin’ – Sam and Dave (Plays on the 8 track in the Bluesmobile while Jake and Elwood are driving and get pulled over)
I Can’t Turn You Loose – The Blues Brothers – Originally done by Otis Redding (Plays while they drive through the mall and as they take the stage at the Palace Hotel Ballroom concert)
Let the Good Times Roll – Louis Jordan (Plays on the record player in Elwood’s place)
Anema e core (Until) – Ezio Pinza (The piece is playing the apartment that Tom Malone and Lou Marini used to stay – the “Are you the police?” scene)
Quando, Quando, Quando – Murph and the Magictones (Plays in the Holiday Inn scene)
Just the Way You Are – Muzak version of the Billy Joel song. (Plays in the Holiday Inn scene)
Die Romantiker (The waltz that plays at the Chez Paul restaurant)
Boom Boom – John Lee Hooker (Plays as the Blues Brothers are going to meet Matt “Guitar” Murphy)
Mama Lawdy/Boogie Chillen – John Lee Hooker (Plays when Jake calls Maury Sline and on the way to Bob’s Country Bunker)
Your Cheatin’ Heart – Kitty Wells (Plays as the Blues Brothers enter Bob’s Country Bunker)
Stand By Your Man – The Blues Brothers (Plays at Bob’s Country Bunker)
I’m Walkin’ – Fat’s Domino (Plays as Jake and Elwood and the orphans promote the concert)
Ride of the Valkyries – Richard Wagner (Plays as the Nazis are chasing the Blues Brothers toward the end of the movie)
The Girl from Impanema – Muzak version (Plays, naturally, in an elevator as the Blues Brothers go up the 11th floor with the tax money)

The Blues Brothers may or may not have been the first movie of “mine” that I made my wife watch with me. I’m sure that she made me watch one of her tear jerking chick flicks to get back at me afterward. To me, this movie remains a classic. As far as the sequel – not so much. It did have a decent soundtrack, but that is about it.

I have been wanting to write about this album for a long time and am glad that Dave finally gave me a reason to indulge myself with this blog. I am also excited to see what the rest of the bloggers have chosen for their soundtrack.

I’m already looking forward to next month’s topic! Thanks for reading!

Tube Tunes….

sanford 1

Today, Quincy Jones turns 85. He is a legend in the music business. He is a record producer, actor, conductor, composer, musician, TV & film producer, instrumentalist, magazine founder, entertainment company executive and humanitarian. He’s worked with some of the best musicians and produced some of the biggest albums in history. He has worked with everyone from Frank Sinatra to Michael Jackson. Call my crazy, but despite all of the things Quincy Jones is known for – I remember him for one thing – he recorded the Sanford and Son Theme song!

There was just something cool about this theme song. The opening bass line followed by the catchy melody. To this day, I laugh when I see a beat up truck driving around, I will sing the Sanford theme out loud! In an episode of Scrubs, JD and Turk are having a serious discussion, that eventually ends up with them singing and dancing to the Sanford theme! Recently someone did a “mash up” with Robin Thicke’s Blurred Lines and, you guessed it, the theme to Sanford and Son.

Today, many shows don’t even bother with a theme song. You see the credits scroll on the screen while the show is in progress. This is sad. A TV theme song kind of sets the mood for the show. It will be a song with catchy lyrics or a melody that you can hum along with. Today, lets go back and look at some of my favorite theme songs from TV’s past. When we’re done – tell me your favorites that I may have missed.

The 50’s

Two of the earliest themes on my list come from shows considered classics. First, The Andy Griffith Show. This catchy tune is one that you can whistle along with. Even without looking at a screen, whistling it makes you picture Andy and Opie walking with their fishing poles to the lake. Second, The Dick Van Dyke Show. What’s not to like about this one? You only have to wonder whether or not he’s gonna trip over the ottoman when he walks in the house.

The 60’s

The shows of the 60’s and 70’s had some of the best theme songs!

The 70’s

Norman Lear was a staple of 70’s TV. He created All In The Family, Maude, The Jeffersons, Sanford and Son, Good Times, and the list of his credits goes on and on. The Jeffersons was a spin-off of All In The Family. George Jefferson is “moving on up” to a bigger and better life and that’s where the theme song sets you up. It tells you the story. The theme song was written by Ja’net Dubois (of Good Times) and Jeff Berry and sung by Dubois and a gospel choir. Her vocal is amazing and so is the song.

The 80’s

There are so many great theme songs from the 80’s! Let’s start with Night Court. Night Court’s theme song throws me back to the 70’s because of that funky bass open. You also have that soprano sax melody. It’s not a long theme, and when it’s done, you wish that you could find somewhere an “extended club mix”.

Police Squad only produced 6 episodes and it was cancelled. It starred Leslie Nielson as Lt. Frank Drebin. At the time, the network didn’t think that a show like Police Squad would be something an audience would want to watch (so they could catch all the jokes – remember, this was done by the guys who gave us the movie Airplane!). The theme song was accompanied by a voice over announcer reading the credits. He would also announce tonight’s guest star (who would always die during the credits) and give the name of the episode (which never matched with the title read on the screen). Thankfully, when the Naked Gun movies were made, the kept the theme song.

The 90’s

Wrapping up

With the TV theme song becoming more and more absent from TV…what are your thoughts? Which ones did you love growing up? Which ones do you still sing? Which ones did you hate?

Now it’s your turn – I look forward to seeing your comments.