The Music of My Life – 1991

Welcome back to The Music of My Life, where I feature ten songs from each year of my life. In most cases, the ten songs I choose will be ones I like personally (unless I explain otherwise). The songs will be selected from Billboard’s Year-end Hot 100 Chart, Acclaimed Music, and will all be released in the featured year.

1991 saw big changes for me. In April, a former coworker called to ask if I wanted a full time radio job at his station. It was a small market on the west side of the state (In Ludington). My girlfriend at the time and I had just had a big argument and I figured “Why not?!”

I was all by myself, in a place where I really only knew one person, at a job that decided to pay less than what I was told when I moved. It was lonely and I struggled a lot. The day I turned 21, I went to the store to buy beer and they never even carded me!

That summer would be one of my favorite summers. Michigan’s West side is just beautiful. I had never seen sunsets like those before! They were breathtaking.

Musically, there were some powerful tunes released in 1991. Some of them wouldn’t play into the events of my life for a few years, but when they did …

The first pick from ’91 is a song that I have found people either love or hate. I’m not sure why. Personally, I love the guitar sound and the harmonies in it, and I love the lyrics.

More Than Words is a song that was written by Gary Cherone and Nuno Bettencourt of Extreme. Nuno says, “The word ‘love’ itself gets really diluted, so we just wanted to say, ‘It’s not really about saying it,’ because everybody gets really worked up when somebody says that to each other. They say, ‘I love you,’ and everybody goes, ‘Oh my God! It must be serious. It must be heavy.’ It’s like, ‘Eh… it’s easy to say that.’ It’s really about showing it constantly and continuously in a relationship. We knew that was the message.”

The song was a huge hit for them. People who rushed out to buy their albums were quite surprised when they heard that the band primarily played Rock music. The band has called the song “both a blessing and a curse.”

More Than Words

R.E.M. had released the very thought provoking Losing My Religion from their Out of Time album as their first single. Their follow up was a song that could not be more different! That song was Shiny Happy People.

Michael Stipe calls this “A really fruity, kind of bubblegum song.” In an interview with The Quietus, he said that he was a bit embarrassed when it became a big hit, but it’s an important song because it shows a different side of him. Said Stipe:

“Many people’s idea of R.E.M, and me in particular, is very serious, with me being a very serious kind of poet. But I’m also actually quite funny – hey, my bandmates think so, my family thinks so, my boyfriend thinks so, so I must be – but that doesn’t always come through in the music! People have this idea of who I am probably because when I talk on camera, I’m working so hard to articulate my thoughts that I come across as very intense.”

Kate Pierson from the B-52s sang backup. She was in demand for her distinctive vocals after the B-52s achieved mainstream success with Love Shack.

In 1999, R.E.M. performed this on Sesame Street as “Furry Happy Monsters.” Kate Pierson’s part was performed by a Muppet that looked like her, voiced by Stephanie D’Abruzzo, a Muppeteer who was also a huge fan of the band.

Guitarist Peter Buck has two daughters who were big fans of the show. “You just looked around,” he recalled to Mojo in 2016, “going, Man this is a weird way to make a living.”

I had heard the song on the radio but it wasn’t until I was sitting at home watching Sesame Street with my oldest that I gained an appreciation for it.

Shiny Happy People

My next one had been on my iPod for years before the lyrics really hit me. My ex and I were at a point where all we did was argue. It was a very unhappy situation.

It was after an argument that I was in the car and heard Mariah Carey’s “I Don’t Wanna Cry.” Those lyrics were something I could have wrote;

Once again we sit in silence
After all is said and done
Only emptiness inside us
Baby look what we’ve become
We can make a million promises
But we still won’t change
It isn’t right to stay together
When we only bring each other pain

It stung, but it was true. The end was upon us.

This was Mariah’s fourth consecutive #1 hit on the Hot 100, making her the first solo artist and female artist in Billboard history to have their first four singles top the chart.

I love her vocal and the guitar work in this one

I Don’t Want to Cry

Long before I stood next to a very drunk Hank Williams Jr at a urinal in Nashville, he had put out an album in ’91 entitled Pure Hank.

One of the singles that was released was If It Will It Will. It’s very easy for us to get caught up in worry, but worry isn’t good for us. Hank’s simple advice is something we should all remember,

“If it will, it will. If it won’t, it won’t.”

The weirdest thing about this song is the video. Right at the beginning, Little Richard shows up. To me, he’s out of place and isn’t utilized very well. Even when he does sing along, you can barely hear him. The song, however, is a favorite. It starts off with a bluesy vocal/introduction and then kicks.

If It Will, It Will

As I compile these lists for each year, I always seem to stumble on one that could be used for another feature. The next song would certainly work for my Movie Music Monday feature. It was a big hit from the Robin Hood: Prince of Thieves soundtrack.

(Everything I Do) I Do It For You was written to order for the movie. It was initially written by American film composer Michael Kamen. The middle eight, break, outro and arrangement added by Bryan Adams and producer Mutt Lange. Adams used a line in the movie, “I do it for you…” as the basis for the song, and they had it written in about an hour.

The song didn’t meet with Hollywood approval. The film company wanted the song to have an instrumentation that was in line with the film’s era. Can you imagine the song featuring lutes, mandolins, and the like? The film company eventually relented, but still buried the song midway through the credits. They were obviously unaware of the huge hit they had on their hands.

The reason it made my list is because of an ex-girlfriend. It is not because it was “our song” or anything like that. She asked me if I knew the song. Naturally, I did. It was a big bridal dance song. She told me to listen to it again, but to listen to it as if God was speaking the words (making changes to tense and such).

You can’t tell me it’s (your) not worth dying for
You know it’s true
Everything I do (did)
I do (did) it for you

I had never thought of it that way before. I always remember that conversation when I hear the song.

(Everything I Do) I Do It For You

I love Bonnie Raitt. I love listening to her sing and watching her play. She is blues. She is country. She is pop. She is folk. She is something!

She was no stranger to the music scene. Her first album came out in 1971! She also did some session work. She’s collaborated with artists like John Prine, Jackson Brown, The Pointer Sisters, Warren Zevon and Leon Russell. She finally had some success in 1989 with her award winning album Nick of Time.

The first time I heard Something To Talk About on the radio, it stuck out to me. It was so different. As a blues fan, I could hear that blues influence and I feel in love with the song. The song would go on to be her biggest chart hit in the United States, rising to #5.

She was never a singles act, but after her four Grammy wins for the album Nick Of Time, her songs started getting radio play. With radio play, they began showing up on the chart. “Something to Talk About” was the lead single to her next album, Luck of the Draw. Because of her prior success, the song was highly anticipated and radio jumped on it. The song won a Grammy Award for Best Female Pop Vocal Performance. Bonnie beat out Oleta Adams, Mariah Carey, Amy Grant and Whitney Houston.

Sadly, it is also a karaoke favorite that is destroyed by many a “wanna be” singer in pubs everywhere! I’ll take the original, thank you.

Something To Talk About

The next song is on the list not because of the content, but the title. “Things That Make You Go Hmmm” became a sort of catch phrase. Arsenio Hall used it on his show all the time. I still hear people using it today!

C+C Music Factory was a dance floor staple when I was DJing. “Gonna Make You Sweat” is still one that I hear when I go to weddings. “Things That Make You Go Hmmm” was a huge dance song when it came out. It had a cool dance beat and some catchy lyrics.

Songfacts says this:

In the early ’90s, before gangsta rap took hold, rap songs were often lighthearted and clever, telling self-deprecating stories over dance grooves. Examples of this would be “Bust a Move” and “Funky Cold Medina.”

I think that is why that early 90s rap is still popular today. They really were very clever. They were also light on profanity. It isn’t odd to see “MF” and other profane words right in the titles as time goes on. That always made me laugh because how can anyone like a song where 75% of the lyrics are bleeped out? I guess that’s one of those … Things That Make You Go Hmmm….

Things That Make You Go Hmmm

The next song was one that was never released as a single. I became familiar with it after my grandfather passed away in 1994. I was extremely close to my grandpa and was heart broken when he passed. I received Reba McEntire’s For My Broken Heart album from my dear friend Allyson.

We both have birthdays in May and when life wasn’t so complicated, we’d meet for coffee or lunch to celebrate. She gave me this CD as a gift. She mentioned that she knew I was still grieving the death of my grandpa. She told me she thought of me when she heard the song, If I Had Only Known.

Quick background on the album. Reba recorded this album after losing many members of her touring band in an airplane crash. In her liner notes she says the album is “a form of healing for all our broken hearts.”

When I listened to this song for the first time, I thought about my grandpa (as Allyson had suggested). It moved me to tears. A decade later, I would hear it and think of my mom, too.

The lesson of the song? If we were aware that we were experiencing the “last” of something, we’d live life a bit differently.

If I Had Only Known

I always love to hear stories about how a song almost didn’t happen. That was the case for I Can’t Dance by Genesis. It came from a mix of a Jam session and writing session.

The lyrics are made up of bits that Phil Collins improvised in the studio. When they started working on it, they decided to just write spontaneously to keep from over-thinking it. Mike Rutherford first created the main riff of the song he called “Heavy A Flat.” Which led Phil to suddenly improvise the basic concept for “I Can’t Dance”. The riff was actually inspired by a Levi Strauss & Co. television commercial.

Originally, the band did not think of it as anything more than a joke recording that would be discarded quickly. They felt this way because the song was too simple, too bluesy, and unlike Genesis’ style. Tony Banks said, “It was one of those bits you thought was going to go nowhere. It sounded fun but wasn’t really special.”

When Banks decided to add keyboard sound effects to complement Rutherford’s playing, “I Can’t Dance” took on an entirely different feeling. The band came to appreciate the sly humor inherent in the song and chose to not only record it properly, but to put it on the album as a single.

The video created a lasting image thanks to the “silly walk” the three band members did. This walk was something Phil Collins did from time to time. He got the idea for it when he attended drama school and noticed that the worst dancers would always lead with the hand and foot on the same side. The dance has become sort of iconic.

I think that I relate to this song in that I can’t really dance. I sway when slow dancing. Fast dancing? HA! Forget it. I can’t. When I try, I look like Elaine from Seinfeld.

I Can’t Dance

When I was DJing at the local VFW, line dancing was a pretty big thing. There were all kinds of country line dances. At one point I had to make a list so I knew what dances people were doing to certain songs.

“Can you play Moo Moo Land?”

That was what someone came up and asked me one day. Moo Moo Land? What in the world was that!? Naturally, my dad knew it because there was a dance they did to it. It was called “Justified and Ancient” by the KLF and featured Tammy Wynette! What a weird pairing!

But it gets weirder! According to Songfacts:

The title “Justified & Ancient” refers to the KLF’s pseudonym and earlier incarnation, “The Justified Ancients of Mu Mu” (The JAMs). The JAMs took their name from Robert Shea and Robert Anton Wilson’s sci-fi tinged, conspiracy theory-laden Illuminatus! Book series in which The Justified Ancients Of Mu Mu are a fictional subversive cult who have been around since pre-history. The song lyrics describe the Justified Ancients making their way to Mu Mu Land in an ice cream van.

Huh?!

Even Tammy was unsure about it. She originally thought the song was called “Justified and ANXIOUS.” She said, “As it was, I didn’t understand what some of the words meant. I know about ice cream vans, but I’d never heard of a 99 before,” she added. “Bill explained it to me and now it makes perfectly good sense. I’m still not sure about Justified and Ancient though.” (A 99 is an ice cream with a flake in it).

Really, it is a great dance record. It’s neat to hear Tammy Wynette on it and it really revitalized her career.

Justified and Ancient

Last week I threw in that crazy Bingo Boys song at the end of my list. This week, I have to throw in another totally ridiculous song at you. Again, it is one that my best friend Jeff and I laughed about – a lot.

The group 2nu (pronounced “two – new”) was a pop group out of Seattle, Washington. When they first hit the scene, they has yet to come up with a name. A radio DJ said that the band was still too new to have a name, and they decided that worked. They have only released three albums, the first in 1991. What makes them unique (if that is the right word) is that their songs consist of sound effects, rhythmic beats, and a spoken word lyric. Their first single was “This is Ponderous.”

The song is more bizarre than ponderous. My buddy and I used to laugh at the “language the narrator doesn’t understand.”

Feel free to file this in the “What the heck was that?” folder…

This Is Ponderous

And with that silliness, we wrap up 1991. I mentioned that I can’t dance this week. Next week, as we dive into 1992, it contains the only fast song that I will dance to. It is an interesting list. It includes three cover songs, one parody song, three movie songs, a song about a royal feud, a song for the hard workers, and a song for the poor. I think you’ll enjoy it.

Did I forget one one your favorites from 1991? Drop it in the comments. I’d love to see if it was one that was on my radar.

I truly hope you are enjoying this series. Thanks for reading!

The Music of My Life – 1983

I turned 13 in 1983. I had a paper route and a weekly income because of it. I spent my money on toys, books and music. I loved going into Harmony House and buying 45’s or albums. As I get deeper into the 80’s, I’m seeing more and more songs that I “had” to have.

I am noticing something about a lot of the songs on my lists. There have been some that have not necessarily been meaningful to me the year they were released, but wound up being important later on in my life. That is the case of a few of them from this year. That being said, let’s check out my list….

When Lionel Richie left the Commodores, he had a number one song with “Truly.” The follow up song has always been one of my favorites. I can still see and hear my mother singing along the the chorus of “You Are.”

What I love about this is the fact that while it is a love song, it has some tempo to it. It also has a horn section. Future hit maker Richard Marx sang backup on this track. His first job in music was singing on the Lionel Richie album, and he proved himself on this track, which required some deft background vocals. Richard told songfacts.com: “Every session I ever did with Lionel, or for him, was a very fun atmosphere. I’ve been on so many sessions where it’s a downer, and you just try to get through it and nobody is having fun. Lionel is always having fun – no matter what.”

You Are

When I worked in country radio, I used to go to the Country Radio Seminar. It was a place where you got to hear various panels discussing programming, promotions and more. There were plenty of artists there (both old and new) to entertain. We’d often bring stuff for artists to sign so we could auction them off for St. Jude.

Every night there was always a show somewhere. Everyone had always talked about “the boat.” One record label would bring folks about the General Jackson Showboat and provide dinner and drinks. While us radio people would sit and eat, they would bring artists out on the stage to play for us. Many times it was familiar artists featuring their new songs or new artists that the label wanted to showcase.

One of the things about the boat was that there were always one or two surprise guests. You never knew who might show up. The year before my first boat ride, Huey Lewis had mad an appearance. The first time I was on the boat, they wheeled out this piano on the stage. Next, they brought out Ronnie Milsap and I was thrilled. I had always loved his music and he did not disappoint.

He came out laughing and joking and cranked out a few songs, including Stranger In My House. It was written by Mike Reid, who was a defensive tackle for the Cincinnati Bengals for five seasons and had a couple country hits of his own. The song was a country hit and also crossed over to the AC and Hot 100 charts.

The song is done in a minor key and from the opening chords, I was hooked.

Stranger In My House

Anyone who goes through a divorce or a break up knows that what follows can be a rough road. The next song is an example of a song that meant nothing to me at the time, but years later it did.

The fighting, the bickering, the pettiness, the blame, the suffering, the accusations and all the things that comes with a divorce is difficult enough. Once they hand you the final decree, it is important to start anew. I had a wonderful support system in place for me and as time passed, I looked back to see that I was making it. I had been through the war and I had made it to the victory.

Elton John’s I’m Still Standing was used in an animated movie called “Sing.” It was while watching that with the kids that I really heard and felt the lyrics. I can look in the mirror and know that I’m Still Standing and life is GOOD!

I’m Still Standing

Remember ELO’s song “Motor Factory?” Of course, you don’t. That’s because as the group was recording the song, it went through a bunch of changes. They lyrics were completely changed and it became Rock and Roll Is King. The song was released as a single from their Secret Messages album.

ELO’s Dave Morgan said in an interview, “I sang on quite a few tracks, I sang on ‘Rock ‘N’ Roll Is King’. I played on that one, but it wasn’t called that, it was something about something about working at Austin Longbridge! It was full of car plant sounds, you could hear it going clank, clank, clank, like somebody hitting a lathe with a hammer, and Jeff went away and made it into ‘Rock ‘n’ Roll Is King’, wiped off everything we’d done, no, there was still some backing left in there, It was much better how he finished it off than it was before.”

I remember recording this off the radio as a kid. I didn’t realize that there was (what we radio guys call) a “fake cold” ending. That’s where the song stops, you think it’s over, and they come back and sing again. The first time I recorded it off the radio I hit pause on the fake cold, only for ELO to start singing again. Urgh! I got smart after that and went and bought the single.

Rock and Roll Is King

Fleetwood Mac’s Lindsey Buckingham released a few solo albums in the 80’s. Despite some songs that were Top 40 hits, not many folks can recall them. There is, however, one song that folks know thanks to the misadventures of a family named Griswold.

Thanks to National Lampoon’s Vacation, Buckingham’s song Holiday Road had become his best known song. That’s really saying something for a song that never cracked the Top 40 and peaked at #82 when it was released. The song almost didn’t happen.

Actor/director Harold Ramis asked Buckingham to create two songs for his film National Lampoon’s Vacation. He was initially reluctant, believing that soundtrack work “wasn’t part of his discipline.” Thankfully, he decided to grant Ramis’s request, and wrote. Buckingham recorded “Holiday Road” without seeing the entire film. He figured that the movie “had to be somewhat uplifting and a little bit funny”. To keep in line with that, he added dog barks near the end of the song, unaware that the movie featured a scene where a dog is accidentally dragged to death from the bumper of a car.

It is one of those songs that makes you unconsciously press down a bit too much on the gas pedal if your driving while it is playing. I’m not sure I ever “got” the video for the song, though.

Holiday Road

ZZ Top’s Eliminator album was one of few albums that have sold over 10 million copies in America, earning Diamond certification. I helped it get there! This was an album that I remember buying and dropping the needle on for the first time. It had such a neat sound.

Billy Gibbons says that he got the idea for Sharp Dressed man when he saw a movie and a character was listed in the credits as “Sharp-Eyed Man.” According to songfacts.com, the song attracted a slew of new fans to ZZ Top when the video ran constantly on MTV. Their long beards made them instantly recognizable and the babes certainly helped, but the car was the real star.

Prior ZZ Top albums had a Tex-Mex vibe, but when it came time to sort out visuals for the album, the hot rod was finally ready – Gibbons had been working on it for years. It was good timing, giving them an MTV-friendly focal point just when they needed it. They had never made videos before and had no acting experience, but their videos provided everything MTV’s target audience craved: girls, rock and roll, and a really sweet ride.

The music video was the first that was a sequel. It picked up the story from the “Gimme All Your Loving” video of the down-on-his-luck gas station worker who is swept away by three beautiful women. In “Sharp Dressed Man,” he’s a valet, and he encounters the same three girls and is once again given the keys to the Eliminator, Billy Gibbons’ 1933 Ford Hot Rod.

Sharp Dressed Man

I had no idea in 1983 that I would be working as a sleep technologist. The next song is one that is based on a real sleep disorder – somniloquy (Sleep talking). “Talking In Your Sleep” is the biggest hit of The Romantics’ career. In fact, it’s their only Top 10 hit, and only one other song by them (“One in a Million”) even made it to the Top 40. Contrast that with the number of times you’ve heard their song, “What I Like About You,” which only made it to #49.

I love this story about the song: As usual, MTV helped boost The Romantics’ success right around this time with videos of their songs. In Greg Prato’s book MTV Ruled the World, Romantics’ lead singer Jimmy Marinos talks about this song: “That was the last song recorded for the album In Heat. All we had was a backtrack, the instrumental part of the song. And we realized it was too good a track to leave unfinished. So everybody put their heads together, and in a couple of days, we finished up the song melodically and lyrically.” Ha also mentions that the video was filmed at 8:00 in the morning in Detroit, surrounded by girls in their jammies, at what was deemed “not really rock ‘n’ roll hours.” So if they look like they just woke up, that’s because they did – and it works great!

Check out their hair in this video!!

Talking In Your Sleep

Two years ago, Dave Ruch invited a bunch of us to write a column for his Turntable Talk feature. The first topic was about why the Beatles are still relevant, the next song is an example of their influence.

When Genesis began to write That’s All, it was intended as an attempt to write a simple pop song with a melody in the style of The Beatles. Phil Collins even acknowledged in a subsequent interview that the song also features one of his attempts at a “Ringo Starr drum part.”

Genesis keyboard player Tony Banks was one of the first to use an Emulator, which was one of the first digital samplers (it was introduced in 1981). Banks would record his bandmate Mike Rutherford as he noodled around on his instruments, then play around with those samples to craft a track, which is how this song developed.

That’s All was the band’s first Top 10 hit in the US, setting the stage for their tremendous success the rest of the decade as they adapted their sound from progressive rock to tighter pop songs. The video certainly played a part in the success of the song, too. It depicts the band as homeless men taking shelter outside a disused factory. They perform the song, eat soup, play cards, and keep warm around an open fire. It was the first time Genesis used director Jim Yukich, who would direct the majority of their next videos as well as many of Collins’s solo videos.

That’s All

Remember the group Blue Angel? Me either. It was the group that Cyndi Lauper was in in 1981. It was her solo career and her first single, however, that made her famous. It is interesting to note that Girls Just Wanna Have Fun didn’t start out as the female anthem that Cyndi made it.

A Philadelphia singer/songwriter named Robert Hazard, who had a band called Robert Hazard and the Heroes, wrote it. He recorded a demo of it in 1979. Speaking with Rolling Stone, Lauper said that she had to alter the lyrics from Hazard’s original. “It was originally about how fortunate he was ’cause he was a guy around these girls that wanted to have ‘fun’ – with him”

Believe it or not, Cyndi didn’t want to record this song, but her producer, Rick Chertoff, was convinced it could become her anthem. The challenge for her was figuring out how to sing it. She ended up doing her vocal in the style of the ’50s hit “Let the Good Times Roll” by Shirley & Lee, which Shirley Goodman sings in a high-pitched voice. It obviously worked as the song went to number 2 on the Billboard Hot 100 chart.

MTV again played into the success of the song, as this was a very fun video to watch. The video, which ran constantly on MTV, features the wrestler Captain Lou Albano as Lauper’s father, and also Lauper’s real-life mother, who had no acting experience but did just fine. It won the first ever award for Best Female Video at the 1984 MTV Video Music Awards.

The song had a huge influence on how girls dressed in the 80’s. When I think of it, I can picture so many of my gal friends who dressed like Cyndi.

Girl’s Just Want To Have Fun

Everyone I grew up with had the 1984 album from Van Halen. The song actually was a bigger hit in 84, but it is on this list because it was released in December of 1983. Jump is just one of many songs that used synthesizers in the 80’s. The synthesizer intro for Van Halen’s Jump is iconic, but not everyone in the band wanted to use it.

The synthesizer was a point of contention in the band. Eddie wanted to use it, but lead singer David Lee Roth thought it would look like they were selling out to get more radio play. Eddie was classically trained on piano growing up – he didn’t start playing guitar until he was a teenager – so it wasn’t that far a stretch for him. Had the band brought in an outside keyboard player they probably would have gotten a lot of flak, but Eddie was held in such high esteem that fans were happy to hear him on another instrument.

Songfacts.com says: 1984 was David Lee Roth’s last album with Van Halen before he left the band in 1985; the video for “Jump” inflamed the tensions that led to his departure. The video was produced by Robert Lombard, who wanted to show the personal side of the band on stage. Roth, however, wanted the performance intercut with footage of him doing other things, so they shot him doing things like riding a motorcycle and getting arrested while wearing nothing but a towel. Lombard edited the video and used none of the extra Roth footage, taking it to Eddie and Alex for approval. Two days later, the band’s manager fired him for bypassing Roth. Lombard says he never received the award the video won from MTV.

Jump

Next week, we’ll look at songs from 1984. 1984 was a big year for me in a lot of ways. Musically, it was a big year for ballads. With a mix of country, R&B, and a song that led to me embarrassing myself on the air years later, it will be an interesting list!

Tell me about your favorite from 1983 that I may have missed in the comments and I will see you next week.

Make Some Noise – It Is May!

Welcome to May! Were you aware that May is International Drum Month? Cheers to the instrument that keeps the music in time.

Anyone who has played in a school band or any band really knows that there are plenty of jokes made about the percussionists and the percussion section:

What do you say to a drummer in a three-piece suit?
“Will the defendant please rise?”

Hey, did you hear about the drummer who finished high school?
Me neither.

What is the difference between a drummer and a savings bond?
One will mature and make money.

What is the difference between a bad drummer and a vacuum cleaner?
You have to plug one of them in before it sucks.

There are hundreds of jokes like that. Honestly, though, without the percussion section (or percussionist) the rest of the group would fight to keep time. I can’t imagine marching in a parade without a solid drum cadence and so many great bands had well known drummers.

So in honor of International Drum Month – I wanted to share some of my favorite drum songs, drum solos, and songs about drums.

First, let’s head back to 1936 and the fantastic song by Benny Goodman – Sing, Sing, Sing. The song was written by Louis Prima and became one of Benny’s signature songs.

In 1941, legendary drummer Gene Krupa had a hit with Drum Boogie (with Irene Day on the vocals). There are many videos of him performing this.

Instrumentals were big in the 50’s and 60’s. My dad introduced me to 1958’s Topsy Part 2 by Cozy Cole. He worked with great artists like Louis Armstrong and Cab Calloway.

Preston Epps learned how to play the bongos when he was in the Korean War. His big hit was Bongo Rock, but I liked 1960’s Bongo, Bongo, Bongo a bit better (Though it never broke the top 40). I often used this as background music when I was on the radio.

If you have ever heard To Know Him Is to Love Him (Teddy Bears), Alley Opp (Hollywood Argyles), or A Thousand Stars (Kathy Young and the Innocents), then you’ve heard Sandy Nelson. He was a session drummer and played on a lot of songs. He even had some solo hits, including 1961’s Let The Be Drums.

Johnny Smith recorded Walk, Don’t Run in 1954. Chet Atkins covered it in 1957 and when the Ventures heard it, they recorded their own version in 1960. While many consider it more of a guitar tune, the drums are a key part of the song.

Probably one of the most famous drum songs was from 1963. The Surfaris took Wipe Out! all the way to #2 on the Hot 100 chart. It is a song that continues to pop up on TV and in movies and has even made a few reentries on the charts because of that.

In 1967, Michael Nesmith of the Monkees penned a percussion tune for Linda Ronstadt and her group The Stone Poneys. Linda has a birthday coming up and I was going to feature this song on that day, but it fits better here. This was her first single and it reached #13 on the Billboard Hot 100 chart.

In 1969, The Beatles released Abbey Road, which contains a song that has a drum lick that famous drummers everywhere still talk about. It is often called “genius” and I couldn’t agree more. The drum line from Come Together is just an amazing thing to listen to. Atta Boy, Ringo!

In 1972, Gary Glitter had a hit with the B-side of Rock and Roll Part 1, which was appropriately called Rock and Roll Part 2. Most folks remember this one as simply, “The Hey Song.” This was his only top 10 hit in the US. It used to be big at sporting events, but it went away after some sexual crimes in the late 90’s and early 2000’s. It was featured in the recent Joker movie.

1972 also brought one of my favorite drum intros by way of Stevie Wonder. I’ve written about this one before, but you know I had to hear it again as I wrote this.

1977 brought another great drum tune that is still used at sporting events today. I couldn’t do a piece about drum songs without Queen’s We Will Rock You.

So many songs can be instantly recognized by the drum intros and the next one from 1980 is no exception. It is a classic rock and party staple. I am, of course, talking about AC/DC’s Back in Black.

When you talk about drums and drum solos, there seems to be one song that always comes up – In the Air Tonight by Phil Collins. It’s not my favorite song, but you can’t deny the very cool drum solo.

The next drum song has become sort of a Monday morning anthem for anyone who works for a living. Todd Rundgren’s 1983 Bang On The Drum All Day is unique in that he plays every instrument on the track.

I am sure I could feature many more songs, but I have decided to conclude with a song that was very unusual. It was unusual, because there are very few songs that begin with a 30 second drum solo. In 1984, Van Halen did just that. Alex Van Halen kicks off Hot for Teacher with an amazing double bass drum performance and a song remembered not only for his drum work, but a steamy video.

This month, I salute drummers like Ringo Starr, John Bonham, Keith Moon, Buddy Rich, Sheila E, Dave Grohl, Alex Van Halen, Phil Collins, Charlie Watts, Gene Krupa, Questlove, Hal Blaine, Max Weinberg, Lars Ulrich, Neil Peart, Levon Helm, Chad Smith, Ed Shaughnessy, and so many others!! Thanks for keeping the beat!

What songs do you remember for drum solos or great drum work?