The Music of My Life – Decade Extras – The 1990’s Part 2

This is sort of a continuation of the Music of My Life feature. It focused on music from 1970-2025. It featured tunes that have special meaning to me, brought back a certain memory or a tune that I just really like. I found that with the first three decades, there were songs that I didn’t feature. So I sat down with my original lists and selected some songs that “bubbled under,” so to speak.

I figured a good way to present them was to focus on a decade. 10 years = 1 song per year = 10 songs. Last week we looked at the 90’s. This week I have 10 more from the 90’s. Next week we’ll move to the 2000’s. So, let’s check out a few “Decade Extras.”

1990

To kick off the decade, I chose a song that is still played today and remains one of the most requested songs at parties and weddings. When Vanilla Ice hit the scene, many people mocked him, but all these years later, his song Ice Ice Baby remains a favorite.

In a 2016 interview, he explained that the song was based on a real life scenario. “The song tells you the story. It’s me, with my top down, in my 5.0 Mustang, cruising down A1A Beachfront Avenue. It’s a weekend experience that turned into an amazing song. It’s timeless. I still love singing it, and it never gets old.”

The song samples “Under Pressure” from Queen and David Bowie. Songfacts.com says: Vanilla Ice never got permission to use it. No lawsuit was filed, but it is likely that Vanilla Ice agreed to pay Queen and Bowie a settlement. According to industry insider Hans Ebert, Brian May of Queen first heard this song in a disco in Germany. He asked the DJ what it was, and learned that it was #1 in the US.

Ice Ice Baby

1991

In 1991, I was working at my first country station. I was familiar with many of the legends that were mixed into the playlist like Willie Nelson, Waylon Jennings and Johnny Cash. My dad listened to many of them, so I heard them, too.

The song Get Rhythm was a Johnny Cash song from 1956 as the B-side to I Walk The Line. Johnny’s music has influenced many an up and coming country singer. In 1991, Martin Delray decided to cover the song for his debut album. It had to be a thrill for Delray to have Johnny sing with him on the track AND appear in the music video.

I’ve always loved this song.

Get Rhythm

1992

Annie Lennox is best known for being in the 1980’s group the Eurythmics. It was her extremely successful and inventive duo with Dave Stewart. In early 1990, the group split and Lennox took time off to work on charitable endeavors and focus on her home life. In 1992 she released her first solo album, Diva.

The third single from the album was Walking on Broken Glass. Pop Matters Magazine described the song as a “gloriously weird pop song with one of the oddest intros: prancing strings, strutting keyboards, and the enigmatic line”. It went on to claim that “all of that make the track sound like nothing else on pop radio in 1992.” Honestly, I think that is why I like the song – it stood out.

The video was based on the 1988 movie Dangerous Liaisons, with elaborate costumes inspired by film, which was set in France during the 1700s. Annie Lennox recalled the song’s video in a blog promoting her 2009 greatest hits album:

“This was a wonderful video to create. There were some wonderful people involved – John Malkovich and Hugh Laurie (before he had an American accent)! That was tremendous fun. The idea of it being a period piece, like Les Liaisons Dangereux. The alternative title for ‘Broken Glass’ could easily have been ‘Hell hath no more fury than a woman scorned.’ The video is very wry and tongue-in-cheek. People can take me a little seriously sometimes, but I do actually have a rather radical sense of humor.”

Walking on Broken Glass

1993

Karaoke introduced me to the Gin Blossoms. I was going out the the bars a lot around this time and every once in a while someone would sing one of their songs. When I started driving for EDS and listening to the radio, I heard them much more.

Found Out About You was written by Doug Hopkins for the group’s first album, 1989’s Dusted. The album, however, was on a small label and really didn’t get noticed. When the band signed to A&M, they rerecorded the song for their New Miserable Experience album and it was released as the fourth single.

Singer Robin Wilson says, “The first time we ever demo’d “Found Out About You” we knew it was a hit song. I remember that being a significant event in my mind, when we were in the studio doing that song. I was sitting out on my car and what I imagined to be a hit song was a bunch of kids dancing to it at the Devil House. We were listening to it and Bill [Leen, the bassist] looked over at me and said, “Hey, wow, this song is going to get you a lot of women, isn’t it?” I was just like “Yeah, whatever.”

I was hooked from the opening guitar…

Found Out About You

1994

I heard Round Here by Counting Crows long after it had been released. This was one of the albums that my ex loved to listen to, so I hear it on long drives a lot.

Adam Duritz wrote the song and says it is sort of autobiographical. He wrote the song when he was in college and part of a band called the Himalayans. Members of that group helped with some lyrics and the music. When he formed Counting Crows, he brought the song with him and they reworked it a bit. Wanting to give everyone their due, Adam made sure to credit everyone in both bands with writing the song, so “Round Here” has eight different writers listed on the composer credits.

Songfacts.com says, The theme of childhood promises not panning out is one that shows up a lot in Duritz’ lyrics. In the chorus of this song, he lists some sayings that our parents often say: “Around here we always stand up straight,” “Around here we’re carving out our names.”

Adam says, “You’re told as a kid that if you do these things, it will add up to something: you’ll have a job, you life. And for me, and for the character in the song, they don’t add up to anything, it’s all a bunch of crap. Your life comes to you or doesn’t come to you, but those things didn’t really mean anything. By the end of the song, he’s so dismayed that he’s screaming out that he gets to stay up as late as he wants and nobody makes him wait; the things that are important to a kid – you don’t have to go to bed, you don’t have to do anything. But they’re the sort of things that don’t make any difference at all when you’re an adult. They’re nothing.”

Round Here

1995

When You Say Nothing At All was originally a hit for country singer Keith Whitley in 1988. It was co-written by Paul Overstreet. I had played it when I was at that first country station. I thought it was a great song lyrically, but wasn’t a fan of his voice. He died in 1989 of alcohol poisoning.

When some of Whitley’s friends decided to put together a tribute album to Whitley, they had other singers recording his songs. It was Alison Krauss who chose to cover “When You Say Nothing At All.

When I heard her version of the song, it stopped me in my tracks. Her voice is so beautiful and perfectly fit the song. Her voice took the song to an entirely different level. She knocked it out of the park!

When asked by Songfacts what he thought of the Krauss version, Overstreet said when he first heard it, “All the hair stood up all over my body. I was like, ‘Are you kidding me!?’ She sang it great.”  It still gives me goosebumps!

When You Say Nothing At All

1996

I think whenever guys have a “guy’s night” or gals have a “gal’s night” they begin to talk and tell stories. “My wife/girlfriend does that, too!” or “Why is it that all men keep shirts or socks with holes in them?” You know, that kind of thing.

I have been guilty of asking male friends, “How come they can do that and we can’t?” It all falls into that “Battle of the Sexes” thing. Music has focused on those male/female differences for years, but I hadn’t heard it put the way Mindy McCready did in 1996.

It was at my second country station that I heard “Guys Do It All The Time.” It is the ultimate switcheroo song from the woman’s point of view. The song itself does a great job in conveying this, but the video only enhances it with gal’s doing guy things.

I saw Mindy in passing at a Radio Seminar, and she was even more beautiful in person. It was sad to see her life spiral out of control before her passing.

Guys Do It All The Time

1997

Picture it – you are getting ready to go on a trip or maybe you are being shipped off for the military. This is the last night you will be with your special someone for a while. You’d want it to last forever and make it special right? That’s the premise of Save Tonight by Eagle Eye Cherry. He wants to cherish this one last night spent with his love. He explains that you can’t fight changes, all you can do is accept them.

This was the last song Cherry wrote for his debut album and he wanted it to be special, “something that would stand the test of time.” He achieved his goal – two decades later, the song is still in rotation on throwback radio stations and is a fixture on the setlists of countless cover bands.

Songfacts says that the black-and-white music video was filmed in Sweden and follows Cherry in the roles of several different characters whose lives intersect, including an amiable young man, a bespectacled butcher, a robber, a truck driver, a busker, and a homeless man.

Cherry is actually a trained actor, having attended New York City’s School of Performing Arts, with credits that include a bit part on The Cosby Show and a stint as an ex-con on the short-lived TV drama South Beach.

Save Tonight

1998

Another song that really stood out to me on the radio was Iris by the Goo Goo Dolls. That opening guitar always seemed to cut through whatever was going on. It was almost hypnotic.

Songfacts says that lead Goo Johnny Rzeznik wrote this song for the movie City Of Angels, where it is sung from the perspective of Nicolas Cage’s character. In the film, Cage plays an angel sent to help humans make their transition to the afterlife. When he falls in love with a human (played by Meg Ryan), he must choose between love and eternal life.

Johnny explained how the film influenced the song: “I was thinking about the situation of the Nicolas Cage character in the movie,” he said. “This guy is completely willing to give up his own immortality, just to be able to feel something very human. And I think, ‘Wow! What an amazing thing it must be like to love someone so much that you give up everything to be with them.’ That’s a pretty heavy thought.”

Iris was nominated for Grammys in the categories Song of the Year, Record of the Year, and Best Pop Performance By Duo Or Group. It didn’t win any of them.

Iris

1999

It was around 1998-1999 that I took a leap of faith after deciding to give up on radio. I had received a call from a station in the Flint area. They had called the Detroit country station that I had just resigned from asking if they knew anyone who wanted full time work. The boss talked me up and gave them my number. It was from there that I would spend the next 10-12 years working full time in Country radio.

LeAnn Rimes was making quite a name for herself around this time. She had burst on the scene in 1996 with her debut single “Blue.” She was only 13 years old at the time!

In 1999, she recorded an album of country cover songs. It included Patsy Cline’s Crazy and She’s Got You, Hank Williams Your Cheating Heart and Lovesick Blues, and other classics. The album was entitled “LeAnn Rimes” and was her fourth studio album.

If you have ever been in a situation where your lover broke up with you, only to begin dating one of your closest friends, you know how much that hurts. How do you handle that situation? In country radio, you write a hit song about it. That song was only original song on the album – Big Deal.

What I loved about the song is the slow and deliberate opening verse. It almost has a gospel song feel to it. She is lamenting about letting her man get away and eventually winding up with her friend. Then the tempo kicks in and she let’s her rival have it. She’s tired of her bragging …

Big Deal

And that is a wrap on the 1990’s. You may remember that the further along I got in the original series the less songs I was able to come up with. I think I have enough to look at the early 2000’s and officially put this feature to bed. Next week we’ll glace at 2000-2009. I hope you’ll come back then.

Thanks for reading and listening!

Movie Music Monday – FM

It was on this day in 1978 that “FM” premiered in theaters. As a former radio DJ, I knew it was just a matter of time before this movie would pop up in this feature. I’m surprised that it hasn’t come up already, as it has one of the best movie soundtracks!

Version 1.0.0

The film starred Michael Brandon, Eileen Brennan, Alex Karras, Cleavon Little, Martin Mull, Linda Ronstadt, Jimmy Buffett, and REO Speedwagon (just to name a few). Despite what they say, this film was not the inspiration for WKRP in Cincinnati (which was in the works at the same time).

Honestly, it’s really not that great of a movie. It’s billed as a comedy, but it’s not something you’ll be belly laughing at. It also has some serious moments that are a bit forced. Then there is the lackluster “feelgood” ending that feels more fake than good. Thank goodness for the amazing soundtrack!

The soundtrack is like a snapshot of 1978 rock radio and is loaded with hits. It is so difficult to choose just one song to play here, as there are so many to choose from. Bob Seger, Steve Miller Band, Tom Petty, Foreigner, The Eagles, Boz Scaggs, Linda Ronstadt, Jimmy Buffett, Billy Joel, Joe Walsh, and even Queen! I decided to choose a band that I haven’t featured on the blog before – Steely Dan.

I suppose that it makes sense to pick the movie’s title song, FM (No Static At All). Walter Becker and Donald Fagen wrote this song specifically for the film. Fagen told American Songwriter magazine: “There was a film called FM and we were asked to do the title song,” he said. “And I said, ‘Does it have to have any specific words?’ And they said, ‘No, it just has to be about FM radio.’ We wrote that very quickly, I remember, in one or two days. And we also recorded it very quickly, too. Johnny Mandel came in and did the string chart. It was fun to meet Johnny Mandel.”

The song sold a ton of records and was actually much more popular than the movie. Fagen felt the song could have been a bigger hit if the movie had been more successful. “The song was a hit, but I think we should have seen the movie before we committed ourselves,” he said in 2007. “As you know, it wasn’t a very successful movie.”

As a piece of music, it has a lot going on. Look it up on Wikipedia and the description sounds like a music theory class! You have an overture to start, arpeggios, tonal chords, thirds and fifths, a string section, major chords and minor chords, and all kinds of key changes. It’s actually cool to hear in headphones.

When the movie came out, FM radio listening was on the rise. As the song says, it had less static than AM radio. What made FM radio stations popular was their ability to take chances by playing lesser known bands and album cuts. Listeners couldn’t get enough of it.

The Music of My Life – Decade Extra – The 1970’s

Last week I wrapped up my Music of My Life feature. It focused on music from 1970-2025. I admit that it was fun to look back at the tunes that have special meaning to me, bring back a certain memory or a tune that I just really like.

When I got into the 2000’s it became more difficult for me to find songs. With the earlier years, however, I found it difficult to narrow my list down to just ten songs. So I sat down with my original lists and selected some songs that “bubbled under,” so to speak.

I figured a good way to present them was to focus on a decade. 10 years = 1 song per year = 10 songs. Let’s head back to the 70’s and check out a few “Decade Extras.”

1970

I wish I could find the recording of this so I could set it up better. My co-host, Steph, and I were in conversation with our newsman, Hal. Something came up about knocking and Hal says, “Knock three times on the ceiling if you want me.” This led to me asking why we were discussing Tony Orlando on a country station.

Steph walks out of the studio during commercials and I went on the hunt for the song. I found it and cued it up to the chorus. When she comes back to the studio, and she has to read a sponsorship for the weather forecast. I let her begin and out of nowhere I play the chorus of Knock Three Times. She was so thrown by this, she can’t stop laughing. She’s trying to do the sponsorship, but every 6th or 7th word, I’d fire the chorus again. She is down for the count in laughter (which was my intention), so I wound up reading it and apologizing to our listeners.

I think of Steph every time I hear it.

Knock Three Times

1971

I’ve always love the Jonathan Edwards song “Sunshine.” It was always one that I loved singing along with. Had it not been for a mistake, it may never have gotten recorded. According to songfacts.com, he recorded this out of necessity when one of the tracks he put down was accidentally erased. Instead of redoing that song, he did “Sunshine.” Pleased with the results, he and the engineer overdubbed bass and added the drums the next day.

Edwards was signed to Atco Records. They released “Sunshine” as his first single early in 1971, but it flopped. The song got some traction thanks to disc jockeys in New England who started playing it off the album. Six months after the Atco single was released, it was re-issued on the independent Capricorn label with a demo version on the B-side. This time, the song was a hit, shooting to #4 in the US.

He would often end live shows with the song, and Edwards said,  “I often say, and it’s true, that if I had never done another song in my life, I’ll be happy to have come and gone with that.”

Sunshine

1972

For the longest time, I thought that Neil Diamond was singing Nice To Be With You. When I started working at my first radio gig, I found out I was wrong.

The song was actually one that had a local connection. Jim Gold formed the group Gallery in Detroit. They recorded quite a few songs, but none were as big as Nice To Be With You. It was also the title track of their debut album.

Nice to Be With You

1973

There was no shortage of Jim Croce songs in my original feature. My mom and dad listened to his music a lot. He was one of many artists who were a part of my childhood.

I love when songs have some basis or inspiration in real life. Bad, Bad Leroy Brown is one of them.

“Leroy Brown is a guy that he actually met,” said his widow Ingrid. “When he was in the service – The National Guard – this guy had gone AWOL. He was a guy that Jim kind of related to, he liked to sing with him. This guy had gone AWOL but he came back to get his paycheck, and he got caught. Jim just thought he was such a funny guy that he thought he’d include his name in the song, and it just worked. There really was a Leroy Brown, and sometimes having a name helps you to build a song around it.”

It’s one of the few songs I can sing at karaoke.

Bad, Bad Leroy Brown

1974

I was a big Beatles fan growing up. As a kid, I didn’t really understand why Paul McCartney was in another group (Wings) or why John Lennon was doing solo stuff. I do remember hearing Band on the Run, though, and liking it.

McCartney recorded the album in Lagos, Nigeria along with his wife Linda and guitarist Denny Laine. The other Wings decided not to make the trip, which worked out fine in the end: McCartney considers the album his best post-Beatles work. He told Word in 2005:

“I was on drums and guitar a lot, mainly because the drummer decided to leave the group the night before and one of the guitar players decided not to come! So we got that solo element into an otherwise ‘produced’ album.”

Band On the Run

1975

It’s a Long Way to the Top is an autobiographical song for AC/DC. It describes their struggles as they tried to make it big. Right from the start, they delivered a top notch live show night after night. Songfacts says: It was genuine: At the time, they were just getting started and playing some seedy venues with even seedier business associates. The hard work eventually paid off, and several years later the band was selling out arenas.

“It’s A Long Way To The Top” really summed us up as a band,” Angus Young told Rolling Stone. “It was the audience that really allowed us to even get near a studio.”

The song is a bit unusual because instead of a lengthy guitar solo it features Angus Young on lead and Bon Scott on the bagpipes in a Dueling Banjos sort of way. I remember the first time I heard the song. “Are those bagpipes?!” Yes. Yes, they are!

It’s a Long Way to the Top

1976

Turn the Page by Bob Seger is also a song about being out on the road and performing. This one focuses on the effects of touring on a performer. There is a lot of loneliness that they feel.

Bob says, “Our first headline shows ever in a large (twelve thousand seat) hall were the two shows at Detroit’s Cobo Arena, September 4th and 5th, 1975. I remember while I was singing this how nice it was to have such good on-stage monitors. I had never heard my voice so well while performing.” The version on Seger’s greatest hits album was taken from these shows.

The song is a classic rock staple here in Michigan. I got to see Bob perform one of his last shows and it was electrifying. I can’t even begin to explain the feel of the room when he performed this one.

Turn the Page

1977

“What’s Your Name” by Lynyrd Skynyrd is another song that is based on a true story. One night while they were on tour, the band was drinking at their hotel bar when one of the roadies got in a fight. They all got kicked out. So they went to a room, ordered champagne and continued the party.

Songfacts says: The incident in this song did not happen in Boise, Idaho. The first line was originally, “It’s 8 o’clock and boys it’s time to go,” but lead singer Ronnie Van Zant changed it when he found out his brother, Donnie, was opening his first national tour with his band .38 Special in Boise. The first line became “It’s 8 o’clock in Boise, Idaho.”

Three days after the album was released, Ronnie Van Zant, Steve Gaines, and Cassie Gaines died in a plane crash. The cover of the album was redone because the original cover had the band surrounded by flames.

What’s Your Name

1978

Hold the Line by Toto caught my ear the first time I heard it because of the piano open with the guitar riff intermingling with it. It was the debut single for the group who was made up primarily of session musicians.

From songfacts: “Hold the line” is an expression meaning to maintain your existing position, which in this case is the singer telling a girl to be patient and stay with their relationship.

The saying also has a more literal meaning, however, which is how David Paich came up with the title. “Hold the line” is what you tell someone on the phone if you want to put them on hold while you’re taking another call. This is typical in workplaces, but in the days before cell phones, some households (especially ones with teenagers) also had multiple phone lines coming in and could put callers on hold. Paich lived in one such household.

Paich said: “When I was in high school, all of a sudden the phone started ringing off the hook, and I had a situation where I was at the dinner table and I had three girls all call at the same time, so all the lights were flashing. I was kind of juggling girlfriends, and that’s how that came about.”

Toto’s video was a bit ahead of it’s time. MTV hadn’t even gone on the air yet when the song was released.

Hold the Line

1979

Don’t Stop Me Now by Queen is such a fun song to play at weddings and parties, especially after the audience has loosened up. So often I’d come out of a slow song and segue right into the smooth intro of Freddie Mercury. People would raise their hands and sway while singing along. Then, when the tempo changes, the dance floor was insane.

It’s a catchy song that has you singing along, even if you are just hearing it for the first time. In 2011, Queen fans voted the chorus of “Don’t Stop Me Now” as the band’s best ever lyric.

In an Absolute Radio interview, Brian May says, “I thought it was a lot of fun, but I did have an undercurrent feeling of, ‘aren’t we talking about danger here,’ because we were worried about Freddie at this point. That feeling lingers, but it’s become almost the most successful Queen track as regards to what people play in their car or at their weddings. It’s become a massive, massive track and an anthem to people who want to be hedonistic. It was kind of a stroke of genius from Freddie.”

Don’t Stop Me Now

So what do you think? I like this idea. A quick look back at a decade. There are plenty of songs to choose from that did not make the original run of this feature. Join me next week for more!

Science Says These Songs Are Guaranteed to Make You Happy!

I am no neuroscientist, but I know a little about music. It is a proven fact that that music and happiness are linked intimately. Science also shows happiness will actually make your brain work better. Now, neuroscience has come up with the ultimate list of tunes to make you happy.

Note: I have to tip my hat to my old radio pal, Johnny Molson for this. He featured this on: Mike and Molson – The Podcast.

Back in 2015, a music-loving Dutch neurologist did us all a favor. He figured out what makes for the most mood-boosting tunes. The reason for the study came from an unusual source: the British electronic brand Alba. Apparently, they wanted to know what made for a happy song. They reached out to Dr. Jacob Jolij for the answer.

The first thing that Dr. Jolij reminds us is that taste in music is subjective. You may not like what I do and vice versa. “Music appreciation is highly personal and strongly depends on social context, and personal associations. In that respect, the idea of a ‘feel good formula’ is a bit odd,” he commented. 

There is something that you can do that can help find the answer. He asked the listening public to submit examples of their favorite feel good tracks. Those tracks were then analyzed for patterns to reveal what characteristics are generally associated with smile-inducing songs. After the analysis, he compiled a list.

He found that the happiest tunes are slightly faster than your average song. They will be between 140 and 150 beats per minute on average. They will also be written in a major key, and either about happy events or complete nonsense. Dr. Jolij combined these factors into a formula for the happiest songs possible. With hat formula, he went searching for existing hits that matched his template. 

Based on that template, here are the ten songs that are scientifically proven to make you happy!

10. Walking on Sunshine – Katrina and the Waves

9. I Will Survive – Gloria Gaynor

8. Livin’ on a Prayer – Bon Jovi

7. Girls Just Wanna Have Fun – Cyndi Lauper

6. I’m a Believer – The Monkees

5. Eye of the Tiger – Survivor

4. Uptown Girl – Billy Joel

3. Good Vibrations – The Beach Boys

2. Dancing Queen – Abba

and the number one song that is scientifically proven to make you happy:

1. Don’t Stop Me Now – Queen

Do you agree? Disagree? I’d love to hear your thoughts! Drop them in the comments.

The Music of My Life – 1979

Welcome back to The Music of My Life, where I feature ten songs from each year of my life.  In most cases, the ten songs I choose will be ones I like personally (unless I explain otherwise). The songs will be selected from Billboard’s Year-end Hot 100 Chart, Acclaimed Music, and will all be released in the featured year.  In the final year of the 70’s, I turned 9 years old. 

1979 is a year where I was surprised to find many of the songs that wound up on my mom’s ballad 8-track tape.  I could easily have posted all of those songs in this blog, but then you would fall asleep listening to them, just like my brother and I did on our way up north. Instead, I will list them at the end of this blog, and if you wish, you can search them on YouTube.

So let’s begin with the first of two “out of place” or “odd” songs….

The first song is part of the soundtrack of my summer of 1979. The song seemed to be playing in a very hot rotation and was always on the radio when we were up at my grandparents place.

Frank Mills wrote and recorded “Music Box Dancer” in 1974, but it did not become a Canadian single until December 1978. By Christmas of that year, it was in the top ten of many European and Asian pop music charts. It was released as a single in the United States in January 1979 and got up to number three on the Billboard Hot 100 Chart.

In 1974, Mills released an album that featured the song, but it was not initially a hit. When he re-signed with Polydor Records Canada in 1978, the label released a new song as a single, with “Music Box Dancer” on the B-side.  Because of a mistake, a single of “Music Box Dancer” found its way into the hands of a pop station in Ottawa – the single was only supposed to go out to adult contemporary stations. The station’s program director listened to the A-side and wondered why it was sent to him. He played the B-side and liked what he heard anyway and began airing it in rotation. Next thing you know, the album’s gone gold in Canada.

Music Box Dancer

The next song makes the list because it was on the iPod of my ex. My oldest son used to take it and listen to it all the time and I can still hear him in his toddler voice singing the chorus of this one.

Hot Stuff is a single that was on Donna Summer’s 7th studio album, Bad Girls. The song is unique in that while many consider it disco, many others consider it rock. As a matter of fact, when the Best Female Rock Vocal Performance category was added at the Grammy Awards in 1980, Donna Summer won for “Hot Stuff.”

The song has ties to other music as well. It was written by Pete Bellotte, Harold Faltermeyer and Keith Forsey. Bellotte co-wrote a few other hits for Summer, including “Love To Love You Baby” and ” Heaven Knows.” Faltermeyer had a solo hit in 1984 with the theme from Beverly Hills Cop, “Axel F” and Forsey’s credits include “Don’t You Forget About Me” for Simple Minds and “Shakedown” for Bob Seger.

This was Summer’s second #1 hit on the Hot 100; her first was her disco cover of “MacArthur Park.”

Hot Stuff

Here is a song that is missing one of the things the band is known for. Don’t Bring Me Down was the first ELO song that did not use strings. According to Songfacts, after recording it, they fired their string section, leaving four members in the band.

ELO leader Jeff Lynne wrote this song late in the sessions for the “Discovery” album. He came up with the track by looping the drums from a song he recorded earlier in the session, then coming up with more music on the piano. The words came last, as Lynne put together some lyrics about a girl who thinks she’s too good for the guy she’s with.

Here’s a fun fact: Wanna know why Jeff Lynne repeatedly sings the word “groose” after the song’s title line? Apparently it was a made-up place-keeper word to fill a gap in the vocals when he was improvising the lyrics. When the German engineer Reinhold Mack heard the ELO frontman’s demo, he asked Lynne how he knew “gruss” means “greetings” in his country’s language. Upon learning the German meaning, Lynne decided to leave it in.

Don’t Bring Me Down

“Hey Ringo, play something hot!”

Those are the words that Rodney Dangerfield’s character in Caddyshack says to the band at the snobbish country club as he throws money at them. As the money falls, the band plays the opening 5 note stings from Boogie Wonderland from Earth Wind and Fire (With the Emotions). I’ve always loved that song because of the movie connection.

The song, while it is upbeat and happy sounding, it really isn’t. Songfacts calls it one of the more complex and misinterpreted songs of the disco era. Written by Jon Lind and Allee Willis, it was inspired by the movie Looking For Mr. Goodbar, which stars Diane Keaton as a lost soul who goes to clubs every night to dance away her misery.

Willis says, “When I saw Mr. Goodbar, I got kind of fascinated with people who did go to clubs every night, whose life was kind of falling apart, but they lived for the night life, though it didn’t seem to be advancing them as humans in the end. So if you really look at the lyrics of ‘Boogie Wonderland,’ unlike ‘September,’ it’s not a happy song at all. It’s really about someone on the brink of self destruction who goes to these clubs to try and find more, but is at least aware of the fact that if there’s something like true love, that is something that could kind of drag them out of the abyss. So ‘Boogie Wonderland’ for us was this state of mind that you entered when you were around music and when you danced, but hopefully it was an aware enough state of mind that you would want to feel as good during the day as you did at night.”

Boogie Wonderland

The second “out of place” or “odd” song is also a movie song. It may seem like a very simple kid song, but if you listen to what the songwriter says about it, the song is deeper than you can imagine.

This was written by songwriters Paul Williams and Kenny Ascher for The Muppet Movie, which came out in 1979. In the film, it is sung by Kermit The Frog as the Muppets set out to find adventure. In a interview Williams said: “Rainbow Connection was the first number in The Muppet Movie. It’s the one that establishes the lead character. We find Kermit sitting in the middle of the swamp. Kenny Ascher and I sat down to write these songs, and we thought… Kermit, he’s like ‘every frog.’ He’s the Jimmy Stewart of frogs. So how do we show that he’s a thinking frog, and that he has an introspective soul, and all that good stuff? We looked at his environment, and his environment is water and air – and light. And it just seemed like it would be a place where he would see a rainbow. But we also wanted to show that he would be on this spiritual path, examining life, and the meaning of life.

It tells you that he’s been exposed to culture: ‘Why are there so many songs about rainbows?’ Which means, obviously, he’s heard a lot of songs. This is a frog that’s been exposed to culture, whether it’s movies, or records, or whatever. And I also like the fact that it starts out with the negative: ‘Rainbows are only illusions, rainbows have nothing to hide.’ So the song actually starts out as if he’s going to pooh-pooh the whole idea, and then it turns: ‘So we’ve been told, and some choose to believe it. I know they’re wrong, wait and see.’ And again, he doesn’t have the answer: ‘Someday we’ll find it.'”

Now, with that in mind, give this masterpiece a listen!

Rainbow Connection

Next is my “go-to” Karaoke song. I’ve always loved the line, “You had me down 21 to zip, the smile of Judas on your lip.” What a great line. Bad Case of Loving you was written by Moon Martin who released the original version on his 1978 album Shots From a Cold Nightmare. Martin is a singer/guitarist/songwriter with his band Southwind. When the group broke up in 1971, he took on studio work. He paired up with Linda Ronstadt, and played on her self-titled album. He nearly joined some of Ronstadt’s other backing musicians in a little band called the Eagles, but ended up a solo artist and signed a deal with Capitol Records.

Martin’s album got some good reviews but went nowhere on the charts. A song called “Hot Nite In Dallas” was chosen as a single, but “Bad Case Of Loving You” was only given limited release in Europe. Enter Robert Palmer. He heard the song when he was being driven to one of his shows by a rep from his label, who played it for him. Palmer included it in his set and got a great response, so he recorded it for his Secrets album.

Bad Case of Loving You (Doctor, Doctor)

In 1989, Palmer released a remix of this song for his Addictions: Volume 1 greatest hits album. “Looking back at the 1978 original the performance was there but someone was asleep at the mixing desk,” he wrote in the liner notes. “The original mix in comparison sounded like a band rehearsing in a garage and this sounds like the finished song.” I can’t listen to the original cut much anymore. The remix is SO MUCH better!

I LOVE good harmonies. This song kicks right off with a cold open and the amazing a cappella harmony of The Little River Band. Most of the band’s hits were written by founding members Graham Goble, Beeb Birtles or Glenn Shorrock, but “Lonesome Loser” was written by guitarist David Briggs, who joined in 1976 after the band’s second album.

The lyric uses a lot of gambling imagery to tell the story of the lonesome loser, who staked his heart and lost. His adversary is the “Queen of Hearts,” who will always win this game of love. The same year this song was released (1979), Dave Edmunds had a UK hit with a song called “Queen of Hearts” that used the same metaphor. That song, of course, became an American hit when Juice Newton covered it in 1981.

Lonesome Loser

Speaking of great harmonies and the Eagles, the next song features both. Heartache Tonight was written by Don Henley and Glenn Frey with Bob Seger and J.D. Souther. Songfacts says: When Frey was a 19-year-old in Detroit, Seger took him under his wing and got his music career started. Souther, who is sometimes considered an “Unofficial Eagle,” was the first person Frey met when he moved to Los Angeles in the late-’60s. J.D. Souther, told us how this song started: “Glenn Frey and I had been listening to Sam Cooke records at my house. So we were just walking around clapping our hands and snapping fingers and singing the verses to those songs. The melody sounds very much like those Sam Cooke shuffles. There’s not much to it. I mean, it’s really just two long verses. But it felt really good.”

Bob Seger’s contribution to this song was the chorus. JD Souther says, “We didn’t get to a chorus that we liked within the first few days, and I think Glenn was on the phone with Seger, and he said, ‘I wanna run something by you,’ and sang it to him, and Seger just came right in with the chorus, just sang it and it was so good. Glen called me and said, ‘Is four writers okay on this?’ And I said, ‘Sure, if it’s good.’ And he said, ‘Yeah, it’s great. Seger just sang this to me,’ and he sang it to me and I said, ‘That’s fantastic.'”

According to Seger, he was in the room with Glenn Frey when he came up with the chorus. He told Entertainment Weekly: “Glenn had the verse: ‘Somebody’s gonna hurt someone before the night is through.’ We hadn’t been sitting down for more that five minutes and I just blurted out, ‘There’s gonna be a heartache tonight!’ His eyes lit up huge.”

Heartache Tonight

The next song is one that I used to hear on the way home from elementary school. I had a buddy who got a ride home every day and his mom would often give me a lift, too. Keep in mind the ride home was 5 to 7 minutes tops, but it always seemed to be on the radio when we were in the car.

Freddie Mercury wrote Crazy Little Thing Called Love while Queen was recording The Game in Germany. He wrote it while taking a bubble bath in his room at the Munich Hilton. Peter Hince, the head of Queen’s road crew, recalled to Mojo magazine September 2009: “The idea for the song came to him while he was in the bath. He emerged, wrapped in a towel, I handed him the guitar and he worked out the chords there and then. Fred had this knack of knowing a great pop song.”

Freddie acknowledged that perhaps his limited talent on the guitar helped shape the song:

On stage, this was an important part of the show. Brian May often used three different guitars during the song: the first verse was played by Freddie alone with his guitar, then Brian joined with another Ovation Acoustic; before the third verse he had already switched to a Telecaster on which he performed the solo. During the singalong part (famous for its “ready Freddie” line) Brian again changed instruments to his homemade Red Special. From 1984 onwards Mercury replaced the acoustic with another Telecaster.

Crazy Little Thing Called Love

The final selection comes from a band who was formed on Valentines Day of 1977 in Detroit. That is what inspired their name – the Romantics.

Believe it or not, the band have only two US Top 40 hits, and “What I Like About You,” now their best-known song, isn’t one of them. ( Their two Top 40 hits were “Talking In Your Sleep” and “One In A Million”). It attracted little attention and was only a minor hit when first released in 1980 on their debut album. This song’s resurgence had a lot to do with MTV. The band made a simple performance video for the song that MTV put in rotation when they launched in 1981. It fit the criteria the network was looking for: American band, rock, catchy song, acceptable production quality. Since few American artists made videos at the time, MTV made do with lots of European imports when they started.

Since then the song has also become a fixture at sporting events, bars and nightclubs, and parties and celebrations of all kinds, and has taken its place as one of the most popular rock anthems of all time. It’s nice to wrap up the last year of the decade with an uptempo, fun song!

What I Like About You

I’m sure I have missed a few favorites, and the more I look ahead, the more I wonder if I need to expand to more than ten songs. I’ll tackle that issue if I have to later on.

Next week, we ring in a new decade – 1980! The 80’s sound certainly can be heard in some of these late 70’s songs and from here on out, the sound progresses quickly!

Make Some Noise – It Is May!

Welcome to May! Were you aware that May is International Drum Month? Cheers to the instrument that keeps the music in time.

Anyone who has played in a school band or any band really knows that there are plenty of jokes made about the percussionists and the percussion section:

What do you say to a drummer in a three-piece suit?
“Will the defendant please rise?”

Hey, did you hear about the drummer who finished high school?
Me neither.

What is the difference between a drummer and a savings bond?
One will mature and make money.

What is the difference between a bad drummer and a vacuum cleaner?
 You have to plug one of them in before it sucks.

There are hundreds of jokes like that. Honestly, though, without the percussion section (or percussionist) the rest of the group would fight to keep time. I can’t imagine marching in a parade without a solid drum cadence and so many great bands had well known drummers.

So in honor of International Drum Month – I wanted to share some of my favorite drum songs, drum solos, and songs about drums.

First, let’s head back to 1936 and the fantastic song by Benny Goodman – Sing, Sing, Sing. The song was written by Louis Prima and became one of Benny’s signature songs.

In 1941, legendary drummer Gene Krupa had a hit with Drum Boogie (with Irene Day on the vocals). There are many videos of him performing this.

Instrumentals were big in the 50’s and 60’s. My dad introduced me to 1958’s Topsy Part 2 by Cozy Cole. He worked with great artists like Louis Armstrong and Cab Calloway.

Preston Epps learned how to play the bongos when he was in the Korean War. His big hit was Bongo Rock, but I liked 1960’s Bongo, Bongo, Bongo a bit better (Though it never broke the top 40). I often used this as background music when I was on the radio.

If you have ever heard To Know Him Is to Love Him (Teddy Bears), Alley Opp (Hollywood Argyles), or A Thousand Stars (Kathy Young and the Innocents), then you’ve heard Sandy Nelson. He was a session drummer and played on a lot of songs. He even had some solo hits, including 1961’s Let The Be Drums.

Johnny Smith recorded Walk, Don’t Run in 1954. Chet Atkins covered it in 1957 and when the Ventures heard it, they recorded their own version in 1960. While many consider it more of a guitar tune, the drums are a key part of the song.

Probably one of the most famous drum songs was from 1963. The Surfaris took Wipe Out! all the way to #2 on the Hot 100 chart. It is a song that continues to pop up on TV and in movies and has even made a few reentries on the charts because of that.

In 1967, Michael Nesmith of the Monkees penned a percussion tune for Linda Ronstadt and her group The Stone Poneys. Linda has a birthday coming up and I was going to feature this song on that day, but it fits better here. This was her first single and it reached #13 on the Billboard Hot 100 chart.

In 1969, The Beatles released Abbey Road, which contains a song that has a drum lick that famous drummers everywhere still talk about. It is often called “genius” and I couldn’t agree more. The drum line from Come Together is just an amazing thing to listen to. Atta Boy, Ringo!

In 1972, Gary Glitter had a hit with the B-side of Rock and Roll Part 1, which was appropriately called Rock and Roll Part 2. Most folks remember this one as simply, “The Hey Song.” This was his only top 10 hit in the US. It used to be big at sporting events, but it went away after some sexual crimes in the late 90’s and early 2000’s. It was featured in the recent Joker movie.

1972 also brought one of my favorite drum intros by way of Stevie Wonder. I’ve written about this one before, but you know I had to hear it again as I wrote this.

1977 brought another great drum tune that is still used at sporting events today. I couldn’t do a piece about drum songs without Queen’s We Will Rock You.

So many songs can be instantly recognized by the drum intros and the next one from 1980 is no exception. It is a classic rock and party staple. I am, of course, talking about AC/DC’s Back in Black.

When you talk about drums and drum solos, there seems to be one song that always comes up – In the Air Tonight by Phil Collins. It’s not my favorite song, but you can’t deny the very cool drum solo.

The next drum song has become sort of a Monday morning anthem for anyone who works for a living. Todd Rundgren’s 1983 Bang On The Drum All Day is unique in that he plays every instrument on the track.

I am sure I could feature many more songs, but I have decided to conclude with a song that was very unusual. It was unusual, because there are very few songs that begin with a 30 second drum solo. In 1984, Van Halen did just that. Alex Van Halen kicks off Hot for Teacher with an amazing double bass drum performance and a song remembered not only for his drum work, but a steamy video.

This month, I salute drummers like Ringo Starr, John Bonham, Keith Moon, Buddy Rich, Sheila E, Dave Grohl, Alex Van Halen, Phil Collins, Charlie Watts, Gene Krupa, Questlove, Hal Blaine, Max Weinberg, Lars Ulrich, Neil Peart, Levon Helm, Chad Smith, Ed Shaughnessy, and so many others!! Thanks for keeping the beat!

What songs do you remember for drum solos or great drum work?

Earth Day Kicks Off a New Feature

Happy Earth Day! 

In a past blog I mentioned that I had a few ideas for new features – most are music oriented.  I haven’t decided whether to do some weekly or biweekly, so I’m playing it by ear.

Today is the first installment of Movie Monday Music.  As a fan of movie soundtracks, I thought it might be neat to feature from them. This will allow me to feature some hits and some odd cuts, too.

For Earth Day, I wanted to pick a song from a movie featuring Earth or World in the title.  One movie jumped right out at me –  1992’s Wayne’s World.

The soundtrack album topped the Billboard  Top 200 album chart and for a good reason – it had some great music on it.  There were songs from Jimi Hendrix, Alice Cooper, Eric Clapton, Tia Carrere and, of course, Queen.

I suppose I could feature Bohemian Rhapsody, but that would be too easy.  Instead, I chose a song that I’ve always liked – Dream Weaver by Gary Wright.

The song was recorded and released in 1975. With the exception of the percussion, all the instrumentation was done on a synthesizer. It went to number one in Canada, but topped out at number 2 in the US.

Another movie connection for the song: Wes Craven once said the song was the inspiration for his film Nightmare on Elm Street.

Leap Day #1 Songs!

When I thought about what to do for the year’s “bonus” day, my first thought was to list a bunch bunch of songs about “leaping” and “jumping.” Then I thought that was just too easy. So I decided to take another musical look at February 29th.

I present to you a look at songs that have the honor of being number one on Leap Day. So let’s leap back to 1940 …

2/29/40 – Glenn Miller and his Orchestra had the number one song with their best known song. In the Mood.

2/29/44 it was Glen Gray and the Casa Loma Orchestra with My Heart Tells Me

2/29/48 – Art Mooney was feeling lucky with I’m Looking Over a Four Leaf Clover

2/29/52 – Johnny Ray was shedding tears with his number one – Cry.

2/29/56 – The Nelson Riddle Orchestra took us to Lisbon Antigua

2/29/60 – It was Percy Faith and his orchestra with The Theme From a Summer Place.

2/29/64 – Of course, in 64 it had to be a Beatles song – I Want to Hold Your Hand was on top of the charts.

2/29/68 Yet another instrumental was number one. This time, Love is Blue from Paul Mauriat

2/29/72 – Harry Nilsson lamented about living Without You

2/29/76 – A TV Tune was number one. The Theme from S.W.A.T. from Rhythm Heritage

2/29/80 – Classic Queen! Freddy Mercury and the boys sat at number one with Crazy Little Thing Called Love.

2/29/84 – A song about leaping/jumping …. Jump from Van Halen

2/29/88 – George Michael took the top spot with Father Figure

2/29/92 – The is some confusion as to this particular year, however, the chart is dated 2/29/92 and it says the number one was held by Mr. Big – To Be With You (some people say Right Said Fred – I’m Too Sexy)

2/29/96 – It was the amazing pairing of Boys II Men and Mariah Carey on One Sweet Day

2/29/2000 the group Savage Garden hit number one with a forgotten favorite – I Knew I Loved You

2/29/04 Usher said “Yeah!” about having the number one tune. Any time I think of Lil Jon, I think of that sketch on the Dave Chappelle Show … LOL

2/29/08 – Flo-Rida hit number one with a song that still makes people dance – Low

2/29/12 Kelly Clarkston held the number one spot with Stronger

2/29/16 Justin Beiber was sitting at number one with Love Yourself

2/29/20 it was a song that I find to be a total piece of garbage. The lyrics disgust me and the fact that it was a number one song really makes me sick. I’ll just mention it, but I certainly will not be posting it here. The Box by Roddy Ricch.

As for today, it seems that Beyonce is at number one with something called Texas Hold ‘Em. I read the lyrics. Never heard it. I don’t care to.

Final thoughts? There were a lot of instrumentals on Leap Day! There were certainly some good tunes, some long forgotten, and some crap. Music is subjective. Any stick out for you?

Happy Leap Day!

Song Draft 2021 – Round 10 – Final Pick – Superstition – Stevie Wonder

We have reached the final round of the 2021 Song Draft hosted by Hanspostcard. I want to thank Hans for allowing me to be a part of it, and also thank the other participants who welcomed me into the draft. I have truly enjoyed being a part of this!

Prior to the draft, I made a list of possible song choices. As the draft continued, each round I would look at my list (and at the songs picked by the others) and decide which one would be my next choice. Some of the picks were easy, while others were more difficult. A few of them were spur of the moment picks that weren’t on the original list.

As I looked at that list in preparation for my last pick, I see many artists that I’d love to have featured: Aretha Franklin, The Honeydrippers, Big Joe Turner, Bob Seger, The Go-Go’s, Bill Withers, Johnny Lang, Queen, Buster Brown, Dean Martin, Frank Sinatra, Buddy Guy, Neil Diamond, Mel Torme’ and so many more! I stared at my list for a long time and thought about it. Since I began the draft with a Michigan artist, I should wrap up with a Michigan artist. So my final pick for the draft is – Superstition by Stevie Wonder.

Stevie was born a little over 100 miles north of Detroit in Saginaw, Michigan in 1950. He would forever be associated with Detroit and Motown records. In a 1990 Detroit appearance at Tiger Stadium, Nelson Mandella said, “It is motor town that gave the world a great singer – Steve Wonder!”

In 1963, when he was known as “Little” Stevie Wonder, he had his first #1 song with a cut called Fingertips Part 2. Personally, I could never stand that song. It was in a heavy rotation at the first radio station I worked at, and I found it annoying. It would be 10 years before he received his next #1 song – Superstition.

The song was released on his fifteenth studio album, Talking Book.

Guitarist Jeff Beck was a fan of Stevie’s music and Stevie heard about this just before recording the Talking Book sessions. Though at this point he was playing virtually all of the instruments on his songs by himself, Stevie preferred to let other guitarists play on his records, and he liked the idea of a collaboration with Beck. An agreement was quickly made for Beck to become involved in the sessions that became the Talking Book album, in return for Wonder writing him a song.

According to legend, between the album sessions, Beck came up with the opening drum beat. Stevie told Jeff to keep playing while he improvised over the top of it. He improvised most of the song, including the funky riff. They wound up creating a rough demo of the song that day.

After finishing the song, Wonder decided that he would allow Beck to record “Superstition” as part of their agreement. Originally, the plan was for Beck to release his version of the song first, with his newly formed power trio Beck, Bogert, and Appice. Their album’s release, however, was delayed.

From Songfacts.com: When Stevie turned 21, he was no longer obligated to Motown Records, and used his clout to sign a deal with the label giving him unprecedented control of his music. He got a large share of royalties and publishing rights, and Motown was not allowed to alter the albums once they were delivered. One thing Motown did control, however, were what songs they released as singles. Knowing Jeff Beck was about to record his version, Motown head Berry Gordy made sure this was the first single and released it before Beck could get his out.

This was recorded at Electric Lady Studios, which is where Jimi Hendrix recorded. The studios stayed active after Hendrix’ death, with artists like Miles Davis and Deep Purple also recording there.

At the time, Wonder would keep the studio booked so he could record when inspiration hit. Stevie’s bass player at the time, Scott Edwards, told Songfacts this was not always convenient for his band. “Because he does not have sight, he’s not controlled by daylight,” said Edwards. “So he may begin his night at midnight. Which is bad, because if they want you to come do an overdub or something, he may call you at 4 a.m. and say, ‘Come on in.'”

I always loved the funky feel of this song, and I always played it when I was DJing Halloween parties.

Aside of Jeff Beck’s version, many others have covered this song. None made much of an impact until Stevie Ray Vaughan released a live version as a single in 1986 on his album Live Alive. His version still gets radio airplay today on many Classic Rock stations.

In 1974, the song earned Stevie his first Grammy Award.

Superstition – Lyrics

Very superstitious,
Writing’s on the wall,
Very superstitious,
Ladders bout’ to fall,
Thirteen month old baby,
Broke the lookin’ glass
Seven years of bad luck,
The good things in your past

When you believe in things
That you don’t understand,
Then you suffer,
Superstition aint the way

Hey

Very superstitious,
Wash your face and hands,
Rid me of the problem,
Do all that you can,
Keep me in a daydream,
Keep me goin’ strong,
You don’t wanna save me,
Sad is the soul

When you believe in things
That you don’t understand,
Then you suffer,
Superstition ain’t the way,
Yeh, yeh

Very superstitious,
Nothin’ more to say,
Very superstitious,
The devil’s on his way,
Thirteen month old baby,
Broke the lookin’ glass,
Seven years of bad luck,
Good things in your past

When you believe in things
That you don’t understand,
Then you suffer,
Superstition ain’t the way,
No, no, no

As a bonus – here is the official video of Stevie Ray Vaughn’s cover….watch for a cool cameo at the end ….

My “Go to” Karaoke Song(s)

It has been some time since a “Daily Writing Prompt” moved me enough to use it as a blog idea. Today’s though, was definitely one I could use. The Prompt? “What is your ‘go to’ karaoke song?”

I have to admit, I have sung a lot of karaoke. I did this mainly when I was in my mid 20’s to early 30’s. My friends and I had a couple places that we’d go and sing at. Looking back at it, I have to laugh because they were all dive bars.

I started singing karaoke with my old morning show partner, who actually COULD sing. He had a great voice and often sang ballads from the Great American Song Book. It was always funny because you’d have these people up there singing Johnny Cash, The Rolling Stones, Queen, and Prince. Then he would get up and sing something from Robert Goulet!

At one point, between radio jobs, I actually hosted karaoke, which I thought would be fun, but it really wasn’t. It was then that I realized there were plenty of people who “thought” they could sing, but couldn’t. They come up to you with requests like, “Put some reverb on my voice” or “Pitch the song up or down” or “Give me more volume on my microphone” … It was crazy! These people are up there thinking their Shania Twain or John Lennon or something.

I have never claimed to be a good singer. I have a handful of songs that I can sing and sing them well. I know which songs my voice will never be able to handle. I stick with the ones I know I can do without embarrassing myself. In my repertoire were songs like: The Wonder of You (the Elvis version), Bad Bad Leroy Brown, Bad Case of Loving You (Robert Palmer), The Lady is a Tramp (Sinatra) , Mack The Knife (Bobby Darin), And I Love You So (lol – yes! The Perry Como song!), and That’s Amore (Gotta do some Dean Martin!).

If I had to pick the 3 karaoke songs that people would associate with me, they would be:

#3 – Tutti Fruiti by Little Richard

The reason for this is that back in the day, I used to change the lyrics to this. The lyrics were … well, not clean. People always laughed when I did this, however, today, I couldn’t do that any more. It’s just not who I am. I actually kind of cringe when I think of some of the lyrics I sang.

#2 Delilah – Tom Jones

I’m not going to lie, this was always a hard song to sing. Tom has such a great and powerful voice. The end of this song is tough. The night is fairly high – and you have to hold it for some time. That high and long note was nothing for my old morning show partner. He used to do this song a lot. I am not sure how or why I started singing it, but it became one I was always asked to sing.

#1 – Secret Agent Man – Johnny Rivers

By far, one of my favorite songs to sing, and hence, my “go to” karaoke song. It was always a favorite of mine growing up. The Johnny Rivers single was recorded live (I think at the Whiskey A Go Go). I probably heard my dad play this hundreds of times on his guitar. It has such a great intro and awesome solo. I remember one time I brought a fedora and a trench coat to the place we were singing so I could wear them when I sang this. Yeah, I was quite the dork in my 20’s!

While I loved singing karaoke, eventually it got old. I felt like I was going out and wasting money on alcohol, and being forced to sing the same things every time. There were plenty of other songs I would have loved to try, but the people I was with always made me sing the ones they wanted to hear (“It’s my birthday! You HAVE to sing Bad Case of Loving You!” etc…) The karaoke “scene” just wasn’t were I wanted to be anymore.

If there was karaoke at a work party or back yard BBQ, would I get up and sing today? Yeah, probably, but I would leave the fedora at home!