I have been honored to take part in many features that are hosted by other bloggers and their sites. Honestly, writing for those features is really a lot of fun for me. Not to mention that you get some exposure for your blog on another site.
Themed blog-a-thons about movies are always fun to write for. Dave Ruch’s musical Turntable Talk feature is one of my favorites to participate in. Recently, Max at the PowerPop Blog did a week or two feature on the Kinks and their music. He said that he got a lot of positive feedback from that. Then, of course, we had our Song and TV Show Drafts which was a wonderful stroll down memory lane.
With that in mind, some of my blogger friends have said that I should host some sort of feature where my followers could join in and contribute a piece to be posted here. I have gone back and forth on whether or not this would be something that anyone might be interested in doing. Before making the decision, I thought I would ask for your opinion.
I called my site the Nostalgic Italian, because that’s who I am. I love the things of the past. I have no doubt that every reader of this blog has some sort of nostalgic memory that they could share. Let me say, without spoiling it for anyone, that I have a topic in mind. I randomly asked the question at work last week and was amazed at how passionate some of my coworkers were about it and how it led to about an hour long conversation.
So, if you think that you might be interest in taking part, I’d like to you comment here. Better yet, drop me an e-mail at: nostalgicitalian@yahoo.com. If you’d like to know the topic before deciding, I will e-mail it to you. I was thinking that this could be something that runs for a week or two (with every blogger getting a day devoted to their piece) in mid to late October.
If there is enough interest, I will compose an email with the topic and instructions. I’ll give a dead line to get your piece to me and then send out a schedule of when each piece will post. This works well with Dave and his Turntable Talk, so I see no need to do it any differently.
I’m not sure what to expect, but I really hope you will consider taking part. Why? Because I am truly interested in your answer to the question and it will let you explore your childhood a bit while coming up with that answer. If it turns out like I think it will, YOUR piece will not only bring back memories for you, but it will stir up memories for the other readers, too.
If you need more info – don’t hesitate to reach out.
Welcome back to The Music of My Life, where I feature ten songs from each year of my life. In most cases, the ten songs I choose will be ones I like personally (unless I explain otherwise). The songs will be selected from Billboard’s Year-end Hot 100 Chart, Acclaimed Music, and will all be released in the featured year.
I turned 15 in 1985. It was sophomore year and I had moved up from the Freshman band to the Concert/Marching band. It is the year that consisted of many of my favorite songs that I recently posted about in this week’s Turntable Talk blog. It was also the year that I went on my first date and my first dance. How did the music of 1985 play into my life? Let’s find out…
My first pick is a soulful tribute to two amazing singers who passed away in 1984. It is also the only hit that the Commodores had after Lionel Richie left the group. I am talking, of course, about Nightshift.
The song is a tribute to singers Marvin Gaye and Jackie Wilson. Marvin was 44 when he passed away, while Jackie was only 49. In 1974 the Righteous Brothers had a hit with Rock and Roll Heaven, where they picture fallen stars like Jimi Hendrix and Janis Joplin forming a band in heaven. This was supposed to be a soul version where Marvin Gaye and Jackie Wilson are on heaven’s nightshift, playing some sweet sounds.
I love how the intro starts with that percussion lick and the smooth bass line that works its way to the vocal. It is such a funky, soulful and loving tribute to Marvin and Jackie – two legends!
Nightshift
As a sophomore, I ventured out of my comfort zone a bit and decided it was ok to go to high school dances. Mostly, the guys just hung out at a table and talked. However, after my first official date, I began actually wanting to go to dances with a female date. While I cannot remember for certain, I am pretty sure that one of my first dances ever with a girl was to Crazy For You by Madonna.
Admittedly, I am not a huge fan of hers. My brother, on the other hand, loved her! There are a few songs that I do like by her, and this is one of them. What I remember most about dancing to this song was that she was singing “crazy for you” and I wasn’t sure what kind of message that may or may not have been sending to my date. I was also thinking about making sure I was swaying the same way she was and NOT stepping on her toes. It had to be a very uncomfortable dance for her.
Fun Fact: Madonna reportedly only took one take to record this song.
This was recorded for the soundtrack to the wrestling film Vision Quest, which also featured a guest appearance by Madonna herself, who played a singer at a local restaurant. After the success of this song, the film was renamed Crazy For You in some European countries to capitalize on the song’s popularity.
Crazy For You
How does that saying go? Everything old is new again? I don’t know. What I do know is that Netflix is currently airing the 4th installment of the Beverly Hills Cop Franchise and I hear it is doing well. It was back in 1984 that Eddie Murphy first played Detroit Cop Axel Foley. The character’s name is what led to the title of my next song, Axel F.
Before the title was settled on, it went by a different name. During production of the movie, it known as the “Banana Theme,” as it was slated for a scene where Axel Foley shoves a banana in the tailpipe of police officers intending to pursue him. The composer was German musician Harold Faltermeyer and truly, this song was all him.
According to Wikipedia, he recorded the tune using five instruments: a Roland Jupite-8 provided the distinctive saw lead, a Moog modular synthesizer 15 provided the bass, a Roland JX-3P provided chord stab brasses, a Yamaha DX7 was used for the marimba sound, and a LinnDrum was used for drum programming. Faltermeyer played every single instrument.
He was also the musical director on Beverly Hills Cop and did the score for the film. The soundtrack went to #1 in the US and won a Grammy for Best Album Of Original Score Written For A Motion Picture Or A Television Special. The song topped out at #3.
We played this at a concert one year in band, and though it sounds pretty easy, it was a bit tougher than I anticipated. It may have been in a weird key. It was one of many fun numbers we played.
Axel F
There are some songs that when you hear them, you cannot help but feel happy. My next pick is one of those songs. I have rarely played this at a party or wedding where it didn’t cause people to just get up and dance.
Remember the feeling you got when you first found out that someone truly loved you? There was that feeling of joy that just overflows from you! You can feel that joy and excitement in the vocals by Katrina Leskanich in Walking on Sunshine. It just makes you feel good!
The wife of one of my second cousins threw him a birthday party I DJ’d. The song was on the “must play” list. I remember having a conversation about the song and she said that it was the kid of song that you should play the minute you wake up in the morning. She said that it would just set the mood for the day. She always seemed to be in good mood when I saw her, so maybe she did just that!
Songfacts says, The video got a lot of airplay on MTV. It shows the band hanging around London, with Katrina very colorful and bouncy, and her bandmates more subdued. She had to make her own sunshine, as there was none in London – it was a typically cloudy and cold day.
Katrina’s look was anti-glam, with tennis shoes and the kind of fashions you’d find at the mall. In interviews from this time, she often took shots at singers like Madonna and Pat Benatar for adopting more suggestive looks.
Teen boys didn’t seem to mind….
Take four major country superstars, all who are friends with each other, pitch them an old song and tell them they should record it together and you get one really neat song. That’s the basic story of how Willie Nelson, Waylon Jennings, Kris Kristofferson, and Johnny Cash became The Highwaymen.
Country legend Jimmy Webb wrote the song about a soul with incarnations in four different places in time and history: as a highwayman, a sailor, a construction worker on the Hoover Dam, and finally as a captain of a starship. Webb released his version in 1977, it was covered in 1979 by Glen Campbell, who took the song to Johnny Cash, who was recording with Nelson, Jennings and Kristofferson.
The story goes that the four were all together in Switzerland doing a television special and decided that they should do a project together. While the four were recording their first album, Johnny’s friend Marty Stuart played the song for Cash, saying it would be perfect for them. It had four verses, four souls, and four of them.
The song led to the name of their supergroup, their album, and of course, their first single. Each of the four verses was sung by a different performer: first Nelson as the highwayman, then Kristofferson as the sailor, then Jennings as the dam builder, and finally Cash as the starship captain. Webb later observed, “I don’t know how they decided who would take which verse, but having Johnny last was like having God singing your song.”
No personal story to go with this one, I just like it!
I am embarrassed to say that up until 1985, I had never seen a James Bond movie. I was familiar with the fact that Roger Moore played Bond. My mom would rent Bond films on occasion and also watch them on cable. Moore played a Bond-like version of himself in Cannonball Run in 1981, but I had never really seen him AS Bond.
So when a friend of mine asked if I wanted to go to the show with him we saw A View to a Kill. It was actually neat to see this in the theaters. I had often seen the Bond movie intro being parodied, but to see it kick off the film and to hear the song was all new to me. I was grateful to be able to see it.
Knowing Duran Duran and some of their songs, I was surprised that they did the theme song. The story of how they got it is interesting. Songfacts says: “according to the bassist John Taylor, was that he approached the longtime Bond producer, Albert R. ‘Cubby’ Broccoli, while extremely intoxicated when they were both at a party. He stated that he was a long time fan (Major Bond geek would be more accurate. An Aston Martin was said to be one of his first “rock star” purchases, and he frequently mentioned his Bond video collection in interviews) of the series, but the music for the last few movies had been mediocre. He then offered to have his band fix the problem and Broccoli took the idea under advisement.Being asked to perform the theme song for a James Bond movie is a great honor, but the requirement to include its title in the lyrics can be challenging. Just ask John Taylor. “To this day we are forever grateful that we didn’t get Quantum Of Solace,” he said.
It is the only theme from a Bond movie to hit #1 in America.
A View To A Kill
I’ve made it all the way to 1985 and have yet to feature a Prince song. Not that I don’t like him, he was a musical genius. I am still blown away by his Rock and Roll Hall of Fame performance and his Superbowl Halftime Show. He was a talent, no doubt. My only real connection to him was that we play Let’s Go Crazy in Marching Band one year.
However, I can connect this one to me because it was on my 15th birthday that Prince released Raspberry Beret. Prince originally recorded “Raspberry Beret” in 1982, but re-worked it with his newly re-formed Revolution backing band.
At the time this was released, Prince was under fire from Tipper Gore during the notorious PMRC witch hunt, which placed two of his songs on the list of the “filthy 15.” So this is one of the songs where Prince started making his lyrics more family friendly. But if you really listen closely, you know that Prince still slipped in a “filthy” reference.
Raspberry Beret
1985 was the year that one of my favorite movies was released – Back to the Future. If you’ve read this blog for any length of time, I reference the movie a lot and have read my fair share of time travel novels. It is a masterpiece and I will always watch it when it is on.
When Marty realizes he’s going to be late for school and he leave’s Doc’s place on his skateboard, Huey Lewis and The News’ The Power of Love makes the perfect song to accompany the scene. How did Huey become involved?
The film’s director Robert Zemeckis wanted Lewis to do the song – Huey Lewis & the News were rising stars with a modern sound that worked well in the movie, which takes place in both 1955 and 1985. Lewis had never done film work and hesitated at first, since he didn’t want to write a song called “Back to the Future.” When Zemeckis told him that the song didn’t have to be about the movie, Lewis accepted the challenge.
All Back to the Future fans know that Lewis has an uncredited cameo in this movie. Lewis has an uncredited cameo in this scene, where he plays a teacher who is judging the auditions. An early scene in the film has Marty McFly and his band The Pinheads auditioning for the high school dance. Huey plays a teacher who is judging the auditions. The group plays the beginning of “The Power of Love,” but before Marty can sing a note, Lewis cuts them off, telling them, “I’m afraid you’re just too darn loud.”
The music video doesn’t contain scenes from the film, but does feature an appearance by Christopher Lloyd in character as Doc Brown. We see him pull up in the DeLorean outside of a club where Huey Lewis & the News are performing.
The Power of Love
Yesterday marked the 34th anniversary of the passing of Stevie Ray Vaughn. I debated posting one of his songs for Tune Tuesday, but opted for a more uplifting post.
I was late to the SRV party. I was introduced to him after he passed away. I marveled at his playing and his vocal abilities. I really fell in love with his music.
I wrote about this song before, probably for one of the Song Drafts we were doing. It is Stevie’s cover of the old Hank Ballard song, “Look at Little Sister.”
Look At Little Sister
My final pick is another fun song. It reminds me a lot of the Kinks Come Dancing (which I just wrote about for Max’s PowerPop blog) because of the sound of the opening keyboards.
The Dire Straits were coming off the success of Money For Nothing which really established the band on MTV and on Top 40 radio in America. The fourth single from their Brothers In Arms Album was Walk of Life.
Mark Knopfler wrote this song to celebrate the street buskers of London, hence the references to “Be-Bop-a-Lula” and “What’d I Say,” which were two standards that might be part of a singer’s repertoire in the mid-’80s. Before the lyrics kick in, Knopfler does a few “who-hoo”s, which help create a whimsical vibe. When he spoke with the BBC in 1989, he expressed some “woo-hoo” remorse. “There’s too many ‘woos’ at the beginning of ‘Walk of Life,'” he said. “I heard it on the radio the other day and thought, Oh my God! What was I doing that for?”
Walk of Life (US)
Walk of Life (UK)
What song defined 1985 for you?
Next week we’ll share some songs from 1986. As I look at the music from that year, there were some great music videos! The year will feature my high school class song, my first attempt at Karaoke – before there was Karaoke, and two fantastic cover songs!
As I celebrate birthday 54, I am borrowing (ok, stealing) an idea from another blogger. I have altered the idea a bit, and may decide to change it up after a few posts …
I am calling the feature “The Music of My Life.” I plan on starting with the year I was born and picking 10 favorites from that year. I will move on through the years one by one. I doubt I will go too deep in the more modern years, so I’m not sure how long this will go on.
Right now, I am hoping to do this once a week. That’s a bit adventurous of me, but I am really hoping to be able to work ahead on these.
So what sources am I using to choose my songs? First, I am looking at the Billboard Year-End Top 100. This can be a problem as some of the songs from the list may have been released the year before. Next, I am looking a lists from various sources with all the songs released as singles for each year. Finally, my buddy Max (who may or may not be the blogger I stole this idea from), gave me a cool website to check out. It is acclaimedmusic.net
With that being said, let’s take a look at some of my favorites from the year I was born…
1970
I may as well start with the song that was number one on my birthday – American Woman by The Guess Who. It was released in January of 1970 and was the third biggest song of the year. A cool thing about this song – the whole thing was improvised on stage during a concert after Randy Bachman was tuning his guitar after breaking a string!
American Woman – The Guess Who
Next, a group that never had a number one song. That has always baffled me. CCR had a few hits in 1970. Travelin’ Band was released in January of 1970 and has a very 1950’s sort of sound to it. John Fogerty has been said to have channeled a bit of Little Richard in the vocal delivery of this song. Coincidentally, CCR was sued by the publishing company that had the rights to Little Richard’s “Good Golly Miss Molly,” because they sounded so much alike. The case was settled out of court.
Travelin’ Band – CCR
I always loved the sound of Dave Edmunds I Hear You Knocking. In 1970, he was getting ready to cut a version of Wilbert Harrison’s Let’s Work Together, when he heard that the group Canned Heat had just cut it. As he was driving in his car, a radio station played the Smiley Lewis’ 1955 version of I Hear You Knocking. He realized just how similar it was to Let’s Work Together and knew he wouldn’t have to change much and recorded it. He played all the instruments on the song (except maybe the bass guitar).
I Hear You Knockin’ – Dave Edmunds
Another group I have always liked is Badfinger. The song was recorded in May of 1970 and released in October. The band loved this song, but some of the folks at Apple records had no interest in releasing it. In August, the American director at Apple in New York heard the tape and liked it. The song was remixed and released as a single. It was a Top 10 single.
No Matter What – Badfinger
Released in January of 1970, Norman Greenbaum had a Top 5 Hit with Spirit in the Sky. Jesus is mentioned many times throughout the song, so I remember being surprised to read that Norman was Jewish! In a 2006 interview, he said that he was inspired to write the song after watching country singer Porter Wagoner singing a gospel song on TV. He said that he thought, “I can do that,” and wrote “my own gospel song.”
As far as the unique sound of the opening guitar lick? Normal used a Fender Telecaster with a fuzz-tone circuit built into the body to generate the song’s characteristic guitar sound. Because of the song’s length and religious tone of the lyrics, the record company was initially reluctant to issue the song. They came to their senses and finally released as a single after two other singles from the album had poor sales. The rest … is history.
Spirit in the Sky – Norman Greenbaum
Edwin Starr is one of my favorite Motown singers. In 1970, he released a song co-written by another Motown artist, Barrett Strong. The song is basically a protest song as the Vietnam War was still going on. The song was recorded originally with the Temptations singing it, however, the label decided to withhold the Temptations’ version from single release so as not to alienate that group’s more conservative fans, and had Edwin Starr record and release it.
War – Edwin Starr
By the time I was born, the Beatles were getting ready to call it quits. However, in March of 1970, they released Let It Be. At the time, the song became the highest debut ever on the Billboard Hot 100 chart. It entered the chart at number 6 and went straight to the top. This was the final single released before Paul announced he was leaving the band.
Let It Be – The Beatles
One of the great song intros in classic rock belongs to All Right Now by Free. The song was recorded in January of 1970 and released on my birthday in the UK (May 15). Drummer Simon Kirke said: “‘All Right Now’ was created after a bad gig in Durham. We finished our show and walked off the stage to the sound of our own footsteps. The applause had died before I had even left the drum riser. It was obvious that we needed a rocker to close our shows. All of a sudden the inspiration struck (Bass Player Andy) Fraser and he started bopping around singing ‘All Right Now’. He sat down and wrote it right there in the dressing room. It couldn’t have taken more than ten minutes.” It’s a great jam!
All Right Now – Free
This song fits exactly what many blogger friends and I do often – Turn Back the Hands of Time through music, movies, and nostalgia. One of R&B’s greatest was released in February of 1970 by Tyrone Davis. The song was Davis’ second big hit. It went to number one on the Billboard R&B Chart and went to number three on the Pop Singles Chart.
I’ve always loved the way the intro starts with drum and bass, then adds guitar and keyboard (xylophone?) and finally the strings before Tyrone’s smooth vocal. And who doesn’t sing along with the background singers when they come in? I know I do.
Turn Back the Hands of Time – Tyrone Davis
Finally, we grab a cut from Van Morrison’s 1970 album, Moondance. Into the Mystic is just such a cool song. I guess this would fall into the category of “Yacht Rock” today. It has a spiritual feel to it. One article compared it to Yesterday by the Beatles describing it as “another song where the music and the words seem to have been born together, at the same time, to make one perfectly formed, complete artistic element.”
Van said the use of homophones really lent the song to have alternate meanings. He states: “Originally I wrote it as ‘Into the Misty’. But later I thought that it had something of an ethereal feeling to it so I called it ‘Into the Mystic’. That song is kind of funny because when it came time to send the lyrics in WB Music, I couldn’t figure out what to send them. Because really the song has two sets of lyrics. For example, there’s ‘I was born before the wind’ and ‘I was borne before the wind’, and also ‘Also younger than the sun, Ere the bonny boat was one’ and ‘All so younger than the son, Ere the bonny boat was won’ … I guess the song is just about being part of the universe.”
Into the Mystic – Van Morrison
I hope you enjoyed giving these songs a listen. Picking just 10 was harder than I thought. What about your favorites from 1970??
I’ve been struggling to write. I’m sure it is because I have had a lot of things on my mind over the past couple weeks. The things on my mind are not necessarily things I want to write about. It’s hard to be in this place. I’m still struggling to get through it, and pray that everything will be ok. That being said, I decided to sit and write about some happy things from the past few days.
“Raising Gamers?”
I usually only play on the X-box when the kids are asleep. Recently, I was in the middle of a game and Andrew woke up from his nap. I paused the game, went and got him, and spent two minutes finishing the silly car race. He loves the controllers of the game. Another time, Ella was done with her nap and came in to the bedroom where she saw me playing “the car game.”
Now, Andrew will grab a controller and point to the bedroom. He wants to play the game. Ella does, too. So I pulled the batteries out of two controllers and they hold them while I drive around. They, of course, think they are playing! It’s fun to watch them.
Too Many Tonies?
Remember a while back I mentioned the Tonie that the kid’s Aunt Margaret sent? We have ordered a few more to play on it. I guess we didn’t realize how many we had until we lined them up on the mantle.
Many of them have songs, some have stories, and some have both. It has been so nice and has helped keep the TV time down to a minimum. If you have little ones, it is worth every penny!
Too Many Ninis and the Genius of Andrew
From my wife’s Facebook:
Andrew is only suppose to have his pacifiers at bedtime. All of a sudden we were missing a TON of his pacifiers. There was none left in the diaper bag or his crib… yet all day long he would show up with one and we are constantly taking them from him.
Tonight while cleaning I found out that my brilliant child at 1 years old has hidden his pacifiers throughout the house. I have found 6 of his hiding places. I’m not even mad, I am truly impressed!
I swear, he is a genius. He plants them everywhere and knows exactly where to get one when we take one away!
Bunnies!
Our photographer friend, Beth (From Enjoy the View Photography), had Spring “Mini” sessions this week. We booked a session for just the kids. Originally, we were going to have them dress up like in Easter attire. Sam decided that she was going to have Ella in the outfit she was in for her birthday, and match Andrew up with her in some overalls. They looked so cute together!
As a bonus, Beth had real live bunnies for the session. Ella was so excited when she heard about them. We didn’t really know what to expect, but I think we were able to get some good pictures. We’ll know soon. I snapped just one that has a funny story to go with it.
Beth had a bag of carrots to feed the bunnies. The carrot that is in Andrew’s mouth, was just in the bunny’s mouth about two seconds before I snapped this. Well, at least it is a healthy snack!
Fab Four Week
I took part in a feature hosted by Max at the PowerPop Blog about the Beatles. The feature continues for the next few days. His idea was to write about your favorite Beatles song – or anything Beatles related. My write up gives a nod to one of the boys. Which one? Watch for the post in the next day or two.
My Guest Ideas
Last week I mentioned that I was thinking about hosting something similar to what Max is doing and what Dave does with Turntable Talk. I am still trying to think about whether I want to do something music, movie or TV related. Stay tuned…..
Last week, he presented a blog of his favorite Beatles songs that were cover songs (songs originally done by other artists). This week, he looks at the other side of the coin. Here now, is his presentation of great covers of Beatles songs by other artists. I hope you enjoy it! Take it away, Max…
Beatle Songs By Others …
Hello everyone welcome back this week for the conclusion of the Beatlefest on Keith’s site. Today I’m going to list my favorite Beatle covers. Although I like these a lot…I usually still go with the Beatles version. There is one that I do like better than the original…and that is…well you will just have to read on. I did include some live versions of songs.
I added two at the bottom as runner ups but they just as well could have been in this list. Many songs could have been…depending on which day I was deciding. . I never thought about how many covers there were out there until Hanspostcard started to have a series on Beatle covers…there are a bunch! (KEITH: Hans posted some rare ones that I have never heard before!)
10: Aerosmith– Come Together...Aerosmith did a good job on this song. They didn’t stray too far at all from the original off of Abbey Road. This song was the one good thing about the movie Sgt Peppers Lonely Hearts Club Band…there weren’t very many bright spots. Peter Frampton fighting Steven Tyler on film was also a keeper. (KEITH: I certainly love this one – but their cover of “I’m Down” is my favorite!)
9: Chris Cornell – You’ve Got To Hide Your Love Away – Chris’s voice is incredible in this and it’s the way he phrases that I like so much…it’s a lot of depth and feel in his version. Eddie Vedder also has a good version. (KEITH: Great song, but I tend to lean toward the original)
8: Fats Domino – Lady Madonna – This song sounds like it was written just for Fats Domino. He did a great job. He did a wonderful job every time he covered the Beatles. (KEITH: Fats was one of the great influences of Beatles music. I would tend to agree that this really sounds more like a Fats song)
7: Emmylou Harris – For No One – I can listen to anything she sings but on this she re-worked the song in her own way and it works great. I was told about this cover by Aphoristical a year or so ago and ever since…I’ve wore it out. It puts a new light on the song. (KEITH: I have a buddy, Ken, who just loves Emmylou. Because of our many conversations about her, I stumbled on this one. Great voice.)
6: Stevie Wonder– We Can Work It Out – Stevie puts his incredible spin on this song and lifts it up. (KEITH: Love that Stevie really made this on his own!)
5: While My Guitar Gently Weeps – At the 2004 Hall of Fame Inductions you had Tom Petty, Dhani Harrison, Jeff Lynn, Steve Winwood, and Prince. Prince stole this performance with his amazing solo…you could tell Dhani (George Harrison’s son) was really enjoying it. (KEITH: When I went to the Rock and Roll Hall of Fame a year or so ago, they played the video of this amazing song. Prince – WOW!)
4: Al Green – I Want To Hold Your Hand – I would have never put these two together but Al Green turns his version of I Want To Hold Your Hand into an Al Green song. (KEITH: How can you co wrong with Al Green + The Beatles?!)
3: Johnny Cash– In My Life – This version is heartbreaking to listen to knowing that Cash was looking hard at his own mortality. (KEITH: That was my thoughts exactly when I heard this cut. Johnny is VERY reflective in his vocal…)
2: Wilson Pickett– Hey Jude – Duane Allman was a studio musician at Muscle Shoals when he brought this up as a single to Wilson Pickett. The Beatles version was still on the charts at the time. No one wanted to do it but Wilson agreed when he heard Duane’s version. They re-worked it and it worked. After Eric Clapton heard this version he wanted to know who the guitar player was at the end of the song. That is how Eric found out about Duane Allman. (KEITH: The Wicked Mr. Pickett! This one has been a favorite of mine for some time. )
1: Joe Cocker– With A Little Help From My Friends – This is the one cover that I like better than the Beatles original. He turned the song into a show stopper. (KEITH: A Cocker Classic! I agree, Max. Such a powerful cut!)
Larkin and Poe – In My Life – Christian at christiansmusicmusings turned me on to. This one is a lovely version of In My Life. (KEITH: Have never heard this one before – but I like it!)
Aretha Franklin – Eleanor Rigby – She is the one and only Queen of Soul. My favorite female singer of all time. She turns this into a soul song. (KEITH: Everything she touched was gold! She was amazing! Great cut. I would say that Ray Charles version is equally as good!)
THANKS, MAX!
I want to take a moment and thank Max for taking the time to write for my blog. I guess I need to write my Beatles Blog now.
As I announced a few blogs ago, I am happy to present to you a blog written by my pal, Max. I stumbled on his blog when I first started blogging. I found he and I were around the same age, loved the same music, TV shows, and movies and we’ve become very good friends. You can find his blog here: https://powerpop.blog/
I mentioned that I have wanted to write a blog on the Beatles for some time. Max is quite a Beatles fan, too. I thought he’d be the perfect guy to write a Beatles blog for me. Actually, he’s gonna do two! He recently interviewed me for his blog regarding my radio career, so he kind of owed me at least one blog! LOL. So without any further ado, here’s Max and the first “official” Beatles blog on this page …
COVER SONGS BY THE BEATLES
Hello everyone! I want to thank Keith (nostaligicitalian) for allowing me to interview him for my blog. Keith mentioned to me about guest hosting his blog. I’m sorry to say this to all the readers, but I will be here twice! What I’m going to do is list my top 10 songs that the Beatles covered (today)…and my top 10 songs that people covered of the Beatles (next Saturday). I want to thank Keith for thinking enough of me to let me share this.
I first found the Beatles when I was 8 years old (in 1975) and have read and listened to them ever since. Their original songs are what set them apart from everyone else then and now, but they did play some interesting covers.
The Beatles did mostly covers when they played Liverpool and Hamburg before their fame. They had great taste picking them and they also did some B sides because they wanted to do songs every other Liverpool band wasn’t doing. Although I’m a huge Beatles fan…I’m not suggesting that any of these are better than the original (Except a couple). In some cases though the Beatles brought attention to the song which the original artists were usually really grateful.
I’m only listing songs that were on studio albums not any live albums like Live at the BBC. So lets get this started!
10: Please Mr. Postman – The Marvelettes version will always be my favorite of this one…and I remember the Carpenters did it also in the 70s.
The Beatles version was good, but I have heard a live version that is a little more up. Would American audiences be interested in a young white British group covering a black R&B pop smash hit? Capitol Records didn’t think so. They decided against including the song on their first album “Meet The Beatles!” for just that reason.
After three million copies of the album had been sold by mid March, Capitol was ready to rush-release another album to cash in on the excitement. And you better believe they included “Please Mister Postman” on that next release, “The Beatles’ Second Album.”
9: Bad Boy – For me this is punk Beatles. John’s voice carries this song. They were in the middle of filming Help! when Capital Records in America requested a few more songs.
They went back in their Hamburg/Cavern days and picked two to record – Dizzy Miss Lizzy and Bad Boy. The Beatles don’t stray too far from the original Larry Williams rendition of the song while compensating for the saxophone and piano dominated arrangement with guitars and subtle organ/electric keyboard work…it is a bit more energetic than the original. (KEITH: I actually had no idea this was a cover song, until I bought a Larry Williams album!)
8: Slow Down – Larry Williams wrote this song. They recorded 3 of his songs. More than any other songwriter but themselves.
There was no internet or a good way to get lyrics back then. Ted “King-Size” Taylor from the rival Liverpool group The Dominoes remembers that The Beatles all sat in a row and took down one line each of all the songs they did… Dizzy Miss Lizzy and Slow Down all of those – and “the next time we saw them they were playing all our stuff.” (KEITH: I never heard this story!! That’s great!!!)
7: Money – It fit their style perfectly but John sounded as if he held back a little on this one. I still like it but it probably could have been better.
The Beatles performed the song live, vocals and all, for six full takes until everyone was satisfied. George Martin play piano on this song. (KEITH: Barrett Strong’s version was a staple on Michigan oldies stations. It was written by Barry Gordy and was the first Motown hit!)
6: Dizzy Miss Lizzy – This is one of the first guitar riffs I learned on guitar. It’s simple and if played right it can light up a club or bar. A song written by Larry Williams, John Lennon would later cover this live in 1969 at the concert in Toronto.
This was recorded on the same day as Bad Boy. (KEITH: I think the Beatles version of this has a bit more “oomph” to it. Larry’s version sounds weak in comparison.)
5: Long Tall Sally – Paul did his Little Richard best on this song. They were playing this song way back in 1957.
Long Tall Sally has the longest legacy of all the songs in The Beatles catalog, but that is the song held an affectionate place in the hearts of The Beatles all of those years. (KEITH: What a vocal on this one! Paul knocks it out of the park!)
4: Rock and Roll Music – I was introduced to the song by the Beatles.
Their backs were up against a wall. They were not able to compose enough material on such short notice to fill an entire album. So they were happy to record their renditions of some of their favorites. “Rock And Roll Music” fit the bill. It’s another song that they knew well. They kept playing this song through their touring career. (KEITH: A classic by Chuck Berry, however, the Beatles kick it up a notch. Such a great sound to this one.)
3: Roll Over Beethoven – Everything from George’s guitar to his vocals are spot on in this Chuck Berry cover. “If you tried to give rock and roll another name, you might call it ‘Chuck Berry.’” John Lennon.
They had perfected this song on stage during the last seven years. It was the first of two numbers immortalized by The Beatles from the catalog of the most influential songwriter/performer of the fifties…Chuck Berry. (KEITH: The song itself is a great track. I always though the Beatles version was better than Chuck’s. If I had to pick a favorite version – it might be the version by ELO.)
2: Twist and Shout – John Lennon sounds demented in this song in all the right ways. It was the last song they cut that night after recording the entire album and John just got through it. They adapted the original arrangement within their limited ‘guitar-bass-drums’ format and did so very well.
Although The Beatles’ adaptation was a direct reflection of the hit version by The Isley Brothers, I feel safe to say that this version became the definitive version of the song. (KEITH: I would agree. How can you even touch this version of Twist and Shout?!)
1: You Really Got A Hold On Me – This is my personal favorite. The popular opinion would probably be on Twist and Shout as being the best song they covered…and I think John was beyond great on that…but these harmonies are hard to beat on this one. You can’t compare Smokey to anyone…but the versions are apples and oranges.
It had been recently recorded by its writer Smokey Robinson and The Miracles and first hit the charts only earlier that year, debuting on the Billboard singles chart on January 12, 1963. Yet just over six months later, The Beatles chose to translate the song themselves. This was the first song they chose to record for the album. They do a unique version of it that has stuck with me. Below we have a bonus…an isolated vocal of this song. (KEITH: I like their version better than Smokey’s. Cool vocal track. Never heard it before. Thanks for sharing.)
More next week….
Thanks, Max!
These are some of my absolute favorite Beatles cuts!
I’m looking forward to Max’s follow up next week, which will feature songs by the Beatles that were covered by other artists! I hope you are, too!!
Various Ramblings of a Nostalgic Italian 