The Music of My Life – 2016 & 2017

Welcome back to The Music of My Life. I began this feature last May on my birthday. Over the past 11 months, I have featured 10 songs from every year of my life. The songs featured were released in that week’s particular year. It may have been a bigger hit the following year, but I decided to stick with the rules I had put in place.

This week, I guess I am breaking on of the rules. The rule was that I’d feature 10 songs per year. Last week (2015) I was able to get 10 songs, but from here on out I doubt I will be able to. Whether lyrics were just to raunchy, or some other reason, I found myself looking at songs I disliked or had never heard of. Every once in a while, I’d come across a song or two, but it has become very difficult.

So today, let’s tackle two years 2016 & 2017. It was during these two years that I was going through a very difficult time. These were the last days of my marriage and the beginning (and end) of the divorce. I was only occasionally doing a DJ gig here or there, so I became unfamiliar with many new songs.

Let’s start in 2016 first,

2016

My first pick for ’16 is an amazing song by Tim McGraw. Humble and Kind was written by Lori McKenna. She wrote the song at her home when her kids were at school. She set out to write down what she and her husband would want the children to know, fully aware that kids are bombarded with advice and most of it goes right through them.

“Honestly, it’s a very simple song,” she told The Boot. “It’s really just this list of things that I wanted to make sure we told them, in this rhyme form. I was lucky that the chorus made as much sense as it did. I did write it in that one sitting; it took me a few hours, but it was a lucky day.

Tim McGraw says, “I guess I had it for a year and a half or so, and it was just her and an acoustic guitar playing it. The night that she wrote it, she sent it to me, and I listened to it over and over, and I just fell in love with the song and her version of it.”

“I knew I wanted to record it, but I just couldn’t quite get my head around how I wanted to do it,” he continued. “I couldn’t get past her demo of her singing it. It was just so beautiful and so touching. If anybody’s ever heard Lori just sit and sing with a guitar, she could sing anything to you and sell it to you. It’s so beautiful what she does.”

It is a fantastic song with a universal truth.

Humble and Kind

My wife and I don’t really have a “song” that we claim for ourselves. We’ve talked about it before and we have songs that were “possible” songs, but never came up with one. One of those possible songs was From The Ground Up.

While we were just beginning our life together, the fact that the song was written about a couple that had been together a long time didn’t matter. Because all relationships have to start from scratch and move forward.

This song finds Dan Smyers and Shay Mooney singing of a love between an elderly couple that’s rooted in commitment and grows deeper with every passing year. “‘From the Ground Up’ is a song that started with a conversation about our grandparents and the love that they shared for the 65-plus years that they were married,” Smyers said. “It tells the story of the life that they built through their power and dedication to each other, and the perseverance to endure whatever would come their way.” (from songfacts.com)

From The Ground Up

Next is a song that Time magazine hated. Justin Timberlake’s Can’t Stop the Feeling. They voted it the worst song of 2016. They said, “The insipid earworm – which was ostensibly recorded for an animated movie about trolls – became essentially unavoidable at any social gathering where someone in attendance was likely to use the phrase ‘cut loose.’ Forget the feeling – just please, please stop this song.”

This song was huge at the few DJ gigs I did do in 2016 & 2017. From songfacts:

Justin Timberlake told People he would never have written the song if it wasn’t for Trolls. “Listening to [producer] Gina Shay and [directors] Mike Mitchell and Walt Dohrn talk about the movie and how it was really inspired by the ’70s, I started bringing up the soundtrack from Saturday Night Fever, movies where the soundtrack was released before the movie and got people equally excited,” he explained. “The movie seems like an unabashed pop song to me, so I was like, ‘Let’s just write an unabashed pop song.'”

“Our task was to write a song that encapsulated the message of the movie, and by the way, we want people to be able to dance to it,” Timberlake said on the red carpet leading up to the Oscars. “When I was watching the movie it reminded me of disco, so that’s where I got the idea for a modern disco song.”

Can’t Stop The Feeling

Next is a powerful song from Alessia Cara – Scars To Your Beautiful. Cara said to her fans before premiering the song. “The standards that we have to kind of face as young women in everyday life just to feel, or look a certain way, or act a certain way, because there’s a lot of pressure being a young girl, and just girls and women in general,” she said. “So I wanted to make a reminder to just love yourself and appreciate yourself no matter what.”

Many of her fans, as well as people hearing it for the first time, have said how much this song meant to them. I can agree with them.

Scars To Your Beautiful

Play That Song by Train was a song that was playing in the background while I was doing something. I was able to pick out the familiar melody, which made me wonder “What is this? Is this a current song? Who is this?”

(Songfacts) The song is built around the melody of the much covered classic “Heart and Soul” written by Hoagy Carmichael and Frank Loesser in 1938. American band leader Larry Clinton recorded the most successful version in 1939, reaching #1 on the chart. Modern listeners probably best known it as the song that Robert Loggia and Tom Hanks play and dance to on a giant foot-operated electronic keyboard in the 1988 movie Big.

The video shows Train singer Pat Monahan dancing around a sunny Los Angeles as he listens to the song. There is a nod to Big as we see him at one point moving back and forth on a giant keyboard. It’s kind of hard not to feel good when you hear that melody.

Play That Song

2017

If the melody of Feel It Still by Portugal The Man sounds familiar, there is a reason. Songfacts explains:

The melody on this track kicks it like it’s 1961, interpolating the Marvelettes hit “Please, Mr. Postman.”

Ooh woo, I’m a rebel just for kicks, now…

Oh yes, wait a minute Mister Postman…

“That ‘Please Mr. Postman’ melody is every bit of the way we grew up,” John Gourley said in his Songfacts interview. “I grew up with dog-mushing parents – which I know is a bizarre thing for anybody outside of Alaska. And even within Alaska, it’s such a small community within the state. So I grew up around really long drives. We were off the grid our whole lives until I left. Like, an hour drive to town. Sometimes a two-hour drive to town. That’s four hours, both ways. So we would just listen to oldies radio, and ‘Please Mr. Postman’ is a staple.

I always wanted to sing something to that melody. It’s a totally different song, and that to me is what music is about. What songwriting is about is paying homage and creating something new. It’s no longer ‘Please Mr. Postman.’ Now, it’s ‘Feel It Still.'”

Feel It Still

I didn’t know much about Imagine Dragons until I started working at the Adult Contemporary station. I played quite a few of their songs there, including Thunder. What struck me about this song is that he is a boy with dreams of being on stage. His classmates make fun of him for dreaming about being a star.  The tables turn in the second verse, as the Dragons frontman (Dan Reynolds) flips the script on those who mocked him.

Now I’m smiling from the stage
While you were clapping in the nose bleeds

Karma strikes back. Reynolds says, “‘Thunder’ is: ‘I’m so happy for a really (crappy) middle school and high school existence and getting kicked out of college. It’s reflecting on all those things and saying, ‘Good, I’m happy for all that because that brought me to this place of being. It created angst inside of me that bred art.'”

Thunder

Speaking of Karma, Taylor Swift sings about it and a bit of revenge in Look What You Made Me Do. This is another song that interpolates another as it follows the rhythm of Right Said Fred’s I’m Too Sexy.

Right Said Fred frontman Richard Fairbrass explained how Swift interpolated their tune:

“The title of ‘Look What You Made Me Do’ is based upon the verse of ‘…Sexy.’ That’s basically it. What’s weird about ‘Sexy’ is that when people sing it, they sing the verse, not the chorus – nobody sings that. Everybody sings: ‘I’m too sexy’ – it’s the verse that people have latched onto, not the chorus.”

In Taylor’s song they adapt that rhythm and attitude of the ‘Sexy’ verse as a chorus – so they’ve just interpolated it differently, that’s all it is. I’d be an idiot to complain about it. We’ve been really lucky to have been picked by somebody like Taylor, who is obviously very cool and very successful and open-minded and relaxed about it. She’s not like some people.”

Fun Fact: Taylor Swift’s bathtub in the music video is filled with $10 million worth of Neil Lane diamonds.

Look What You Made Me Do

Ed Sheeran’s Perfect was a song that I suggested as a possibility for “our song” to my wife. It is a truly beautiful love song.

Ed Sheeran wrote this waltz-time love song for his girlfriend Cherry Seaborn, who is an old school friend. After writing it he had no idea whether or not she really likes the track. “I just recorded it and sent it because she was living in New York at the time so I didn’t see her reaction,” he told BBC Radio 2. “I think she liked it.”

Ed calls the song a bit “cheesy,” but I truly like it. 

Perfect

The final pick for this week is a song I played at both stations I was working at. I was doing part time work at the country station and part time work on the adult contemporary station. Meant to Be played on both stations. It felt weird to say Florida Georgia Line on the AC station and even weirder to say Bebe Rexha on the country station.

Bebe Rexah said the song was one that helped her get through some personal issues:

“I’ve recently been going through heartbreak, and I listen to the song, and it makes me feel better and like there’s some type of destiny and if something doesn’t work out then, there’s something better waiting for you,” she said. “I think that’s something we need more than ever with all the events going on in the world. People want to feel safe and like everything’s going to be OK.”

Just how did FGL and Rexha get together for this song? FGL’s Tyler Hubbard says,

“Man, it was pretty organic. We ended up, last-minute, kinda out of the blue, getting together with her in LA when we were [there] writing, and wrote it kind of on a whim, late-night. The next thing you know, we just kinda hit gold, if you will. A really special song kinda fell out of the sky, as we call it. It doesn’t happen like that every time we get in a room to write.”

The song really has the life lesson of “It will happen if it’s meant to be” in it.

Meant To Be

Well, that wraps up 2016 and 2017. I had trouble finding my songs, did I miss one of your favorites? Tell me which ones in the comments. Next week, we’ll combine 2018 and 2019. On my list a song that has one of the weirdest videos I have ever seen. Also on the list some movie music, a country ear worm, and a touching song about grandparents. See you then.

Thanks for listening and for reading!

Guest Blogger: My Buddy Max

As I announced a few blogs ago, I am happy to present to you a blog written by my pal, Max. I stumbled on his blog when I first started blogging. I found he and I were around the same age, loved the same music, TV shows, and movies and we’ve become very good friends. You can find his blog here: https://powerpop.blog/

I mentioned that I have wanted to write a blog on the Beatles for some time. Max is quite a Beatles fan, too. I thought he’d be the perfect guy to write a Beatles blog for me. Actually, he’s gonna do two! He recently interviewed me for his blog regarding my radio career, so he kind of owed me at least one blog! LOL. So without any further ado, here’s Max and the first “official” Beatles blog on this page …

COVER SONGS BY THE BEATLES

Hello everyone! I want to thank Keith (nostaligicitalian) for allowing me to interview him for my blog. Keith mentioned to me about guest hosting his blog. I’m sorry to say this to all the readers, but I will be here twice! What I’m going to do is list my top 10 songs that the Beatles covered (today)…and my top 10 songs that people covered of the Beatles (next Saturday). I want to thank Keith for thinking enough of me to let me share this.

I first found the Beatles when I was 8 years old (in 1975) and have read and listened to them ever since. Their original songs are what set them apart from everyone else then and now, but they did play some interesting covers. 

The Beatles did mostly covers when they played Liverpool and Hamburg before their fame. They had great taste picking them and they also did some B sides because they wanted to do songs every other Liverpool band wasn’t doing. Although I’m a huge Beatles fan…I’m not suggesting that any of these are better than the original (Except a couple). In some cases though the Beatles brought attention to the song which the original artists were usually really grateful.

I’m only listing songs that were on studio albums not any live albums like Live at the BBC. So lets get this started!

10: Please Mr. Postman – The Marvelettes version will always be my favorite of this one…and I remember the Carpenters did it also in the 70s. 

The Beatles version was good, but I have heard a live version that is a little more up. Would American audiences be interested in a young white British group covering a black R&B pop smash hit? Capitol Records didn’t think so. They decided against including the song on their first album “Meet The Beatles!” for just that reason.

 After three million copies of the album had been sold by mid March, Capitol was ready to rush-release another album to cash in on the excitement. And you better believe they included “Please Mister Postman” on that next release, “The Beatles’ Second Album.”

9: Bad Boy – For me this is punk Beatles. John’s voice carries this song. They were in the middle of filming Help! when Capital Records in America requested a few more songs. 

They went back in their Hamburg/Cavern days and picked two to record – Dizzy Miss Lizzy and Bad Boy. The Beatles don’t stray too far from the original Larry Williams rendition of the song while compensating for the saxophone and piano dominated arrangement with guitars and subtle organ/electric keyboard work…it is a bit more energetic than the original. (KEITH: I actually had no idea this was a cover song, until I bought a Larry Williams album!)

8: Slow Down – Larry Williams wrote this song. They recorded 3 of his songs. More than any other songwriter but themselves. 

There was no internet or a good way to get lyrics back then. Ted “King-Size” Taylor from the rival Liverpool group The Dominoes remembers that The Beatles all sat in a row and took down one line each of all the songs they did… Dizzy Miss Lizzy and Slow Down all of those – and “the next time we saw them they were playing all our stuff.” (KEITH: I never heard this story!! That’s great!!!)

7: Money – It fit their style perfectly but John sounded as if he held back a little on this one. I still like it but it probably could have been better.

The Beatles performed the song live, vocals and all, for six full takes until everyone was satisfied. George Martin play piano on this song. (KEITH: Barrett Strong’s version was a staple on Michigan oldies stations. It was written by Barry Gordy and was the first Motown hit!)

6: Dizzy Miss Lizzy – This is one of the first guitar riffs I learned on guitar. It’s simple and if played right it can light up a club or bar. A song written by Larry Williams, John Lennon would later cover this live in 1969 at the concert in Toronto. 

This was recorded on the same day as Bad Boy. (KEITH: I think the Beatles version of this has a bit more “oomph” to it. Larry’s version sounds weak in comparison.)

5: Long Tall Sally – Paul did his Little Richard best on this song. They were playing this song way back in 1957.

Long Tall Sally has the longest legacy of all the songs in The Beatles catalog, but that is the song held an affectionate place in the hearts of The Beatles all of those years. (KEITH: What a vocal on this one! Paul knocks it out of the park!)

4: Rock and Roll Music – I was introduced to the song by the Beatles.

Their backs were up against a wall. They were not able to compose enough material on such short notice to fill an entire album. So they were happy to record their renditions of some of their favorites. “Rock And Roll Music” fit the bill. It’s another song that they knew well. They kept playing this song through their touring career. (KEITH: A classic by Chuck Berry, however, the Beatles kick it up a notch. Such a great sound to this one.)

3: Roll Over Beethoven – Everything from George’s guitar to his vocals are spot on in this Chuck Berry cover. “If you tried to give rock and roll another name, you might call it ‘Chuck Berry.’” John Lennon.

They had perfected this song on stage during the last seven years. It was the first of two numbers immortalized by The Beatles from the catalog of the most influential songwriter/performer of the fifties…Chuck Berry. (KEITH: The song itself is a great track. I always though the Beatles version was better than Chuck’s. If I had to pick a favorite version – it might be the version by ELO.)

2: Twist and Shout – John Lennon sounds demented in this song in all the right ways. It was the last song they cut that night after recording the entire album and John just got through it. They adapted the original arrangement within their limited ‘guitar-bass-drums’ format and did so very well.

Although The Beatles’ adaptation was a direct reflection of the hit version by The Isley Brothers, I feel safe to say that this version became the definitive version of the song. (KEITH: I would agree. How can you even touch this version of Twist and Shout?!)

1: You Really Got A Hold On Me – This is my personal favorite. The popular opinion would probably be on Twist and Shout as being the best song they covered…and  I think John was beyond great on that…but these harmonies are hard to beat on this one. You can’t compare Smokey to anyone…but the versions are apples and oranges. 

It had been recently recorded by its writer Smokey Robinson and The Miracles and first hit the charts only earlier that year, debuting on the Billboard singles chart on January 12, 1963. Yet just over six months later, The Beatles chose to translate the song themselves. This was the first song they chose to record for the album. They do a unique version of it that has stuck with me. Below we have a bonus…an isolated vocal of this song. (KEITH: I like their version better than Smokey’s. Cool vocal track. Never heard it before. Thanks for sharing.)

More next week….

Thanks, Max!

These are some of my absolute favorite Beatles cuts!

I’m looking forward to Max’s follow up next week, which will feature songs by the Beatles that were covered by other artists! I hope you are, too!!