Turntable Talk #24 – This Woman’s Work

For two solid years Dave Ruch from A Sound Day has been hosting a monthly feature called “Turntable Talk.” Each month he provides a topic to me and other musical bloggers to write about. I have been honored to have participated in every one of them. Each of the participants look forward to not only writing our piece, but anxiously await reading the other contributions.

As I stated in a previous blog, this month is International Women’s Month. Dave offered us an easy topic to write about this month. His instructions state “we’re going to turn our tables and sights to the women of music. Pick one you like and write about her. Whoever you want (that might sound creepier than I intended it), singer, songwriter, band member, the lady on the ‘Breakfast in America’ cover, whoever.”

I wrote a blog that teased this topic earlier in the week. In that post, I said, “I really struggled to pick one (female singer). I even posted on Facebook asking my friends to offer up their three favorite singers. I guess I hoped that they would offer up someone that I hadn’t considered (and they did). The results surprised me. The singers that came up the most were (1) Stevie Nicks, (2) Etta James, and (3 – tie) Pink and Karen Carpenter. Etta was the only one that was in my list of considerations. After looking at the list (and the suggestions) I finally chose who I am writing about and NO ONE mentioned her.“

Along with Etta James, I featured a song from my other considerations: Ella Fitzgerald, Alison Krauss, Aretha Franklin, Billie Holiday, Dusty Springfield, Sarah Vaughn, Diana Krall, Norah Jones, Linda Ronstandt, Pat Benatar, Peggy Lee, Jewel, and Keely Smith in that blog. So how did I finally come up with my choice?

My friend, Dawn, from high school actually helped me make my decision. She said, “There are so many talented vocalists, I’d have a hard time picking. if you’re going to write an impactful piece, I think you have to go with somebody you admire because they knocked down boundaries or overcame obstacles. That’s how I’d pick my vocalist.” That really struck me. Now, I am not saying that the ladies I mentioned already did not knock down boundaries or overcome obstacles – heck, Jewel was living in her van before she made it big!

My featured female singer is a talented woman named Diane Schuur.

I was introduced to Diane Schuur back in the late 80’s. I was talking about music with a gal I was dating at the time. We started talking about jazz singers and she asked if I had ever heard of Schuur. I hadn’t. If memory serves me correct, she loaned me a cassette (or maybe a CD) with some songs on it and I really enjoyed it.

One of her biographies online says this: “Diane Schuur is as eclectic as she is brilliant.” In my opinion, this statement could not be more true. While many of her songs would fall into the jazz category, she could easily be filed in the blues or pop categories, too. While preparing to write this, I picked a playlist on YouTube and it was fun to hear the different sounds of each of the songs.

My friend Dawn said to pick someone who “overcame obstacles.” Diane certainly has done that! She was born prematurely in 1953. She has been blind since birth because of Retinopathy of Prematurity. This disorder affected premature newborns who received high-oxygen therapy during neonatal intensive care. This was a standard practice until 1954.

She learned to play piano by ear. She would listen to Dinah Washington songs and began to pound out the melodies at age 3. Dinah was a big influence to Diane as she began singing her songs as a toddler and worked on her own vocal style. She once stated, “As far back as I can remember, singing was in my blood. My parents loved music, and I loved to sing. I was scatting at an early age.” She scats right up there with Ella and Mel Torme’! She also has perfect pitch!

Blindness was not her only obstacle. When she was a young adult, she began drinking and struggled with alcoholism. She also battled an eating disorder. Those obstacles were so much that she actually contemplated and attempted suicide. Thankfully, her brother-in-law stopped her from jumping out a third-story window. She got help and has been sober for several decades.

Diane got her big break when she was 22 years old. She auditioned for drummer/bandleader Ed Shaughnessy (of the Tonight Show Band) after he finished a concert with Doc Severinsen. Ed said, “this young blind girl comes in and sits down at the Fender Rhodes keyboard and starts singing the blues. Well, my hair stood on end!”

He hired her to be the vocalist in his orchestra. This led many other musicians to hear her. Those included Dizzy Gillespie and the great Stan Getz. Stan was so impressed that he became an advisor and coach to her. She stated that it was Stan who taught her that “less is more.” This was important because she had many critics that said she often “oversang” when she first started out. Stan once said, “She’s just like Sarah (Vaughn) or Ella (Fitzgerald) to me. She’s taking from the tradition, and what comes out is her own conception and advancement of the tradition.”

In 1985, she met B.B. King at a music festival in Tokyo. The two really hit it off and later made an album together entitled “Heart to Heart.” It was released in 1994 and it entered the Billboard Jazz Charts at number one!

In 1988, Frank Sinatra asked her to sing with him at a benefit concert when Liza Minnelli was unable to perform. She was a guest at Sinatra’s home and also performed at a concert with him and Quincy Jones. Frank gave her an abstract oil painting that he had created for her afterwards. When Frank passed away, Schuur recorded a tribute album for her late friends (Frank and Stan).

Other inspirations to Schuur include George Shearing, Stevie Wonder and Ray Charles who are all blind as well. She has said that one of her fondest memories was performing with Ray Charles in 1998 for a PBS concert (some of which is available on YouTube).

Her career has brought her two Grammy awards – both for Best Jazz Vocal Performance (1986 & 1987). She is still recording and touring today. She says, “For the future I plan to continue my reading of American song, paying respect to celebrated writers and polishing the gems in the jazz tradition.”

I’ve never had the chance to see her in person, but there are some fantastic live albums available.

All About Jazz says, “Ms. Schuur surely is among the very best jazz vocalists, and she exemplifies, if not redefines the “diva” category with her warm, often humorous and relaxed interactions with the audience and the musicians. Her mere presence is enough to make for a memorable evening.” I hope to be able to see her perform one day.

I will include just a couple of my favorite cuts at the end of this blog, but before I do, I want to again thank Dave for hosting this monthly feature. I hope that you enjoy reading this as much as I did writing it. I love that with each topic, I am not only enjoying old favorites, but I am introduced to new songs and singers. Perhaps this blog is your introduction to Diane Schuur?

Here is a classic – Come Rain or Come Shine

Another favorite – All Right, OK, You Win!

I just love her take on Moonlight and Shadows

One more – Her swinging version of I Can’t Believe That You’re in Love With Me

Thanks for reading!

Tune Tuesday: Hallelujah I Love Her So

Yesterday, my Turntable Talk was about the Blues Brothers Soundtrack. Ray Charles is featured on there with his version of Shake a Tailfeather. Also yesterday, my buddy Max from the Power Pop Blog (powerpop.blog) posted about Ray’s version of What’d I Say. That got me in a Ray Charles mood and I was surprised that I’d never posted this song before.

Hallelujah, I Love Her So was written and released by Ray Charles in 1956. I remember playing it on rare occasions when I worked at WHND, Honey Radio in Detroit. It was usually when we were featuring songs from 1956. It didn’t do much on the pop charts, but it was a Top 5 hit on the R&B charts.

As the title insinuates, it has a gospel feel to it. The opening piano lick sounds like something you’d hear before jumping into a happy hymn. One source says the song “is a testament to the joyous release of love, featuring a sophisticated horn arrangement and memorable tenor sax solo by Don Wilkerson.”

My buddy Randy from http://www.mostlymusiccovers.com no doubt knows that there have been plenty of covers of this song. Ray must have been thrilled to have his song covered by folks like Ella Fitzgerald, Peggy Lee, Brenda Lee, Jerry Lee Lewis, Stevie Wonder, Eddie Cochran, Gerry and the Pacemakers, and Frank Sinatra! Oh, and a band called the Quarrymen (who went on to become the Beatles) also covered it!

To start with, here is the original by Ray:

Ella Fitzgerald’s version sounds a bit more church-like to start, but really swings.

From the Beatles Anthology, here are the Quarrymen

Eddie Cochran’s version was released in 1959

I had no idea that Jerry Reed covered it, but it’s neat to hear his take

Sinatra always makes a song his own and he does that with this one. Very bluesy

Hugh Laurie’s version was on the deluxe version of his debut album

Of all the covers, one of my favorite versions is by an Australian singer named Guy Sebastian. From his Memphis Album he a great version.

I hope you love this one as much as I do!

Hallelujah, I Love Her SO

Let me tell you ’bout a girl I know
She is my baby and she lives next door
Every mornin’ ‘fore the sun comes up
She brings me coffee in my favorite cup
That’s why I know, yes, I know
Hallelujah, I just love her so

When I’m in trouble and I have no friend
I know she’ll go with me until the end
Everybody asks me how I know
I smile at them and say, “She told me so”
That’s why I know, oh, I know
Hallelujah, I just love her so

Now, if I call her on the telephone
And tell her that I’m all alone
By the time I count from one to four
I hear her (KNOCK) on my door
In the evening when the sun goes down
When there is nobody else around
She kisses me and she holds me tight

And tells me, “Ray Charles everything’s all right”
That’s why I know, whoa, I know
Hallelujah, I just love her so

Now, if I call her on the telephone
And tell her that I’m all alone
By the time I count from one to four
I hear her (KNOCK) on my door

In the evening when the sun goes down
When there is nobody else around
She kisses me and she holds me tight
And tells me, “Daddy, everything’s all right”
That’s why I know, yes, I know
Hallelujah, I just love her so

Oh, hallelujah
Don’t you know, I just love her so
She’s my little woman, waitin’ all this time
Babe, I’m a little fool for you, little girl…

Turntable Talk #23 – The Soundtrack of Our Lives

Once again, Dave Ruch from A Sound Day has offered up a gem of a topic for his monthly Turntable Talk feature! This month it is a topic that I have been hoping he’d get around to. Per his instructions:

“This time around, let’s look for THE SOUNDTRACK OF OUR LIVES ! Pick a great movie soundtrack and talk a bit about it. It can be from a great movie or a dog of one (or anything in between), one made specifically for the film or one assembled from existing tunes as long as it’s one that works for you!“

There are certainly many fantastic soundtracks to choose from. Movies that are known for being a great film and also their great soundtracks include American Graffiti, Smokey and the Bandit, The Wedding Singer, The Sting, and Forrest Gump. Those aren’t even considered “musicals!” When I think about musicals, wow, that list is a long one.

Plenty of movie (and TV) soundtracks can be found in my collection. When I worked in radio, I would often buy soundtracks so I could uses some instrumental tracks as voiceover beds (music that plays underneath your voice as you are doing a bit or talking to a listener). I used a variety of cuts from Napoleon Dynamite, Stripes, The Three Amigos, Dragnet, and movies that were box office bombs! My pick comes from a movie that was far from a bomb. It was one of the biggest films of the 1980’s.

The one soundtrack that has always been a favorite for me (and it doesn’t even contain all the songs featured in the film) is The Blues Brothers. It has some fantastic cuts from Belushi and Aykroyd as well as musical legends like Ray Charles, Aretha Franklin, and Cab Calloway.

I had this soundtrack on vinyl and I played the heck out of it. Many of the songs were featured on my “driving mix tapes” when I had my first car! While the album contains 11 great tracks, the film included many other classics that I wound up searching for to add to my collection. The music doesn’t follow their chronological appearance in the film for some reason.

She Caught the Katy

The album opens with this Taj Mahal song. The Blues Brothers version has a lot more sound to it. It is so much fuller with the horns and guitars of the band. It is the song that the starring credits roll under. The opening guitar lick leads to the first big horn stab (and we see Belushi) then you have another horn stab (and we see Aykroyd) and the third big horn stab hits as we see the movie’s title card.

Belushi’s vocal on this is perfect. I like his vocal on this cut more than any other song on the album.

Peter Gunn Theme

This is the first of two TV themes on the album. This instrumental plays as the Blues Brothers are driving back to Elwood’s place. There are some really great shots of the city of Chicago in this scene. As you listen to this one, you can hear the talents of Tom “Bones” Malone, “Blue” Lou Marini, and “Mr. Fabulous” Alan Rubin. If I had a dollar for every time I used this as background music to introduce a wedding party I could fly to Italy!

Gimme Some Lovin’

Best known for being a hit for the Spencer Davis Group (and a young Steve Winwood), the soundtrack features the full song. In the film, the band begins to play this song at Bob’s Country Bunker (a country bar) and the owner shuts the lights off on them. If I had to choose between the two, I’d pick the Spencer Davis version over this one, but it is still a great jam.

Shake a Tail Feather

Originally done by the Five Du-Tones of Chicago in 1963, James and Bobby Purify had a bigger hit with it in 1967. This version tops them because of one man – the great Ray Charles. In the film, he owns a music shop and the band is buying new instruments. Ray is asked about a keyboard and Murphy Dunn tells him that the “action” of the keys is not that great. Ray sits down and says, “I don’t see anything wrong with the action on this piano” and launches into this song.

As Ray plays, a crowd gathers outside the store and dances along with the song doing all the dances mentioned in it (the monkey, the jerk, the boogaloo, etc…). This song is fantastic.

Everybody Needs Somebody To Love

The song was written by Solomon Burke and recorded by him in 1964. Wilson Pickett’s 1966 cover is probably the best known version. This song is featured at the Blues Brothers’ big concert toward the end of the film. Over the intro, Elwood (Aykroyd) speaks to the audience and thanks “the members of Illinois law enforcement” who are present and waiting to arrest them. We get to hear a big more of Aykroyd on this track.

The Old Landmark

When you mention the Blues Brothers to someone, they will often quote “We’re on a mission from God.” This song is performed by the Godfather of Soul, James Brown who plays a preacher. Jake and Elwood are attending this church service and it is a pivotal moment in the film (and what sets them off on their “mission from God.”

The Old Landmark is a gospel song written by Dr. William Herbert Brewster Sr. back in 1949. It has been recorded by the Staple Singers, Aretha Franklin, Dionne Warwick and many others. James Brown takes this to a whole new level. It’s hard to imagine anyone performing this. He performed/recorded this one live on set.

Think

The Queen of Soul, Aretha Franklin, performs this one as she is telling off her husband Matt “Guitar” Murphy. The song was a hit for Aretha in 1968. For the film, they bump up the tempo and add some dancers. This track is SO good! ”Blue” Lou Marini grabs his sax midway through the number and really jams through the end.

This was one of the harder songs to do in the film. Aretha had recorded the song and found it difficult to lip synch to her vocals as they filmed. It was a scene that needed many takes to do. This version is far superior to her original version.

Theme From Rawhide

The second TV theme on the album takes place in that country bar. After the lights go out they band has to figure out something that the audience will like. They wind up performing this one. Aykroyd’s vocal is just awesome here not to mention the “call and answer” between him and Belushi. Add in a whip and you have a real country hit on your hands!

This scene always makes me laugh because they perform on a stage surrounded by chicken wire. Why? Because the crowd gets so excited they throw beer bottles at them!

Minnie The Moocher

This was a song that Cab Calloway had been singing for decades! He was the “Hi-De-Ho Man.” I just love this version of the song. The rumor is that Cab wanted to do the disco version of the song that he had recorded in the past. They insisted that it needed to be the jazz/big band sound.

The song itself send you right back to the 1940’s. The full sound of the band, the horn section, and the amazing trumpet solos by Alan Rubin. Without a visual, it is still fantastic. Watching it in the film only enhances the experience.

They band is on stage waiting for Jake and Elwood to arrive. The crowd is getting antsy. The band is dressed in street clothes and look sort of shabby. Cab asks if they know the song and the band says they do. He yells, “Hit it!” and the curtain opens. Out struts Cab in a white tuxedo backed by the band, wearing black tuxes and looking sharp. The stage now has an backdrop of famous 40’s places with neon signs and a sweet looking band stand.

As a trumpet player, I can’t NOT mention the spectacular trumpet playing of Alan Rubin on this one!

Cab was a scat singer and his call and answer with the audience is just priceless. I’m not sure how old he was here, but his vocals are right on! He was a legend!

Sweet Home Chicago

This is the longest track on the soundtrack. The original version was done by Robert Johnson in 1936. This is the second song the band plays at their big concert (and the one where they make their escape, hence the long instrumental ending). As they intro it, they dedicate it to the late, great Magic Sam (who was from Chicago) who recorded it in 1967.

This is such a fun song to listen to and to watch in the film. The looks that they give John Candy’s character and the other folks who have been chasing them always make me smile. The song serves as the background music as we transition from night to day and the ultimate finale of the movie.

Jailhouse Rock

Movie Spoiler: The entire Blues Brothers Band gets arrested at the end of the movie. Naturally, the final song of the movie is Jailhouse Rock, originally done by Elvis Presley. Trivia: In the film, the first “prisoner” to jump up on the tables and dance is Joe Walsh!

On the soundtrack, the song is a bit different than in the film. You have a complete cut on the album, while in the movie each band member has a little solo as their name appears in the credits. In the film version you also get a line or two sung by James Brown, Cab Calloway, Aretha Franklin, Ray Charles and more. It’s a perfect capstone to wrap the soundtrack.

I have played the songs on this album over and over again on vinyl, cassette, on my iPod, and YouTube. It remains one of my favorite soundtracks of all time! What disappoints me is the many songs that were featured in the film that didn’t make the soundtrack. They are worth finding and checking out!

Of course, I can’t tease those without listing them, so here goes:

Somebody Loan Me a Dime – Fenton Robinson (Plays while Jake is escorted from his prison cell)
Shake Your Moneymaker – Elmore James (Plays while Jake and Elwood visit with Curtis at the orphanage)
Soothe Me/Hold On, I’m Comin’ – Sam and Dave (Plays on the 8 track in the Bluesmobile while Jake and Elwood are driving and get pulled over)
I Can’t Turn You Loose – The Blues Brothers – Originally done by Otis Redding (Plays while they drive through the mall and as they take the stage at the Palace Hotel Ballroom concert)
Let the Good Times Roll – Louis Jordan (Plays on the record player in Elwood’s place)
Anema e core (Until) – Ezio Pinza (The piece is playing the apartment that Tom Malone and Lou Marini used to stay – the “Are you the police?” scene)
Quando, Quando, Quando – Murph and the Magictones (Plays in the Holiday Inn scene)
Just the Way You Are – Muzak version of the Billy Joel song. (Plays in the Holiday Inn scene)
Die Romantiker (The waltz that plays at the Chez Paul restaurant)
Boom Boom – John Lee Hooker (Plays as the Blues Brothers are going to meet Matt “Guitar” Murphy)
Mama Lawdy/Boogie Chillen – John Lee Hooker (Plays when Jake calls Maury Sline and on the way to Bob’s Country Bunker)
Your Cheatin’ Heart – Kitty Wells (Plays as the Blues Brothers enter Bob’s Country Bunker)
Stand By Your Man – The Blues Brothers (Plays at Bob’s Country Bunker)
I’m Walkin’ – Fat’s Domino (Plays as Jake and Elwood and the orphans promote the concert)
Ride of the Valkyries – Richard Wagner (Plays as the Nazis are chasing the Blues Brothers toward the end of the movie)
The Girl from Impanema – Muzak version (Plays, naturally, in an elevator as the Blues Brothers go up the 11th floor with the tax money)

The Blues Brothers may or may not have been the first movie of “mine” that I made my wife watch with me. I’m sure that she made me watch one of her tear jerking chick flicks to get back at me afterward. To me, this movie remains a classic. As far as the sequel – not so much. It did have a decent soundtrack, but that is about it.

I have been wanting to write about this album for a long time and am glad that Dave finally gave me a reason to indulge myself with this blog. I am also excited to see what the rest of the bloggers have chosen for their soundtrack.

I’m already looking forward to next month’s topic! Thanks for reading!

Turntable Talk 22 – Instrumental In Their Success

They say “out with the old and in with the new,” but I’m glad that an old feature continues! I am, of course, talking about Turntable Talk hosted by Dave Ruch from A Sound Day. For 22 months, he has proposed various musical topics for our group of music lovers to write about. Not only do I love writing for it, but I love reading the other submissions.

This month we go “wordless.” Dave says, “…let’s look at INSTRUMENTAL IN THEIR SUCCESS. Share with us all an instrumental tune you like a lot, and a few words about why.”

I write this, knowing that I am one of the last contributors, so I have no idea what has already been featured by other writers. As far as the topic, there was no shortage of songs to choose from. I began a list of instrumentals on a post it note pad. Each song made me think of another. About 20 post it notes later, I knew I had to stop and pick one. The problem was, which one to choose.

I LOVE instrumentals. I have countless CD collections featuring instrumental hits. One of the best was a series from Rhino Records called “Rock Instrumental Classics.” It was a 5 CD series that featured instrumental hits from the 50’s, the 60’s, the 70’s, surf hits, and soul hits.

Time Life Records had a series called “Your Hit Parade,” which featured music from the 1940’s all the way through the early 1960’s. That collection featured many instrumentals, too. There are SO many to pick from. My list included:

Green Onions – Booker T & the MG’s
Bumble Boogie – B. Bumble and the Stingers
One Mint Julep – Ray Charles
Kokomo – Asia Minor
Topsy Part 2 – Cozy Cole
Classical Gas – Mason Williams
Java – Al Hirt
Yakety Sax – Boots Randolph
Popcorn – Hot Butter
Axel F – Harold Faltermeyer
No Matter What Shape Your Stomach’s In – The T-Bones
The Theme From Sanford and Son – Quincy Jones.

That last one led me on a rabbit trail of TV Theme songs. There were plenty that were hits: Peter Gunn, Bonanza, Mission: Impossible, Theme from SWAT, Miami Vice, Route 66, Dragnet, The X-Files, The Rockford Files …. and finally, my pick for this month’s topic.

Hawaii Five-O was a long-running police procedural drama (1968-1980) about detectives Steve McGarrett (played by Jack Lord) and Dan “Danno” Williams (played by James MacArthur) who worked the Hawaiian islands beat. The theme was composed by Morton Stevens, who started out as an arranger/conductor for Sammy Davis Jr. and became director of music for CBS on the West Coast. The theme song won Stevens two Emmy Awards (in 1970 and 1974).

The song was recorded by the Ventures, who were instrumental (pun intended) in popularizing the electric guitar throughout the 1960’s. Their first hit was Walk, Don’t Run in 1960. The quartet charted 14 singles on the Billboard Hot 100 Chart and have sold over 100 million records making them the greatest instrumental band of all time.

The Venture’s version of the song was a Top 5 record, peaking at #4 spending 14 weeks on the chart. There were many session musicians who played along with the group including guitar player Tommy Tedesco of the famous Wrecking Crew.

I read somewhere that the Hawaii Five-O theme is the unofficial fight song for the University of Hawaii. This is one of those songs I wish we had played when I was in band. As a matter of fact, being a former band geek is probably why I love this song so much. I can listen to it 4 or 5 times in a row and focus on different things in the song. There are so many cool musical things in it. Allow me to illustrate with words and then listen to see if my wordy description makes sense.

Right from the get-go that drum crescendo into the tympany grabs me. (In one of my many listens to this song, I actually thought about making a list of great “tympany songs!”). Then you have the guitar and trumpets come in with the main theme doing a call and answer type thing with that flute-y instrument for the first verse. Another drum/horn crescendo to take you to the second verse with more guitar and now the flute answer is more of a counter melody.

A minute in and you get another drum/horn crescendo and a repeat of the melody. This time, you have some horns and trumpets on the answer. At 1:15, you get that fantastic staccato trumpet stings that take you to the final 30 seconds of the song. Now we’re at the big build to the grand finale. Here, you begin to hear what our band director used to call “pyramids.” You have one instrument, then another, and another and another building on each other until that final bit. There is a fast short pyramid from 1:27 to 1:30 between the horns and trumpets. Then at 1:35 the big build happens, followed by another bigger pyramid until the final trumpet stabs and guitar tympani ending. The song is an almost 2 minute masterpiece that always makes me feel good.

Ok, I know my description was a bit much. However, this is the perfect illustration of what I tend to do when listening to music. One listen I focus on the guitar and the next listen I check out the drum part. I tend to pick it apart and then appreciate how it all comes together.

It is interesting to know that there are actually a couple vocal versions of the song! I won’t post links here because we are focused on instrumentals. It should be no surprise that Don Ho did a vocal version. HIs version starts fast and turns into a ballad (“You Can Come With Me”). Then, Sammy Davis Jr, who composer Morton Stevens worked for at one time, did a version called “You Can Count on Me.” Both versions are on YouTube.

Thanks again to Dave for asking me to take part in this feature and for hosting it. I look forward to the next musical topic.

Thanks for reading.

Tickling The Ivories

Today is World Pianist Day, so I thought I’d share a guilty pleasure piano song with you.

The Piano has been an instrument that has provided music and melodies for centuries. It has figured prominently in all genres of music and some very talented people have been known for the instrument.

Frederic Chopin, Ludwig Von Beethoven, Wolfgang Amadeus Mozart, and Franz Liszt are all well known classical pianists.

Duke Ellington, Oscar Peterson, Nat King Cole, and Count Basie are all well known jazz pianists.

Fats Domino, Little Richard, Billy Joel, Elton John, Stevie Wonder, Carole King, and Freddie Mercury were all well known pop/rock pianists.

PDQ Bach, Tom Lehrer, and Victor Borge were all known for incorporating the piano into their comedy.

Otis Spann, Billy Preston, Charles Brown, Dr. John, and Ray Charles all offered up some great blues piano tunes.

Then, of course, there was Liberace … who played everything.

When I was young, I learned how to play the Hammond Organ. I wish I had learned how to play piano, though. Over the years, I have come to appreciate how talented piano players are. I can’t imagine playing one riff with one hand and a melody on the other.

The guilty pleasure song I wanted to share today features the piano and is played by a guy who I have written about before. TV and movie star Hugh Laurie had an album out a few years back called “Let Them Talk.” On this album, he plays the song Swanee River. The song was written by the great Stephen Foster back in 1851!

Hugh’s version is an amazing boogie woogie romp that you cannot help but tap your toes to. It is one of those “pick me up” songs. I find myself listening to it when I am feeling down. So for World Pianist Day, I apologize to the legendary pianists I mentioned early on, and offer up – Mr. Hugh Laurie.

Happy Birthday, Count!

Today is the 99th birthday of WIlliam “Count” Basie. He was one of many legendary jazz pianists, and big band leaders. He formed the Count Basie Orchestra in 1935 and led the group for almost 50 years. He is noted for creating innovations like the use of two “split” tenor saxophones, emphasizing the rhythm section, riffing with a big band, using arrangers to broaden their sound, and others. So many musicians came to prominence under his direction.

He worked with many well known singers including Tony Bennett, Jackie Wilson, and Frank Sinatra. His list of accomplishments and recordings would take forever to write about. Instead, I’d like to share a couple of my favorite Basie tunes by Basie and some covers.

One O’clock Jump

Amazing cover by Doc and the Tonight Show Band

April In Paris

Again, Doc and the Tonight Show Band

Fly Me To The Moon – With Frank

Please Be Kind – With Frank

With Plenty of Money and You – With Tony Bennett

Chain Gang – With Jackie Wilson

It is said that one of Basie’s biggest regrets was never recording with the great Louis Armstrong.

There is a neat album that has been referenced as the “concert that never happened.”

This is concert vocals from Ray Charles and members of the Basie Band mixed together for a unique album.

Georgia on My Mind

Busted

Ok, a couple quick movie clips that feature Basie just because …

First a classic pantomime by Jerry Lewis in The Errand Boy. He uses Basie’s “Blues in Hoss’ Flat” as the basis for this gem.

…and finally, the Count and his orchestra’s cameo appearance in Blazing Saddles (using April in Paris)!

Happy Birthday, Count Basie! You were FANTASTIC!

A Double Dose of Ray

I ran out this afternoon before work to grab dinner for Sam and me. I turned on Sirius XM’s 50’s on 5 channel for the short trip and got a pleasant surprise – back to back songs from Ray Charles. Not only are both songs fantastic, they also were used in two very memorable TV and movie scenes.

Night Time Is The Right Time

This is a song that was recorded way back in 1937 by a guy named Roosevelt Sykes. It was redone in 1957 by Nappy Brown and in 1958 by Ray Charles. Nappy said that the difference between his version and Ray’s was that his was slower and had a gospel group backing him, while Ray’s version was more uptempo and had Margie Hendrix and his Raelettes backing him.

In 1985, “Night Time Is the Right Time” made cultural history when it became the centerpiece of one of the most beloved episodes of The Cosby Show. In this episode, It was lip-synched by the Huxtable family to celebrate their grandparents’ 49th wedding anniversary. In 1997, TV Guide ranked this episode number 54 on its ‘100 Greatest Episodes of All Time’ list.

Mess Around

Mess Around is a song that was written by the president and founder of Atlantic Records. It was actually one of Ray Charles’ first hits, released in 1953. It is a classic boogie woogie blues song that is just fun to listen to. The song was covered by the Animals and the 80’s group, Squeeze. Jools Holland, an original member of Squeeze, said Ray Charles was so impressed that they were doing a version, Ray sent the band his suit.

The song is featured in the 1987 John Hughes classic, Planes, Trains, and Automobiles. It plays on the radio as John Candy’s character (Del Griffith) is driving a car at night while Steve Martin’s character (Neal Page) sleeps. John Candy is “dancing” along and playing piano on the dashboard in the scene.

What a joy to hear these two songs back to back today.

Tune Tuesday – Shake a Tail Feather

I miss a good movie soundtrack album! There was a time where soundtracks from movies were just as big as the movie itself. If I had to pick my Top 10 movie soundtracks, The Blues Brothers would be in the Top 5!

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The Blues Brothers Band was made up of some of the most amazing players – Matt “Guitar” Murphy, “Blue” Lou Marini, Steve “The Colonel” Cropper, Donald “Duck” Dunn, Alan “Mr. Fabulous” Rubin, and Tom “Bones” Malone. The movie itself featured cameos from some of the greatest R&B artists – Aretha Franklin, Cab Calloway, James Brown, John Lee Hooker, and Ray Charles. Many of the artists sang songs they were known for (Aretha – Think, John Lee – Boom Boom, Cab – Minnie the Moocher), but Ray performed today’s Tune Tuesday song – “Shake a Tail Feather.”

The song was originally done in 1963 by the Five Du-Tones. The bigger hit was done a few years later (in 1967) by James and Bobby Purify and it reached #25 on the charts. Ray Charles’ version with the Blues Brothers, in my opinion, is the best version. First of all, you have the vocals of Ray Charles! They call him “the Genius”, and he is! You have the playful vocals from Jake and Elwood, and the great horn line from the band. It’s just a damn fun song!

For the video, I was lucky enough to find the actual movie clip. Murph says the “action” on the keyboard isn’t that great. Ray comes out to show them that there’s nothing wrong with “the action on this piano” and the song begins! In the song there are references to many of the old dances from the 50’s and 60’s and the crowd dancing outside the music store does those dances along with the song.

Take it away, Brother Ray …..

Shake A Tail Feather

Well I heard about the fellow you’ve been dancing with
All over the neighborhood
So why didn’t you ask me baby
Or didn’t you think I could?

Well I know that the boogaloo is out of sight
But the Shingaling’s the thing tonight
But if that was you and me a now baby
I would have shown you how to do it right
Do it right (U-huh)
Do it right (Do it right)
Dot it right
Do it right
Do it right
Ah

Twist it, shake it shake it shake it shake it baby
Hey we gonna loop de loop
Shake it out baby
Hey we gonna loop de la
Bend over let me see ya shake your tailfeather
Bend over let me see ya shake your tailfeather
Come on let me see ya shake your tailfeather
Come on let me see ya shake your tailfeather
Ah

Come on, come on baby
Come on, yeah, come on babe, all right

Do the Twist
Do the Fly
Do the Swim
And do the Bird
Well do the Duck
Ah, and do the Monkey
Hey hey, Watusi
And a what about the Frug
Do the Mashed Potato
What about the Boogaloo
Oh, the Bony Marony
Come on let’s do the Twist
Ah

Twist it, shake it shake it shake it shake it baby

“Cleveland Rocks!”

For our anniversary, my wife and I wanted to plan a little getaway to celebrate. Neither one of us had too much PTO in our “banks” at work, so we decided on a weekend trip. During the planning the destinations changed frequently. Originally, we had hoped to head back for another trip to Florida, but due to the lack of time available, we decided on something a bit closer to home.

There was talk of going to Nashville and maybe catching a show at the Grand Ole Opry. Then there was talk of Gatlinburg, where my mom so often talked about. I think we even chatted about Pennsylvania, too. Eventually, we decided that Chicago was where we wanted to go, but then realized that it was St. Patrick’s Day weekend, and we figured it might be just a tad crazy (although seeing the river turned green would have been cool.

Cleveland??

To be honest, I am not even sure how we decided on Cleveland, Ohio. I had mentioned that my dad had gone to the Rock and Roll Hall of Fame and said it was cool. I started to look at things in Cincinnati. There was a lot to do there, but why wasn’t the Hall of Fame coming up in any of my searches? I knew that Cincy was close to Louisville, KY and thought that we could maybe do something there, too. I had gone as far as to drop a radio buddy a note to say we were gonna be down there and asked for good restaurants to eat at … only to then realize the Hall of Fame was in Cleveland!

Now that we had cleared that up, we were set for Cleveland. Now, I will be the first to admit “Cleveland,Ohio” as the answer to “Where did you and your wife spend your first wedding anniversary?” is not at all romantic. Many people laughed when I told them. Here is the thing about my wife and I, the destination really didn’t matter – it was simply the fact that we were going to be together. To me, this is just one of the reasons I love her. We can be content with just having time with each other, no matter where we are, or what we are doing.

We have made it a tradition to go to restaurants that local wherever we go. If we can go there at home, we’ll go there at home! By doing this, we have really been treated to some amazing food. We always try to find a good steak house or something very unique to the city we are in and we have yet to be disappointed.

The Hall of Fame

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Personally, I think Sam loves watching me get excited about stuff like this. We both love museums, but I must have been like a little kid on his birthday during this trip! I had, of course, seen pictures of the Hall of Fame, but it was something else to be standing in front of it. The big red block letters that sit upon the sidewalk read “LONG LIVE ROCK”. As I walked up the steps, there are phoney concert speakers erected by the hand rails. The excitement builds as you walk in.

As you enter, you walk into a huge foyer/lobby. The gift shop is to your right, to the left a cafe/coffee shop, and in front of you there is an escalator to take you down to purchase tickets. After buying our tickets, you get ready to enter and above the doors the perfect AC/DC quote to welcome you: “For those about to rock …”

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Walking into the main exhibition hall, the first thing I noticed were pictures of John Lennon and Ray Charles on the wall. The first thing I am drawn to is a glass case containing Bill Haley’s guitar. Bill is often credited as being the singer of the first “rock and roll” song – Rock Around the Clock. There is a picture of him playing it in the case as well. I am not sure why I was so taken in by it, but I was.

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The next thing we saw was a line of bass guitars that belong to Geddy Lee of Rush. I didn’t count , but there had to be like a dozen of them. The information said that this was only part of his massive collection.

The Roots

One thing I was thrilled to see here was the fact that the “roots” of Rock and Roll were well represented. Rock really evolved from a combination of Gospel, R&B, Bluegrass, Country, Folk, and Blues music. Each of those genres was represented here. Among my favorite things I saw: a suite belonging to Hank Williams Sr.; Louis Jordan’s music folder with his music and cue sheets; stuff from Muddy Waters, BB King, and Mahalia Jackson; Ray Charles sunglasses; Carl Perkins Guitar; salutes to Johnny Otis, Big Joe Turner, and Sam Cooke and so much more. The roots of rock were so well represented. Without these people and the genres of music, there would be no rock and roll.

Elvis

There is a pretty cool section devoted to Elvis, who was one of the first 10 artists inducted into the Hall of Fame. The Hall has a standing agreement with Graceland in Memphis (which is a museum in itself) and they send memorabilia to them often, so the exhibit changes often. There was a very cool motorcycle that was custom-built for Elvis. His gold sequins suit is there, and a jukebox which was given to him as a gift from RCA Records – it contains only Elvis records. Also on display was a double Gibson guitar which he played in his film Spinout.

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The Summer of Love

With the 50th anniversary of the “Summer of Love”, there were some very cool things here. I saw groovy outfits from the Mama’s and the Papa’s, clothing from Jimi Hendrix, and the HUGE mixing board that was used to record some of Jimi’s music.

On thing I really liked to see was the various things that song lyrics were written on. There were quite a few original pieces of paper where the beginnings of songs were scribbled. There were also plenty of hotel pads of paper with lyrics on them. Loved seeing where changes were made to lyrics.

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Cities and Sounds

I loved that there was a section of the hall that saluted cities and sounds. There was a section devoted to Memphis, Los Angeles, San Francisco, London and Liverpool, Seattle, and of course, Detroit.

In the Memphis section, there were plenty of neat things from Sun Records. Johnny Cash, Elvis, Jerry Lee Lewis, Carl Perkins and Roy Orbison all recorded there. To stand in front of Roy Orbison’s glasses and guitar was pretty awesome. My earliest musical memories are of my dad playing Roy’s music for me.

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A nice tribute to Motown is here with stuff from Barry Gordy, The Supremes (you can see some of their dresses), Smokey Robinson, and the Temptations are all here. They were playing the episode of To Tell The Truth with Barry Gordy as we walked through this section.

The Beatles and the Rolling Stones each have a nice section at the Hall. I thought Mick Jagger of the Stones was taller, but standing by some of his outfits, he’s shorter than I thought. There is the Asher family piano that Paul McCartney donated, some of John Lennon’s outfits, and the handwritten lyrics to “In My Life”. A very cool documentary was playing in their section as well.

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I jumped ahead a bit because the next section was London and Liverpool. There were some very neat things from the Yardbirds, Peter and Gordon, Herman’s Hermits and the Zombies too. All in all a nice salute to the British Invasion.

San Fran featured stuff from The Grateful Dead and Janis Joplin, while LA featured stuff from The Eagles, Jackson Brown, Joni Mitchell and Neil Young. One cool thing here was a duffle bag full of hotel keys. I don’t recall, but I think it said it belonged to one of the Eagles. They basically kept the hotel key (and keychain) from every place they stayed while on tour. The bag was stuffed full of some very cool looking keychains!

This section also had tributes to grunge music, punk music and a section called “Rave On” which focused on the “pioneers” of rock. Those pioneers included Fats Domino, Chuck Berry, Little Richard, The Everly Brothers and Buddy Holly. Soul Music was also spotlighted here with some awesome suits from James Brown, stuff from Aretha Franklin, pieces of the wreckage from Otis Redding’s plane crash, and Sam and Dave. Featured in the soul section were two amazing things – guitars from Donald “Duck” Dunn and Steve “The Colonel” Cropper. They played on almost every Atlantic and Stax record. They were members of Booker T and the MG’s, and also played with the Blues Brothers. Very cool to see!!!

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Don’t worry metal heads, there was a section for Heavy Metal too. Oh, and a section for Rap, as well.

Protests

When Rock and Roll started to make waves, it wasn’t too popular with folks. We tend to forget the hatred toward the genre, but they had plenty of newscasts about burning records, and protests that happened. It was weird to watch the hatred toward the Beatles and read hate mail to the Rolling Stones. Other artists that were discussed in this section were Frank Zappa and ELO.

On the Radio

As a radio guy, it was cool to be able to walk up to an interactive touch screen and select a region of the US and then listen to old airchecks of DJ’s from different eras. Naturally, I had to listen to some of the Detroit personalities: Dick Purtain, Robin Seymour, and The Electrifying Mojo! There were plenty of familiar names from all over the states and it was nice to get to listen to their stuff too.

The Power of Rock

On the third level, there was a wall with each “class” inducted into the Hall of Fame by year. You could also go to a touch screen and search by class, by year, or by artist, and listen to their music. SO many great songs!!!

The Power of Rock is a short film by Jonathan Demme which features many performances from past Hall of Fame inductions. So many stars and so many great songs were in this film. The theater had a light show and great sound for the film and it was almost like you were watching a concert live. The film ends with Prince’s guitar solo on While My Guitar Gently Weeps – WOW! Forgot how amazing that was! They also had some of the great quotes on the walls of the hallway that you left the theater by. Prince’s outfit from that show and other outfits were there as well.

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Rock on TV

It was also very cool to see some of the TV show memorabilia on this level. You could go and record something about your favorite singer or album in special booths. It was pretty cool to stand in front of Dick Clark’s American Bandstand podium! His microphone was in a glass case with other things like the set design for the Beatles appearance on Ed Sullivan. They had TV cameras there, Don Cornelius’ suit from Soul Train, outfits from the Jackson Five and Sonny & Cher and the coat worn by Davy Jones of the Monkees that he wore on The Brady Bunch. There was also some cool musically related stuff from Saturday Night Live, and from various music videos we all watched on MTV. It was neat to see Paul Shaffer’s keyboard that he played for so many years on the Late Show with David Letterman.

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On the Radio – LIVE

One thing I didn’t realize was that Sirius XM broadcasts their “Classic Vinyl” station out of the Hall of Fame. Rachel Steele was on air when we went through. There is a glass window that allows you to look into the studio and watch them broadcast. I actually felt bad for her. One thing radio people like is the fact that they can go in to work without really worrying about what to wear, because….who is going to see you!? Whoever is on the air here, really has to “doll up” every day.

Over all, I loved every second of my visit here! Any music lover would enjoy themselves!! If you have never been …. you have to!

Christmas in March

The final stop on the trip was The Christmas Story House. It is the house featured in the holiday classic. They renamed the street “Cleveland Street” in honor of the movie. The Leg Lamp proudly sits in the front window and the Bumpass House is next door.

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This is such an inexpensive treat! The house looks a little different on the inside, but they have restored much of it to be exactly like it looks in the film, which took a bit because there were a few owners since the movie.

We were allowed to take as many pictures as we liked. There was a guide who took us through the house and told some stories. You can see the bathroom where Ralphie solves Little Orphan Annie’s secret message, you can see the many plugs the tree was plugged into, pick up the phone that Mrs. Parker calls Flick’s mom on, see the boy’s room, and see the damper in the kitchen that billows black smoke because of the “clinker” furnace.

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From the backyard you can see the steel mill (still in operation), which helped Jean Sheppard (the author) pick that particular house for the film. Across the street is a museum with the actual Red Rider BB gun used in the film, outfits from the cast, Darren McGavin’s plaster life mask (used for make up and such), plenty of behind the scenes pictures, and the Old Man’s car. The gift shop is full of great items and yes, you can purchase a pink bunny suit or a leg lamp (in various sizes).

Sam told me she’d buy me a bunny suit, but only if I wore it every Christmas! Incidentally, if you have the $$, you can spend the night in the house or next door at the Bumpass house.

The trip was short, but full of good memories. I love that we were able to do it and I love that we got to spend time with each other. It was the perfect anniversary trip.

Cleveland, does indeed, ROCK!

Music and my Grandparents

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As I have mentioned in previous blogs, I can take almost any song and connect it to a person in my life, a life event, or a time period in my life. Today, my iPod shuffle focuses on four very special people – my grandparents. What is interesting as I looked at the music, was that the list of songs for Grandpa D is the longest. Why is that interesting? As I stated in a blog entirely about him, he is the grandparent who was in my life for the shortest amount of time.

Grandpa D’s list consists of big band and country music. As stated in the previous blog, Willie Nelson’s Stardust album will forever be connected with him. September Song, Moonlight in Vermont, Stardust, All of Me, and Georgia on My Mind from that album bring back vivid memories of him. Willie Nelson, in general makes me think of him though. Blue Eyes Crying In the Rain, while I don’t think I ever heard him play it, makes me think of him. So does Angel Flying Too Close to the Ground or the amazing duet with Ray Charles, Seven Spanish Angels.

Grandpa died in 1981. In 1982, Willie Nelson released on of his biggest hits – Always On My Mind. I can recall the first time we heard it on the radio. We were driving in the car, the entire family, and it played. My mom started crying immediately. “Maybe I didn’t love you quite as often as I could have. Maybe I didn’t treat you quite as good as I should have. But you were always on my mind.” I remember mom saying that it was like grandpa sending a little message to us. I’ll always remember that.

Grandpa liked classic country, too. So songs like Behind Closed Doors by Charlie Rich, Amanda by Waylon Jennings, I Believe In You by Don Williams, You Needed Me by Anne Murray, Colorado Cool-Aid by Johnny Paycheck, and Kiss an Angel Good Morning by Charlie Pride make me think of him too.

Grandma D’s list is shortest. I’m not sure why, but I don’t remember much of the stuff she listened to. I remember her clock radio at her house and it always seemed to be on a talk radio station or a news station. I do recall her listening to a few songs, though. Sentimental Journey is a Big Band Classic. I don’t recall if it was in a commercial or on a TV show, but I remember saying that she liked it.

Because we spent a lot of time in Caseville with Grandma, she listened to the same cassettes as everyone else. Johnny Paycheck’s Greatest Hits Volume II included the song Loving You Beats All I’ve Ever Seen, a wonderful ballad about a guy who has seen some of the most beautiful things in the world – but loving his woman beats it all hands down. I recall her liking that song.

The one she loved the most on that album, though, was Rhythm Guitar. As old as the song is, it still paints a picture of people today. “Nobody wants to play Rhythm Guitar behind Jesus. Everybody wants to be the lead singer in the band.” The rhythm guitar player in the group is there to hit the chords and keep the tempo. He is in the background while the lead guitar player has all the solos and such. Nobody wants to be in the background today. In a spiritual sense, Jesus is an example of how we should live our lives. Throughout the Bible, He gives instructions on what to do and not do. However, we as people, often disregard those rules and instructions because we’d rather be the lead singer and live by our rules. I remember that was in a nutshell how grandma explained that song’s meaning to me.

Here, I would like to include my Aunt Jodi. She is only 4 years older than me. When I think of Grandma and Grandpa D, I think of her. There are songs that make me think of her and some of those great times in Caseville as well. The one that comes to mind immediately is Music Box Dance by Frank Mills. It was one of those instrumentals that you would hear on the radio all the time up there. It was a “current” (as we call it in radio) and it played like every three to four hours. She loved that song and we did too.

Another instrumental that makes me think of her is from Herb Alpert and the Tijuana Brass (who will be mentioned again in a second). We had their Greatest Hits album and they did a song called Zorba the Greek. It was a fun song that started out fast … then the song slowed WAY down……and gradually sped up to the original speed and finished. It was a fun song and I can remember dancing around the living room to it. When it was fast – we were crazy kids running and laughing. When it was slow – we were glad, because we caught our breath from running around at the beginning of the song.

Other songs that remind me of Jodi are Urgent by Foreigner and Ebony and Ivory by Paul McCartney and Stevie Wonder. Those songs were on vinyl albums that she had. My grandpa had this big console record player. It was the one that had the lid that flipped up and the turntable was inside. I recall her listening to those as well as David or Shaun Cassidy on there. I am sure she had some other albums, but there is one more I recall….

The last song that makes me think of her is called “Soupy Wails”. Another instrumental from an album called “The Soupy Sales Show”. It’s basically the Soupy Sales TV show on record. All the characters are there with songs they wrote – White Fang, Black Tooth, Hippy, and Pookie. This song is played because the neighbor tells Soupy to cut out the singing so they play an instrumental. Great stuff!

Grandma P’s list is a short one, but the songs on it generate powerful memories. A Taste of Honey was a song that was popular and recorded by a few artists. The version I am talking about was done by Herb Alpert and the Tijuana Brass. Why does this make me think of her? Because Grandma loved the Detroit Tigers. I remember many Sundays going over and watching the game on TV after eating dinner. Most of the time, she had it on the radio. The voices of the great Ernie Harwell and Paul Carey called the games while we sat in the sun porch or outside. One of the sponsors of the game was the Honey Baked Ham Company. They always used that song in their commercials. Yeah, a long stretch….but it always reminds me of those ball games and Grandma.

Grandma loved Dean Martin. He was her favorite singer. One day we got into a discussion about other Italian singers and she mentions that she she never liked Tony Bennett. Can you imagine?! Here is a guy who is STILL making music today! He’s 90 and a musical ICON. His style was very different from Dean or Sinatra. She said once that she couldn’t stand “that pimple faced, no talent, wanna be”! It still makes me laugh to think about it. One day I went to a record store and bought a few Tony albums. The funnest part of our visits became hiding them in places where she might find them (on her pillow, in the fridge, on the kitchen lighting, in the bread box….). Sometimes we were there to catch her reaction, and sometimes it was a phone call saying she found it. Fun times.

The last song that reminds me of her is Lazy Mary by Lou Monte. Lou was an Italian singer and it is a tarantella type song that has some “risque” lyrics. It is a song that many singers have sung, but Lou had a hit with it. When I got married, I wanted a dance with my grandma. I chose Lazy Mary. I am sure that I wore her out dancing to such a fast song, but I can still remember the smile on her face during it. Priceless memory.

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Grandpa P’s list is mostly big band music. I remember him telling me that his favorite song was String of Pearls by Glenn Miller. While many people remember Glenn for In The Mood, I feel String of Pearls is one of his best. A couple other Glenn Miller songs that remind me of him are the classics Sunrise Serenade and the counterpart, Moonlight Serenade. Begin the Beguine by Artie Shaw, Ciribiribin by Harry James, and many other big band songs remind me of him, too.

The odd song on this list is one he never heard. It makes me think of him because a friend of mine, Allyson, bought me a CD for Christmas the year my grandpa died. She knew that I was close to him and said there was a song on there that I had to hear. She said to listen to the lyrics and think about him while listening. That song was If I Had Only Known by Reba McEntire.

If I had only known
It was the last walk in the rain
I’d keep you out for hours in the storm
I would hold your hand
Like a life line to my heart
Underneath the thunder we’d be warm
If I had only known
It was our last walk in the rain

If I had only known
I’d never hear your voice again
I’d memorize each thing you ever said
And on those lonely nights
I could think of them once more
Keep your words alive inside my head
If I had only known
I’d never hear your voice again

You were the treasure in my hand
You were the one who always stood beside me
So unaware I foolishly believed
That you would always be there
But then there came a day
And I turned my head and you slipped away

If I had only known
It was my last night by your side
I’d pray a miracle would stop the dawn
And when you’d smile at me
I would look into your eyes
And make sure you know my love
For you goes on and on
If I had only known
If I had only known
The love I would’ve shown
If I had only known

POWERFUL! Typing those lyrics bring tears to my eyes instantly! In truth, you could think about any loved one who has passed away when you hear this song. I do. The message is clear – treat every encounter with your loved ones as if it might be your last because you never know.

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Our band director, Mr. Shaner, used to write announcements on a grease board every day. At the end of them, he’d always have some quote to think about. One of them, in particular, I have NEVER forgotten. It plays in to what I just said:

“Live every day as if it were your last – someday, you’ll be right”.

Make every day count. Always tell someone you love them. Treasure ever moment you have with family. Life is too short. Make memories that will last long after those special people in your life are gone!